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November releases test Telugu cinema's momentum

2026-11-03T21:30:16.331-08:00

November Telugu releases will test whether Tollywood’s renewed theatrical strength in 2026 can carry into another competitive month. The key question is not simply which film opens biggest, but whether a busy release calendar can turn audience interest into sustained business when Telugu productions and a major multilingual release are competing for attention.

There are encouraging signs: The Times of India reported in late August that six Telugu films had achieved box-office success in two months, with theatrical interest lasting beyond their opening weeks. Yet an uneven start to the year, sharply fluctuating collections for successful films, and shifting release dates make November more than a routine run of new arrivals. For fans deciding what deserves a theatre visit, the month offers a useful test of star appeal, storytelling, scheduling and staying power.

Why November Telugu releases matter for Tollywood’s momentum

November Telugu releases will test whether the industry’s recent box-office recovery is broad enough to withstand a crowded calendar. The clearest signals will be audience retention after the first weekend, the performance of films beyond major star vehicles, and how Telugu titles compete with the multilingual release Ramayana.

That is a different question from asking whether Tollywood can produce a hit. The supplied reporting already establishes that it can. What November needs to reveal is whether several kinds of films can find an audience within a compressed period, rather than leaving the month dependent on one exceptional performer.

The distinction matters because an industry’s momentum is not identical to the excitement surrounding its most visible title. A major opening can dominate conversation while other releases struggle to register. A healthier pattern would allow different films to connect with different audiences, even if their collections and commercial ambitions are not directly comparable.

November’s most revealing result may not be the biggest opening. It may be how many films still give audiences a reason to visit theatres after the initial rush.

This is an editorial yardstick, not a forecast of which film will win. The available facts support anticipation and scrutiny, but they do not establish November outcomes in advance. Release listings tell us that films are being positioned for the month; they cannot tell us how viewers will respond.

What would make the month genuinely encouraging?

More than one route to success: Strong results across different scales or genres would be more revealing than a single line-grabbing release.
Interest that survives new arrivals: An existing film continuing to attract viewers while another opens would suggest room for multiple theatrical choices.
Audience response that supports repeat attention: Recommendations and sustained interest would give opening excitement a firmer foundation.
Clear positioning for individual films: Each release needs a persuasive reason to be chosen, especially when viewers have several options.

None of these measures requires every film to become a blockbuster. They ask whether the market can support a varied slate. That is the more useful way to assess momentum in a month where a large opening, a modest surprise and a disappointing release could all coexist.

Telugu cinema enters November with strength, but not a clean winning streak

The strongest reason for optimism comes from the late-August report in The Times of India: six Telugu films had delivered box-office success in just two months. Crucially, the report described theatrical interest extending beyond opening weeks. That makes it relevant to November’s prospects, rather than merely a celebration of initial turnout.

A cluster of successful films offers a broader signal than an isolated hit. It suggests that the recent theatrical conversation has not rested on only one release. However, the supplied reporting does not identify the budgets, distribution arrangements or complete collection trajectories of all six films, so it would be a stretch to treat them as six identical commercial stories.

The earlier part of 2026 provides a necessary counterweight. The Indian Express reported an uneven beginning for South Indian cinema, including a weak February for Telugu releases and wider concerns about the performance of big films. The year therefore cannot be described accurately as an uninterrupted box-office surge.

Why the uneven start changes the November question

If the year had been consistently strong, November might look like a straightforward continuation of an established trend. Instead, it arrives after evidence of both weakness and recovery. Its results can help show whether the improvement has become more durable or remains sensitive to individual titles.

For viewers, that context is more useful than sweeping claims that theatrical cinema is either thriving without difficulty or facing universal trouble. The supplied examples support neither extreme. They point to a market in which audiences are willing to turn up, but where that willingness still needs to be earned film by film.

There is also a difference between a successful stretch and a guarantee for the next release window. A strong recent record can raise expectations, yet it does not transfer audience approval automatically to an unrelated film. November’s titles will benefit from entering an active theatrical conversation, but their own reception remains decisive.

The sensible baseline, then, is guarded enthusiasm. Tollywood has concrete successes behind it and a busy month a. The question is how effectively the incoming films convert that opportunity into results, without assuming that the momentum of one part of the year settles the next.

What The Paradise and AK47 reveal about box-office strength

Nani’s The Paradise offers the clearest illustration of why a film’s trajectory matters as much as its line total. According to The Indian Express, it crossed ₹150.50 crore worldwide by day 6 and became the sixth Telugu film of 2026 to enter the ₹100 crore worldwide club. Those are substantial markers of theatrical reach within the supplied reporting.

The same report also recorded a sharp day-2 drop of 57%. Both facts belong in the assessment. The film’s eventual scale should not erase the early decline, and the early decline should not erase the scale it went on to achieve.

A big hit can still have an uneven collection curve

For November coverage, The Paradise is a warning against drawing a complete verdict from a single daily movement. A large fall is important information, but it is not the same as a final result. Equally, a milestone total tells readers how much a film has collected without explaining every stage of how it got there.

That does not make daily collections irrelevant. It means they should be read in sequence and alongside cumulative performance. A useful assessment asks what happened next, how much ground the film covered, and whether the wider trajectory supports or complicates the first impression.

AK47 supplies another encouraging example. The Indian Express highlighted it as a strong box-office performer, collecting over ₹34 crore worldwide in two days. The result supports the view that Telugu audiences are responding to theatrical event films, even though that two-day figure alone does not establish the film’s entire commercial outcome.

The Paradise shows scale: Its reported day-6 worldwide total demonstrates how far a successful Telugu release can travel commercially.
Its early drop shows volatility: Significant success and a steep daily decline can be part of the same release story.
AK47 shows immediate traction: Its reported two-day business offers another concrete sign of audience interest in event-driven theatrical viewing.

These examples are useful reference points, not universal targets for November films. A mystery thriller should not automatically be judged against the worldwide total of one of the year’s biggest hits. The better comparison is whether each release is building a convincing run on its own terms, with collection figures described accurately and without turning unlike films into a simplistic race.

The November 2026 release calendar is already a competitive factor

The scheduling evidence makes clear that November is attracting active interest. Times of India’s Telugu release listings include titles lined up for November 6 and November 13. Separately, Rahul Vijay’s mystery thriller AH has moved from an October 30 release to November 12, 2026.

These details establish a busy release window without requiring an invented full lineup. The supplied information does not name the films in the November 6 and November 13 listings, so those dates should be treated as evidence of calendar activity rather than an excuse to fill in unsupported titles.

AH’s move is particularly relevant because it brings a film originally positioned outside November into the month. What the shift does not establish is why the decision was made. It would be speculative to attribute it to a rival release, production circumstances or a particular commercial strategy without additional reporting.

What the known dates tell viewers

November 5: Ramayana is set for a multilingual theatrical release that includes Telugu, according to Moneycontrol.
November 6: Times of India’s Telugu release listings show scheduling activity for this date.
November 12: AH is scheduled to arrive after moving from October 30.
November 13: The Telugu release listings show another active date immediately after AH’s planned arrival.

The sequence matters more than a vague description of the month as crowded. It places a major multilingual title close to one listed Telugu release date, then positions AH just before another. That creates several moments when viewers may be weighing a fresh arrival against a film already in cinemas.

A busy calendar can be an advantage for audiences because it offers choice. For individual films, however, choice also creates a sharper need to communicate identity. A release needs to make clear what kind of experience it offers and why that experience deserves attention now rather than later.

The schedule also makes a single opening-weekend comparison incomplete. Films arriving on different dates will be at different stages of their runs when the next title appears. Reading the month as a sequence of audience decisions is therefore more informative than treating every release as though it starts from the same position on the same day.

How Ramayana changes the competition for Telugu audiences

Moneycontrol reported that Ramayana is set for a November 5, 2026 theatrical release in multiple languages, including Telugu. That makes it a major non-Telugu title competing for the same regional audience’s attention. Its relevance to Tollywood’s November is practical: Telugu viewers will have another prominent theatrical option alongside Telugu-origin films.

This is not simply a contest between industries. From a viewer’s perspective, the choice is between experiences available in a language they can watch. A Telugu-language release of a non-Telugu production can therefore be part of the same cinema-going decision as a local star vehicle or a smaller thriller.

Competition does not produce only one possible outcome

One possibility is that a prominent multilingual release absorbs attention that might otherwise go to another film. Another is that different titles appeal to different viewing groups and coexist. The supplied facts do not establish advance bookings, screen allocations or audience overlap, so neither outcome should be presented as settled.

For November’s Telugu films, the useful strategic question is differentiation. Trying to look equally large is not the only response to a major competitor. A film can instead offer a distinct genre, a different emotional register or a more focused viewing proposition, provided those qualities are genuinely part of the finished work.

That is especially relevant when discussing AH as a mystery thriller. Its potential point of distinction is not an assumption that it can match the scale of a major multilingual release. It is the possibility of serving viewers who want a different kind of theatre experience. Whether it does so successfully will depend on the film and its reception.

Ramayana’s inclusion in the Telugu-language marketplace also changes how November results should be interpreted. If a Telugu-origin film performs modestly, it would be too easy to blame competition without evidence. If several films do well, it would be equally premature to assume they all reached exactly the same audience.

The grounded conclusion is narrower and more useful: November’s market test extends beyond the Telugu production slate alone. Any account of the month’s momentum needs to consider the actual range of films Telugu audiences can choose from, while keeping claims about their competitive impact tied to reported results.

Why AH gives November a different kind of test

Rahul Vijay’s AH brings a mystery-thriller proposition to the November discussion. Its confirmed relevance here is straightforward: the film moved from October 30 to November 12, 2026. That places it inside an active release window and gives the month a test beyond the box-office scale of its largest attractions.

For a mystery thriller, the audience’s decision can involve a different set of expectations from those surrounding an event film. Viewers may be looking for suspense, an involving central question and a satisfying payoff. Those are genre expectations, not claims that AH has already delivered them.

A distinct identity can matter more than matching scale

The useful question is whether AH can establish a clear reason to be watched in theatres. Its genre provides a starting point for that identity, but a label alone cannot demonstrate execution. Reviews and audience response after release will be needed to assess whether the storytelling fulfils the promise.

This is where November can offer a broader measure of Telugu cinema’s health. If attention goes only to the largest releases, the month tells us relatively little about opportunities for other kinds of films. A thriller finding its audience would add a different kind of evidence to the industry picture, even without matching a major hit’s gross.

For prospective viewers: Look for spoiler-light assessments of the film’s suspense, narrative clarity and overall payoff rather than relying only on the mystery label.
For box-office readers: Follow AH’s own reported trajectory instead of applying the collection milestones of much larger films as an automatic benchmark.
For discussions of the slate: Treat the film as a distinct release with its own audience proposition, not merely a smaller name beside the month’s biggest attraction.

The proximity of the November 13 listings adds another point of interest. AH is positioned immediately before another active release date, which means its initial audience response could enter a quickly changing conversation. That is a scheduling observation, not proof that it will lose attention or theatrical access.

For fans, the appeal of a varied month is precisely this possibility of discovery. A big release can deliver scale, while a thriller can offer concentration and suspense. November becomes more interesting when those experiences are assessed for what they attempt, rather than forcing every film into the same definition of cinematic value.

Ranabaali shows why ambition, reception and collections need separate judgments

The Indian Express reported that Ranabaali drew mixed-to-poor reception. In the same coverage, Vijay Deverakonda said he believed the film would make Telugu cinema proud and spark family conversations, even if box-office expectations were not met. That contrast is a reminder that a creator’s intentions and a film’s reception are related subjects, but not interchangeable evidence.

The actor’s stated belief helps explain what he hoped the film would mean to viewers. It does not overturn the reported reception. Likewise, an unmet box-office expectation does not by itself answer every question about a film’s themes, performances or personal significance to individual audience members.

Three questions that should not be collapsed into one

What was the film trying to do? This concerns artistic intention and the conversations its makers hoped to encourage. Deverakonda’s comments belong primarily in this part of the discussion.

How did viewers and critics respond? This concerns reception. The supplied reporting characterises Ranabaali’s reception as mixed to poor, which should be acknowledged rather than softened into an unsupported success narrative.

How did it perform commercially? This concerns business and expectations. The provided account says box-office expectations were not met, but it does not provide figures that would support a more detailed financial verdict.

Keeping these questions separate makes November coverage fairer. A film can have sincere ambitions and still disappoint. It can also contain worthwhile ideas without becoming the commercial result its supporters wanted. Neither enthusiasm nor criticism benefits from pretending that all forms of judgment must point in the same direction.

This is particularly important in a fan-driven conversation, where defending a star can sometimes replace discussing the film. A grounded assessment gives the intention its due, examines whether the work achieves it, and reports the business without treating commercial performance as the only possible measure of value.

Ranabaali therefore adds a different caution from The Paradise. The Paradise demonstrates how an early collection drop can coexist with substantial success. Ranabaali shows why confidence in a film’s purpose cannot substitute for evidence of audience acceptance. Together, they argue for evaluating November releases through more than promotional conviction or isolated numbers.

How to read November’s Telugu box-office results without losing the plot

As November reports arrive, the most useful approach is to build a picture in stages. The supplied examples already show why instant verdicts can mislead: a major film can suffer a steep early decline and still reach a substantial total, while an ambitious release can fail to meet expectations despite its maker’s confidence.

A consistent reading method does not require fans to become trade analysts. It simply means checking what each number describes, separating reported facts from interpretation, and resisting comparisons that leave out the scale or timing of the films involved.

Identify the reporting window. A two-day collection and a day-6 total describe different stages of a run. AK47’s reported opening business and The Paradise’s later milestone should not be presented as directly equivalent measurements.
Check the geographical scope. The figures supplied for both films are worldwide collections. They should not be relabelled as Telugu-state collections or domestic totals.
Read daily changes alongside cumulative business. A percentage decline adds information about the trajectory, but it does not replace the total collected or establish the final outcome.
Separate audience reception from commercial reporting. Reviews help viewers judge the likely experience; collection reports describe business. Each answers a different question.
Assess the slate, not just the leader. November’s broader significance depends on what happens across its releases, including films with less immediate visibility.

What viewers can use before choosing a ticket

For a personal viewing decision, box-office leadership is only one piece of context. Genre preference, spoiler-light reviews and interest in the film’s premise can be more useful than a running contest between totals. A film being the biggest release does not automatically make it the best match for every viewer.

Fans following AH may want to preserve the mystery while checking whether reviewers find the storytelling satisfying. Those considering Ramayana will be choosing among a different set of expectations associated with its multilingual theatrical positioning. Viewers tracking Telugu star films can distinguish excitement around the performer from assessments of the finished work.

At the industry level, the final takeaway should emerge from a pattern rather than a preferred winner. November will look more encouraging if its results show room for several kinds of films, not merely if one title produces a spectacular line. That gives fans a clearer way to discuss the month without reducing every release to either a triumph or a crisis.

November Telugu releases arrive with genuine reasons for optimism: a recent cluster of successful films, major 2026 performers such as The Paradise and AK47, and an active theatrical calendar. They also face a meaningful test, with AH moving into the month and Ramayana adding a prominent Telugu-language option from outside the Telugu production slate.

The useful takeaway is to watch the whole month, not just its loudest opening. Follow confirmed schedules, read collection figures in context, and judge each film’s reception separately from its ambitions. If November can sustain audience interest across more than one kind of release, it will offer stronger evidence of Tollywood’s momentum than any single opening-day line.

#Single Telugu Movie Review (2025): Sree Vishnu's Romantic Comedy with a Modern Twist

2025-05-09T04:49:00.000-07:00

🎬 #Single (2025) – Telugu Romantic Comedy

Director: Caarthick Raju
Cast: Sree Vishnu, Ketika Sharma, Ivana, Vennela Kishore
Music: Vishal Chandrashekhar
Runtime: 129 minutes
Production: Geetha Arts & Kalya Films

📝 Plot Summary

Vijay (Sree Vishnu) is a bank employee who falls in love at first sight with Purva (Ketika Sharma). As he tries to win her affection, Harini (Ivana), who secretly harbors feelings for Vijay, begins to follow him. The story unfolds as Vijay gradually learns about Harini's identity and intentions, while Purva comes to understand Vijay's true feelings and motivations.Wikipedia

🎭 Performances & Direction

Sree Vishnu delivers a commendable performance, showcasing his comic timing and emotional depth. Ketika Sharma and Ivana provide solid support, adding layers to the romantic narrative. Vennela Kishore's presence adds a humorous touch to the film. Director Caarthick Raju blends traditional storytelling with contemporary themes, offering a fresh take on romantic comedies.Wikipedia+2Wikipedia+2123telugu.com+2

🎵 Music

The soundtrack, composed by Vishal Chandrashekhar, complements the film's mood. Notable tracks include "Shilpi Yevaro" and "Sirrakaindhi Single Bathuku," which have been well-received by audiences.Wikipedia

📊 Critical Reception

The film has garnered mixed to positive reviews:

India Today: 3/5 stars – Praises the film's light-hearted approach and nostalgic humor.
OTT Play: 3/5 stars – Highlights the film's youth-oriented comedy and pop culture references.
The Hindu: Offers a more critical view, suggesting the film relies on outdated comedic tropes.Wikipedia

✅ Verdict

#Single offers a blend of humor, romance, and relatable characters, making it an enjoyable watch for fans of Telugu romantic comedies. While it may not break new ground, its heartfelt performances and engaging narrative ensure a pleasant cinematic experience.Wikipedia

"Kushi" Movie Review: Vijay Deverakonda and Samantha Shine in Shiva Nirvana's Romantic Delight

2023-09-02T06:50:00.003-07:00

In the enchanting world of director Shiva Nirvana's "Kushi," Vijay Deverakonda and Samantha Ruth Prabhu unleash their charisma, elevating this romantic entertainer with a feel-good aura while deliberately skimming over its underlying conflict.

"Kushi" is meticulously crafted to be a delightful cinematic experience, leaving a lasting impression of heartfelt entertainment. The trio at the heart of this film—director Shiva Nirvana, along with actors Vijay Deverakonda and Samantha Ruth Prabhu—embarks on a mission to regain their box office prominence, given their recent underwhelming cinematic outings. As a result, "Kushi" goes the extra mile to deliver a gratifying family-friendly spectacle.

This endearing tale revolves around charismatic leads immersed in a romantic drama infused with humor and melodious tunes. The narrative seamlessly incorporates nods to Mani Ratnam's films, as well as paying homage to the stars, Vijay and Samantha. Beneath the film's entertaining veneer lies the subtle conflict of contrasting ideologies that can strain relationships. Shiva Nirvana opts for a simplistic approach, demonstrating that love has the power to bridge ideological gaps. While some characters remain one-dimensional, the exploration of these differing worldviews remains superficial.

The film's opening segment underscores the need for Shiva Nirvana, who serves as the story's writer, to delve into a more nuanced portrayal of individuals with all their complexities. Lenin Sathya (Sachin Khadekar) is an atheist, adorned with posters of scientists and slogans like "In science we trust." On the other hand, Chadarangam Srinivasa Rao (Murali Sharma) is renowned for his religious sermons and unwavering faith in rituals. Their clash escalates through a heated television debate. Predictably, chaos ensues when Lenin's son, Viplav Deverakonda (Vijay Deverakonda), and Chadarangam's daughter, Aradhya (Samantha Ruth Prabhu), fall in love and decide to marry.

"Kushi" (Telugu)

Cast: Vijay Deverakonda, Samantha Ruth Prabhu, Murali Sharma, Lakshmi

Director: Shiva Nirvana

Music: Hesham Abdul Wahab

Plot: What happens when a marriage unites individuals with polar opposite ideologies?

Shiva Nirvana narrates the Viplav-Aradhya romance with generous nods to the styles of Mani Ratnam and AR Rahman. Viplav, an ardent Mani Ratnam fan, embarks on a captivating journey of self-discovery in Kashmir, accompanied by Pitobash (Vennela Kishore, who effectively balances humor with seriousness). G Murali's cinematography, resembling the work of PC Sreeram and Santosh Sivan, pays tribute to these masters, while music composer Hesham Abdul Wahab masterfully contributes a feel-good score that leaves us yearning for an AR Rahman background score in the Kashmir setting.

The sequences in which Viplav woos Aradhya could have benefited from more robust writing. However, we willingly embrace the cinematic and occasionally silly situations, thanks to Vijay Deverakonda's portrayal, brimming with innocence and sincerity, as he effortlessly harnesses his charm. It's a return to his roots as the imperfect boy next door, and he owns every moment. Additionally, a hilarious reference to "Arjun Reddy" enhances the experience, especially with Rahul Ramakrishna playing the role of the friend.

"Kushi" delves into "Alaipayuthey" (known as "Sakhi" in Telugu) territory as Viplav and Aradhya defy their families. Even the middle-class setting and the older couple (Rohini and Jayaram) encouraging the younger couple to consider the bigger picture amid everyday frictions serve as a nod to "Alaipayuthey" and "Okay Kanmani."

However, "Kushi" falters when the parents enter the scene. At one point, a father's 'I-told-you-so' reaction to an unfortunate event, instead of offering emotional support, reflects the inherent egoism of the human mind. The resolution of the conflict between these polar-opposite characters occurs in the final act.

The journey leading up to this climax, however, feels uneven. The narrative avoids delving deep into any issue, quickly shifting to comedic situations or musical interludes to preserve the feel-good factor. The credit goes to Vijay and Samantha (ably supported by Chinmayi's dubbing) for conveying their characters' inner turmoil effectively in these moments. Murali Sharma and Sachin Khadekar strive to transcend their characters' limitations, but their roles offer limited scope.

Is "Kushi" entertaining? Undoubtedly. It's a heartwarming romantic musical elevated by its charming leads. However, it could have become a standout film by addressing the science versus religion conflict with more depth and contemplation.

Miss India Shines in Ashok Galla's Second Act: A Stellar Collaboration

2023-09-01T00:04:00.000-07:00

Ashok Galla, the grandson of Superstar Krishna and nephew of superstar Mahesh Babu, who made a spectacular debut with "Hero," is currently in the process of working on his second film. This project is being directed by Arjun Jandyala, known for his work in the acclaimed film "Guna 369." The storyline for this upcoming film, referred to as "#AshokGalla2," has been crafted by the creative director Prasanth Varma. Somineni Balakrishna, an NRI film distributor, is producing the movie under the banner of Lalithambika Productions as their first venture, with co-producer K Sagar, and presenting by Nallapaneni Yamini.

The film stars Varanasi Manasa, Miss India 2020, in the female lead role opposite Ashok Galla. She was recently introduced as Satya Bhama through her first-look poster, where she appears in a traditional attire, looking elegant in a half saree. Her charming smile adds an extra layer of beauty to her captivating personality.

Previously, the makers unveiled a glimpse of Ashok Galla's character on his birthday, portraying him in an action-packed avatar with a rugged and robust appearance.

The film boasts a team of top-notch technicians, including the renowned composer Bheems Ceciroleo, known for his blockbuster music in the recent hit "DHAMAKA." Prasad Murella serves as the cinematographer, while Tammiraju takes on the role of the editor. Dialogues for the film are provided by Burra Sai Madhav. Additional cast and crew details will be revealed at a later time.

Currently, the film's production is in progress.

Cast:

Ashok Galla

Varanasi Manasa

Technical Crew:

Story: Prasanth Varma

Director: Arjun Jandyala

Producer: Somineni Balakrishna

Banner: Lalithambika Productions

Presents: Nallapaneni Yamini

Music: Bheems Ceciroleo

DOP: Prasad Murella

Editor: Tammiraju

Dialogues: Burra Sai Madhav

Co-Producer: Sagar.K

Publicity Designer: Dhani Aelay

Vijay Deverakonda and Samantha's "Kushi" Takes the World by Storm: A Cinematic Love Story Unveiled

2023-08-31T23:53:00.002-07:00

The highly anticipated pan-Indian romantic drama "Kushi," directed by Shiva Nirvana and starring Vijay Deverakonda and Samantha, is set to hit theaters worldwide on September 1, 2023. The film's captivating songs have already generated significant buzz ahead of its release.

As part of the promotional activities, Vijay Deverakonda, known for his creative approach to film promotion, organized a national Q&A session with fans. He kicked off the event by personally distributing "Kushi" to more than 8000 enthusiastic fans during a meet-and-greet in the afternoon, and then promptly joined the national Q&A.

With an infectious smile and overflowing enthusiasm, Vijay Deverakonda expressed his deep affection for "Kushi," highlighting how he cherished the script, the filmmaking process, and the promotional journey. He confidently predicted that audiences would leave the theaters with beaming smiles after watching the film.

When asked about his favorite cinematic moment, Vijay fondly recalled Mahesh Babu's entry in "Pokiri," which ignited his passion for acting. He expressed his aspiration to perform such iconic scenes, paying tribute to the unforgettable "Pokiri" moment.

In response to the director's question, Vijay commended Shiva Nirvana's talent for comedy and shared his enjoyment of working with Vennela Kishore. He praised Shiva's unwavering commitment to cinematic excellence, emphasizing how Shiva continuously seeks ways to enhance each scene for the better.

During a live interaction, Samantha Ruth Prabhu (USA) joined in, and both Vijay and Samantha enthusiastically discussed their excitement for "Kushi." Samantha revealed her plans to watch the film's premiere with fans in the USA, earning Vijay's admiration for her dedication to the project.

Vijay Deverakonda also lauded Hesham Abdul Wahab's music, which has been widely celebrated by everyone. He eagerly anticipated the background score, especially during the climax, promising an unforgettable experience on September 1st.

In a succinct summary, Vijay described "Kushi" as a film that would captivate viewers from start to finish, sparking discussions and providing entertainment throughout. He engaged with fans by answering various questions, from his thoughts on marriage and favorite foods to his sources of inspiration, leaving his admirers delighted.

The Rise of Telugu OTT Platforms: Changing the Game in Tollywood

2023-08-31T23:41:00.000-07:00

Introduction:

In recent years, the landscape of the Telugu film industry, fondly known as Tollywood, has undergone a transformative shift. Traditional cinema has found a formidable partner in the digital age - Over-The-Top (OTT) streaming platforms. The surge of Telugu OTT platforms has not only changed how Telugu cinema is consumed but also revolutionized the way new talent is discovered and content is created. In this article, we will explore the profound impact of OTT platforms on Tollywood.

The Emergence of Telugu OTT Platforms:

The advent of Telugu OTT platforms like Aha, Sun NXT, and ZEE5 Telugu marked a significant turning point for the industry. These platforms recognized the potential of Telugu content and created dedicated spaces for Telugu movies and web series. With their user-friendly interfaces and vast libraries, they provided a convenient way for audiences to access Telugu content, both classic and contemporary.

Breaking the Language Barrier:

One of the most remarkable effects of Telugu OTT platforms is their role in breaking down language barriers. Telugu content is now accessible to a global audience, transcending geographical limitations. Subtitles and dubbing options have made Telugu cinema more inclusive, allowing non-Telugu speakers to enjoy the rich storytelling and performances.

Showcasing New Talent:

Perhaps the most significant contribution of Telugu OTT platforms to Tollywood is their role in nurturing and showcasing new talent. These platforms have become incubators for budding filmmakers, directors, writers, and actors. They provide opportunities for fresh voices and unconventional narratives that might not have found a place in mainstream cinema.

A Platform for Diverse Storytelling:

OTT platforms have encouraged experimentation and diversity in storytelling. Telugu filmmakers are now more willing to explore unconventional themes and narratives. They are not bound by the constraints of box office success, allowing for a more extensive range of stories to be told.

Reviving Classic Content:

Beyond showcasing new talent, Telugu OTT platforms have also been instrumental in resurrecting classic Telugu films. Digitally restored versions of timeless classics have found a new lease of life, introducing them to a younger generation of viewers who may not have had the chance to experience these cinematic gems on the big screen.

Encouraging Creative Risk-Taking:

OTT platforms have disrupted the traditional formula of Tollywood and encouraged creative risk-taking. Filmmakers are more willing to explore unconventional genres, formats, and durations, leading to a broader spectrum of content. This has resulted in the creation of critically acclaimed series and films that have garnered national and international recognition.

Boosting Telugu Cinema's Global Presence:

The global reach of Telugu OTT platforms has boosted the international presence of Telugu cinema. Telugu content now has viewers across the world, expanding the market and increasing its global visibility.

Conclusion:

The rise of Telugu OTT platforms has not only changed the game in Tollywood but has also reshaped the way we perceive and consume Telugu content. These platforms have democratized filmmaking, giving talented individuals a platform to showcase their skills. They have breathed new life into the industry, encouraging diverse storytelling and global recognition. As Telugu OTT platforms continue to evolve, it's evident that they will play an increasingly pivotal role in the future of Tollywood, providing fresh perspectives and pushing the boundaries of creativity in Telugu cinema.

BholaaShankar: Megastar Chiranjeevi's Impressive Nataraj Avatar

2023-02-18T07:52:00.001-08:00

The movie 'BholaaShankar', featuring Megastar Chiranjeevi, is being directed by Mehr Ramesh and produced under the banner of AK Entertainments. Tamannaah is portraying the character of Keerthy Suresh's sister, and will be seen opposite Chiranjeevi in the movie. To mark the occasion of Shivratri, the movie team has released a motion poster of 'Bhola Shankar'. Megastar's stunning appearance, where he is seen holding a drum and performing the Nataraj pose, has left a lasting impression on his ardent fans.

Magnum Opus 'Shaakuntalam': A Mesmerizing Tale of Love, Music and Magic

2023-02-18T02:02:00.000-08:00

In the upcoming movie Shaakuntalam, Samantha plays the lead role and is directed by the talented filmmaker Gunasekhar. The film has been generating good buzz among audiences due to its mesmerizing trailer and enchanting songs.

The makers of the movie have recently released another entrancing song called "Madhura Gathamaa" which has a soothing tune capable of putting anyone in a trance. The composer Manisharma has once again proven why he is known as the Melody Brahma.

The magical melody of the song is sure to make everyone feel the yearning for love on this Valentine's Day. The captivating lyrics by Shreemani express the greatness of love, while Samantha's ethereal beauty and her romance with King Dushyant (played by Dev Mohan) are just beautiful to experience. The enchanting voices of Armaan Malik and Shreya Ghoshal add beautiful emotion to the lyrics.

In addition to Samantha's performance, the movie also marks the silver screen debut of Allu Arjun's sister-in-law, Arha, who will be playing the role of Prince Bharata. Shaakuntalam is based on the internationally acclaimed Kalidasa's Sanskrit play 'Abhijnana Shakuntalam,' and features an ensemble cast including Mohan Babu, Prakash Raj, Madhu Bala, Gautami, and many other notable actors.

The Magnum Opus 'Shaakuntalam' will be released on April 14th in Telugu, Hindi, Tamil, Kannada, and Malayalam. The movie is produced by Neelima Guna and presented by Dil Raju.

Rana Naidu: A High-Octane Father-Son Battle in India's Superstar Duo

2023-02-17T22:49:00.001-08:00

Get ready for the ultimate action-packed ride as Netflix's upcoming series Rana Naidu premieres on March 10, 2023. Rana Naidu is an adaptation of the popular American series, Ray Donovan, and is produced by Sunder Aaron and Locomotive Global and created for India by Karan Anshuman. The series is directed by Karan Anshuman & Suparn S Varma.

Rana Naidu brings together two of India's superstars, Rana Daggubati and Venkatesh Daggubati, as the warring father and son duo. Rana Naidu is an ultimate celebrity fixer who is posed with the biggest problem yet - his father, Naga! Venkatesh Daggubati delivers a mind-blowing performance, embodying the fierce and intense character of Naga. As Rana continues to sort the dirty work for the city’s top power players, will his own father prove to be his biggest roadblock challenging their unpleasant relationship? The series boasts of an ensemble cast featuring Surveen Chawla, Sushant Singh, Abhishek Banerjee, Gaurav Chopra, Ashish Vidyarthi, and Rajesh Jais in key roles and promises to be a nail-biting, edge of the seat experience for audiences!

Valentine's Day Special: Save Big on Smartwatches from Top Brands like Noise, Boat, Fire-Boltt

2023-02-11T08:52:00.001-08:00

Valentine's Day is around the corner and what could be a better way to show your love and affection than giving a special gift to your loved one. If your partner is a tech-savvy person, a smartwatch could be an excellent choice for a gift. With the growing popularity of smartwatches, many brands have come up with exciting offers for Valentine's Day. In this article, we will take a look at some of the best Valentines gifting offers on smartwatches from popular brands such as Noise, Boat, Fire-Boltt, and more.

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Noise:

Noise, one of the leading tech brands in India, is offering great discounts on its smartwatches this Valentine's Day. The Noise ColorFit Pro 3 is a fantastic choice for fitness enthusiasts, as it comes with features like heart rate monitoring, sleep tracking, and GPS. This smartwatch is available at a discounted price of INR 3999, making it an affordable option for those who want to give a tech-savvy gift to their loved one.

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Boat:

Boat, another popular brand in India, is offering discounts on its smartwatches this Valentine's Day. The Boat Storm smartwatch is a great choice for those who want a stylish and functional smartwatch. It comes with features like heart rate monitoring, GPS, and water resistance, making it ideal for fitness and outdoor activities. This smartwatch is available at a discounted price of INR 3999, making it an affordable option for those who want to show their love and affection.

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Fire-Boltt:

Fire-Boltt, a brand known for its innovative products, is offering great discounts on its smartwatches this Valentine's Day. The Fire-Boltt Blast smartwatch is a perfect choice for those who want a smartwatch with a stylish design and powerful features. It comes with features like heart rate monitoring, sleep tracking, and GPS, making it ideal for fitness enthusiasts. This smartwatch is available at a discounted price of INR 5999, making it an affordable option for those who want to give a special gift to their loved one.

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In conclusion, these are some of the best Valentines gifting offers on smartwatches from popular brands such as Noise, Boat, Fire-Boltt, and more. With these discounts, you can now give a special gift to your loved one without breaking the bank. So, don't miss out on these exciting offers and show your love and affection with a smartwatch this Valentine's Day

Get Fit and Connected with the Fire-Boltt Talk 2 Smartwatch - The Best Option Under Rs. 2000

2023-02-11T08:40:00.002-08:00

Fire-Boltt, India's No. 1 Smartwatch brand, has launched its latest product Talk 2, a Bluetooth Calling Smartwatch with Dual Button, Hands-On Voice Assistance, 60 Sports Modes, in-built Mic & Speaker, and IP68 rating. This smartwatch is packed with features that make it an excellent choice for those who want to stay connected and fit at the same time.

The Talk 2 Smartwatch is equipped with dual button functionality, which makes it easy to access your favorite apps and perform various functions. The hands-on voice assistance feature allows you to control your smartwatch with your voice, making it convenient and user-friendly. With 60 different sports modes, you can track your fitness goals, monitor your progress, and get personalized coaching to help you reach your targets.

The built-in microphone and speaker allow you to make and receive calls directly from your wrist, making it a great alternative to your phone. The IP68 rating means that the Talk 2 is water-resistant and can be worn while swimming or during rainy weather, making it an ideal choice for those who lead an active lifestyle.

The Talk 2 also has a sleek and stylish design that looks great on any wrist. It is available in various colors to suit your personal style and preferences. The 1.3-inch TFT display provides clear and vibrant visuals, making it easy to see your fitness data and other information.

The best part about the Fire-Boltt Talk 2 is its price. It is currently available at a discount price of Rs. 1,999, which is an excellent deal compared to its actual price of Rs. 4,999. You get all these amazing features at a fraction of the cost, making it an affordable option for those who want to stay connected and fit.

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In conclusion, the Fire-Boltt Talk 2 Bluetooth Calling Smartwatch is an excellent choice for anyone looking for a smartwatch that offers functionality, style, and affordability. With its dual button functionality, hands-on voice assistance, 60 sports modes, in-built microphone and speaker, and IP68 rating, it is the perfect companion for your active and connected lifestyle. So, don't wait any longer, get your Fire-Boltt Talk 2 Smartwatch today!

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అమెజాన్ లో భారీ డిస్కౌంట్లు

2017-09-20T20:57:00.000-07:00

దసరా పండుగ సందర్బంగా అంతర్జాతీయ ఈ- కామర్స్ దిగ్గజం అమెజాన్ లో కూడా పండుగ సీజన్ ప్రారంభమైంది. ఇవాళ గ్రేట్ ఇండియా సేల్ ను ప్రారంభించింది. 24వ తేదీ వరకు జరిగే ఫెస్టివల్ లో కంపెనీ భారీ డిస్కౌంట్ ఆఫర్లను ప్రకటించింది. ఈసారి ఫుడ్, గ్రోసరీలో భారీ మెుత్తంలో డిస్కౌంట్లను అందిస్తున్నట్టు కంపెనీ తెలిపింది. ఫుడ్, గ్రోసరీ లో భారీ ఆహరోత్పత్తులపై నేరుగా వినియోగాదారుకు 40 శాతం డిస్కౌంట్ ను ఇస్తున్నామని తెలిపింది. అంతేకాకుండా బ్యూటీ ఉత్పత్తులపైన 35 శాతం, బేబి కేర్ లపైన 70 శాతం , పర్సనల్ కేర్ ఉత్పత్తులపై 50 శాతం వరకు డిస్కౌంట్లను అమెజాన్ ఆఫర్ చేస్తున్నట్టు అమెజాన్ ఇండియా కేటగిరి మేనేజ్ మెంట్ డైరెక్టర్ సౌరవ్ శ్రీవాత్సవ తెలిపారు.

అత్యంత తక్కువ ధరకే స్మార్ట్‌ టివి

2017-09-02T08:57:00.001-07:00

ప్రముఖ ఎలక్ట్రానిక్ కంపెనీ మితాషి అతి చవకైన స్మార్ట్‌ టీవీని లాంచ్‌ చేసింది. 32 అంగుళాల స్మార్ట్‌ ఎల్‌ఈడీ టీవీ ధర 22,990,

39 అంగుళాల స్మార్ట్‌ ఎల్‌ఈడీ టీవీ ధర 39,990 రూపాయలుగాను నిర్ణయించింది. ఇవి రెండూ ఆన్‌లైన్‌ రిటైలర్‌ అమెజాన్‌లో ప్రత్యేకంగా లభిస్తున్నాయి.

వీటిని ప్రత్యేక ఆఫర్‌ కింద అమెజాన్‌ 20,990 రూపాయలకు, 34,990 రూపాయలకు అందిస్తోంది. మూడు సంవత్సరాల వారంటీ కూడా ఉంది. ఫీచర్‌ల విషయానికి వస్తే ఆండ్రాయిడ్‌ 4.4 కిట్‌క్యాట్‌ ఆపరేటింగ్‌ సిస్టం, కర్వ్‌డ్‌ స్ర్కీన్‌ డైనమిక్‌ కాంట్రాస్ట్‌, 1.1 గిగా హెడ్జ్‌ కోర్టేక్స్‌ ఏ7 ప్రాసెసర్‌, విత్‌ మాలి 400 ఇంటూ 2 జిపియు, 1 జీబీ ర్యామ్‌, 8 జీబీ స్టోరేజ్‌, మైక్రోఎస్‌డీకార్డు రీడర్‌ ద్వారా స్టోరేజ్‌ సామర్ధ్యం పెంచుకోవచ్చు.

6జీబీ ర్యామ్‌తో అదిరిపోయే ఫోన్.. ధరెంతో తెలుసా?

2017-08-31T01:32:00.002-07:00

కూల్‌ప్యాడ్ నుంచి అద్భుతమైన స్మార్ట్‌ఫోన్ మార్కెట్లోకి వచ్చేసింది. కూల్ ప్లే 6 పేరుతో తన ఫ్లాగ్‌షిప్‌పై విడుదల చేసి ఈ ఫోన్ ధర రూ.14,999 మాత్రమే. ఈ-కామర్స్ దిగ్గజం అమెజాన్ ద్వారా వచ్చే నెల 4 నుంచి వినియోగదారులు కొనుగోలు చేసుకోవచ్చు.

ఫీచర్లు: 5.5 అంగుళాల ఫుల్ హెచ్‌డీ డిస్‌ప్లే, 6జీబీ ర్యామ్, 64 జీబీ ఇంటర్నల్ మెమొరీ, అవసరమైతే పెంచుకునే వెసులుబాటు, ఆండ్రాయిడ్ 7.1.1 ఓఎస్, డిసెంబరు తర్వాత ఆండ్రాయిడ్ 8.0తో అప్‌డేట్ చేసుకోవచ్చు. డ్యూయల్ సిమ్ (నానో+నానో), 13 ఎంపీ డ్యూయల్ రియర్ కెమెరా, 8 ఎంపీ ఫ్రంట్ కెమెరా, 4000 ఎంఏహెచ్ బ్యాటరీ ఉపయోగించారు. అయితే ఈ ఫోన్‌లో ఉపయోగించిన సాఫ్ట్‌వేర్ ఆప్టిమైజేషన్ వల్ల బ్యాటరీ సామర్థ్యం 4500 ఎంఏహెచ్‌కు పెరుగుతుందని కూల్‌ప్యాడ్ తెలిపింది.

ప్రపంచంలో బెస్ట్ సెల్లింగ్ ఫోన్లు ఇవే!

2017-08-31T01:19:00.001-07:00

రకరకాల ఫీచర్లతో రోజుకో మొబైల్ మార్కెట్లోకి విడుదలవుతోంది. అయితే ఎన్ని ఫోన్లు వచ్చినా వినియోగదారులు మాత్రం కొన్నంటే పడిచస్తారు. అటువంటి వాటిలో కొన్నింటిని స్ట్రాటజీ అనలిటిక్స్ తన నివేదికలో పొందుపరిచింది. దాని ప్రకారం ప్రపంచంలో అత్యధికంగా అమ్ముడవుతున్న వాటిలో కొన్ని..

ఆపిల్ ఐఫోన్ 7 ఈ త్రైమాసికంలో అత్యధికంగా అమ్ముడుపోయింది. మొత్తం 16.9 మిలియన్ యూనిట్ల అమ్మకాలతో మార్కెట్లో 4.7 శాతం మార్కెట్ షేర్ సాధించింది. ఈ ఫోన్ ధర రూ.56,200.

దీని తర్వాతి స్థానంలో ఆపిల్‌కే చెందిన ఐఫోన్ 7 ప్లస్ నిలిచింది. 15.1 మిలియన్ యూనిట్లు అమ్ముడుపోయాయి. మార్కెట్ షేర్‌లో 4.2 శాతం చేజిక్కించుకుంది. ధర రూ.76,300.

మూడో స్థానాన్ని శాంసంగ్ గెలాక్సీ ఎస్ 8 సొంతం చేసుకుంది. దీని ధర రూ.57,900. మొత్తం 10.2 ఫోన్లు అమ్ముడుపోగా 2.8 శాతం మార్కెట్ షేర్ సాధించింది.

ఆ తర్వాత 9 మిలియన్ యూనిట్ల అమ్మకాలతో శాంసంగ్ గెలాక్సీ ఎస్ 8 ప్లస్ నాలుగో స్థానంలో నిలిచి 2.5 శాతం మార్కెట్ షేర్‌ను సొంతం చేసుకుంది.

ఇక ఇటీవల చైనాకు చెందిన మొబైల్ మేకర్ షావోమీ విడుదల చేసిన బడ్జెట్ స్మార్ట్‌ఫోన్ రెడ్‌మీ 4ఏ 5.5 మిలియన్ ఫోన్ల అమ్మకాలతో ఐదో స్థానంలో నిలిచింది. దీని ధర రూ.5.999.

మార్కెట్లో మోటో జి ఎస్‌, జి ప్లస్‌ స్మార్ట్‌ఫోన్లు

2017-08-31T01:04:00.000-07:00

మోటో జి సిరీస్‌లో మోటో జి ఎస్‌, మోటో జి ప్లస్‌ స్మార్ట్‌ఫోన్లను మోటోరోలో మార్కెట్లోకి తీసుకువచ్చింది. మోటోరోలా మొబిలిటీ ఇండియా మేనేజింగ్‌ డైరెక్టర్‌ సుధీన్‌ మాథూర్‌, ప్రొడక్ట్‌ హెడ్‌ అనుజ్‌ శర్మ ఈ ఫోన్లను విడుదల చేశారు. జి ఎస్‌ ప్లస్‌ ధర 15,999 రూపాయలుండగా, జి ఎస్‌ ధర 13,999 రూపాయలుగా ఉంది. బుధవారం నుంచి ఇ-కామర్స్‌ పోర్టల్‌ అమెజాన్‌, మోటో హబ్స్‌లో ఈ స్మార్ట్‌ఫోన్లు అందుబాటులో ఉంటాయని మోటోరోలా వెల్లడించింది. జి ఎస్‌ ప్లస్‌, జి ఎస్‌ స్మార్ట్‌ఫోన్లతో మోటో జి పోర్టుఫోలియోను మరింతగా విస్తరించినట్లు తెలిపింది. పూర్తి మెటల్‌ బాడీతో రూపొందించిన ఈ స్మార్ట్‌ఫోన్లు కేవలం 15 నిమిషాల టర్బో పవర్‌ చార్జింగ్‌తో ఐదు గంటల పాటు బ్యాటరీ పనిచేస్తుందని పేర్కొంది. మోటో జి5, జి5 ప్లస్‌ స్మార్ట్‌ఫోన్లకు ఇవి పూర్తిగా అప్‌గ్రేడెడ్‌ మోడల్స్‌ అని తెలిపింది.

జిఎస్‌ ఫీచర్లు.,,

5.2 అంగుళాల ఫుల్‌ హెచ్‌డి డిస్‌ప్లే
1,4 గిగాహెట్జ్‌ క్వాల్‌కామ్‌ స్నాప్‌డ్రాగన్‌ ఆక్టాకోర్‌ ప్రాసెసర్‌
4జిబి రామ్‌, 32 జిబి అంతర్గత మెమరీ
16 మెగాపిక్సల్‌ హై రిజల్యూషన్‌ కెమెరా

జిఎస్‌ ప్లస్‌ ఫీచర్లు..

5.5 అంగుళాల ఫుల్‌ హెచ్‌డి డిస్‌ప్లే
క్వాల్‌కామ్‌, స్నాప్‌డ్రాగన్‌ 2.0 గిగాహెట్జ్‌ ఆక్టాకోర్‌ ప్రాసెసర్‌
4జిబి రామ్‌, 64 జిబి అంతర్గత మెమరీ
రెండు 13 మెగాపిక్సల్‌ వెనుక కెమెరాలు, 8 ఎంపి ముందు కెమెరా
3000 ఎంఎహెచ్‌ బ్యాటరీ

http://amzn.to/2vLXfpW

రూ.4వేలకే 4జీ స్మార్ట్‌ఫోన్‌!

2017-08-30T08:46:00.000-07:00

చౌక ధరలకే ఫోన్లను అందించే ఇంటెక్స్‌ సంస్థ మరో స్మార్ట్‌ఫోన్‌ను మార్కెట్‌లోకి విడుదల చేసింది. ‘ఆక్వా స్టైల్‌ 3’ పేరిట కొత్త ఫోన్‌ను తీసుకొచ్చింది. దీని ధరను రూ.4,299గా కంపెనీ నిర్ణయించింది. 4జీ వీవోఎల్‌టీఈ సదుపాయం కలిగిన ఈ స్మార్ట్‌ఫోన్‌లో ఆండ్రాయిడ్‌ 7.0 నోగట్‌ ఓఎస్‌ను అందిస్తుండడం విశేషం. అమెజాన్‌ ఇండియా వెబ్‌సైట్‌లో ఎక్స్‌క్లూజివ్‌గా దీన్ని విక్రయించనున్నట్లు కంపెనీ తెలిపింది.

ప్రత్యేకతలు..
* 5 అంగుళాల తాకేతెర
* ఆండ్రాయిడ్‌ 7.0 నోగట్‌ ఓఎస్‌
* 1.3 గిగాహెడ్జ్‌ క్వాడ్‌ కోర్‌ ప్రాసెసర్‌
* 1 జీబీ ర్యామ్‌

* 16 జీబీ అంతర్గత స్టోరేజీ (64జీబీ వరకు పెంచుకునే వీలు)
* 5 ఎంపీ వెనక కెమెరా (ఫ్లాష్‌తో)
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* 2,500 ఎంఏహెచ్‌ బ్యాటరీ

Mana Oori Ramayanam - A film by Prakash Raj

2016-08-12T04:00:00.001-07:00

Mana Oori Ramayanam trailer

Babu Bangaram Movie Review | బాబు బంగారం రివ్యూ

2016-08-12T01:14:00.001-07:00

సినిమా: బాబు బంగారం
తారాగణం: వెంకటేష్‌.. నయనతార.. సంపత్‌రాజ్‌.. మురళీశర్మ.. వెన్నెలకిషోర్‌.. పోసాని కృష్ణమురళి.. పృథ్వీరాజ్‌.. బ్రహ్మాజీ.. సోనమ్‌బజ్వా తదితరులు
సంగీతం: జిబ్రాన్‌
ఛాయాగ్రహణం: రిచర్డ్‌ప్రసాద్‌
కథ, మాటలు: ‘డార్లింగ్‌’ స్వామి
నిర్మాతలు: సూర్యదేవర నాగవంశీ, పి.డి.వి.ప్రసాద్‌
దర్శకత్వం: మారుతి.
సంస్థ: సితార్‌ ఎంటర్‌టైన్‌మెంట్స్‌.

విడుదల: 12-08-2016
వెంకటేష్‌ సినిమాలు అంటే వినోదానికి కేరాఫ్‌ అడ్రస్‌. ఎలాంటి భావోద్వేగాలనైనా అలవోకగా పండించే అరుదైన కథానాయకుడాయన. ‘భలే భలే మగాడివోయ్‌’తో స్వచ్ఛమైన హాస్యంతో సినిమా తీయగలిగే సత్తా ఉన్న దర్శకుడిగానూ మారుతి గుర్తింపు తెచ్చుకొన్నారు. మరి.. ఈ ఇద్దరూ కలిసి చేసిన సినిమా కావడంతో ‘బాబు బంగారం’పై అంచనాలు పెరిగాయి. వీరి కాంబినేషన్లో రెట్టింపు వినోదాన్ని ఆశించారు ప్రేక్షకులు. మరి.. వారి ఆశలకు తగ్గట్టుగా సినిమా ఉందో లేదో తెలుసుకోవాలంటే రివ్యూలోకి వెళ్లాల్సిందే.

కథేంటంటే..?: జాలి హృదయమున్న పోలీసు అధికారి కృష్ణ (వెంకటేష్‌). నేరస్తులను కూడా ఇబ్బంది పెట్టడం ఎరగడు. వాళ్లకి జలుబు చేసి తుమ్మినా సరే తెగ బాధ పడిపోతుంటాడు. ఇలాంటి కృష్ణకు సున్నితమైన ఐటీ అధికారి శాస్త్రి కేసును అప్ప చెబుతారు ఉన్నతాధికారులు. అలా పరిచయమైన శాస్త్రి కూతురు శైలజ (నయనతార)కు దగ్గరై ఆమె ప్రేమలో పడతాడు.

తనను తాను ఎన్‌ఆర్‌ఐగా పరిచయం చేసుకున్న కృష్ణ ఓ పోలీసు అధికారి అని శైలజకు తెలుస్తుంది. కేసు విచారణలో భాగంగానే దగ్గరయ్యాడని భావించి కృష్ణకు దూరమవుతుంది. తన జాలి హృదయంతో నేరస్తులు తప్పించుకొంటున్నారని.. తన ప్రేయసి కూడా దూరమైందని తెలుసుకొన్న కృష్ణ కరకుగా మారతాడు. మారిన కృష్ణ.. శాస్త్రి కేసును ఏం చేశాడు? తాను ప్రేమించిన శైలజకు ఎలా దగ్గరయ్యాడు? అన్నది సినిమా చూసి తెలుసుకోవాల్సిందే.

ఎలా ఉందంటే?: మర్డర్‌ మిస్టరీ చుట్టూ సాగే కథ. దాన్ని వినోదాత్మకంగా చెప్పే ప్రయత్నం చేశాడు మారుతి. ‘భలే భలే మగాడివోయ్‌’లో కథానాయకుడి పాత్రకి మతిమరుపు అనే జబ్బుని ఎలా వాడాడో.. ఇందులో కథానాయకుడి పాత్రకి జాలి హృదయాన్ని ఆపాదించి వినోదం పండించే ప్రయత్నం చేశాడు. కానీ ఆశించిన స్థాయిలో వినోదం పండలేదు సరికదా! ఆ మర్డర్‌ మిస్టరీ కూడా ఉత్సుకత రేకెత్తించటంలో తప్పటడుగులు పడ్డాయి. అక్కడక్కడా కాసిన్ని నవ్వులు.. సెకండ్‌హాఫ్‌లో కొన్ని సీన్లు ఆసక్తిని రేకెత్తిస్తాయి. తొలి సగం వెంకటేష్‌.. వెన్నెల కిషోర్‌.. గిరి బ్యాచ్‌తో పాటు.. శైలజ బావ బత్తాయి బాబ్జీ (పృథ్వీ) పాత్రల చుట్టూ సరదా సన్నివేశాలతో సాగుతుంది. పృథ్వీ ‘నాన్నకు ప్రేమతో’ స్పూఫ్‌లో కనిపించి కాసేపు సందడి చేస్తారు. మలి సగంలో హిప్నాటిజం చేసే మెజీషియన్‌గా బ్రహ్మానందం కాసేపు నవ్వులు పండిస్తారు. కథని మరింత ఆసక్తికరంగా తీర్చిదిద్దేందుకూ.. వినోదాన్ని పండించేందుకూ ఆస్కారమున్నా దర్శకుడు ఆ విషయంలో తడబడినట్లుగా కనిపిస్తుంది.

ఎవరెలా చేశారంటే?: వెంకటేష్‌.. నయనతార జోడీ తెరపై బాగుంటుందన్న విషయం ఈ చిత్రంతో మరోసారి రుజువవుతుంది. వెంకటేష్‌ తనదైన స్టైల్‌లో కామెడీ చేసే ప్రయత్నం చేశారు. నయనతారకి పెద్దగా నటించడానికి ఆస్కారమేమీ లేదు. అయితే పాటల్లో మాత్రం అందంగా కనిపించింది. కామెడీ విషయంలో పృథ్వీ.. బ్రహ్మానందం.. పోసాని పాత్రలు ఆకట్టుకొంటాయి. వెన్నెలకిషోర్‌ అండ్‌ గ్యాంగ్‌కి పెద్దగా నవ్వించే ఆస్కారం లభించలేదు. చమ్మక్‌ చంద్ర మొదలుకొని పలువురు జబర్దస్త్‌ నటులు తెరపై కనిపిస్తారు కానీ వాళ్ల పాత్రలు ఇలా వచ్చి అలా మాయమవుతాయి.

సాంకేతికంగా సినిమాలో అన్ని హంగులూ కనిపిస్తాయి. జిబ్రాన్‌ సమకూర్చిన బాణీలు.. జెబీతో కలిసి చేసిన నేపథ్య సంగీతం.. రిచర్డ్‌ ప్రసాద్‌ కెమెరా పనితనం బాగా కుదిరింది. నిర్మాణ విలువలు తెరపై స్పష్టంగా కనిపిస్తాయి.

బలాలు
+ వెంకటేష్‌.. నయనతార
+ పృథ్వీ.. పోసాని.. బ్రహ్మానందంల కామెడీ

బలహీనతలు
- కథనం
- పతాక సన్నివేశాలు

చివరిగా.. కొద్దిగా నవ్వులు.. మరి కొద్దిగా కాలక్షేపాన్నిచ్చే ‘బాబు బంగారం’
గమనిక: ఈ సమీక్ష సమీక్షకుడి దృష్టి కోణానికి సంబంధించింది. ఇది సమీక్షకుడి వ్యక్తిగత అభిప్రాయం మాత్రమే.

Babu Bangaram | 12 th August Release

2016-08-09T08:38:00.000-07:00

Babu Bangaram Movie Release

Premam Movie Stills - Naga Chaitanya,Shruti Haasan

2016-08-09T04:51:00.000-07:00

Naga Chaitanya,Shruti Haasan Premam Movie Stills

Cast: Chaitanya Akkineni, Sruthi Haasan, Madonna Sebastian, Anupama Parameswaran, Jeeva, Brahmaji, Srinivas Reddy, Prudhvi, Narra Srinu, Praveen, Chaitanya Krishna, Aravind Krishna, Satya, Noel, Jogi Naidu, Krishnam Raj, Eeshwari Rao.

Music by: Gopi Sunder and Rajesh Murugeshan

lyrics: ramajogayya sastry,vanamali,sreemani,poorna,krishna madineni

orizinal story: Aaphonse puthrense

Music by: Gopi Sunder and Rajesh Murugeshan

Art by: Sahi Suresh

Cinematography: Karthik Gatamaneni

Edited by: Kotagiri Venkateswara Rao

Presents: PDV Prasad

Producers: Suryadevara Naga Vamsi

Directed by: Chandoo Mondeti

Banner: Sithara Entertainments

Chaitanya Akkineni’s “Premam” is ready to strike Silver screen

2016-08-09T04:45:00.000-07:00

Chaitanya Akkineni’s “Premam” directed by Chandoo Mondeti for 'Sithara Entertainments, which's produced by Suryadevara NagaVamsi. The film is based on the Malayalam Super Hit 'Premam'. And Chaitanya Akkineni teams up with Shruti Haasan, Madonna sabestian and Anupama Parameswaran for the first time is ready to strike Silver screen worldwide on 9th September.
“Premam” “Yevare” song release on 18th aug

Sithara entertainments, the producers of “Premam”, have announced that the music of “Premam” has come out very well and we are planning to release one of the melodious songs on FM channel on the 18th of this month so that the listeners can get a sneak preview into the music. Name of the single is “Yevare Yevare” sung by Vijay Yesudas with lyric penned by Srimani.

“Shooting part has been completed. Post-production work is now being going on with good pace. Music Directors Gopi Sunder and Rajesh Murugeshan has composed cool romantic music for Premam and the audio is going to be launched in a grand manner at Shilpakala vedika on Wednesday 24th august. We are planning to release the movie grandly on September 9th ”, Suryadevara Nagavamsi producer of the movie, said.

Music by: Gopi Sunder and Rajesh Murugeshan

lyrics: ramajogayya sastry,vanamali,sreemani,poorna,krishna madineni

orizinal story: Aaphonse puthrense

Music by: Gopi Sunder and Rajesh Murugeshan

Art by: Sahi Suresh

Cinematography: Karthik Gatamaneni

Edited by: Kotagiri Venkateswara Rao

Presents: PDV Prasad

Producers: Suryadevara Naga Vamsi

Directed by: Chandoo Mondeti

Banner: Sithara Entertainments

SIIMA 2016 Promo | Singapore | South Indian International Movie Awards

2016-08-02T04:28:00.001-07:00

As Indian cinema is making a strong impact globally, it’s time for South Indian Cinema to claim its space in the realm of world cinema. It’s time the Telugu, Tamil, Kannada and Malayalam industries took the centre stage worldwide and welcome an entertaining endeavour of its sorts- SIIMA.

SIIMA promises to be an event that film lovers across the world would sit up and watch with bated breath. After creating a stir in the entertainment industry, with the previous three years in Dubai, Sharjah and Malaysia, SIIMA 2016 travels back to the enticing city of Singapore on the June 30th and July 1st.

Getting together stars from four industries with scintillating performances and mesmerizing acts, see who takes home the award, while creating yet another milestone with SIIM

Bithiri Sathi performance in Warangal Bonala Jathara.

2016-08-02T02:20:00.001-07:00

Teenmaar Bithiri Sathi performance in Warangal Bonala Jathara.

Bithiri Sathi performance in Warangal Bonala Jathara.

2016-08-02T02:20:00.000-07:00

Teenmaar Bithiri Sathi performance in Warangal Bonala Jathara.