Coleman Projects

2012 programme

coleman — Fri, 24 Feb 2012 16:22:33 +0000

We are currently finalising our programme for 2012 due to start April We will keep you updated !

Throwing Shapes Talk & closing event

coleman — Wed, 27 Oct 2010 10:38:14 +0000

Artist Talk: Throwing Shapes

Vanessa Jackson on maths, movement and Modernism with artist Alasdair Duncan and writer Rebecca Geldard

Sunday, 7 November 2010. Free, no booking required.

Talk: 3pm at Cafe Gallery, Centre of Southwark Park, London, SE16 2UA. Travel to Canada Water on Jubilee and Overground Lines.

Closing Event: 5pm - 8pm at Coleman Project Space, 92 Webster Road, London SE16 4DF. Travel to Bermondsey on Jubilee Line.

Captain Zip presents

coleman — Thu, 29 Apr 2010 21:27:18 +0000

Friday May 14th 8 pm Captain Zip presents:-

A selection of short silent films from the 1910s

from the 8mm film collection of Philip Munnoch

Southwark on TV

coleman — Mon, 05 Apr 2010 22:04:31 +0000

Southwark on TV

Preview:     Thursday 15th April 2010   5 30 – 8 30 pm

Dates:       16th April - 9th May 2010

Times:       Thurs, Fri, Sat & Sun 12pm – 6 pm

Southwark on TV is a new multi-screen installation commissioned by Coleman Project Space.

The gallery transforms into a TV studio for a month. Using our Media Kiosk visitors are invited to have their say, whether it be news, thoughts, opinions or general musings. A selection of which will be regularly updated and broadcast in the gallery and to the world via youtube and other community Channels.
http://www.youtube.com/thecolemanprojects

Also screening is a new film written, acted, filmed and directed by the Bede Youth Adventure Project in collaboration with Chris Haydon from Southwark TV. ‘Decisions’ filmed on location in Bermondsey captures a dramatic fictional account of the outcomes of peer pressure.
Other screenings include a dance interpretation on the theme of ‘Decisions’ and vox pops with the young people who made the film.

The Southwark on TV project is financially supported by
Grassroots Grants, Capital Community Foundation and Southwark Council

2010

coleman — Tue, 22 Dec 2009 18:24:55 +0000

Newly commissioned exhibitions and workshops for the year 2010

will shortly be available

Death is Their Destiny

coleman — Sat, 24 Oct 2009 01:06:58 +0000

Death is Their Destiny

Friday 6 th November 2009

7.00 pm til12 midnight

Death Is Their Destiny : Film screening
Kings Road Punk Portraits 1978/81 from the Captain Zip Archive

Death Is Their Destiny
"I spent almost every Saturday between 1978 and 1981 filming on the King's Road, "punk is dead” says graffiti outside Seditionaries, but it lives on in every frame of this turbulent time capsule." Captain Zip. March 1978. Standard 8mm. Sound (added 1991). 18fps. 11 mins.

The Last Resort
"Rat becomes a shop window dummy. A visit to PX in Covent Garden and milk bottle smashing with Michelle, Nita and Louise." Captain Zip. 1978. Standard 8mm. Silent. 18fps. 14 mins.

In The Gutter
"Punks from Warrington, France, Ireland and Oxford. A Tiswas-style impression of a dying fly and Louise's tattoos." Captain Zip. 1978. Standard 8mm. Silent. 18fps. 12 mins.

Don't Dream It - See It
"Jordan working as a shop assistant at Seditionaries, Rat jumping into a shop window to pose in new clothes and punk band The Dispozest going straight to number ten (Downing Street) in the days before Mrs Thatcher sealed it off." Captain Zip. 1978. Standard 8mm. Silent. 18fps. 14 mins. Music: CD Sunday Times Anarchy in the UK volume 1.

We're No Angels
"The new craze for covering your face with toothpaste begins. A visit to Alaska Studios to see The Dispozest rehearse, a punk squat at Portobello Road, and punk shop Smutz in Beaufort Market." Captain Zip. 1979. Std 8mm. Silent. 18fps. 15 mins.

The Battle of Beaufort Market
"Jane Ashtray poses at Colourspace. Julie and Sally show off until the Special Patrol Group arrive. Plus a demo against the closure of Beaufort Market." Captain Zip. 1979. Std 8mm. Sound. 18fps. 15 mins.

Brains in Frames
"A foodless punk picnic on Hampstead Heath. Punk shop Smutz. Glue sniffing and a new fashion from Degvilles." Captain Zip. 1980. Std 8mm. Silent. 18fps. 15m.

Citizens Banned
"The decline of punk. Katie Thunder poses with a vicar. Wobble gets legless and glue sniffing occurs openly at a graveyard." Captain Zip. 1981. Std 8mm. Silent. 18fps. 12 mins.

Big Draw: Crystalline Days

coleman — Thu, 08 Oct 2009 15:38:16 +0000

Crystalline Days

coleman — Sun, 23 Aug 2009 21:33:17 +0000

Crystalline Days

Studies for Crystalline Days : untitled I 2 3

Due to public demand Crystalline Days has been extended til NOVEMBER Ist

Preview : September 11th 2009 6 - 9 pm
Dates: September 12th 2009 – November 1st 2009
Times: Fri – Sun 12pm – 6 pm & by appointment

Painter Jack Duplock is the sixth artist selected for Coleman Project Space’s annual residency. The London-based artist will spend 5 weeks in the gallery developing the variant strands of his drawing practice in a single site-specific installation.

Duplock’s savvy reassembly of pop cultural simulacra and art historical concerns extends from the American West Coast school of figuration, a fusion of low-fi countercultural and high-art painterly sensibilities that emerged during the early 1990s. Modes and moods of the movement pervade – surreal anti-narratives, ’zine-style collage, themes of alienation, dislocation – but Duplock’s intuitive amalgamation of timeless-bucolic and trend-driven urban contexts, is very much of this moment.

“Psychedelic Romanticism” is Duplock’s apt umbrella term for what he does: on walls, canvases and paper. Familiar painting constructs and motifs feature – the portrait, landscape, recycled punk and B-movie constellations - cut from source and rejoined as if outlandish designs for an Airfix kit configuration of a mental map. Duplock’s unpredictable yet rather obsessive handling of both everyday and less commonplace ephemera pulls the viewer, time and again, between received knowledge and personal experience of an image-heavy, technologically sophisticated culture.

Jack Duplock graduated from the RA in 2000 and has since shown internationally, a/o at Cynthia Broan and Cohan and Leslie Galleries, New York, Bloomberg Space, London and Arcuate Arte Contemporaneo, Monterey. Most recently he was included in Soul Stripper at Projet Midi Brussels, with a/o Bas de Wit, Andrew Mania and Thomas Raats. He has previously been selected both for the John Moores Painting Prize as well as the New Contemporaries.He is currently represented by the Agency.

Coleman Project Space is supported by Southwark Council

Summer Shed Party

coleman — Fri, 10 Jul 2009 00:24:16 +0000

Undone Forever

July 25th 9pm

Summer Shed Party for artists, curators, supporters and friends of Coleman Project Space.

With entertainment from The Damend Djs and Visconti Visuals

Crystalline Days

coleman — Fri, 10 Jul 2009 00:18:39 +0000

Crystalline Days

Preview: September 11th 2009 6-9pm
Times: After party from 9 pm
Dates: September 12th - October 4th 2009
Times: Friday-Sunday 12-6pm and by appointment

Site specific drawing installation commissioned by Coleman Project Space

The 6th annual residency artist is Jack Duplock

Biscuit Town on Film Memory Factory 2009

coleman — Sun, 28 Jun 2009 22:44:57 +0000

Biscuit Town on Film

Special Free Summer Event
Saturday 4th & Sunday 5th July 2009
Open 12-6 pm.

Home Movies and Professional Documentary Films recalling memories of Work, Life and Times at the Peek Frean factory in Bermondsey.

Due to the success of Memory Factory 2009 project in February we present the films by popular demand and also include the famous Biscuit salons where visitors can enjoy a cup of tea whilst watching the films and sharing with others their knowledge of peek frean and life in Bermondsey.

Peek Frean operated in Bermondsey from 1867 to 1989, the factory played an important role in forming the economic and social climate: the factory was one of the largest employers in Southwark, at its peak 4000s people worked there. Families worked at Peek Frean for several generations, they met spouses and friends in the factory. The area surrounding the factory was fondly referred to as Biscuit Town, as mainly Peek Frean workers lived there. Biscuit Town is often remembered as a place with a unique social and communal atmosphere, where values of kindness, helpfulness and safety mattered.

Special film Screenings throughout the day feature the BFI Film 'A Visit to Peek Frean & Co's Biscuit Works' (1906), Squirrel Films 'Old Ways New Ways' ( 1989) & the Home Movies of former workers.

Memory Factory 2009 supported by Awards for All and Southwark Council

SALT HOTEL

coleman — Tue, 05 May 2009 12:46:10 +0000

Salt Hotel

Dates:            23rd May 2009 – 14th June 2009

Times:                            Fri, Sat , Sun. 12 - 6 pm & by appointment

Preview:         Friday 22nd May 6 - 9pm

Acoustic Performance: Fri 22nd May 9-late featuring Arthur Brick and The Mountain Tops

Coleman Project Space presents Salt Hotel a series of etchings by Zoe Hodgson that draw on landscapes and structures seen both near and far, from South America to South London. The images share an exchange between object and site and convey a sense of an underlying, possibly apocalyptic, world returning.

Some 40,000 years ago, on the Bolivian Altiplano, a giant prehistoric lake began to give up its water to the thin Andean air. This reverse rain left a crystalline desert of 40 square miles, a salt lake known as the “Salar de Uyuni”. In the middle of this seemingly endless expanse of white stands a hotel made entirely of salt. Although a relatively recent structure the hotel seems to share the prehistoric aura of its surroundings. Rather than something built, it seems to have grown, and the cone like shapes of the roofs echo the piles of salt that the local people extract to sell.

Like flicking through a book in which paintings have been submitted to x-ray inspection, Hodgson’s de-saturated and colourless view of the world creates a tonal landscape of petrified moments, a forensic view of the beginnings of things. The aforementioned process is known as a “shadowgraph” and like a photographic negative each image creates an unsettling vision of the world; a retinal after burn that lives on the inside of a closed eye, a Luna landscape full of lies or a dead world returning in the form of a crystal ghost. Despite this ambiguity in the image there is also a strong sense of materiality, a unifying physical presence, like coral coating the bows of a drowned ship. Her eye and etching tool become an incision into the fabric of the world, a tear that allows us to see the ruined bones of time re-flesh themselves, a wound that frames a brutal beauty akin to the films of Andrei Tarkovsky (Stalker) and Frantisek Vlacil (Marketa Lazarova).

Coleman project Space supported by Southwark Council
Press & Images Frances Coleman 07930377734
www.colemanprojects.org.uk

Memory Factory 2009

coleman — Mon, 05 Jan 2009 23:09:44 +0000

Memory Factory 2009

Venue:     Coleman Project Space, 94 Webster Road, SE16 4DF

Dates:     23rd January – 8th February 2009

Times:     Thur, Fri, Sat , Sun. 12 - 5pm

Launch:    Thursday 22nd Jan. 6 - 9pm

Coleman Project Space presents a free exhibition reflecting on life
and work at the Peek Frean Biscuit Factory in Bermondsey on the twentieth anniversary of its closure.

Peek Frean biscuit factory returns to Bermondsey as Memory Factory 2009,
with three weeks of free events, a new film and a free booklet to take away, featuring old photographs and the memories of former Peek Frean workers.

Memory Factory 2009 builds on previous projects relating to the Peek Frean biscuit factory situated in Bermondsey. In 2004, Coleman Project Space together with msdm (artist Paula Roush) held the first Memory Factory running a number of tea salons inviting former workers, their relatives and members of the public to meet in the gallery to reminiscence and share their stories about work and life at Peek Frean. Later in 2004, Paula Roush staged SOS: OK an emergency food relief operation, consisting of distributing emergency biscuits recreating memories around real life provision from Peek Frean the first ever food relief to the starving people of the siege of Paris 1874. In 2006, Coleman Project Space presented Memory Factory 2006, on the anniversary of the famous Cricks and Martin film of 1906 again inviting former employees to share memories and view the new digitally re-mastered films Biscuit Town & Old Ways New Ways by Sands Films.

Peek Frean operated in Bermondsey from 1867 to 1989, the factory played an important role in forming the economic and social climate: the factory was one of the largest employers in Southwark, at its peak 4000s people worked there. Families worked at Peek Frean for several generations, they met spouses and friends in the factory. The area surrounding the factory was fondly referred to as Biscuit Town, as mainly Peek Frean workers lived there. Biscuit Town is often remembered as a place with a unique social and communal atmosphere, where values of kindness, helpfulness and safety mattered.

Memory Factory 2009 captures memories associated with Peek Frean told by former workers at the tea salon events in 2004 and 2006. Memories connect the past to the present, the collection of memories and oral histories creates a platform for intergenerational communication, exchange and learning.

The Memory Factory 2009 exhibition presents two new works and a number of activities relating to Peek Frean, free and open to all.
A new publication featuring memories of former Peek Frean workers alongside old photographs kindly donated by Rotherhithe Picture Research Library and Blackfriars Photography Project.
A film presenting memories of former workers and discussions that took place during the previous tea salon events accompanies the publication.

Other key activities include:

Two expert talks on Peek Frean and the value of collecting memories.
Caroline Marais, director of the Pumphouse Museum in Rotherhithe, will give a talk on the history of Peek Frean in Bermondsey on Friday 23rd of January 2009, at 2pm and on Friday 6th February at 2pm, Arne Sjogren will give a presentation on the value of collecting memories for historical and artistic purposes.

Friday 23rdJanuary,Thursday 29th January, Thursday 5th February & Saturday 7th February 1pm- 4pm, Coleman Project Space will run tea salon events inviting former workers and members of the public to bring along items of memorabilia or memories to share and discuss life and work in Bermondsey. Free tea and biscuits will be provided.
Friday 30th Jan there will be a tour of the old factory premises, courtesy Workspace Group time to be confirmed

Memory Factory Project 2009 is supported by Awards for All and Southwark Council

Outlet Closing Party

coleman — Wed, 10 Dec 2008 17:46:16 +0000

When the deal goes down
OPEN MUSIC ARCHIVE OUTLET

Closing Party with mulled wine

Friday 12th Dec 6pm - 10pm

Live Open Music Archive laptop DJ set

WHEN THE DEAL GOES DOWN

coleman — Tue, 18 Nov 2008 19:23:00 +0000

WHEN THE DEAL GOES DOWN:
OPEN MUSIC ARCHIVE OUTLET

Preview event Friday 21st Nov 6 – 10 pm with Live Open Music Archive DJ set

Dates:           Sat 22nd Nov – Sun 14th Dec 2008

Times:           Fri – Sun 12pm – 5pm & by appt

Invited by Marianne Burki for Coleman Project Space Open Music Archive Outlet
is a new project by artists Eileen Simpson and Ben White.

Eileen Simpson and Ben White’s work is a hybrid; it sits at the intersection of art, design, music and IT systems exploring the potential of public domain material, mining for out-of-copyright shellac 78s and film and employing this material to initiate new collaborations with musicians, designers, artists and curators.

Open Music Archive sources, digitises and distributes out-of-copyright sound recordings – mainly 1920s and 30s blues, jazz, folk and music hall – depression era songs of love, life and death, struggle, desire, economic hardship and laughter. The archive acts as a resource for new projects and collaborations. By inviting musicians, DJs and producers to reanimate the archive by cutting, splicing, covering and remixing the material for a series of projects, live events and CD or vinyl releases, each new project is potentially the first step in a long chain of reworking, sampling and looping that reaches far beyond the limits of the archive – from an unplugged version of Leroy Carr’s Six Cold Feet In The Ground flipped by a female folk singer to a UK hip-hop take on Jimmie Rodger’s 1928 Waiting For A Train.

For Coleman Project Space, Simpson and White revisit the space’s former life as a shop and collaborate with designer Ismini Adami to set up a temporary outlet store - distributing direct to the public The outlet makes available the material from the archive on CDs, hand printed CDRs, and vinyl which visitors can browse, listen to and take away. The CDs and records are available in exchange for a suggested donation and all material is out-of-copyright or copyleft licensed – free for use and reuse in the future. Featuring new live recordings of collaborations with Serafina Steer, Hest, Magic Arm, Sisters of Transistors, studio recordings of work with Homelife Duo, Liz Green, Sundowner; and 1920s and 30s archive source recordings by Virginia Liston, Cleo Brown, Honey Hill and more. . .

Eileen Simpson and Ben White’s work was recently selected for Nought to Sixty, ICA and for British Art Show 6 (Screen Tests in collaboration with Neil Cummings and Marysia Lewandowska). Recent work has been shown with Gasworks, London; Vegas Gallery, London; K3, Zurich; Free Studios in Geneva; Who Makes and Owns Your Work, Stockholm; Makan House, Amman; Futuresonic, UK and Cornerhouse, Manchester.

Press & images Frances Coleman 07930 37 77 34
Coleman Project Space is supported by Southwark Council

WHEN THE DEAL GOES DOWN

coleman — Wed, 12 Nov 2008 21:55:08 +0000

WHEN THE DEAL GOES DOWN:
OPEN MUSIC ARCHIVE OUTLET

Free Preview / event Friday 21st Nov 6 – 10 pm with Live Open Music Archive DJ set

Venue:           Coleman Project Space

Address:         94 Webster Road SE16 4DF

Transport:       Bermondsey Jubilee buses: 1,199,381,47,P12,P13,188

Dates:           Sat 22nd Nov – Sunday 14th Dec 2008

Times:           Fri – Sun 12pm – 5pm & by appt

Invited by Marianne Burki for Coleman Project Space Open Music Archive Outlet
is a new project by artists Eileen Simpson and Ben White

Eileen Simpson and Ben White’s work is a hybrid; it sits at the intersection of art, design, music and IT systems exploring the potential of public domain material, mining for out-of-copyright shellac 78s and film and employing this material to initiate new collaborations with musicians, designers, artists and curators.

Open Music Archive sources, digitises and distributes out-of-copyright sound recordings – mainly 1920s and 30s blues, jazz, folk and music hall – depression era songs of love, life and death, struggle, desire, economic hardship and laughter. The archive acts as a resource for new projects and collaborations. By inviting musicians, DJs and producers to reanimate the archive by cutting, splicing, covering and remixing the material for a series of projects, live events and CD or vinyl releases. Each new project is potentially the first step in a long chain of reworking, sampling and looping that reaches far beyond the limits of the archive – from an unplugged version of Leroy Carr’s Six Cold Feet In The Ground flipped by a female folk singer to a UK hip-hop take on Jimmie Rodger’s 1928 Waiting For A Train.

For Coleman Project Space, Simpson and White revisit the space’s former life as a shop and collaborate with designer Ismini Adami to set up a temporary outlet store - distributing direct to the public The outlet makes available the material from the archive on CDs, hand printed CDRs, and vinyl which visitors can browse, listen to and take away. The CDs and records are available in exchange for a suggested donation and all material is out-of-copyright or copyleft licensed – free for use and reuse in the future.   Featuring new live recordings of collaborations with Serafina Steer, Hest, Magic Arm, Sisters of Transistors, studio recordings of work with Homelife Duo, Liz Green, Sundowner; and 1920s and 30s archive source recordings by Virginia Liston, Cleo Brown, Honey Hill and more. . .

Eileen Simpson and Ben White’s work was recently selected for Nought to Sixty, ICA and for British Art Show 6 (Screen Tests in collaboration with Neil Cummings and Marysia Lewandowska). Recent work has been shown with Gasworks, London; Vegas Gallery, London; K3, Zurich; Free Studios in Geneva; Who Makes and Owns Your Work, Stockholm; Makan House, Amman; Futuresonic, UK and Cornerhouse, Manchester.

Press & images Frances Coleman 07930 37 77 34
Coleman Project Space is supported by Southwark Council

WHEN THE DEAL GOES DOWN

coleman — Wed, 12 Nov 2008 20:58:11 +0000

Up coming Event

OPEN MUSIC ARCHIVE DJ SET

Friday 21st November 6 - 10 pm

Invited by Marianne Burki, Open Music Archive is a new project by Eileen Simpson

and Ben white

Chloe, Be My Minotaur

coleman — Mon, 20 Oct 2008 11:47:51 +0000

Chloe, Be My Minotaur

Date:            Saturday 25th Oct – Sunday 16th Nov.

Times:           Fri – Sun 12pm – 5pm & by appointment

Preview:         Friday 24th Oct 6 – 10 pm

Chloe, Be My Minotaur is a new solo show by Dale Adcock

Dale Adcock makes drawings out of his imagination. Autobiographical
details, remembered facts and fictional scenarios are combined in his
monochrome pen and ink works with an urgency that conveys a sense of
leaping from one thought or emotion to another. Whether feather light
or worked almost to the point of complete obscurity, there is a
palpable intensity to Adcock's extensive play with line and tone,
non-representational forms and figuration. In groups, they appear as
fluid in style as source, yet certain evocative details inevitably
prompt historical comparisons: from Primitivist Picassos to the
portentous symbolism of Moby Dick as interpreted by American etcher
Rockwell Kent.

There is no direct correlation between Adcock's separately conceived titles
and the individual works that make up each series, exhibited here for the
first time. Sometimes the back of the paper is titled then the image
drawn on the front, or vice versa. This process establishes a fundamentally
existential dialectic between image and text sometimes serendipitous,
sometimes abstract.

Dale Adcock graduated from Chelsea's MA Fine Art course in 2005. His
works have been selected for group exhibitions at London's ICA, the
Centre for Drawing, Florence Loewy in Paris and Hochschule Fur
Bildende Kunste Braunschweig, Erasmus Residency. Adcock lives and works in London.

Press & images Frances Coleman 07930377734

Coleman Project Space is supported by Southwark Council

Chloe, Be My Minotaur

coleman — Sun, 12 Oct 2008 19:54:14 +0000

Chloe, Be My Minotaur

Date:       Saturday 25th Oct – Sunday 16th Nov.

Times:      Fri – Sun 12pm – 5pm & by appointment

Preview:    Friday 24th Oct 6 – 10 pm

Chloe, Be My Minotaur is a new solo show by Dale Adcock

Dale Adcock makes drawings out of his imagination. Autobiographical details, remembered facts and fictional scenarios are combined in his monochrome pen and ink works with an urgency that conveys a sense of leaping from one thought or emotion to another. Whether feather light or worked almost to the point of complete obscurity, there is a palpable intensity to Adcock's extensive play with line and tone, non-representational forms and figuration. In groups, they appear as fluid in style as source, yet certain evocative details inevitably prompt historical comparisons: from Primitivist Picassos to the portentous symbolism of Moby Dick as interpreted by American etcher Rockwell Kent.

There is no direct correlation between Adcock's separately conceived titles and the individual works that make up each series, exhibited here for the first time. Sometimes the back of the paper is titled then the image drawn on the front, or vice versa. This process establishes a fundamentally existential dialectic between image and text sometimes serendipitous, sometimes abstract.

Dale Adcock graduated from Chelsea's MA Fine Art course in 2005. His works have been selected for group exhibitions at London's ICA, the Centre for Drawing, Florence Loewy in Paris and Hochschule Fur Bildende Kunste Braunschweig, Erasmus Residency. Adcock lives and works in London.

Press & images Frances Coleman 07930 37 77 34

Coleman Project Space is supported by Southwark Council

Captain Zip Unleashes 8 mm

coleman — Mon, 01 Sep 2008 08:51:46 +0000

Captain Zip presents Coney Island Baby !

Date: Friday 12 September 2008

Time: 8.30 - Midnight

Films: 8.45 – 10.15 pm (doors 8.30 pm)

An evening of silent comedy from the collection of Philip Munnoch Djs & visuals

Up the Pole
Man carrying a heavy pole across Paris, is persuaded to begin his journey in a bar.
Up The Pole is unlikely to be the original title. Titles were often the first part of a film to decay due to being processed in inferior chemicals.
French. Circa 1905. Standard 8mm. Silent. 18fps. 8 mins.

Coney Island
Insane slapstick with a cross dressing Fatty Arbuckle, shot on location at New York’s Coney Island amusement park. A rare opportunity to see Buster Keaton smile and cry.
Comique Film Corp. Paramount. 1917. Standard 8mm. Silent. 18fps. 15 mins.
(one-reel extract from the two-reeler)

Just Neighbours
The joys of suburban next-door neighbours, could be the first domestic sit-com. Star Bebe Daniels went onto become a Wartime forces sweetheart on BBC Radio, and Harold Lloyd just went on…
Rolin Film Co for Pathé Film Exchange. 1919. Standard 8mm. Silent. 16fps. 15 mins.

Four Fifty Footers
When Captain Zip began collecting 8mm film in 1963, he could only afford four minute fifty foot extracts. Here are four favourites; Fluttering Hearts (1927); Fight Night (1926); Our Gang (The Little Rascals) in Exploring A Haunted House; and The Keystone Kops bringing chaos to the streets of Los Angeles in Mack Sennett's Love in a Police Station (1927).
USA, 1926-28. Standard 8mm. Silent. 18fps. 16 mins.

Be My King
British silent comedian Lupino Lane and his brother Wallace Lane experience desperate living on a desert island as shipwrecked mariners.
Educational Pictures. 1928. Standard 8mm. Silent. 18fps. 25 mins.

His Marriage Vow
Pessimistic chauffeur Vernon Dent disturbs "part child, part dope fiend" Harry Langdon on his wedding day.
Mack Sennett. Pathé Film Exchange. 1925. Super 8. Silent. 18fps. 13 mins. (one-reel extract from the two-reeler)

Event organisers Siena Barnes & Simone Dahlmann

Coleman Project Space supported by Southwark Council

Film Event: Cosmo Vinyl Unleashes 8mm

coleman — Fri, 18 Jul 2008 11:31:53 +0000

COSMO VINYL UNLEASHES 8MM

Friday 25 July 8pm - 12am

Film Viewing: 8.15 - 9.30pm

early sci-fi from the collection of Philip Munnoch, go-go girls, kizwengfranco and djs

A Trip to the Moon (Le Voyage dans la lune, 1902) is a French black and white silent science fiction film, made by and starring George Méliès. A group of astronomers and astrologers plan a trip to the Moon in a gigantic bullet and have an adventure with the Selenites after landing in the eye of the Man in the Moon. The Selenites arrest the astronomers and bring them to their leader. Star Film. Paris. Standard 8mm. Silent. 16fps. 15 mins   

Conquest of the Pole (Conquête du pôle, 1912) is a French black and white silent science fiction/ fantasy film, one of only four films produced by Georges Méliès in his final year as a film maker. A group of explorers attempt to reach the Pole and have an adventure with a gigantic menacing (man eating!) iceman. Star Film. Paris. Pathé. Standard 8mm. Silent. 16fps. 15 mins  

The Crazy Ray (Paris Qui Dort, 1923) This early science fiction film was an experiment shot in 21 days by Rene Clair, who was until then a young film critic and actor in film serials. The night watchman on the Eiffel Tower comes off his shift to find people all over Paris frozen in motion. Paris has been brought to a complete standstill except for a few people who are out of range of Dr Bardon's ray. This film is said to be an affectionate look back at early trick films, the film concerns a group of people trying to survive in post-ray Paris, with some stunningly dangerous Eiffel Tower location work. Films Diamant. France. 1923. Standard 8mm. Silent. 16fps. 30 mins  

Taxi Dolls (1929) is an American silent black and white slapstick comedy from Sennett’s Keystone Comedy Studios. Fritz Lang's Metropolis wasn't the only 1920s film to have a robot woman. In Taxi Dolls, Professor Schmidt's astounding European novelty Beatrice the Mechanical Doll is the latest thing in obedient flappers until a stage hand accidentally starts her up and she becomes confused with an identical woman in one of the city's Owl Cabs. Mack Sennett Keystone Comedy. USA. Cert U. Super 8. Silent. 18fps. 15 mins

Coleman Project Space supported by Southwark Council

Columbo

coleman — Tue, 08 Apr 2008 23:26:37 +0000

{mosmedia}

Columbo

Date:              Friday 18th April – Sunday 11th May

Times:             Fri – Sun 12pm – 6pm & by appointment

Preview:           Friday 18th April 6 – 10 pm

Columbo is a newly commissioned site-specific installation by William
Cruickshank, the culmination of a four week residency at Coleman Project
Space

William Cruickshank’s sculptural entities offer poetic meditations on
how things work and the roles that objects play in specific contexts and
locations. Taking a whatever-comes-to-hand approach to the scientific
experiment, Cruickshank utilises the physical properties of familiar
items in ways that question our predefined need or desire for them.

The ideas for his inventions – whether flying a bike over the rooftops
of a Chinese village, creating the perfect cappuccino cocoa circle with
a record deck or developing a sausage tree as solution to the demands of
mass feeding as precipitated by an international residency – often arise
out of his day-to-day experiences within given places. Such economy of
means, if not necessarily scale, brings to mind Fluxus experimentation
and the empirical investigation of Swiss sculptor Roman Signer.

Cruickshank proposes a holistic approach to the building and its
location – a single operative element, or perhaps several that connect
the nature and various functions of the site. As a gallery space, studio
and home with a curious past, Coleman offers many interesting
architectural facets and historical details from which to respond. As
for the kinetic proposition that might emerge here from the subsection
of domestic, art and architectural concerns, the only thing one can be
sure of is that Cruickshank’s spidery inventiveness will extend as far
as the amalgamated materials themselves dictate.

Columbo

coleman — Wed, 02 Apr 2008 14:14:31 +0000

William Cruickshank's preview evening Friday 18th April

6 till late food & drinks

Columbo

coleman — Wed, 02 Apr 2008 14:09:02 +0000

Columbo

{mosimage}{mosimage}

Date:          Friday 18th April – Sunday 18th May

Times:         Fri – Sun 12pm – 6pm & by appointment

Preview:       Friday 18th April 6 – 10 pm

William Cruickshank’s sculptural entities offer poetic meditations on how things work and the roles that objects play in specific contexts and locations. Taking a whatever-comes-to-hand approach to the scientific experiment, Cruickshank utilises the physical properties of familiar items in ways that question our predefined need or desire for them.

The ideas for his inventions – whether flying a bike over the rooftops of a Chinese village, creating the perfect cappuccino cocoa circle with a record deck or developing a sausage tree as solution to the demands of mass feeding as precipitated by an international residency – often arise out of his day-to-day experiences within given places. Such economy of means, if not necessarily scale, brings to mind Fluxus experimentation and the empirical investigation of Swiss sculptor Roman Signer.

Cruickshank proposes a holistic approach to the building and its location – a single operative element, or perhaps several that connect the nature and various functions of the site. As a gallery space, studio and home with a curious past, Coleman offers many interesting architectural facets and historical details from which to respond. As for the kinetic proposition that might emerge here from the subsection of domestic, art and architectural concerns, the only thing one can be sure of is that Cruickshank’s spidery inventiveness will extend as far as the amalgamated materials themselves dictate.

WHO CARES ? Film Night

coleman — Sun, 09 Mar 2008 17:06:49 +0000

WHO CARES ? Film Night

Saturday, March 15, 2008

8:00pm - 10:00pm

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A film screening event at Coleman Project Space featuring Luke Fowler, Marko Maetamm, Saleh Addonia, Dave Lewis, Christoph Steger

Dumb Tings

coleman — Tue, 29 Jan 2008 23:00:37 +0000

DUMB TINGS

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New works by Stephen Dunne & John Strutton  

Dates: 2nd – 10th February 2008
Times: 12 – 5 pm Sat - Sun & by Appt.
Preview: Friday 1st February 2008 6 – 9 pm

 Both artists share a preoccupation with ritualistic process, debased iconographies and compulsive aesthetics. Sometimes brutal often absurd their approach to figuration is fractured, automatic and schizophrenic. Through a serial production of work both artists attempt a form of cultural reclamation through visual indulgence.

  “ A collection of Austin’s Spare parts, with an introduction to malignant relatives, piss pot pilgrims and backward looking, inside down, somnambulant truck drivers, driven to dribbling over hermetic trousers and incontinent poetry, they wouldn’t know a dumb ting if it sat up and ate ‘em (starving fools that they are).

Undone

coleman — Thu, 08 Nov 2007 15:24:28 +0000

Undone

Saturday 8th December
7.00

Film Night by Siena and Jules

Triple Glazed Paul Green Exhibition

coleman — Wed, 07 Nov 2007 21:59:36 +0000

Triple Glazed

       Preview :       15th November 2007 6-9pm
       Dates:          16th November 2007 - 9th December 2007
       Times:          Fri- Sun 12pm -5pm & by appt

Light is the ephemeral substance from which Paul Green's watercolour paintings are built. Natural light, or that reflected back through the portals of his mother's suburban dwelling from the world outside: an external source of illumination that pervades as opposed to illuminate each scene from within. The sickly jaundiced glow that might, for example, transform an unremarkable hallway into a tunnel between tangible and existential concerns radiates from a street lamp rather than a bare interior bulb. A light that as it changes throughout the course of a day might cloak the ordinary world with a sense of loss, nostalgia or communicate something of the state of limbo between life and death.

Triple Glazed

coleman — Mon, 05 Nov 2007 16:46:28 +0000

Triple Glazed

        Preview:      15th November 2007 6-9 pm

        Dates:        16th November 2007 – 9th December 2007

        Times:        Fri –Sun 12pm – 5 pm & by appt

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Light is the ephemeral substance from which Paul Green’s watercolour paintings are built. Natural light, or that reflected back through the portals of his mother’s suburban dwelling from the world outside: an external source of illumination that pervades as opposed to illuminate each scene from within. The sickly jaundiced glow that might, for example, transform an unremarkable hallway into a tunnel between tangible and existential concerns radiates from a street lamp rather than a bare interior bulb. A light that as it changes throughout the course of a day might cloak the ordinary world with a sense of loss, nostalgia or communicate something of the state of limbo between life and death.

Next Event

coleman — Thu, 20 Sep 2007 19:30:17 +0000

Preview Thursday 11th October 5pm-10pm

Prophetic Fallacy

coleman — Thu, 20 Sep 2007 11:27:34 +0000

Prophetic Fallacy

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Preview: 11th October 2007 5 pm – 10 pm
Dates: 12th October – 4th November 2007
Times: Fri – Sun 12pm – 6pm & by appt

Sublime, other, uncanny – all familiar critical adjectives that might help to describe the painting and photographic practices of Lee Maelzer and Marianne Engel. But to lean on such words too heavily is likely to result in falling headlong into each of the seductive frames these artists create that bit too sure of what we are being presented with. Given that both use very different but equally potent visual ruses to veil and bring to light the intimate details of urban and natural habitats already filed within the collective consciousness, references to film, art and literature are everywhere and therefore vigilance is key.

Dead Planetarium Sponsors

coleman — Fri, 20 Apr 2007 19:10:59 +0000

Dead Planetarium

Supported by The Henry Moore Foundation

Supported by The Scottish Arts Council

Supported byThe National Lottery through the Scottish Arts Council

Dead Planetarium

coleman — Fri, 20 Apr 2007 18:55:28 +0000

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Dead Planetarium

Preview: Tuesday 15th May 2007 from 6

jonny scott show

coleman — Thu, 15 Feb 2007 18:15:11 +0000

jonny scott show

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Diorama: Sky Watchers

coleman — Fri, 25 Aug 2006 17:54:39 +0000

Diorama: Sky Watchers

Closing party Sunday 3rd December 2-5pm

Date: Friday 10th November – Sunday 3rd December
Times: Fri - Sun 12pm - 5 pm & by appt

Coleman Project Space introduces four Swedish artists interested in the relationship between the visible and the invisible, between the space as we see it and the space as we imagine it.

Interrogating the multiple ways in which we relate to our surroundings, and often directly engaging the viewers in a playful dialogue, these artists bring to attention the relevance of the gaze in establishing the quality and nature of the space we occupy. They also look into the way we constantly readjust our perspective on the objects we live with, moving back and forth between our imagination and vision, and the reality of the objects themselves.

ist das fischli weiss?

coleman — Fri, 25 Aug 2006 17:43:01 +0000

"IST DAS FISCHLI WEISS?"

Preview: Thursday 12th October 2006 6pm - 9pm
Dates: 13th October - 5th November
Times: Friday - Sunday 12pm - 6pm & by appt

Coinciding with the first UK retrospective of Swiss artists Peter Fischli and David Weiss at the Tate Modern the nearby independent Coleman Project Space hosts "IST DAS FISCHLI WEISS?".

Klodin Erb and Eliane Rutishauser unmask/expose today’s information society through their individual and collaborative projects. Turning the concept of ‘the expert’ on its head, they plunder the ‘store’ of art history, to create complex works that play with a sense of being partially informed.

In this joint venture, curated by Urs Küenzi, Erb and Rutishauser assume informal authorship of a series of photographs they have ‘directed’ the participating Switzerland-based artists to make in response to two films –'Der gerinsgte Widerstand’ and ‘Der gerechte Weg’ – created by Swiss artist duo Peter Fischli and David Weiss. As the boundaries between collective memory and appropriation blur with the traditional roles of the project space and the practitioners forming a partial eclipse, we are left asking ; 'just who is influencing whom?’

Gallery

coleman — Wed, 19 Jul 2006 23:23:01 +0000

this is some flash replacement gallery

Web launch

coleman — Wed, 31 May 2006 15:03:15 +0000

Memory and the influence of Forgetting

Web Launch and Exhibition

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Web launch & exhibition: Tuesday 6th June 6pm – 8pm
Date: Wed 6th June – Sun 11th June
Times: Wed,Thurs,Fri,& Sun 12pm - 6pm & by appt

“Memories are mental constructions, it is not possible to have exactly the same memory twice”.

Coleman Project Space invites you to the launch and exhibition of www.m-ia.net a website collaboration between artist Shona Illingworth and neuro-psychologist Martin A. Conway, also featuring the work of artists Mark Ingham, Cristiano Berti and film maker Luciano Zubillaga.

Dogbowl

coleman — Thu, 23 Mar 2006 17:33:22 +0000

Dogbowl performs live at the Bowery NYC

BISCUIT TOWN.

coleman — Thu, 23 Mar 2006 13:54:27 +0000

BISCUIT TOWN

Friday 24th March 2006 10.30am - 4.30pm
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One day of free events reflecting on the Peek Frean's Biscuit Factory in Bermondsey

Peek Frean's Biscuit factory returns to Bermondsey
Re-opening for one day only as a Memory Factory

Everyone is invited to come along, have a chat, enjoy a cup of tea and share their memories with each other and the younger generation.

Curiosity Shop.

coleman — Thu, 23 Mar 2006 13:50:48 +0000

Curiosity Shop

Artists talk: Sunday 28th May 3.30pm

Closing Party: Sunday 28th May 4pm – onwards

Date: Friday 5th May – Sunday 28th May

Times: Fri - Sun 12pm - 6pm & by appointment

Curiosity Shop is a newly commissioned site-specific installation by Debra Swann, a culmination of a three-week residency at Coleman Project Space.

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coleman — Thu, 23 Mar 2006 13:43:57 +0000

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Memory

coleman — Thu, 23 Mar 2006 12:23:33 +0000

Memory: and the influence of forgetting

Experimental processes for discussion and exchange

June 2006

Curiosity Shop

coleman — Mon, 20 Mar 2006 22:02:01 +0000

Curiosity Shop

Date:                              Friday 5th May – Sunday 28th May

Times:                           Fri - Sun 12pm - 6pm & by appointment

Private View:                Thursday 4th May 6pm – 9pm

Artists talk:                   Sunday 28th May 3.30pm

Curiosity Shop is a newly commissioned site-specific installation by Debra Swann, a culmination of a three-week residency at Coleman Project Space.

Biscuit Town

coleman — Sun, 19 Mar 2006 13:36:11 +0000

BISCUIT TOWN

Friday 24th March 2006 10.30am - 4.30pm

One day of free events reflecting on the Peek Frean's Biscuit Factory in Bermondsey

Peek Frean's Biscuit factory returns to Bermondsey
Re-opening for one day only as a Memory Factory

Everyone is invited to come along, have a chat, enjoy a cup of tea and share their memories with each other and the younger generation.

Perfect Square Day

coleman — Mon, 09 Jan 2006 22:29:15 +0000

Harald Smykla's 'Perfect Square Day'

Sat 14 January 2006, 12 noon - 4pm & 6.30 - 8pm

Two performances on the 16384th day of the artist's life

On January 14th 2006, between 12 noon and 4pm, Coleman will host the Mapping Bureau for 2-to-the-power-of-14:A North Southwark Chess Pilgrimage. During this time, Harald Smykla and Eden Solomon will embark on a 13 km long walk, passing 'chesspiece sites', such as a Pawnbroker's (SE15),Bishop's Mead (SE5), Knight's Walk (SE11), Elephant & Castle (SE1), Queen's Road and King's Grove (SE15).

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coleman — Wed, 16 Nov 2005 14:02:04 +0000

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Eighteen

coleman — Sun, 25 Sep 2005 11:47:07 +0000

Eighteen

Date: 11th November - 4th December 2005
Times: Fri - Sun 12pm - 6pm & by appt.
Private View: 10th November 6pm – 9pm
Artist Talk : 13th November 3pm

Rotterdam based artist Jason Coburn presents: Eighteen

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Today’s the Day

coleman — Thu, 08 Sep 2005 17:15:21 +0000

Today’s the Day

Date: 17th September – 30th October 05
Times: Wednesday –Sunday 12-5 pm & by appt
Private View: Saturday 17th September 05 3-7pm
performances & teddy bears picnics Saturday 29th Oct & Sunday 30th Oct 12-5pm

Thanks to Simon & Ben

coleman — Mon, 18 Jul 2005 21:17:50 +0000

Simon of http://www.schtum.org/ has kindly donated a great monitor for our media kiosk created by Ben

I can’t help you

coleman — Wed, 15 Jun 2005 10:52:58 +0000

I can't help you

Date: 24th June – 17th July 2005
Times: Fri-Sun 12-6 pm & by appointment
Private View: Thursday 23rd June 2005 6-9 pm
Talk: Sunday 17th July 3pm

I’m jealous, I don’t trust you, I won’t look, I won’t make it easy, I can’t help you.

Kate-Rose Carrick & Alex Schady over the course of four weeks will explore points of fracture in the dynamics of a collaboration entitled I Can’t Help You. A third collaborative partner, writer Tomriz Tangaz, will produce a publication in response to the work.

BLAH BLAH BLAH

coleman — Sun, 29 May 2005 19:42:35 +0000

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coleman — Fri, 01 Apr 2005 13:21:02 +0000
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Band of Nod

coleman — Fri, 01 Apr 2005 02:14:42 +0000

Band of Nod

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Live performance of world renowned Band of Nod

40 Peformers

Live music

Unique location

London's Famous Red Buses feature

Band of Nod

coleman — Mon, 28 Mar 2005 18:27:28 +0000
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Please subscribe

coleman — Sun, 20 Mar 2005 16:58:01 +0000
Please subscribe to our mailing list to keep informed

we want your bookmarks

coleman — Sun, 20 Mar 2005 16:50:57 +0000
If you are an artist with a website, we want your bookmarks.

TEST flash file

coleman — Sat, 19 Mar 2005 23:50:14 +0000

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Disco Hospital

coleman — Wed, 16 Mar 2005 23:11:11 +0000
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Disco Hospital

Drawing Show curated by Paul Harper

May 5th- 29th

May 29th 3:30pm Talk by artist Lucie Russell and closing event

Friday - Sunday   12 - 6 pm & by appointment

Disco Hospital features the work of six artists whose diverse practices utilise contrasting processes of drawing and collage. The show examines the different ways in which contemporary artists explore the possibilities that drawing and collage offer them and how these processes are still relevant in an increasingly digitised age. The artists involved, work in a variety of ways, from traditional pencil on paper to digital media to 16mm film.

Artists in show:

Yuri A
Paul Harper
Paul Lee
Zoë Mendelson
Lucie Russell
Stephen Tunney

YadaHouse past

coleman — Tue, 08 Mar 2005 12:50:53 +0000
We just got news we shall be getting a new yedi house creative story
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Give us Feedback

coleman — Mon, 09 Aug 2004 08:30:34 +0000
This site has recently been built and we would like your feedback

Fash N Riot

coleman — Wed, 07 Jul 2004 11:54:06 +0000

K3 Project Space Zürich in collaboration with Cafe Gallery Projects and Coleman Project Space London Presents
Fash N Riot
Fluff anti fluff
Fash N Riot limited edition art publication and Archive Installation edited by Anne Hardy and Flora Mclean
To celebrate the Fash N Riot project and the making of the new issue 3, the exhibition ‘Fluff anti fluff’ will be held at Coleman Project Space, London. The installation will not only profile issue 3 of Fash N Riot- ‘Fluff anti fluff’, which features 60 invited artists but also explore the Fash N Riot archive of issues 1 and 2.

Exhibition Dates: 8th – 24th April 2005
Opening Hours: Friday, Saturday & Sunday 12 - 6 and by appointment
Preview: Friday 8th April from 7pm to 9pm
Live art performance by the Band of Nod at 8pm
Launch Party 9pm onwards

Handluggage 2005

coleman — Sat, 12 Jun 2004 11:54:06 +0000

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K3 Project Space Zürich presents in collaboration with Cafe Gallery Projects and Coleman Project Space London

Handluggage 2005

Exhibition Dates: 9th – 10th April 2005

Exhibition Hours: Sat – Sun from 12 noon – 6 pm

Private View: Friday 8th April 2005, from 6 – 8 pm

Live Art Performance: Band of Nod, Friday 8th April 2005 at 7.30 pm

Forum: Sunday 10th April at 2pm; Swiss curator and writer Marianne Burki chairs a Forum of artists and curators to discuss the ongoing development of artists’ run spaces.

Coleman Projects

2012 programme

Throwing Shapes Talk & closing event

Artist Talk: Throwing Shapes

Captain Zip presents

Friday May 14th 8 pm Captain Zip presents:-

Southwark on TV

Southwark on TV

2010

Newly commissioned exhibitions and workshops for the year 2010

Death is Their Destiny

Death is Their Destiny

Big Draw: Crystalline Days

Crystalline Days

Crystalline Days

Summer Shed Party

Undone Forever

Crystalline Days

Crystalline Days

Biscuit Town on Film Memory Factory 2009

Biscuit Town on Film

SALT HOTEL

Salt Hotel

Memory Factory 2009

Memory Factory 2009

Outlet Closing Party

When the deal goes downOPEN MUSIC ARCHIVE OUTLET

WHEN THE DEAL GOES DOWN

WHEN THE DEAL GOES DOWN:OPEN MUSIC ARCHIVE OUTLETPreview event Friday 21st Nov 6 – 10 pm with Live Open Music Archive DJ set

WHEN THE DEAL GOES DOWN

WHEN THE DEAL GOES DOWN:OPEN MUSIC ARCHIVE OUTLET

WHEN THE DEAL GOES DOWN

Up coming Event

OPEN MUSIC ARCHIVE DJ SET

Chloe, Be My Minotaur

Chloe, Be My Minotaur

Chloe, Be My Minotaur

Chloe, Be My Minotaur

Captain Zip Unleashes 8 mm

Captain Zip presents Coney Island Baby !

Film Event: Cosmo Vinyl Unleashes 8mm

Columbo

Columbo

Columbo

Columbo

Columbo

WHO CARES ? Film Night

WHO CARES ? Film Night

Dumb Tings

DUMB TINGS

Undone

Undone

Triple Glazed Paul Green Exhibition

Triple Glazed

Triple Glazed

Triple Glazed

Next Event

Prophetic Fallacy

Prophetic Fallacy

Dead Planetarium Sponsors

Dead Planetarium

Dead Planetarium

Dead Planetarium

jonny scott show

jonny scott show

sponsors

SouthEast London Community Foundation

Neighbourhood Renewal Unit

Capital Community Foundation

Diorama: Sky Watchers

Diorama: Sky Watchers

Closing party Sunday 3rd December 2-5pm

Date: Friday 10th November – Sunday 3rd December

Times: Fri - Sun 12pm - 5 pm & by appt

Coleman Project Space introduces four Swedish artists interested in the relationship between the visible and the invisible, between the space as we see it and the space as we imagine it.

ist das fischli weiss?

"IST DAS FISCHLI WEISS?"

Preview: Thursday 12th October 2006 6pm - 9pm

Dates: 13th October - 5th November

Times: Friday - Sunday 12pm - 6pm & by appt

When the deal goes down
OPEN MUSIC ARCHIVE OUTLET

WHEN THE DEAL GOES DOWN:
OPEN MUSIC ARCHIVE OUTLET

Preview event Friday 21st Nov 6 – 10 pm with Live Open Music Archive DJ set

WHEN THE DEAL GOES DOWN:
OPEN MUSIC ARCHIVE OUTLET