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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CU4BQng8cSp7ImA9WhVbFEk.&quot;"><id>tag:blogger.com,1999:blog-6280624</id><updated>2012-05-31T02:59:13.679-03:00</updated><category term="artigos" /><category term="sammie 2010" /><category term="cannes 2011" /><category term="festival de cinema latino-americano 2009" /><category term="podcast" /><category term="índice" /><category term="listas" /><category term="oscar 2012" /><category term="festivais" /><category term="atores e atrizes" /><category term="editorial" /><category term="oscar" /><category term="críticas" /><category term="outros" /><category term="indie 2008" /><category term="ranking" /><category term="festival do rio 2009" /><category term="dvd" /><category term="fotogramas" /><category term="sammie 2012" /><category term="prévias" /><category term="cannes 2009" /><category term="star wars" /><category term="mostra de tiradentes 2009" /><category term="promoção" /><category term="sammie" /><category term="clipping" /><category term="premiações" /><category term="twitter" /><category term="vídeo" /><category term="awards" /><category term="indie 2010" /><category term="notícias" /><category term="nariz de palhaço" /><category term="tv" /><category term="festival do rio 2008" /><category term="por ele elas entram em coma" /><category term="entrevista" /><category term="por ela eu entro em coma" /><category term="indie 2009" /><category term="sammie 2011" /><category term="humor" /><title>cinematório</title><subtitle type="html">Observando a sétima arte.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.cinematorio.com.br/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.cinematorio.com.br/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>792</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/Cinematrio" /><feedburner:info uri="cinematrio" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;CkQDSXgzfSp7ImA9WhVVF0s.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-422809401757053603</id><published>2012-05-11T15:17:00.003-03:00</published><updated>2012-05-11T15:19:38.685-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-11T15:19:38.685-03:00</app:edited><title>Dado alarmante</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=422809401757053603&amp;isPopup=true" title="6 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/422809401757053603?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/422809401757053603?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/Sp71acu7j44/dado-alarmante.html" title="Dado alarmante" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-NHZc7O1CCjk/T61XldbnbxI/AAAAAAAABa8/VI5uIu16e4I/s72-c/filmelegendado.jpg" height="72" width="72" /><thr:total>6</thr:total><content type="html">


Da assessoria de imprensa do Telecine:




Atenção para essa parte:

"É dela (classe AB) a maior participação na audiência do canal, com 53%".

Ou seja, o papo de que o "povão" é que prefere filme dublado não pode ser considerado na discussão.

Há de se levar em conta ainda que a maior parcela do público de cinema certamente é formada por membros de classe AB.

Dublagem é ruim. Deturpa a obra 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UehwemCXHx-gsvXwJ-k7cJuMPj4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UehwemCXHx-gsvXwJ-k7cJuMPj4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UehwemCXHx-gsvXwJ-k7cJuMPj4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UehwemCXHx-gsvXwJ-k7cJuMPj4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/Sp71acu7j44" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/05/dado-alarmante.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUMSXk9eSp7ImA9WhVRFEs.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-758104162968310044</id><published>2012-03-22T21:58:00.000-03:00</published><updated>2012-03-22T21:58:08.761-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-22T21:58:08.761-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Poder Sem Limites</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=758104162968310044&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/758104162968310044?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/758104162968310044?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/t3jk4JJBciE/poder-sem-limites.html" title="Poder Sem Limites" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-bM3LE2BYW2E/T2vKbh-t44I/AAAAAAAABNk/7zWA15aSqXQ/s72-c/chronicle01.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
“Poder Sem Limites” chegou sorrateiro aos cinemas e se tornou um sucesso inesperado nas bilheterias americanas. Já no Brasil, a história de três amigos que ganham superpoderes não pegou e o longa já está saindo de cartaz após menos de um mês em exibição.
Uma tremenda injustiça, pois trata-se de uma aventura eficiente e que traz novo fôlego ao gênero de filmes de super-heróis – e sem ser 
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&lt;a href="http://feedads.g.doubleclick.net/~a/bQfE6W4sQQQlY6a6-n6hl15f1l0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bQfE6W4sQQQlY6a6-n6hl15f1l0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/t3jk4JJBciE" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/03/poder-sem-limites.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkECQ38zeip7ImA9WhVSFkk.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-8056847157101155685</id><published>2012-03-13T11:24:00.000-03:00</published><updated>2012-03-13T11:24:22.182-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-13T11:24:22.182-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Billi Pig fala com quem?</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=8056847157101155685&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8056847157101155685?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8056847157101155685?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/QEaJq2OTxKo/billi-pig-fala-com-quem.html" title="Billi Pig fala com quem?" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-0ppg_C9rm-Y/T19TqhnpYzI/AAAAAAAABKs/2H3-d2e912M/s72-c/billipig01.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
"Billi Pig" é um daqueles filmes que você quer muito gostar, mas não consegue. A proposta inicial é muito boa: fazer uma comédia brasileira popular com pegada autoral, remontando às chanchadas e às comédias screwball. E José Eduardo Belmonte (e equipe) bem que tenta, você percebe isso na tela. Mas seu esforço esbarra em algumas questões.
Belmonte vem de uma sequência de filmes elogiados e, 
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&lt;a href="http://feedads.g.doubleclick.net/~a/aQwRtAkumpFLwvojdVk7osDSeww/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aQwRtAkumpFLwvojdVk7osDSeww/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/QEaJq2OTxKo" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/03/billi-pig-fala-com-quem.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck4MRn0-cCp7ImA9WhVTGU8.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-3954930315386973111</id><published>2012-03-05T01:15:00.001-03:00</published><updated>2012-03-05T01:16:27.358-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-05T01:16:27.358-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><category scheme="http://www.blogger.com/atom/ns#" term="oscar 2012" /><title>A Invenção de Hugo Cabret</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=3954930315386973111&amp;isPopup=true" title="5 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/3954930315386973111?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/3954930315386973111?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/V068aKVVNyA/invencao-de-hugo-cabret.html" title="A Invenção de Hugo Cabret" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Cd-M3x_mWRs/T1Q9j4Rw2bI/AAAAAAAABKg/aQ7YFC4YiXQ/s72-c/hugo01.jpg" height="72" width="72" /><thr:total>5</thr:total><content type="html">
Em uma cena de “A Invenção de Hugo Cabret”, o protagonista, o menino Hugo (Asa Butterfield), relembra os últimos momentos que teve junto do pai (Jude Law). Neste momento, uma luz intermitente cobre o rosto do garoto, ao mesmo tempo em que escutamos um barulho semelhante ao de um projetor de cinema. Aqui, o que Martin Scorsese está nos dizendo fica muito claro: o cinema é a arte da memória. 

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&lt;a href="http://feedads.g.doubleclick.net/~a/pm5o9S67FfbLgQZsnhUftjHSg24/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pm5o9S67FfbLgQZsnhUftjHSg24/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/V068aKVVNyA" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/03/invencao-de-hugo-cabret.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkUFRHg6eCp7ImA9WhVTE0k.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-2353097202935636452</id><published>2012-02-27T09:34:00.003-03:00</published><updated>2012-02-27T10:10:15.610-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-27T10:10:15.610-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="oscar" /><category scheme="http://www.blogger.com/atom/ns#" term="oscar 2012" /><title>OSCAR 2012: Os vencedores e o tratado franco-americano</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=2353097202935636452&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2353097202935636452?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2353097202935636452?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/LvfWDSc5Q3E/oscar-2012-os-vencedores.html" title="OSCAR 2012: Os vencedores e o tratado franco-americano" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-3gtLzpb-CVM/T0t0tig0AcI/AAAAAAAABKM/TKA91JaxngY/s72-c/oscar2012_jeadujardin_uggie.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Fazendo valer seu favoritismo, "O Artista" sagrou-se o grande vencedor do Oscar 2012, levando os troféus de Melhor Filme, Melhor Diretor para o francês Michel Hazanavicius, Melhor Ator para Jean Dujardin, Melhor Trilha Sonora e Melhor Figurino. Podemos falar "grande vencedor" pois o longa-metragem faturou três dos principais prêmios da noite. Em números, deu empate com "A Invenção de Hugo Cabret"
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AZqs1Vl3oNcfr0VKMLVjpcnPLRE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AZqs1Vl3oNcfr0VKMLVjpcnPLRE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/AZqs1Vl3oNcfr0VKMLVjpcnPLRE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AZqs1Vl3oNcfr0VKMLVjpcnPLRE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/LvfWDSc5Q3E" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/oscar-2012-os-vencedores.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkAGQ3Y6eip7ImA9WhRaGUg.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-2139137289254444843</id><published>2012-02-22T22:43:00.001-02:00</published><updated>2012-02-22T22:58:42.812-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-22T22:58:42.812-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>9 Canções</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=2139137289254444843&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2139137289254444843?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2139137289254444843?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/wV6Gfr5MJyI/9-cancoes.html" title="9 Canções" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-oCW5DuqokLI/T0WLhsQnoFI/AAAAAAAABJo/h6_UIujVXQU/s72-c/9songs_01.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
Vocês conhecem o famigerado "truque do lençol branco": sempre que há uma cena de sexo em um filme (na maioria dos casos, americano), a mulher aparece coberta após o ato, como se fizesse questão de esconder os seios, mesmo que seja de seu marido. E o mesmo vale na situação inversa, com o homem se cobrindo. Malditos puritanos.
Se existe algo que me irrita mais em cenas de sexo do que o lençol 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RpbtXKzPit31eUu4QlGbfo13xow/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RpbtXKzPit31eUu4QlGbfo13xow/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RpbtXKzPit31eUu4QlGbfo13xow/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RpbtXKzPit31eUu4QlGbfo13xow/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/wV6Gfr5MJyI" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/9-cancoes.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkEARXw9cSp7ImA9WhRaGUg.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-4661887609340389061</id><published>2012-02-22T22:34:00.001-02:00</published><updated>2012-02-22T22:57:24.269-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-22T22:57:24.269-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Um tapinha não dói</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=4661887609340389061&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/4661887609340389061?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/4661887609340389061?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/PwEfBeD1h2c/um-tapinha-nao-doi.html" title="Um tapinha não dói" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-hA4gL_0G2vw/T0WOmF_SmGI/AAAAAAAABKE/TCVmH5fbMJ0/s72-c/sresrasmith_01.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
Quando saí da sessão de “Sr. e Sra. Smith” hoje, a sensação foi de ter assistido a um filme muito divertido. Afinal, como não rir de Brad Pitt fazendo aquelas caras? Mas aí, eu e minha namorada fomos conversando sobre o que vimos e chegamos à conclusão de que o filme é sadomasoquista.
Muito se discute sobre essa maquiagem que Hollywood coloca sobre a violência, a fim de transformá-la em 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/EuWTAK9NFjW4i4RPDmXt8keoOY4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EuWTAK9NFjW4i4RPDmXt8keoOY4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/EuWTAK9NFjW4i4RPDmXt8keoOY4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EuWTAK9NFjW4i4RPDmXt8keoOY4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/PwEfBeD1h2c" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/um-tapinha-nao-doi.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0IBQX84eSp7ImA9WhRaE0k.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-6042766407500192293</id><published>2012-02-15T21:41:00.001-02:00</published><updated>2012-02-15T21:45:50.131-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-15T21:45:50.131-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="cannes 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><category scheme="http://www.blogger.com/atom/ns#" term="oscar 2012" /><title>O Artista</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=6042766407500192293&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/6042766407500192293?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/6042766407500192293?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/9FXE9AE-f3U/o-artista.html" title="O Artista" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-uBoce0uHvWs/TzxBh5Rv_-I/AAAAAAAABJY/GkwaXOEHhvA/s72-c/oartista_01.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
Quando eu soube que "O Artista" era um filme mudo, logo suspeitei de tudo não passar de uma desculpa para usar o formato apenas para fazer um filme à moda antiga nos dias de hoje. Felizmente, não se trata disso.
Michel Hazanavicius já havia demonstrado carinho por um passado cinematográfico com os filmes do Agente 117 (ele dirigiu dois: um em 2006 e outro em 2009, ambos também com os atores Juan
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/aSC8MkP92J_KJixDxlfhTgav24Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aSC8MkP92J_KJixDxlfhTgav24Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/aSC8MkP92J_KJixDxlfhTgav24Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aSC8MkP92J_KJixDxlfhTgav24Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/9FXE9AE-f3U" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/o-artista.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck4NQ3kzfCp7ImA9WhRaFU0.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-7059143236138760796</id><published>2012-02-13T18:25:00.005-02:00</published><updated>2012-02-17T15:49:52.784-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-17T15:49:52.784-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="prévias" /><category scheme="http://www.blogger.com/atom/ns#" term="listas" /><category scheme="http://www.blogger.com/atom/ns#" term="artigos" /><title>Promessas de ano novo</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=7059143236138760796&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/7059143236138760796?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/7059143236138760796?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/tZeXHeNwmbY/promessas-de-ano-novo.html" title="Promessas de ano novo" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>3</thr:total><content type="html">Como nos últimos dois anos, eu preparei uma extensa lista com os filmes que considero como "promessas" para 2012. Você encontrará de tudo aí embaixo. A ideia não é exatamente relacionar os filmes que considero ter potencial para entrar numa lista de melhores no fim do ano, mas, sim, filmes que eu certamente farei questão de assistir, pelas mais diversas razões, não importando, a princípio, se é 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UN2qWwTBmGpKYFE60Z4nL2-bxMU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UN2qWwTBmGpKYFE60Z4nL2-bxMU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UN2qWwTBmGpKYFE60Z4nL2-bxMU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UN2qWwTBmGpKYFE60Z4nL2-bxMU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/tZeXHeNwmbY" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/promessas-de-ano-novo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMGSXw-cSp7ImA9WhRbGEQ.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-8720279263514245459</id><published>2012-02-10T16:03:00.001-02:00</published><updated>2012-02-10T16:10:28.259-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-10T16:10:28.259-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="star wars" /><category scheme="http://www.blogger.com/atom/ns#" term="artigos" /><title>Star Wars 3D</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=8720279263514245459&amp;isPopup=true" title="5 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8720279263514245459?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8720279263514245459?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/08HH7afo930/star-wars-3d.html" title="Star Wars 3D" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-mJPA6FZaiIY/TzVZxMreX2I/AAAAAAAABIY/YcAK9JdvaK4/s72-c/starwars3D_00.jpg" height="72" width="72" /><thr:total>5</thr:total><content type="html">
A volta dos filmes 3D aos cinemas está correspondendo às expectativas dos estúdios. Prova disso é que a oferta de lançamentos no formato já apresentou alta para 2012 em relação ao ano passado. De acordo com o boletim FILME B, além dos quatro filmes 3D que já entraram em cartaz em janeiro no país, mais 36 estão programados até o fim de dezembro. A soma já supera o total de 38 filmes 3D lançados 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3S2IV-jSzJ9CKL7OkRqFjgaHzyo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3S2IV-jSzJ9CKL7OkRqFjgaHzyo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/3S2IV-jSzJ9CKL7OkRqFjgaHzyo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3S2IV-jSzJ9CKL7OkRqFjgaHzyo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/08HH7afo930" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/star-wars-3d.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEYBRXg_fCp7ImA9WhRbFko.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-1536119663097203785</id><published>2012-02-08T01:35:00.000-02:00</published><updated>2012-02-08T01:35:54.644-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-08T01:35:54.644-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Como degustar “Sideways”</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=1536119663097203785&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/1536119663097203785?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/1536119663097203785?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/CCjggesWzgE/como-degustar-sideways.html" title="Como degustar “Sideways”" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-rz0YXfp0mpM/TzHtNaUTSYI/AAAAAAAABIM/4w2NVOCZcYA/s72-c/sideways_01.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
- Primeiro, erga o copo e examine o vinho contra a luz. 
“Sideways” funciona em duas esferas: a primeira é a do estudo de personagens, na qual é prazeroso deixar de ler as legendas em alguns momentos só para observar as expressões e gestos de Paul Giamatti e seus colegas de elenco. A outra é a da comédia, onde quem mais brilha é Thomas Haden Church, que rouba a cena diversas vezes.
- Agora, 
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&lt;a href="http://feedads.g.doubleclick.net/~a/m3-0OsMjRrtEtwawbbwf_4E__Ck/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/m3-0OsMjRrtEtwawbbwf_4E__Ck/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/CCjggesWzgE" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/como-degustar-sideways.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUAERXw4fSp7ImA9WhRbFEs.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-2500070212672729732</id><published>2012-02-05T16:44:00.001-02:00</published><updated>2012-02-05T16:48:24.235-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-05T16:48:24.235-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Os Descendentes</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=2500070212672729732&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2500070212672729732?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2500070212672729732?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/-MQDnGHtBwA/os-descendentes.html" title="Os Descendentes" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-JoGZEB8ixO0/Ty6ntoJO9oI/AAAAAAAABIA/4lNrVWPvSyM/s72-c/osdescendentes01.jpg" height="72" width="72" /><thr:total>3</thr:total><content type="html">
O Havaí fica localizado sobre a placa tectônica do Oceano Pacífico e todas as suas ilhas foram formadas a partir do magma que corre por baixo do mar e que até hoje mantém vulcões ativos em alguns pontos do arquipélago. A região é também suscetível a terremotos e tsunamis. “Os Descendentes” se passa inteiramente no Havaí, mas o filme não mostra os desastres que ali já ocorreram ou que podem vir a
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DBuOO37BTvmPLMgkDtMckT9u788/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DBuOO37BTvmPLMgkDtMckT9u788/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DBuOO37BTvmPLMgkDtMckT9u788/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DBuOO37BTvmPLMgkDtMckT9u788/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/-MQDnGHtBwA" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/02/os-descendentes.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEIBSH85cSp7ImA9WhRUGE4.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-2884799020182956480</id><published>2012-01-29T09:05:00.004-02:00</published><updated>2012-01-29T09:29:19.129-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-29T09:29:19.129-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="por ele elas entram em coma" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>Por Ele ELAS Entram Em Coma! 2012 - Os Vencedores</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=2884799020182956480&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2884799020182956480?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/2884799020182956480?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/nz1kD2n0AxA/por-ele-elas-entram-em-coma-2012-os_29.html" title="Por Ele ELAS Entram Em Coma! 2012 - Os Vencedores" /><author><name>RAQUEL GOMES</name><uri>http://www.blogger.com/profile/10764585741850681861</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="18" height="32" src="http://1.bp.blogspot.com/_hWQ3y5NTkRg/SeVUmJ3VgtI/AAAAAAAAAGw/u8niVEjR5K0/S220/close3.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-dMUhZJgzLSY/TySiKhfmOyI/AAAAAAAAANc/Irfqw391ON0/s72-c/jake2.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Todos os indicados ao prêmio são indiscutivelmente lindos, mas apenas os cinco mais votados é que nos deixaram perdidamente apaixonadas em 2011. São eles:

5º LUGAR

JAKE GYLENHAAL, "Amor e Outras Drogas"/"Contra o Tempo"







4º LUGAR

TOM CRUISE, "Missão Impossível - Protocolo Fantasma"







3º LUGAR

EMPATE!

BRADLEY COOPER,"Se Beber, Não Case! Parte 2"/"Sem Limites"







MARK WAHLBERG, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sgmEcZ_urCzVS2Ym6q8MLiCaShs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sgmEcZ_urCzVS2Ym6q8MLiCaShs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sgmEcZ_urCzVS2Ym6q8MLiCaShs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sgmEcZ_urCzVS2Ym6q8MLiCaShs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/nz1kD2n0AxA" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/por-ele-elas-entram-em-coma-2012-os_29.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEACQno9eSp7ImA9WhRUF0o.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-8861160649933406165</id><published>2012-01-28T16:38:00.004-02:00</published><updated>2012-01-28T16:52:43.461-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T16:52:43.461-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="por ela eu entro em coma" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>Por Ela Eu Entro em Coma! 2012 - As Vencedoras</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=8861160649933406165&amp;isPopup=true" title="4 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8861160649933406165?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8861160649933406165?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/gcFspy-ME4w/por-ela-eu-entro-em-coma-2012-as_28.html" title="Por Ela Eu Entro em Coma! 2012 - As Vencedoras" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-GvcIm_9Zp5k/TyQm8U7icBI/AAAAAAAABCo/sjL_KugaNmU/s72-c/kirstendunst_03.jpg" height="72" width="72" /><thr:total>4</thr:total><content type="html">É chegada a hora! Conheça a seguir as atrizes que tiraram nosso fôlego nos cinemas em 2011. Deliciem-se:
5º LUGAR 

Empate!

KIRSTEN DUNST, "Melancolia"




LÉA SEYDOUX, "Missão: Impossível 4"/"Meia-Noite em Paris"




4º LUGAR

AMY ADAMS, "O Vencedor"




3º LUGAR

JENNIFER LAWRENCE, "X-Men: Primeira Classe"/"Inverno da Alma"




2º LUGAR

NATALIE PORTMAN, "Cisne Negro"/"Sexo Sem Compromisso'



&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Py6tkFxBU5EIEMj2FPqLnkau3gk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Py6tkFxBU5EIEMj2FPqLnkau3gk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Py6tkFxBU5EIEMj2FPqLnkau3gk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Py6tkFxBU5EIEMj2FPqLnkau3gk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/gcFspy-ME4w" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/por-ela-eu-entro-em-coma-2012-as_28.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUFSH09fip7ImA9WhRUF0s.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-305692209201735662</id><published>2012-01-28T13:12:00.003-02:00</published><updated>2012-01-28T13:23:39.366-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T13:23:39.366-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>SAMMIE 2012: Troféus Especiais</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=305692209201735662&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/305692209201735662?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/305692209201735662?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/b_jZWzsPSmw/sammie-2012-trofeus-especiais.html" title="SAMMIE 2012: Troféus Especiais" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-EpsQtpeN_4k/TyPu6jX8MsI/AAAAAAAAA9E/TbG8YV-Ws3I/s72-c/sammie2012_melhordialogo.jpg" height="72" width="72" /><thr:total>3</thr:total><content type="html">MELHOR DIÁLOGO


MEIA-NOITE EM PARIS

Gil: Eu gostaria que você lesse meu romance e desse a sua opinião.
Ernest Hemingway: Eu odiei.
Gil: Você sequer leu ainda.
Ernest  Hemingway: Se for ruim, eu odiarei. Se for bom, então eu ficarei com inveja e odiarei ainda mais. Você não quer a opinião de outro escritor.
MELHOR FINAL


MELANCOLIA

Menção honrosa: CISNE NEGRO
O CARA MAIS ENGRAÇADO

Empate!



&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ox60AOXZX3ZfcWXIJ8MqKiTt4x8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ox60AOXZX3ZfcWXIJ8MqKiTt4x8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ox60AOXZX3ZfcWXIJ8MqKiTt4x8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ox60AOXZX3ZfcWXIJ8MqKiTt4x8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/b_jZWzsPSmw" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/sammie-2012-trofeus-especiais.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0ICRXk_eip7ImA9WhRUFU0.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-4532309565014072137</id><published>2012-01-25T12:16:00.003-02:00</published><updated>2012-01-25T12:26:04.742-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T12:26:04.742-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="awards" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>SAMMIE 2012: Melhores e Piores Filmes de 2011</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=4532309565014072137&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/4532309565014072137?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/4532309565014072137?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/US3sBKi1afI/sammie-2012-melhores-e-piores-filmes-de.html" title="SAMMIE 2012: Melhores e Piores Filmes de 2011" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-BUNQtZf574k/TyANXFMv1DI/AAAAAAAAA84/ptUwFEjVZPg/s72-c/sammie2012_riscado.jpg" height="72" width="72" /><thr:total>3</thr:total><content type="html">Neste ano, a eleição dos melhores e piores filmes foi diferente das edições passadas do SAMMIE devido aos "problemas logísticos" que o blog enfrentou. Eu fui o júri e aqui estão as minhas listas: 
Melhores filmes


10º RISCADO, Gustavo Pizzi

9º X-MEN: PRIMEIRA CLASSE, Matthew Vaughn (texto)

8º PASSE LIVRE, Bobby e Peter Farrelly (texto)

7º O MÁGICO, Sylvain Chomet

6º CAMINHO PARA O NADA, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/wB6RzB62RKINo7Rqt5FOSkWk2zg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wB6RzB62RKINo7Rqt5FOSkWk2zg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/wB6RzB62RKINo7Rqt5FOSkWk2zg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wB6RzB62RKINo7Rqt5FOSkWk2zg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/US3sBKi1afI" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/sammie-2012-melhores-e-piores-filmes-de.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CU4GSXw9fyp7ImA9WhRUFEs.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-819067059769285065</id><published>2012-01-25T01:46:00.002-02:00</published><updated>2012-01-25T01:58:48.267-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T01:58:48.267-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="oscar" /><title>Indicados ao Oscar 2012: culto ao passado</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=819067059769285065&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/819067059769285065?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/819067059769285065?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/xhFqVTJ8a2g/indicados-ao-oscar-2012-culto-ao.html" title="Indicados ao Oscar 2012: culto ao passado" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-LLvYmtiupnA/Tx96zJDfGeI/AAAAAAAAA7A/KJf-FYos1_k/s72-c/viagemalua.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
Os dois principais indicados ao Oscar 2012 são filmes emblemáticos na representação que fazem da evolução da linguagem cinematográfica. Vejamos: “A Invenção de Hugo Cabret”, de Martin Scorsese, é um filme 3D, formato que está na moda e que tem salvado os cofres de vários estúdios. Já “O Artista” está na outra ponta: é um filme mudo e preto e branco que celebra um modo de fazer cinema há muito 
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&lt;a href="http://feedads.g.doubleclick.net/~a/clXi8D3EjZArKFJ4jN_Lvv9YAhw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/clXi8D3EjZArKFJ4jN_Lvv9YAhw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/xhFqVTJ8a2g" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/indicados-ao-oscar-2012-culto-ao.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEcHQXozeSp7ImA9WhRUE0k.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-6909851282643081342</id><published>2012-01-23T17:10:00.002-02:00</published><updated>2012-01-23T17:13:50.481-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T17:13:50.481-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="por ela eu entro em coma" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>Por Ela Eu Entro em Coma! 2012 - As Indicadas</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=6909851282643081342&amp;isPopup=true" title="5 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/6909851282643081342?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/6909851282643081342?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/0BNeOVIQpGQ/por-ela-eu-entro-em-coma-2012-as.html" title="Por Ela Eu Entro em Coma! 2012 - As Indicadas" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-AAWfNlrRpUo/TxzZNPfb4NI/AAAAAAAAA24/N0ZJfsPmgVo/s72-c/abbiecornish_01.jpg" height="72" width="72" /><thr:total>5</thr:total><content type="html">Um banho de lua. Atração instintiva. Sexo sem amor. Um decote por baixo de um olhar fatal. Fetiche.
A seguir, você encontra uma selação de dez atrizes que fizeram a cabeça dos homens ao longo de 2011. Este é o troféu "Por Ela Eu Entro em Coma!", que desde 2005 elege as mais sensuais mulheres vistas numa tela de cinema.
Após as imagens, que são apenas um aperitivo do que virá na divulgação das 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Q2kWmEFAcMVSNwzrWc8EIC2jLJs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Q2kWmEFAcMVSNwzrWc8EIC2jLJs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Q2kWmEFAcMVSNwzrWc8EIC2jLJs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Q2kWmEFAcMVSNwzrWc8EIC2jLJs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/0BNeOVIQpGQ" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/por-ela-eu-entro-em-coma-2012-as.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0AEQ389cCp7ImA9WhRUE0k.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-3402163589257433160</id><published>2012-01-23T17:08:00.000-02:00</published><updated>2012-01-23T17:08:22.168-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T17:08:22.168-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="por ele elas entram em coma" /><category scheme="http://www.blogger.com/atom/ns#" term="sammie 2012" /><title>Por Ele ELAS Entram em Coma! 2012 - Os Indicados</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=3402163589257433160&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/3402163589257433160?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/3402163589257433160?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/1VqMg-cD2es/por-ele-elas-entram-em-coma-2012-os.html" title="Por Ele ELAS Entram em Coma! 2012 - Os Indicados" /><author><name>RAQUEL GOMES</name><uri>http://www.blogger.com/profile/10764585741850681861</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="18" height="32" src="http://1.bp.blogspot.com/_hWQ3y5NTkRg/SeVUmJ3VgtI/AAAAAAAAAGw/u8niVEjR5K0/S220/close3.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-1r3y33VsZu4/TxzxTp1EqeI/AAAAAAAAA48/5fL11_bd3pI/s72-c/bradleycooper_01.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">A experiência cinematográfica tem sempre um charme a mais quando nos deparamos com um ator gatíssimo em cena. Ele pode nos provocar aquele suspiro profundo pela beleza em si, pela atitude, por um olhar matador, uma voz cativante ou pelo conjunto da obra e o tal "borogodó", que ninguém explica, mas mulher nenhuma resiste.
Entre tantos homens irresistíveis da telona, que arrebataram corações em 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DSh7VA4S1XqI3GgkoioCbhTdESM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DSh7VA4S1XqI3GgkoioCbhTdESM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DSh7VA4S1XqI3GgkoioCbhTdESM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DSh7VA4S1XqI3GgkoioCbhTdESM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/1VqMg-cD2es" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/por-ele-elas-entram-em-coma-2012-os.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEYCRXc4eCp7ImA9WhRUE0k.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-8946804509825338769</id><published>2012-01-23T00:21:00.004-02:00</published><updated>2012-01-23T17:16:04.930-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T17:16:04.930-02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sammie" /><category scheme="http://www.blogger.com/atom/ns#" term="awards" /><title>SAMMIE 2012</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=8946804509825338769&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8946804509825338769?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/8946804509825338769?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/Ua93AhH1UR8/sammie-2012.html" title="SAMMIE 2012" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-cSpzpmyaMXI/Txy9p-nPaTI/AAAAAAAAA2s/gAC6bme-3SY/s72-c/SAMMIE2012_logo.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
A temporada de premiações está fervendo. E é claro que o cinematório não ficaria de fora. Como o blog está sem atualizações já há cinco meses, achei por bem retomar as atividades com a nossa premiação anual: o cinematório awards! - popularmente conhecido como SAMMIE.
Conforme manda a tradição (esta é a nossa nona edição!), durante esta semana, o Sammie de Melhor Filme de 2011 (lançado 
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&lt;a href="http://feedads.g.doubleclick.net/~a/qoi4ZHWxuz16XeMo8cJZVtYwhJw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qoi4ZHWxuz16XeMo8cJZVtYwhJw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/Ua93AhH1UR8" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2012/01/sammie-2012.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUCQH89eSp7ImA9WhdQGE0.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-33915719343346556</id><published>2011-08-19T21:31:00.000-03:00</published><updated>2011-08-19T21:31:01.161-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-08-19T21:31:01.161-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editorial" /><title>Atividades suspensas</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=33915719343346556&amp;isPopup=true" title="9 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/33915719343346556?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/33915719343346556?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/LSTV8Pv2iuw/atividades-suspensas.html" title="Atividades suspensas" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>9</thr:total><content type="html">Caros leitores e amigos do cinematório,

Devido à crise de criatividade mais grave já enfrentada por mim, decidi interromper temporariamente as atividades deste espaço. Não sei por quanto tempo.

Escrever sobre cinema sempre foi uma mistura de trabalho e hobby para mim, mas ultimamente tem sido apenas motivo de cobrança interna e chateação. Estou atolado em trabalhos (como todos vocês, tenho 
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&lt;a href="http://feedads.g.doubleclick.net/~a/RVwVD5q_OiIPNm-lUY_Lf7GrTJA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RVwVD5q_OiIPNm-lUY_Lf7GrTJA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/LSTV8Pv2iuw" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2011/08/atividades-suspensas.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0ECRHc9fSp7ImA9WhdSF0o.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-5446037960334900154</id><published>2011-07-27T11:07:00.000-03:00</published><updated>2011-07-27T11:07:45.965-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-27T11:07:45.965-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Vejo Você no Próximo Verão</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=5446037960334900154&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/5446037960334900154?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/5446037960334900154?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/5awQg397LCY/vejo-voce-no-proximo-verao.html" title="Vejo Você no Próximo Verão" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-HHnXZLApmVk/TjAZ1rxKJ_I/AAAAAAAAA1E/z8a3fZHAPwc/s72-c/jackgoesboating01.jpg" height="72" width="72" /><thr:total>2</thr:total><content type="html">
Vencedor do Oscar por sua intepretação do escritor Truman Capote em 2006, por "Capote", o ator Philip Seymour Hoffman se tornou uma unanimidade em seu ramo em duas décadas de carreira. Agora, Hoffman explora outra vertente cinematográfica com sua estréia como diretor em “Vejo Você no Próximo Verão”. 

Também atuando como protagonista do longa, Hoffman elabora um retrato de quatro almas sofridas 
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&lt;a href="http://feedads.g.doubleclick.net/~a/NgMwqQnOmYtEmIyaIUAblMYDxts/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NgMwqQnOmYtEmIyaIUAblMYDxts/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/5awQg397LCY" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2011/07/vejo-voce-no-proximo-verao.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk8MSH4zeSp7ImA9WhdSF0o.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-328708929182908503</id><published>2011-07-27T10:19:00.001-03:00</published><updated>2011-07-27T10:54:49.081-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-27T10:54:49.081-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Assalto ao Banco Central</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=328708929182908503&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/328708929182908503?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/328708929182908503?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/8uqMzy92J04/assalto-ao-banco-central.html" title="Assalto ao Banco Central" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-p6wJHD6xBaI/TjAQFgBgZ9I/AAAAAAAAA08/WIo4lsdHpFM/s72-c/assaltoaobancocentral01.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">
O que mais interessa a “Assalto ao Banco Central” não é o plano que leva um grupo de criminosos a cavar um túnel e roubar milhões de reais do cofre da autoridade monetária em Fortaleza sem ser notado - um crime verídico, ocorrido em 2005. Surpreendentemente, a principal preocupação do longa dirigido pelo ator Marcos Paulo e escrito por Renê Belmonte é a relação entre os membros da gangue, o que 
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&lt;a href="http://feedads.g.doubleclick.net/~a/lQkuXdGFHGi3iwDXaXF_x5ApdAE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lQkuXdGFHGi3iwDXaXF_x5ApdAE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/8uqMzy92J04" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2011/07/assalto-ao-banco-central.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0ECQHc6fip7ImA9WhdTF0g.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-5623276892324129240</id><published>2011-07-15T14:38:00.001-03:00</published><updated>2011-07-15T14:41:01.916-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-15T14:41:01.916-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Harry Potter e as Relíquias da Morte</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=5623276892324129240&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/5623276892324129240?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/5623276892324129240?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/k7lPpEHHB3U/harry-potter-e-as-reliquias-da-morte.html" title="Harry Potter e as Relíquias da Morte" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-mFVODBhXtsw/TiBkrO4QwII/AAAAAAAAA00/PiPtM6L44-M/s72-c/harrypotter701.jpg" height="72" width="72" /><thr:total>2</thr:total><content type="html">
Exatos 10 anos separam o primeiro e o último filme da saga de Harry Potter. Fenômeno de vendas nas livrarias, a franquia se consolidou como marca fortemente rentável nas mais diversas plataformas comerciais, a ponto de se tornar parte da rotina de todos que produzem e consomem entretenimento. Assim, após uma década de aulas de feitiços, viagens em vassouras voadoras e duelos de varinhas mágicas,
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&lt;a href="http://feedads.g.doubleclick.net/~a/uEDvwFgID9L57YT5HakRAwWDsWY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uEDvwFgID9L57YT5HakRAwWDsWY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Cinematrio/~4/k7lPpEHHB3U" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.cinematorio.com.br/2011/07/harry-potter-e-as-reliquias-da-morte.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkcDQ3o6eip7ImA9WhdTFUU.&quot;"><id>tag:blogger.com,1999:blog-6280624.post-1218813628268861063</id><published>2011-07-13T14:30:00.001-03:00</published><updated>2011-07-13T15:01:12.412-03:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-13T15:01:12.412-03:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="críticas" /><title>Algumas linhas sobre "Poesia"</title><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6280624&amp;postID=1218813628268861063&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/1218813628268861063?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6280624/posts/default/1218813628268861063?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Cinematrio/~3/f0EwkqDWxfU/poesia.html" title="Algumas linhas sobre &quot;Poesia&quot;" /><author><name>RENATO SILVEIRA</name><uri>http://www.blogger.com/profile/17092648109498342272</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-QrzPEOZD5IY/ThzxwBJuJxI/AAAAAAAAAzg/BEXpI3chafs/s72-c/poesia01.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
O cineasta sul-coreano Lee Chang-dong tem demonstrado um grande apreço por histórias trágicas. Em "Poesia", assim como em seus filmes anteriores "Oasis" e "O Sol Secreto", um evento trágico que poderia perfeitamente servir de premissa para uma trama policial é utilizado por ele como ponto de partida para o estudo de seus personagens. 

Em "Poesia", a protagonista é uma senhora que apresenta os 
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