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	<title>Comments for David Dubal's Blog</title>
	<link>http://blog.daviddubal.com</link>
	<description>Happy and healthy new year to one and all -- Let the world thrill to great piano music.</description>
	<pubDate>Fri, 11 Dec 2009 20:56:03 +0000</pubDate>
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		<title>Comment on Media Reform by marrbru</title>
		<link>http://blog.daviddubal.com/media-reform/#comment-32</link>
		<author>marrbru</author>
		<pubDate>Fri, 20 Jul 2007 19:52:54 +0000</pubDate>
		<guid>http://blog.daviddubal.com/media-reform/#comment-32</guid>
					<description>David,

There’s a tremendous amount of material worthy of discussion in Bill Moyer’s speech, much of which I’m still thinking about.  What I feel comfortable talking about immediately is his use of the word “democracy.”  I’ve been unable to track down the context of the Benjamin Franklin quote on the internet, but it seems to me to be the beginning of an argument against democracy.  If the strict rules of democratic voting are followed, the wolves will win.  With what is the lamb well-armed?  I would guess it’s the doctrine of man’s inalienable rights, which is our greatest defense against unlimited democracy.  

Democracy means, “the people rule.”  Strictly speaking it has no inherent connection to the idea of individual rights.  What people often mean by democracy is the form of government in the United States, which is a constitutional democracy.  But surely, the adjective is far more important than the noun, referring to the idea that neither kings nor mobs can overturn rights we possess by virtue of being human.

In Bill Moyer’s speech, I find another meaning to democracy creeping in, i.e., an egalitarianism in regard, not just to rights (including the right to vote), but to material wealth.  This is suggested when he refers to the “two basic pillars of American society” as “shared economic prosperity and a public sector capable of serving the common good”.  If those are truly the pillars of our society, we’re in big trouble.  For, if it’s agreed this must be a nation based on principles, by what principle is the decision made as to who gets what?  If there is no other criterion besides “the greatest good for the greatest number” or some such principle, won’t who gets what be eventually decided by the whim of those who rule?

Bruce Marr</description>
		<content:encoded><![CDATA[<p>David,</p>
<p>There’s a tremendous amount of material worthy of discussion in Bill Moyer’s speech, much of which I’m still thinking about.  What I feel comfortable talking about immediately is his use of the word “democracy.”  I’ve been unable to track down the context of the Benjamin Franklin quote on the internet, but it seems to me to be the beginning of an argument against democracy.  If the strict rules of democratic voting are followed, the wolves will win.  With what is the lamb well-armed?  I would guess it’s the doctrine of man’s inalienable rights, which is our greatest defense against unlimited democracy.  </p>
<p>Democracy means, “the people rule.”  Strictly speaking it has no inherent connection to the idea of individual rights.  What people often mean by democracy is the form of government in the United States, which is a constitutional democracy.  But surely, the adjective is far more important than the noun, referring to the idea that neither kings nor mobs can overturn rights we possess by virtue of being human.</p>
<p>In Bill Moyer’s speech, I find another meaning to democracy creeping in, i.e., an egalitarianism in regard, not just to rights (including the right to vote), but to material wealth.  This is suggested when he refers to the “two basic pillars of American society” as “shared economic prosperity and a public sector capable of serving the common good”.  If those are truly the pillars of our society, we’re in big trouble.  For, if it’s agreed this must be a nation based on principles, by what principle is the decision made as to who gets what?  If there is no other criterion besides “the greatest good for the greatest number” or some such principle, won’t who gets what be eventually decided by the whim of those who rule?</p>
<p>Bruce Marr</p>
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		<title>Comment on Meditation 1 by katedgreat</title>
		<link>http://blog.daviddubal.com/meditation-1/#comment-31</link>
		<author>katedgreat</author>
		<pubDate>Thu, 19 Jul 2007 18:46:29 +0000</pubDate>
		<guid>http://blog.daviddubal.com/meditation-1/#comment-31</guid>
					<description>"I love those who can smile in trouble, who can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink, but they whose heart is firm, and whose conscience approves their conduct, will pursue their principles unto death."  

Thomas Paine
1737-1809, Political Theorist and Writer</description>
		<content:encoded><![CDATA[<p>&#8220;I love those who can smile in trouble, who can gather strength from distress, and grow brave by reflection. &#8216;Tis the business of little minds to shrink, but they whose heart is firm, and whose conscience approves their conduct, will pursue their principles unto death.&#8221;  </p>
<p>Thomas Paine<br />
1737-1809, Political Theorist and Writer</p>
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		<title>Comment on Obscenity by 89keys</title>
		<link>http://blog.daviddubal.com/obscenity/#comment-18</link>
		<author>89keys</author>
		<pubDate>Thu, 29 Mar 2007 14:52:48 +0000</pubDate>
		<guid>http://blog.daviddubal.com/obscenity/#comment-18</guid>
					<description>When I am performing on a Steinway grand piano, and all of the pistons are firing in sink, there is no instrument like it, but, then one must think, If I am not mistaken, of what the great "Artur Rubinstein" once said, about recording the piano.

He said something like, if all of the early recordings and most famous recordings, are and were recorded on Steinway pianos, the listener will become used to that sound and expect that sound always, so, I think that we can relate this Rubinstein theory, to the vast number of obscenity words, inserted into our dialect.

If obscenity is all one hears on the radio, internet, television and in the movies, the natural human instinct, would be to unfortunately repeat them and psychologically accept them into the vocabulary and make it very difficult, 
to reverse their familiar sound and expression.</description>
		<content:encoded><![CDATA[<p>When I am performing on a Steinway grand piano, and all of the pistons are firing in sink, there is no instrument like it, but, then one must think, If I am not mistaken, of what the great &#8220;Artur Rubinstein&#8221; once said, about recording the piano.</p>
<p>He said something like, if all of the early recordings and most famous recordings, are and were recorded on Steinway pianos, the listener will become used to that sound and expect that sound always, so, I think that we can relate this Rubinstein theory, to the vast number of obscenity words, inserted into our dialect.</p>
<p>If obscenity is all one hears on the radio, internet, television and in the movies, the natural human instinct, would be to unfortunately repeat them and psychologically accept them into the vocabulary and make it very difficult,<br />
to reverse their familiar sound and expression.</p>
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		<title>Comment on Train Ride by dannyfree</title>
		<link>http://blog.daviddubal.com/train-ride/#comment-17</link>
		<author>dannyfree</author>
		<pubDate>Thu, 22 Mar 2007 16:12:45 +0000</pubDate>
		<guid>http://blog.daviddubal.com/train-ride/#comment-17</guid>
					<description>"Mindless Mechanism" is what I'll call the cell-phone phenomenon that David talks about in  "Nite Train".  A similar excrescence of "gadgetry" vs. art is brought to my attention whenever I visit MOMA (Museum of Modern Art) in NYC.  I am surrounded and virtually  inundated by a ceaseless parade of "viewers" using their cell-phone cameras, assorted digital and 'old-fashioned' cameras to record every painting or other piece on display.  Most of these folks may be tourists--whether from Asia, Europe, Latin America, the U.S. heartland or nearby Westchester/misc NYC suburbs, or wherever-- regardless, few of them seem to be experiencing or learning about what they are so busy "clicking".  I suppose I'm being "holier-than-thou" but I take my time and get the free audio when available as it is for the main galleries.  The "clickers" apparently don't have time for the audio.  That might interfere with their mindless recording of mementos.

To me this is very annoying although my wife tells  me I should simply ignore them.  But it's more than a bit like  the incessant conversations on cell phones in louder than normal voices which we endure in public transportation or other enclosed spaces.  We routinely consider that listenining-in to peoples conversations, communications, etc. without invitation or authorization is a prime form of  "invasion of privacy" (currently taking the form of a mammoth assault on our democracy coming from all branches of governmnent with the White House setting the pace).  But these people unknowingly, uncaringly, or arrogantly who interfere with our "quiet enjoyment" are in a smaller but insidious way, are likewise "invading our privacy".   This and the mindless constant use of cellphones in the middle of the street, crossing intersections busy with vehicular traffic, etc., are symtoms of the general disease of our society.  It is not the tools, the mechanisms themselves or the technological advances that should be faulted, but the larger pattern in which the arts are demeaned, assaulted and undermined in every way by the social system dominated by "the market".</description>
		<content:encoded><![CDATA[<p>&#8220;Mindless Mechanism&#8221; is what I&#8217;ll call the cell-phone phenomenon that David talks about in  &#8220;Nite Train&#8221;.  A similar excrescence of &#8220;gadgetry&#8221; vs. art is brought to my attention whenever I visit MOMA (Museum of Modern Art) in NYC.  I am surrounded and virtually  inundated by a ceaseless parade of &#8220;viewers&#8221; using their cell-phone cameras, assorted digital and &#8216;old-fashioned&#8217; cameras to record every painting or other piece on display.  Most of these folks may be tourists&#8211;whether from Asia, Europe, Latin America, the U.S. heartland or nearby Westchester/misc NYC suburbs, or wherever&#8211; regardless, few of them seem to be experiencing or learning about what they are so busy &#8220;clicking&#8221;.  I suppose I&#8217;m being &#8220;holier-than-thou&#8221; but I take my time and get the free audio when available as it is for the main galleries.  The &#8220;clickers&#8221; apparently don&#8217;t have time for the audio.  That might interfere with their mindless recording of mementos.</p>
<p>To me this is very annoying although my wife tells  me I should simply ignore them.  But it&#8217;s more than a bit like  the incessant conversations on cell phones in louder than normal voices which we endure in public transportation or other enclosed spaces.  We routinely consider that listenining-in to peoples conversations, communications, etc. without invitation or authorization is a prime form of  &#8220;invasion of privacy&#8221; (currently taking the form of a mammoth assault on our democracy coming from all branches of governmnent with the White House setting the pace).  But these people unknowingly, uncaringly, or arrogantly who interfere with our &#8220;quiet enjoyment&#8221; are in a smaller but insidious way, are likewise &#8220;invading our privacy&#8221;.   This and the mindless constant use of cellphones in the middle of the street, crossing intersections busy with vehicular traffic, etc., are symtoms of the general disease of our society.  It is not the tools, the mechanisms themselves or the technological advances that should be faulted, but the larger pattern in which the arts are demeaned, assaulted and undermined in every way by the social system dominated by &#8220;the market&#8221;.</p>
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		<title>Comment on Obscenity by noochness</title>
		<link>http://blog.daviddubal.com/obscenity/#comment-15</link>
		<author>noochness</author>
		<pubDate>Sat, 27 Jan 2007 12:30:14 +0000</pubDate>
		<guid>http://blog.daviddubal.com/obscenity/#comment-15</guid>
					<description>As Tom Wolfe has pointed out, the baggy jeans style is an emulation of prison culture:  prisoners are not allowed to wear belts, so their pants hang down low.  Come to think of it, the incessant use of the f-word is an emulation of prison culture too.  I guess those of us who reject prison culture will have to stand up to those who embrace it -- because force is the only thing wanna-be prisoners understand.  As a wise person once said, "There will be those who oppose you, but if you can hurt them, they will join your side."</description>
		<content:encoded><![CDATA[<p>As Tom Wolfe has pointed out, the baggy jeans style is an emulation of prison culture:  prisoners are not allowed to wear belts, so their pants hang down low.  Come to think of it, the incessant use of the f-word is an emulation of prison culture too.  I guess those of us who reject prison culture will have to stand up to those who embrace it &#8212; because force is the only thing wanna-be prisoners understand.  As a wise person once said, &#8220;There will be those who oppose you, but if you can hurt them, they will join your side.&#8221;</p>
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		<title>Comment on Obscenity by Ellen</title>
		<link>http://blog.daviddubal.com/obscenity/#comment-14</link>
		<author>Ellen</author>
		<pubDate>Tue, 23 Jan 2007 05:14:12 +0000</pubDate>
		<guid>http://blog.daviddubal.com/obscenity/#comment-14</guid>
					<description>The use of the ugly language you speak of is so commonplace these days, it seems completely out of control.  On the streets, the subways, the buses, I hear it everywhere.  But I wonder if it's always expressing anger and rage.  Sometimes yes, but I believe many are desensitized to these words and they are really just "copycats," or perhaps sheep is a better word for them, mindlessly following the pack and using the language in fashion the same way they wear the latest styles.  (Like the guys wearing baggy jeans that are half falling off...  is that fad over yet?)</description>
		<content:encoded><![CDATA[<p>The use of the ugly language you speak of is so commonplace these days, it seems completely out of control.  On the streets, the subways, the buses, I hear it everywhere.  But I wonder if it&#8217;s always expressing anger and rage.  Sometimes yes, but I believe many are desensitized to these words and they are really just &#8220;copycats,&#8221; or perhaps sheep is a better word for them, mindlessly following the pack and using the language in fashion the same way they wear the latest styles.  (Like the guys wearing baggy jeans that are half falling off&#8230;  is that fad over yet?)</p>
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		<title>Comment on Train Ride by Ellen</title>
		<link>http://blog.daviddubal.com/train-ride/#comment-4</link>
		<author>Ellen</author>
		<pubDate>Mon, 15 Jan 2007 17:23:38 +0000</pubDate>
		<guid>http://blog.daviddubal.com/train-ride/#comment-4</guid>
					<description>Worse yet, you find the "quiet car" on the Amtrak train, the sign says no cell phones, and still people use them!  And behave indignantly when you ask them to move.  But I'm guilty too.  Got my first shushing recently.... in a museum in California, I'd just come in the door out of the rain, my son called to see where I was, two words into the call and I got wooshed out the door by the guard, back into the rain.  He apologized upon my reentry but I told him, great policy, keep those cell phones out and away from the art and antiquities where they don't belong.  

I'm also looking forward to a return to the World of the Piano on Wednesday's!  See you then.</description>
		<content:encoded><![CDATA[<p>Worse yet, you find the &#8220;quiet car&#8221; on the Amtrak train, the sign says no cell phones, and still people use them!  And behave indignantly when you ask them to move.  But I&#8217;m guilty too.  Got my first shushing recently&#8230;. in a museum in California, I&#8217;d just come in the door out of the rain, my son called to see where I was, two words into the call and I got wooshed out the door by the guard, back into the rain.  He apologized upon my reentry but I told him, great policy, keep those cell phones out and away from the art and antiquities where they don&#8217;t belong.  </p>
<p>I&#8217;m also looking forward to a return to the World of the Piano on Wednesday&#8217;s!  See you then.</p>
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		<title>Comment on Train Ride by Canaan</title>
		<link>http://blog.daviddubal.com/train-ride/#comment-3</link>
		<author>Canaan</author>
		<pubDate>Mon, 15 Jan 2007 05:12:06 +0000</pubDate>
		<guid>http://blog.daviddubal.com/train-ride/#comment-3</guid>
					<description>it must have been awful, trapped with no escape on a rail car.  What gets me is the invasion of quiet space.  I'm sitting along the river reading (my sacred space) and someone sits nearby and starts blabbing.  I won't stand for it, I really become abusive.  It's all these unlimited calling plans.  David, I can't wait until World of Piano starts again in two weeks.   I miss everyone.</description>
		<content:encoded><![CDATA[<p>it must have been awful, trapped with no escape on a rail car.  What gets me is the invasion of quiet space.  I&#8217;m sitting along the river reading (my sacred space) and someone sits nearby and starts blabbing.  I won&#8217;t stand for it, I really become abusive.  It&#8217;s all these unlimited calling plans.  David, I can&#8217;t wait until World of Piano starts again in two weeks.   I miss everyone.</p>
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		<title>Comment on Train Ride by noochness</title>
		<link>http://blog.daviddubal.com/train-ride/#comment-2</link>
		<author>noochness</author>
		<pubDate>Sun, 14 Jan 2007 13:00:01 +0000</pubDate>
		<guid>http://blog.daviddubal.com/train-ride/#comment-2</guid>
					<description>Beautiful quote from Boretz, thank you!

Yes, cell phones are a plague.  Perhaps the users are irradiating their brains with electrical waves?  (I won't say, "Let's hope so.")  Since cell phone users insist on invading my space, I reciprocate:  I lean towards them and drink in their every word, trying to discover as much about their private life as I can.  It's amazing how much personal information you can glean from a one-sided phone conversation!

I've been hearing fewer car alarms lately.  Could this modern plague be diminishing?</description>
		<content:encoded><![CDATA[<p>Beautiful quote from Boretz, thank you!</p>
<p>Yes, cell phones are a plague.  Perhaps the users are irradiating their brains with electrical waves?  (I won&#8217;t say, &#8220;Let&#8217;s hope so.&#8221;)  Since cell phone users insist on invading my space, I reciprocate:  I lean towards them and drink in their every word, trying to discover as much about their private life as I can.  It&#8217;s amazing how much personal information you can glean from a one-sided phone conversation!</p>
<p>I&#8217;ve been hearing fewer car alarms lately.  Could this modern plague be diminishing?</p>
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		<title>Comment on Train Ride by josudss</title>
		<link>http://blog.daviddubal.com/train-ride/#comment-1</link>
		<author>josudss</author>
		<pubDate>Sat, 13 Jan 2007 22:33:05 +0000</pubDate>
		<guid>http://blog.daviddubal.com/train-ride/#comment-1</guid>
					<description>Human being into homo mechanicus, and art into "ars entertainicus". I'm sure you'll enjoy this quote by Benjamin Boretz, regarding art vs so called "entertainment"....

"Entertainment surrogates our time; relieves us of it for a spell; lives through it for us while its on loan; does what it takes to keep it for just so long as that feels nonconsequential, not threatening our ultimate reappropriation; returns it refreshed but otherwise intact, unsullied by any lingering tarnish or blemish of content; cleansed but not altered, corroborated but not invaded, renewed but not re-formed. High art surrogates our time exactly so also; but aspires to not only surrogate our time but also to transform it permanently and substantively: purports to return it to us comprehensively reconstructed: such that not just immediately during or following, but always thereafter, and even with cumulative effect, our time (= the world) will not be the same."

keep writing! You'll always have a reader and fan here!</description>
		<content:encoded><![CDATA[<p>Human being into homo mechanicus, and art into &#8220;ars entertainicus&#8221;. I&#8217;m sure you&#8217;ll enjoy this quote by Benjamin Boretz, regarding art vs so called &#8220;entertainment&#8221;&#8230;.</p>
<p>&#8220;Entertainment surrogates our time; relieves us of it for a spell; lives through it for us while its on loan; does what it takes to keep it for just so long as that feels nonconsequential, not threatening our ultimate reappropriation; returns it refreshed but otherwise intact, unsullied by any lingering tarnish or blemish of content; cleansed but not altered, corroborated but not invaded, renewed but not re-formed. High art surrogates our time exactly so also; but aspires to not only surrogate our time but also to transform it permanently and substantively: purports to return it to us comprehensively reconstructed: such that not just immediately during or following, but always thereafter, and even with cumulative effect, our time (= the world) will not be the same.&#8221;</p>
<p>keep writing! You&#8217;ll always have a reader and fan here!</p>
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