Cinemix4u

Dabangg Songs Lyrics

2010-11-28T05:57:00.001-08:00

Tere Mast Mast Do Nain ( Lyrics )

Movie : Dabang

Music Director : Sajid Wajid
Singer(s) :Rahat Fateh Ali Khan
Lyricists :Faiz Anwar

Takte rehte tujhko sanjh savere
Nanion mein Haye
Nanion mein Haye

Takte rehte tujhko sanjh savere
Lyricsmasti.com
Nanion mein basya jaise
Nanin yeh tere

Nanion mein basya jaise
Nanin yeh tere

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Phele pehal tujhe dekha to dil mera
Dhadka haye dhadka
Dhadka haaye

Phele pehal tujhe dekha to dil mera
Dhadka haye dhadka
Dhadka haaye

Jal jal utha hoon main
shola jo pyaar ka
Bhadka haaye bhadka
Neendon mein Gaul gaye hai
Sapne jo tere
Badle se lag rahe hain
Andaaz meere

Badle se lag rahe hain
Andaaz meere

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Mahi beaab sa
Dil yeh betab sa
Tadpa jaye Tadpa
Tadpa jaye

Mahi beaab sa
Dil yeh betab sa
Tadpa jaye Tadpa
Tadpa jaye

Naino ki jheel mein
Utra tha yun hi dil
Dobaa jayee dobaa jayee
Dobaa jayee
Hoshso hawas ab to
Khone lage hain
Hum bhi deewane tere hone lage hai
Hum bhi deewane tere hone lage hai

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Takte rehte tujhko sanjh savere
Lyricsmasti.com
Nanion mein basya jaise
Nanin yeh tere

Nanion mein basya jaise
Nanin yeh tere

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Tere mast mast do naian
Mere Dil ka le gaye chain
Mere Dil ka le gaye chain
Tere mast mast do naian

Nagaram Movie Review

2010-11-25T22:35:00.000-08:00

Starring: Sundar C, Vadivelu, Anuya
Direction: Sundar C
Music: Thaman
Production: Kushboo Sundar

Sundar C must have missed direction during his hiatus that he put to use to carve a niche for himself in masala movies as a lead man. What with the gap (in direction), Sundar also seems to have drifted away from his comedy-action entertainer franchisee to get experimental with Nagaram.
Nagaram

As a result, Nagaram is a gritty tale of a man whose frightful past as a henchman wrecks his intention to lead a normal life inordinately. It’s also a tale of betrayal in friendship, greedy and corrupt cops, how ugly rivalry in illegal business could get and how ghosts from the past are capable of wreaking havoc in a man’s life despite his willingness to lead a normal life.

The movie opens with Sundar C being stabbed in the Chennai Central Station whilst trying to flee from the city with his fiancée Anuya and their baby. It opens up in flashes as Sundar, the protagonist, recounts his experiences in the city and what pushes him to take the decision to quit trying to lead a normal life and run away from it.

Sundar C and Bose Venkat are best friends. Like good old best friends in Tamil movies, one ends up in jail as a petty criminal while the other lands up in a cop-job. Turns out the petty criminal (Sundar) has the heart of gold and the cop (Bose) is crooked as hell. In effect, after Sundar’s release from the prison, Bose, the cop, uses him for his heinous and unlawful activities including drug trafficking. Sundar loves his friend and is naïve enough to fulfill those deeds for the sake of friendship, mainly because he thinks his friend would not bring him any harm.

But soon enough, all is not well in the drug trafficking business. One of the business dealings go awry and Bose crosses paths with another dreadful criminal and makes do with his crores-worth narcotics. He doesn’t have the nerve to part with the booty that is worth crores of rupees and tricks Sundar C into believing that what he did was right. Things take an ugly turn with another cop double crossing Bose and making Sundar realize that he was being used. The betrayed Sundar is dejected and decides to leave the city with his girlfriend but the ghost of his past follows him.

Characteristically, Sundar is unpretentious in his intentions. While choosing a story of a wronged man wanting to lead a normal life, he hasn’t compromised on the commercial aspects of the movie. No matter how serious the narrative gets, there is Vadivelu with his howler antics to lighten up the proceedings with his often lewd dialogues delivering it with funny intonations. Of course his fans are going to love it. After all, it’s been a while since Vadivelu has had a field day and this might just be one.

That apart, Sundar, Bose Venkat and the other characters of the movie form layers of the narrative blending with its flow. Other than their neat performances, the takeaway is the unassuming and pretty Anuya who seems to have decided to shed a few layers of her costume for the benefit of her career (or her fans as the case may be). Taman’s music reminds us of the prodigy he is, in a couple of songs (one of which has Anuya soaked wet in rain).

Sundar has managed to pack a punch with the narrative style of the movie and the climax tugs at your heart. Besides, he has also diversified from his style of movie making to take up a serious subject of friendship and betrayal. On the whole, but for a few glitches here and there, Nagaram is not bad a watch.

Verdict: This city is gritty!

Magizhchi Movie Review

2010-11-25T22:31:00.001-08:00

Starring: Gowthaman, Seeman, Prakash Raj, Anjali, Karthika
Direction: V Gowthaman
Music: Vidyasagar
Production: D Manivannan

Adapting novels into movies has been quite a frequent (not as much as we would like) practice in the film industry. But, the most common complaint that we come across with all such efforts is that the soul of the book was ultimately lost while translating it onto screen. But, Magizhchi is one effort that cannot be accused of
Magizhchi
tampering with the original feel of the book that it has adapted. A screen version of acclaimed author Neelapathmanabhan’s Thalaimuraikal, Magizhchi is set in the rural folds of Tamil Nadu and tells the story of a family, focusing primarily on the brother-sister relationship while also spreading the attention of the viewer onto a variety of socio-economic issues of villages.

Two siblings; the sister being the elder, share an almost ideal relationship. Each other’s happiness means the world to the other and it is shown in many instances in the film that either of them would go to any lengths to keep the other happy. They grow up and soon the sister is wedded off with great hopes of having a good and happy life. But, what happens is quite on the contrary. She is subject to intense domestic drudgery; both physical and mental torture. At first we don’t understand the reason behind her husband’s behavior towards her; is it sheer male chauvinism or is there a more serious rift between them. That is what her brother tries to find out. Not much to our surprise; he finds out that his brother-in-law is being cruel and unreasonable towards his sister and there is something that he wants to be hidden from the society on the whole. But, the brother is not ready to sit around and watch his sister getting tortured and decides to put an end to this marriage which is causing only grief to everyone. But, his brother-n-law is not ready to give in all that easily and the ugly caste issue threatens to raise its head when a solution to all this seems in sight.

The first thing that we notice about Magizhchi is the simplicity and natural charm that it possesses. There has been absolutely no attempt to try and infuse anything artificial or extraneous into the script with the excuse of making it more ‘cinema friendly’. It is an honest adaptation of the book. It is definitely a throwback to the 80s kind of family drama with overbearing husbands and brother-sister sentiment all playing a part. But, if willing with an open mind; contemporary appeal can be found in this movie. It shows that male dominance and domestic violence are still a part of the social fabric; especially in rural India. The movie also highlights the economic backwardness of the villages; especially in portions where the bride’s father has to sell the land that he has tilled for years to get his daughter married. His grief and helplessness have been well portrayed. Also the fact that caste is still a major issue in the minds of the rural population is depicted in the movie; especially during the final portions. One of the portions of the movie that attracts most due to its novel and extremely simple narrative styles is the one where the grandmother is narrating an old fable to her grandchildren. The story is shown to us on screen in the form of sketches (by Trotsky Marudhu) with the grandmother’s (Sukumari) voice in the background; it is quite interesting to watch.

The director has managed to extract good performances out of almost everybody in the cast. The experienced hands like Prakash Raj and Sukumari walk through their roles with consummate ease and expertise. The actress who really impresses with her performance is Anjali; as the girl who loves the younger brother. She is almost perfect as the young , a bit mischievous, village girl. Karthika, as the elder sister, is also very good, especially in portions where she gets tortured by her husband. Seeman delivers a dignified and typically sober performance while Sampath Raj makes an impact as the man who is trying to assert himself on his wife, but is in fact afraid deep inside that a truth about him might surface if he gives her too much freedom. The director Gauthaman, after focusing on everyone, seems to have overlooked himself just a little bit. One gets the feeling that he could have given himself a bit more attention.

Technically, Magizhchi is not a movie that demands much. But, the locations, bordering on Theni are a treat to watch and have been captured well on camera. Music by Vidhyasagar reiterates the fact that he is rightfully called melody king.

Magizhchi is a well made film about family relationships and social issues. However, it has its innate limitations in terms of being an entertainer. To the team’s credit, the movie has never aspired to be an entertainer that is out of the scope, the story permits. If you are the sentimental type whose idea of a village based film is not just ‘sickles and sevals’, then Magizhchi will make you happy.

Verdict: Faithful adaptation of a good literary work

Aadukalam in Two Versions

2010-11-25T22:30:00.001-08:00

Dhanush starrer ‘Aadukalam’ is planning to hit the screens for this December if everything flows smoothly. Vettrimaran the director of the film advised the audiences not to remember Polladhavan before watching Aadukalam.
He also says that both the flicks are like poles apart. If any comparison is made between the two will not make the film enjoyable. He also disclosed that two versions of Aadukalam will be released in DVD of which one will be Aadukalam – The Festival Cut which runs for about 100 minutes and will not carry any songs. The second part will be a full to full version.

Velayudham on a Faster Pace

2010-11-25T22:29:00.001-08:00

Illayapathy Vijay’s full concentration is on his next project ‘Velayudham.’ Genelia and Hansika Motwani are pairing up with Vijay for this film.
The film will start its next schedule from November 20th to November 30th at Pollachi. Some important scenes of the film will be canned in this location. Both the heroines along with the cast are going to camp in Pollachi. Jayam Raja director of the film is planning to complete the scenes which involve Vijay. As the hero has to move to his next project Shankar’s ‘3 Idiots’ which will kick the floors in December.
The coming year is expected to give Vijay hits as his two films will be hitting the screens.

Arya Gives Tips To Actress

2010-11-18T10:14:00.000-08:00

Amirtha Rao is a Bollywood actress. Her sister Preethika is acting in Chikku Bukku. She while speaking to the media said,” I who was modeling in Mumbai use to write articles for a film magazine.
My photo was published along with the article. Seeing this photo, director Manikandan approached the magazine’s editor and got my address. Then he met me in person and asked me whether it was possible for me to act in a role which was supposed to be done by Vidhya Balan.
He said that I got this opportunity because he was not able to get Vidhya Balan’s call sheet and moreover this is a surprising role. I agreed to act in this role because I liked the character and also I was being introduced in Tamil.
The shooting of this film took place in Ooty, Mysore and Karaikkudi. Arya who is doing the lead role was very friendly. He gave me a lot of tips that how I should maintain my physique and beauty. It was very useful for me.”

Shahrukh Khan Next Is James Bond Film

2010-11-18T10:12:00.001-08:00

Action is the mantra for Shahrukh Khan, this season. The Bollywood actor seems to be in love with the genre at present. Though the audience is more used to watching the King Khan of India in romantic roles, SRK is all set to set screens on fire with action in his upcoming releases Don 2 and Ra.One.
One look at the actor’s newly acquired lean structure is enough to confirm the fact that he has been sweating it out to become the first James Bond of India. First of the two action films featuring Shahrukh Khan in the lead is Farhan Akhtar’s Don 2. While the director had already improved on the older version of Don, he plans to make the sequel even more stylish and action-packed. And it is for this reason that Farhan Akhtar is taking a leaf out of the books of Hollywood action hero James Bond. The crew of the film is presently shooting in the German capital Berlin and it has been reported that while a body double will be used for the extreme sequences, SRK himself will perform some of the stunts shown in the film. In fact the actor has also had an accident while performing the acts in Berlin.
Following the Don 2 act is Ra.One, for which Shahrukh Khan will have to perform more stunts considering that he will play a superhero in the movie. Ra.One is being touted as one of the most ambitious projects undertaken by the actor in his flourishing career. Action or no action, we love Shahrukh and will be waiting for his films to hit theaters.

Director Bhagyaraj says that the chances should be given to actresses who know Tamil

2010-11-18T10:10:00.000-08:00

Bhagyaraj has directed a new film titled Siddhu Plus 2. His son Santhanoo is doing the lead role in this film. Shanthini is pairing with him. Bhagyaraj is speaking about this film said,” All the work connected with the film Siddhu Plus 2 has been completed as per schedule.
Yet there is a delay for the release of this film. After completing the shooting of the film Padhinaaru Vayadhinilae, the director and the other crew members were returning to Chennai in a van. The van met with an accident on the way.
But nobody was injured. Again we commenced the journey to Chennai; one of the wheels broke away from the van. Luckily we all escaped. One of our members who had left the vehicle met with an accident and was seriously injured . May be because of him, the fate has also chased us. The same way there is a delay for this film also.
Padhinaaru Vayadhinilae broke all the barriers and was a great hit. Similarly this film will also be a great hit. I was not scared when I did my first film. I am scared now because this film is getting delayed. I will make the people who know Tamil as heroine. Oorvasi, Saritha, Shobana who have paired with me knew Tamil very well. That is why we were able to work well. Shanthini who is the heroine of Siddhu knows Tamil very well. She acted well. Rajesh and Kanga Karuppu have acted in this film. This film has father son sentiments.”

Manmadhan Ambu Movie Latest Stills

2010-10-31T05:04:00.000-07:00

Manmadhan Ambu Movie Latest Stills

Actress Disha Pandey Latest Photos, Disha Pandey Latest Stills

2010-10-24T03:29:00.000-07:00

Actress Disha Pandey Latest Stills

Katherine Theresa Stills, Katherine Theresa Photo Gallery

2010-10-24T03:27:00.000-07:00

Munni Badnaam ( Lyrics )

2010-10-22T06:31:00.000-07:00

Movie : Dabang
Music Director : Sajid-Wajid and Lalit-Pandit
Singer(s) :Mamta Sharma , Aishwary
Lyricists :Lalit Pandit, Faiz Anwar & Jalees Sherwani

Munni badnaam hui, darling tere liye - 3 times
Munni ke gaal gulabi, nain sharabi, chaal nawabi re
Le zandu balm hui, darling tere liye
Munni badnaam hui, darling tere liye
Munni ke gaal gulabi, nain sharabi, chaal nawabi re
Le zandu balm hui, darling tere liye - 2 times
Munni badnaam hui, darling tere liye - 2 times

Shilpa sa figure Bebo si adaa, Bebo si adaa
Shilpa sa figure Bebo si adaa, Bebo si adaa
Hai mere jhatke mein filmi mazaa re filmi mazaa
Haye tu na jaane mere nakhre ve
Haye tu na jaane mere nakhre ve laakhon rupaiya udaa
Ve main taksaal hui, darling tere liye
Cinema hall hui, darling tere liye
Munni badnaam hui, darling tere liye - 2 times

O munni re, o munni re
Tera gali gali mein charcha re
Hai jama ishq da ishq da parcha re
Jama ishq da ishq da parcha re
O munni re

Kaise anaari se paala pada ji paala pada
Ho kaise anaari se paala pada ji paala pada
Bina rupaiye ke aake khada mere peechay pada

Popat na jaane mere peechay woh Saifu
(haye haye maar hi daalogi kya)
Popat na jaane mere peechay Saifu se leke Lambhu khada
Item yeh aam hui, darling tere liye
Item yeh aam hui, darling tere liye

Munni badnaam hui, darling tere liye Hai tujh mein poori botal ka nasha, botal ka nasha
Hai tujh mein poori botal ka nasha, botal ka nasha
Kar de budaape ko kar de jawan re kar de jawan
Honthon pe gaali teri aankhein dulaali, haye
Honthon pe gaali teri aankhein dulaali re de hai jiya
Tu item bomb hui, darling tere liye
Munni badnaam hui, darling mere liye - 2 times

Munni ke gaal gulabi, nain sharabi, chaal nawabi re
Le zandu balm hui, darling tere liye
Munni badnaam hui, darling tere liye
Baat yeh aam hui, darling tere liye
Be-Hindustan hui, darling tere liye
Amiya se aam hui, darling mere liye
Le zandu balm hui, darling mere liye
Seenay mein hole hui, tere tere tere liye
Aale badnaam hui haanji haan tere liye
Le sareaam hui, darling tere liye
Darling tere liye x3

Veyillodu Vilayadu’ Movie Wallpapers

2010-10-19T21:27:00.001-07:00

Chat with Nadodigal Sasi Kumar

2010-10-19T21:25:00.000-07:00

Chat with Nadodigal Sasi Kumar
Born on? September 28th
First salary? Rs 1000 from my own textile shop.
Favourite color? Violet
Favourite dress? Jeans and shirts
Favourite place you enjoyed? Boat house in Allapuzha, Kerala
Your favourite place? Office
Favourite car? Scoda Favourite food? Fish fry
The latest film you enjoyed? Kazhavani
Favourite actors? Kamal Haasan and Rajnikanth
Favourite actress?
Manorama
The song you hum most? Elangaathu from PithamaghanFavourite perfume? Nivea Natural
Pastime? Watching TV
Mobile you use? Apple I Pod

Rattha Charithram on November 19?

2010-10-19T21:24:00.000-07:00

Soon as Suriya announced that they are planning to release the film for Diwali, it was a joyful restrain for his fans. But again, it was a confusing call as Dayanidhi Azhagiri is vigorously promoting the film ‘Va Quarter Cutting’ as Diwali release. Two films under the same banner released on the same occasion are often not recommended for.

Likely, the release date of Rattha Charithram is likely to get postponed during second or third week of November. According to the sources, there is a sort of gentleman’s agreement that the Tamil version should be released along with second part of Hindi and Telugu.

As known earlier, Telugu and Hindi RC will be released in two parts while Tamil version with a single part release. Factually, Vivek Oberoi and Ram Gopal Varma have huge fans following them in Hindi regions while the film based on Parithala Ravi has urged Telugu cohorts to watch it by all means. But as with accordance to Tamil audiences, the film is to be marketed purely for ‘Suriya’ factor.

The first parts will not have much importance of Suriya as the complete film is about the growth and rise of Parithala Ravi from a gangster to a politician while the second part is about Maddelacheruvu Suri’s combat with Ravi.

‘Manmadhan Ambu’ Release Date December 10

2010-10-19T21:23:00.000-07:00

The buzz around the next big film of the year, Kamal Haasan’s ‘Manmadhan Ambu’ has started. According to latest news available the audio of ‘Mamnadhan Ambu’ is scheduled to be released on October 27.

The film was expected to hit the theaters for Diwali and now the new release date has been announced as December 10.

‘Mamadhan Ambu’ starring Kamal, Madhavan, Trisha and Sangeetha is a situational comedy. In the film, Kamal Haasan plays a private detective hired by Madhavan to go after his love Trisha to confirm her sincerity. The film was mostly shot in Europe and that is going to be a treat.

Directed KS Ravikumar who is a master craftsman has ensured that this comic caper also make it to the top like all his other classic comedies with Kamal like Thenali, Panchathanthiram etc.

Good Night SMS

2010-09-25T10:20:00.000-07:00

Andheri sadak. Sunsaan Kabristaan.
Sooni haveli, Kala aasmaan.
Raat Ho Gayee, So-ja Shaitaan!
Gudnite!

Nil Gavani Selladhey’ Movie Wallpapers

2010-08-28T08:47:00.000-07:00

Samuthirakani’s Next Movie Poraali With Sasikumar

2010-08-28T08:46:00.000-07:00

Samuthirakani is ready to start his next venture. “He has named the film ‘Poraali’ and his good friend Sasikumar will play an important role in it,” say circles close to the actor-director.

The relationship between Samuthirakani and Sasikumar dates back to ‘Subramaniapuram’ days, when the former played the pivotal ‘Chithappa’ role in the trendsetter movie directed by the latter

After a while, Sasikumar played one of the protagonists in ‘Nadodigal’, directed by Samuthirakani. And now sources have it that Samuthirakani is doing a pivotal role in Sasikumar’s directorial venture ‘Nagaram’.

“This shows the depth of friendship shared by Sasikumar and Samuthirakani,” sources add. Samuthirakani’s last directorial venture was the Telugu film ‘Sambho Shiva Sambho’, which is a remake of ‘Nadodigal’.

'Angaadi Theru' Shifts to Andhra Pradesh

2010-08-28T06:05:00.002-07:00

Continuous success of Telugu dubbed movies from Kollywood has urged distributors in Andhra Pradesh to try their hand of luck in many projects. Vasantha Balan’s ‘Angaadi Theru’ is next one to join this bandwagon. The film’s Telugu version will hit screens in Andhra Pradesh during second week of September.

The dubbing rights have been acquired by Kodenthara Suresh of SK Pictures and the Telugu dialogues have been penned by filmmaker Veenilakandi’s son Shashank.

As Anjali has a flair command over her mother tongue Telugu, she has dubbed with her own voice.

‘Angaadi Theru’ performed decent at box office and was the only commendable flick produced by Ayngaran International as all its previous films didn’t spin them profits.

Aishwarya Rai Bachchan Donates Her Eyes

2010-08-28T06:05:00.001-07:00

Aishwarya Rai Bachchan has announced that she has donated her eyes. The former beauty queen, known for her expressive green eyes, teamed up with the Indian Eye Bank Association to advocate the cause of eye donation recently. Speaking about her intention to donate the eyes, the actress said that she is well aware that people recognize her for her wonderful eyes and she wishes to be remembered for donating those eyes.

Prakash Raj Marries Poney Varma

2010-08-28T06:03:00.000-07:00

Prakash Raj and Pony Varma tied the nuptial knot this morning (August 24th, 2010) at Hotel Sahara Star, Vile Parle, in Mumbai. The wedding took place in Punjabi style and was attended by several celebrities from the tinsel town.

The actor-producer and his newly-wed choreographer wife will throw a reception in Chennai and Hyderabad in the forthcoming days.

Ko For Diwali

2010-08-28T06:02:00.000-07:00

Jeeva’s career graph is going through a rapid phase of success as his previous three films – ‘Thennavattu’, ‘Siva Manasula Sakthi’ and ‘Kacheri Arambam’. His next film ‘Ko’ is now completed with a song left to be shot.

The entire crew has now flown down to Mumbai for some patch-up works and K.V. Anand is planning to shoot the song in abroad.

The film is expected to be a political thriller that revolves around a photo journalist Ashwin (Jeeva) and his clashes with group of politicians. Ajmal is portrayed as a grey-shaded character while yesteryear actress Radha’s daughter Karthika and Piyaa perform the female lead characters.

Harris Jayaraj has scored music and Richard Nathan handles cinematography.

Chat with actress Vaalmiki Devika

2010-08-28T05:59:00.000-07:00

Chat with Vaalmiki Devika

Debuted in?

Vaalmiki

Secret lover?

John Nicolson

Ring tone?

Kadhal Anukkal from Endhiran

Bedroom quote?

Dream is a must for life.

Expectations?

Like everybody else

Blogs you like?

Lots

Desktop photo?

Mine

Favourite director?

Shankar and Mysskin

Favourite hero?

Rajnikanth and Sharukh

Age?

I am a small girl

Favourite heroine?

Padmini and Sridevi

Facebook?

You will be the thousandth person to follow me

Naan Mahan Alla Movie Review

2010-08-28T05:58:00.000-07:00

Banner: Studio Green
Cast: Karthi, Kajal Agarwal
Direction: Suseendran
Production: K E Gnanavel Raja
Music: Yuvan Shankar Raja

Expectations were literally bigger than before as Susindran and Karthi joined hands together. These personalities share a common history of success in film industry and together they have outmatched their previous films now. ‘Naan Mahaan Alla’ top notches on every arenas as it holds a powerful theme and technicians glistering at their best. The film creates a lump in your throats with its serious subject and you’ll walk out of theatres with an intense emotion.

What starts as a passable entertainer turns into a gripping crime-thriller during second half. Hats off to entire team as they deserve praises for their earnest efforts and brilliancies.

The film focalizes on the increasing crimes in Chennai and how it disturbs the lives of innocuous people leading a peaceful life.

Jeeva (Karthi) has a picture perfect life with caring parents (Jayaprakash, ‘Eeram’ fame Lakshmi), affectionate sister (Priya of ‘Singam’ fame) and supportive friends. His life is filled with absolute happiness when Priya (Kajal Agarwal) comes across his life. Marked by abrupt transitions, Jeeva’s life undergoes a wild change as the dark-crude side of Chennai has other plans for him. The emotions and perplexities are now on hi s playing cards. Jeeva is now forced to handle the situations, in a way he never expected. On the pragmatic contexts, the film touches the increasing crime rates in Metropolitan City of Chennai.

Karthi showcases ne plus ultra performance and gets under the skin of his characterization. It’s a relief for those, who felt his role was incisively exaggerated in ‘Paiyya’. What is sure to surprise you is the fact that it doesn’t boast of any stunts till the climax. For the first 100minutes, the film strides with spanking narration of fun, frolic and romance. However, Susindran makes sure that audiences are provided with a clue right on the prologue about what this film is all about. The point of conjunction by involving Karthi’s character has been well designed by the filmmaker.

The most highlighting attribute of this film is the crisp and crystal-clear narration. Susindran makes sure the audiences are not dragged back and forth with fluctuating tempos. The 130mins of drama keeps you adhered to screens.

Karthi excels with his charismatic appeal and deserves special mention for his stunning performance in action sequences. Even his hilarious mannerisms during first half are enjoyable. Kajal Agarwal looks bubbly, cherubic and shares a great chemistry with Karthi. Jayaprakash continues striking gold at his performance level while Lakshmi deserves same praises for her acting. 4 youngsters (one of them looks identical as younger boy, who played Suriya’s role in ‘Nandha’) are excellent on their part.

Technically, Yuvan Shankar Raja’s musical score is the biggest asset as his Midas touch on background score enhances the visuals canned by Mathi. The cinematographer has completely changed his pattern from ‘Paiyya’ and emblazons the screens with different touch. Kasi Viswanathan’s editing is sleek and neat.

Stunts choreographed by Anal Arasu are far beyond excellence. The action sequences moves you to the edge of seats. It’s nice and realistic to see the baddies being more dominant than an ordinary guy in these stunts.

As on whole, ‘Naan Mahaan Alla’ isn’t just an entertaining film, but a hardcore reality that has been prevailing amongst the people in contemporaneous city of Chennai.

We wish Susindran to keep his thumbs up and producers are sure to take a cake walk. It’s yet another precious stud in Karthi’s career.

What works: Almost everything, the plot and screenplay, performances, technical panoramas

What doesn’t work: Missing a duet song ‘Oru Maalai Neram’ from Yuvan’s bank

Verdict: Just outstanding. Must watch it

Banner: Studio Green Films, Cloud Nine Productions

Production: K.E. Gnanavel Raja, Dayanidhi Azhagiri

Direction: Susindran

Actors: Karthi, Kajal Agarwal, Jaya Prakash and others

Dialogues: Bhaskar Sakthi

Music: Yuvan Shankar Raja

Camera: Mathi

Editing: Kasi Viswanathan

Lyrics: Na. Muthukumar, Yuga Bharathy, Francis

Stunt: Anal Arasu

Art: Rajeevan

Choreography: Sabeena Khan, Baba Bhaskar