From the internationally bestselling author of The Vegetarian, a rare and astonishing (The Observer) portrait of political unrest and the universal struggle for justice.

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.

The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho’s own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.

An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

Human Acts by Han Kang | Goodreads

The events of the Gwangju Uprising reminded me so much of Martial Law in the Philippines in ’70s, so while I admittedly didn’t know much about the former prior to reading this book, the pain and trauma the characters experienced reminded me so much of the latter.

The translator, Deborah E. Smith, wrote an essay about her experience translating this from Han Kang’s original manuscript in Korean. My personal favorite bit was how Koreans have two main verbs to convey the act of remembering. Upon my own research, I found she was referring to the words 기억하다 and 기억나다. 기억하다 and 기억나다 can both be translated to the English “to remember,” but whereas 기억하다 simply means the act of remembering (기억 memory + 하다 to do = individual is the active agent), 기억나다 (나다 means to sprout, break out) literally means to rise up. In Smith’s words,

“…memory is the active agent, leaving the individual with little control over what or when they remember.”

I kept this in mind the entire time I read this book, which made the experience much more poignant. Similar to how feelings of pain and loss could come up unbidden after losing a loved one, anxiety and trauma haunts the characters even decades after the fact. Interestingly enough, the book only starts after the massacre itself, so everything the readers would know about the uprising would only be through the recollections of the characters.

Han Kang also made the bold choice of starting the novel with graphic but matter-of-fact descriptions of the corpses in the aftermath. As a reader, I was brought on a journey of initially being cold and detached, then only really feeling the unease and pain the more I read. I’m not sure if it was really what the author intended, but I thought it was very brilliantly done.

It’s an amazing book! I can only imagine how reading it in the original Korean must have been like (but hopefully won’t have to someday!).

In a nutshell…

Rating: 5/5

218 pages

Author: Han Kang, Deborah E. Smith (translator)

Original Language: Korean

Published: 2017

Genre: Literary, Fiction

Six teenagers’ lives intertwine during one thrilling summer full of romantic misunderstandings and dangerous deals in this sparkling retelling of Shakespeare’s Much Ado About Nothing.

After she gets kicked out of boarding school, seventeen-year-old Beatrice goes to her uncle’s estate on Long Island. But Hey Nonny Nonny is more than just a rundown old mansion. Beatrice’s cousin, Hero, runs a struggling speakeasy out of the basement—one that might not survive the summer. Along with Prince, a poor young man determined to prove his worth; his brother John, a dark and dangerous agent of the local mob; Benedick, a handsome trust-fund kid trying to become a writer; and Maggie, a beautiful and talented singer; Beatrice and Hero throw all their efforts into planning a massive party to save the speakeasy. Despite all their worries, the summer is beautiful, love is in the air, and Beatrice and Benedick are caught up in a romantic battle of wits that their friends might be quietly orchestrating in the background.

Hilariously clever and utterly charming, McKelle George’s debut novel is full of intrigue and 1920s charm. For fans of Jenny Han, Stephanie Perkins, and Anna Godbersen.*

Much Ado About Nothing meets the Roaring Twenties – my favorite among Shakespeare’s comedies, and my favorite musical era, all in one book? What’s not to love? I fell in love with the spiel, but stayed for the writing, because the execution was phenomenal. I was immersed in the time of the Prohibition despite it not really being a topic of historical interest for me (beyond my love for the music produced at that time, anyway), and what’s more, I enjoyed it. This novel is very character-driven, more so than plot, but personally, I like my books character-driven anyway. Beatrice, Benedick, Hero, Pedro/Prince, Maggie, and John were fleshed out perfectly, and I had a fun time getting to know the characters I loved in the play version getting into the same shenanigans but with more backstory and more heart. The dialogue was delightfully witty, especially the banters and sparring matches between Beatrice and Benedick, enough to do even Will himself proud.

I’m glad I read this during my Christmas break – reading every chapter was like unwrapping a gift from a close friend, a friend who also happened to know exactly what I wanted. It’s definitely one of the best adaptations I’ve read, with a fresh enough take that I’d say I would’ve loved this anyway even without knowing it was an adaptation.

My favorite quotes: 

“There was a sunniness in his words that somehow even disguised his appearance, erasing the boy shaking with exhaustion, flattening all his mercurial layers into one outfit of razzle-dazzle. But the razzle-dazzle was also real. That was the most baffling part of all. He was this, too.

She let him do it, not only because she came out looking all right in his story, not a clock-throwing ruin of a girl, but also because Benedick’s talking about her as if she were already one of them made her one of them.

Words. What a tricky, tangled science.”

“Perish the thought, me in love with this magnificently hideous bluestocking! For surely she was ugly, and yet there was never a question of attraction, because she had such beauty of thought. A luminous intelligence that outshone her perceived flaws. Small-minded criticisms of her visage could not withstand such tenderness, such strange, endless mystery in her eyes, of which most mortals had no conception, that left behind a sense of having encountered something truly exquisite.”

“No one wants to be told all the ways they’re falling short of your lofty standard of humanity. Kindly allow me the relief of not engaging with you”

“He felt like climbing a mountain, not for any heroic reason but for something stupid, like picking her a flower; he felt subservient to her whims, desperate for her not to command anyone but him; he felt terrified for feeling all those things after a tiny kiss, a nothing kiss, a fraction, a weed, a sneeze, compared with a dozen other tokens of affection he’d received in his life.”

“What are you rambling about, you nonsensical contradiction?”

In a nutshell…

Rating: 4.5/5

368 pages

Author: McKelle George

Original Language: English

Published: 2017

Genre: Young Adult, Fiction

Sixteen-year-old Aza never intended to pursue the mystery of fugitive billionaire Russell Pickett, but there’s a hundred-thousand-dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Russell Pickett’s son, Davis.

Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts.

In his long-awaited return, John Green, the acclaimed, award-winning author of Looking for Alaska and The Fault in Our Stars, shares Aza’s story with shattering, unflinching clarity in this brilliant novel of love, resilience, and the power of lifelong friendship.*

(Yes, it’s been a while since I posted! Life, especially medical school, has proven itself to be a black hole for most of my time and energy, and I haven’t been able to read for pleasure as much as I would have liked. I still get to read books for fun, but only this one has compelled me to write a review this year so far. That, and it’s ASEAN week for us here in the Philippines, so I have no classes this week! We still have schoolwork to do, but yay, conditional freedom. Anyway, on to the review!)

Let it be known that I had no idea what this book was about when I started reading it, even though I’ve heard about it for a while now. I think that’s probably an amazing feat, actually, granting that I follow a lot of book bloggers in various social media sites, but med school blinders are pretty powerful. I’m glad I read this book, though. I thought I had John Green all figured out, and therefore could brace myself from emotional onslaught, but then Turtles All The Way Down prances into the picture and I end up getting all sorts of unwarranted feelings from a book again. 

I just read the book’s final page around 40 minutes ago, and the time it took reaching to typing this sentence was mostly spent trying to figure out how I really feel about this book. I had such a hard time reading this because of Aza’s obsessive-compulsiveness (she has OCD, even though it was never explicitly mentioned), or what she calls her “invasives”, but I flew by the pages anyway because I wanted to know what would happen to her. I didn’t find Aza likable at the beginning, but accompanying her in her journey to become a better version of herself has made me quite attached to her by the end. I suppose in a way, her psychiatrist Dr. Singh was correct in saying that your thoughts are not you. The book was narrated by Aza, yes, but beyond her warring thoughts, her personality just shines through.

It’s become so typical to read about teenagers who have meaningful conversations about science, philosophy, and life in a John Green novel, but I loved this nevertheless! Some people have mentioned how unrealistic the conversations portrayed teenagers, but I will argue that as a teenager not too long ago, I loved thinking about this sort of thing. I just never had the eloquence nor the courage to express those thoughts out loud. To be quite honest, between the conversations, the main character, and other aspects of the plot, I found the missing billionaire part the most forgettable. It wasn’t as fleshed out as I expected, but eventually, even as its loose ends were tied up, it wasn’t the reason I continued reading until the end.

Overall, I really enjoyed this book. The most fascinating part for me was Aza, her relationship with herself, and how she got along with the people around her. It felt really vulnerable and personal, and learning that this is but a foggy reflection of the John Green’s own struggles with OCD made more of an impact for me, because it helped me understand mental illness a bit better. That definitely makes this book important.

My favorite quotes (the whole thing is pretty quotable, really): 

“Whether it hurts is kind of irrelevant.”

“At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough.”

“And the thing is, when you lose someone, you realize you’ll eventually lose everyone.”

“One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.”

“And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.”

“Your now is not your forever.”

“Everyone always celebrates the easy attractiveness of green or blue eyes, but there was a depth to Davis’s brown eyes that you just don’t get from lighter colors, and the way he looked at me made me feel like there was something worthwhile in the brown of my eyes, too.”

“It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love.”

“Thoughts are only thoughts. They are not you. You do belong to yourself, even when your thoughts don’t.”

“Every loss is unprecedented. You can’t ever know someone else’s hurt, not really—just like touching someone else’s body isn’t the same as having someone else’s body.”

“Life is a series of choices between wonders.”

“In the best conversations, you don’t even remember what you talked about, only how it felt.”

“…the world is also the stories we tell about it.”

“People always talk like there’s a bright line between imagination and memory, but there isn’t, at least not for me. I remember what I’ve imagined and imagine what I remember.”

“I missed everybody. To be alive is to be missing.”

“You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person, and why.”

In a nutshell…

Rating: 4.5/5

286 pages
Author: John Green
Original Language: English
Published: 2017
Genre: Young Adult, Contemporary, Fiction

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him & forces his crew to evacuate while thinking him dead, Mark finds himself stranded & completely alone with no way to even signal Earth that he’s alive—& even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills—& a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?*

I never realized how much of a nerd I really am until this book. You see, I’m not a very good student. I do better at standardized tests than my grades would suggest, but when you put me in a classroom for prolonged periods of time, the grades I churn out give a convincing argument that I’m a pretty average student (I was better in high school, but everyone knows that college is a different ball game altogether), so it came as a bit of a surprise that I really liked this book. It’s like a novel-length solution with pretty solid mathematical proof (I wouldn’t know, I just took Watney’s word for it that his calculations were right, haha) for the problem of how anyone can survive on Mars. Okay, Mark Watney’s obviously not anyone, as he’s a botanist and mechanical engineer on top of being a trained astronaut. He’s way ahead of majority of Earth’s population in terms of chances of survival, but you know what I mean. There is a lot of technical stuff thrown around, from the way the NASA machines work to how they get messed up (which happens several times in the book – who knew life on Mars was hard?!?). It sounds boring and cerebral, but somehow I, the person who never waxed poetic about technical subjects in college, enjoyed it. I think it really says something about a character’s likability if you’re willing to read through how oxygenators and water reclaimers work just to see if he survives at the end. It really helped that Watney is a very good-natured, funny, optimistic kind of guy, because I really wasn’t under the impression that I’d laugh at all while reading this. I totally get how his journal style sometimes can make people feel like he isn’t taking anything seriously, but I liked how it wasn’t all bleak and serious like most sci-fi books are. Maybe it’s because Watney’s log entries exhibit my type of humor, but it definitely made reading the technical parts easier.

TL;DR lots of technobabble but hero’s pretty cool so I really liked it.

I have no idea how this will be translated to the big screen, but I’m ready to see it!

In a nutshell…

Rating: 4/5
Hardcover, 369 pages
Author: Andy Weir
Publisher: Crown
Published: September 23, 2012
Language: English
Genre: Science Fiction

No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes.

Until now.

As Harry nears the end of his eleventh life, a little girl appears at his bedside. ‘I nearly missed you, Doctor August,’ she says. ‘I need to send a message.’

This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.*

It wasn’t easy for me to read this. Harry, the protagonist, would often tell tales of his travels in his various lives, and insert historical happenings here and there that I found tedious to read. Just when something exciting was happening, the next chapter would be a flashback to something he experienced while in Argentina or wherever, and this happened often enough that I had to pretty much force myself to just continue reading. To put matters in perspective, I took almost three and a half weeks to read the first half, and just a little under three days to finish the rest. I figured that perhaps it was hard for me to read about the 20th century because I wasn’t used to it, seeing as the historical fiction I usually read was around 18th-19th, and the 20th felt too recent and depressing with all its wars. Nevertheless, I think I would have appreciated that historical aspect more if the pacing wasn’t too slow for my liking. I’m really glad I stuck with the story though, because in retrospect, the idea of the kalachakra/ouroboran, people that ‘resurrect’ after death in the same time and place they were born, and the various implications of what their actions can do in the ripples of time and how they get killed turned out to be very interesting. Without revealing things too much, both hero and villain were kalachakra, so you can just imagine them battling with all their wits throughout whole lifetimes, only to resume it when they are born again and start over from wherever and whenever they came from. A kalachakra’s date and place of birth, along with his/her parents, are vital information because this is the only way they can be completely killed, so you can just imagine the lengths each side will go through to find out each other’s origins first. I wasn’t a big fan of all the flashbacks, but as you can see, I found the main story line exciting, and by the time it was clear who the villain was (you’ll only find out around the second half of the book – told ya it took too long to get things going here), I couldn’t get myself to stop reading anymore. In the end, I decided that the entertainment I got from the main story outweighed my dissatisfaction with how my relationship with this book began, hence the stars.

This book is part historical, part sci-fi, part travelogue/biography, so if you have an interest in these things, read this by all means! It’ll be worth it in the end.

In a nutshell…

Rating: 3.5/5
Hardcover, 432 pages
Author: Claire North
Publisher: Redhook
Published: January 1, 2014
Language: English
Genre: Science Fiction, Historical

Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real, she’s prone to disappearing on mysterious “errands”, she speaks many languages – not all of them human – and her bright blue hairactually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.

When beautiful, haunted Akiva fixes fiery eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?*

This is another episode of me putting aside all other reading commitments in answer to a challenge to read and review another highly recommended book (*shakes fist at Maria* honestly, woman, the things you make us do). I wanted so badly to go write a review for another book but unfortunately this has to take precedence, because I don’t often get competitive and it’s a moment to be treasured. Anyway.

The world Laini Taylor created was beautiful, and my imagination ran wild with envisioning the creatures and the characters, as well as the places described. One of my bookish friends said I would want to go to Prague after reading this, and she was right. One of the reasons I couldn’t finish reading this book in one sitting as I planned was because I constantly had to stop and look pictures of Prague. Sometimes I would stop and bring out my sketchbook (number two, if you must know, and unfortunately still not art student material) and try drawing Madrigal or Akiva or some other chimaera, because all of the scenes with Karou drawing in it made me want to try it too. I loved imagining everything in my head, and certain aspects of the book brought out that childlike wonder.

The writing was also exquisite. I loved all the cosmic adjectives and the author’s pretty ways of describing things, and while some were pretty wordy (or was I the only one constantly checking the dictionary just to see if I deducted the meaning right?), it didn’t feel contrived or affected at all. The flow of words was natural, and reading it was like a dream, so there’s definitely no problem on that front…

…but. See, this is why I am always weary of paying attention to hyped anythings – it’s hard not to have expectations. While said expectations have been met in the aforementioned aspects, I thought there was something missing that prevented me from really enjoying this book. I suppose it’s just a matter of taste, because a lot of people like this book, and I could see why, and it’s just that it’s not for me. There were some parts that reminded me too much of other books I didn’t enjoy, books that also had hints of too beautiful men and instant attraction that didn’t make me as invested in the relationship. Something felt a little off. Then there was this bunch of chapters in the second half that detailed a flashback that at that moment I didn’t really want to read about – I just wanted to get to the main storyline to see what would happen, so I found myself getting more and more impatient with each flashback chapter. It was at this point that I gradually lost interest, which was a shame, because the last few chapters were great, and if only that flashback was a little shorter, I would have enjoyed the book as a whole more.

Still, I’m burning to know what happens in the next book. I could finally see characters that I liked, and wanted to know more, before that pretty abrupt ending. This one felt too much like an exposition for its sequel, so maayybbeeee I’ll like the second more than this. Not sure if I’ll get to read it though, with all the other books from my to-read pile calling out my name, but that’s a door I won’t close.

In a nutshell…

Rating: 3/5
Hardcover, 418 pages
Author: Laini Taylor
Publisher: Little, Brown Books for Young Readers
Published: September 27, 2011
Language: English
Genre: Young Adult, Fantasy

Reviews elsewhere

• I Like It Dog-Eared
• reading is the ultimate aphrodisiac
• The Blair Book Project
• Chachic’s Book Nook

Kell is one of the last Travelers—rare magicians who choose a parallel universe to visit.

Grey London is dirty, boring, lacks magic, ruled by mad King George. Red London is where life and magic are revered, and the Maresh Dynasty presides over a flourishing empire. White London is ruled by whoever has murdered their way to the throne. People fight to control magic, and the magic fights back, draining the city to its very bones. Once there was Black London – but no one speaks of that now.

Officially, Kell is the Red Traveler, personal ambassador and adopted Prince of Red London, carrying the monthly correspondences between royals of each London. Unofficially, Kell smuggles for those willing to pay for even a glimpse of a world they’ll never see. This dangerous hobby sets him up for accidental treason. Fleeing into Grey London, Kell runs afoul of Delilah Bard, a cut-purse with lofty aspirations. She robs him, saves him from a dangerous enemy, then forces him to another world for her ‘proper adventure’.

But perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, Kell and Lila will first need to stay alive — trickier than they hoped. *

I started reading this with just a fair amount of interest, and I wasn’t as invested at the beginning because I found it quite slow, so it was always in the back burner for a while until I finished the other books I was reading at the time, but as I journeyed with Kell and Lila throughout the book, my imagination pretty much exploded trying to imagine all the other Londons, and I had so much fun trying to see everything in my head. I reasoned that I didn’t want to rush it, because I wanted to absorb as much of the worlds as I could, and I figured reading by parts would be the best course of action I could take (yes, I like planning things way too much). That plan turned out pretty well until more than halfway through the book, when I was just, sod it, I’m going to finish the entire thing. Goodbye, schedule for the rest of the day.

The worldbuilding was fantastic. It was like I could imagine what all the Londons looked like, but I still wanted so much to have been there myself, journeying with the characters even though I would have been as much of a liability as a sack of bones. All of the Londons, even White London, were vivid and real to me, and imagining worlds as different as they are but with the same geography made is somehow both easier and more confusing, but that’s okay, because it made me think about the book even while I was doing other things (maybe not such a good thing if you’re busy, but it’s my summer vacation, so it is for me). It came to the point where I wished so much that I am a really good artist so I can put onto paper the Londons as I imagine them to look like.

I also found the characters great. It wasn’t love at first sight for me, because I only started actively rooting for them when the masquerade started and things finally started getting exciting, but I liked them just the same. I wish I got to see Rhy more, because Kell’s really biased and I wanted to form my own opinion of him. The interactions with Lila was a promising start, and perhaps there will be more ways I could get to know him in the sequel, so yay! Also, *spoiler alert* some of the supporting characters die, so best not get too attached. I was so upset about a couple of the deaths, even though I don’t even know them that well, but I guess it just has to be done. This is a war, after all, albeit a really small-scale one that the masses of Grey, Red, and White London know nothing about, but it’s the beginning of one, so I’m sure the dying won’t stop anytime soon.*end of spoiler alert*

This is the kind of book that made me so eager to see what’s next that I was already reading the next page before I realized that I haven’t even finished reading this description paragraph thing a page before, so then I have to read everything again, and then I get ahead of myself. I blame that as the main reason why I couldn’t finish the book sooner, but really, it’s just an excuse to keep reading before it actually ends. I highly recommend this book for anyone who loves fantasy, adventure, and a dash of steampunk. 

Favorite quotes

Purity without balance is its own corruption.

‘I’d rather die on an adventure than live standing still.’

‘Love doesn’t keep us from freezing to death, Kell,’ she continued, ‘or starving, or being knifed for the coins in our pocket. Love doesn’t buy us anything, so be glad for what you have and who you have because you may want for things but you need for nothing.’

Delilah Bard looked like a king. No, she thought, straightening. She looked like a conqueror.

In a nutshell…

Rating: 4.5/5

400 pages
Author: V.E. Schwab
Original Language: English
Published: February 24, 2015
Genre: Fantasy

That’s what Macy has to look forward to while her boyfriend, Jason, is away at Brain Camp. Days will be spent at a boring job in the library, evenings will be filled with vocabulary drills for the SATs, and spare time will be passed with her mother, the two of them sharing a silent grief at the traumatic loss of Macy’s father.

But sometimes, unexpected things can happen—things such as the catering job at Wish, with its fun-loving, chaotic crew. Or her sister’s project of renovating the neglected beach house, awakening long-buried memories. Things such as meeting Wes, a boy with a past, a taste for Truth-telling, and an amazing artistic talent, the kind of boy who could turn any girl’s world upside down. As Macy ventures out of her shell, she begins to wonder, Is it really better to be safe than sorry?

I’ve seen people constantly recommending Sarah Dessen books in my Goodreads feed for years now (most of the ladies in my book club have read at least one, I’m sure), and I always see her books in bookshops as well, but for some reason, I’ve never really been compelled to read any of them. I’d say perhaps I judged the books based on their cover, but I’ve read (more than) enough “trashy” books to know that isn’t the case. At any rate, I’ve always found some other book to read other than Sarah Dessen’s books. Until now.

It was pretty funny how it started, actually. We were challenged by our book moderator of the month at The Filipino Group, Maria, to read a YA book and post a review, and since this was one of the books I had on hand (I didn’t say I didn’t have copies, only that I never actually got around to reading them), I might as well read it, seeing as I didn’t have the time to look for anything else. And since I’m writing a review already, why not post here, as a comeback entry to the blog after *gasp* two years?!

Long story short, I enjoyed it more than I thought I would. I expected a tired romance plot with cliche characters that I’ve seen millions of times, but I’m happy to report that no, that’s not really the case. Beyond Macy’s development from a timid and mousy pushover to a strong and almost-fearless woman, I genuinely enjoyed her relationships with the other characters – her control freak mother, her daring sister Caroline, and especially the endearing Wish team: scatter-brained Delia, confident Kristy, “sa-woon”-worthy Wes, Bert who always looks at the dark side of life, and even half-robot Monica.

It wasn’t a mystery, the way the story ended. It’s something you can kind of expect from the beginning, but what I liked about this book was the process of how Macy started moving on. I liked seeing how she changed for the better, because even if at the start I was pretty frustrated with her life choices, I really couldn’t help wishing the best for her. When she finally got to do what she had to do, I practically swelled with pride, even though it was inevitable anyway, which just goes to show how great Sarah Dessen is with her characters. 

Beyond the sweet romance with Wes that I expected (which I got slow-burn style, just the way I liked it), I also got a story that dealt with loss, relationships, moving on, and the truth about forever with more depth and heart than I imagined. If the rest of Sarah Dessen’s books are like this, then I can clearly see why there would always be people reading and reviewing them in my feed. I’m already one of them, after publishing this review. Who knows, this might not even be the last.

In a nutshell…

Rating: 4/5
Paperback, 374 pages
Author: Sarah Dessen
Publisher: Penguin Group, Inc.
Published: May 11, 2004
Language: English
Genre: Young Adult, Contemporary

Introducing one of the most famous characters in literature, Jean Valjean – the noble peasant imprisoned for stealing a loaf of bread – Les Misérables (1862) ranks among the greatest novels of all time. In it Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them onto the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose. Within his dramatic story are themes that capture the intellect and the emotions: crime and punishment, the relentless persecution of Valjean by Inspector Javert, the desperation of the prostitute Fantine, the amorality of the rogue Thénardier and the universal desire to escape the prisons of our own minds. Les Misérables gave Victor Hugo a canvas upon which he portrayed his criticism of the French political and judicial systems, but the portrait which resulted is larger than life, epic in scope – an extravagant spectacle that dazzles the senses even as it touches the heart. This Signet Classic edition is a new version translated by Lee Fahnestock and Norman MacAfee, based on the classic nineteenth-century Charles E. Wilbour translation.*

You might have wondered how come there are copies of Les Misérables out on the market with only 500 pages while there are others that are a staggering ~1500 pages long. What could possibly be in the unabridged version that only a third of the book remains for abridged consumption? I am not going to lie. I totally understand how a thousand pages could be shaved off and honestly, you could still get the meatiest parts of the plot. Victor Hugo has a knack for relating the histories of the most obscure things in painfully long paragraphs filled with meticulous details that you could live the rest of your life not knowing. There are whole chapters on battles (those were interesting for me), goings-on in secluded convents (slightly interesting), and sewers (not at all). It’s crazy and even the most patient reader could get a tad annoyed. If you are to read Les Misérables, though, I would still insist on reading the unabridged version. All 1463 pages of it, like my paperback version. In all its full glory.

Why?

(WARNING: As E.M. Forster would say: ‘One always tends to overpraise a long book, because one has got through it.’ So get ready.)

Les Misérables is one of the most thought-provoking, beautiful, and thorough books I have ever read. I know I use ‘beautiful’ quite a lot in my past reviews, but this is just a whole other level. It transcends beauty. I picked up the book expecting to read about some character’s life journey, because that’s the only way this book could reach that many pages, right? Wrong. I expected to get myself acquainted with the characters and their lives, but in the end I got their entire world. This goes complete with history, geography, politics, with bonus philosophy, and several others things thrown in that I certainly didn’t bargain for, but you know what? For all the difficulties reading those things gave me, I loved it.

Hugo’s (somewhat) helpful supplications of history and explanations gave me the background information I didn’t know I needed, making me appreciate the setting more. I felt like I lived within French society in the early 19th century because of the information I gathered that only a resident could possibly know.

And goodness, the characters. I cannot even begin to say how much I loved them all. Hugo’s detailed descriptions of their personalities, back stories, memories, thoughts, actions, and internal conflicts created a myriad of people with intersecting lives, making the main parts of the story very interesting. I particularly love Jean Valjean, Fantine, Gavroche, Enjolras, and Eponine, but honestly, you could like any character and I wouldn’t be surprised. They all had several facets in their personality that goes beyond your first impression of them. You couldn’t help but understand why they do what they do once you understand their motives. I really felt sorry for all their hardships, even the difficult ones, because you know they all need to survive, but only do them in their own ways.

I was lurking around Goodreads when I stumbled across this quote by Mick Foley:

“A big book is like a serious relationship; it requires a commitment. Not only that, but there’s no guarantee that you will enjoy it, or that it will have a happy ending. Kind of like going out with a girl, having to spend time every day with her – with absolutely no guarantee of nailing her in the end. No thanks.”

When you pick up Les Misérables, don’t expect to read something gripping that’s supposed to make you fly through the pages till the end. There are several books out there for that purpose, and Hugo never meant for it to be like that. Don’t expect happy endings. Sometimes a perfect ending is nothing you expect it to be. Don’t expect instant enlightenment. Like the characters, you would have to journey and think about it for a while. Do expect a commitment. It’s not going to be easy reading this book, but I promise, it will be worth it. Don’t leave it, and it won’t leave you. Do expect change. The two weeks it took me to read through this book turned out to be my own personal journey, because when I finished it, I honestly wanted to be a better human being. Really! I know it sounds preposterous and silly, but it’s true. I feel engulfed in a halo because I swear, the book changed me. I may forget some characters’ names, or some parts of the book, but I will never forget the emotions it got out of me and the way it has touched and inspired me in so many ways.

Les Misérables is a beautiful story of humanity in all its forms, good or bad, in all its beauty and filth, in all its problems and triumphs, as it goes through life in its constant struggle for redemption. Just please, please, please, read it and be inspired.

PS
I feel the need to mention the highly successful musical and film adaptations here. I loved them so, so much. I am pretty much still reeling from watching Les Misérables in the cinema last night. If you loved them, I promise you, you will love the book. It’s all really beautiful.

PPS

Day 6: Or, it’s already been six days since you finished the book. Just get over it already. To which my heart says: No.

In a nutshell…

Rating: 5/5

1463 pages
Author: Victor Hugo
Original Language: French
Published: 1862
Genre: Classic, Drama

All Hannah Darson wanted was a peaceful summer vacation after her first year of teaching in high school. She and her brother Ben are all set up for six weeks of relaxation in their mom’s log cabin next to Lake Powell. Hannah hasn’t been there for years, and when she runs into Ben’s best friend Josh again, she discovers he has grown up… fast. The young boy from the Navajo reservation turns out to be the local heart-throb, and Hannah falls head over heels for him. But vacation in Arizona is not a bed of roses: after being stranded and harassed at Lake Powell in the evening, Hannah is plagued by terrifying dreams about war, a Navajo village from the past, and three mysterious shapeshifters who are haunting her in her nightmares and even seem to invade the real world.

What is happening to her? And why does Josh appear in her dreams about the past, too..?

 

I haven’t read the book yet, but the first few chapters seemed to be a lot of fun. What more can you expect from such a warm and friendly author?  If you want a new YA paranormal romance to enjoy, you should try this! Shadow of Time is out on Kindle now and will also be available in Smashwords on March 15, so watch out for that!

About the Author:

Jen Minkman (1978) was born in Holland, in the town of Alphen aan den Rijn. When she was 19, she moved between The Hague, Salzburg (Austria), Brussels (Belgium) and Cambridge (UK) to complete her studies in intercultural communication. She is currently a teacher of English, career counsellor and teenage coach at a secondary school in Voorburg, Holland. She tries to read at least 100 books a year (and write a few, too!).

In her spare time, she plays the piano, the guitar and the violin. For every novel she writes, she creates a soundtrack. Find out more about her books on her website. Or send an e-mail!