<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4709558160841611422</id><updated>2024-09-06T16:32:13.243-06:00</updated><category term="Mexico"/><category term="Mexican"/><category term="film"/><category term="Cinema"/><category term="YouTube"/><category term="Luis Buñuel"/><category term="Luis Bunuel"/><category term="Arturo Ripstein"/><category term="Eisenstein"/><category term="Emilio Fernández"/><category term="Que Viva Mexico"/><category term="Roberto Gavaldon"/><category term="Roberto Gavaldón"/><category term="Sergei"/><category term="culture"/><category term="western"/><category term="1955"/><category term="Abre los Ojos"/><category term="Acapulco"/><category term="Alejandro Amenabar"/><category term="Alfredo Garcia"/><category term="America"/><category term="Andrea Palma"/><category term="Appaloosa"/><category term="Ariel"/><category term="B. Traven"/><category term="B.Traven"/><category term="Baja"/><category term="Baja California"/><category term="Beast"/><category term="Benito Alazraki"/><category term="Billy Wilder. Charles Boyer"/><category term="Brando"/><category term="Brilliant Soil"/><category term="Burgess Meredith"/><category term="Cabeza de Vaca"/><category term="Cabo San Lucas"/><category term="Callejon"/><category term="Cannes"/><category term="Canoa"/><category term="Cary Fukunaga"/><category term="Church"/><category term="Cine Mexico"/><category term="City"/><category term="Civil War"/><category term="Complete movie"/><category term="Cronos"/><category term="Diego Rivera"/><category term="Eduardo Noriega"/><category term="El Bulto"/><category term="El Imperio de la Fortuna"/><category term="El Infierno"/><category term="Ensenada"/><category term="Federico Luppi"/><category term="Film Festival"/><category term="Forgotten Village"/><category term="French Film Tour"/><category term="Frida"/><category term="Frida Kahlo"/><category term="Golden Years"/><category term="Gringo"/><category term="Guanajuato"/><category term="Guillermo del Toro"/><category term="Guy Madison"/><category term="Hell"/><category term="Hold Back the Dawn"/><category term="Hollow Mountain"/><category term="Hollywood"/><category term="Humphrey Bogart"/><category term="IMCINE"/><category term="IMDb"/><category term="Indian"/><category term="Innocent Voices"/><category term="Instructions"/><category term="Internet Archives"/><category term="John Huston"/><category term="John Steinbeck"/><category term="Juana"/><category term="La Perla"/><category term="La Rosa Blanca"/><category term="Little"/><category term="Los Olvidados"/><category term="Macario"/><category term="Magdalena Bay"/><category term="Mariachi"/><category term="Mariachi Gringo"/><category term="Mexican Bus Ride"/><category term="Mexicano"/><category term="Mexicans"/><category term="Michel Franco"/><category term="Midaq Alley"/><category term="Milagros"/><category term="Mujer"/><category term="Naturaleza"/><category term="Not Included"/><category term="Pacific Coast"/><category term="Penelope Cruz"/><category term="Peter Greenaways"/><category term="Producer-director"/><category term="Public Domain"/><category term="Puerto"/><category term="Purepecha"/><category term="Quino"/><category term="Raices"/><category term="Raíces"/><category term="Regarding"/><category term="Ron Perlman"/><category term="Saint"/><category term="Salma Hayek"/><category term="Salvadoran"/><category term="Sam Peckinpah"/><category term="Santitos"/><category term="Sierra Madre"/><category term="Sin Nombre"/><category term="Soviet filmmaker"/><category term="Spain"/><category term="Spaniards"/><category term="Spanish"/><category term="Subida al Cielo"/><category term="Sundance Film Festival"/><category term="Tijuana"/><category term="Tour de Cine Frances"/><category term="Trailer"/><category term="Traven"/><category term="Tucson"/><category term="United States"/><category term="Veracruz"/><category term="Walter Huston"/><category term="Warren Oates"/><category term="action"/><category term="activist"/><category term="adventure"/><category term="artisans"/><category term="award"/><category term="award. cinema"/><category term="bandit"/><category term="best"/><category term="cine"/><category term="comedy"/><category term="cowboy"/><category term="dinosaur"/><category term="drama"/><category term="eternal life"/><category term="filmmaker"/><category term="glazes"/><category term="gold"/><category term="head"/><category term="lead"/><category term="lead-free"/><category term="livia de Havilland"/><category term="massacres"/><category term="monster"/><category term="movie"/><category term="oil"/><category term="potter"/><category term="priest"/><category term="protest"/><category term="rebellion"/><category term="screenplay"/><category term="short film"/><category term="short films"/><category term="singer"/><category term="student"/><category term="treasure"/><category term="video"/><category term="volcano"/><category term="wins"/><category term="wins award"/><title type='text'>Cine de Mexico</title><subtitle type='html'>Favorite Movies and Directors of Mexico and some Hollywood Classics</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>38</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-4929928128058579548</id><published>2015-05-26T16:15:00.002-05:00</published><updated>2015-05-26T16:15:59.937-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="award"/><category scheme="http://www.blogger.com/atom/ns#" term="best"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes"/><category scheme="http://www.blogger.com/atom/ns#" term="filmmaker"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Michel Franco"/><category scheme="http://www.blogger.com/atom/ns#" term="Producer-director"/><category scheme="http://www.blogger.com/atom/ns#" term="screenplay"/><category scheme="http://www.blogger.com/atom/ns#" term="wins"/><category scheme="http://www.blogger.com/atom/ns#" term="wins award"/><title type='text'>Mexican filmmaker wins Cannes award</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
Producer-director Michel Franco wins award for best screenplay&lt;/div&gt;
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Mexican film director and producer Michel Franco was awarded at the Cannes Film Festival on the weekend with best screenplay for his film Chronic.&lt;/div&gt;
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It was the second Cannes award for Franco, 35, who received the Un Certain Award in 2012 for his film, After Lucía.&lt;/div&gt;
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During the presentation of the award on Sunday, the filmmaker said Chronic was born in Cannes three years ago when he received the Un Certain Award from actor Tim Roth. When Franco said he was working on a script about a female nurse working in palliative care, Roth told Franco that if he changed the nurse to a man he would like to do the film.&lt;/div&gt;
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&lt;a href=&quot;http://mexiconewsdaily.com/news/mexican-filmmaker-wins-cannes-award/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;&lt;b&gt;Mexico-News-Daily -- Mexican filmmaker wins Cannes award&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/4929928128058579548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/4929928128058579548' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4929928128058579548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4929928128058579548'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2015/05/mexican-filmmaker-wins-cannes-award.html' title='Mexican filmmaker wins Cannes award'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPU0QArCi5SoZ26QGMV2BkUX3pFwgQWmcCUkvqVxjCRQcXBwBcbfplfp6341M5Beg7WfobyhzGJBPoJSMUaNajiuNQkQeJkgol4bdLp-YE5L9ZCFm7fvtMWoPgywiDzZg3GoQ8ROFstw0/s72-c/michel-franco-cannes.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-579169217458165476</id><published>2015-02-10T10:27:00.000-06:00</published><updated>2015-02-10T10:27:34.620-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cinema"/><category scheme="http://www.blogger.com/atom/ns#" term="Eisenstein"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Guanajuato"/><category scheme="http://www.blogger.com/atom/ns#" term="Hollywood"/><category scheme="http://www.blogger.com/atom/ns#" term="IMDb"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Peter Greenaways"/><category scheme="http://www.blogger.com/atom/ns#" term="Que Viva Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Sergei"/><category scheme="http://www.blogger.com/atom/ns#" term="Soviet filmmaker"/><title type='text'> Eisenstein in Guanajuato</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;b&gt;Sergei&amp;nbsp;&amp;nbsp;Eisenstein in Guanajuato&lt;/b&gt;&lt;/div&gt;
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In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life. Peter Greenaways film explores the mind of a creative genius facing the desires and fears of love, sex and death through ten passionate days that helped shape the rest of the career of one of the greatest masters of Cinema.&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt1702429/&quot; target=&quot;_blank&quot;&gt;IMDb -  Eisenstein in Guanajuato (2015)&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/fb364B6u1XE&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/579169217458165476/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/579169217458165476' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/579169217458165476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/579169217458165476'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2015/02/eisenstein-in-guanajuato.html' title=' Eisenstein in Guanajuato'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqhaaFTbt3SLC5QOGKTOnMliZ34uRHm3P2nO_BiNGRg7RN1fkdySBjLqpRXNgwPypMALG-wdO-cv3XXc-2P-tr75xiIdlfMMRNUXjHJ0zfP_Vqr-7ft2lHCnrtMlb-lk_qZGvtoBVNV5s/s72-c/eisnestein.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-1569306827372587222</id><published>2014-03-29T09:23:00.000-06:00</published><updated>2014-03-29T09:23:46.218-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cine Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="culture"/><category scheme="http://www.blogger.com/atom/ns#" term="Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Tucson"/><title type='text'>Cine Mexico Film Festival shares culture</title><content type='html'>&lt;b&gt;Cine Mexico Film Festival shares culture&lt;/b&gt;&lt;br /&gt;
By Chelsey Wade | Published 03/27/14 11:15pm&lt;br /&gt;
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When she arrived in Tucson years ago, Vicky Westover wondered what type of film festival would work best for the new region she would be living in. As director of the UA Hanson Film Institute, Westover organized the first Mexican film festival of contemporary directors in Tucson in 2005. The Institute, in collaboration with UA Film and Television, will show seven films this weekend for the Ninth Annual Tucson Cine Mexico Film Festival.&lt;/div&gt;
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Westover said the festival aims to show the best in contemporary Mexican cinema while keeping a balance of subjects, directors and genres. The films will be shown in Spanish with English subtitles.&lt;/div&gt;
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“The last 12 years [have] seen this amazing film talent come out of Mexico,” Westover said. “The festival began right at the time where people were starting to pay attention to Mexican cinema in a new golden age for Mexico.”&lt;/div&gt;
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“La Jaula de Oro / The Golden Dream” — Friday at 7 p.m.&lt;/div&gt;
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This drama that won the Audience Award at the 2013 Morelia International Film Festival is about three teenagers traveling to begin a different life. Director Diego Quemada-Díez tells a story of misadventures and encounters across the 1,200 mile journey from the slums of Guatemala, through Mexico and into the U.S.&lt;/div&gt;
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&lt;a href=&quot;http://www.wildcat.arizona.edu/article/2014/03/cine-mexico-film-festival-shares-culture&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;Cine Mexico Film Festival shares culture&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/1569306827372587222/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/1569306827372587222' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/1569306827372587222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/1569306827372587222'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2014/03/cine-mexico-film-festival-shares-culture.html' title='Cine Mexico Film Festival shares culture'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRL0gkAjCWvnzuHbLJVmqpKRuV8Z68JXtxP3BbLeY-dYHy3xUve-34WBm5wkAL-FYghjmJPKuJIuiUEzauUetjVrup7MxRJqGnTHRgQMrENYZ93UXrls6MijK9bD5xX6BVnRNSLoiN7ZA/s72-c/film-festival.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-440593558515309949</id><published>2013-10-25T13:46:00.003-05:00</published><updated>2013-10-25T13:46:28.467-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Acapulco"/><category scheme="http://www.blogger.com/atom/ns#" term="Instructions"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Not Included"/><title type='text'>Instructions Not Included</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Valentin is Acapulco&#39;s resident playboy, until a former fling leaves a baby on his doorstep and takes off without a trace. Leaving Mexico for Los Angeles to find the baby&#39;s mother, Valentin ends up finding a new home for himself and his newfound daughter, Maggie. An unlikely father figure, Valentin raises Maggie for six years, while also establishing himself as one of Hollywood&#39;s top stuntmen to pay the bills, with Maggie acting as his on-set coach. As Valentin raises Maggie, she forces him to grow up too. But their unique and offbeat family is threatened when Maggie&#39;s birth mom shows up out of the blue, and Valentin realizes he&#39;s in danger of losing his daughter - and his best friend.&lt;/div&gt;
&lt;br /&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;//www.youtube.com/embed/-rlFr2lu0IY&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/440593558515309949/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/440593558515309949' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/440593558515309949'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/440593558515309949'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2013/10/instructions-not-included.html' title='Instructions Not Included'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-2119714151505543856</id><published>2013-05-26T19:36:00.000-05:00</published><updated>2013-05-26T19:36:00.647-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="action"/><category scheme="http://www.blogger.com/atom/ns#" term="comedy"/><category scheme="http://www.blogger.com/atom/ns#" term="drama"/><category scheme="http://www.blogger.com/atom/ns#" term="El Infierno"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Hell"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="western"/><title type='text'>El Infierno</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggYWLW145FO2Kz_fxvYPYo97blqm0kD8pKEkt6PBG9HecJlwrDKw7lFPx93YiNtA9S1vbqEbF3FeD8EI-QwiDFrJnZSKlRflMZR4TDWbNuiZxyYcHfuvQzLkOzBsQGI-JqVg2yZVnS108/s1600/el-infierno.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggYWLW145FO2Kz_fxvYPYo97blqm0kD8pKEkt6PBG9HecJlwrDKw7lFPx93YiNtA9S1vbqEbF3FeD8EI-QwiDFrJnZSKlRflMZR4TDWbNuiZxyYcHfuvQzLkOzBsQGI-JqVg2yZVnS108/s320/el-infierno.jpg&quot; width=&quot;226&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: sans-serif; font-size: 13px; line-height: 19.1875px; text-align: justify;&quot;&gt;El Infierno (English: Hell) is a 2010 Mexican action drama comedy western film produced by Bandidos Films, directed by Luis Estrada and following the line of La ley de Herodes; it&#39;s a political satire about the drug trafficking in Mexico.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;background-color: white; font-family: sans-serif; font-size: 13px; line-height: 19.1875px; margin-bottom: 0.5em; margin-top: 0.4em;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: transparent;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: transparent;&quot;&gt;The film has been a critical and commercial success in Mexico.
The film has been nominated for the 25th Goya Awards for Best Spanish Language Foreign Film.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: transparent;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: transparent;&quot;&gt;&amp;nbsp;Benjamín &quot;Benny&quot; García is deported from the United States to his hometown in Mexico (a fictional place named San Miguel Arcángel). Back home is a bleak picture, he can&#39;t find an honest job and most of the town is held with the business of drug trafficking. Benny gets involved in the narco business, a &quot;spectacular&quot; job where he gets a lot of money, women and fun. But soon he finds out that the violent criminal life is not easy and much less fun.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;300&quot; src=&quot;http://www.youtube.com/embed/Qfp-bThd8Zs&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/2119714151505543856/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/2119714151505543856' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2119714151505543856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2119714151505543856'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2013/05/el-infierno.html' title='El Infierno'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggYWLW145FO2Kz_fxvYPYo97blqm0kD8pKEkt6PBG9HecJlwrDKw7lFPx93YiNtA9S1vbqEbF3FeD8EI-QwiDFrJnZSKlRflMZR4TDWbNuiZxyYcHfuvQzLkOzBsQGI-JqVg2yZVnS108/s72-c/el-infierno.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-955780626457662481</id><published>2013-02-26T09:41:00.000-06:00</published><updated>2013-02-26T09:41:26.388-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="artisans"/><category scheme="http://www.blogger.com/atom/ns#" term="Brilliant Soil"/><category scheme="http://www.blogger.com/atom/ns#" term="glazes"/><category scheme="http://www.blogger.com/atom/ns#" term="lead"/><category scheme="http://www.blogger.com/atom/ns#" term="lead-free"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="potter"/><category scheme="http://www.blogger.com/atom/ns#" term="Purepecha"/><title type='text'>Brilliant Soil</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
By custom, thousands of artisans in Mexico still use lead based glazes in their pottery without knowing the damage that this toxic element causes to their health.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Herlinda, an indigenous Purepecha potter, is one of the few artisans in her community who uses alternative lead-free glazes. Having achieved safer and healthier living conditions for her family, she faces the difficult task of finding a market for her impressive pieces.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
But this does not dull her dreams of having her shop thrive and her brothers return from the United States to rejoin the family tradition.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
An unexpected trip could crystallize this dream.&lt;/div&gt;
&lt;br /&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;300&quot; src=&quot;http://www.youtube.com/embed/txqI6C-_YlE&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/955780626457662481/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/955780626457662481' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/955780626457662481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/955780626457662481'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2013/02/brilliant-soil.html' title='Brilliant Soil'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/txqI6C-_YlE/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-4838924895084741990</id><published>2013-02-26T09:23:00.000-06:00</published><updated>2013-02-26T09:23:10.853-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Gringo"/><category scheme="http://www.blogger.com/atom/ns#" term="Mariachi"/><category scheme="http://www.blogger.com/atom/ns#" term="Mariachi Gringo"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="singer"/><title type='text'>Mariachi Gringo</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
A stifled, small-town man stuck in a dead end life, runs away to Mexico to be a mariachi singer. MARIACHI GRINGO is a musical tour-de-force exploring the reality of &quot;following your dreams&quot; across cultural, personal, social and geographical borders.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;300&quot; src=&quot;http://www.youtube.com/embed/Fcwagrt5uh0&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/4838924895084741990/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/4838924895084741990' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4838924895084741990'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4838924895084741990'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2013/02/mariachi-gringo.html' title='Mariachi Gringo'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/Fcwagrt5uh0/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-2412340997954459993</id><published>2012-10-02T10:27:00.000-05:00</published><updated>2014-05-12T16:29:28.376-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="French Film Tour"/><category scheme="http://www.blogger.com/atom/ns#" term="IMCINE"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexicans"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="short films"/><category scheme="http://www.blogger.com/atom/ns#" term="Tour de Cine Frances"/><title type='text'>Tour de Cine Frances</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
The French Film Tour is a traveling festival that presents the best selection of contemporary French films in original version with subtitles around Mexico and Central America, before its commercial release. It also includes the presentation of short films produced by IMCINE Mexicans in the last year.&lt;/div&gt;
&lt;br /&gt;
&lt;iframe allowfullscreen=&quot;allowfullscreen&quot; frameborder=&quot;0&quot; height=&quot;300&quot; src=&quot;http://www.youtube.com/embed/PQzOvK76X6A&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.tourdecinefrances.net/&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;Tour de Cine Frances&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;Mexican short films list in English:&lt;/em&gt;&lt;br /&gt;
•Under the sun , Arcadi Palerm&lt;br /&gt;
•Clarissa , Victor Audiffred&lt;br /&gt;
•When awake , of Del Arenal Yoame Escamilla&lt;br /&gt;
•Defective , Gabriela Garza and Jon Fernández Martínez López&lt;br /&gt;
•Inside one of Salvador Aguirre&lt;br /&gt;
•Any Given Sunday , Claudia de la Cabada&lt;br /&gt;
•The wound of Lucretia , Sabrina Maldonado&lt;br /&gt;
•Huellita of Ehécatl Garcia&lt;br /&gt;
•Ismael , of Sebastian Hofmann&lt;br /&gt;
•The jazz , Andres Peralta&lt;br /&gt;
•Lucy vs. limits of voice , Monica Herrera&lt;br /&gt;
•The wheel , Karla Castañeda&lt;br /&gt;
•One eye , Lorenza Manrique&lt;br /&gt;
•Fifteen years , Liliana Torres&lt;br /&gt;
•Shui , Barbara Balsategui&lt;br /&gt;
•He dreams of Ana Zamboni&lt;br /&gt;
•Tintico evenings , Alejandro Garcia Caballero&lt;br /&gt;
•The Tiricia or how to cure sadness of Cruz Angeles&lt;br /&gt;
•The last board of Jansen Itandehui&lt;br /&gt;
&lt;br /&gt;
&lt;em&gt;In Spanish&lt;/em&gt;&lt;br /&gt;
•Bajo el sol, de Arcadi Palerm &lt;br /&gt;
•Clarissa, de Víctor Audiffred&lt;br /&gt;
•Cuando despierte, de Yoame Escamilla Del Arenal&lt;br /&gt;
•Defectuosos, de Gabriela Martínez Garza y Jon Fernández López&lt;br /&gt;
•Dentro de uno, de Salvador Aguirre&lt;br /&gt;
•Un domingo cualquiera, de Claudia de la Cabada&lt;br /&gt;
•La herida de Lucrecia, de Sabrina Maldonado&lt;br /&gt;
•Huellita, de Ehécatl García&lt;br /&gt;
•Ismael, de Sebastián Hofmann&lt;br /&gt;
•El jazz, de Andrés Peralta&lt;br /&gt;
•Lucy vs. los límites de la voz, de Mónica Herrera&lt;br /&gt;
•La noria, de Karla Castañeda&lt;br /&gt;
•Un ojo, de Lorenza Manrique&lt;br /&gt;
•Quince años, de Liliana Torres&lt;br /&gt;
•Shui, de Bárbara Balsategui&lt;br /&gt;
•Sueña, de Ana Zamboni&lt;br /&gt;
•Las tardes de Tintico, de Alejandro García Caballero&lt;br /&gt;
•La tiricia o cómo curar la tristeza, de Ángeles Cruz&lt;br /&gt;
•El último consejo, de Itandehui Jansen</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/2412340997954459993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/2412340997954459993' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2412340997954459993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2412340997954459993'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2012/10/tour-de-cine-frances.html' title='Tour de Cine Frances'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/PQzOvK76X6A/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-8713390325946116996</id><published>2012-08-10T13:48:00.001-05:00</published><updated>2015-05-26T16:33:27.551-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Civil War"/><category scheme="http://www.blogger.com/atom/ns#" term="Complete movie"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Innocent Voices"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Salvadoran"/><title type='text'>Innocent Voices</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Voces Inocentes (English title: Innocent Voices) is a 2004 Mexican film directed by Luis Mandoki. The plot is set during the Salvadoran Civil War in 1980, and is based on writer Óscar Torres&#39;s childhood. The film serves as a general commentary on the military use of children. The movie also shows injustice against innocent people who are forced to fight in the war. It follows the story of the narrator, a boy named Chava.&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
Official Trailer&lt;/div&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/sdW-0jlje3w&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/8713390325946116996/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/8713390325946116996' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8713390325946116996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8713390325946116996'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2012/08/innocent-voices.html' title='Innocent Voices'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/sdW-0jlje3w/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-8413372746684598821</id><published>2011-07-12T17:54:00.002-05:00</published><updated>2011-07-12T17:55:45.281-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cinema"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Luis Bunuel"/><category scheme="http://www.blogger.com/atom/ns#" term="Luis Buñuel"/><category scheme="http://www.blogger.com/atom/ns#" term="Regarding"/><category scheme="http://www.blogger.com/atom/ns#" term="short film"/><category scheme="http://www.blogger.com/atom/ns#" term="YouTube"/><title type='text'>Regarding Luis Bunuel</title><content type='html'>&lt;strong&gt;Luis Buñuel&lt;/strong&gt;&lt;br /&gt;
by Dominique Russell&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;Dominique Russell teaches in the Spanish, Film and Comparative Literature programs at the University of Western Ontario (London, Canada). &lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Luis Buñuel was a singular figure in world cinema, and a consecrated auteur from the start. Born almost with cinema itself, his work moves from surrealist experimentation in the 1920s, through commercial comedies and melodrama in the 1950s, to postmodernist cine d’art in the 1960s and ’70s. Claimed for France, where he made his celebrated early and late films, for Spain, where he was born and had his deepest cultural roots, and for Mexico, where he became a citizen and made 20 films, he has more recently been seen as a figure in permanent exile who problematises the very idea of the national in his films.&lt;/div&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.sensesofcinema.com/2005/great-directors/bunuel/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #e69138;&quot;&gt;Luis Buñuel article (long)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
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YouTube 10 part short film, &quot;Regarding Luis Bunuel&quot;&lt;br /&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; src=&quot;http://www.youtube.com/embed/jfMSBd0ubTI&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/8413372746684598821/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/8413372746684598821' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8413372746684598821'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8413372746684598821'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2011/07/regarding-luis-bunuel.html' title='Regarding Luis Bunuel'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/jfMSBd0ubTI/default.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-6262794296339157800</id><published>2010-09-13T10:36:00.000-05:00</published><updated>2010-09-13T10:36:01.050-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="America"/><category scheme="http://www.blogger.com/atom/ns#" term="Cary Fukunaga"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Sin Nombre"/><category scheme="http://www.blogger.com/atom/ns#" term="Sundance Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="United States"/><title type='text'>Sin Nombre - 2009</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;Making its world premiere at the 2009 Sundance Film Festival, Sin Nombre is an epic dramatic thriller from award-winning director Cary Fukunaga.&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Seeking the promise of America, a beautiful young Honduran woman, Sayra (Paulina Gaytan), joins her father and uncle on an odyssey to cross the gauntlet of the Latin American countryside en route to the United States. Along the way she crosses paths with a teenaged Mexican gang member, El Casper (Edgar M. Flores), who is maneuvering to outrun his violent past and elude his unforgiving former associates. Together they must rely on faith, trust and street smarts if they are to survive their increasingly perilous journey towards the hope of new lives.&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinPq6Q_NtpcdJMXxrtuZ-05usExG0zw1xbmbeppFg_9kY3yA_4JyHkAeH2GVhA7OmQQM2L4-Cwsk3RcySlS_d0dBRBZwPCeEWdeaBrFyG0rSjknMFMf33RMQMiPujngD_8H_E1BKHZ6ec/s1600/sin_nombre.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; ox=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinPq6Q_NtpcdJMXxrtuZ-05usExG0zw1xbmbeppFg_9kY3yA_4JyHkAeH2GVhA7OmQQM2L4-Cwsk3RcySlS_d0dBRBZwPCeEWdeaBrFyG0rSjknMFMf33RMQMiPujngD_8H_E1BKHZ6ec/s400/sin_nombre.jpg&quot; width=&quot;270&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;a target=&quot;_blank&quot;  href=&quot;http://www.imdb.com/title/tt1127715/&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #e69138;&quot;&gt;IMDb review of Sin Nombre&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;object height=&quot;360&quot; width=&quot;425&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/VTSi0pKjC5g?fs=1&amp;amp;hl=en_US&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/VTSi0pKjC5g?fs=1&amp;amp;hl=en_US&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;360&quot;&gt;&lt;/embed&gt;&lt;/object&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/6262794296339157800/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/6262794296339157800' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/6262794296339157800'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/6262794296339157800'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/09/sin-nombre-2009.html' title='Sin Nombre - 2009'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinPq6Q_NtpcdJMXxrtuZ-05usExG0zw1xbmbeppFg_9kY3yA_4JyHkAeH2GVhA7OmQQM2L4-Cwsk3RcySlS_d0dBRBZwPCeEWdeaBrFyG0rSjknMFMf33RMQMiPujngD_8H_E1BKHZ6ec/s72-c/sin_nombre.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-2810582709432696228</id><published>2010-02-11T15:27:00.002-06:00</published><updated>2015-05-26T16:48:59.174-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Canoa"/><category scheme="http://www.blogger.com/atom/ns#" term="Church"/><category scheme="http://www.blogger.com/atom/ns#" term="massacres"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="priest"/><category scheme="http://www.blogger.com/atom/ns#" term="student"/><category scheme="http://www.blogger.com/atom/ns#" term="volcano"/><category scheme="http://www.blogger.com/atom/ns#" term="YouTube"/><title type='text'>Canoa - 1976</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;
Based on a true story, this movie shows the great differences within Mexico rural and urban areas. Modernity could not be accepted in the rural areas, basically because the ignorant peasants were dominated by certain groups, including, like in this movie, the Catholic Church. Let&#39;s remember that the student massacres that had happened in 1968 and 1972 were still fresh in the minds of many Mexicans. Those students had been accused by the Government, of being Comunists. In this particular movie 5 young students of the Capital&#39;s State University decide to climb a volcano. Because of bad weather they have to stay overnight in a little village beside the Volcano. The local Priest assumes that they are Communists coming to agitate in his territory and accuses them with the people of trying to close the Church. The mob tries to lynch them. The beauty of this film resides in the fact that fanaticism is shown at its maximum level so as to make us think where this can lead us in our lives. This is true of the corrupt authorities, the Priest that uses Religion to maintain his privileges, the village people that mix Religion and fanaticism, etc. It is a great sociological study of the consequences of these extreme attitudes. &lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_wzyytd1Fu-x2Q0pe3eRG5X59N2ED_O_Ux-9MeO16n4tptW4mFrkDsI6tysbO04xW74dshUfDT6jn5Gqhk6gvY75vRt1fJhGMR9d3l5LfuC7yw1dxL21rC4zOb_Q5HkdbWvGQXhPg2b8/s1600-h/canoa.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ct=&quot;true&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_wzyytd1Fu-x2Q0pe3eRG5X59N2ED_O_Ux-9MeO16n4tptW4mFrkDsI6tysbO04xW74dshUfDT6jn5Gqhk6gvY75vRt1fJhGMR9d3l5LfuC7yw1dxL21rC4zOb_Q5HkdbWvGQXhPg2b8/s400/canoa.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/pUfp3QzVn-I&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&amp;nbsp;&lt;/center&gt;
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Canoa Completa&lt;/center&gt;
</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/2810582709432696228/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/2810582709432696228' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2810582709432696228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2810582709432696228'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/02/canoa-1976.html' title='Canoa - 1976'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_wzyytd1Fu-x2Q0pe3eRG5X59N2ED_O_Ux-9MeO16n4tptW4mFrkDsI6tysbO04xW74dshUfDT6jn5Gqhk6gvY75vRt1fJhGMR9d3l5LfuC7yw1dxL21rC4zOb_Q5HkdbWvGQXhPg2b8/s72-c/canoa.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-7742365342948850058</id><published>2010-02-11T13:02:00.000-06:00</published><updated>2010-02-11T13:02:20.656-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="activist"/><category scheme="http://www.blogger.com/atom/ns#" term="El Bulto"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="protest"/><category scheme="http://www.blogger.com/atom/ns#" term="rebellion"/><title type='text'>El Bulto - 1991</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;Gripping psychological/cultural view of changes in Mexico from the sixties to the eighties.&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;A modern or post-modern Rip Van Winkel story of as much relevance to the US or Europe as it is to Mexico and Latin America. A young protester of the sixties era is caught up in a demonstration and savagely beaten by government-sponsored thugs. Nursed by his loving wife and children, he awakens and must confront the both the changes and the continuities in the society that he has missed participating or viewing in the intervening period.&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;This is one of the best films on the impact of the rebellion of the sixties on contemporary society in any language or culture. While the literate US public has some knowledge of the protests in the United States, France, and possibly Czechoslavakia, it is not known generally that Mexico also had a great protest tradition and was rocked by a major student rebellion. In this film, directed and acted in by the creative and accomplished Mexican cinema and theater producer, Gabriel Retes, an activist who was badly beaten and in a quasi-coma for around two decades, awakens in the new world of the contemporary post-sixties and must come to terms with it. A Rip Van Winkel story for the postmodern era, fascinating and intriguing, highly recommended. &lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyM0GlSJs_VeeIp-aSHhtjjSUBEq4Sw8uEdGxLohdaGQepCJXAac0w4M12gb3SlW6J0YSkVKCiE0FFqwMrAHxxUxT1ElLGmVz6_cdXMQFjWHlkY_8woBLFECYk9LpFFHrfTZYQNr6U0M/s1600-h/El+bulto.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ct=&quot;true&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyM0GlSJs_VeeIp-aSHhtjjSUBEq4Sw8uEdGxLohdaGQepCJXAac0w4M12gb3SlW6J0YSkVKCiE0FFqwMrAHxxUxT1ElLGmVz6_cdXMQFjWHlkY_8woBLFECYk9LpFFHrfTZYQNr6U0M/s400/El+bulto.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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El Bulto - Part 1 of 12 on YouTube&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/7742365342948850058/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/7742365342948850058' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/7742365342948850058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/7742365342948850058'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/02/el-bulto-1991.html' title='El Bulto - 1991'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyM0GlSJs_VeeIp-aSHhtjjSUBEq4Sw8uEdGxLohdaGQepCJXAac0w4M12gb3SlW6J0YSkVKCiE0FFqwMrAHxxUxT1ElLGmVz6_cdXMQFjWHlkY_8woBLFECYk9LpFFHrfTZYQNr6U0M/s72-c/El+bulto.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-538254549348053910</id><published>2010-01-14T15:48:00.001-06:00</published><updated>2010-01-16T18:37:27.909-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Baja"/><category scheme="http://www.blogger.com/atom/ns#" term="Baja California"/><category scheme="http://www.blogger.com/atom/ns#" term="Cabo San Lucas"/><category scheme="http://www.blogger.com/atom/ns#" term="Ensenada"/><category scheme="http://www.blogger.com/atom/ns#" term="Magdalena Bay"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Pacific Coast"/><title type='text'>Baja California: the Pacific Coast of Mexico - 1949</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;Silas Johnson is another &quot;lost filmmaker, who worked out of Coronado, California. This film boasts beautiful color footage of old Baja, before Pemex stations lined the Cuota and Libre. Hunt travels from Ensenada to Cabo San Lucas, enchantingly stopping at the waterless village of Magdalena Bay, Tortuga Bay, and the vineyards at Santo Tomás.&lt;br /&gt;
&lt;/div&gt;&lt;center&gt;&lt;br /&gt;
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Sorry does not work with FireFox&lt;br /&gt;
Check the &#39;Internet Archives&#39;&lt;br /&gt;
&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/538254549348053910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/538254549348053910' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/538254549348053910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/538254549348053910'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/baja-california-pacific-coast-of-mexico.html' title='Baja California: the Pacific Coast of Mexico - 1949'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-8034544341842755060</id><published>2010-01-11T12:36:00.001-06:00</published><updated>2010-01-11T12:37:43.016-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beast"/><category scheme="http://www.blogger.com/atom/ns#" term="cowboy"/><category scheme="http://www.blogger.com/atom/ns#" term="dinosaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Guy Madison"/><category scheme="http://www.blogger.com/atom/ns#" term="Hollow Mountain"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="monster"/><title type='text'>The Beast of Hollow Mountain - 1956</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Plot:&lt;/b&gt; An American cowboy living in Mexico discovers his cattle is being eaten by a giant prehistoric dinosaur&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Review:&lt;/b&gt; When it came to dinosaur special effects in the 1950s, absolutely no one came close to Ray Harryhausen, and The Beast From 20,000 Fathoms still reigns as the classic of that time. Others who dared try and compete were lucky to come in a distant second, but that didn&#39;t mean there wasn&#39;t a fun quality to their films. The Beast From Hollow Mountain is one of those minor league yet highly enjoyable attempts to combine the two favorite elements of 12 to 15 year old boys when we went to the movies back in the mid-fifties: cowboys and dinosaurs. We knew Guy Madison well from his long run Wild Bill Hickock TV series, which had precious little to do with the real life of that historic character but was plenty of fun all the same. Here, he&#39;s a range rider who discovers that his cattle are disappearing. Could it be outlaws? No, the title creature, who attacks Madison, a cute little Mexican kid, the gorgeous Patricia Medina, and a whole host of vaqueros. There is (as was the case back then) precious little dinosaur footage, for the way they kept costs down back then was to &#39;tease&#39; you with distant growls, but avoid showing you the real thing for as long as possible. After about an hour of this, you got maybe fifteen minutes of actual footage with the creature (who has the weirdest, wildest tongue of any dinosaur in movie history) chasing after Guy and friends with the swiftness of a professional track star. And it&#39;s a good thing they keep him offscreen, because he&#39;s at best semi-convincing when you do see him. That doesn&#39;t make this brightly colored film and less fun to watch. And the way in which Madison gets the thing at the end is a real lulu.&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1sS7m-_Wko_CUc7Bhf3rPoh3VwkujX4M6QWgZlGfm8TXzviuCbKaRIBJ6tqQq-U3dCVGslAnUtE8GHGzXLsix_XiK_X6iUrQP6Wjnr5NA5u8hMODmyk3hyyfk5z6xHtF8Avnw3ouut7Y/s1600-h/Beast-From-Hollow-Mountain.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ps=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1sS7m-_Wko_CUc7Bhf3rPoh3VwkujX4M6QWgZlGfm8TXzviuCbKaRIBJ6tqQq-U3dCVGslAnUtE8GHGzXLsix_XiK_X6iUrQP6Wjnr5NA5u8hMODmyk3hyyfk5z6xHtF8Avnw3ouut7Y/s400/Beast-From-Hollow-Mountain.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;center&gt;&lt;br /&gt;
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&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/8034544341842755060/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/8034544341842755060' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8034544341842755060'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/8034544341842755060'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/beast-of-hollow-mountain-1956.html' title='The Beast of Hollow Mountain - 1956'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1sS7m-_Wko_CUc7Bhf3rPoh3VwkujX4M6QWgZlGfm8TXzviuCbKaRIBJ6tqQq-U3dCVGslAnUtE8GHGzXLsix_XiK_X6iUrQP6Wjnr5NA5u8hMODmyk3hyyfk5z6xHtF8Avnw3ouut7Y/s72-c/Beast-From-Hollow-Mountain.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-1228195765024808579</id><published>2010-01-10T12:00:00.000-06:00</published><updated>2010-01-10T12:00:45.274-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Andrea Palma"/><category scheme="http://www.blogger.com/atom/ns#" term="Cinema"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Mujer"/><category scheme="http://www.blogger.com/atom/ns#" term="Puerto"/><category scheme="http://www.blogger.com/atom/ns#" term="Veracruz"/><title type='text'>La Mujer del Puerto - 1934</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;Plot Summary: Rosario (Palma) becomes a prostitute after losing her father and discovering her boyfriend had a liaison with another woman. In Veracruz, Rosario lives above a sordid cabaret &quot;selling her love to the men coming from the sea.&quot; One night, sailor Alberto (Soler) rescues Rosario from the dirty hands of a drunk man. They get along and go to Rosario&#39;s room. After making love, they begin to talk and Rosario discovers they&#39;re siblings... &lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Starting with the leading performance from the first diva in Mexican cinematography according to some (Andrea Palma), without forgetting Domingo Soler who also makes a great contribution to the cast in this film, then the great strength of the plot and the masterful direction by Arcady Boytler. All in all this movie cannot be considered less than excellent. So yes, maybe some of the scenes don&#39;t result quite the way they should, but most of them do. Particularly the scene from the carnival at the beginning of the movie and the last scene bring you to the verge of tears. Yes it also many elements of a catholic moral (Rosario lives in guilt, her way of paying her sins is by means of sacrifice), but we have to consider the movie was released in 1934 and the Mexican society of the time had those values dictating our lives and, weather we take this into consideration or not, I think the the plot is really really tough and the theme very strong. Maybe nowadays we have many movies with plots that are twice or thrice as tough, but I think this is still a great, great movie and has no soap opera can never even remotely compare with it. Also, it is one of the first movies with recorded sound in the Mexican film industry. &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjISK-yA7sui4sN_vDp-TZCZUhfAQlGgZpF7pndv-Vn4TpyG_LUs8SCBCTVLeXaduDMUIftRUz754orDpabytl-HQhHHG57gXpKNkltKU8oyqI9WGfHee-CRqZHZFf9T6QaQ0rLKWOkUPE/s1600-h/Mujer-del-Puerto.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ps=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjISK-yA7sui4sN_vDp-TZCZUhfAQlGgZpF7pndv-Vn4TpyG_LUs8SCBCTVLeXaduDMUIftRUz754orDpabytl-HQhHHG57gXpKNkltKU8oyqI9WGfHee-CRqZHZFf9T6QaQ0rLKWOkUPE/s400/Mujer-del-Puerto.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;center&gt;&lt;br /&gt;
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&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/1228195765024808579/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/1228195765024808579' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/1228195765024808579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/1228195765024808579'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/la-mujer-del-puerto-1934.html' title='La Mujer del Puerto - 1934'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjISK-yA7sui4sN_vDp-TZCZUhfAQlGgZpF7pndv-Vn4TpyG_LUs8SCBCTVLeXaduDMUIftRUz754orDpabytl-HQhHHG57gXpKNkltKU8oyqI9WGfHee-CRqZHZFf9T6QaQ0rLKWOkUPE/s72-c/Mujer-del-Puerto.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-2553556142804585629</id><published>2010-01-06T14:26:00.001-06:00</published><updated>2010-01-06T17:08:45.113-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Eisenstein"/><category scheme="http://www.blogger.com/atom/ns#" term="film"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Que Viva Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Sergei"/><title type='text'>Que Viva Mexico!</title><content type='html'>&lt;b&gt;Que Viva Mexico! - Da zdravstvuyet Meksika! (1979)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;Plot Outline: Eisenstein shows us Mexico in this movie, its history and its culture. He believes, that Mexico can become a modern state. &lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;User Comments: Even if it would have been completed, I would bet that it would be considered one of Eisenstein&#39;s lesser works&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Que Viva Mexico is an interesting (reconstruction of a) film by Sergei Eisenstein, the director of so many masterpieces. In fact, of all that I have seen, this is the only non-masterpiece of the bunch. Even the reconstruction of Beshin Meadow I like more. Que Viva Mexico is a semi-documentary. Most of it is uninteresting and, unlike Eisenstein&#39;s other films and Tisse&#39;s other cinematography, poorly composed. The only parts of real interest come near the end, with the rebellion, something that Eisenstein was used to creating on screen. There is a great gunfight with a woman participating, a precursor to Alexander Nevsky&#39;s Vasilisa, and there is a great scene where some rebels are buried up to the shoulders underground and then trampled by horses (by far the best scene in the film). The Day of the Dead celebration is also very interesting. There is also a bullfight that will demonstrate just how cruel bullfighting is.&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;I do have to complain about the reconstruction that I watched. This was supposed to be a silent film, I believe. The narration I did not mind, for Eisenstein would have had to find a way to communicate what the narrator did anyway. And the music is good, often great. But I object to the insertion of diagetic sound effects, like guns shooting and horses galloping. This is ridiculous. Obviously the only people who are ever going to see this film are Eisenstein enthusiasts, so to try to sell it to the public as a sound movie is ridiculous. Why? &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUXJQnVEbKE_VjFzVpAuRV7_RigcbBKGuQj5joWyDUfbuMpkS-xbXN8mOsKGOZxLs0TUfOsW7CwgFBXZwbRjYOcphBCv9eY9PjVXQ5A7H1m_m-DIowzNhyphenhyphenIy8KL5HNEl7HIIPWro7Q1MU/s1600-h/Que-Viva-Mexico.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ps=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUXJQnVEbKE_VjFzVpAuRV7_RigcbBKGuQj5joWyDUfbuMpkS-xbXN8mOsKGOZxLs0TUfOsW7CwgFBXZwbRjYOcphBCv9eY9PjVXQ5A7H1m_m-DIowzNhyphenhyphenIy8KL5HNEl7HIIPWro7Q1MU/s400/Que-Viva-Mexico.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;center&gt;&lt;br /&gt;
&lt;object height=&quot;344&quot; width=&quot;420&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/fKCsBH2o1Ys&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/fKCsBH2o1Ys&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;420&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/2553556142804585629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/2553556142804585629' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2553556142804585629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2553556142804585629'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/que-viva-mexico.html' title='Que Viva Mexico!'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUXJQnVEbKE_VjFzVpAuRV7_RigcbBKGuQj5joWyDUfbuMpkS-xbXN8mOsKGOZxLs0TUfOsW7CwgFBXZwbRjYOcphBCv9eY9PjVXQ5A7H1m_m-DIowzNhyphenhyphenIy8KL5HNEl7HIIPWro7Q1MU/s72-c/Que-Viva-Mexico.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-2321592752283387505</id><published>2010-01-06T14:18:00.001-06:00</published><updated>2015-05-26T16:58:56.745-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ariel"/><category scheme="http://www.blogger.com/atom/ns#" term="Callejon"/><category scheme="http://www.blogger.com/atom/ns#" term="Midaq Alley"/><category scheme="http://www.blogger.com/atom/ns#" term="Milagros"/><category scheme="http://www.blogger.com/atom/ns#" term="Salma Hayek"/><title type='text'>Midaq Alley</title><content type='html'>&lt;strong&gt;El Callejon de los Milagros (1998) - Midaq Alley&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Plot Summary: Based on the Nobel Prize Winner&#39;s novel, the Egyptian Naguib Mahfouz. The story, translated from El Cairo to Mexico City&#39;s downtown, narrates the life of the members of the neighbourhood and the connection between them Don Ru, the owner of the local pub; Eusebia, his wife; Guicho, his son and Abel his friend, who emigrate to USA in search of fortune; Susanita, the single landtender always dreaming to marry a good man; Jimmy, the pub&#39;s employee, who extracts the money when Don Ru is not there and finally marries Susanita; Alma, the very good looking girl, the Abel&#39;s dream, who becomes a luxury prostitute while he&#39;s away, etc. This movie won the Ariel (the Mexican Oscar) as best movie in 1995.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
The lives of the inhabitants of El Callejon de los Milagros, in downtown Mexico City, are closely knitted as the threads of a rug. Fifty-something Don Ru (Gomez Cruz) owns a small &quot;cantina&quot; where all the men spend afternoons playing domino. He&#39;s tired of his longtime marriage with Eusebia (Casanova) and has recently discovered new feelings inside his heart. It doesn&#39;t matter if these feelings are not aimed to a young lady but to a young clerk (Soberanes): after all, as one of the characters says, &quot;it&#39;s platonic love&quot;. Don Ru&#39;s son Chava (Bernal) doesn&#39;t like what he sees and almost kills his father&#39;s lover. Running away from Don Ru&#39;s anger, Chava escapes to the USA with his friend Abel (Bichir) who&#39;s deeply in love with beautiful Alma (Hayek), the daughter of Dona Cata (Rojo), a tarot reader with bad luck in love. Susanita (Sanz), the ugly landlady looking for love; Guicho (Tovar), Don Ru&#39;s cinic employee, Maru (Scanda), Don Fidel (Obregon), Dona Flor (Morett), Zacarias (Woolrich) and mean Jose Luis (Gimenez Cacho) complete the cast of characters of this complex portrait of lives.&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC6cwhFQyFFDOYj9XBqltDxF5Gvf5jmzVJNKzjW-kwyl6ut9k2JBmI4ibPvzn_SsOb8nJRGOVhYIbCKGfwqYNhPuI-0NzauGTAiKq89vbjw1vfMqfYZuyLATV71jGNEDHM-2tnKZH_uLE/s1600-h/Midaq+Alley+(1998).jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ps=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC6cwhFQyFFDOYj9XBqltDxF5Gvf5jmzVJNKzjW-kwyl6ut9k2JBmI4ibPvzn_SsOb8nJRGOVhYIbCKGfwqYNhPuI-0NzauGTAiKq89vbjw1vfMqfYZuyLATV71jGNEDHM-2tnKZH_uLE/s400/Midaq+Alley+(1998).jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/kkHBfRCspNw&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/2321592752283387505/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/2321592752283387505' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2321592752283387505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/2321592752283387505'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/midaq-alley.html' title='Midaq Alley'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC6cwhFQyFFDOYj9XBqltDxF5Gvf5jmzVJNKzjW-kwyl6ut9k2JBmI4ibPvzn_SsOb8nJRGOVhYIbCKGfwqYNhPuI-0NzauGTAiKq89vbjw1vfMqfYZuyLATV71jGNEDHM-2tnKZH_uLE/s72-c/Midaq+Alley+(1998).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-6742569994698401354</id><published>2010-01-06T14:06:00.002-06:00</published><updated>2010-01-06T17:19:46.235-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Diego Rivera"/><category scheme="http://www.blogger.com/atom/ns#" term="Frida"/><category scheme="http://www.blogger.com/atom/ns#" term="Frida Kahlo"/><category scheme="http://www.blogger.com/atom/ns#" term="Naturaleza"/><title type='text'>Naturaleza Viva Frida  (1986)</title><content type='html'>&lt;b&gt;Naturaleza Viva Frida (1986) &lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;Plot Summary: The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacan home. She evokes memories of her childhood, of the streetcar accident that caused her terrible pain and affliction, her friendship with Trotsky and painter Alfaro Siqueiros, her marriage to Diego Rivera, her miscarriage, her political commitment, her love affairs and the anticipated exhibition of her works.&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Frida is the story of a woman who has an obsession with the physical image of herself. During the course of the movie she suffers from a profound identity crisis. The viewer will immediately notice the lack of dialogue in this film. The absence of dialogue represents the fact that communication for Frida is visual, not verbal. Her works of art speak for her as she communicates her pain and suffering through her paintings. Frida Kahlo&#39;s obsession with her physical abnormalities drives her to paint herself disfigured and in pain and directly reflects her personal suffering. The viewer realizes that art is life for Frida. Art was the way in which she communicated but unfortunately, the public does not seem to get a firm understanding of her pain nor the manner in which she expressed herself. &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9-upoFtYyjseQFjf1KdZhnltTj0zAlYz7eY507zQS7InYzuArk3HWa9hPLSpBA9DHFFF4GgU3GZRay6jmTJu66NcFDMYbomUPnmydwBNkOWIi7FiqgeVN3-cwxgxRoDx32lcuUa6LXU/s1600-h/Frida.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; ps=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9-upoFtYyjseQFjf1KdZhnltTj0zAlYz7eY507zQS7InYzuArk3HWa9hPLSpBA9DHFFF4GgU3GZRay6jmTJu66NcFDMYbomUPnmydwBNkOWIi7FiqgeVN3-cwxgxRoDx32lcuUa6LXU/s400/Frida.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;object width=&quot;420&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/Y40RqM21B8M&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/Y40RqM21B8M&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;420&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/6742569994698401354/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/6742569994698401354' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/6742569994698401354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/6742569994698401354'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2010/01/naturaleza-viva-frida-1986.html' title='Naturaleza Viva Frida  (1986)'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9-upoFtYyjseQFjf1KdZhnltTj0zAlYz7eY507zQS7InYzuArk3HWa9hPLSpBA9DHFFF4GgU3GZRay6jmTJu66NcFDMYbomUPnmydwBNkOWIi7FiqgeVN3-cwxgxRoDx32lcuUa6LXU/s72-c/Frida.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-3613630253191103529</id><published>2009-05-10T16:39:00.007-05:00</published><updated>2015-05-26T17:11:32.786-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="adventure"/><category scheme="http://www.blogger.com/atom/ns#" term="Alfredo Garcia"/><category scheme="http://www.blogger.com/atom/ns#" term="head"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Sam Peckinpah"/><category scheme="http://www.blogger.com/atom/ns#" term="Warren Oates"/><title type='text'>Bring Me the Head of Alfredo Garcia - 1974</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;
&lt;strong&gt;Plot Summary&lt;/strong&gt;: A family scandal causes a wealthy and powerful Mexican rancher to make the pronouncement--&#39;Bring me the head of Alfredo Garcia!&#39; Two of the bounty-hunters thus dispatched encounter a local piano-player in their hunt for information. The piano-player does a little investigating on his own and finds out that his girlfriend knows of Garcia&#39;s death and last resting place. Thinking that he can make some easy money and gain financial security for he and his (now) fiancée, they set off on this goal. Of course, this quest only brings him untold misery, in the form of trademark Peckinpah violence.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;User Comments&lt;/strong&gt;: There was probably no greater director in the U.S. from 1969-1974 than Sam Peckinpah. He made seven films, ranging from classics (The Wild Bunch) to superior genre pics (The Getaway). And before his career began sliding, he had one more masterpiece in him: Bring Me the Head of Alfredo Garcia. This is the story of one man&#39;s alcohol-fueled journey into dissolution and redemption and a really strange film. Warren Oates plays Benny, a piano player cajoled by a pair of men into finding Alfredo&#39;s head. See, Alfredo impregnated the daughter of a vicious landowner, and now he wants him dead. But this isn&#39;t really what the film is about. It&#39;s more about Benny, and how his journey costs him everything. Warren Oates is wonderful as Benny, and there are some great darkly comic moments between him and the head. And this is one of Michael Medved&#39;s 50 worst movies of all time - what more of a recommendation do you require? Seriously, this is a great film.&lt;br /&gt;
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&lt;a href=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/bring-me-the-head.jpg&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/bring-me-the-head.jpg&quot; style=&quot;cursor: hand; display: block; margin: 0px auto 10px; text-align: center; width: 300px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
Mexico headless adventure &lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0071249/&quot; target=&quot;_blank&quot;&gt;IMDb review&lt;/a&gt;&lt;br /&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/rETTcOFLwxg&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
Pelicula Completa&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/3613630253191103529/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/3613630253191103529' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3613630253191103529'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3613630253191103529'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/05/bring-me-head-of-alfredo-garcia-1974.html' title='Bring Me the Head of Alfredo Garcia - 1974'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/rETTcOFLwxg/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-7435953196019905334</id><published>2009-05-10T16:26:00.007-05:00</published><updated>2015-05-26T17:30:28.704-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Appaloosa"/><category scheme="http://www.blogger.com/atom/ns#" term="bandit"/><category scheme="http://www.blogger.com/atom/ns#" term="Brando"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="western"/><title type='text'>The Appaloosa - 1966</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;
&lt;strong&gt;Plot Outline&lt;/strong&gt;: Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;User Comments&lt;/strong&gt;: &quot;The Appaloosa&quot; is a superior low-key western with a great performance by Marlon Brando and very good ones by John Saxon and Anjanette Comer. Brando plays a white man raised by Mexicans who returns from the Civil War tired of killing and ready to build a ranch around one Appaloosa stallion. Brando has the misfortune of becoming a tool for Comer to escape the clutches of Saxon. Saxon retaliates by stealing Brando&#39;s stallion, and Brando follows Saxon into Mexico to reclaim it. Director Sidney J. Furie (&quot;The Ipcress File,&quot; &quot;Iron Eagle&quot;) extensively uses extreme close-ups of faces, in the same manner as Sergio Leone, but not for the same purpose. Furie uses these close-ups to establish intimacy between the characters and the audience. This works beautifully in &quot;The Appaloosa,&quot; particularly so since the story is so unremarkable and low-key and Brando&#39;s character is by no means a superman. Most of the violence is of the &quot;G&quot; rated variety, with the notable exception of a hand-wrestling contest played with the addition of scorpions.&lt;br /&gt;
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&lt;a href=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/appaloosa.jpg&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/appaloosa.jpg&quot; style=&quot;cursor: hand; display: block; margin: 0px auto 10px; text-align: center; width: 300px;&quot; /&gt;&lt;/a&gt; &lt;span style=&quot;color: #993399;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0060120/&quot; target=&quot;_blank&quot;&gt;IMDb review&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/1Oglpgqb52Q&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/7435953196019905334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/7435953196019905334' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/7435953196019905334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/7435953196019905334'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/05/appaloosa-1966.html' title='The Appaloosa - 1966'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/1Oglpgqb52Q/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-3820044927166481242</id><published>2009-04-27T17:06:00.005-05:00</published><updated>2015-05-26T17:17:30.171-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="gold"/><category scheme="http://www.blogger.com/atom/ns#" term="Humphrey Bogart"/><category scheme="http://www.blogger.com/atom/ns#" term="John Huston"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="Sierra Madre"/><category scheme="http://www.blogger.com/atom/ns#" term="treasure"/><category scheme="http://www.blogger.com/atom/ns#" term="Walter Huston"/><title type='text'>The Treasure of the Sierra Madre - 1948</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;
&lt;strong&gt;Plot Summary:&lt;/strong&gt; Dobbs and Curtin meet up in Mexico, and go to work for a contractor, Pat McCormick, who takes them away to remote site and tells them they will be paid when the job is finished. When they are finished, they return to town to find McCormick to get their wages. McCormick gives them a few dollars, and says he&#39;ll just go to the bank and pick up the payroll for them. Dobbs and Curtin then meet up with an old prospector, who claims the hills are still full of gold, and if they can get the cash, he&#39;ll go with them. They eventually get the cash from McCormick after a little &quot;persuasion&quot;, and all three set off for the hills as good friends, but will they return that way ?&lt;br /&gt;
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&lt;strong&gt;User Comments:&lt;/strong&gt; John Huston&#39;s genius as a director is undeniable. From his beginning he showed an uncanny knack for getting not only excellent acting from his actors, but his movies always had a social conscience as well.&lt;br /&gt;
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Mr. Huston loved Mexico and it shows in this film. It must have been a difficult task for him directing his own father in the movie. After all, Walter Huston was a major star on his own right. Both father and son made a great contribution, John behind the camera, Walter in front of it.&lt;br /&gt;
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Basically the story is about men that have drifted into Mexico to escape jail, or in search of riches, as it was the case of the men that fate brings together in a Tampico shelter. Dobbs, Howard and Curtin start out as partners searching for gold in the Sierra Madre. They find it, but as luck will have it, none of them will live to be rich from what they find in that remote place.&lt;br /&gt;
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In the most ironic of film endings, this one will be a classic. After the trio finds gold, greed sets in. Friendship turns sour and the three friends become enemies. When the bandits finally catch up with an exhausted Dobbs, trying to go north, they beat him up and discover some sacks full of sand....&lt;br /&gt;
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Humphrey Bogart as Dobbs is excellent. Of course, Walter Huston made the best out of Howard, the clever old man who has seen a lot in his life. He is the only one that discovers a happiness living the simple life among the friendly Mexicans that welcome him into their community. Finally, Tim Holt, as Curtin is perfectly cast as an honest man who has gone into the adventure without any expectations.&lt;br /&gt;
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The final sequence of Howard and the peasants riding their horses into the &#39;yellow dust&#39; is amazing, as it it incredible. In retrospect, it seems to be telling us that sometimes dreams of becoming rich the easy way will not be sustained, but honest work will be more rewarding.&lt;br /&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/vGpvO8JabEc&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/3820044927166481242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/3820044927166481242' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3820044927166481242'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3820044927166481242'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/04/treasure-of-sierra-madre-1948.html' title='The Treasure of the Sierra Madre - 1948'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/vGpvO8JabEc/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-780643970169418563</id><published>2009-04-27T16:34:00.005-05:00</published><updated>2010-01-07T16:49:49.632-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Billy Wilder. Charles Boyer"/><category scheme="http://www.blogger.com/atom/ns#" term="Hold Back the Dawn"/><category scheme="http://www.blogger.com/atom/ns#" term="livia de Havilland"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><title type='text'>Hold Back the Dawn - 1941</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;&lt;strong&gt;Plot Outline:&lt;/strong&gt; Stopped in Mexico by U.S. Immigration, Georges Iscovescu hopes to get into the country by marrying a citizen. A Romanian gigolo marries a naive American schoolteacher in Mexico so he can legally enter the United States. Complications arise as he discovers he is falling in love with her.&lt;br /&gt;
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Told in flashback from a preface in which the main character visits Paramount to sell his story! Romanian-French gigolo Georges Iscovescu wishes to enter the USA. Stopped in Mexico by the quota system, he decides to marry an American, then desert her and join his old partner Anita, who&#39;s done likewise. But after sweeping teacher Emmy Brown off her feet, he finds her so sweet that love and jealousy endanger his plans.&lt;br /&gt;
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&lt;strong&gt;User Comments:&lt;/strong&gt; They Don&#39;t Make &#39;em like this any more! It is a sad reflection that many of the movies made so long ago still compare brilliantly with the best of today. &quot;Hold Back the Dawn&quot; is one of those - superbly put together by Billy Wilder &amp;amp; Charles Brackett, and with some of the finest acting of 1941. Outstanding are Charles Boyer, in what I feel is his best acting, and Olivia de Havilland who apparently had to go to Paramount to be appreciated (her two Oscar films were made there, and she was nominated also for this one!) is a standout. Paulette Goddard in a role almost written for her was very good, and the supporting cast was excellent. Migrants trying to get into the United States has always been a hot topic, but here it is treated sympathetically in a very informative way. I have to say the ending was not well done, and one gets the feeling all was not well somewhere&lt;br /&gt;
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&lt;/div&gt;&lt;a href=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/cronos.jpg&quot;&gt;&lt;img style=&quot;TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 300px; DISPLAY: block; CURSOR: hand&quot; border=&quot;1&quot; alt=&quot;&quot; src=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/hold-back-the-dawn.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;object width=&quot;410&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/PsKrwAt3W5c&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/PsKrwAt3W5c&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;410&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/780643970169418563/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/780643970169418563' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/780643970169418563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/780643970169418563'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/04/hold-back-dawn-1941.html' title='Hold Back the Dawn - 1941'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-4710129164590552396</id><published>2009-03-13T12:36:00.003-06:00</published><updated>2009-04-04T11:52:03.306-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Luis Bunuel"/><category scheme="http://www.blogger.com/atom/ns#" term="Luis Buñuel"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexican Bus Ride"/><category scheme="http://www.blogger.com/atom/ns#" term="Subida al Cielo"/><title type='text'>Subida al Cielo - 1952  AKA - Mexican Bus Ride</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;Subida al Cielo (1952) AKA- Mexican Bus Ride&lt;br /&gt;&lt;br /&gt;Produced by Luis Bunuel (Luis Buñuel)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Plot Summary&lt;/strong&gt;: A young man and woman&#39;s honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their mom in order to plot their squandering of the inheritance. The newlywed son takes quite an adventurous bus-ride to a distant city to get his mother&#39;s will notarized to the contrary, and is faced with multiple temptations along the way.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;User Comments&lt;/strong&gt;: left me thinking about the righteous path&lt;br /&gt;&lt;br /&gt;Subida al cielo is a messy little story probably about the distractions and small miracles happening on everybody&#39;s way to heaven. It is short and seems simple, but there are sometimes strange things happening: has anybody the strength to go straight? If one does really go straight, one probably do not even have dreams. Dreams, wishful thinking and miracles like the improbable solution (by a little girl) for getting the bus out of the river with an ox instead of a tractor and the small miracle of the two vehicles that for no apparent reason suddenly CAN pass each other on the narrow path after a short meeting. Furthermore, Buñuel incorporates a few modest but funny dream sequences to emphasize that people (secretly) can think of other things, while they are on their certain way to heaven (the righteous path?). The English title &#39;Mexican Bus Ride&#39; applies very well I guess: the whole is kind of low profile (probably also low budget :)&lt;br /&gt;&lt;br /&gt;The acting is ok, but I never really got into the story, because the editing isn&#39;t good and there is no convincing mood to get into, although Buñuel uses some music in this movie. Miniature cars and sets make it fun to watch, but also do not convince. The movie feels more like an exercise than as a message from the heart, but I would like to see it again some time.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/subida-al-ceilo.jpg&quot;&gt;&lt;img style=&quot;DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; TEXT-ALIGN: center&quot; alt=&quot;&quot; src=&quot;http://sparks-mexico.com/OtherWebs/blogs/movies/subida-al-ceilo.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/jBncfRCOhQQ&amp;hl=es&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/jBncfRCOhQQ&amp;hl=es&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/4710129164590552396/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/4710129164590552396' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4710129164590552396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/4710129164590552396'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/03/subida-al-cielo-1952-aka-mexican-bus.html' title='Subida al Cielo - 1952  AKA - Mexican Bus Ride'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4709558160841611422.post-3122983578083609390</id><published>2009-03-13T12:15:00.005-06:00</published><updated>2010-01-07T17:35:48.487-06:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="B.Traven"/><category scheme="http://www.blogger.com/atom/ns#" term="La Rosa Blanca"/><category scheme="http://www.blogger.com/atom/ns#" term="Mexico"/><category scheme="http://www.blogger.com/atom/ns#" term="oil"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto Gavaldon"/><title type='text'>La Rosa Blanca - 1961</title><content type='html'>&lt;div align=&quot;justify&quot;&gt;La Rosa Blanca (1961)&lt;br /&gt;
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&lt;strong&gt;Plot Summary&lt;/strong&gt;: An illiterate Indian (Ignacio Lopez Tarso) lives an idyllic existence as a landowner on Mexico&#39;s Gulf Coast until the greed of a US oil company gets in the way. He is murdered and the lives of all those around him are irrevocably destroyed as the company takes over the land by crooked means. Based on the novel by B.Traven.&lt;br /&gt;
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&lt;strong&gt;User Comments&lt;/strong&gt;: Powerful Film about Social Consequences of Oil&lt;br /&gt;
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Many countries face the challenges of oil reserves; they benefit from the money they gain, but pay a severe social cost for having oil. Mexico is not an exception to this rule, and the struggle of one family&#39;s fight against an oil company is masterfully depicted in La Rosa Blanca.&lt;br /&gt;
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The acting, while a bit stylized, is quite good. (The film employed the services of some of Mexico&#39;s best actors of the time). Additionally, Roberto Gavaldon employs the use of two languages in the dialogue to create the disconnect necessary to understand the difficulties faced by Jacinto Yañez and his family.&lt;br /&gt;
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La Rosa Blanca, directed by Roberto Gavaldon, is an exquisite work featuring cinematography by the illustrious Gabriel Figueroa. Originally completed in 1961, it was canned for eleven years because of its highly political nature. Mexico was suffering from the effects of a boom and bust oil economy during the early 1960s, therefore making its subject matter sensitive. It has often been mischaracterized as being anti-American: it is not. The film is, however, against the exploitative nature of oil corporations, a poignant fact that has significant value today.&lt;br /&gt;
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My distaste for the final ten minutes of this film, where the film becomes a propaganda piece for the Mexican government, is the only reason this film does not get a ten.&lt;br /&gt;
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&lt;b&gt;Complete movie in 13 parts on Youtube&lt;/b&gt;&lt;br /&gt;
&lt;object height=&quot;344&quot; width=&quot;425&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/yKUo2twQaAc&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/yKUo2twQaAc&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;</content><link rel='replies' type='application/atom+xml' href='http://mexico-cinema.blogspot.com/feeds/3122983578083609390/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4709558160841611422/3122983578083609390' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3122983578083609390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4709558160841611422/posts/default/3122983578083609390'/><link rel='alternate' type='text/html' href='http://mexico-cinema.blogspot.com/2009/03/la-rosa-blanca-1961.html' title='La Rosa Blanca - 1961'/><author><name>sparks_mex</name><uri>http://www.blogger.com/profile/00164875979449223368</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwE9GSglj1ugRajDxqaNDmCEzaqfbwAwknBefsMNe_PTMy55FDxL78X41FBXXtUkJKZo0qMuolJYrmxZ6cDbT9mK0pHbXA2il2cK-KY8iucCcBpF7tJznVk-pA1NRGXA/s220/sparkie.jpg'/></author><thr:total>0</thr:total></entry></feed>