http://www.weebelly.com A playwright's blog: dedicated to all things play building. Wed, 09 Dec 2009 12:53:28 +0000 http://wordpress.org/?v=2.9.1 hourly 1 http://feedproxy.google.com/~r/CommentsForWeebellycom/~3/28j73KFR_6w/ weebelly.com » Little Box Wed, 09 Dec 2009 12:53:28 +0000 http://weebelly.com/18/staged-reading/#comment-1740 [...] to get to four of the plays in Little Box this year, which is excellent for me considering the year I was in Little Box I only made it to one other than my own (K. was due with Henry virtually any day at that point). [...] [...] to get to four of the plays in Little Box this year, which is excellent for me considering the year I was in Little Box I only made it to one other than my own (K. was due with Henry virtually any day at that point). [...]

]]> http://www.weebelly.com/18/staged-reading/comment-page-1/#comment-1740 http://feedproxy.google.com/~r/CommentsForWeebellycom/~3/Myenufnefo4/ weebelly.com » Playwright who resonantes with me right now at this moment as we speak currently this second…and why Tue, 08 Dec 2009 20:17:19 +0000 http://weebelly.com/17/discovering-theatre-a-spring-board-discussion/#comment-1738 [...] Hayes, Thomas. Weebelly.com: A playwright’s blog: dedicated to all things play building. November (2009): 11/17/2009. http://www.weebelly.com/17/discovering-theatre-a-spring-board-discussion/ [...] [...] Hayes, Thomas. Weebelly.com: A playwright’s blog: dedicated to all things play building. November (2009): 11/17/2009. http://www.weebelly.com/17/discovering-theatre-a-spring-board-discussion/ [...]

]]> http://www.weebelly.com/17/discovering-theatre-a-spring-board-discussion/comment-page-1/#comment-1738 http://feedproxy.google.com/~r/CommentsForWeebellycom/~3/EJ7mTmtUwMY/ weebelly.com » Playwright who resonantes with me right now at this moment as we speak currently this second…and why Tue, 08 Dec 2009 20:16:01 +0000 http://weebelly.com/26/playwriting-process-thinking-theatrically/#comment-1737 [...] Hayes, Thomas. Weebelly.com: A playwright’s blog: dedicated to all things play building. October (2007): 11/16/2007. http://weebelly.com/26/playwriting-process-thinking-theatrically/ [...] [...] Hayes, Thomas. Weebelly.com: A playwright’s blog: dedicated to all things play building. October (2007): 11/16/2007. http://weebelly.com/26/playwriting-process-thinking-theatrically/ [...]

]]> http://www.weebelly.com/26/playwriting-process-thinking-theatrically/comment-page-1/#comment-1737 http://feedproxy.google.com/~r/CommentsForWeebellycom/~3/tuSfVQcIOv4/ weebelly.com » The Alice Seed Thu, 29 Oct 2009 19:05:58 +0000 http://weebelly.com/11/the-douglas-tree/#comment-1722 [...] really enjoy this play by Mike Sepesy, as well as the follow-up: The Douglas Tree.  There were things I liked about the production and things that I did not.  Mostly the things I [...] [...] really enjoy this play by Mike Sepesy, as well as the follow-up: The Douglas Tree.  There were things I liked about the production and things that I did not.  Mostly the things I [...]

]]> http://www.weebelly.com/11/the-douglas-tree/comment-page-1/#comment-1722 http://feedproxy.google.com/~r/CommentsForWeebellycom/~3/2rMv3lufzaE/ weebelly.com » The Heidi Chronicles Sat, 10 Oct 2009 04:09:47 +0000 http://weebelly.com/17/discovering-theatre-a-spring-board-discussion/#comment-1710 [...] “Why could I not accept theatrical reality? Why did its truth appear false to me? And why did the false seem to want to parade as true, substitute for truth?…[The actor’s] material presence destroyed the fiction. It was as though there were present two levels of reality, the concrete reality, impoverished, empty, limited, of these banal living men, moving and speaking upon the stage, and the reality of the imagination. And these two realities faced each other, unmasked, irreconcilable: two antagonistic universes which could not succeed in unifying and blending.” (Ionesco and Pronko 4) [...] [...] “Why could I not accept theatrical reality? Why did its truth appear false to me? And why did the false seem to want to parade as true, substitute for truth?…[The actor’s] material presence destroyed the fiction. It was as though there were present two levels of reality, the concrete reality, impoverished, empty, limited, of these banal living men, moving and speaking upon the stage, and the reality of the imagination. And these two realities faced each other, unmasked, irreconcilable: two antagonistic universes which could not succeed in unifying and blending.” (Ionesco and Pronko 4) [...]

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