CineMarvellous!: Brief Movie Reviews by George Beremov

Blogfest: Top 10 (Horror) Movie Countdown

2013-03-18T03:08:00.000-07:00

Ninja Captain Alex overt at Alex J. Cavanaugh is hosting yet another awesome blogfest today, and I'm more than happy to participate in it. Back in June 2012, his first blogfest "The Movie Dirty Dozen" had a similar theme, but Alex has decided to revisit it with "Top Ten Movie Countdown", because back at that time, he have had less than 200 followers (he's at 1,800 now), and most most of his new blog buddies missed it. I, personally, think the idea is great, but since I participated in his first blogfest, I decided to mix things up a little bit, instead of re-posting my top 10 favorite films of all time. Therefore, I'm putting a 'horror' spin on the subject, in order to be able to present to you my "Top 10 Favorite Horror Movies of All Time" + a bonus list of my "Top 3 Favorite Horror Comedies of All Time". Alex, I hope you don't mind I broke the rules. :) Check out both lists below, and let me know what you guys think. Oh, and just for the record, do not expect to see some overly familiar horror classic cliches such as "Halloween", "The Shining", and "Psycho" at the top of my list. It's not gonna happen. :)

*****

George Beremov's

TOP 10 Horror Movies of All Time

1. [REC] (2007)

Spanish directing duo Jaume Balagueró and Paco Plaza will make you experience fear to the fullest with "[REC]" - a POV horror masterpiece, that is uber-inventive, highly original, brilliantly-crafted, claustrophobic, and unpredictable, but above all SCARY as hell. The final act is so utterly intense and mind-blowingly terrifying, it will stay with you for the rest of your life, so consider yourself warned.

10/10

2. The Descent (2006)

Horror flicks don't get any more claustrophobic than Neil Marshall's sensational underground fright-fest "The Descent". He has managed to create a modern horror classic that combines all the right elements - an appealing group of likable female characters, chilling setting, freaky-looking creatures, effective gore, sky high level of intensity, tons of genuine scares, and truly priceless entertainment value.

9.75/10

3. The Exorcist (1973)

[The Version You've Never Seen]

Although made back in '73, William Friedkin's timeless horror classic "The Exorcist" never gets old, and rightfully so. No matter how many times you have seen it, it's still shocking, utterly frightening and as effective as it was four decades ago. The 2000 version reveals a few never-before-seen scenes of terror, that you'll never forget, just like Linda Blair's truly outstanding performance as Regan.
9.75/10

4. Alien (1979)

[Director's Cut]

Ridley Scott's late 70's sci-fi horror phenomenon "Alien" needs no introduction. It's sheer brilliance in terms of concept and execution, featuring the most unique, creative, impressively-designed and utterly horrifying creature in cinematic history. The movie as a whole is an unforgettable thrill ride, filled with edge-of-your-seat moments of fear, tensity and eeriness, plus, it's a technical achievement.
9.75/10

5. The Ring (2012) &

Ringu (1998) [Tie]

Both Hideo Nakata's "Ringu" and Gore Verbinski's US remake "The Ring" are equally as creepy and effective, and easily rank as one of the best supernatural horror films ever made. While the Japanese version wins in terms of originality and scares, the American version has bigger visual impact, and it's far more technically polished and visually creepy, not to mention the new elements added to the story.

9.75/10

6. Planet Terror (2007)

Mostly know as the first part of the double feature "Grindhouse" from 2007, "Planet Terror" is Robert Rodriguez's best (if not financially successful) effort, one of the coolest-looking zombie films of all time, and hands down, exploitation cinema at its finest. Everything from the stylishly trashy visuals, quirky characters, and over-the-top action scenes to the top-notch practical effects, and buckets of guts and gore works amazingly well.

9.75/10

7. Martyrs (2008)

Pascal Lauguier's sadistically sick flick "Martyrs" goes far deeper than most horror movies, and not just in terms of its violence and gore. It gives far greater consideration to the traumatic psychological impact of violence and suffering. The absolutely shocking twist at the end will prove everyone who thinks this is just one nasty, gruesome, and brutal torture-porn film wrong.

9.50/10

8. The Others (2001)

More creepy rather than scary, but constantly spooky and insaely atmospheric, Alejandro Amenábar's fantastically-crafted ghost story "The Others" is a proof that a horror film does not need a multi million dollar budget or first class special effects to be effective. All you need is a charismatic lead, sinister setting, engaging script, and a clever twist ending that you'll never ever see coming.

9.50/10

9. Rosemary's Baby (1968)

Forget about "Psycho"! Polanski's "Rosmary's Baby" is the real deal, and arguably the best horror movie of the 60's and history of cinema in general. Its satanic subject matter is as disturbing as it can get, and every young mother's nightmare. The ominous atmosphere adds further creepiness to the already dark story, and the smart script keeps you wonder whether all this is simply a paranoia, or the Devil himself is really involved.

9.50/10

10. Let Me In (2010)

The Swedish original was great, yet somewhat emotionally cold. Two years after it "Cloverfield director", Matt Reeves, brought us pretty much the perfect remake, adding that extra special something, the original was missing. The ‘secret’ of his success was his tasteful visual style, and his ability to create the appropriate mood and atmosphere, that best suit the nature of the film. Besides, its subtle creepiness will make your skin crawl.

9.50/10

Honorable mentions:

The Evil Dead (1981)
The Thing (1982)
Jaws (1975)
The Fly (1986)
Devil's Backbone (2001)
Trollhunter (2010)

*****

BONUS LIST:

George Beremov's

TOP 3 Horror Comedies of All Time

1. Gremlins (1984)

A seamless blend of comedy and horror, Joe Dante's true Christmas classic "Gremlins" is undoubtedly one of the most original horror films ever created, destined to become a classic. And it did. It's cute, but creepy at the same time, definitely witty, and all around entertaining. Gizmo is truly the most adorable creature ever, and the gremlins themselves are nasty little freaks, that will give you the creeps. Plus, it has the rewatchability factor.

9.75/10

2. Dead Alive (1992)

Everybody knows Peter Jackson for his amazing "Lord of the Rings" trilogy, but do you remember his super-cool, ultra-gory and utterly hilarious horror comedy "Dead Alive" from the early 90's? I bet horror buffs do. It's a zombie flick like no other, with great sense of humor and super spot-on practical effects, that proudly boasts its over-the-top goriness, and rightly so. The final act is so bloody, you won't believe your eyes.
9.50/10

3. Evil Dead 2: Dead by Dawn (1987)

OK, Sam Raimi's "Evil Dead" was scary, without a doubt, but his sequel (or more like remake), "Evil Dead 2: Dead by Dawn" manages to be equally funny and frightening, which is a difficult thing to achieve. Needless to say, this sequel is far more technically polished than its predecessor, especially in the special effects department, and that definitely works in its favor. And Bruce Campbell is a star!

9.50/10

[7.00/10] The Perks of Being a Wallflower (2012)

2013-03-06T13:06:00.000-08:00

The Perks of Being a Wallflower (2012)

QuickRating: Sure, it's slightly moody and not particularly visually appealing, but thanks to its sincere script, truly excellent performances from the three young actors Logan Lerman, Emma Watson and Ezra Miller, and the interesting dynamics between their genuine characters, "The Perks of Being a Wallflower" can be easily considered the best high school movie to com out from America in the past five, if not ten years. Yes, it's that good.

[6.50/10] The Words (2012)

2013-03-06T09:56:00.000-08:00

The Words (2012)

QuickRating: Although completely miscast, Bradley Cooper still does his best and gives one of the better performances of his career, Zoe Saldana is way underused, but Jeremy Irons is spot-on as usual. The melancholic mood of the film suits the peculiar nature of the story, and while hardly plausible, the plot is very engaging, dramatically intense, and definitely not cliched. "The Words" also teaches an important lesson about dignity, and that makes it worth-watching.

[6.00/10] The Sessions (2012)

2013-03-06T09:28:00.000-08:00

The Sessions (2012)

QuickRating: The movie deals with its 'taboo' sexual subject matter in a very gentle and delicate way, the otherwise subtly dramatic script is full of amusing bits, the untypical sex scenes seem as natural and candid as possible, and both John Hawkes and Helen Hun deliver charismatic and pretty memorable performances, but "The Sessions" is largely let down by its unpolished visuals, bland cinematography, and Ben Lewin's odd, off-putting, and by-the-numbers direction.

[6.75/10] Killer Joe (2012)

2013-03-04T13:30:00.000-08:00

Killer Joe (2012)

QuickRating: "Killer Joe"'s bizarre, brutal nature certainly won't be everyone's cup of tea, but on the other hand, there's something truly mesmerizing about this twisted, uncompromising, and shockingly violent thriller, brought by "Exorcist" director William Friedkin, that will keep you glued to the screen the entire time. Matthew McConaughey portrays his vile and unpredictable character phenomenally well, and the rest of the cast also give very solid performances.

[6.50/10] Tower Block (2012)

2013-03-04T12:54:00.000-08:00

Tower Block (2012)

QuickRating: Even though the execution could have been better and the direction stronger, "Tower Block" still wins points for originality, thanks to its clever premise, and fairly inventive script, plus, having a similar setting to "The Raid" and "Dredd", this British thriller is also grim, gritty, and even somewhat claustrophobic. The truly credible performances add to the story, and make the overall experience a whole lot more gripping and effective, if hardly that memorable.

[5.50/10] Seven Psychopaths (2012)

2013-03-04T11:52:00.000-08:00

Seven Psychopaths (2012)

QuickRating: To say McDonagh's promisingly titled action comedy, "Seven Psychopaths", is overrated would be an understatement. Sure, it has a somewhat original premise, reasonably smart script, solid dose of humor, and precisely-chosen cast, but in the end somewhat none of these elements fit together, and the end result is an underwhelming mess of a movie, that pretends to be more clever, funny, witty, and refreshing than it actually is.

[6.75/10] Lawless (2012)

2013-03-03T09:04:00.000-08:00

Lawless (2012)

QuickRating: It's slightly uneven, and at times even monotonous, because it lacks the dynamic and energy that could have made it even better than it already is, but "Lawless" successfully makes up for these flaws with its gripping story and brilliant cast, all of whom deliver powerful performances, plus, set in the early 1930's this beautifully-shot vintage drama has an incredibly authentic feel to it, thanks to the outstanding cinematography, and top-notch production design.

[6.00/10] Savages (2012)

2013-03-03T08:32:00.000-08:00

Savages (2012)

QuickRating: While far from being one of Oliver Stone's most finest achievements due to its incoherent, at time even chaotic plot structure, and Stone's tendency to overdirect certain scenes in order to add some extra roughness to his film, but in the end "Savages" is a rather successful effort than not, thanks to the brilliantly-chosen cast, director's edgy shooting style, vibrant cinematography, and last but not least, the absolutely electric sexual chemistry between the three lead, in-love characters.

[4.00/10] Alex Cross (2012)

2013-03-03T07:34:00.002-08:00

Alex Cross (2012)

QuickRating: It has a strong, and downright insane villain that kind of saves it from being a complete and utter disaster, but despite that "Alex Cross" i still ultimately forgettable, and feels incredibly generic and too dated for today's standards, plot-wise and execution-wise. On the top of that, its main hero played by the otherwise charming Tyler Perry is bland and clumsy character you may find hard to root for, and unfortunately, that brings the movie down even further.

[7.25/10] The Sapphires (2012)

2013-02-24T12:20:00.000-08:00

The Sapphires (2012)

QuickRating: It's no "Dreamgirls", but "The Sapphires" is an engaging and uplifting based-on-a-true-story Aussie musical, mashed-up with a touch of romance, drama and even action bits, that has a cutting-edge wittiness, strong characterization, and even stronger performances, and stylish retro vibe about it, that makes it as visually appealing, as it's entertaining. Not to mention the singing is beyond impressive, and the musical numbers are a joy to watch, and, of course, listen.

[7.00/10] Mental (2012)

2013-02-24T11:52:00.000-08:00

Mental (2012)

QuickRating: With its peculiar story, colorful characters, sharp script, vivid cinematography and vibrant visuals, this unique Aussie dramedy, "Mental", lives up to its title, and proves to be mental, indeed, but in the best possible sense of the world. Every single one of the youngsters involved do an absolutely brilliant job in their difficult roles, but it's Toni Collette that makes it as special as it is, and takes the delightful quirkiness of the film to a whole new level.

[6.25/10] Wish You Were Here (2012)

2013-02-24T11:42:00.000-08:00

Wish You Were Here (2012)

QuickRating: Although hardly memorable or particularly original, this Aussie mystery thriller has an authentic sense of realism, that makes the whole story a lot more believable, plus, its intriguing plot full of twists and turns will keep you wondering throughout the entire running time, as well as entertain you, thanks to the truly wonderful performances by Australian stars Felicity Price and Joel Edgerton.

[6.00/10] The Campaign (2012)

2013-02-23T12:12:00.000-08:00

The Campaign (2012)

QuickRating: It has a pretty weak start, it's silly, crude, clumsy and raunchy to the point of being vulgar, and both Will Ferrell and Zach Galifianakis' characters are total douches, but "The Campaign" is actually s funny, at times so funny, it's absolutely hysterical, plus, it has an emotional side nobody's actually expecting, which side turns it from an over-the-top political comedy to a feel-good story that will melt your hearts as well as make you laugh out loud. Real hard.

[6.00/10] For a Good Time, Call (2012)

2013-02-23T10:57:00.000-08:00

For a Good Time, Call (2012)

QuickRating: Sure, the constant indoor environment hardly works in the movie's favor, and makes it look a bit too cheap, and honestly said, Jamie Travis' direction is nothing to write home about, but that doesn't change the fact that "For a Good Time, Call" is sexy, seductive and shamelessly lascivious and dirty comedy, filled with many hilarious moments, as lots of joyous ones, that is further elevated by Graynor's sweet, lively performance.

[4.50/10] Seeking a Friend for the End of the World (2012)

2013-02-23T08:53:00.000-08:00

Seeking a Friend for the End of the World (2012)

QuickRating: The oddball romance between the two protagonists has its charm, and the whole idea of finding someone to share the last ours of the world is intriguing enough in itself, but its the complete lack of genuine chemistry between the two leads, monotonous, at times moody narrative, and unappealing settings that bring the film down, and make the overall experience rather dull, and the movie instantly forgettable and deeply unsatisfying.

[5.50/10] Would You Rather (2013)

2013-02-16T12:40:00.000-08:00

Would You Rather (2013)

Brief review: Debuted at last Fall's 'ScreamFest', but actually released this February, "Would You Rather" is a torture-esque horror thriller in the same vein as "Saw" films, but not as gruesome, and definitely not as pointless. "Would You Rather" actually wears the title of the nasty game the characters in the film are forced to complete in. It's a 'nasty' game, because in order to win it, they need to either hurt themselves, or one of the other strangers they've been trapped with. The fact that this tough dilemma affects not just the characters, but the viewers as well, makes the whole experience somewhat effective. On the other hand, you may find it hard to feel sympathy for most of the characters, since those are unlikable, and downright obnoxious. Thankfully, that can't be said for the protagonist, Iris, played wonderfully by Brittany Snow, whose character's charm, expressiveness and fragility will win you over. She basically saves the film from being poor. While far from terrifying, "Would You Rather" is certainly disturbing, and makes you wonder if rich people are actually capable of doing horrible things like this just for fun. "Hostel", anyone? Some of the torture scenes are difficult to watch and hard to sit through really, but at the same time not in-your-face graphic or gory. Since most of the movie takes place in a posh dining room, this pretty limited setting becomes a bit tiresome at some point, but the director compensates that with a grim, and shocking twist ending, that works perfectly fine.

Overall summary: The majority of the performances are questionable, and the sub-par execution leaves a lot to be desired, but "Would You Rather" is still a fairly original take on 'torture porn', with some truly nasty tricks up its sleeve, that will keep you entertained for 93 min.

[8.25/10] Zero Dark Thirty (2012)

2013-02-10T13:11:00.000-08:00

Zero Dark Thirty (2012)

Brief review: Oscar-winning director Kathryn Bigelow succeeds yet again with another bold and daring project for the manhunt of enemy No. 1, Osama bin Laden, based on actual events. Bigelow lets us witness the near decade operation, revealing interesting details and hidden facts, making the experience not only gripping, but informative as well. The films also benefits from Kathryn Bigelow's incredible ability to keep things as realistic, and plausible as possible. There's nothing exaggerated, or Hollywood-ish about this movie, even when the action kicks in. The whole thing is stripped down to the bone, but that only helps to Bigelow for maintaining the intensity level, even when the film is slow and talky. The last 30 minutes are so thrilling, you may find yourself on the edge of your seat, but unfortunately the climax, namely the killing of Osama is nothing special really, hence, it may leave you slightly unsatisfied. Featuring lots of hand-held, camera work, intentionally simplistic cinematography, and washed-out colors, "Zero Dark Thirty" has a slightly documentary-ish feel about it that works to its advantage, plus, there's a certain grittiness to Kathryn Bigelow's shooting style, that adds further realism to the story. The film wouldn't be as great without Jessica Chastain's award-worthy performance as the workaholic CIA officer, Maya, whose angelesque femininity contrasts beautifully with her self-confidence and often intense personality, and the rest of the cast all do a brilliant job as well.

Overall summary: It drags a bit in the first half, and the slaying of bin Laden could have been way more dramatic, but nonetheless "Zero Dark Thirty" is a smartly-scripted, superbly-made, and truly engrossing piece of cinema, jam-packed with sheer, nearly obsessive intensity.

[5.25/10] The Haunting in Connecticut 2: Ghosts of Georgia (2013)

2013-02-06T12:10:00.000-08:00

The Haunting in Connecticut 2:

Ghosts of Georgia (2013)

Brief review: Claiming it's based on a true story, which somewhat hard to believe, "The Haunting in Connecticut 2: Ghosts of Georgia" is some sort of sequel to "The Haunting in Connecticut" from 2009, or more like a sister film, to be exact, as it has nothing to do with the original story-wise or otherwise. Let's face it, the first movie was cheesy, yet entertaining, and the case with this one is pretty much the same. Unlike the original though, this one doesn't spend any time in building suspense properly, as it starts off straight away with the cheap scares, and the stupid ghost visions. The whole "I see things" premise is so familiar, it hurts, and the plot is basically 'been there, done that', at least the first half of it - there's nothing particularly exciting about it, let alone scary. Thankfully though, this sequel proves to have some tricks up its sleeve, as the second half is stronger, much more thrilling, and at times even frightening, mainly due to the appearance of The Station Master, who looks pretty creepy, indeed. Visually, "Ghosts of Georgia" looks much more polished than your average straight-to-DVD/VOD affair. The cinematography is rich in color and tone, and the camera work is decently diverse. The movie also delivers acting-wise, thanks to some very credible performances. Abigail Spencer and Morgana Shaw both do a solid job as the two sisters, the adorable Emily Alyn Lind is mostly fantastic as the little ghost whisperer, Heidi, and the hunky Chad Michael Murray is the only weak link.

Overall summary: It doesn't look bad at all, and the performances are adequate to say the least, but "The Haunting in Connecticut 2:Ghosts of Georgia" is every bit as generic and unoriginal as its silly title suggests, plus, in spite of a thrilling final act, it fails to avoid the cliches.

[5.00/10] The ABCs of Death (2013)

2013-02-03T15:02:00.000-08:00

The ABCs of Death (2013)

Brief review: Shown at a numerous festivals last year, but officially set to be released in 2013, "The ABCs of Death" is a horror anthology, that consists of 26 shorts, each helmed by a different director, each of whom assigned a letter of the alphabet. "Apocalypse" is over-the-top gory fun. "Bigfoot" ain't about Bigfoot, and doesn't work. "Cycle" is confusing, but cool and well-conceived. Stylishly-shot in slow-mo, "Dogfight" is a man vs. dog fight, you have never seen before. "Exterminate" is badly-acted, and plain dumb. "Fart" stinks... literally. "Gravity" is overly short, and way too simple. "Hyrdo-Electric Diffusion" is Nazi torture fun, it's as simple as that. "Ingrown" is well-shot, intense, and one of the best segments, along with "Dogfight". "Jidai-geki" is a joke. "Klutz" is animation about crap, but it ain't crap at all. "Libido" is nasty and sick, yet genius. "Miscarriage" is uninteresting and simply unnecessary. "Nuptials" is hilarious, while the following "Orgasm" is artistically-shot, yet ultimately boring. "Pressure" is well-made and lives up to its title. "Quack" tries hard to be original, but falls short instead. "Removed" is gore-fueled, and nicely-executed. The best thing about "Speed" is that it ends quickly. The animated "Toilet" is superbly-crafted, gory, and somewhat shocking. "Unearthed" is pointless piece of sh*t. "Vagitus" is refreshing, but looks cheap. "WTF" is WTF, indeed. "XXL" is sheer brilliance. "Youngbuck" is sick, bloody, and stupid, and the closing "Zetsumetsu" is just a crazy Asian softcore porn.

Overall summary: Conceptually-genius, yet overambitious, "The ABCs of Death" has some strong and memorable segments, as well as some terrible ones, hence the end result is a mixed bag of utter lunacy, twisted imagination, ludicrousness, lots of gore and very few scares.

Best Animated Flicks of 2012

2013-01-29T17:20:00.000-08:00

It's time for my first top list of the past year, so click on the picture above, or THIS LINK, and check out my article "Best Animated Flicks of 2012", featured on my monthly column in White Cat Magazine. See if you agree, leave a comment, and tell us what was your favorite 2012 animated film.

[7.50/10] American Mary (2012)

2013-01-26T16:02:00.000-08:00

American Mary (2012)

Brief review: The Canadian twin sisters, Jen Soska and Sylvia Soska, take indie horror cinema to another level with their latest blood-soaked gem, "American Mary" - an unexpectedly brilliant feminist horror story of revenge, that also explores human's twisted mentality and the perverse desires of people obsessed with the idea of being unique, by turning themselves into monsters, literally. Soska sister's original script cleverly mixes visceral and psychological horror with unsettling sense of realism, outrageous gore and dark humor, and that well-balanced combination of elements leads to an impressive end result. Due to its sick, demented nature, "American Mary" may be a bit too bizarre and revolting for mass tastes, but those willing to see something different, will appreciate the film's bleak uniqueness. Soskas' latest isn't scary, and it's not meant to be, because the story is already shocking and grim enough, so the film doesn't need any additional gimmicks to give you the chills. Sure, being a surgeon horror, there's lots of blood, guts and cut-off body parts, but none of it is over-the-top or too in-your-face. "American Mary" does not look like a low-budget indie film. Soskas' stylish direction complements the film's gloomy tone, which is captured through the use of low lighting and gritty cinematography. It wouldn't be as effective, without Katharine Isabelle's disturbing, yet captivating portrayal of Mary - a gifted surgeon, who's also a sick-minded freak you don't wanna mess with at all.

Overall summary: More nasty than scary, cold, yet sleek in atmosphere and look, and definitely disturbing, "American Mary" is a superbly-crafted and highly original horror movie with feminist undertones, grim sense of humor and grotesque gore, that every genre fan should see.

[6.75/10] Mama (2013)

2013-01-24T16:00:00.000-08:00

Mama (2013)

Brief review: Produced by the visionary director Guillermo del Toro, "Mama" is Andrés Muschietti's debut full-length feature, based on his own '08 short of the same name. The good news is, "Mama" is arguably the best January horror release since 2010's "Daybreakers", but the not so good news is, it doesn't break any new ground in terms of originality. Even though the plot can't really escape the ghost story cliches, the movie still succeeds in capturing the viewer's attention, due to the finely-written script, and the intriguing story that not only makes you constantly wonder who is Mama, and why is she so overprotective and evil, but also provides you with all the answers towards the end, leaving you satisfied and without any question marks in your head. Also, the half happy, half sad ending of the film is pretty emotional, and the perfect bittersweet conclusion to the story. "Mama" is frightening as well, and not in a cheap way. The solid scares are only a couple, but the suspense is consistent, the movie's eerie atmosphere is utterly effective, and Mama herself is creepy as hell. Sure, the editing is questionable, and that affects the overall pacing of the film, but Muschietti's accomplished direction, slick cinematography, and stylish color palette make up for that. Jessica "The Chameleon" Chastain does a phenomenal job in an untypical role that proves her versatility, but it's Megan Charpentier and Isabelle Nélisse that steal the show, with the latter being absolutely sensational.

Overall summary: Sinister, atmospheric, solidly-acted and technically-polished, yet slightly incoherent and not particularly original, "Mama" is an above average ghost story, that manages to deliver thrills, chills, high entertainment value as well as touching and effective climax.

Casino Movie Mistakes

2013-01-23T08:00:00.000-08:00

Casino movies have inspired generations to try the beauty and excitement of real and online casino’s for decades. From the first Oceans 11 film to the more recent James bond Casino Royale they all use casinos as the perfect backdrop when filming multi-million dollar blockbusters. This being said, they do occasionally make a few mistakes, but which Casino movie mistakes are the best?

Security is always important to casinos whether it’s your online password or safety on the premises. So when James bond is given a simple 6 digit code the least he can do is remember it. The international man of mystery has been a super spy for years now! So remembering the simple code should be easy, except when he enters his password for the casino he presses ****47 but when he is giving someone his password he tells them it ends in 3 and 7. Caught you out there, James. During the same movie James and villain Dimitrios are have a game of poker, Dimitrios carries a lucky token around with him, but during this scene the token moves from shot to shot with terrible continuity. If all this talk about casinos have gotten you in the mood to play yourself then download here to experience the variety of slot games and other casino related games like blackjack, roulette and poker offered by online casinos.

The brilliant 2001 remake of Ocean's Eleven describes the journey of 11 men trying to rob a casino; the beautiful casino houses a nearly unbreakable volt. In order to break into the shiny volt they hide a small gentleman in a trolley and wheel him in. Unfortunately for the film crew the volt was a little too shiny and you can see all of the camera equipment in the reflections. The flawless cast are all handsome and beautiful and the Hollywood heartthrob that is George Clooney is perfect throughout, or is he? Next time you watch the movie be sure to watch how his hairstyle constantly changes throughout.

My Favorite Martian Bloghop

2013-01-21T00:15:00.000-08:00

My dear blog buddy Maurice at The Geek Twins, along with L.K. Hill, Jay and Just A Dash of Geek are hosting this super-cool bloghop, called "My Favorite Martian", where we have to to share our favorite movie alien, whether Martian or not. I found the idea to be quite original and creative, so I jumped in with no second thoughts.

Now to the point... There are hundreds if not thousands of aliens in history of cinema, so it was kinda hard to narrow it down to just one. No, actually it wasn't. There's one particular alien that I adored from the first minute I saw it, and that all-time favorite alien of mine is...

Call me crazy, but I honestly think that The Engineers from Ridley Scott's 2012 sci-fi gem "Prometheus" are truly genius creations, and not just in terms of design. They excite me, they scare me, they make me feel small and insignificant, they make me respect them, they might be the fathers of our species... who knows?! I'll try to further explain why The Engineers left such a big impact on me, using very little words and some images, that speak for themselves. At least I hope they do.

Impressive human-like physicality, pale, almost luminous skin, creepy face... if that's not intimidating, I don't know what is.

They created us, and then they realized they made a mistake. I don't blame them. The world that is today kinda proves they did.

Just look at him! Doesn't he scare the crap out of you?

This guy gives me the chills. I'm not joking.

The Engineers exude might and power, and they can easily