<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace V5 Site Server v5.13.142 (http://www.squarespace.com) on Mon, 08 Apr 2013 03:07:54 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Notebook</title><subtitle>Notebook</subtitle><id>http://www.claire-cameron.com/site/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.claire-cameron.com/site/"/><link rel="self" type="application/atom+xml" href="http://www.claire-cameron.com/site/atom.xml"/><updated>2013-04-06T16:58:44Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.142 (http://www.squarespace.com)">Squarespace</generator><entry><title>An interview with Tanis Rideout author of above all things</title><id>http://www.claire-cameron.com/site/2013/4/6/an-interview-with-tanis-rideout-author-of-above-all-things.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/4/6/an-interview-with-tanis-rideout-author-of-above-all-things.html"/><author><name>Claire Cameron</name></author><published>2013-04-06T16:52:52Z</published><updated>2013-04-06T16:52:52Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>My interview with Tanis Rideout was on <a href="http://www.themillions.com/2013/04/is-there-a-truth-and-does-it-matter-an-interview-with-tanis-rideout.html" target="_blank">The Millions</a> this week.</p>
<p>We talked about truth in fiction:</p>
<blockquote>
<p><strong><span class="full-image-float-left ssNonEditable"><span><img style="width: 175px;" src="http://www.claire-cameron.com/storage/Above-All-Things.jpg?__SQUARESPACE_CACHEVERSION=1365267482698" alt="" /></span></span>TR:</strong>&nbsp;Other people would argue that you  could write good fiction and stay within the facts. Maybe it takes a  better writer than me to do that? <strong>Hilary Mantel</strong> <a href="http://www.guardian.co.uk/books/audio/2012/feb/17/history-fiction-kate-grenville-clare-clark-podcast">recently said</a>, &ldquo;I will make up the thoughts of a man&rsquo;s heart, but I will not make up the color of his wallpaper&rdquo; Her idea with the <strong>Cromwell</strong> books, <em><a href="http://www.amazon.com/exec/obidos/ASIN/0312429983/ref=nosim/themillions-20">Wolf Hall</a></em> and <em><a href="http://www.amazon.com/exec/obidos/ASIN/0805090037/ref=nosim/themillions-20">Bringing Up the Bodies</a></em>, is that she stuck to what is known.</p>
<p>I think that is hugely admirable, but as a fiction writer that isn&rsquo;t  of interest to me. I always assume everything that I read is fiction,  even if it&rsquo;s in the non-fiction section. The very notion of putting  something on paper means that you are creating a narrative.</p>
<p><strong>TM:</strong> Do the true facts behind a story change an experience for a reader?</p>
<p><strong>TR:</strong> Is reading something &ldquo;true&rdquo; more emotionally valid? I don&rsquo;t see why.</p>
<p>Either the story moved you or it didn&rsquo;t. You went with the author or  not. Learning if the facts of a story are true or not after the fact  doesn&rsquo;t need to make a difference to how you were moved.</p>
<p><strong>TM:</strong> So you changed Mallory&rsquo;s wallpaper?</p>
<p><strong>TR:</strong> I changed Mallory&rsquo;s wallpaper and then some. I renovated his house.</p>
</blockquote>
<p>The full interview is <a href="http://www.themillions.com/2013/04/is-there-a-truth-and-does-it-matter-an-interview-with-tanis-rideout.html" target="_blank">available here.&nbsp;</a></p>]]></content></entry><entry><title>An Interview with Sam Garrett translator of Herman Koch’s The Dinner</title><category term="News"/><id>http://www.claire-cameron.com/site/2013/3/30/an-interview-with-sam-garrett-translator-of-herman-kochs-the.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/3/30/an-interview-with-sam-garrett-translator-of-herman-kochs-the.html"/><author><name>Claire Cameron</name></author><published>2013-03-30T23:32:55Z</published><updated>2013-03-30T23:32:55Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><em>The Dinner </em>by Herman Koch has  won the prestigious Dutch literary prize, the NS Publieksprijs; was  shortlisted for the National Book Award in the UK; and has been  published in 20-plus countries to widespread critical acclaim.</p><p>I interviewed the translator of <em>The Dinner</em>, Sam Garrett an American who lives in Amsterdam, for the <a href="http://lareviewofbooks.org/article.php?id=1534" target="_blank">Los Angeles Review of Books</a>. It was fascinating to learn about the process of translation and try to figure out why the book is resonating with audiences around the world.</p><p>An excerpt:<br /><blockquote><br /><strong>CC</strong>: If you are showing the context while translating, where does Koch&rsquo;s writing stop and your translation start?</p><p><strong>SG</strong>: I&rsquo;ve compared my work to that of the pianist  Glenn Gould before. It&rsquo;s a dangerous comparison, I know! Apart from the  obvious self-aggrandizement, the point I was trying to make is that the  good translator isn&rsquo;t a composer, but a fluent medium. However well he  pulls it off, Glenn Gould playing the <em>Goldberg Variations</em> is not playing Glenn Gould &mdash; he&rsquo;s Glenn Gould playing Bach.<br /></blockquote><br />The full interview is available at the <a href="http://lareviewofbooks.org/article.php?id=1534" target="_blank">Los Angeles Review of Books</a>.</p>]]></content></entry><entry><title>Page 123 - Don't Be Shy</title><category term="Notebook page"/><category term="Road trips"/><category term="art"/><category term="butterflies"/><category term="feminism"/><id>http://www.claire-cameron.com/site/2013/3/28/page-123-dont-be-shy.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/3/28/page-123-dont-be-shy.html"/><author><name>Claire Cameron</name></author><published>2013-03-28T14:35:52Z</published><updated>2013-03-28T14:35:52Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><div><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FVanessa-Veselka-Fred-Tomaselli-Marlene-Dumas.jpg%3F__SQUARESPACE_CACHEVERSION%3D1364483223679',1280,949);"><img src="http://www.claire-cameron.com/storage/thumbnails/12922471-22304857-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1364483223680" alt="" /></a></span></span></div><br /><div>Image of road and bottom quote from <a href="http://theamericanreader.com/green-screen-the-lack-of-female-road-narratives-and-why-it-matters/" target="_blank">Green Screen: The Lack of Female Road Narratives and Why it Matters</a> by Vanessa Veselka, which is a follow up to her previous article,<a href="http://www.gq.com/news-politics/newsmakers/201211/truck-stop-killer-gq-november-2012" target="_blank">The Truck Stop Killer</a> ; Cuts outs of Fred Tomaselli's <em>Field Guides</em>, 2003, and Marlene Dumas' <em>Cold Woman</em>, 1995, from <a href="http://www.sfmoma.org/exhib_events/exhibitions/details/logan_featured_works" target="_blank">Don't Be Shy, Don't Hold Back: The Logan Collection at SFMOMA</a> ; House from Aperture Photography Magazine, 1956. </div></p>]]></content></entry><entry><title>The Bear</title><category term="Alogonquin"/><category term="Little Brown"/><category term="The Bear"/><id>http://www.claire-cameron.com/site/2013/3/8/the-bear.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/3/8/the-bear.html"/><author><name>Claire Cameron</name></author><published>2013-03-08T22:57:38Z</published><updated>2013-03-08T22:57:38Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><a href="http://bukowskiagency.com/Bear.htm" target="_blank"><span class="full-image-block ssNonEditable"><span><img src="http://www.claire-cameron.com/storage/TheBear2.JPG?__SQUARESPACE_CACHEVERSION=1362783506863" alt="" /></span></span></a>This is the US cover for <a href="http://bukowskiagency.com/Bear.htm" target="_blank">THE BEAR</a>.</p>
<p>I love how the title script reflects the child's voice and how all the parts  click into such a satisfying whole. Somehow the bear is in there and so  is blood, but then it is also beautiful, childish and elegant at once.<br /> <br />As a naturally wordy person, I am especially struck by a visual representation  of an idea that took me hours and hours of typing to conjure up. I love it more every time I've look.&nbsp;</p>]]></content></entry><entry><title>Page 122 - You can step between these photographs.</title><category term="Andrew Solomon"/><category term="David Rakoff"/><category term="Errol Morris"/><category term="Jack Singer"/><category term="Notebook page"/><category term="Photographs"/><category term="facts"/><category term="fiction"/><id>http://www.claire-cameron.com/site/2013/2/20/page-122-you-can-step-between-these-photographs.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/2/20/page-122-you-can-step-between-these-photographs.html"/><author><name>Claire Cameron</name></author><published>2013-02-20T19:41:46Z</published><updated>2013-02-20T19:41:46Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Fpage-122-singer-morris-rakoff-photos.jpg%3F__SQUARESPACE_CACHEVERSION%3D1361896210212',1280,952);"><img src="http://www.claire-cameron.com/storage/thumbnails/12922471-22031703-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1361896210213" alt="" /></a></span></span></p>
<p>Clockwise from top left: Harold Whittles hears for the first time ever after a doctor places an earpiece in his left ear, from&nbsp;<a href="http://imgur.com/a/RHkIi" target="_blank">here</a>, which is a photo I see very in a new way after reading&nbsp;<a href="http://www.farfromthetree.com/" target="_blank">Far From the Tree</a>&nbsp;by Andrew Solomon ; <a href="http://www.radiolab.org/2012/sep/24/" target="_blank">The Fact of the Matter</a>, a RadioLab episode with Errol Morris ; short quote from <a href="http://www.newyorker.com/reporting/2013/02/11/130211fa_fact_keefe" target="_blank">A Loaded Gun</a> in The New Yorker by Patrick Radden Keefe ;&nbsp;photo of <a href="http://www.theglobeandmail.com/news/calgary-tycoon-jack-singer-was-larger-than-life/article8771516/" target="_blank">Jack Singer</a>, businessman and philanthropist ; another short quote from&nbsp;<a href="http://www.newyorker.com/reporting/2013/02/11/130211fa_fact_keefe" target="_blank">A Loaded Gun</a>&nbsp;; from The Lives They Lived:&nbsp;<a title="http://www.nytimes.com/interactive/2012/12/30/magazine/the-lives-they-lived-2012.html?view=David_Rakoff" href="http://www.nytimes.com/interactive/2012/12/30/magazine/the-lives-they-lived-2012.html?view=David_Rakoff" target="_blank">David Rakoff</a>.</p>]]></content></entry><entry><title>The rigidity of a schedule that provides sufficient time to relax</title><category term="Blog"/><category term="The Bear"/><category term="The Line Painter"/><category term="jason logan"/><id>http://www.claire-cameron.com/site/2013/2/12/the-rigidity-of-a-schedule-that-provides-sufficient-time-to.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/2/12/the-rigidity-of-a-schedule-that-provides-sufficient-time-to.html"/><author><name>Claire Cameron</name></author><published>2013-02-12T17:09:22Z</published><updated>2013-02-12T17:09:22Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>My last two novels, <a href="http://www.claire-cameron.com/the-line-painter/">The Line Painter</a> and <a href="http://bukowskiagency.com/Bear.htm">The Bear</a>, started with a voice. For <em>The Bear</em>, the voice belonged to a child. It was a small voice that whispered in my ear.</p>
<p>I ignored the voice at first. Whenever I wasn't paying attention to anything in particular, the talking would start. Soon, I decided I might as well ask questions and before long we were having full conversations. Writing the book was relatively easy. I let that child talk.&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.claire-cameron.com/storage/Statue%20on%20Pont%20Alexandre%20III.jpg?__SQUARESPACE_CACHEVERSION=1360693499347" alt="" /></span><span class="thumbnail-caption" style="width: 225px;">Statue on Pont Alexandre III, Paris.</span></span></p>
<p>I've written other novels that I've scrapped--<a href="http://www.claire-cameron.com/site/2012/11/6/the-mess-created-when-lightning-strikes-random-penguins.html">my dead books</a>. Each of the dead books started as an idea that I tried to press characters around. It was a method that didn't work, or hasn't yet.&nbsp;</p>
<p>How do I start my next book? How much time can I spend waiting around for a whisper?</p>
<p>I asked a friend, <a href="http://jayveeaitch.blogspot.ca/2010/02/jason-logan-nyt-op-art-one-week-of.html" target="_blank">Jason Logan</a>, who knows about these things. He said, "I think you should immerse yourself in pictures and music."&nbsp;</p>
<p>I think he means that writing is like taking a sh*t. I shouldn't strain.&nbsp;</p>
<p>How do you go about relaxing on purpose? In between the time I pick up the kids, write a book review or organize my accounts?</p>
<p>The only answer I've found is counter-intuitive: I create a schedule that provides sufficient time to relax. &nbsp;</p>
<p>This morning, I made a long play list, lay on my back in my office and listened to music as prescribed by Dr. Logan (note to self, buy a <a href="http://www.claire-cameron.com/site/2013/2/7/finished.html">recliner</a>).&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.claire-cameron.com/storage/recliner.jpg?__SQUARESPACE_CACHEVERSION=1360693470293" alt="" /></span><span class="thumbnail-caption" style="width: 225px;">I would like a proper recliner.</span></span></p>
<p>I made rules. I set a timer.&nbsp;I could only listen, no jumping up to send an email, or write something down. No standing up until the alarm goes off.&nbsp;</p>
<p>At first, I was restless. I twitched until a lyric caught my attention, "the window light."</p>
<p>I thought of an interview I did recently with a translator,&nbsp;<a href="http://www.amazon.com/The-Dinner-ebook/dp/B008DSEF6Q" target="_blank">Sam Garrett</a>. He talked about oblique light, seeing the famous Dutch light while on his bicycle. I looked out the window and the branches were bare. My son couldn't pronounce 'sp' and thought those branches were like spiders, 'fiders' he'd say, and the light in Toronto is flat. Winter. A season marks a life and shapes how we feel time. San Francisco was green in the winter, the light so bright it pushed me down...</p>
<p>Soon enough, I heard a faint whisper.&nbsp;</p>]]></content></entry><entry><title>Finished</title><category term="Algonquin"/><category term="Blog"/><category term="The Bear"/><category term="writing"/><id>http://www.claire-cameron.com/site/2013/2/7/finished.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/2/7/finished.html"/><author><name>Claire Cameron</name></author><published>2013-02-07T15:32:42Z</published><updated>2013-02-07T15:32:42Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>I recently finished what I think is the last draft of <a href="http://www.claire-cameron.com/site/2013/1/9/the-bear.html">The Bear</a>. The scene over here is something like this:&nbsp;</p>
<p><br /><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Fclaire-in-recliner.jpg%3F__SQUARESPACE_CACHEVERSION%3D1360251199654',577,832);"><img src="http://www.claire-cameron.com/storage/thumbnails/12922471-21865854-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1360251199656" alt="" /></a></span></span>I intended to write something witty and engaging about how empty I feel after finishing a novel. The problem is that I am neither witty nor engaging, just empty.</p>
<p>Later, perhaps.&nbsp;</p>]]></content></entry><entry><title>The Testament of Mary by Colm Tóibín</title><category term="Colm Toibin"/><category term="News"/><category term="Reviews"/><category term="The Millions"/><category term="reading"/><id>http://www.claire-cameron.com/site/2013/1/30/the-testament-of-mary-by-colm-toibin.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/1/30/the-testament-of-mary-by-colm-toibin.html"/><author><name>Claire Cameron</name></author><published>2013-01-30T15:14:23Z</published><updated>2013-01-30T15:14:23Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>My review of <a href="http://www.themillions.com/2013/01/the-testament-of-mary-by-colm-toibin.html">The Testament of Mary by Colm T&oacute;ib&iacute;n</a> is up on <a href="http://www.themillions.com/">The Millions</a> today.&nbsp;</p>
<p>I'm also interested in the covers that publishers choose for a book in different countries. In this case, the US and Canadian covers, below, are very different.&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.claire-cameron.com/storage/mary.jpg?__SQUARESPACE_CACHEVERSION=1359559330073" alt="" /></span><span class="thumbnail-caption" style="width: 300px;">U.S. cover</span></span></p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://www.claire-cameron.com/storage/mary-canadian.jpg?__SQUARESPACE_CACHEVERSION=1359559345757" alt="" /></span><span class="thumbnail-caption" style="width: 300px;">Canadian cover</span></span></p>
<p>Which book would you be more likely to pick up?</p>]]></content></entry><entry><title>The Bear</title><category term="Algonquin"/><category term="News"/><category term="The Bear"/><category term="Werner Herzog"/><category term="bears"/><category term="novel"/><id>http://www.claire-cameron.com/site/2013/1/9/the-bear.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/1/9/the-bear.html"/><author><name>Claire Cameron</name></author><published>2013-01-10T01:12:18Z</published><updated>2013-01-10T01:12:18Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>It's official. My new novel will be called <a href="http://bukowskiagency.com/Bear.htm" target="_blank"><em>The Bear</em></a>.</p>
<p>It will be published by Reagan Arthur Books/Little Brown in the US, Random House in Canada and Harvill Secker/Vintage in the UK &amp; Commonwealth around this time next year (2014).</p>
<p>As it's in the title, the cover of the book will probably not feature a bear. I'm giving you this photo of a black bear instead.</p>
<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FBLACK-BEAR.jpg%3F__SQUARESPACE_CACHEVERSION%3D1357780565034',848,566);"><img style="width: 600px;" src="http://www.claire-cameron.com/storage/thumbnails/12922471-21595240-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1357780577782" alt="" /></a></span></span></p>
<p>What do you see?</p>
<p>I think of Werner Herzog's narration in <a href="http://www.youtube.com/watch?v=05wI0XH8hGg" target="_blank">Grizzly Man</a>, "I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food."</p>]]></content></entry><entry><title>Happy New Year</title><category term="Blog"/><category term="ski"/><category term="sky"/><category term="snow"/><id>http://www.claire-cameron.com/site/2013/1/1/happy-new-year.html</id><link rel="alternate" type="text/html" href="http://www.claire-cameron.com/site/2013/1/1/happy-new-year.html"/><author><name>Claire Cameron</name></author><published>2013-01-02T00:15:45Z</published><updated>2013-01-02T00:15:45Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Fchair.JPG%3F__SQUARESPACE_CACHEVERSION%3D1357085773638',968,1296);"><img src="http://www.claire-cameron.com/storage/thumbnails/12922471-21432291-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1357085773639" alt="" /></a></span></span></p>]]></content></entry></feed>