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	<title>Contemporary Poetry Review</title>
	
	<link>http://www.cprw.com</link>
	<description>Resuscitating Poetry Criticism</description>
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		<title>The Lighter Side: Happy Anniversary, AWP!</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/Vhz4FCoklnk/the-lighter-side-happy-anniversary-awp</link>
		<comments>http://www.cprw.com/the-lighter-side-happy-anniversary-awp#comments</comments>
		<pubDate>Wed, 22 Feb 2012 17:06:26 +0000</pubDate>
		<dc:creator>the editors</dc:creator>
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		<guid isPermaLink="false">http://www.cprw.com/?p=3205</guid>
		<description>(Here’s a salute to Creative Writing programs from our poets and critics, past and present, culled from various interviews and essays.)“Abolish the M.F.A.! What a ringing slogan for a new Cato: Iowa delenda est!” – Donald Hall“We are now at the point where writing programs are poisoning, and in turn we are being poisoned by, departments [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/Vhz4FCoklnk" height="1" width="1"/&gt;</description>
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		<title>The Lighter Side: How to Prepare for AWP</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/6N0bIbCAst4/the-lighter-side-how-to-prepare-yourself-for-awp</link>
		<comments>http://www.cprw.com/the-lighter-side-how-to-prepare-yourself-for-awp#comments</comments>
		<pubDate>Thu, 09 Feb 2012 23:07:02 +0000</pubDate>
		<dc:creator>the editors</dc:creator>
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		<guid isPermaLink="false">http://www.cprw.com/?p=3173</guid>
		<description>I have attended dozens of poetry readings. Virtually all of them were identical:• The introductions made me think I was about to witness the second coming of John Donne.• All of the &amp;#8220;poems&amp;#8221; were preceded by tedious, unhelpful explanations. Typically, these involved the author&amp;#8217;s state of intoxication when they wrote this stuff or the unknown [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/6N0bIbCAst4" height="1" width="1"/&gt;</description>
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		<slash:comments>1</slash:comments>
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		<title>Monsters All the Way Down: Bill Coyle on Bruce Taylor</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/hMQ3m1O-tDk/monsters-all-the-way-down-bill-coyle-on-bruce-taylor</link>
		<comments>http://www.cprw.com/monsters-all-the-way-down-bill-coyle-on-bruce-taylor#comments</comments>
		<pubDate>Mon, 06 Feb 2012 20:15:40 +0000</pubDate>
		<dc:creator>Bill Coyle</dc:creator>
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		<guid isPermaLink="false">http://www.cprw.com/?p=3149</guid>
		<description>Reviewed: No End in Strangeness: New and Selected Poems by Bruce Taylor. Cormorant Books, 2011. There’s a marvelous description in Book X of Paradise Lost of the astronomical and climatological changes that accompany the Fall, and of the beginnings of predation among the animals.  Milton is more concerned there with the vast scales that the [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/hMQ3m1O-tDk" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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		<title>“Is That Really the Best You Can Do?” Quincy Lehr on Poetry and Personal Style</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/HcWkyO-tmIM/is-that-really-the-best-you-can-do-quincy-lehr-on-poetry-and-personal-style</link>
		<comments>http://www.cprw.com/is-that-really-the-best-you-can-do-quincy-lehr-on-poetry-and-personal-style#comments</comments>
		<pubDate>Tue, 17 Jan 2012 22:48:00 +0000</pubDate>
		<dc:creator>Quincy Lehr</dc:creator>
				<category><![CDATA[Essays]]></category>
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		<guid isPermaLink="false">http://www.cprw.com/?p=3026</guid>
		<description>When Solon declared that he learned something new every day (or was it Pericles?—some dead Greek guy, at any rate), he perhaps was not thinking of the utility of the Pratt-Shelby Knot when trying to keep a leather tie proportional enough that the thin end does not emerge at an inconvenient and insistent angle. However, [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/HcWkyO-tmIM" height="1" width="1"/&gt;</description>
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		<slash:comments>6</slash:comments>
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		<title>A Neglected Master in Our Midst: Bill Coyle on Daryl Hine</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/KEAFz-96v6k/a-neglected-master-in-our-midst-bill-coyle-on-daryl-hine</link>
		<comments>http://www.cprw.com/a-neglected-master-in-our-midst-bill-coyle-on-daryl-hine#comments</comments>
		<pubDate>Tue, 20 Dec 2011 00:38:06 +0000</pubDate>
		<dc:creator>Bill Coyle</dc:creator>
				<category><![CDATA[Reviews]]></category>
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		<guid isPermaLink="false">http://www.cprw.com/?p=3001</guid>
		<description>Reviewed: Recollected Poems by Daryl Hine. Fitzhenry and Whiteside, 2009. 246 pages.&amp;#38; by Daryl Hine. Fitzhenry and Whiteside, 2010. 112 pages.&amp;#160;When Daryl Hine’s Recollected Poems was published in 2009 it marked something of a comeback for a poet who in the mid 1990s had turned his back on the publishing industry and begun posting his [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/KEAFz-96v6k" height="1" width="1"/&gt;</description>
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		<slash:comments>1</slash:comments>
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		<title>Preface: Second Annual Symposium on Poetry Criticism</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/VRVgq3XCbVs/preface-second-annual-symposium-on-poetry-criticism</link>
		<comments>http://www.cprw.com/preface-second-annual-symposium-on-poetry-criticism#comments</comments>
		<pubDate>Wed, 23 Nov 2011 17:05:50 +0000</pubDate>
		<dc:creator>Jan Schreiber</dc:creator>
				<category><![CDATA[November 2011: Poetry Criticism Conference]]></category>
		<category><![CDATA[This Month]]></category>

		<guid isPermaLink="false">http://www.cprw.com/?p=2917</guid>
		<description>Last July, a distinguished group of poets who are also critics gathered at Western State College of Colorado, in Gunnison, for the Second Annual Symposium on Poetry Criticism. The Symposium is part of Writing the Rockies, a conference affiliated with Western’s Master of Fine Arts in Creative Writing. As was the case last year, the [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/VRVgq3XCbVs" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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		<title>A Formal Feeling Comes: Anthony Hecht’s Elegaic Forms by David Rothman</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/zvxU7469a1s/a-formal-feeling-comes-anthony-hechts-elegaic-forms</link>
		<comments>http://www.cprw.com/a-formal-feeling-comes-anthony-hechts-elegaic-forms#comments</comments>
		<pubDate>Wed, 23 Nov 2011 16:54:26 +0000</pubDate>
		<dc:creator>David J. Rothman</dc:creator>
				<category><![CDATA[November 2011: Poetry Criticism Conference]]></category>
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		<guid isPermaLink="false">http://www.cprw.com/?p=2944</guid>
		<description>Those who condemn form in poetry are often given to venting their wrath upon…received forms, and often chiefly on the grounds that they coerce the mind, limit the imagination, force language with Procrustean barbarity into set molds. But in fact our greatest formal poets—Donne, Herbert, Campion, Herrick, and Hardy—rarely embrace received forms apart from the [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/zvxU7469a1s" height="1" width="1"/&gt;</description>
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		<slash:comments>1</slash:comments>
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		<title>Sources of Delight: What We Respond to When We Respond to Poetry by Jan Schreiber</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/PGS6KyYwW4E/sources-of-delight-what-we-respond-to-when-we-respond-to-poetry</link>
		<comments>http://www.cprw.com/sources-of-delight-what-we-respond-to-when-we-respond-to-poetry#comments</comments>
		<pubDate>Wed, 23 Nov 2011 16:43:22 +0000</pubDate>
		<dc:creator>Jan Schreiber</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[November 2011: Poetry Criticism Conference]]></category>
		<category><![CDATA[This Month]]></category>

		<guid isPermaLink="false">http://www.cprw.com/?p=2936</guid>
		<description>When I was seventeen years old and barely aware of poetry, with no idea what good poetry might be, or even what if anything might please me, a friend, just back from his English class, rushed breathlessly into my room at boarding school, book in hand, and cried, “Listen to this!”I caught this morning morning&amp;#8217;s [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/PGS6KyYwW4E" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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		<title>The “I” as Great Imposter: Confession, Monologue &amp; Persona by Joan Houlihan</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/2cqgwv-9S_M/the-i-as-great-imposter-confession-monologue-persona</link>
		<comments>http://www.cprw.com/the-i-as-great-imposter-confession-monologue-persona#comments</comments>
		<pubDate>Wed, 23 Nov 2011 16:40:17 +0000</pubDate>
		<dc:creator>Joan Houlihan</dc:creator>
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		<guid isPermaLink="false">http://www.cprw.com/?p=2927</guid>
		<description>After his reading, the poet was approached by a tearful woman. She thanked him for the poem about his brother who had died. “My brother died recently,” she said, “and I sympathize with your feelings about your brother’s death.” “Oh, thanks,” the poet said, “but I don’t have a brother.” Why is this story disturbing? [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/2cqgwv-9S_M" height="1" width="1"/&gt;</description>
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		<title>Too Cool for School: G. M. Palmer on Broetry</title>
		<link>http://feedproxy.google.com/~r/ContemporaryPoetryReview/~3/CRYtXCAWHbQ/too-cool-for-school-g-m-palmer-on-broetry</link>
		<comments>http://www.cprw.com/too-cool-for-school-g-m-palmer-on-broetry#comments</comments>
		<pubDate>Thu, 20 Oct 2011 16:21:23 +0000</pubDate>
		<dc:creator>gmpalmer</dc:creator>
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		<guid isPermaLink="false">http://www.cprw.com/?p=2894</guid>
		<description>Reviewed: Broetry by Brian McGackin. Quirk Books, 2011. $12.95Broetry’s title jumps into a spot your mind didn’t know was there. Sure, you know “bros” and you know “poetry,” and it somehow seems more than natural for a book called Broetry to appear in your hands. And when it does appear, the first thing you notice [...]&lt;img src="http://feeds.feedburner.com/~r/ContemporaryPoetryReview/~4/CRYtXCAWHbQ" height="1" width="1"/&gt;</description>
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		<slash:comments>4</slash:comments>
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