<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-4049586402332539173</atom:id><lastBuildDate>Thu, 16 Feb 2012 11:23:29 +0000</lastBuildDate><category>Nigel Andrews</category><category>Sahara</category><category>Strange Days</category><category>UKFC</category><category>John Barry</category><category>The Verdict</category><category>Peter Jackson</category><category>early adopters</category><category>revisited</category><category>a reader replies</category><category>Daniel Myrick</category><category>Elf</category><category>Torn Curtain</category><category>Tom Cruise</category><category>The Age of Aquarius</category><category>Jaws</category><category>Jesus of Montreal</category><category>Helen Of Four Gates</category><category>M. 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Yost</category><category>Knight And Day</category><category>JJ Abrams</category><category>Aliens</category><category>scoring</category><category>The Thing Called Love</category><category>Summer Madness</category><category>Julian Sands</category><category>Michael Collins</category><category>David Lean</category><category>special effects</category><category>Anne Thompson</category><category>comedy writing</category><category>Room At The Top</category><category>Larry David</category><category>Emily Blunt</category><category>George Roy Hill</category><category>Christmas In Connecticut</category><category>independent film</category><category>extended shots</category><category>Sweet Smell Of Success</category><category>silent film</category><category>Ridley Scott</category><category>BFI</category><category>Michael Goldenberg</category><category>Little Big Man</category><category>Blackmail.</category><category>The Player</category><category>Under Fire</category><category>Orsen 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Eberts</category><category>Tex Avery</category><category>Western Approaches</category><category>David Brown</category><category>Paul Attanasio</category><category>Paul Feig</category><category>narrative</category><category>Volker Schlondorff</category><category>lost movies</category><category>musicals</category><category>Don Siegel</category><category>Brassed Off</category><category>Clint Eastwood</category><category>opening weekend</category><category>The Small Back Room</category><category>Shane Meadows</category><category>Watchmen</category><category>Mike Newell</category><category>Pat Jackson</category><category>oral tradition</category><category>Alex Cox</category><category>Sneakers</category><category>Pixar</category><category>Gladiator</category><category>John Lloyd</category><category>London phone boxes</category><category>Agora</category><category>Baseball</category><category>New York Times</category><category>Bonnie and Clyde</category><category>Danny Boyle</category><category>Gone With The Wind</category><category>Ride With The Devil</category><category>The Visitor</category><category>Adrian Lester</category><category>Tallulah Bankhead</category><category>Disney</category><category>Martin Scorsese</category><category>True Grit</category><category>Audrey Hepburn</category><category>George A Romero</category><category>sports movies</category><category>Barbara Stanwyck</category><category>Wall*E</category><category>Tony Curtis</category><category>the Lumière Brothers</category><category>Withnail and I</category><category>Green Zone</category><category>Woody Allen</category><category>The Blair Witch Project</category><category>Bernard Rose</category><category>J Arthur Rank</category><category>The Young Victoria</category><category>The Shield</category><category>British Film</category><category>No Reservations</category><category>David Cronenberg</category><category>Bertrand Tavernier</category><category>voiceover</category><category>Dante's Peak</category><category>The Amazing Adventures of Kavalier and Clay</category><category>Alan Clarke</category><category>84 Charlie Mopic</category><category>Indiana Jones</category><category>Oliver Stone</category><category>Alfred Hitchcock</category><category>Time Out</category><category>NPR</category><category>24/7</category><category>Krzysztof Kieslowski</category><category>Oceans</category><category>birthday</category><category>A Shot In The Dark</category><category>The Polygraph</category><category>HE Bates</category><category>La Double Vie de Veronique</category><category>Neil Gaiman</category><category>Cineworld</category><category>television</category><category>Kevin Brownlow</category><category>Jonathan Demme</category><category>Ratatouille</category><category>Gotham Awards</category><category>Humphrey Bogart</category><category>Paul Watkins</category><category>stardom</category><category>Rachel Griffiths</category><category>3D</category><category>Federico Fellini</category><category>Omar Sharif</category><category>Quote of the day</category><category>Butch Cassidy and the Sundance Kid</category><category>Ealing</category><category>Notorious</category><category>American: The Bill Hicks Story</category><category>Blade Runner</category><category>Max Richter</category><category>BAFTAs</category><category>David Fincher</category><category>Sam Fuller</category><category>State of Play</category><category>Akira Kurosawa</category><category>Open Range</category><category>Financing</category><category>Raiders of the Lost Ark</category><title>cinelogic</title><description>Thoughts from the baggage-train of film and television.</description><link>http://cinelogic.blogspot.com/</link><managingEditor>noreply@blogger.com (Fred Hogge)</managingEditor><generator>Blogger</generator><openSearch:totalResults>254</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/Cinelogic" /><feedburner:info uri="cinelogic" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8147586099900915586</guid><pubDate>Thu, 02 Feb 2012 16:42:00 +0000</pubDate><atom:updated>2012-02-02T16:42:14.290Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">documentary</category><category domain="http://www.blogger.com/atom/ns#">The Island President</category><category domain="http://www.blogger.com/atom/ns#">trailers</category><title>Trailer Watch: The Island President</title><atom:summary /><link>http://feedproxy.google.com/~r/Cinelogic/~3/6Rz_qbDDaro/trailer-watch-island-president.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/yNXpif_UZxo/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2012/02/trailer-watch-island-president.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-4004050721230968868</guid><pubDate>Tue, 24 Jan 2012 14:19:00 +0000</pubDate><atom:updated>2012-01-24T14:19:59.161Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oscars</category><category domain="http://www.blogger.com/atom/ns#">Awards shows</category><category domain="http://www.blogger.com/atom/ns#">nominations</category><title>The Oscar Nominations</title><atom:summary>
Best Picture
The Artist
The Descendants
Extremely Loud And Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

Best Actor
Demián Bichir — A Better Life
George Clooney — The Descendants
Jean Dujardin — The Artist
Gary Oldman — Tinker Tailor Soldier Spy
Brad Pitt — Moneyball

Best Actress
Glenn Close — Albert Nobbs
Viola Davis — The Help
Rooney Mara — The Girl </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/3B4vepD_-vo/oscar-nominations.html</link><author>noreply@blogger.com (Fred Hogge)</author><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2012/01/oscar-nominations.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-3896248640757403186</guid><pubDate>Mon, 19 Dec 2011 14:57:00 +0000</pubDate><atom:updated>2011-12-19T15:02:20.353Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">movie lists</category><category domain="http://www.blogger.com/atom/ns#">Christmas</category><title>10 Christmas Movies</title><atom:summary>So it's that time of year again, when if you're a movie fan of a certain age you have fond memories of planning your Christmas viewing with the bumper double issue of The Radio Times. In that festive spirit, here are ten Christmas movies — not a top ten by any means (I have to save some for next year...)

Elf
It's become a Christmas tradition at our house now: we put up the tree, turn on the </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/SDcO5KCFpuc/10-christmas-movies.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/hN5xDU0uzpw/default.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/10-christmas-movies.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-6819741123326544254</guid><pubDate>Thu, 15 Dec 2011 12:23:00 +0000</pubDate><atom:updated>2011-12-15T12:23:08.859Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">round-up</category><category domain="http://www.blogger.com/atom/ns#">2011</category><category domain="http://www.blogger.com/atom/ns#">mash-up</category><title>What Kind Of Year Has This Been 2011</title><atom:summary>So here it is: 2011 in under 6 minutes.

You can always rely on the internet to come up with a good cut down. This one's a little English-language heavy but, as a summary of the year, and to paraphrase Jerome in Attack The Block: this is just too much madness to explain in one mash-up.

Enjoy.

</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/h9rkRnJB8r8/what-kind-of-year-has-this-been-2011.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/QgTsQW9tyHg/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/what-kind-of-year-has-this-been-2011.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8305234129790350975</guid><pubDate>Mon, 12 Dec 2011 19:45:00 +0000</pubDate><atom:updated>2011-12-12T19:45:57.037Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">screen writing</category><category domain="http://www.blogger.com/atom/ns#">The Black List</category><title>The Black List</title><atom:summary>The 2011 Black List's out. Here it is in full.</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/bKYq6pD335g/black-list.html</link><author>noreply@blogger.com (Fred Hogge)</author><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/black-list.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-2751916834985788684</guid><pubDate>Mon, 12 Dec 2011 16:41:00 +0000</pubDate><atom:updated>2011-12-12T16:58:54.199Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">film restoration</category><category domain="http://www.blogger.com/atom/ns#">Kevin Brownlow</category><category domain="http://www.blogger.com/atom/ns#">film history</category><category domain="http://www.blogger.com/atom/ns#">Cinematheque Francaise</category><category domain="http://www.blogger.com/atom/ns#">silent film</category><title>Restoration</title><atom:summary>


Here's a terrific lecture given by Kevin Brownlow at the Cinematheque Francaise on the trials and tribulations of film restoration, "What Does It Mean To Restore A Film".

There's some lovely stuff here, some thoughts on the relationship between a silent era DP and his lab technicians, on how they'd plot together the stock a print should be exposed upon, and how long it should be in the </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/KsTRhXXvQ8A/restoration.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-8JOIZWClEUY/TuYvE8xbSiI/AAAAAAAAAZ8/Makk0PDhRNw/s72-c/napoleon-1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/restoration.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-3260435989850677796</guid><pubDate>Wed, 07 Dec 2011 11:01:00 +0000</pubDate><atom:updated>2011-12-07T11:03:41.705Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">William Goldman</category><category domain="http://www.blogger.com/atom/ns#">George Roy Hill</category><category domain="http://www.blogger.com/atom/ns#">screen writing</category><category domain="http://www.blogger.com/atom/ns#">Butch Cassidy and the Sundance Kid</category><category domain="http://www.blogger.com/atom/ns#">directing</category><category domain="http://www.blogger.com/atom/ns#">craft</category><title>Goldman and Hill: Making Butch and Sundance</title><atom:summary>Here's an unusual making-of, made up of interviews and back-stage footage from Butch Cassidy and the Sundance Kid. Worth its 40 minutes or so for George Roy Hill alone. And, as ever, William Goldman's good value too.



Hat tip: Raindance Film Festival</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/ZC6FWf7iRdg/goldman-and-hill-making-butch-and.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/fDwXOzSxU6Y/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/goldman-and-hill-making-butch-and.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-7312745368381680904</guid><pubDate>Mon, 05 Dec 2011 14:04:00 +0000</pubDate><atom:updated>2011-12-07T14:27:38.077Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">BIFA</category><category domain="http://www.blogger.com/atom/ns#">Awards shows</category><title>Those BIFA Winners In Full</title><atom:summary>


A resoundingly good BIFA last night. Nice to see an even spread of films winning, too:—

Best British Independent Film
Tyrannosaur

Best Director
Lynne Ramsey — We Need To Talk About Kevin

The Douglas Hickox Award
Paddy Considine — Tyrannosaur




Best Screenplay

Richard Ayoade — Submarine

Best Actor
Michael Fassbender — Shame

Best Actress
Olivia Coleman — Tyrannosaur

Best Supporting </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/G-wMyVjahiE/those-bifa-winners-in-full.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-J1uypQwLThE/Tt93hpLCU9I/AAAAAAAAAZ0/hmSvNsQGIcM/s72-c/BIFA_2011_Fassbender-dilSukan_DrawHQ_12-300x199.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/those-bifa-winners-in-full.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-4101502075997398915</guid><pubDate>Thu, 01 Dec 2011 17:53:00 +0000</pubDate><atom:updated>2011-12-01T17:55:24.186Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">screen writing</category><category domain="http://www.blogger.com/atom/ns#">The Social Network</category><category domain="http://www.blogger.com/atom/ns#">Aaron Sorkin</category><category domain="http://www.blogger.com/atom/ns#">craft</category><title>Sorkin on 'The Social Network'</title><atom:summary>



Audio only.</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/iB_PPx9PI5A/sorkin-on-social-network.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/5XSJllTSbFI/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/12/sorkin-on-social-network.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-430252980872540895</guid><pubDate>Wed, 30 Nov 2011 15:37:00 +0000</pubDate><atom:updated>2011-11-30T16:39:18.210Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Gotham Awards</category><category domain="http://www.blogger.com/atom/ns#">Oscars</category><category domain="http://www.blogger.com/atom/ns#">Spirit Awards</category><category domain="http://www.blogger.com/atom/ns#">BIFA</category><category domain="http://www.blogger.com/atom/ns#">Awards shows</category><title>Here We Go Again</title><atom:summary>

David Cronenberg at the Gothams


Well, Awards season's well and truly upon us once again. They handed out the Gothams on Monday night (it was a tie), announced the Spirit nominations yesterday, and the BIFAs go to the podiums on Sunday night. All of which means that we've already begun to handicap the Oscars, which means that 'For Your Consideration' ads are already dotting Los Angeles.

And </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/mtUM132BGpo/here-we-go-again.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Md1DECw5y7Y/TtZVWhv21_I/AAAAAAAAAZs/ojvnja_A0tE/s72-c/66382303.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/11/here-we-go-again.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-3603595856958578593</guid><pubDate>Mon, 28 Nov 2011 17:53:00 +0000</pubDate><atom:updated>2011-11-28T17:53:09.190Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Sam Fuller</category><title>Sam Fuller Speaks</title><atom:summary>
</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/E83H3z2qQhA/sam-fuller-speaks.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/zP5BhK_xMlA/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/11/sam-fuller-speaks.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-2568917424785983657</guid><pubDate>Tue, 01 Nov 2011 18:40:00 +0000</pubDate><atom:updated>2011-11-01T20:19:47.307Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">BIFA</category><category domain="http://www.blogger.com/atom/ns#">Awards shows</category><category domain="http://www.blogger.com/atom/ns#">nominations</category><title>BIFA Nominations</title><atom:summary>


Well, it seems as though, as soon as the Christmas decorations start appearing in the shops, we begin to talk about Awards Season once again. And to kick us off, my alma mater the British Independent Film Awards announced its nominations yesterday. And a cracking list it is too (though, such has been my year, that when I say that, it's hearsay — I've seen three of them. Sorry BIFA, I'll do </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/VrjJelY_feo/bifa-nominations.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-TuTKKOieNLg/TrA9D4vMGTI/AAAAAAAAAZk/FJCvyfG3ThM/s72-c/header_logo.gif" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/11/bifa-nominations.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8196065603156707517</guid><pubDate>Tue, 04 Oct 2011 10:12:00 +0000</pubDate><atom:updated>2011-10-04T11:12:53.636+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Buster Keaton</category><category domain="http://www.blogger.com/atom/ns#">silent film</category><title>Happy Birthday, Buster Keaton!</title><atom:summary>


Buster Keaton would have been 116 today, so to celebrate, here's the elevator chase from The Goat, made in 1921, a mad-cap case of mistaken identity in which everyone apart from the girl seems to think that our hero is the dastardly Dead Shot Dan. Of particular surreal genius, the way in which Buster summons the lift to make good his escape (2.27 onwards). Great stuff.

</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/vF9RPkx5HjM/happy-birthday-buster-keaton.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/--SYhR2j8alc/TorcD9DircI/AAAAAAAAAZg/qUw30YMszog/s72-c/220px-KeatonPorkpie.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/10/happy-birthday-buster-keaton.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8731856987131710516</guid><pubDate>Mon, 03 Oct 2011 19:12:00 +0000</pubDate><atom:updated>2011-11-30T18:17:31.174Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Sidney Lumet</category><category domain="http://www.blogger.com/atom/ns#">George Clooney</category><category domain="http://www.blogger.com/atom/ns#">movie lists</category><title>Clooney's 100 Favourite Movies</title><atom:summary>

This picture was chosen by Kay Cooks


Crikey! And there I was, told that a list of 40 movies was too much to digest at once, and now this. Of course, I'm not George Clooney (else Kay Cooks would be threatening to leave me for me, which would be confusing). And it's a very good list. Of course, he and I disagree about Network, which I think is Lumet's weakest movie by miles and, if we're </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/WCOidTEDG3w/clooneys-100-favourite-movies.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-X29O7l7-VDM/TooI3NxzAoI/AAAAAAAAAZc/AGBUe32ufcM/s72-c/171613__clooney1_l.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/10/clooneys-100-favourite-movies.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-6638368066061056873</guid><pubDate>Mon, 03 Oct 2011 10:02:00 +0000</pubDate><atom:updated>2011-10-03T11:02:14.597+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Pauline Kael</category><category domain="http://www.blogger.com/atom/ns#">Orsen Welles</category><category domain="http://www.blogger.com/atom/ns#">Citizen Kane</category><category domain="http://www.blogger.com/atom/ns#">Movie critics</category><title>Kael on Kane</title><atom:summary>


Just found Pauline Kael's epic essay on Citizen Kane drifting through the halls of the internet. It's one of the great pieces of film criticism. Enjoy.</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/RJ38g-AbvZ4/kael-on-kane.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-mQcW32sigX4/TomIGySwBaI/AAAAAAAAAZY/p-NEkzDyYO4/s72-c/Kae_Pauline.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/10/kael-on-kane.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8202672951167208459</guid><pubDate>Wed, 28 Sep 2011 13:49:00 +0000</pubDate><atom:updated>2011-09-28T14:49:31.915+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Los Angeles</category><category domain="http://www.blogger.com/atom/ns#">locations</category><category domain="http://www.blogger.com/atom/ns#">Hollywood</category><title>A River Runs Through It</title><atom:summary>


Following on from the Boomtown post, yesterday, here's this from the LA Times about the LA River's lasting role as a movie location.

From hosting a river-side French village in All Quiet On The Western Front through the drag races in Grease to its being frozen over for The Dark Knight Rises, the LA River's always there.

Oh, and now you can canoe down it too.</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/0P77rJYEklA/river-runs-through-it.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-SSShQX4AiO0/ToMk5iBlOnI/AAAAAAAAAZU/nG4tSdSGWfI/s72-c/mtatagger500-500x300.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/river-runs-through-it.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-7581350881084164119</guid><pubDate>Tue, 27 Sep 2011 17:54:00 +0000</pubDate><atom:updated>2011-09-27T18:54:51.916+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Boomtown</category><category domain="http://www.blogger.com/atom/ns#">David Simon</category><category domain="http://www.blogger.com/atom/ns#">The Wire</category><category domain="http://www.blogger.com/atom/ns#">Graham Yost</category><category domain="http://www.blogger.com/atom/ns#">NBC</category><category domain="http://www.blogger.com/atom/ns#">revisited</category><category domain="http://www.blogger.com/atom/ns#">television</category><title>Revisited #14: Boomtown</title><atom:summary>









We open on a bridge just north of Downtown, a bridge across the LA river. The old, sad black man standing upon says:





The air seems yellow with dust and smog. The mood wistful, mournful for a good thing snuffed out.

It's an atmospheric and powerful, an evocation of a city filled with hopes and dreams which remain ever and always unfulfilled. And it sets the tone for Boomtown, </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/1sYZHjw5PtA/revisited-14-boomtown.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-aOcn-LHlMyQ/TnNZSamvIxI/AAAAAAAAAZA/M9EHlTZLwBI/s72-c/boomtown_4584.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/revisited-14-boomtown.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-6448989761765972360</guid><pubDate>Mon, 26 Sep 2011 17:25:00 +0000</pubDate><atom:updated>2011-09-26T18:43:48.577+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Raindance</category><category domain="http://www.blogger.com/atom/ns#">the Lumière Brothers</category><category domain="http://www.blogger.com/atom/ns#">Cecil Hepworth</category><category domain="http://www.blogger.com/atom/ns#">DW Griffith</category><category domain="http://www.blogger.com/atom/ns#">early film</category><title>Cecil Hepworth: The First British Independent</title><atom:summary>
 Raindance kindly asked me to write them a piece for this year's Festival catalogue. So here it is:—





Cecil Hepworth



History, we’re told, is written by the winners. Sometimes with the history of film it feels more as though it’s the survivors who have been the writers of it, those whose success has lasted long enough for their achievements to permeate our consciousness, at least for a </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/WmldeoO8NAc/cecil-hepworth-first-british.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-1IoHJCd-4as/ToC04Nx2VBI/AAAAAAAAAZI/EHFvbXXjdzg/s72-c/cecil_hepworth.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/cecil-hepworth-first-british.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-5087876374376893867</guid><pubDate>Fri, 23 Sep 2011 10:51:00 +0000</pubDate><atom:updated>2011-09-23T11:51:07.507+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">David Fincher</category><category domain="http://www.blogger.com/atom/ns#">The Girl With The Dragon Tattoo</category><category domain="http://www.blogger.com/atom/ns#">trailers</category><title>Trailer Watch: The Girl With The Dragon Tattoo</title><atom:summary>An Oscar, this time, for Mr Fincher? On the evidence of this, I think the odds have just shortened considerably.


</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/U16V8dVvgNs/trailer-watch-girl-with-dragon-tattoo.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/rwKLWtX1-o0/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/trailer-watch-girl-with-dragon-tattoo.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-2075251846982357096</guid><pubDate>Thu, 22 Sep 2011 11:02:00 +0000</pubDate><atom:updated>2011-09-22T16:30:19.859+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Alice Doesn't Live Here Anymore</category><category domain="http://www.blogger.com/atom/ns#">The Hill</category><category domain="http://www.blogger.com/atom/ns#">Dante's Peak</category><category domain="http://www.blogger.com/atom/ns#">The Unbearable Lightness of Being</category><category domain="http://www.blogger.com/atom/ns#">The Polygraph</category><category domain="http://www.blogger.com/atom/ns#">Sneakers</category><category domain="http://www.blogger.com/atom/ns#">Mr Wonderful</category><category domain="http://www.blogger.com/atom/ns#">Jesus of Montreal</category><category domain="http://www.blogger.com/atom/ns#">Agora</category><category domain="http://www.blogger.com/atom/ns#">under-rated</category><category domain="http://www.blogger.com/atom/ns#">The Tailor of Panama</category><category domain="http://www.blogger.com/atom/ns#">Into The West</category><title>40 Under-rated Movies Part 4</title><atom:summary>
It's been a while, so here, finally, is the last part of my randomly chosen 40 under-rated movies. And in the interests of full disclosure, I should be honest: some of the films which have made the list are old friends I bang on about far too often, to blank looks of non-recognition; others are films I've seen again recently and thought, 'bloody hell, that was good, I'd forgotten all about it.' </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/_2sEpqY2NQ4/40-under-rated-movies-part-4.html</link><author>noreply@blogger.com (Fred Hogge)</author><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/40-under-rated-movies-part-4.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-419892540427936254</guid><pubDate>Wed, 21 Sep 2011 10:50:00 +0000</pubDate><atom:updated>2011-09-21T11:50:39.135+01:00</atom:updated><title>The Luxury of Art (and everything else we cherish)</title><atom:summary>Black Island colleague, Jonathan Wakeham wrote this wonderful piece last month for The Arts Emergency Service, an organisation which exists to try to make sure that Arts and Humanities education remains accessible to all. In a world which increasingly sees education as some kind of pre-job job training scheme, it's suddenly frighteningly easy to see subjects like English and Latin and History </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/9QfmMCqbeE0/luxury-of-art-and-everything-else-we.html</link><author>noreply@blogger.com (Fred Hogge)</author><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/luxury-of-art-and-everything-else-we.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-4342381042448076747</guid><pubDate>Tue, 20 Sep 2011 15:02:00 +0000</pubDate><atom:updated>2011-09-20T17:03:55.246+01:00</atom:updated><title>The Value Of Content</title><atom:summary>


Content companies are about to see a rise in the value of their content because Internet companies need what they sell. So says Terry Semel, former boss of Warners and Yahoo. Having run both a studio and one of the larger internet companies, I suppose he knows whereof he speaks, in this case talking with Harry Sloan at TheGrill.

What he doesn't seem to have touched upon is the loss of </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/XWXWwCZgP8k/value-of-content.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-2q0L1b5E9nk/TniqT3e4H7I/AAAAAAAAAZE/TSWiIMxw3j0/s72-c/terry_semel.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/value-of-content.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-8052913088648002451</guid><pubDate>Tue, 20 Sep 2011 13:55:00 +0000</pubDate><atom:updated>2011-09-20T14:55:40.510+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">J Edgar</category><category domain="http://www.blogger.com/atom/ns#">trailers</category><category domain="http://www.blogger.com/atom/ns#">Clint Eastwood</category><title>Trailer Watch: J. Edgar</title><atom:summary>

</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/A4edkTsOcqI/trailer-watch-j-edgar.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/n6lveTYlHic/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/trailer-watch-j-edgar.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-1934867846268867849</guid><pubDate>Fri, 16 Sep 2011 14:50:00 +0000</pubDate><atom:updated>2011-09-16T15:50:29.431+01:00</atom:updated><title>Things We Can Learn From Loeb</title><atom:summary>


A bit thank you to the good people at Salon for pointing out that the Loeb Classical Library celebrates its 100th birthday this year. I spent a good deal of time with these dinky little volumes in my younger days, with the Greek or Latin on the left hand page, the English on the right, ploughing through Herodian or the Historia Augusta (the sine qua non of dubious history, and it's not often </atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/PXiFA1lHDgE/things-we-can-learn-from-loeb.html</link><author>noreply@blogger.com (Fred Hogge)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-GqMB5wYhVwQ/TnNUAiDwkGI/AAAAAAAAAY4/G5t3szT-WNk/s72-c/aria-PapIn-Hawara1.GIF" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/things-we-can-learn-from-loeb.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4049586402332539173.post-2298551246484735329</guid><pubDate>Thu, 15 Sep 2011 06:30:00 +0000</pubDate><atom:updated>2011-09-15T07:30:00.306+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Neil Gaiman</category><category domain="http://www.blogger.com/atom/ns#">Quote of the day</category><title>Quote of the Day...</title><atom:summary>"I believe we owe it to each other to tell stories. It's as close to a credo as I have or will, I suspect, ever get." — Neil Gaiman</atom:summary><link>http://feedproxy.google.com/~r/Cinelogic/~3/Bt2wHmRG_ZI/quote-of-day.html</link><author>noreply@blogger.com (Fred Hogge)</author><thr:total>0</thr:total><feedburner:origLink>http://cinelogic.blogspot.com/2011/09/quote-of-day.html</feedburner:origLink></item></channel></rss>

