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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" xml:lang="en"><title type="text">CineVue</title><link rel="alternate" type="text/html" href="http://www.cine-vue.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/Cine-Vue" /><subtitle type="html">Award-winning UK film blog packed with the very latest movie news, reviews, previews, events, interviews and film trailers from the world of cinema. Follow us on Twitter @CineVue.</subtitle><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-27T08:58:02+00:00</updated><generator uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1671</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">25</openSearch:itemsPerPage><feedburner:info uri="cine-vue" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><id>tag:blogger.com,1999:blog-3066710865877105499</id><logo>http://3.bp.blogspot.com/-lCi3CCFmsJA/T4w2RaL12GI/AAAAAAAAF4E/03settHUoVY/s1600/cinevue+banner+3.jpg</logo><feedburner:emailServiceId>Cine-Vue</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><entry><title type="text">Cannes Film Festival 2012: 'Gimme the Loot' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/I9mRL2xf0WU/cannes-film-festival-2012-gimme-loot.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-27T01:05:08-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-8871089744940944969</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-r_oMPUBud74/T8HdDKSDwhI/AAAAAAAAHRc/q8LL2VgwaLY/s1600/gimme-the-loot.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://1.bp.blogspot.com/-r_oMPUBud74/T8HdDKSDwhI/AAAAAAAAHRc/q8LL2VgwaLY/s1600/gimme-the-loot.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
One of four films to debut in the &lt;i&gt;Un Certain Regard&lt;/i&gt; section of the &lt;b&gt;65th Cannes Film Festival&lt;/b&gt;, Adam Leon&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;Gimme the Loot (2012)&lt;/b&gt;&lt;/i&gt; is a brisk and refreshingly jolly look at life on the streets of New York from the perspective of two young graffiti artists, Sofia (Tashiana Washington) and Malcolm (Ty Hickson) aka Shakes. We are introduced to the characters as they shoplift paint canisters from a DIY shop, aided by their heavily tattooed Hispanic getaway driver Champion (Meeko).&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-gimme-loot.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-8871089744940944969?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/I9mRL2xf0WU" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-27T09:05:08.957+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-r_oMPUBud74/T8HdDKSDwhI/AAAAAAAAHRc/q8LL2VgwaLY/s72-c/gimme-the-loot.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-gimme-loot.html</feedburner:origLink></entry><entry><title type="text">Competition: Win tickets to the 'The Angels' Share' UK Premiere</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/zc7hnQTIBks/competition-win-tickets-to-the-angels.html" /><category term="Competitions" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-26T08:34:48-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-1882196442404848025</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;a href="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s1600/angels-share.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s1600/angels-share.jpg"&gt;&lt;/a&gt;We&amp;#39;ve teamed up with the lovely chaps at Entertainment One to offer our British cinema-loving readers THREE pair of tickets to the UK Premiere of Ken Loach&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;The Angels&amp;#39; Share (2012)&lt;/b&gt;&lt;/i&gt; (&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-angels-share.html"&gt;review here&lt;/a&gt;) at Glasgow&amp;#39;s Cineworld Renfrew Street on Tuesday 29 May. This is an exclusive competition for our Facebook and Twitter fans, so if you haven&amp;#39;t already, &amp;#39;Like&amp;#39; us at &lt;a href="http://www.facebook.com/CineVueUK"&gt;facebook.com/CineVueUK&lt;/a&gt; or follow us &lt;a href="http://www.twitter.com/CineVue"&gt;@CineVue&lt;/a&gt;.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/competition-win-tickets-to-the-angels.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-1882196442404848025?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/zc7hnQTIBks" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-26T16:34:48.312+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s72-c/angels-share.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/competition-win-tickets-to-the-angels.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'In the Fog' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/uWQ14AEmjkI/cannes-film-festival-2012-in-fog-review.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-26T02:04:48-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-5182115942383819216</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-BzhAkeoKdU0/T8CZcnrq-uI/AAAAAAAAHQg/stlEStTRHcY/s1600/inthe+fog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://1.bp.blogspot.com/-BzhAkeoKdU0/T8CZcnrq-uI/AAAAAAAAHQg/stlEStTRHcY/s1600/inthe+fog.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
Ukrainian director Sergei Loznitsa returns to the &lt;b&gt;Cannes Film Festival&lt;/b&gt; with &lt;i&gt;Palme d&amp;#39;Or&lt;/i&gt; nominee &lt;i style="color: red;"&gt;&lt;b&gt;In the Fog (V tumane, 2012)&lt;/b&gt;&lt;/i&gt;, a sombre wartime drama set in Belarus at the time of the Nazi occupation. The film begins with the execution of three local men, hung by the Germans for sabotage. We then move on to a night-time scene as two shadowy figures on horseback move through the woods: one, Burov (Vladislav Abashin), is in uniform and they both carry rifles.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-in-fog-review.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-5182115942383819216?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/uWQ14AEmjkI" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-26T10:04:48.588+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-BzhAkeoKdU0/T8CZcnrq-uI/AAAAAAAAHQg/stlEStTRHcY/s72-c/inthe+fog.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-in-fog-review.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'The Paperboy' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/ncPx5Y8eiog/cannes-film-festival-2012-paperboy.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-26T01:33:31-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-6911847231686497517</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-lv0F0HU-kzo/T8COvw4PrzI/AAAAAAAAHPc/UyostsjJUKs/s1600/the-paperboy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://2.bp.blogspot.com/-lv0F0HU-kzo/T8COvw4PrzI/AAAAAAAAHPc/UyostsjJUKs/s1600/the-paperboy.jpg"&gt;&lt;/a&gt;★★☆☆☆ &lt;/div&gt;
Following up on the critical success of his previous film &lt;i style="color: red;"&gt;&lt;b&gt;Precious (2009)&lt;/b&gt;&lt;/i&gt; (which screened at both Sundance and Cannes), Lee Daniels&amp;#39; &lt;i style="color: red;"&gt;&lt;b&gt;The Paperboy (2012)&lt;/b&gt;&lt;/i&gt; is a star-studded oddity; an overly-directed pot-boiler unable to decide how seriously it wants to take itself. In the end, the pot simply boils over.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-paperboy.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-6911847231686497517?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/ncPx5Y8eiog" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-26T09:33:31.751+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-lv0F0HU-kzo/T8COvw4PrzI/AAAAAAAAHPc/UyostsjJUKs/s72-c/the-paperboy.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-paperboy.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'Cosmopolis' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/yP-K_qjZFfQ/cannes-film-festival-2012-cosmopolis.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-26T00:21:23-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-1078856868570230221</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-qGGojkVu30c/T7UglckH5YI/AAAAAAAAG4o/eNRef7PQ95Y/s1600/cosmopolis.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-qGGojkVu30c/T7UglckH5YI/AAAAAAAAG4o/eNRef7PQ95Y/s1600/cosmopolis.jpg"&gt;&lt;/a&gt;★★☆☆☆ &lt;/div&gt;
A man drives across New York to get a haircut and it takes all day: simplicity itself. Celebrated Canadian director David Cronenberg enters the running for the coveted &lt;i&gt;Palme d&amp;#39;Or&lt;/i&gt; prize at the &lt;b&gt;65th Cannes Film Festival&lt;/b&gt; with &lt;i style="color: red;"&gt;&lt;b&gt;Cosmopolis (2012)&lt;/b&gt;&lt;/i&gt;, an overly faithful adaptation of the Don DeLillo&amp;#39;s novel of the same name.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-cosmopolis.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-1078856868570230221?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=yP-K_qjZFfQ:G_ign5gEgOQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=yP-K_qjZFfQ:G_ign5gEgOQ:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=yP-K_qjZFfQ:G_ign5gEgOQ:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=yP-K_qjZFfQ:G_ign5gEgOQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=yP-K_qjZFfQ:G_ign5gEgOQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=yP-K_qjZFfQ:G_ign5gEgOQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=yP-K_qjZFfQ:G_ign5gEgOQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=yP-K_qjZFfQ:G_ign5gEgOQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/yP-K_qjZFfQ" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-26T08:21:23.813+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-qGGojkVu30c/T7UglckH5YI/AAAAAAAAG4o/eNRef7PQ95Y/s72-c/cosmopolis.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-cosmopolis.html</feedburner:origLink></entry><entry><title type="text">DocHouse: 'Surviving Progress'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/vCz-61mUbDs/dochouse-surviving-progress.html" /><category term="Joe Walsh" /><category term="Special Features" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-25T04:00:09-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-2291912365535836671</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-FydP-FCU7f8/T78wy6uVqsI/AAAAAAAAHOk/x-XS8fPWgOM/s1600/survivingprogress_poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://2.bp.blogspot.com/-FydP-FCU7f8/T78wy6uVqsI/AAAAAAAAHOk/x-XS8fPWgOM/s1600/survivingprogress_poster.jpg"&gt;&lt;/a&gt;★★★★☆ &lt;/div&gt;
From executive producer Martin Scorsese and screened as part of the DocHouse strand, Mathieu Roy and Harold Crooks&amp;#39; documentary &lt;i style="color: red;"&gt;&lt;b&gt;Surviving Progress (2011)&lt;/b&gt;&lt;/i&gt; is a fascinating and highly ambitious evaluation of &amp;#39;economic progress&amp;#39;, questioning whether the term always necessary means improvement in a world of rapidly evolving technologies and increasing global debt.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/dochouse-surviving-progress.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-2291912365535836671?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=vCz-61mUbDs:MsdMBwPgFK0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=vCz-61mUbDs:MsdMBwPgFK0:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=vCz-61mUbDs:MsdMBwPgFK0:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=vCz-61mUbDs:MsdMBwPgFK0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=vCz-61mUbDs:MsdMBwPgFK0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=vCz-61mUbDs:MsdMBwPgFK0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=vCz-61mUbDs:MsdMBwPgFK0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=vCz-61mUbDs:MsdMBwPgFK0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/vCz-61mUbDs" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T12:00:09.795+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-FydP-FCU7f8/T78wy6uVqsI/AAAAAAAAHOk/x-XS8fPWgOM/s72-c/survivingprogress_poster.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/dochouse-surviving-progress.html</feedburner:origLink></entry><entry><title type="text">Competition: Win Lena Dunham's 'Tiny Furniture' on DVD</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/0XAWasWcgEs/competition-win-lena-dunhams-tiny.html" /><category term="Competitions" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-25T02:00:01-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-3055681037337430131</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-GEX2PGppt2o/T73Un_UWqXI/AAAAAAAAHLw/EU8Rv6BJoEA/s1600/tiny-furniture.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://4.bp.blogspot.com/-GEX2PGppt2o/T73Un_UWqXI/AAAAAAAAHLw/EU8Rv6BJoEA/s1600/tiny-furniture.jpg"&gt;&lt;/a&gt;&lt;/div&gt;
To celebrate the release of  Lena Dunham&amp;#39; US indie comedy &lt;i style="color: red;"&gt;&lt;b&gt;Tiny Furniture (2010) &lt;/b&gt;&lt;/i&gt;on DVD from Monday 28 May, we&amp;#39;re giving our loyal readers the chance to win one of THREE DVD copies of the film courtesy of Independent Distribution. This is an exclusive competition for our Facebook and Twitter fans, so if you haven&amp;#39;t already, &amp;#39;Like&amp;#39; us at &lt;a href="http://www.facebook.com/CineVueUK"&gt;facebook.com/CineVueUK&lt;/a&gt; or follow us &lt;a href="http://www.twitter.com/CineVue"&gt;@CineVue&lt;/a&gt;.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/competition-win-lena-dunhams-tiny.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-3055681037337430131?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=0XAWasWcgEs:rWoB2hG1n5E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=0XAWasWcgEs:rWoB2hG1n5E:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=0XAWasWcgEs:rWoB2hG1n5E:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=0XAWasWcgEs:rWoB2hG1n5E:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=0XAWasWcgEs:rWoB2hG1n5E:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=0XAWasWcgEs:rWoB2hG1n5E:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=0XAWasWcgEs:rWoB2hG1n5E:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=0XAWasWcgEs:rWoB2hG1n5E:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/0XAWasWcgEs" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T10:00:01.687+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-GEX2PGppt2o/T73Un_UWqXI/AAAAAAAAHLw/EU8Rv6BJoEA/s72-c/tiny-furniture.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/competition-win-lena-dunhams-tiny.html</feedburner:origLink></entry><entry><title type="text">Competition: Win the Classic Bergman 5 disc box set on Blu-ray</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/ufl-DtWWE98/competition-win-classic-bergman-5-disc.html" /><category term="Competitions" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-25T00:00:02-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-8168675615011680218</id><content type="html">&lt;a href="http://4.bp.blogspot.com/-ON73TrNTMKs/T73YbJl7DlI/AAAAAAAAHME/S2XCLeOO048/s1600/classic-begrman.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://4.bp.blogspot.com/-ON73TrNTMKs/T73YbJl7DlI/AAAAAAAAHME/S2XCLeOO048/s1600/classic-begrman.jpg"&gt;&lt;/a&gt;Thanks to the home entertainment team at Artificial Eye, we have THREE Blu-ray copies of the upcoming &lt;b&gt;&lt;span class="st"&gt;&lt;i style="color: red;"&gt;Classic Bergman &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;5 disc box set (released on 28 May)  to give away to our world cinema-loving. The box set includes five Bergman classics: &lt;i&gt;&lt;span style="color: red;"&gt;&lt;b&gt;It Rains on our Love&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;, &lt;i style="color: red;"&gt;&lt;b&gt;A Ship Bound for India&lt;/b&gt;&lt;/i&gt;, &lt;i style="color: red;"&gt;&lt;b&gt;Sawdust&lt;/b&gt;&lt;/i&gt; &lt;i style="color: red;"&gt;&lt;b&gt;and Tinsel&lt;/b&gt;&lt;/i&gt;, &lt;i style="color: red;"&gt;&lt;b&gt;Dreams&lt;/b&gt;&lt;/i&gt; and &lt;i style="color: red;"&gt;&lt;b&gt;So Close to Life&lt;/b&gt;&lt;/i&gt;. This is an exclusive competition for our Facebook and Twitter fans, so if you haven&amp;#39;t already, &amp;#39;Like&amp;#39; us at &lt;a href="http://www.facebook.com/CineVueUK"&gt;facebook.com/CineVueUK&lt;/a&gt; or follow us &lt;a href="http://www.twitter.com/CineVue"&gt;@CineVue&lt;/a&gt;.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/competition-win-classic-bergman-5-disc.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-8168675615011680218?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/ufl-DtWWE98" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T08:00:02.662+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-ON73TrNTMKs/T73YbJl7DlI/AAAAAAAAHME/S2XCLeOO048/s72-c/classic-begrman.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/competition-win-classic-bergman-5-disc.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'Holy Motors' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/qh6oJU76eQY/cannes-film-festival-2012-holy-motors.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T12:47:15-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-6084457323089326822</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-_OuEnXtZJ7s/T76MiSt8tDI/AAAAAAAAHNg/2BNFAenoFSo/s1600/holy-motors.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://4.bp.blogspot.com/-_OuEnXtZJ7s/T76MiSt8tDI/AAAAAAAAHNg/2BNFAenoFSo/s1600/holy-motors.jpg"&gt;&lt;/a&gt;★★★★☆ &lt;/div&gt;
French-born director Leos Carax returns to cinema screens this year with &lt;i style="color: red;"&gt;&lt;b&gt;Holy Motors (2012)&lt;/b&gt;&lt;/i&gt;, his first feature film for over a decade (since 1999&amp;#39;s &lt;b style="color: red;"&gt;&lt;i&gt;Pola X&lt;/i&gt;&lt;/b&gt; ), which premiered at the &lt;b&gt;65th Cannes Film Festival&lt;/b&gt; and has since become somewhat of a late favourite for the prestigious &lt;i&gt;Palme d&amp;#39;Or&lt;/i&gt; prize. It&amp;#39;s a truly bizarre, thoughtful, pretentious and insane circus of a film, but somehow gets away with it all by being so consistently, utterly entertaining.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-holy-motors.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-6084457323089326822?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=qh6oJU76eQY:coVJLUKCL0I:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=qh6oJU76eQY:coVJLUKCL0I:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=qh6oJU76eQY:coVJLUKCL0I:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=qh6oJU76eQY:coVJLUKCL0I:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=qh6oJU76eQY:coVJLUKCL0I:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=qh6oJU76eQY:coVJLUKCL0I:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=qh6oJU76eQY:coVJLUKCL0I:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=qh6oJU76eQY:coVJLUKCL0I:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/qh6oJU76eQY" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-24T20:47:15.423+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-_OuEnXtZJ7s/T76MiSt8tDI/AAAAAAAAHNg/2BNFAenoFSo/s72-c/holy-motors.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-holy-motors.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'In Another Country' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/LBaAuIpg5S4/cannes-film-festival-2012-in-another.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T07:29:55-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-1363540232116530519</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-HqyUIVIa3OI/T75Fdu-ahzI/AAAAAAAAHNU/pEFHpNRzbq4/s1600/InAnotherCountry.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-HqyUIVIa3OI/T75Fdu-ahzI/AAAAAAAAHNU/pEFHpNRzbq4/s1600/InAnotherCountry.jpg"&gt;&lt;/a&gt;&lt;span style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 15px;"&gt;★★&lt;/span&gt;&lt;span style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 15px;"&gt;☆&lt;/span&gt;&lt;span style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 15px;"&gt;☆&lt;/span&gt;&lt;span style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 15px;"&gt;☆&lt;/span&gt;&lt;/div&gt;
In competition at this year&amp;#39;s &lt;b&gt;65th Cannes Film Festival&lt;/b&gt;, South Korean director Hong Sang-soo returns with &lt;b&gt;&lt;i&gt;&lt;span style="color: red;"&gt;In Another Country (2012)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;, a carefully crafted, slight whimsical comedy that isn&amp;#39;t particularly funny and has nothing new to say. A young girl is stuck with her mother at a seaside town as they have stood guarantor for an uncle who has gone missing. On learning of their predicament, the young girl decides to write three scripts, each one featuring the visit of a French woman (Isabelle Huppert) to the small boring little town.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-in-another.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-1363540232116530519?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=LBaAuIpg5S4:xmqaNLjr1rc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=LBaAuIpg5S4:xmqaNLjr1rc:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=LBaAuIpg5S4:xmqaNLjr1rc:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=LBaAuIpg5S4:xmqaNLjr1rc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=LBaAuIpg5S4:xmqaNLjr1rc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=LBaAuIpg5S4:xmqaNLjr1rc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=LBaAuIpg5S4:xmqaNLjr1rc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=LBaAuIpg5S4:xmqaNLjr1rc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/LBaAuIpg5S4" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-24T15:29:55.294+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-HqyUIVIa3OI/T75Fdu-ahzI/AAAAAAAAHNU/pEFHpNRzbq4/s72-c/InAnotherCountry.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-in-another.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Personal Best'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/AJWVTmsfrRk/film-review-personal-best.html" /><category term="Reviews" /><category term="Alexandra Hayward" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T23:11:06-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-1936772784249240842</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-m_hnPZ9tCKo/T74-IrtYgjI/AAAAAAAAHM4/C7MH1E7Ziw4/s1600/personal-best.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://1.bp.blogspot.com/-m_hnPZ9tCKo/T74-IrtYgjI/AAAAAAAAHM4/C7MH1E7Ziw4/s1600/personal-best.jpg"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="background-color: white; font-family: Arial,Tahoma,Helvetica,FreeSans,sans-serif; font-size: 12px; line-height: 15px;"&gt;★★★☆☆&lt;/span&gt;
&lt;/div&gt;
Not to be confused with the 1982 romantic drama, Sam Blair&amp;#39;s &lt;b&gt;&lt;i&gt;&lt;span style="color: red;"&gt;Personal Best (2012)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; is a BFI-supported documentary sharing the stories of three professional runners aiming towards competing in the 2012 London Olympics. What &lt;b&gt;&lt;i&gt;&lt;span style="color: red;"&gt;Personal Best &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;lacks in fictional tales of love and friendship, it makes up for in real-life, gripping drama as the three hard players fight opposing factors to achieve their sporting dreams.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-personal-best.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-1936772784249240842?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=AJWVTmsfrRk:pwkJ7KsdSGo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=AJWVTmsfrRk:pwkJ7KsdSGo:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=AJWVTmsfrRk:pwkJ7KsdSGo:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=AJWVTmsfrRk:pwkJ7KsdSGo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=AJWVTmsfrRk:pwkJ7KsdSGo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=AJWVTmsfrRk:pwkJ7KsdSGo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=AJWVTmsfrRk:pwkJ7KsdSGo:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=AJWVTmsfrRk:pwkJ7KsdSGo:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/AJWVTmsfrRk" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T07:11:06.887+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-m_hnPZ9tCKo/T74-IrtYgjI/AAAAAAAAHM4/C7MH1E7Ziw4/s72-c/personal-best.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-personal-best.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'Sightseers' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/S8oSovvZKQk/cannes-film-festival-2012-sightseers.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T09:04:48-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-826755100369100386</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-tV46n5BM1Eg/T745odcyfDI/AAAAAAAAHMk/W2J7xmnG-K8/s1600/sightseers.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://2.bp.blogspot.com/-tV46n5BM1Eg/T745odcyfDI/AAAAAAAAHMk/W2J7xmnG-K8/s1600/sightseers.jpg"&gt;&lt;/a&gt;&lt;span style="background-color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 15px;"&gt;★★★☆☆&lt;/span&gt;
&lt;/div&gt;
Showing in the Director&amp;#39;s Fortnight strand of the &lt;b&gt;65th&lt;/b&gt; &lt;b&gt;Cannes Film Festival&lt;/b&gt;, Ben Wheatley&amp;#39;s &lt;b&gt;&lt;i&gt;&lt;span style="color: red;"&gt;Kill List (2011)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; follow-up &lt;b&gt;&lt;i&gt;&lt;span style="color: red;"&gt;Sightseers (2012)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; is an unexpectedly lighthearted jaunt - with serial killing of course - but a jaunt nonetheless. Taken from a script developed by its two leads Alice Lowe and Steve Oram, initially intended as a stand-up routine and then a television pilot, Wheatley adds a splash of his own twisted world view, lending the comedy a sharply macabre edge.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-sightseers.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-826755100369100386?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=S8oSovvZKQk:Ll7SHL7npXc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=S8oSovvZKQk:Ll7SHL7npXc:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=S8oSovvZKQk:Ll7SHL7npXc:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=S8oSovvZKQk:Ll7SHL7npXc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=S8oSovvZKQk:Ll7SHL7npXc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=S8oSovvZKQk:Ll7SHL7npXc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=S8oSovvZKQk:Ll7SHL7npXc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=S8oSovvZKQk:Ll7SHL7npXc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/S8oSovvZKQk" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-24T17:04:48.946+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-tV46n5BM1Eg/T745odcyfDI/AAAAAAAAHMk/W2J7xmnG-K8/s72-c/sightseers.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-sightseers.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Barbaric Genius'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/8GyyKb2yvPo/film-review-barbaric-genius.html" /><category term="Reviews" /><category term="Joe Walsh" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T04:00:08-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-6382141988899964604</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-Ah2wv3PATLw/T71o3otdb2I/AAAAAAAAHLE/FBTLZvildbA/s1600/barbaric-genius.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-Ah2wv3PATLw/T71o3otdb2I/AAAAAAAAHLE/FBTLZvildbA/s1600/barbaric-genius.jpg"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
★★☆☆☆ &lt;/div&gt;
Writer and director Paul Duane turns his hand to feature documentaries with &lt;i style="color: red;"&gt;&lt;b&gt;Barbaric Genius (2011)&lt;/b&gt;&lt;/i&gt;, which examines the &amp;#39;colourful&amp;#39; life of ex-con turned author John Healy. Born in Ireland, Healy grew up with an abusive father in a small town, later joining the army only to desert and become a homeless alcoholic in London.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-barbaric-genius.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-6382141988899964604?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=8GyyKb2yvPo:xB4LRl7nt1I:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=8GyyKb2yvPo:xB4LRl7nt1I:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=8GyyKb2yvPo:xB4LRl7nt1I:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=8GyyKb2yvPo:xB4LRl7nt1I:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=8GyyKb2yvPo:xB4LRl7nt1I:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=8GyyKb2yvPo:xB4LRl7nt1I:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=8GyyKb2yvPo:xB4LRl7nt1I:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=8GyyKb2yvPo:xB4LRl7nt1I:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/8GyyKb2yvPo" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-24T12:00:08.175+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Ah2wv3PATLw/T71o3otdb2I/AAAAAAAAHLE/FBTLZvildbA/s72-c/barbaric-genius.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-barbaric-genius.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Tales of the Night'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/_oh9oZ7c1gM/film-review-tales-of-night.html" /><category term="Reviews" /><category term="Joe Walsh" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T23:38:32-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-4744189001934014297</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-eyRLkM3cMdw/T71iUh8n7aI/AAAAAAAAHKw/rrciWIBuZ1Q/s1600/Tales-Of-The-Night-Poster-Name.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://1.bp.blogspot.com/-eyRLkM3cMdw/T71iUh8n7aI/AAAAAAAAHKw/rrciWIBuZ1Q/s1600/Tales-Of-The-Night-Poster-Name.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
Seasoned French animator Michel Ocelot returns with the charming &lt;i style="color: red;"&gt;&lt;b&gt;Tales of the Night (2011)&lt;/b&gt;&lt;/i&gt;, six tales of whimsy and magic set across different cultures. Those familiar with Ocelot&amp;#39;s work will notice numerous similarities with &lt;i style="color: red;"&gt;&lt;b&gt;Princes and Princesses&lt;/b&gt;&lt;/i&gt;, released in 2000. Each tale is linked by a short introduction, set in a darkened theatre where an old screenwriter and two young actors play out the stories, along with a machine that rapidly changes their costumes.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-tales-of-night.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-4744189001934014297?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=_oh9oZ7c1gM:wiuW-OXPneQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=_oh9oZ7c1gM:wiuW-OXPneQ:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=_oh9oZ7c1gM:wiuW-OXPneQ:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=_oh9oZ7c1gM:wiuW-OXPneQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=_oh9oZ7c1gM:wiuW-OXPneQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=_oh9oZ7c1gM:wiuW-OXPneQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=_oh9oZ7c1gM:wiuW-OXPneQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=_oh9oZ7c1gM:wiuW-OXPneQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/_oh9oZ7c1gM" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T07:38:32.888+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-eyRLkM3cMdw/T71iUh8n7aI/AAAAAAAAHKw/rrciWIBuZ1Q/s72-c/Tales-Of-The-Night-Poster-Name.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-tales-of-night.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Free Men'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/3CWa3iSNgaQ/film-review-free-men.html" /><category term="Reviews" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T23:37:24-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-8249180573695607990</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-A7sDeogRBNQ/T6vry4jakfI/AAAAAAAAGpg/c8Cdt7kc6Ek/s1600/free-man-poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://4.bp.blogspot.com/-A7sDeogRBNQ/T6vry4jakfI/AAAAAAAAGpg/c8Cdt7kc6Ek/s1600/free-man-poster.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
It would be fair to say that French Algerian actor Tahar Rahim hasn&amp;#39;t quite met the lofty expectations placed upon his relatively young shoulders following his towering performance in Jacques Audiard&amp;#39;s breathtaking &lt;i style="color: red;"&gt;&lt;b&gt;A Prophet (&lt;/b&gt;&lt;/i&gt;&lt;i style="color: red;"&gt;&lt;b&gt;Un Prophète, &lt;/b&gt;&lt;/i&gt;&lt;i style="color: red;"&gt;&lt;b&gt;2009)&lt;/b&gt;&lt;/i&gt;. Recent performances in Kevin Macdonald&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;The Eagle (2010)&lt;/b&gt;&lt;/i&gt; and Jean-Jacques Annaud&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;Black Gold (2011)&lt;/b&gt;&lt;/i&gt; have been competent rather than remarkable, but thankfully his latest turn in Ismaël Ferroukhi&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;Free Men (2011)&lt;/b&gt;&lt;/i&gt; represents a marked improvement on past outings.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-free-men.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-8249180573695607990?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3CWa3iSNgaQ:MrandlT0uss:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3CWa3iSNgaQ:MrandlT0uss:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3CWa3iSNgaQ:MrandlT0uss:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3CWa3iSNgaQ:MrandlT0uss:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3CWa3iSNgaQ:MrandlT0uss:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3CWa3iSNgaQ:MrandlT0uss:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3CWa3iSNgaQ:MrandlT0uss:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3CWa3iSNgaQ:MrandlT0uss:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/3CWa3iSNgaQ" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T07:37:24.882+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-A7sDeogRBNQ/T6vry4jakfI/AAAAAAAAGpg/c8Cdt7kc6Ek/s72-c/free-man-poster.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-free-men.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'On the Road' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/ntjCwSREKGo/cannes-film-festival-2012-on-road.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T14:29:02-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-5276649533460527913</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Av0SaAUx4YM/T7z10NhdOxI/AAAAAAAAHJY/gKvAylusCv8/s1600/on-the-road.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://1.bp.blogspot.com/-Av0SaAUx4YM/T7z10NhdOxI/AAAAAAAAHJY/gKvAylusCv8/s1600/on-the-road.jpg"&gt;&lt;/a&gt;★★☆☆☆ &lt;/div&gt;
It&amp;#39;s been a long journey from the original publication of Jack Kerouac&amp;#39;s beat novel &lt;i&gt;On the Road&lt;/i&gt; in 1957 to this Walter Salles-directed big screen adaptation. Over half a century has passed, and in the meantime the cultural influence of the &amp;#39;Beat Generation&amp;#39; has inspired music and film on many different levels. Salles&amp;#39; &lt;i style="color: red;"&gt;&lt;b&gt;On the Road&lt;/b&gt;&lt;/i&gt; attempts to condense and capture one of the great unfilmable books, but instead motors onto the &lt;b&gt;Cannes&lt;/b&gt; Croisette with its trunk packed full with baggage.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-on-road.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-5276649533460527913?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=ntjCwSREKGo:wSIvCI0Y1Iw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=ntjCwSREKGo:wSIvCI0Y1Iw:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=ntjCwSREKGo:wSIvCI0Y1Iw:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=ntjCwSREKGo:wSIvCI0Y1Iw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=ntjCwSREKGo:wSIvCI0Y1Iw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=ntjCwSREKGo:wSIvCI0Y1Iw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=ntjCwSREKGo:wSIvCI0Y1Iw:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=ntjCwSREKGo:wSIvCI0Y1Iw:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/ntjCwSREKGo" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T22:29:02.162+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Av0SaAUx4YM/T7z10NhdOxI/AAAAAAAAHJY/gKvAylusCv8/s72-c/on-the-road.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-on-road.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'What to Expect When You're Expecting'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/Gy_E0H90nv8/film-review-what-to-expect-when-youre.html" /><category term="Reviews" /><category term="Cleaver Patterson" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T06:06:18-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-2633061343900666489</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-pGvZzi997bM/T7tSUVHBkOI/AAAAAAAAHE0/3RIisekobWU/s1600/what-to-expect-when-youre-expecting.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://2.bp.blogspot.com/-pGvZzi997bM/T7tSUVHBkOI/AAAAAAAAHE0/3RIisekobWU/s1600/what-to-expect-when-youre-expecting.jpg"&gt;&lt;/a&gt;★★★☆☆&lt;i style="color: red;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i style="color: red;"&gt;&lt;b&gt;What to Expect When You&amp;#39;re Expecting (2012)&lt;/b&gt;&lt;/i&gt;, the new multi-tiered, ensemble comedy from British director Kirk Jones, starring - amongst others - Cameron Diaz, Jennifer Lopez, Dennis Quaid, Chris Rock and Cheryl Cole (!?), is good fun as long as you&amp;#39;re not expecting too much. The film follows five couples as they experience the ups and downs of pregnancy and childbirth, in the process learning about themselves whilst dealing with the unforgettable experience of bringing a new life into the world.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-what-to-expect-when-youre.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-2633061343900666489?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=Gy_E0H90nv8:Kz4Il_ck7h8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=Gy_E0H90nv8:Kz4Il_ck7h8:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=Gy_E0H90nv8:Kz4Il_ck7h8:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=Gy_E0H90nv8:Kz4Il_ck7h8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=Gy_E0H90nv8:Kz4Il_ck7h8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=Gy_E0H90nv8:Kz4Il_ck7h8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=Gy_E0H90nv8:Kz4Il_ck7h8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=Gy_E0H90nv8:Kz4Il_ck7h8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/Gy_E0H90nv8" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T14:06:18.715+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-pGvZzi997bM/T7tSUVHBkOI/AAAAAAAAHE0/3RIisekobWU/s72-c/what-to-expect-when-youre-expecting.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-what-to-expect-when-youre.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Moonrise Kingdom'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/fqRpQp5eHuk/film-review-moonrise-kingdom.html" /><category term="Reviews" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-24T23:37:58-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-4000179597127152205</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-xwnfqoxKSck/T7O3nyesS1I/AAAAAAAAG0w/6nr_SzvzQiI/s1600/Moonrise_Kingdom_Poster-539x800.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://2.bp.blogspot.com/-xwnfqoxKSck/T7O3nyesS1I/AAAAAAAAG0w/6nr_SzvzQiI/s1600/Moonrise_Kingdom_Poster-539x800.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
American indie auteur Wes Anderson returns to live action filmmaking this year with &lt;b&gt;Cannes&lt;/b&gt; opener &lt;i style="color: red;"&gt;&lt;b&gt;Moonrise Kingdom (2012)&lt;/b&gt;&lt;/i&gt;, a typically quirky offering that partially manages to break free of its mawkish trappings for a sweet(ish) tale of childhood romance. Anderson regulars Bill Murray and Jason Schwartzman are joined here by a somewhat hit-and-miss ensemble cast of players, including Edward Norton, Bruce Willis, Frances McDormand and Tilda Swinton.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-moonrise-kingdom.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-4000179597127152205?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=fqRpQp5eHuk:jW20C2HPHD8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=fqRpQp5eHuk:jW20C2HPHD8:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=fqRpQp5eHuk:jW20C2HPHD8:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=fqRpQp5eHuk:jW20C2HPHD8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=fqRpQp5eHuk:jW20C2HPHD8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=fqRpQp5eHuk:jW20C2HPHD8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=fqRpQp5eHuk:jW20C2HPHD8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=fqRpQp5eHuk:jW20C2HPHD8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/fqRpQp5eHuk" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-25T07:37:58.729+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-xwnfqoxKSck/T7O3nyesS1I/AAAAAAAAG0w/6nr_SzvzQiI/s72-c/Moonrise_Kingdom_Poster-539x800.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-moonrise-kingdom.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'Le Grand Soir' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/aMlqcvZjoF8/cannes-film-festival-2012-le-grand-soir.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T03:42:08-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-6819952228415963205</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-BQhorkIfutI/T7y6PFN3xLI/AAAAAAAAHI0/DZYob0lQvxE/s1600/Video-Le-Grand-Soir.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://3.bp.blogspot.com/-BQhorkIfutI/T7y6PFN3xLI/AAAAAAAAHI0/DZYob0lQvxE/s1600/Video-Le-Grand-Soir.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
Following last year&amp;#39;s underwhelming &lt;i style="color: red;"&gt;&lt;b&gt;Mammuth (2010)&lt;/b&gt;&lt;/i&gt;, directors Benoît Delépine and Gustave de Kervern present their latest oddball comedy &lt;i style="color: red;"&gt;&lt;b&gt;Le Grand Soir (2012)&lt;/b&gt;&lt;/i&gt; in the &lt;i&gt;Un Certain Regard&lt;/i&gt; section of the &lt;b&gt;65th Cannes Film Festival&lt;/b&gt;. Our protagonist is Not (Benoît Poelvoorde), &amp;quot;the oldest punk in Europe with a dog&amp;quot; as he describes himself. Despite his ostensible claims to living a life of freedom, Not gravitates around a single shopping mall on the edge of town where his mother and father own a chip shop, which he consequently visits in order to celebrate his mother&amp;#39;s birthday.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-le-grand-soir.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-6819952228415963205?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=aMlqcvZjoF8:r0M8GiGG1rQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=aMlqcvZjoF8:r0M8GiGG1rQ:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=aMlqcvZjoF8:r0M8GiGG1rQ:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=aMlqcvZjoF8:r0M8GiGG1rQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=aMlqcvZjoF8:r0M8GiGG1rQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=aMlqcvZjoF8:r0M8GiGG1rQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=aMlqcvZjoF8:r0M8GiGG1rQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=aMlqcvZjoF8:r0M8GiGG1rQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/aMlqcvZjoF8" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T11:42:08.468+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-BQhorkIfutI/T7y6PFN3xLI/AAAAAAAAHI0/DZYob0lQvxE/s72-c/Video-Le-Grand-Soir.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-le-grand-soir.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'The Sapphires' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/oblJf3OPmgY/cannes-film-festival-2012-sapphires.html" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><category term="John Bleasdale" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T03:08:41-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-5975087247877783080</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-PmDxCgdhDQ8/T7y0z0nSk7I/AAAAAAAAHIY/yHjyNtdo1gw/s1600/The-Sapphires.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-PmDxCgdhDQ8/T7y0z0nSk7I/AAAAAAAAHIY/yHjyNtdo1gw/s1600/The-Sapphires.jpg"&gt;&lt;/a&gt;★★★☆☆ &lt;/div&gt;
Wayne Blair&amp;#39;s musical comedy &lt;i style="color: red;"&gt;&lt;b&gt;The Sapphires (2012)&lt;/b&gt;&lt;/i&gt;, screened out of competition at this year&amp;#39;s &lt;b&gt;Cannes Film Festival&lt;/b&gt;, tells the (apparently true) story of a group of four Australian Aboriginal girls (Deborah Mailman, Jessica Mauboy, Shari Sebbens and Miranda Tapsell) from a rural community who aspire to musical greatness. They sing together as a family and defy the racism of local townsfolk to enter a talent competition, where they manage to catch the eye of the MC, charmer and drunken soul aficionado David Lovelace (Chris O&amp;#39;Dowd).&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-sapphires.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-5975087247877783080?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=oblJf3OPmgY:QOnAVf0iu40:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=oblJf3OPmgY:QOnAVf0iu40:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=oblJf3OPmgY:QOnAVf0iu40:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=oblJf3OPmgY:QOnAVf0iu40:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=oblJf3OPmgY:QOnAVf0iu40:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=oblJf3OPmgY:QOnAVf0iu40:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=oblJf3OPmgY:QOnAVf0iu40:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=oblJf3OPmgY:QOnAVf0iu40:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/oblJf3OPmgY" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T11:08:41.992+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-PmDxCgdhDQ8/T7y0z0nSk7I/AAAAAAAAHIY/yHjyNtdo1gw/s72-c/The-Sapphires.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-sapphires.html</feedburner:origLink></entry><entry><title type="text">Film Review: 'Iron Sky'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/3amNVhoPWWY/film-review-iron-sky.html" /><category term="Reviews" /><category term="Joe Walsh" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T03:04:45-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-6479739039074220029</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-WeVLMjJx_Bk/T7tUFk0rnyI/AAAAAAAAHFE/G6RLbkBpeJ8/s1600/iron-sky-poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://3.bp.blogspot.com/-WeVLMjJx_Bk/T7tUFk0rnyI/AAAAAAAAHFE/G6RLbkBpeJ8/s1600/iron-sky-poster.jpg"&gt;&lt;/a&gt;★★☆☆☆ &lt;/div&gt;
It&amp;#39;s undeniable that the premise behind sci-fi comedy &lt;i style="color: red;"&gt;&lt;b&gt;Iron Sky (2012)&lt;/b&gt;&lt;/i&gt;, from Finnish director Timo Vuorensola, has the power to immediately grab an audience&amp;#39;s attention. The arresting and potentially hilarious central concept sees a group of Nazis leave earth in 1945 for the dark side of the Moon, only to return to conquer the Earth in 2018. Yet despite its amusing, 1950s-style B-movie plot, &lt;i style="color: red;"&gt;&lt;b&gt;Iron Sky&lt;/b&gt;&lt;/i&gt; is a surprisingly dull affair that lacks any genuinely funny moments or real lasting appeal.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/film-review-iron-sky.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-6479739039074220029?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3amNVhoPWWY:cJfk_EPX8gE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3amNVhoPWWY:cJfk_EPX8gE:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3amNVhoPWWY:cJfk_EPX8gE:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3amNVhoPWWY:cJfk_EPX8gE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3amNVhoPWWY:cJfk_EPX8gE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3amNVhoPWWY:cJfk_EPX8gE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/Cine-Vue?a=3amNVhoPWWY:cJfk_EPX8gE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/Cine-Vue?i=3amNVhoPWWY:cJfk_EPX8gE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/3amNVhoPWWY" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T11:04:45.901+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-WeVLMjJx_Bk/T7tUFk0rnyI/AAAAAAAAHFE/G6RLbkBpeJ8/s72-c/iron-sky-poster.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/film-review-iron-sky.html</feedburner:origLink></entry><entry><title type="text">Cannes Film Festival 2012: 'The Angels' Share' review</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/IBo4dAlXH7M/cannes-film-festival-2012-angels-share.html" /><category term="Jamie Neish" /><category term="Film Festivals" /><category term="Cannes Film Festival 2012" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T00:19:43-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-3771732986933102027</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s1600/angels-share.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s1600/angels-share.jpg"&gt;&lt;/a&gt;★★★★☆ &lt;/div&gt;
Named after the term that describes the amount of alcohol that evaporates from a cask of whiskey, &lt;i style="color: red;"&gt;&lt;b&gt;The Angels&amp;#39; Share (2012)&lt;/b&gt;&lt;/i&gt; finds director Ken Loach - &lt;b&gt;Cannes&amp;#39;&lt;/b&gt; only British &lt;i&gt;Palme d&amp;#39;Or &lt;/i&gt;contender - returning to more light-hearted, yet invariably true-to-life and politically-tinged form. Newcomer Paul Brannigan plays Robbie, an untoward young man who, by the skin of his teeth, escapes a prison sentence in favour of a community service ruling.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/cannes-film-festival-2012-angels-share.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-3771732986933102027?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/IBo4dAlXH7M" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T08:19:43.684+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-_I8zu3rzv9A/T7yMOxslUxI/AAAAAAAAHHk/f4qejAVTB-4/s72-c/angels-share.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/cannes-film-festival-2012-angels-share.html</feedburner:origLink></entry><entry><title type="text">Preview: Baz Luhrmann's 'The Great Gatsby' gets its first trailer</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/S2i8SH5KqxY/preview-baz-luhrmanns-great-gatsby-gets.html" /><category term="Daniel Green" /><category term="Special Features" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-23T04:38:53-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-9055866163674840412</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-4gmgKNFDgSY/T7yKYV9AWOI/AAAAAAAAHHU/bdFXmb5A-Do/s1600/great-gatsby-movie-poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://3.bp.blogspot.com/-4gmgKNFDgSY/T7yKYV9AWOI/AAAAAAAAHHU/bdFXmb5A-Do/s1600/great-gatsby-movie-poster.jpg"&gt;&lt;/a&gt;&lt;/div&gt;
Having previously tackled the world of ballroom dancing, William Shakespeare&amp;#39;s &lt;i style="color: red;"&gt;&lt;b&gt;Romeo + Juliet (1996)&lt;/b&gt;&lt;/i&gt;, Paris&amp;#39; &lt;i style="color: red;"&gt;&lt;b&gt;Moulin Rouge! (2001)&lt;/b&gt;&lt;/i&gt; and the history of white colonialism Down Under in &lt;i style="color: red;"&gt;&lt;b&gt;Australia (2008)&lt;/b&gt;&lt;/i&gt;, Aussie director Baz Luhrmann now sets his sights on a 3D adaptation of F. Scott Fitzgerald&amp;#39;s classic novel &lt;i&gt;The Great Gatsby&lt;/i&gt; for the silver screen. Ahead of its December release, the first trailer has just emerged online and sees Luhrmann once again apply his own bombastic visual style to proceedings.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/preview-baz-luhrmanns-great-gatsby-gets.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-9055866163674840412?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/S2i8SH5KqxY" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-23T12:38:53.212+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-4gmgKNFDgSY/T7yKYV9AWOI/AAAAAAAAHHU/bdFXmb5A-Do/s72-c/great-gatsby-movie-poster.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/preview-baz-luhrmanns-great-gatsby-gets.html</feedburner:origLink></entry><entry><title type="text">DVD Review: 'Sherlock Holmes: The Hound of the Baskervilles'</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/upIniLza41Q/dvd-review-sherlock-holmes-hound-of.html" /><category term="Reviews" /><category term="Cleaver Patterson" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-22T08:00:02-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-2871502115247241413</id><content type="html">&lt;div style="text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-QJzGqlYzbDs/T7iwMx2mCqI/AAAAAAAAG-o/cFM_HFe463U/s1600/Hound+of+the+Baskervilles.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://4.bp.blogspot.com/-QJzGqlYzbDs/T7iwMx2mCqI/AAAAAAAAG-o/cFM_HFe463U/s1600/Hound+of+the+Baskervilles.jpg"&gt;&lt;/a&gt;★★★★☆ &lt;/div&gt;
Despite an influx of Sherlock Holmes adventures doing the rounds, there are none quite like revered Russian director Igor Maslennikov&amp;#39;s celebrated interpretations.  &lt;i style="color: red;"&gt;&lt;b&gt;Sherlock Holmes: The Hound of the Baskervilles (1981)&lt;/b&gt;&lt;/i&gt;, his version of the Victorian detective&amp;#39;s encounters with a beastly dog in the wilds of Devonshire, starring Vasili Livanov, Vitali Solomin and Nikita Mihalkov, is a serious yet lively retelling of the popular tale.&lt;br&gt;
&lt;a href="http://www.cine-vue.com/2012/05/dvd-review-sherlock-holmes-hound-of.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-2871502115247241413?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Cine-Vue/~4/upIniLza41Q" height="1" width="1"/&gt;</content><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-22T16:00:02.064+01:00</app:edited><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-QJzGqlYzbDs/T7iwMx2mCqI/AAAAAAAAG-o/cFM_HFe463U/s72-c/Hound+of+the+Baskervilles.jpg" height="72" width="72" /><feedburner:origLink>http://www.cine-vue.com/2012/05/dvd-review-sherlock-holmes-hound-of.html</feedburner:origLink></entry><entry><title type="text">DVD Review: The Rafi Pitts Collection</title><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cine-Vue/~3/KagnIWLGuZs/dvd-review-rafi-pitts-collection.html" /><category term="Reviews" /><category term="Daniel Green" /><author><name>CineVue</name><email>noreply@blogger.com</email></author><updated>2012-05-22T07:20:21-07:00</updated><id>tag:blogger.com,1999:blog-3066710865877105499.post-3902761191616423184</id><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-UXoLWLAEISA/T7tkb2wJ6BI/AAAAAAAAHFg/HoPNHApmksc/s1600/The-Rafi-Pitts-Collection.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115/" src="http://3.bp.blogspot.com/-UXoLWLAEISA/T7tkb2wJ6BI/AAAAAAAAHFg/HoPNHApmksc/s1600/The-Rafi-Pitts-Collection.jpg"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
★★★☆☆&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
Released by Artificial Eye on 28 May, &lt;b&gt;The Rafi Pitts Collection&lt;/b&gt; brings together three of the Iranian director&amp;#39;s most pivotal films, from the pastoral drama of &lt;i style="color: red;"&gt;&lt;b&gt;Sanam (2000)&lt;/b&gt;&lt;/i&gt; through to the Tehran-based, melancholic revenge movie &lt;i style="color: red;"&gt;&lt;b&gt;The Hunter (2010)&lt;/b&gt;&lt;/i&gt;, via his Berlinale hit &lt;i style="color: red;"&gt;&lt;b&gt;It&amp;#39;s Winter (2006)&lt;/b&gt;&lt;/i&gt;. All three films share a focal interest in the role of men in modern Iran, and whilst Pitts may not quite be in the same league as your Jafar Panahis or Nuri Bilge Ceylan (both key exponents of Islam-centric cinema), he is undoubtedly a fluid storyteller.&lt;br&gt;
&lt;/div&gt;&lt;a href="http://www.cine-vue.com/2012/05/dvd-review-rafi-pitts-collection.html#more"&gt;Read more »&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3066710865877105499-3902761191616423184?l=www.cine-vue.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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