I know people tend to see day jobs as a sign of failure, but really, there are so many benefits:

1. By separating your comics from your need to feed yourself, you keep full control of your comics. You’ll never have to draw someone else’s story simply because that someone else is going to help you make rent.

2. Health insurance.

3. Your day job can be a great source of material. Stories occur around us all the time, especially when we’re interacting with other people.

Yang makes another excellent point: it’s important to choose a day job wisely:

You do have to exercise good judgment in picking a day job. It should be something you like – not every day, but overall. It should be something you find meaningful. And it should be something that will leave you with enough energy to make your comics after work. For a lot of us, that means a day job that doesn’t involve cartooning.

Personally, I think classroom teaching is a great way to go. Everyone knows we need good teachers, and teaching, at least for me, draws from a different “energy well” than cartooning. Teaching is so extroverted, so people-oriented. At the end of a day of teaching, when I’ve had all the human contact I can stand, I go to my drawing board and recharge by inking a page. Then, when I’m sick of being holed up in my home office, I go back into my classroom. Plus, you can catch up on your comics during summer vacations if you fall behind during the school year. If you’re a cartoonist who’s ever even had a passing interest in
teaching, I’d encourage you to explore it