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		<title>Review: What’s the T? (About Face Youth Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/-t-CCmMlNcw/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/22/review-whats-the-t-about-face-theatre/#comments</comments>
		<pubDate>Thu, 23 May 2013 04:58:51 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[About Face Theatre]]></category>
		<category><![CDATA[Lawrence Bommer]]></category>
		<category><![CDATA[New Work]]></category>
		<category><![CDATA[World Premier]]></category>
		<category><![CDATA[13-0536]]></category>
		<category><![CDATA[Anna Rangos]]></category>
		<category><![CDATA[Ashley Dozier]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Cristian Gorostieta]]></category>
		<category><![CDATA[Eric Hoff]]></category>
		<category><![CDATA[Erik Roldan]]></category>
		<category><![CDATA[Freddy Flores]]></category>
		<category><![CDATA[Irene Tu]]></category>
		<category><![CDATA[Jade Ryin]]></category>
		<category><![CDATA[Jeff Glass]]></category>
		<category><![CDATA[John Holt]]></category>
		<category><![CDATA[John Rooney]]></category>
		<category><![CDATA[Joseph Freeman]]></category>
		<category><![CDATA[Julian Alvarado]]></category>
		<category><![CDATA[Leo St. Leo]]></category>
		<category><![CDATA[Liviu Pasare]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[Mieka van der Ploeg]]></category>
		<category><![CDATA[Mikkhal Holt]]></category>
		<category><![CDATA[Neomara Serges]]></category>
		<category><![CDATA[Nic K]]></category>
		<category><![CDATA[Ophelia Ashley Murillo]]></category>
		<category><![CDATA[Paydro Camarillo]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Reanna Mares]]></category>
		<category><![CDATA[Ruben Castro]]></category>
		<category><![CDATA[Rupert Priniski]]></category>
		<category><![CDATA[Sara Kerastas]]></category>
		<category><![CDATA[Sukari Stone]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34914</guid>
		<description>Though at times a rather unfocused cross-section of lavender life in the big city, this high-energy ensemble is too driven to be dull.  No question, these mainly teen players are paying their dues in life as much as anything they show on stage. It’s that authenticity that makes this a YouTube video you can live in.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=-t-CCmMlNcw:O3ibW4DLLQQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=-t-CCmMlNcw:O3ibW4DLLQQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=-t-CCmMlNcw:O3ibW4DLLQQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=-t-CCmMlNcw:O3ibW4DLLQQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=-t-CCmMlNcw:O3ibW4DLLQQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=-t-CCmMlNcw:O3ibW4DLLQQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=-t-CCmMlNcw:O3ibW4DLLQQ:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=-t-CCmMlNcw:O3ibW4DLLQQ:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/-t-CCmMlNcw" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: The Marvelous Land of Oz (New American Folk Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/9qetGuiemms/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/22/review-the-marvelous-land-of-oz-new-american-folk-theatre/#comments</comments>
		<pubDate>Thu, 23 May 2013 03:20:36 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Children's Theatre]]></category>
		<category><![CDATA[Den Theatre]]></category>
		<category><![CDATA[Joy Campbell]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[New American Folk Theatre]]></category>
		<category><![CDATA[New Work]]></category>
		<category><![CDATA[World Premier]]></category>
		<category><![CDATA[13-0521]]></category>
		<category><![CDATA[Anthony Whitaker]]></category>
		<category><![CDATA[Caitlin Jackson]]></category>
		<category><![CDATA[Cat Wilson]]></category>
		<category><![CDATA[Chicago children]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Colin Fewell]]></category>
		<category><![CDATA[Elizabeth Chidester]]></category>
		<category><![CDATA[Fairylogue Radio Plays]]></category>
		<category><![CDATA[Jamal Howard]]></category>
		<category><![CDATA[Kris Kontour]]></category>
		<category><![CDATA[L. Frank Baum]]></category>
		<category><![CDATA[Lianne Rodriguez]]></category>
		<category><![CDATA[Matt Huston]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Rachel Christianson]]></category>
		<category><![CDATA[Sara Carranza]]></category>
		<category><![CDATA[Sara Tauer]]></category>
		<category><![CDATA[The Den Theatre]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34898</guid>
		<description>Anthony Whitaker’s original songs are well sung and fit nicely into the story and Jamal Howard’s choreography is snappy and fun. The result is a charming production that holds true to the spirit of the L. Frank Baum's base story. There's a definite sense of energitic fun that keeps the kids in the audience enthralled. (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=9qetGuiemms:T6y6-tvESLs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=9qetGuiemms:T6y6-tvESLs:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=9qetGuiemms:T6y6-tvESLs:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=9qetGuiemms:T6y6-tvESLs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=9qetGuiemms:T6y6-tvESLs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=9qetGuiemms:T6y6-tvESLs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=9qetGuiemms:T6y6-tvESLs:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=9qetGuiemms:T6y6-tvESLs:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/9qetGuiemms" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: The Timey Wimey Fantastic Brilliant Extravaganza – Geronimo! (Right Brain Project)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/O_QLHdOGrhs/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/22/review-the-timey-wimey-fantastic-brilliant-extravaganza-geronimo-right-brain-project/#comments</comments>
		<pubDate>Wed, 22 May 2013 22:03:14 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Keith Glab]]></category>
		<category><![CDATA[RBP Rorschach]]></category>
		<category><![CDATA[Right Brain Project]]></category>
		<category><![CDATA[13-0531]]></category>
		<category><![CDATA[Brittany Stock]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Chrystle Morman]]></category>
		<category><![CDATA[Clint Worthington]]></category>
		<category><![CDATA[Emma Peterson]]></category>
		<category><![CDATA[JB Anderton]]></category>
		<category><![CDATA[Jennifer Roehm]]></category>
		<category><![CDATA[Joseph Ramski]]></category>
		<category><![CDATA[Justin Gerber]]></category>
		<category><![CDATA[Kendra Kargenian]]></category>
		<category><![CDATA[Krista Reeves]]></category>
		<category><![CDATA[Mab Graves]]></category>
		<category><![CDATA[McKenzie Gerber]]></category>
		<category><![CDATA[Michael C. Smith]]></category>
		<category><![CDATA[Nathan Robbel]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Roxie Kooi]]></category>
		<category><![CDATA[Rush Marler]]></category>
		<category><![CDATA[Sarah Thompson]]></category>
		<category><![CDATA[The Right Brain Project]]></category>
		<category><![CDATA[Tom McGrath]]></category>
		<category><![CDATA[Trevor Watkin]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34861</guid>
		<description>Surprising, campy, fun, and interactive - in short, it has all of the necessary elements for a fitting Doctor Who celebration on this 50th anniversary year of the greatest science fiction series ever.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=O_QLHdOGrhs:r5-g8tBqA7c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=O_QLHdOGrhs:r5-g8tBqA7c:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=O_QLHdOGrhs:r5-g8tBqA7c:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=O_QLHdOGrhs:r5-g8tBqA7c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=O_QLHdOGrhs:r5-g8tBqA7c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=O_QLHdOGrhs:r5-g8tBqA7c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=O_QLHdOGrhs:r5-g8tBqA7c:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=O_QLHdOGrhs:r5-g8tBqA7c:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/O_QLHdOGrhs" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: The Electric Baby (Rivendell Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/Vev5mW16Wzs/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/22/review-the-electric-baby-rivendell-theatre/#comments</comments>
		<pubDate>Wed, 22 May 2013 19:44:56 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Katy Walsh]]></category>
		<category><![CDATA[Rivendell Theatre]]></category>
		<category><![CDATA[13-0537]]></category>
		<category><![CDATA[Amanda Powell]]></category>
		<category><![CDATA[Amanda Williams]]></category>
		<category><![CDATA[Ann M. Shanahan]]></category>
		<category><![CDATA[Brave Lux]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Diana Fairchild]]></category>
		<category><![CDATA[H.B. Ward]]></category>
		<category><![CDATA[Janice Pytel]]></category>
		<category><![CDATA[Jeff Trainor]]></category>
		<category><![CDATA[Joanna Iwanicka]]></category>
		<category><![CDATA[Joe Mazza]]></category>
		<category><![CDATA[Kate Hopgood]]></category>
		<category><![CDATA[Kathy Logelin]]></category>
		<category><![CDATA[Lionel Gentle]]></category>
		<category><![CDATA[Meighan Gerachis]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Scott Verissimo]]></category>
		<category><![CDATA[Tara Mallen]]></category>
		<category><![CDATA[Wendye Clarendon]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34859</guid>
		<description>The Electric Baby is illuminating, and you truly care about these strangers’ lives as they intertwine with others. As the drama unfolds, you'll no doubt get misty for their losses and their inspirational gains.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=Vev5mW16Wzs:SY3PSY_t6Bg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=Vev5mW16Wzs:SY3PSY_t6Bg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=Vev5mW16Wzs:SY3PSY_t6Bg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=Vev5mW16Wzs:SY3PSY_t6Bg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=Vev5mW16Wzs:SY3PSY_t6Bg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=Vev5mW16Wzs:SY3PSY_t6Bg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=Vev5mW16Wzs:SY3PSY_t6Bg:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=Vev5mW16Wzs:SY3PSY_t6Bg:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/Vev5mW16Wzs" height="1" width="1"/&gt;</description>
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		<title>Review: Reverb (Redtwist Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/uKP1vmp4k_c/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/20/review-reverb-redtwist-theatre/#comments</comments>
		<pubDate>Tue, 21 May 2013 04:32:24 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Clint May]]></category>
		<category><![CDATA[Redtwist Theatre]]></category>
		<category><![CDATA[13-0533]]></category>
		<category><![CDATA[Alan Weusthoff]]></category>
		<category><![CDATA[Allison Queen]]></category>
		<category><![CDATA[Ashley neal]]></category>
		<category><![CDATA[Brandon Wardell]]></category>
		<category><![CDATA[Brittany Burch]]></category>
		<category><![CDATA[Charles Bonilla]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Chris Chmelik]]></category>
		<category><![CDATA[Christopher Kriz]]></category>
		<category><![CDATA[E. Malcolm Martinez]]></category>
		<category><![CDATA[Elizabeth Penrose]]></category>
		<category><![CDATA[Emily McConnell]]></category>
		<category><![CDATA[Frank Sjodin]]></category>
		<category><![CDATA[Garvin Jellison]]></category>
		<category><![CDATA[Jan Ellen Graves]]></category>
		<category><![CDATA[Jeff Shields]]></category>
		<category><![CDATA[Joe Schermoly]]></category>
		<category><![CDATA[Johnny Garcia]]></category>
		<category><![CDATA[Jonathan Berry]]></category>
		<category><![CDATA[Kevin McDonald]]></category>
		<category><![CDATA[Leslye Headland]]></category>
		<category><![CDATA[Mary Reynard]]></category>
		<category><![CDATA[Mary Williamson]]></category>
		<category><![CDATA[Michael Colucci]]></category>
		<category><![CDATA[Nick Vidal]]></category>
		<category><![CDATA[Olivia Baker]]></category>
		<category><![CDATA[Peter Oyloe]]></category>
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		<category><![CDATA[Ryan Bourque]]></category>
		<category><![CDATA[Sarah Burnham]]></category>
		<category><![CDATA[Will Crouse]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34840</guid>
		<description>Despite some distractions, it’s Peter Oyloe and Mary Williamson that make this show worth a visit. More than just a reflection on wrath, Reverb is a meditation on that shameful aspect of a culture that gladly allows a few sad souls to plumb deeper depths of despair to let us vicariously experience their bruises but come out unscathed.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=uKP1vmp4k_c:E0SrjukmkEU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=uKP1vmp4k_c:E0SrjukmkEU:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=uKP1vmp4k_c:E0SrjukmkEU:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=uKP1vmp4k_c:E0SrjukmkEU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=uKP1vmp4k_c:E0SrjukmkEU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=uKP1vmp4k_c:E0SrjukmkEU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=uKP1vmp4k_c:E0SrjukmkEU:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=uKP1vmp4k_c:E0SrjukmkEU:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/uKP1vmp4k_c" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://chicagotheaterbeat.com/2013/05/20/review-reverb-redtwist-theatre/feed/</wfw:commentRss>
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		<feedburner:origLink>http://chicagotheaterbeat.com/2013/05/20/review-reverb-redtwist-theatre/</feedburner:origLink></item>
		<item>
		<title>Review: The Misanthrope (Court Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/WiRdQFZhRQY/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/20/review-the-misanthrope-court-theatre/#comments</comments>
		<pubDate>Tue, 21 May 2013 00:34:43 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Court Theatre]]></category>
		<category><![CDATA[John Olson]]></category>
		<category><![CDATA[Molière]]></category>
		<category><![CDATA[13-0534]]></category>
		<category><![CDATA[A.C. Smith]]></category>
		<category><![CDATA[Allen Gilmore]]></category>
		<category><![CDATA[Andre Pluess]]></category>
		<category><![CDATA[Charles Newell]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Desmond Gray]]></category>
		<category><![CDATA[Donald E. Claxon]]></category>
		<category><![CDATA[Drew Dir]]></category>
		<category><![CDATA[Elizabeth Ledo]]></category>
		<category><![CDATA[Erik Hellman]]></category>
		<category><![CDATA[Grace Gealey]]></category>
		<category><![CDATA[Jacqueline Firkins]]></category>
		<category><![CDATA[John Culbert]]></category>
		<category><![CDATA[Josh Horvath]]></category>
		<category><![CDATA[Kamal Angelo Bolden]]></category>
		<category><![CDATA[Keith Parham]]></category>
		<category><![CDATA[Larry Norman]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[Michael Pogue]]></category>
		<category><![CDATA[Moliere]]></category>
		<category><![CDATA[Patrese D. McClain]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Richard Wilbur]]></category>
		<category><![CDATA[The Misanthrope]]></category>
		<category><![CDATA[Travis Turner]]></category>
		<category><![CDATA[William Collins]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34818</guid>
		<description>Played out on a simple, yet elegant set by John Culbert, Court Theatre's production as directed by Charles Newell is both entertaining and respectful of the piece’s classic status and heritage. (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=WiRdQFZhRQY:b8dN4AKxsvs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=WiRdQFZhRQY:b8dN4AKxsvs:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=WiRdQFZhRQY:b8dN4AKxsvs:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=WiRdQFZhRQY:b8dN4AKxsvs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=WiRdQFZhRQY:b8dN4AKxsvs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=WiRdQFZhRQY:b8dN4AKxsvs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=WiRdQFZhRQY:b8dN4AKxsvs:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=WiRdQFZhRQY:b8dN4AKxsvs:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/WiRdQFZhRQY" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Speech and Debate (American Theater Company)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/UeQ6BQQ7fkw/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/19/review-speech-and-debate-american-theater-company/#comments</comments>
		<pubDate>Sun, 19 May 2013 22:02:27 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[American Theatre Company]]></category>
		<category><![CDATA[Extensions-Remounts]]></category>
		<category><![CDATA[Keith Glab]]></category>
		<category><![CDATA[13-0527]]></category>
		<category><![CDATA[Al Evangelista]]></category>
		<category><![CDATA[American Theater Company]]></category>
		<category><![CDATA[Andrew Wheatley]]></category>
		<category><![CDATA[Bryan Renaud]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Coleen O’ Connor]]></category>
		<category><![CDATA[Deborah Chesterman]]></category>
		<category><![CDATA[Jack Bauer]]></category>
		<category><![CDATA[Janet Ulrich Brooks]]></category>
		<category><![CDATA[Jesse Klug]]></category>
		<category><![CDATA[Laura Matthews]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[PJ Paparelli]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Rasean Davonte Johnson]]></category>
		<category><![CDATA[Rebecca Spooner]]></category>
		<category><![CDATA[Sadieh Rifai]]></category>
		<category><![CDATA[Sally Dolembo]]></category>
		<category><![CDATA[Stephen Karam]]></category>
		<category><![CDATA[Will Allan]]></category>
		<category><![CDATA[William Boles]]></category>
		<category><![CDATA[William Patrick Riley]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34798</guid>
		<description>It's hard to deny the entertainment value of Speech &amp;#038; Debate. PJ Paparelli’s straightforward direction allows his energetic cast to execute a script teeming with humor. Add in Andrew Wheatley’s thumping sound design and there need be little debate as to whether this production is worth seeing.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=UeQ6BQQ7fkw:P1giEbQhw4c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=UeQ6BQQ7fkw:P1giEbQhw4c:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=UeQ6BQQ7fkw:P1giEbQhw4c:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=UeQ6BQQ7fkw:P1giEbQhw4c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=UeQ6BQQ7fkw:P1giEbQhw4c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=UeQ6BQQ7fkw:P1giEbQhw4c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=UeQ6BQQ7fkw:P1giEbQhw4c:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=UeQ6BQQ7fkw:P1giEbQhw4c:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/UeQ6BQQ7fkw" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Fight Girl Battle World (Infusion Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/MeI9Hw6LSag/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/18/review-fight-girl-battle-world-infusion-theatre/#comments</comments>
		<pubDate>Sat, 18 May 2013 18:07:19 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Infusion Theatre]]></category>
		<category><![CDATA[Katy Walsh]]></category>
		<category><![CDATA[Theater Wit]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[YouTube]]></category>
		<category><![CDATA[13-0532]]></category>
		<category><![CDATA[Anna Henson]]></category>
		<category><![CDATA[Brian Barber]]></category>
		<category><![CDATA[Cassy Schillo]]></category>
		<category><![CDATA[Charles Cooper]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Claire Tuft]]></category>
		<category><![CDATA[Dave Ferguson]]></category>
		<category><![CDATA[David Blixt]]></category>
		<category><![CDATA[Elise Mayfield]]></category>
		<category><![CDATA[Jason Crutchfield]]></category>
		<category><![CDATA[Johnny Knight]]></category>
		<category><![CDATA[Josh Hambrock]]></category>
		<category><![CDATA[Kai Young]]></category>
		<category><![CDATA[Kevin Anderson]]></category>
		<category><![CDATA[Kimberly Logan]]></category>
		<category><![CDATA[Kimberly Morris]]></category>
		<category><![CDATA[Majel Cuza]]></category>
		<category><![CDATA[Maureen Yasko]]></category>
		<category><![CDATA[Meredith Rae Lyons]]></category>
		<category><![CDATA[Michael Harris]]></category>
		<category><![CDATA[Mitch Golob]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Qui Nguyen]]></category>
		<category><![CDATA[Rachel Sypniewski]]></category>
		<category><![CDATA[Rasean Davonte Johnson]]></category>
		<category><![CDATA[Rob Grabowski]]></category>
		<category><![CDATA[Sheila O’Connor]]></category>
		<category><![CDATA[Stephen Ptacek]]></category>
		<category><![CDATA[Zach Livingston]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34786</guid>
		<description>This show is is “Kill Bill” meets “Battlestar Galactica”  - with a side of “Space Balls.” And the stage combat is just as fun as the special effects!  Infusion Theatre's large ensemble works hard to deliver the comedy, the humor and the heart while killing off their enemies.  (read more...)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=MeI9Hw6LSag:PLDyMiYsqM4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=MeI9Hw6LSag:PLDyMiYsqM4:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=MeI9Hw6LSag:PLDyMiYsqM4:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=MeI9Hw6LSag:PLDyMiYsqM4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=MeI9Hw6LSag:PLDyMiYsqM4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=MeI9Hw6LSag:PLDyMiYsqM4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=MeI9Hw6LSag:PLDyMiYsqM4:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=MeI9Hw6LSag:PLDyMiYsqM4:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/MeI9Hw6LSag" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: In the Company of Men (Profiles Theatre)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/ghqYyyW1Qb0/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/17/review-in-the-company-of-men-profiles-theatre/#comments</comments>
		<pubDate>Sat, 18 May 2013 04:57:14 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Lawrence Bommer]]></category>
		<category><![CDATA[Neil LaBute]]></category>
		<category><![CDATA[Profiles Theatre]]></category>
		<category><![CDATA[13-0530]]></category>
		<category><![CDATA[Alex Fisher]]></category>
		<category><![CDATA[Brennan Roche]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Dennis Bisto]]></category>
		<category><![CDATA[Jeffrey Levin]]></category>
		<category><![CDATA[Jessica Honor Carleton]]></category>
		<category><![CDATA[Jordan Brown]]></category>
		<category><![CDATA[Joseph W. Moore III]]></category>
		<category><![CDATA[Kaylie Honkala]]></category>
		<category><![CDATA[Kroydell Galima]]></category>
		<category><![CDATA[Laura Leonardo Ownby]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[Mike May]]></category>
		<category><![CDATA[Poppy Golland]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Raquel Adorno]]></category>
		<category><![CDATA[Rick Snyder]]></category>
		<category><![CDATA[Sarah Herndon]]></category>
		<category><![CDATA[Shelby Garrett]]></category>
		<category><![CDATA[Thad Hallstein]]></category>
		<category><![CDATA[The Main Stage]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34770</guid>
		<description>Neil LaBute’s brand of gutsy, in-your-face, confrontation-theater can quickly get under your skin and into your blood, and this play doesn't stray from these qualities. This must-see show depicts male bonding as a race to the bottom.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=ghqYyyW1Qb0:8tA6xjBgU0o:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=ghqYyyW1Qb0:8tA6xjBgU0o:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=ghqYyyW1Qb0:8tA6xjBgU0o:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=ghqYyyW1Qb0:8tA6xjBgU0o:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=ghqYyyW1Qb0:8tA6xjBgU0o:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=ghqYyyW1Qb0:8tA6xjBgU0o:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?a=ghqYyyW1Qb0:8tA6xjBgU0o:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/ChicagoTheaterBeat?i=ghqYyyW1Qb0:8tA6xjBgU0o:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/ChicagoTheaterBeat/~4/ghqYyyW1Qb0" height="1" width="1"/&gt;</description>
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		<item>
		<title>Review: Ganesh Versus the Third Reich (Back to Back Theatre and MCA)</title>
		<link>http://feedproxy.google.com/~r/ChicagoTheaterBeat/~3/Gndhn2jrdGY/</link>
		<comments>http://chicagotheaterbeat.com/2013/05/17/review-ganesh-versus-the-third-reich-back-to-back-theatre-and-mca/#comments</comments>
		<pubDate>Sat, 18 May 2013 01:43:16 +0000</pubDate>
		<dc:creator>Scotty Zacher</dc:creator>
				<category><![CDATA[2013 Reviews]]></category>
		<category><![CDATA[Edlis Neeson Theater]]></category>
		<category><![CDATA[Lauren Whalen]]></category>
		<category><![CDATA[MCA Stage]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[National Tours]]></category>
		<category><![CDATA[13-0529]]></category>
		<category><![CDATA[Alice Fleming]]></category>
		<category><![CDATA[Andrew Livingston]]></category>
		<category><![CDATA[Back to Back Theatre]]></category>
		<category><![CDATA[Bluebottle]]></category>
		<category><![CDATA[Brian Tilley]]></category>
		<category><![CDATA[Bruce Gladwin]]></category>
		<category><![CDATA[Chicago Theater]]></category>
		<category><![CDATA[Georgina Naidu]]></category>
		<category><![CDATA[Jeff Busby]]></category>
		<category><![CDATA[Jóhann Jóhannsson]]></category>
		<category><![CDATA[Luke Ryan]]></category>
		<category><![CDATA[Marco Cher-Gibard]]></category>
		<category><![CDATA[Mark Cuthbertson]]></category>
		<category><![CDATA[Mark Deans]]></category>
		<category><![CDATA[MCA]]></category>
		<category><![CDATA[Paul Smiths]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[Rhian Hinkley]]></category>
		<category><![CDATA[Sam Jinks]]></category>
		<category><![CDATA[Scott Price]]></category>
		<category><![CDATA[Shio Otani]]></category>
		<category><![CDATA[Simon Laherty]]></category>

		<guid isPermaLink="false">http://chicagotheaterbeat.com/?p=34759</guid>
		<description>Back to Back Theatre’s exploration of power and narrative is like nothing I have ever seen before, or will ever see again.  I was confused, then transfixed, then moved. To say that this piece is unique and transformative is an understatement. (read more...)&lt;div class="feedflare"&gt;
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