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	<title>CineTechGeek</title>
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	<link>https://www.cinetechgeek.com/</link>
	<description>Video blog on cinema business and technology by James Gardiner</description>
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		<title>Future-Proofing the big screen: Why Cinema Still Matters</title>
		<link>https://www.cinetechgeek.com/2025/06/05/future-proofing-the-big-screen-why-cinema-still-matters/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 05 Jun 2025 05:47:35 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[IMAX]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[PostProduction]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=2021</guid>

					<description><![CDATA[<p>Hello all, It&#8217;s been a while since I have had a good reason to make a CineTechGeek video. This one is especially important as [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2025/06/05/future-proofing-the-big-screen-why-cinema-still-matters/">Future-Proofing the big screen: Why Cinema Still Matters</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>How to get more out of your OLD Cinema KIT (DCI-Players)</title>
		<link>https://www.cinetechgeek.com/2024/04/02/how-to-get-more-out-of-your-old-cinema-kit-dci-players/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 02 Apr 2024 04:39:44 +0000</pubDate>
				<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[engineer]]></category>
		<category><![CDATA[player]]></category>
		<category><![CDATA[save]]></category>
		<category><![CDATA[service]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=2016</guid>

					<description><![CDATA[<p>In this video, I go over how a small $100 device nearly took out a $15000 digital cinema player. What to look out for [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2024/04/02/how-to-get-more-out-of-your-old-cinema-kit-dci-players/">How to get more out of your OLD Cinema KIT (DCI-Players)</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Google will cause DARK SCREENS in cinemas &#038; how to AVOID IT</title>
		<link>https://www.cinetechgeek.com/2024/02/27/google-will-cause-dark-screens-in-cinemas-how-to-avoid-it/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 27 Feb 2024 06:47:00 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Gmail]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[KDM]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=2011</guid>

					<description><![CDATA[<p>Cinema receives KDMs so allow encrupted content to play. This KDM typically arrives via Email. And many use Gmail. Gmail has announced the change [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2024/02/27/google-will-cause-dark-screens-in-cinemas-how-to-avoid-it/">Google will cause DARK SCREENS in cinemas &amp; how to AVOID IT</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>This PREDICTED Super Mario Bros. Theatrical Box Office SUCCESS</title>
		<link>https://www.cinetechgeek.com/2023/04/17/this-predicted-super-mario-bros-theatrical-box-office-success/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 17 Apr 2023 07:40:58 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[BoxOffice]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[theatrical]]></category>
		<category><![CDATA[tools]]></category>
		<category><![CDATA[trends]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=2004</guid>

					<description><![CDATA[<p>In this video, I discuss how I used a trend analysis tool to predict the Super Mario Bros. Box Office success. See Link: https://trends.google.com.au/trends/explore?date=2023-03-01%202023-04-06&#38;gprop=youtube&#38;q=%2Fm%2F01dybc,%2Fg%2F11d_77f60d,%2Fg%2F11hbgq8wjs,%2Fg%2F11h1k_08ty,%2Fg%2F11j0wlxbj_&#38;hl=en-GB</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/04/17/this-predicted-super-mario-bros-theatrical-box-office-success/">This PREDICTED Super Mario Bros. Theatrical Box Office SUCCESS</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>FREE cinema-catcher-app integrates with Comscore TMS KDM management</title>
		<link>https://www.cinetechgeek.com/2023/04/14/free-cinema-catcher-app-integrates-with-comscore-tms-kdm-management/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 14 Apr 2023 08:05:50 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[AutoKDM]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema-catcher-app]]></category>
		<category><![CDATA[comscore]]></category>
		<category><![CDATA[CTG]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[KDM]]></category>
		<category><![CDATA[TMS]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=2002</guid>

					<description><![CDATA[<p>This video is an update on cinema-catcher-app. Integration with Comscore ACE TMS and KDM management is demonstrated end explained. cinema-catcher-app download: https://github.com/jamiegau/cinema-catcher-app Comscore TMS: [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/04/14/free-cinema-catcher-app-integrates-with-comscore-tms-kdm-management/">FREE cinema-catcher-app integrates with Comscore TMS KDM management</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>What is an LMS &#8211; in Theatrical Cinema</title>
		<link>https://www.cinetechgeek.com/2023/02/10/what-is-an-lms-in-theatrical-cinema/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 09 Feb 2023 14:50:08 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[library]]></category>
		<category><![CDATA[LMS]]></category>
		<category><![CDATA[Management]]></category>
		<category><![CDATA[tool]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1998</guid>

					<description><![CDATA[<p>In this video, I describe what an LMS (Library Management System) is and how it helps with running a Theatrical Cinema and managing all [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/02/10/what-is-an-lms-in-theatrical-cinema/">What is an LMS &#8211; in Theatrical Cinema</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>AutoKDM and KDM-Alert, Free tools for Cinema Exhibitors</title>
		<link>https://www.cinetechgeek.com/2023/02/01/autokdm-and-kdm-alert-free-tools-for-cinema-exhibitors/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 01 Feb 2023 11:52:21 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1995</guid>

					<description><![CDATA[<p>In this video, I overview some free tools available to Cinema Exhibitors to make running a cinema less time-consuming. AutoKDM, never ingest a KDM [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/02/01/autokdm-and-kdm-alert-free-tools-for-cinema-exhibitors/">AutoKDM and KDM-Alert, Free tools for Cinema Exhibitors</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>AutoKDM Walk-through, never ingest a KDM again</title>
		<link>https://www.cinetechgeek.com/2023/02/01/autokdm-walk-through-never-ingest-a-kdm-again/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 01 Feb 2023 11:50:03 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[AutoKDM]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[Encryption]]></category>
		<category><![CDATA[KDM]]></category>
		<category><![CDATA[KDM-Alert]]></category>
		<category><![CDATA[theatrical exhibition]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1993</guid>

					<description><![CDATA[<p>In this video, I walk through the AutoKDM free tool available to Cinema Exhibitors to make running a cinema less time-consuming. This tool will [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/02/01/autokdm-walk-through-never-ingest-a-kdm-again/">AutoKDM Walk-through, never ingest a KDM again</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>KDM-Alert Walk-through, never get caught out missing a KDM resulting in a failed show.</title>
		<link>https://www.cinetechgeek.com/2023/02/01/kdm-alert-walk-through-never-get-caught-out-missing-a-kdm-resulting-in-a-failed-show/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 01 Feb 2023 11:48:22 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[AutoKDM]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[Encryption]]></category>
		<category><![CDATA[KDM]]></category>
		<category><![CDATA[KDM-Alert]]></category>
		<category><![CDATA[theatrical exhibition]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1991</guid>

					<description><![CDATA[<p>In this video, I walk through the KDM-Alert free tool available to Cinema Exhibitors to make running a cinema less time-consuming. This tool will [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2023/02/01/kdm-alert-walk-through-never-get-caught-out-missing-a-kdm-resulting-in-a-failed-show/">KDM-Alert Walk-through, never get caught out missing a KDM resulting in a failed show.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Free Cinema Tools: Device Discovery &#038; MONITORING</title>
		<link>https://www.cinetechgeek.com/2022/09/16/free-cinema-tools-device-discovery-monitoring/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 16 Sep 2022 06:10:52 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema-catcher-app]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[versioning]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1986</guid>

					<description><![CDATA[<p>In this video, I demonstrate how a FREE tool for cinema exhibitors can be used to automatically discover equipment on a cinema&#8217;s projection network. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/09/16/free-cinema-tools-device-discovery-monitoring/">Free Cinema Tools: Device Discovery &#038; MONITORING</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Cinema Equipment Version Control with NMAP</title>
		<link>https://www.cinetechgeek.com/2022/09/16/cinema-equipment-version-control-with-nmap/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 16 Sep 2022 06:05:02 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[control]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[nmap]]></category>
		<category><![CDATA[version]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1984</guid>

					<description><![CDATA[<p>With current cinema exhibition equipment becoming end-of-live and the plethora of new Laser-based projectors and next-generation cinema players, monitoring the type of equipment you [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/09/16/cinema-equipment-version-control-with-nmap/">Cinema Equipment Version Control with NMAP</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>CINEMA AUTOMATION, Review of KMTronic Web Relay</title>
		<link>https://www.cinetechgeek.com/2022/09/09/cinema-automation-review-of-kmtronic-web-relay/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 09 Sep 2022 04:15:50 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[webrelay]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1982</guid>

					<description><![CDATA[<p>The KMTronic Web Relay is a new contact-closure device at a great price point that also includes a Web interface. In this video I [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/09/09/cinema-automation-review-of-kmtronic-web-relay/">CINEMA AUTOMATION, Review of KMTronic Web Relay</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Digital Cinema CPL research &#8211; Looking for trends in the evolution of Cinema Content</title>
		<link>https://www.cinetechgeek.com/2022/08/06/digital-cinema-cpl-research-looking-for-trends-in-the-evolution-of-cinema-content/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 06 Aug 2022 09:05:34 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[CPL]]></category>
		<category><![CDATA[data analysis]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[Research]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1977</guid>

					<description><![CDATA[<p>In this video, I announce the availability of a Research tool for analysis of DCP/CPL used in the presentation of films in a Cinema. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/08/06/digital-cinema-cpl-research-looking-for-trends-in-the-evolution-of-cinema-content/">Digital Cinema CPL research &#8211; Looking for trends in the evolution of Cinema Content</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>DCI-Player Audit tool, a free tool to help CINEMAS</title>
		<link>https://www.cinetechgeek.com/2022/06/24/dci-player-audit-tool-a-free-tool-to-help-cinemas/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 24 Jun 2022 05:56:28 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Free Tools]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1974</guid>

					<description><![CDATA[<p>Hello all, Recently I finished a new tool on my cinema-catcher-app that can be used to Audit your DCI Cinema Players. It can do [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/06/24/dci-player-audit-tool-a-free-tool-to-help-cinemas/">DCI-Player Audit tool, a free tool to help CINEMAS</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>DCI brings next level Cinema experience (HDR) into focus</title>
		<link>https://www.cinetechgeek.com/2022/03/11/dci-brings-next-level-cinema-experience-hdr-into-focus/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 10 Mar 2022 23:21:23 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[theatrical]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1970</guid>

					<description><![CDATA[<p>Recently DCI, a organization made of the major studios, released a video explaining what they see as the next level of peak and minimum [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/03/11/dci-brings-next-level-cinema-experience-hdr-into-focus/">DCI brings next level Cinema experience (HDR) into focus</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>How to schedule films for a small cinema exhibitor &#8211; a walk through</title>
		<link>https://www.cinetechgeek.com/2022/02/23/how-to-schedule-films-for-a-small-cinema-exhibitor-a-walk-through/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 22 Feb 2022 23:40:15 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[GoogleTrends]]></category>
		<category><![CDATA[howto]]></category>
		<category><![CDATA[schedule]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1966</guid>

					<description><![CDATA[<p>In this video I discuss how I schedule my small cinemas. The thought process and tricks such as using Google Trends to help decide [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2022/02/23/how-to-schedule-films-for-a-small-cinema-exhibitor-a-walk-through/">How to schedule films for a small cinema exhibitor &#8211; a walk through</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Happy Holidays 2021 and Presents  (FREE TOOLS) from CTG and SCO</title>
		<link>https://www.cinetechgeek.com/2021/12/23/happy-holidays-2021-and-presents-free-tools-from-ctg-and-sco/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 23 Dec 2021 03:24:55 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Free Tools]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema-catcher-app]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[LMS]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[SCO]]></category>
		<category><![CDATA[TMS]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1960</guid>

					<description><![CDATA[<p>It&#8217;s been a difficult year for cinema owners. To help cinemas survive, James Gardiner (CineTechGeek) and Small Cinema Owners Association (SCO) Australia is making [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/12/23/happy-holidays-2021-and-presents-free-tools-from-ctg-and-sco/">Happy Holidays 2021 and Presents  (FREE TOOLS) from CTG and SCO</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Cinema Advanced Automation tricks and tips (http requests)</title>
		<link>https://www.cinetechgeek.com/2021/11/19/cinema-advanced-automation-tricks-and-tips-http-requests/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 19 Nov 2021 04:35:18 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[http]]></category>
		<category><![CDATA[request]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1957</guid>

					<description><![CDATA[<p>Hi.. Back to geekery with this video.Today I look at how you can send advanced automation requests by simulating a http request to an [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/11/19/cinema-advanced-automation-tricks-and-tips-http-requests/">Cinema Advanced Automation tricks and tips (http requests)</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Small Cinemas and getting remote support. GO RustDesk and Parsec.</title>
		<link>https://www.cinetechgeek.com/2021/11/06/small-cinemas-and-getting-remote-support-go-rustdesk-and-parsec/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 06 Nov 2021 00:12:00 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[MacOS]]></category>
		<category><![CDATA[parsec]]></category>
		<category><![CDATA[RDP]]></category>
		<category><![CDATA[remote]]></category>
		<category><![CDATA[rustdesk]]></category>
		<category><![CDATA[support]]></category>
		<category><![CDATA[windows]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1954</guid>

					<description><![CDATA[<p>TeamViewer is over.New, better, cheaper tools now exist to help all businesses deal with support issues that need external expertise FAST. In this video [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/11/06/small-cinemas-and-getting-remote-support-go-rustdesk-and-parsec/">Small Cinemas and getting remote support. GO RustDesk and Parsec.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Small cinemas using Google Trends to help chose the right movie to maximize profits</title>
		<link>https://www.cinetechgeek.com/2021/11/04/small-cinemas-using-google-trends-to-help-chose-the-right-movie-to-maximize-profits/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 04 Nov 2021 04:10:17 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[bookings]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[GoogleTrends]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[productivity]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1952</guid>

					<description><![CDATA[<p>In this video I demonstrate how I use Google Trend to help me, as a small cinema owners, choose the right movie to show [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/11/04/small-cinemas-using-google-trends-to-help-chose-the-right-movie-to-maximize-profits/">Small cinemas using Google Trends to help chose the right movie to maximize profits</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>NEC cinema projector API &#8211; automating your cinema projectors</title>
		<link>https://www.cinetechgeek.com/2021/10/20/nec-cinema-projector-api-automating-your-cinema-projectors/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 20 Oct 2021 11:50:24 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[API]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[NEC]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1949</guid>

					<description><![CDATA[<p>In this video I go over some basic Python code on how to control NEC (NC) DCI Cinema quality projectors. I cover where to [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/10/20/nec-cinema-projector-api-automating-your-cinema-projectors/">NEC cinema projector API &#8211; automating your cinema projectors</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>SAVE Hours Booking/Scheduling Films for your CINEMA</title>
		<link>https://www.cinetechgeek.com/2021/07/02/save-hours-booking-scheduling-films-for-your-cinema/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 02 Jul 2021 04:47:26 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[Booking]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[savings]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1946</guid>

					<description><![CDATA[<p>This video is a training video for the D-Cine.net Booking and Scheduling App. This video explains how it works and how you can save [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/07/02/save-hours-booking-scheduling-films-for-your-cinema/">SAVE Hours Booking/Scheduling Films for your CINEMA</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>VLOG &#8211; Getting a job working on digital cinema projectors</title>
		<link>https://www.cinetechgeek.com/2021/06/21/vlog-getting-a-job-working-on-digital-cinema-projectors/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 21 Jun 2021 05:04:50 +0000</pubDate>
				<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[job]]></category>
		<category><![CDATA[Projector]]></category>
		<category><![CDATA[training]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1943</guid>

					<description><![CDATA[<p>HI all, Been busy working on software, I hope to make a video on soon, but in the mean time, here is a VLOG [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2021/06/21/vlog-getting-a-job-working-on-digital-cinema-projectors/">VLOG &#8211; Getting a job working on digital cinema projectors</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>INNOVATION, Helping to save Cinema from the COVID Crisis</title>
		<link>https://www.cinetechgeek.com/2020/12/01/innovation-helping-to-save-cinema-from-the-covid-crisis/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 01 Dec 2020 03:29:46 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[BookingApp]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[distributors]]></category>
		<category><![CDATA[exhibitors]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[innovation]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1938</guid>

					<description><![CDATA[<p>Cinema is in Crisis. In this video I discuss how innovation in the way cinemas operate could save many smaller cinemas from permanent closure. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/12/01/innovation-helping-to-save-cinema-from-the-covid-crisis/">INNOVATION, Helping to save Cinema from the COVID Crisis</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Clairmeta &#038; SMPTE RDD 52, Explained and applied &#8211; innovation in digital cinema</title>
		<link>https://www.cinetechgeek.com/2020/10/08/clairmeta-smpte-rdd-52-explained-and-applied-innovation-in-digital-cinema/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 08 Oct 2020 08:51:40 +0000</pubDate>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[Clairmeta]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[digtal]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[QA]]></category>
		<category><![CDATA[Quality Assurance]]></category>
		<category><![CDATA[RDD52]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1935</guid>

					<description><![CDATA[<p>Cinema Exhibition is in crisis. One of the paths through this is to innovate. Clairmate is an example of innovative technology that will make [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/10/08/clairmeta-smpte-rdd-52-explained-and-applied-innovation-in-digital-cinema/">Clairmeta &#038; SMPTE RDD 52, Explained and applied &#8211; innovation in digital cinema</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>How To: High performance Production or Cinema server on the cheap</title>
		<link>https://www.cinetechgeek.com/2020/09/08/how-to-high-performance-production-or-cinema-server-on-the-cheap/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 08 Sep 2020 09:48:59 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[ArtOfServer]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DELL]]></category>
		<category><![CDATA[L2ARC]]></category>
		<category><![CDATA[Proxmox]]></category>
		<category><![CDATA[R710]]></category>
		<category><![CDATA[R720]]></category>
		<category><![CDATA[server]]></category>
		<category><![CDATA[SSD]]></category>
		<category><![CDATA[TrueNAS]]></category>
		<category><![CDATA[ZFS]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1928</guid>

					<description><![CDATA[<p>Continuing on the &#8220;Doing more with less&#8221; series for the crisis, today I go over how to make a &#8220;HIGH PERFORMANCE FILE SERVER&#8221; on [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/09/08/how-to-high-performance-production-or-cinema-server-on-the-cheap/">How To: High performance Production or Cinema server on the cheap</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>FilmMaker DCP creation in DaVinci Resolve Studio &#8211; HOW TO</title>
		<link>https://www.cinetechgeek.com/2020/08/02/filmmaker-dcp-creation-in-davinci-resolve-studio-how-to/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 02 Aug 2020 07:31:02 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[BMD]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DaVinci Resolve]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[Filmmaker]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[training]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1924</guid>

					<description><![CDATA[<p>Part of my &#8220;Doing More with Less&#8221; series targeting Exhibition and production and following on from: Cinema PreShow Creation in Resolve &#8211; How To [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/08/02/filmmaker-dcp-creation-in-davinci-resolve-studio-how-to/">FilmMaker DCP creation in DaVinci Resolve Studio &#8211; HOW TO</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Cinema PreShow Creation in Resolve &#8211; HOW TO</title>
		<link>https://www.cinetechgeek.com/2020/07/28/cinema-preshow-creation-in-resolve-how-to/</link>
					<comments>https://www.cinetechgeek.com/2020/07/28/cinema-preshow-creation-in-resolve-how-to/#comments</comments>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 28 Jul 2020 05:33:37 +0000</pubDate>
				<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[Resolve]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1921</guid>

					<description><![CDATA[<p>Continuing with the &#8220;Do More For Less&#8221; series for cinema exhibitors, in this video I cover why Resolve is the perfect tool, and how [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/07/28/cinema-preshow-creation-in-resolve-how-to/">Cinema PreShow Creation in Resolve &#8211; HOW TO</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinetechgeek.com/2020/07/28/cinema-preshow-creation-in-resolve-how-to/feed/</wfw:commentRss>
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		<title>Cinemas: Making DCPs for Pre-Show &#8211; COST SAVINGS and OPPORTUNITIES</title>
		<link>https://www.cinetechgeek.com/2020/07/08/cinemas-making-dcps-for-pre-show-cost-savings-and-opportunities/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 08 Jul 2020 05:55:32 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[pre-show]]></category>
		<category><![CDATA[promotion]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1917</guid>

					<description><![CDATA[<p>Hello cinema owners. As the crisis deepens, it is becoming more apparent, as a small cinema owners, to survive the coming months we need [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/07/08/cinemas-making-dcps-for-pre-show-cost-savings-and-opportunities/">Cinemas: Making DCPs for Pre-Show &#8211; COST SAVINGS and OPPORTUNITIES</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>DCP compliance is not distribution certification: film producer &#8220;MUST KNOWs&#8221;</title>
		<link>https://www.cinetechgeek.com/2020/07/04/dcp-compliance-is-not-distribution-certification-film-producer-must-knows/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 04 Jul 2020 05:37:15 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Filmmaker]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[theatrical]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1915</guid>

					<description><![CDATA[<p>In this Video I cover COST SAVING issues that all film producer/distributors must know and understand. The video attempts to inform the viewer of [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/07/04/dcp-compliance-is-not-distribution-certification-film-producer-must-knows/">DCP compliance is not distribution certification: film producer &#8220;MUST KNOWs&#8221;</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Projection Infrastructure cost savings for Cinema</title>
		<link>https://www.cinetechgeek.com/2020/05/27/projection-infrastructure-cost-savings-for-cinema/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 27 May 2020 09:18:46 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[infrastructure]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[presentation]]></category>
		<category><![CDATA[projection]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1910</guid>

					<description><![CDATA[<p>In the era of the COVID-19 distencing restrictions resulting in est. 40% utilisation of our cinemas, we need to become more efficient and cust [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/05/27/projection-infrastructure-cost-savings-for-cinema/">Projection Infrastructure cost savings for Cinema</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Cinema projection power consumption overview and how to save costs</title>
		<link>https://www.cinetechgeek.com/2020/04/21/cinema-projection-power-consumption-overview-and-how-to-save-costs/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 21 Apr 2020 05:38:45 +0000</pubDate>
				<category><![CDATA[Training]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinema exhibition]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[savings]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1907</guid>

					<description><![CDATA[<p>Saving costs is a big deal as we come out of the COVID-19 extended closure period. As Cinema operators we need to be on [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/04/21/cinema-projection-power-consumption-overview-and-how-to-save-costs/">Cinema projection power consumption overview and how to save costs</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Preparing for a Cinema extended closure period and explaining why its so important</title>
		<link>https://www.cinetechgeek.com/2020/04/09/preparing-for-a-cinema-extended-closure-period-and-explaining-why-its-so-important/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 08 Apr 2020 21:40:43 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[COVID-19]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[ineTechGeek]]></category>
		<category><![CDATA[ISDCF]]></category>
		<category><![CDATA[maintenance]]></category>
		<category><![CDATA[Projectors]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1904</guid>

					<description><![CDATA[<p>With cinema now closed due to COVID-19 restrictions, in this video I cover exactly WHY special procedures are required to maintain cinema-centric IT infrastructure [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2020/04/09/preparing-for-a-cinema-extended-closure-period-and-explaining-why-its-so-important/">Preparing for a Cinema extended closure period and explaining why its so important</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Small Cinema Owners (SCO) Cost Saving Tools released</title>
		<link>https://www.cinetechgeek.com/2019/11/28/small-cinema-owners-sco-cost-saving-tools-released/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 28 Nov 2019 08:37:11 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[cost saving]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[SCO]]></category>
		<category><![CDATA[signage]]></category>
		<category><![CDATA[small cinemas]]></category>
		<category><![CDATA[tools]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1900</guid>

					<description><![CDATA[<p>In this video I am showing of some tools made available by digitAll Pty Ltd to help small cinema owners be more effective in [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/11/28/small-cinema-owners-sco-cost-saving-tools-released/">Small Cinema Owners (SCO) Cost Saving Tools released</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>DCP digital delivery explained for Exhibitors and Distributors</title>
		<link>https://www.cinetechgeek.com/2019/10/22/dcp-digital-delivery-explained-for-exhibitors-and-distributors/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 21 Oct 2019 23:52:53 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1898</guid>

					<description><![CDATA[<p>In this video I explain how the industry is moving forward into DCP digital delivery. I cover the things to look out for and [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/10/22/dcp-digital-delivery-explained-for-exhibitors-and-distributors/">DCP digital delivery explained for Exhibitors and Distributors</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>In Production a competitive edge is custom software, DELL has you covered &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/07/13/in-production-a-competitive-edge-is-custom-software-dell-has-you-covered-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 12 Jul 2019 22:24:58 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[2019]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[DELL]]></category>
		<category><![CDATA[infrastructure]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[Standards]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1896</guid>

					<description><![CDATA[<p>A major trend I saw at NAB was new and emerging companies in the production industry implementing their own software stacks. To give them [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/07/13/in-production-a-competitive-edge-is-custom-software-dell-has-you-covered-nab2019/">In Production a competitive edge is custom software, DELL has you covered &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>SMPTE a foundation for innovation &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/07/03/smpte-a-foundation-for-innovation-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 03 Jul 2019 01:36:52 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[CineTeckGeek]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[Standards]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1894</guid>

					<description><![CDATA[<p>Bruce Devlin &#8211; Standards Vice President at Society of Motion Picture &#38; Television Engineers (SMPTE) (Also known as Mr IMF) talks up SMPTE and [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/07/03/smpte-a-foundation-for-innovation-nab2019/">SMPTE a foundation for innovation &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>SMPTE pivots to Programming and Software &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/06/24/smpte-pivots-to-programming-and-software-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 24 Jun 2019 00:39:38 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[Standards]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1892</guid>

					<description><![CDATA[<p>In this video I talk to Thomas Bause Mason, Director Standards Development at Society of Motion Picture &#38; Television Engineers (SMPTE). In this case [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/06/24/smpte-pivots-to-programming-and-software-nab2019/">SMPTE pivots to Programming and Software &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Portrait Displays (SpectraCal) on getting into HDR with affordable HDR Monitors</title>
		<link>https://www.cinetechgeek.com/2019/06/17/portrait-displays-spectracal-on-getting-into-hdr-with-affordable-hdr-monitors/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 17 Jun 2019 07:23:36 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[2019]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[Portrait Displays]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1890</guid>

					<description><![CDATA[<p>Tyler Pruitt from Portrait Displays discusses the bottleneck into getting into HDR. THE HDR MONITOR. And how one can start learning on more cost [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/06/17/portrait-displays-spectracal-on-getting-into-hdr-with-affordable-hdr-monitors/">Portrait Displays (SpectraCal) on getting into HDR with affordable HDR Monitors</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Adobe on moving away from Apple to Linux for High End VIDEO PRODUCTION &#8211; 5 of 5 &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/25/adobe-on-moving-away-from-apple-to-linux-for-high-end-video-production-5-of-5-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 24 May 2019 23:57:04 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Premiere]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1885</guid>

					<description><![CDATA[<p>Production tools are complex, bettering on what platform to choose/learn can effect your caree. In this video we talk about how Apple it putting [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/25/adobe-on-moving-away-from-apple-to-linux-for-high-end-video-production-5-of-5-nab2019/">Adobe on moving away from Apple to Linux for High End VIDEO PRODUCTION &#8211; 5 of 5 &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Adobe makes major commitment to IMF &#8211; 4 of 5 &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/25/adobe-makes-major-commitment-to-imf-4-of-5-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 24 May 2019 23:50:14 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Premiere]]></category>
		<category><![CDATA[Rush]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1882</guid>

					<description><![CDATA[<p>With streaming companies becoming the de-facto standard for consuming content by most consumers, Adobe is late to the game in terms of integrating finishing [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/25/adobe-makes-major-commitment-to-imf-4-of-5-nab2019/">Adobe makes major commitment to IMF &#8211; 4 of 5 &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Adobe &#8220;Premiere RUSH&#8221;, reaction to explosion in Video Blogging &#8211; 3 of 5 &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/24/adobe-rush-reaction-to-explosion-in-video-blogging-3-of-5-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 23 May 2019 23:48:59 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Premiere]]></category>
		<category><![CDATA[Rush]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1878</guid>

					<description><![CDATA[<p>Part 3 of 5. This year at NAB 2019, the biggest developments from Adobe was in a new JUST EDIT tool &#8220;RUSH&#8221; aimed at [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/24/adobe-rush-reaction-to-explosion-in-video-blogging-3-of-5-nab2019/">Adobe &#8220;Premiere RUSH&#8221;, reaction to explosion in Video Blogging &#8211; 3 of 5 &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Adobe on moving into the High End of VIDEO PRODUCTION &#8211; 2 of 5 &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/24/adobe-on-moving-into-the-high-end-of-video-production-2-of-5-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 23 May 2019 23:46:57 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Premiere]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1876</guid>

					<description><![CDATA[<p>In this section I discuss with Adobe how and why it has grown to become the new king of High End production tool-sets. As [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/24/adobe-on-moving-into-the-high-end-of-video-production-2-of-5-nab2019/">Adobe on moving into the High End of VIDEO PRODUCTION &#8211; 2 of 5 &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Adobe at NAB 2019, Intro / Announcements &#8211; Part 1 of 5</title>
		<link>https://www.cinetechgeek.com/2019/05/24/adobe-at-nab-2019-intro-announcements-part-1-of-5/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 23 May 2019 23:46:00 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[linux]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[Premiere]]></category>
		<category><![CDATA[Rush]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1874</guid>

					<description><![CDATA[<p>The start of my longer Adobe video Part 1 of 5. I have cut interview into 5 Parts focusing on the key questions answered.. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/24/adobe-at-nab-2019-intro-announcements-part-1-of-5/">Adobe at NAB 2019, Intro / Announcements &#8211; Part 1 of 5</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>FSI Monitors on Accessibility of HDR to Corporate/Wedding producers &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/16/fsi-monitors-on-accessibility-of-hdr-to-corporate-wedding-producers-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 16 May 2019 00:35:16 +0000</pubDate>
				<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[corporate]]></category>
		<category><![CDATA[FSI]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[videographer]]></category>
		<category><![CDATA[youtube]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1870</guid>

					<description><![CDATA[<p>HDR is now mainstream with the ability to render straight out of common production tools to YouTube/Vimeo HDR. Its now very possible for corporates [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/16/fsi-monitors-on-accessibility-of-hdr-to-corporate-wedding-producers-nab2019/">FSI Monitors on Accessibility of HDR to Corporate/Wedding producers &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>FSI Monitors on Trends in HDR Monitors &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/15/fsi-monitors-on-trend-in-hdr-monitors-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 15 May 2019 12:28:07 +0000</pubDate>
				<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color grading]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[flanders scientific]]></category>
		<category><![CDATA[FSI]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Post Production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1868</guid>

					<description><![CDATA[<p>HDR is no longer a new technology. Its in high demand by the streamers and growing in demand by consumers as new TVs are [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/15/fsi-monitors-on-trend-in-hdr-monitors-nab2019/">FSI Monitors on Trends in HDR Monitors &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Blackmagic Resolve 16 Easy HDR targeting YouTube, Streamers, Cinema &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/13/blackmagic-resolve-16-easy-hdr-targeting-youtube-streamers-cinema-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 13 May 2019 01:22:22 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[BlackMagic design]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[corperate]]></category>
		<category><![CDATA[Easy]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Resolve]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[youtube]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1866</guid>

					<description><![CDATA[<p>In this video I discuss how Blackmagic Resolve 16 and its new features is pushing HDR into the mainstream. With the ability to target [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/13/blackmagic-resolve-16-easy-hdr-targeting-youtube-streamers-cinema-nab2019/">Blackmagic Resolve 16 Easy HDR targeting YouTube, Streamers, Cinema &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Cloud and where it makes sense in production &#8211; NAB 2019</title>
		<link>https://www.cinetechgeek.com/2019/05/08/cloud-and-where-it-makes-sense-in-production-nab-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 07 May 2019 22:36:34 +0000</pubDate>
				<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[AWS]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[cloud]]></category>
		<category><![CDATA[film and TV]]></category>
		<category><![CDATA[GCS]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[services]]></category>
		<category><![CDATA[ST2110]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1863</guid>

					<description><![CDATA[<p>Cloud was and is becoming ever more dominant at NAB. In this video I discuss the trends I saw in Cloud at NAB 2019.. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/08/cloud-and-where-it-makes-sense-in-production-nab-2019/">Cloud and where it makes sense in production &#8211; NAB 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Filmlight on how to transition to HDR &#8211; NAB 2019</title>
		<link>https://www.cinetechgeek.com/2019/05/07/filmlight-on-how-to-transition-to-hdr-nab-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 07 May 2019 00:04:54 +0000</pubDate>
				<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[film and TV]]></category>
		<category><![CDATA[FilmLight]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[streamers]]></category>
		<category><![CDATA[transition]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1861</guid>

					<description><![CDATA[<p>HDR is no longer the new frontier. It is the new standard for deliverables for the important streaming providers in the world. In this [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/07/filmlight-on-how-to-transition-to-hdr-nab-2019/">Filmlight on how to transition to HDR &#8211; NAB 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Blackmagic RAW and the importance of picking the right CODEC &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/06/blackmagic-raw-and-the-importance-of-picking-the-right-codec-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 06 May 2019 11:01:06 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Blackmagic]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[Codec]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[RAW]]></category>
		<category><![CDATA[Standards]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1859</guid>

					<description><![CDATA[<p>In this video I discuss developments in Codecs. With HDR becoming the norm, we need to evolve to RAW type codecs. In this video [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/06/blackmagic-raw-and-the-importance-of-picking-the-right-codec-nab2019/">Blackmagic RAW and the importance of picking the right CODEC &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>AI and Machine Learning in PRODUCTION &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/03/ai-and-machine-learning-in-production-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 02 May 2019 23:43:29 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[Machine Learning]]></category>
		<category><![CDATA[ML]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1857</guid>

					<description><![CDATA[<p>Yves Bergquist, Project Director Data Analysis For Entertainment Technology Center talks to us about how AI and Machine Learning (ML) are affecting the production [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/03/ai-and-machine-learning-in-production-nab2019/">AI and Machine Learning in PRODUCTION &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Blackmagic Resolve 16, a launchpad to learning Immersive Audio (IAB) &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/02/blackmagic-resolve-16-a-launchpad-to-learning-immersive-audio-iab-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 02 May 2019 00:35:01 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[BlackMagic design]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[IAB]]></category>
		<category><![CDATA[Immersive Audio]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1855</guid>

					<description><![CDATA[<p>With the ratification of man of the SMPTE standards around Immersive audio, or IAB, Immersive Audio Bitstream. Its time to broaden your knowledge base [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/02/blackmagic-resolve-16-a-launchpad-to-learning-immersive-audio-iab-nab2019/">Blackmagic Resolve 16, a launchpad to learning Immersive Audio (IAB) &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Ownzones &#8211; a cloud fulfilment system for deliverables (Netflix/Streamers) &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/05/02/ownzones-a-cloud-fulfilment-system-for-deliverables-netflix-streamers-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 02 May 2019 00:33:49 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[cloud]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Ownzones]]></category>
		<category><![CDATA[production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1853</guid>

					<description><![CDATA[<p>This year cloud services are becoming significantly more useful as we start to target standards based deliverables such as IMF. Ownzones is a good [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/05/02/ownzones-a-cloud-fulfilment-system-for-deliverables-netflix-streamers-nab2019/">Ownzones &#8211; a cloud fulfilment system for deliverables (Netflix/Streamers) &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>OpenDrives, SAN-like performance over NAS &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/04/30/opendrives-san-performance-over-your-nas-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 30 Apr 2019 07:27:10 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[file share]]></category>
		<category><![CDATA[high performance]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[NAS]]></category>
		<category><![CDATA[NFS]]></category>
		<category><![CDATA[OpenDrives]]></category>
		<category><![CDATA[SAMBA]]></category>
		<category><![CDATA[SAN]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1849</guid>

					<description><![CDATA[<p>OpenDrives is a software company that has implemented file saving capabilities like non other. With a ZFS type snapshot capability and a SAN/blocked based [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/30/opendrives-san-performance-over-your-nas-nab2019/">OpenDrives, SAN-like performance over NAS &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Prime Focus, AI assisted cloud and IMF deliverables &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/04/30/prime-focus-ai-assisted-cloud-and-imf-deliverables-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 30 Apr 2019 07:25:58 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[cloud]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[Prime Focus]]></category>
		<category><![CDATA[production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1847</guid>

					<description><![CDATA[<p>Prime Focus is an Indian based production facility that is expanding its know-how into cloud based solutions for production. From AI assisted ingest and [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/30/prime-focus-ai-assisted-cloud-and-imf-deliverables-nab2019/">Prime Focus, AI assisted cloud and IMF deliverables &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>What are the Best Ways to Manage Color for HDR and Multiple Deliverables &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/04/29/what-are-the-best-ways-to-manage-color-for-hdr-and-multiple-deliverables-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 29 Apr 2019 12:37:30 +0000</pubDate>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[colorist]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[Finiashing]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1844</guid>

					<description><![CDATA[<p>What are the Best Ways to Manage Color for HDR and Multiple Deliverables? Monday, April 8 &#124; 3:30 pm &#8211; 5:30 pm &#124; N243 [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/29/what-are-the-best-ways-to-manage-color-for-hdr-and-multiple-deliverables-nab2019/">What are the Best Ways to Manage Color for HDR and Multiple Deliverables &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>CISCO IP Fabric &#8211; NAB2019</title>
		<link>https://www.cinetechgeek.com/2019/04/29/cisco-ip-fabric-nab2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Mon, 29 Apr 2019 12:35:32 +0000</pubDate>
				<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[CISCO]]></category>
		<category><![CDATA[infrastructure]]></category>
		<category><![CDATA[IP]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<category><![CDATA[SDI]]></category>
		<category><![CDATA[workflow]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1842</guid>

					<description><![CDATA[<p>With the ratification of SMPTE ST2110, there has been a big move into totally IP based infrastructure. In this video I discuss this trend [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/29/cisco-ip-fabric-nab2019/">CISCO IP Fabric &#8211; NAB2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>How to stretch your investments in cinema projection booth hardware &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/26/how-to-stretch-your-investments-in-cinema-projection-booth-hardware-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 26 Apr 2019 02:02:26 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[booth]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[lamp]]></category>
		<category><![CDATA[laser]]></category>
		<category><![CDATA[upgrade]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1840</guid>

					<description><![CDATA[<p>Sponsored by Power Technology, upgrade your older Xenon projectors to LASER cost effectively. powertechnology.com / contact Walter Burgess, VP Cinema at waburgess AT powertechnology.com [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/26/how-to-stretch-your-investments-in-cinema-projection-booth-hardware-cinemacon-2019/">How to stretch your investments in cinema projection booth hardware &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Gold Medal, shows us how technology is shaping our popcorn &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/26/gold-medal-shows-us-how-technology-is-shaping-our-popcorn-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 26 Apr 2019 01:50:51 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[cooking]]></category>
		<category><![CDATA[Gold Medal]]></category>
		<category><![CDATA[popcorn]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1838</guid>

					<description><![CDATA[<p>Popcorn is the poster-child for munchies at the Cinema. In this video we go over the technology that makes this happen.. https://www.gmpopcorn.com</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/26/gold-medal-shows-us-how-technology-is-shaping-our-popcorn-cinemacon-2019/">Gold Medal, shows us how technology is shaping our popcorn &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Peter Lude on DCI&#8217;s next generation of cinema exhibition/HDR &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/25/peter-lude-on-dcis-next-generation-of-cinema-exhibition-hdr-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 24 Apr 2019 23:56:04 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Black Level]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[emissive display]]></category>
		<category><![CDATA[exhibitrion]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[LCD]]></category>
		<category><![CDATA[Liminance]]></category>
		<category><![CDATA[Projector]]></category>
		<category><![CDATA[VPF]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1836</guid>

					<description><![CDATA[<p>Recently DCI (Digital Cinema Initiative), the body that sets direction of the quality and standards used in cinema exhibition, released information giving us an [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/25/peter-lude-on-dcis-next-generation-of-cinema-exhibition-hdr-cinemacon-2019/">Peter Lude on DCI&#8217;s next generation of cinema exhibition/HDR &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>QSC heads into sound and picture excellence for cinema &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/25/qsc-heads-into-sound-and-picture-excellence-for-cinema-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 24 Apr 2019 23:53:26 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[IAB]]></category>
		<category><![CDATA[Immersive Audio]]></category>
		<category><![CDATA[Media Block]]></category>
		<category><![CDATA[Q-SYS]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1834</guid>

					<description><![CDATA[<p>QSC is growing in size and capabilities. In this video I discuss with Barry and Laura many of the new technologies QSC is offering [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/25/qsc-heads-into-sound-and-picture-excellence-for-cinema-cinemacon-2019/">QSC heads into sound and picture excellence for cinema &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Cinionic Immersive audio &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/24/cinionic-immersive-audio-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 24 Apr 2019 05:22:07 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Atmos]]></category>
		<category><![CDATA[Barco]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Cinionic]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[Dolby Atmos]]></category>
		<category><![CDATA[IAB]]></category>
		<category><![CDATA[Immersive Audio]]></category>
		<category><![CDATA[SMPTE]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1831</guid>

					<description><![CDATA[<p>With Immersive audio based on the new open SMPTE ST-2098 (Immersive Audio Bit-stream &#8211; IAB) standard becoming a reality this year. Cinionic/Barco updates us [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/24/cinionic-immersive-audio-cinemacon-2019/">Cinionic Immersive audio &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Cinionic/Barco&#8217;s new replaceable LASER/lamp module &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/24/cinionic-barcos-new-replaceable-laser-lamp-module-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 24 Apr 2019 05:20:53 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Barco]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[Cinionic]]></category>
		<category><![CDATA[lamp]]></category>
		<category><![CDATA[laser]]></category>
		<category><![CDATA[module]]></category>
		<category><![CDATA[Projector]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1829</guid>

					<description><![CDATA[<p>One of the significant developments for this year is the advent of LASER-LAMP-MODULES into the newer laser projectors. Like Xenon lamps of yesteryear, Laser [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/24/cinionic-barcos-new-replaceable-laser-lamp-module-cinemacon-2019/">Cinionic/Barco&#8217;s new replaceable LASER/lamp module &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Best of Show: Cinionic/Barco NEW Series 4 Projector &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/24/best-of-show-cinionic-barco-new-series-4-projector-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 24 Apr 2019 05:19:21 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Barco]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[laser]]></category>
		<category><![CDATA[Projector]]></category>
		<category><![CDATA[RGB]]></category>
		<category><![CDATA[speckle mitigation]]></category>
		<category><![CDATA[TI]]></category>
		<category><![CDATA[VPF]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1827</guid>

					<description><![CDATA[<p>The most impressive product of CinemaCon 2019 is the Cinionic/Barco Series 4 projector. A combination of many newly developed technologies, this is the most [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/24/best-of-show-cinionic-barco-new-series-4-projector-cinemacon-2019/">Best of Show: Cinionic/Barco NEW Series 4 Projector &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Christie&#8217;s new range of RGB Laser Projectors and speckle mitigation V2 &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/23/christies-new-range-of-rgb-laser-projectors-and-speckle-mitigation-v2-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 23 Apr 2019 03:53:34 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[christie]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[laser]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[RGB]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1825</guid>

					<description><![CDATA[<p>We are now a totally laser world as Christie has now deprecated all Xenon Lamp based projectors with a new range of RGB primary [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/23/christies-new-range-of-rgb-laser-projectors-and-speckle-mitigation-v2-cinemacon-2019/">Christie&#8217;s new range of RGB Laser Projectors and speckle mitigation V2 &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Eclair Color, HDR for theatrical distribution &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/23/eclair-color-hdr-for-theatrical-distribution-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 23 Apr 2019 03:51:39 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[Eclair]]></category>
		<category><![CDATA[EclairColor]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[NABShow2019]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1823</guid>

					<description><![CDATA[<p>Eclair Color is a new solution from Eclair/Ymagis company from Europe. In an attempt to bring HDR to cinema sooner, Eclair has developed a [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/23/eclair-color-hdr-for-theatrical-distribution-cinemacon-2019/">Eclair Color, HDR for theatrical distribution &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>NEC&#8217;s new laser lamp module projector &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/23/necs-new-laser-lamp-module-projector-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 23 Apr 2019 03:49:47 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[lamp]]></category>
		<category><![CDATA[laser]]></category>
		<category><![CDATA[module]]></category>
		<category><![CDATA[NEC]]></category>
		<category><![CDATA[replacement]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1821</guid>

					<description><![CDATA[<p>NEC also released a new projector this year. Following Barco/Cinionic with laser projectors that can have the laser module replaced similar to lamps of [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/23/necs-new-laser-lamp-module-projector-cinemacon-2019/">NEC&#8217;s new laser lamp module projector &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Samsung Onyx LED screens for cinema &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/22/samsung-onyx-led-screens-for-cinema-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 21 Apr 2019 23:50:35 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[GDC]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[in-cinema-dining]]></category>
		<category><![CDATA[Onyx]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[Samsung]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1819</guid>

					<description><![CDATA[<p>In this video I talk with Christopher Simpson, Samsung senior business development manager, about the newer cinema display technology attracting interest round the world. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/22/samsung-onyx-led-screens-for-cinema-cinemacon-2019/">Samsung Onyx LED screens for cinema &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Stepguard &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/22/stepguard-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 21 Apr 2019 22:57:06 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[lighttape]]></category>
		<category><![CDATA[safety]]></category>
		<category><![CDATA[Stepguard]]></category>
		<category><![CDATA[steps]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1817</guid>

					<description><![CDATA[<p>With the rise in quality of the cinema experience, the level of contaminant light in the cinema has become more important. In this video [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/22/stepguard-cinemacon-2019/">Stepguard &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Tossware &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/22/tossware-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 21 Apr 2019 22:55:33 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dining]]></category>
		<category><![CDATA[glassware]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1815</guid>

					<description><![CDATA[<p>In room dining with the combination of newer (expensive) screen technologies can be a bad combination. Tossware is an interesting alternative.</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/22/tossware-cinemacon-2019/">Tossware &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Preferred Popcorn &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/19/preferred-popcorn-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 19 Apr 2019 03:16:06 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[popcorn]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1813</guid>

					<description><![CDATA[<p>In this video Brian from Prefered Popcorn will describe to us all the different types of popcorns and why you would use one over [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/19/preferred-popcorn-cinemacon-2019/">Preferred Popcorn &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Fathom Events &#8211; CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/19/fathom-events-cinemacon-2019/</link>
					<comments>https://www.cinetechgeek.com/2019/04/19/fathom-events-cinemacon-2019/#comments</comments>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 19 Apr 2019 00:49:20 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[Event Cinema]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Fathom]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1811</guid>

					<description><![CDATA[<p>With the end of the VPF and the opening up of alternate content to exhibitors screens, Fathom Events is an interesting service that all [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/19/fathom-events-cinemacon-2019/">Fathom Events &#8211; CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinetechgeek.com/2019/04/19/fathom-events-cinemacon-2019/feed/</wfw:commentRss>
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		<title>The END of the VPF &#8211;  CinemaCon 2019</title>
		<link>https://www.cinetechgeek.com/2019/04/19/the-end-of-the-vpf-cinemacon-2019/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Fri, 19 Apr 2019 00:21:52 +0000</pubDate>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[CinemaCon2019]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[EDCF]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[film]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1809</guid>

					<description><![CDATA[<p>In this video I interview David Hancock, President at European Digital Cinema Forum (EDCF) on the topic of the effect of the end of [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/04/19/the-end-of-the-vpf-cinemacon-2019/">The END of the VPF &#8211;  CinemaCon 2019</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>CineTechGeek at CinemaCon and NAB &#8211; Viewer feedback request</title>
		<link>https://www.cinetechgeek.com/2019/03/20/cinetechgeek-at-cinemacon-and-nab-viewer-feedback-request/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 19 Mar 2019 22:27:00 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[2019]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[Questions]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1804</guid>

					<description><![CDATA[<p>Hi CineTechGeek fans, In this video I announce my attendance of Cinemacon and NAB 2019. I then go over many of the questions I [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/03/20/cinetechgeek-at-cinemacon-and-nab-viewer-feedback-request/">CineTechGeek at CinemaCon and NAB &#8211; Viewer feedback request</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Crystal balling (Jan 2019) on Interoperable Mastering Format (IMF) &#8211; vlog</title>
		<link>https://www.cinetechgeek.com/2019/02/11/crystal-balling-jan-2019-on-interoperable-mastering-format-imf-vlog/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 10 Feb 2019 22:51:20 +0000</pubDate>
				<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[Interoperable Mastering Format]]></category>
		<category><![CDATA[Post Production]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1798</guid>

					<description><![CDATA[<p>In this instalment I video-blog on my current ideas around Interoperable Mastering Format (IMF) and how SMPTE standards and open source software are having [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/02/11/crystal-balling-jan-2019-on-interoperable-mastering-format-imf-vlog/">Crystal balling (Jan 2019) on Interoperable Mastering Format (IMF) &#8211; vlog</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Encrypting Your DCP &#8211; in 2019, MANDATORY</title>
		<link>https://www.cinetechgeek.com/2019/01/28/encrypting-your-dcp-in-2019-mandatory/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 27 Jan 2019 23:11:39 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[content delivery]]></category>
		<category><![CDATA[content protection]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[Encryption]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1795</guid>

					<description><![CDATA[<p>In this CineTechGeek installment I discuss why encrypting your DCP in now &#8220;MANDATORY&#8221;. It is foolish to send a DCP unencrypted as it is [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/01/28/encrypting-your-dcp-in-2019-mandatory/">Encrypting Your DCP &#8211; in 2019, MANDATORY</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>Making DCPs in 2019 &#8211; SMPTE is now the DEFAULT</title>
		<link>https://www.cinetechgeek.com/2019/01/27/making-dcps-in-2019-smpte-is-now-the-default/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sun, 27 Jan 2019 02:17:45 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[film festival deliverables]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[BMD]]></category>
		<category><![CDATA[CineAsset]]></category>
		<category><![CDATA[content creation]]></category>
		<category><![CDATA[content delivery]]></category>
		<category><![CDATA[DaVinci Resolve]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[DCP-o-matic]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[dolby]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1793</guid>

					<description><![CDATA[<p>The Digital Cinema Package (DCP) has evolved over the years. This year, 2019, to be exact April, is transition to SMPTE-DCP as the default [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/01/27/making-dcps-in-2019-smpte-is-now-the-default/">Making DCPs in 2019 &#8211; SMPTE is now the DEFAULT</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>Year of the Codec</title>
		<link>https://www.cinetechgeek.com/2019/01/03/year-of-the-codec/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Wed, 02 Jan 2019 14:23:10 +0000</pubDate>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Codecs]]></category>
		<category><![CDATA[IMF]]></category>
		<category><![CDATA[ProRes]]></category>
		<category><![CDATA[RAW]]></category>
		<category><![CDATA[VC5]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1790</guid>

					<description><![CDATA[<p>In this video Blog I discuss Codecs. Not so much the borning technology side but the evolution of the codecs we use and why. [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2019/01/03/year-of-the-codec/">Year of the Codec</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>Merry Christmas 2018 from the CineTechGeek</title>
		<link>https://www.cinetechgeek.com/2018/12/25/merry-christmas-2018-from-the-cinetechgeek/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 25 Dec 2018 08:39:54 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1787</guid>

					<description><![CDATA[<p>A holiday season message from the CineTechGeek on what to expect in the future.</p>
<p>The post <a href="https://www.cinetechgeek.com/2018/12/25/merry-christmas-2018-from-the-cinetechgeek/">Merry Christmas 2018 from the CineTechGeek</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>Getting EXHIBITOR Session/Show Times Into Google Search &#8211; Part 1</title>
		<link>https://www.cinetechgeek.com/2018/09/11/getting-exhibitor-session-show-times-into-google-search-part-1/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 11 Sep 2018 06:28:32 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[POS]]></category>
		<category><![CDATA[API]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[search]]></category>
		<category><![CDATA[sessiontimes]]></category>
		<category><![CDATA[showtimes]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1784</guid>

					<description><![CDATA[<p>In this video I cover all aspect of how Exhibitors/Cinemas get their Session/Show Times in Google Search and why it is so important. In [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2018/09/11/getting-exhibitor-session-show-times-into-google-search-part-1/">Getting EXHIBITOR Session/Show Times Into Google Search &#8211; Part 1</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>Cinema Technology: IO-Box RLY-8 Review</title>
		<link>https://www.cinetechgeek.com/2018/03/06/cinema-technology-io-box-rly-8-review/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Tue, 06 Mar 2018 06:20:02 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[IO-box]]></category>
		<category><![CDATA[RLY-8]]></category>
		<guid isPermaLink="false">https://www.cinetechgeek.com/?p=1779</guid>

					<description><![CDATA[<p>The RLY-8 is an industrial IO-Box with a IoT price tag. Built for industrial use, this unit may have a simply interface but it [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2018/03/06/cinema-technology-io-box-rly-8-review/">Cinema Technology: IO-Box RLY-8 Review</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>Post Production World Panel on HDR (PPWPonHDR) FULL LENGTH</title>
		<link>https://www.cinetechgeek.com/2016/07/31/post-production-world-panel-on-hdr-ppwponhdr-full-length/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:19:04 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
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		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[Mastering]]></category>
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		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1763</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/post-production-world-panel-on-hdr-ppwponhdr-full-length/">Post Production World Panel on HDR (PPWPonHDR) FULL LENGTH</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 23, Is the viewing environment part of the standards in how vendors display HDR?</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-23-is-the-viewing-environment-part-of-the-standards-in-how-vendors-display-hdr/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:17:33 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[PANEL]]></category>
		<category><![CDATA[Post]]></category>
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		<category><![CDATA[WCG]]></category>
		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1761</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-23-is-the-viewing-environment-part-of-the-standards-in-how-vendors-display-hdr/">PPWPonHDR 23, Is the viewing environment part of the standards in how vendors display HDR?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>PPWPonHDR 22, How is the MetaData handed of, where does it come from, whose responsibility is it?</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-22-how-is-the-metadata-handed-of-where-does-it-come-from-whose-responsibility-is-it/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:16:43 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
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		<category><![CDATA[NABShow]]></category>
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		<category><![CDATA[WCG]]></category>
		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1759</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-22-how-is-the-metadata-handed-of-where-does-it-come-from-whose-responsibility-is-it/">PPWPonHDR 22, How is the MetaData handed of, where does it come from, whose responsibility is it?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
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		<title>PPWPonHDR 21, What is the roll of MetaData in the HDR landscape. Ie Dolby vision.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-21-what-is-the-roll-of-metadata-in-the-hdr-landscape-ie-dolby-vision/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:15:47 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[NABShow]]></category>
		<category><![CDATA[PANEL]]></category>
		<category><![CDATA[Post]]></category>
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		<category><![CDATA[WCG]]></category>
		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1757</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-21-what-is-the-roll-of-metadata-in-the-hdr-landscape-ie-dolby-vision/">PPWPonHDR 21, What is the roll of MetaData in the HDR landscape. Ie Dolby vision.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 20, The other elephant in the room, Automatic Brightness Limiting on HDR displays.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-20-the-other-elephant-in-the-room-automatic-brightness-limiting-on-hdr-displays/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:14:43 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
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		<category><![CDATA[NABShow]]></category>
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		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1755</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-20-the-other-elephant-in-the-room-automatic-brightness-limiting-on-hdr-displays/">PPWPonHDR 20, The other elephant in the room, Automatic Brightness Limiting on HDR displays.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 19, HDR does not mean the average brightness increases, don&#8217;t have to go BRIGHT in HDR.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-19-hdr-does-not-mean-the-average-brightness-increases-dont-have-to-go-bright-in-hdr/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:13:44 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
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		<category><![CDATA[grading]]></category>
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		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1753</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-19-hdr-does-not-mean-the-average-brightness-increases-dont-have-to-go-bright-in-hdr/">PPWPonHDR 19, HDR does not mean the average brightness increases, don&#8217;t have to go BRIGHT in HDR.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 18, HDR in TV and Cinema, totally different, how do we deal with this? More trim passes?</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-18-hdr-in-tv-and-cinema-totally-different-how-do-we-deal-with-this-more-trim-passes/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:12:53 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1751</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-18-hdr-in-tv-and-cinema-totally-different-how-do-we-deal-with-this-more-trim-passes/">PPWPonHDR 18, HDR in TV and Cinema, totally different, how do we deal with this? More trim passes?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 17, Why 1000nits has become the HDR target for now and using quasi HDR capable displays.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-17-why-1000nits-has-become-the-hdr-target-for-now-and-using-quasi-hdr-capable-displays/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:11:55 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
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		<category><![CDATA[grading]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1749</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-17-why-1000nits-has-become-the-hdr-target-for-now-and-using-quasi-hdr-capable-displays/">PPWPonHDR 17, Why 1000nits has become the HDR target for now and using quasi HDR capable displays.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 16, Peak luminance, blacks, QC and deliverables. Sony X300 discussion.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-16-peak-luminance-blacks-qc-and-deliverables-sony-x300-discussion/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:11:08 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[NAB]]></category>
		<category><![CDATA[NAB2016]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[4K]]></category>
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		<category><![CDATA[cinetechgeek]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[deliverables]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[grading]]></category>
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		<category><![CDATA[world]]></category>
		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1747</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-16-peak-luminance-blacks-qc-and-deliverables-sony-x300-discussion/">PPWPonHDR 16, Peak luminance, blacks, QC and deliverables. Sony X300 discussion.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 15, 2 Masters: Do I need two Monitors in my Grading Suite? Retime requirements.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-15-2-masters-do-i-need-two-monitors-in-my-grading-suite-retime-requirements/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:10:03 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1745</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-15-2-masters-do-i-need-two-monitors-in-my-grading-suite-retime-requirements/">PPWPonHDR 15, 2 Masters: Do I need two Monitors in my Grading Suite? Retime requirements.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 14, Calibration, landscape changing. EOTF, key to targeting HDR.</title>
		<link>https://www.cinetechgeek.com/2016/07/31/ppwponhdr-14-calibration-landscape-changing-eotf-key-to-targeting-hdr/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Sat, 30 Jul 2016 23:09:02 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1743</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/31/ppwponhdr-14-calibration-landscape-changing-eotf-key-to-targeting-hdr/">PPWPonHDR 14, Calibration, landscape changing. EOTF, key to targeting HDR.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 13, Dolby on Leading the way and their role with the Pulsar Monitor.</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-13-dolby-on-leading-the-way-and-their-role-with-the-pulsar-monitor/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:27:10 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1728</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-13-dolby-on-leading-the-way-and-their-role-with-the-pulsar-monitor/">PPWPonHDR 13, Dolby on Leading the way and their role with the Pulsar Monitor.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 12, What should I be looking for in a HDR Monitor.</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-12-what-should-i-be-looking-for-in-a-hdr-monitor/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:26:36 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1726</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-12-what-should-i-be-looking-for-in-a-hdr-monitor/">PPWPonHDR 12, What should I be looking for in a HDR Monitor.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 11, As an editor is HDR something I have to worry about?</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-11-as-an-editor-is-hdr-something-i-have-to-worry-about/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:26:05 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1724</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-11-as-an-editor-is-hdr-something-i-have-to-worry-about/">PPWPonHDR 11, As an editor is HDR something I have to worry about?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 10, Shooting HDR productions changes the way we shoot. (Windowing in the grade considerations)</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-10-shooting-hdr-productions-changes-the-way-we-shoot-windowing-in-the-grade-considerations/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:25:31 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1722</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-10-shooting-hdr-productions-changes-the-way-we-shoot-windowing-in-the-grade-considerations/">PPWPonHDR 10, Shooting HDR productions changes the way we shoot. (Windowing in the grade considerations)</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 09, HDR, pushing it too hard because its new.. HDR is harder to shoot for..</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-09-hdr-pushing-it-too-hard-because-its-new-hdr-is-harder-to-shoot-for/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:25:03 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1720</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-09-hdr-pushing-it-too-hard-because-its-new-hdr-is-harder-to-shoot-for/">PPWPonHDR 09, HDR, pushing it too hard because its new.. HDR is harder to shoot for..</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 08, Telling stories with HDR. Do you need to?</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-08-telling-stories-with-hdr-do-you-need-to/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:24:37 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1718</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-08-telling-stories-with-hdr-do-you-need-to/">PPWPonHDR 08, Telling stories with HDR. Do you need to?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 07, Why does HDR use Rec 2020 Deliverables?</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-07-why-does-hdr-use-rec-2020-deliverables/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:24:12 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1716</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-07-why-does-hdr-use-rec-2020-deliverables/">PPWPonHDR 07, Why does HDR use Rec 2020 Deliverables?</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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		<title>PPWPonHDR 06, Whats the difference between Wide Colour Gamet (WCG) and HDR.</title>
		<link>https://www.cinetechgeek.com/2016/07/07/ppwponhdr-06-whats-the-difference-between-wide-colour-gamet-wcg-and-hdr/</link>
		
		<dc:creator><![CDATA[James Gardiner]]></dc:creator>
		<pubDate>Thu, 07 Jul 2016 13:23:47 +0000</pubDate>
				<category><![CDATA[cinemas]]></category>
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		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=1714</guid>

					<description><![CDATA[<p>This was recorded during NAB 2016 at the last session of Post Production World. This Panel was on &#8220;High Dynamic Range&#8221; or HDR, the [&#8230;]</p>
<p>The post <a href="https://www.cinetechgeek.com/2016/07/07/ppwponhdr-06-whats-the-difference-between-wide-colour-gamet-wcg-and-hdr/">PPWPonHDR 06, Whats the difference between Wide Colour Gamet (WCG) and HDR.</a> appeared first on <a href="https://www.cinetechgeek.com">CineTechGeek</a>.</p>
]]></description>
		
		
		
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