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	<title>Chicago Theater Beat</title>
	
	<link>http://chicagotheaterbeat.com</link>
	<description>Chicago's best source for theater reviews and news</description>
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		<title>Review: Chester and the Unbearable Burden (Six Hours Short Productions)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/b1L59122kY8/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/12/review-chester-and-the-unbearable-burden-six-hours-short-productions/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 20:57:50 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Athenauem]]></category>
		<category><![CDATA[Clint May]]></category>
		<category><![CDATA[New Work]]></category>
		<category><![CDATA[Six Hours Short]]></category>
		<category><![CDATA[12-0218]]></category>
		<category><![CDATA[Amy Giacalone]]></category>
		<category><![CDATA[Athenaeum Theatre]]></category>
		<category><![CDATA[Ben Fort]]></category>
		<category><![CDATA[Ben Harpe]]></category>
		<category><![CDATA[Ben M. Fort]]></category>
		<category><![CDATA[Bethany Fort]]></category>
		<category><![CDATA[Brittany Vogel]]></category>
		<category><![CDATA[Chest and the Unbearable Burden]]></category>
		<category><![CDATA[Derrick Gaetke]]></category>
		<category><![CDATA[Elaina Marchenko]]></category>
		<category><![CDATA[February 2012]]></category>
		<category><![CDATA[Jacqueline Salamack]]></category>
		<category><![CDATA[Jason Gallagher]]></category>
		<category><![CDATA[Jeff Cotner]]></category>
		<category><![CDATA[Jen Ducharme]]></category>
		<category><![CDATA[Joe Giovanetti]]></category>
		<category><![CDATA[Justin Lance]]></category>
		<category><![CDATA[Kalina McCreery]]></category>
		<category><![CDATA[Kalina “Kitten” McCreery]]></category>
		<category><![CDATA[Kamron Palmer]]></category>
		<category><![CDATA[Kelsey Kinney]]></category>
		<category><![CDATA[Kristina Carr]]></category>
		<category><![CDATA[Leslie Fort]]></category>
		<category><![CDATA[Leslie Macon]]></category>
		<category><![CDATA[Michael Blomquist]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Sarah Nelson]]></category>
		<category><![CDATA[Tyler Parker]]></category>
		<category><![CDATA[Wade Browning]]></category>
		<category><![CDATA[Wayne Giacalone]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23848</guid>
		<description>Ben Fort’s script wisely avoids the obvious jokes encompassing the Harry Potter franchise, aiming instead for a yarn that places itself in a slightly askew and a little more deviant world than the one we’ve come to love. Yeah, it’s fluff, but it’s adorably creative fluff. Recommended.&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/b1L59122kY8" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Barnum (Quest Theatre Ensemble)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/C2CSX2AA3Uw/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/11/review-barnum-quest-theatre-ensemble/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 03:28:34 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Blue Theatre]]></category>
		<category><![CDATA[Lauren Whalen]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Quest Theatre]]></category>
		<category><![CDATA[12-0221]]></category>
		<category><![CDATA[Aaron Dean]]></category>
		<category><![CDATA[Amber Lee Olivier]]></category>
		<category><![CDATA[Amy Malcom]]></category>
		<category><![CDATA[Andrew Park]]></category>
		<category><![CDATA[Anna Wegerson]]></category>
		<category><![CDATA[Annie Sheehan]]></category>
		<category><![CDATA[Barnum]]></category>
		<category><![CDATA[Blue Theater]]></category>
		<category><![CDATA[Braxton Black]]></category>
		<category><![CDATA[Brett Taylor]]></category>
		<category><![CDATA[Charles Worth]]></category>
		<category><![CDATA[Christina Huff]]></category>
		<category><![CDATA[Cy Coleman]]></category>
		<category><![CDATA[David Hathway]]></category>
		<category><![CDATA[David Leef]]></category>
		<category><![CDATA[Donald Walker]]></category>
		<category><![CDATA[Emma Weber]]></category>
		<category><![CDATA[Erin Daly]]></category>
		<category><![CDATA[Glenn Close]]></category>
		<category><![CDATA[Hubert Campbell]]></category>
		<category><![CDATA[Jamal Howard]]></category>
		<category><![CDATA[Jason Bowen]]></category>
		<category><![CDATA[John Gurdian]]></category>
		<category><![CDATA[Josh Mattingl]]></category>
		<category><![CDATA[Julie Taylor]]></category>
		<category><![CDATA[Kelly Amshoff]]></category>
		<category><![CDATA[Kiley Morgan]]></category>
		<category><![CDATA[Kyle Kuhlman]]></category>
		<category><![CDATA[Laura Sturm]]></category>
		<category><![CDATA[Mark Bramble]]></category>
		<category><![CDATA[Michael Crawford]]></category>
		<category><![CDATA[Michael Lewis]]></category>
		<category><![CDATA[Michael Stewart]]></category>
		<category><![CDATA[Mike Nardulli]]></category>
		<category><![CDATA[Mollie Wegerson]]></category>
		<category><![CDATA[Nick Rupard]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Quest Theatre Ensemble]]></category>
		<category><![CDATA[Rachel Sparrow]]></category>
		<category><![CDATA[Scott Leigh Nielsen]]></category>
		<category><![CDATA[Tamara White]]></category>
		<category><![CDATA[Tobi duMattingly]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23835</guid>
		<description>The beauty of *Barnum* is that, despite the magnitude of its subject matter, it’s a relatively small-scale show, and is an ideal fit for small but mighty Quest Theatre Ensemble. Despite some lackluster elements, *Barnum* is presented with confidence and heart that would make the legendary entrepreneur proud.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=C2CSX2AA3Uw:Pr95RoeUcr0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=C2CSX2AA3Uw:Pr95RoeUcr0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=C2CSX2AA3Uw:Pr95RoeUcr0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=C2CSX2AA3Uw:Pr95RoeUcr0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=C2CSX2AA3Uw:Pr95RoeUcr0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=C2CSX2AA3Uw:Pr95RoeUcr0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=C2CSX2AA3Uw:Pr95RoeUcr0:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=C2CSX2AA3Uw:Pr95RoeUcr0:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/C2CSX2AA3Uw" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: The Gingerbread House (Red Tape Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/fjlFSRokPUA/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/11/review-the-gingerbread-house-red-tape-theatre/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 22:23:03 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Katy Walsh]]></category>
		<category><![CDATA[Red Tape Theatre]]></category>
		<category><![CDATA[12-0213]]></category>
		<category><![CDATA[Alex Kyger]]></category>
		<category><![CDATA[Austin D Oie]]></category>
		<category><![CDATA[Catherine Smyka]]></category>
		<category><![CDATA[Elita Ernsteen]]></category>
		<category><![CDATA[Emily Guthrie]]></category>
		<category><![CDATA[James Palmer]]></category>
		<category><![CDATA[Jessica Korpela]]></category>
		<category><![CDATA[Joseph Fosco]]></category>
		<category><![CDATA[Katie Gassel]]></category>
		<category><![CDATA[Kyle Land]]></category>
		<category><![CDATA[Lexi Lee]]></category>
		<category><![CDATA[Mark Schultz]]></category>
		<category><![CDATA[Meghan Reardon]]></category>
		<category><![CDATA[Mike Mroch]]></category>
		<category><![CDATA[Mike Stanfill]]></category>
		<category><![CDATA[Mike Tepeli]]></category>
		<category><![CDATA[Mya Lawless]]></category>
		<category><![CDATA[Myah Shein]]></category>
		<category><![CDATA[Nev Lawless]]></category>
		<category><![CDATA[Nicholas Combs]]></category>
		<category><![CDATA[Nicole Rudakov]]></category>
		<category><![CDATA[Nina Gillespie]]></category>
		<category><![CDATA[Paige Sawin]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Scott Davis]]></category>
		<category><![CDATA[The Gingerbread House]]></category>
		<category><![CDATA[Tricia Pabst]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23811</guid>
		<description>Though a disturbying story, Scenic Designer Scott Davis and Projections Designer Mike Stanfill create a fairytale-like feel.  Branches hang from the ceiling.  Kaleidoscope imagery on the backdrops continue to transform.  A forest morphs into a child’s silhouette.  It’s powerful!  The Gingerbread House lingers long after the last disconcerting morsel.&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/fjlFSRokPUA" height="1" width="1"/&gt;</description>
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		<title>Review: Peter Pan’s Shadow Part 1: Neverland (Dream Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/Wh0eDreW52Q/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/11/review-peter-pans-shadow-part-1-neverland-dream-theatre/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 20:17:23 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Dream Theatre]]></category>
		<category><![CDATA[Lauren Whalen]]></category>
		<category><![CDATA[New Work]]></category>
		<category><![CDATA[World Premier]]></category>
		<category><![CDATA[12-0208]]></category>
		<category><![CDATA[Anna W. Menekseoglu]]></category>
		<category><![CDATA[Annelise Lawson]]></category>
		<category><![CDATA[Annie Hoeg]]></category>
		<category><![CDATA[Avery Ferguson]]></category>
		<category><![CDATA[Chad Sheveland]]></category>
		<category><![CDATA[Jeremy Menekseoglu]]></category>
		<category><![CDATA[Lana Smithner]]></category>
		<category><![CDATA[Lou Rocco Centrelia]]></category>
		<category><![CDATA[Madelaine Schmitt]]></category>
		<category><![CDATA[Mishelle Apalategui]]></category>
		<category><![CDATA[Neverland]]></category>
		<category><![CDATA[Peter Pan's Shadow]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Rachel Martindale]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23804</guid>
		<description>Jeremy Menekseoglu’s script is as fascinating as its staging. Peter Pan’s Shadow is not a direct adaptation of Barrie’s work but a conscientious embodiment of the tale’s underlying themes. What happens when one decides not to grow up? How does that affect family, friends, would-be lovers? Highly Recommended.&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/Wh0eDreW52Q" height="1" width="1"/&gt;</description>
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		<title>Review: American Idiot (Broadway in Chicago)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/LHtIum-mbJo/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/10/review-american-idiot-broadway-in-chicago/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 02:47:00 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Broadway in Chicago]]></category>
		<category><![CDATA[Catey Sullivan]]></category>
		<category><![CDATA[Ford Center for the Perfoming Arts]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[National Tours]]></category>
		<category><![CDATA[Oriental Theatre (Ford)]]></category>
		<category><![CDATA[12-0216]]></category>
		<category><![CDATA[American Idiot]]></category>
		<category><![CDATA[American Idiot the Musical]]></category>
		<category><![CDATA[Andrea Lauer]]></category>
		<category><![CDATA[Billie Joe Armstrong]]></category>
		<category><![CDATA[Brian Ronan]]></category>
		<category><![CDATA[Christine Jones]]></category>
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		<category><![CDATA[Doug Hamilton]]></category>
		<category><![CDATA[Ford Center for the Performing Arts]]></category>
		<category><![CDATA[Gabriel Antonacci]]></category>
		<category><![CDATA[Gabrielle McClinton]]></category>
		<category><![CDATA[Green Day]]></category>
		<category><![CDATA[Ira Pittleman]]></category>
		<category><![CDATA[Jake Epstein]]></category>
		<category><![CDATA[Jared Stein]]></category>
		<category><![CDATA[Jarran Muse]]></category>
		<category><![CDATA[Jennifer Bowles]]></category>
		<category><![CDATA[Jillian Mueller]]></category>
		<category><![CDATA[Johanna McKeon]]></category>
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		<category><![CDATA[Kelvin Moon Loh]]></category>
		<category><![CDATA[Kevin Adams]]></category>
		<category><![CDATA[Krystina Alabado]]></category>
		<category><![CDATA[Larkin Bogan]]></category>
		<category><![CDATA[Leslie McDonel]]></category>
		<category><![CDATA[Lorin Latarro]]></category>
		<category><![CDATA[Matt DeAngelis]]></category>
		<category><![CDATA[Michael Mayer]]></category>
		<category><![CDATA[Nicci Claspell]]></category>
		<category><![CDATA[Okieriete Onaodowan]]></category>
		<category><![CDATA[Omar Lopez-Cepero]]></category>
		<category><![CDATA[Oriental Theatre]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Scott J. Campbell]]></category>
		<category><![CDATA[Steven Hoggett]]></category>
		<category><![CDATA[Talia Aaron]]></category>
		<category><![CDATA[Tom Hulce]]></category>
		<category><![CDATA[Tom Kitt]]></category>
		<category><![CDATA[Tommy McDowell]]></category>
		<category><![CDATA[Van Hughes]]></category>
		<category><![CDATA[Vince Oddo]]></category>
		<category><![CDATA[Worklight Productions]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23787</guid>
		<description>If Green Day's *American Idiot* were presented as a concert, we’d be raving its praises. This is music that touches the soul, performed with a fierce passion. It’s a shame the score is surrounded by such an uninspired story.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=LHtIum-mbJo:Nf3gFErp4aw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=LHtIum-mbJo:Nf3gFErp4aw:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=LHtIum-mbJo:Nf3gFErp4aw:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=LHtIum-mbJo:Nf3gFErp4aw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=LHtIum-mbJo:Nf3gFErp4aw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=LHtIum-mbJo:Nf3gFErp4aw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=LHtIum-mbJo:Nf3gFErp4aw:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=LHtIum-mbJo:Nf3gFErp4aw:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/LHtIum-mbJo" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Ameriville (Victory Gardens Theater)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/U_xVuErKFDw/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/08/review-ameriville-victory-gardens-theater/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 16:16:24 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Biograph Theatre]]></category>
		<category><![CDATA[Lauren Whalen]]></category>
		<category><![CDATA[Performance Art - Circus]]></category>
		<category><![CDATA[Victory Gardens]]></category>
		<category><![CDATA[Začek McVay Theater]]></category>
		<category><![CDATA[12-0212]]></category>
		<category><![CDATA[Ameriville]]></category>
		<category><![CDATA[Benjamin Marcum]]></category>
		<category><![CDATA[Brian Freeland]]></category>
		<category><![CDATA[Brian Sidney Bembridge]]></category>
		<category><![CDATA[Chay Yew]]></category>
		<category><![CDATA[Elizabeth Harwood]]></category>
		<category><![CDATA[Gamal Abdel Chasten]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[Mildred Ruiz-Sapp]]></category>
		<category><![CDATA[Millicent Johnnie]]></category>
		<category><![CDATA[Morgan Jenness]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Russell Champa]]></category>
		<category><![CDATA[Steven Sapp]]></category>
		<category><![CDATA[UNIVERSES]]></category>
		<category><![CDATA[Victory Gardens Biograph Theater]]></category>
		<category><![CDATA[Victory Gardens Theater]]></category>
		<category><![CDATA[William Ruiz]]></category>
		<category><![CDATA[William Ruiz aka ninja]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23769</guid>
		<description>In his inaugural season, Artistic Director Chay Yew has brought an invaluable gift to Victory Gardens in the form of UNIVERSES. So memorable is their show *Ameriville*, it leaves less of an impression and more of an imprint. Highly Recommended.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=U_xVuErKFDw:GV1RgMWw0A4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=U_xVuErKFDw:GV1RgMWw0A4:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=U_xVuErKFDw:GV1RgMWw0A4:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=U_xVuErKFDw:GV1RgMWw0A4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=U_xVuErKFDw:GV1RgMWw0A4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=U_xVuErKFDw:GV1RgMWw0A4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=U_xVuErKFDw:GV1RgMWw0A4:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=U_xVuErKFDw:GV1RgMWw0A4:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/U_xVuErKFDw" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Residue (Buzz22 Chicago)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/CxnkM3x1KdI/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/07/review-residue-buzz22-chicago/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 21:14:02 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Buzz22 Chicago]]></category>
		<category><![CDATA[Keith Ecker]]></category>
		<category><![CDATA[Royal George Theatre]]></category>
		<category><![CDATA[12-0153]]></category>
		<category><![CDATA[Alex Tey]]></category>
		<category><![CDATA[Amanda Kahn]]></category>
		<category><![CDATA[Andrew Goetten]]></category>
		<category><![CDATA[Beth Jackson]]></category>
		<category><![CDATA[Danny Osburn]]></category>
		<category><![CDATA[Don Carlyon]]></category>
		<category><![CDATA[Jacob Watson]]></category>
		<category><![CDATA[Justin Barbin]]></category>
		<category><![CDATA[Katie Halpern]]></category>
		<category><![CDATA[Liz Quinn]]></category>
		<category><![CDATA[Melissa Fricke]]></category>
		<category><![CDATA[Peter Hegel]]></category>
		<category><![CDATA[Phil de Guzman]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Rachel Goldberg]]></category>
		<category><![CDATA[Raphael Schwartzman]]></category>
		<category><![CDATA[Scott Weinstein]]></category>
		<category><![CDATA[Steve Hill]]></category>
		<category><![CDATA[Steve Thomas]]></category>
		<category><![CDATA[Steve Weinstein]]></category>
		<category><![CDATA[Tina Frank]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23759</guid>
		<description>Residue is a loud and somewhat forgettable comedy. Subtler direction may lend the characters more depth, which in turn would provide more weight to the piece. Still, it shows glimmers of creative growth from a young and very ambitious theatre company. Slightly Recommended.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=CxnkM3x1KdI:HAjjpVQ4UUg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=CxnkM3x1KdI:HAjjpVQ4UUg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=CxnkM3x1KdI:HAjjpVQ4UUg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=CxnkM3x1KdI:HAjjpVQ4UUg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=CxnkM3x1KdI:HAjjpVQ4UUg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=CxnkM3x1KdI:HAjjpVQ4UUg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=CxnkM3x1KdI:HAjjpVQ4UUg:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=CxnkM3x1KdI:HAjjpVQ4UUg:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/CxnkM3x1KdI" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Androcles and the Lion (ShawChicago)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/cL86bR7eZLU/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/06/review-androcles-and-the-lion-shawchicago/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 23:11:29 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[George Bernard Shaw]]></category>
		<category><![CDATA[Katy Walsh]]></category>
		<category><![CDATA[Ruth Page Theater]]></category>
		<category><![CDATA[ShawChicago]]></category>
		<category><![CDATA[Staged Readings]]></category>
		<category><![CDATA[12-0258]]></category>
		<category><![CDATA[Androcles and the Lion]]></category>
		<category><![CDATA[Barbara Zahora]]></category>
		<category><![CDATA[Christian Gray]]></category>
		<category><![CDATA[David Krupp]]></category>
		<category><![CDATA[Doug Mackechnie]]></category>
		<category><![CDATA[Edward Stevens]]></category>
		<category><![CDATA[Guy Massey]]></category>
		<category><![CDATA[Ian Novak]]></category>
		<category><![CDATA[Jack Hickey]]></category>
		<category><![CDATA[Kathy Logelin]]></category>
		<category><![CDATA[Kevin Christopher Fox]]></category>
		<category><![CDATA[Mark Czoske]]></category>
		<category><![CDATA[Mark Richard]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Ruth Page Center for the Arts]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23744</guid>
		<description>One hundred years ago, Playwright George Bernard Shaw presented a satirical play based on a well-known fable.  Now, ShawChicago presents a staged reading that befuddles the work - playing with multiple roles with no discernment from role to role, etc.  Slightly Recommended.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=cL86bR7eZLU:tYukf1XQ3Xo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=cL86bR7eZLU:tYukf1XQ3Xo:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=cL86bR7eZLU:tYukf1XQ3Xo:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=cL86bR7eZLU:tYukf1XQ3Xo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=cL86bR7eZLU:tYukf1XQ3Xo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=cL86bR7eZLU:tYukf1XQ3Xo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=cL86bR7eZLU:tYukf1XQ3Xo:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=cL86bR7eZLU:tYukf1XQ3Xo:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/cL86bR7eZLU" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: The Complete History of America, Abridged (Metropolis Arts)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/7W4mhgIR2VY/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/06/review-the-complete-history-of-america-abridged-metropolis-arts/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 19:39:59 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Melody Udell]]></category>
		<category><![CDATA[Metropolis Arts Centre]]></category>
		<category><![CDATA[12-0120]]></category>
		<category><![CDATA[Adam Kander]]></category>
		<category><![CDATA[Adam Long]]></category>
		<category><![CDATA[Austin Tichenor]]></category>
		<category><![CDATA[Brian Cummings]]></category>
		<category><![CDATA[Carly Franz]]></category>
		<category><![CDATA[Catherine Tantillo]]></category>
		<category><![CDATA[Charlie Beck]]></category>
		<category><![CDATA[Cindy Ottensmeyer]]></category>
		<category><![CDATA[David Belew]]></category>
		<category><![CDATA[Eamonn McDonagh]]></category>
		<category><![CDATA[Greg Foster]]></category>
		<category><![CDATA[Jim McDoniel]]></category>
		<category><![CDATA[Mat Labotka]]></category>
		<category><![CDATA[Metropolis Arts]]></category>
		<category><![CDATA[Metropolis Centre for the Performing Arts]]></category>
		<category><![CDATA[Michael Girts]]></category>
		<category><![CDATA[Michael Woods]]></category>
		<category><![CDATA[Nancy Kolton]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Reduced Shakespeare Company]]></category>
		<category><![CDATA[Reed Martin]]></category>
		<category><![CDATA[Robin M. Hughes]]></category>
		<category><![CDATA[The Complete History of America]]></category>
		<category><![CDATA[William A. Franz]]></category>
		<category><![CDATA[Yousif Mohamed]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=23735</guid>
		<description>*The Complete History* starts off at full-speed, and the audience feed off the actors’ screwball energy and comedic enthusiasm, even when the jokes are stale. The 3 leads have great chemistry, and each one proves their comedic (and even musical) chops in almost every scene.  Who knew 500 years of American history could be so fun?&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=7W4mhgIR2VY:nLtOYLF1nMk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=7W4mhgIR2VY:nLtOYLF1nMk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=7W4mhgIR2VY:nLtOYLF1nMk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=7W4mhgIR2VY:nLtOYLF1nMk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=7W4mhgIR2VY:nLtOYLF1nMk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=7W4mhgIR2VY:nLtOYLF1nMk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=7W4mhgIR2VY:nLtOYLF1nMk:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=7W4mhgIR2VY:nLtOYLF1nMk:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/7W4mhgIR2VY" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Hesperia (Writers’ Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/nbY9opWWLco/</link>
		<comments>http://chicagotheaterbeat.com/2012/02/05/review-hesperia-writers-theatre/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:20:52 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Lauren Whalen]]></category>
		<category><![CDATA[Writers' Theatre]]></category>
		<category><![CDATA[Chelsea Warren]]></category>
		<category><![CDATA[David Castellanos]]></category>
		<category><![CDATA[Erik Hellman]]></category>
		<category><![CDATA[Heather Gilbert]]></category>
		<category><![CDATA[Hesperia]]></category>
		<category><![CDATA[Jacqueline Firkins]]></category>
		<category><![CDATA[Jamie Bragg]]></category>
		<category><![CDATA[Kelly O'Sullivan]]></category>
		<category><![CDATA[Mikhail Fiksel]]></category>
		<category><![CDATA[Nathan Hosner]]></category>
		<category><![CDATA[Nick Heggestad]]></category>
		<category><![CDATA[Randall Colburn]]></category>
		<category><![CDATA[Rebecca Buller]]></category>
		<category><![CDATA[Stuart Carden]]></category>
		<category><![CDATA[Tyler Ross]]></category>

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		<description>With a few more confrontational scenes, Hesperia could fulfill its potential - the actors and director are more than up to the challenge. Until then, like the sexuality of its religious characters, Hesperia feels repressed. Slightly Recommended.&lt;div class="feedflare"&gt;
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