The multi-talented producer, vocalist, and DJ Malik Alston has a new gem out on Truth Manifest. He just dropped Beyond Jazz, Vol. 3. It is the third installment of a deeply rooted, four-part Detroit series. The music naturally grew out of his popular radio show of the exact same name on Motion.FM. Initially, that broadcast built a loyal following by dressing boom-bap drum programming in smooth jazz clothing. Now, this latest vinyl venture completely explodes that original format. It blossoms into a beautifully produced, all-genre extravaganza. You can feel a profound sense of love and musical discovery woven directly into the tracks.

Beyond Jazz, Vol. 3 effortlessly glides through warm soul jazz and deep house textures. Alston even folds in some fresh amapiano flavors for good measure. He confidently pushes classic hip-hop foundations straight into Afro-Cuban uptempo territory. The collaborative energy here is absolutely stellar, too. Guest vocalists like Jerald Daemyon and T Howard Wazeerud step up to the mic. They thread brilliant, evocative poetry directly through the bouncy rhythms. From start to finish, the entire record feels incredibly sophisticated. No serious jazz head is going to want to miss this one. Available on vinyl.

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UK-born, Fremantle-based producer Jon E is stepping back into the spotlight. Following the success of Smoke (2015) he returns to Natural Element to present the first part of the Messages From Easy Street project. The producer continues to refine a warm, groove-led sound shaped by broken beat, deep house, jazz and soulful sampling. Field recordings and subtle city ambience give these four tracks an organic quality, making the music feel lived-in rather than polished to perfection.

Each cut reveals a different side of Jon E's growing musical language. "One More Time" glides with effortless swing, while "We Can Make It" pairs uplifting chords with Roxanne's graceful vocals. The second half heads into moodier territory, with the Moodymann-inspired shuffle of "Raise Them Up" and the hazy, percussion-rich closer "Day n Night". Throughout Messages From Easy Street, Part I, the focus stays on groove, atmosphere and understated emotion, confirming that Jon E is developing into one of Australia's most distinctive underground house producers. Availalble on vinyl.

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Award-winning Melbourne saxophonist and composer Joshua Moshe is stepping into a bold new era. After retiring his celebrated JK Group project, he is fully embracing his new paths of musical expression. The South African-born artist just announced his second completely independent, self-released project, following Inner Search (2023). Art Don't Lie is a deeply personal record beautifully explores his heritage, tackling themes of migration, tradition, and lineage. Sonically, it is a mesmerizing collision of worlds. The genre-blending album effortlessly weaves traditional Jewish folk melodies together with the heavy groove of contemporary jazz. By fusing acoustic instrumentation with lush electronic textures, he crafts an expansive, forward-thinking soundscape that feels both ancient and futuristic.

To bring this ambitious vision to life, Moshe assembled an eight-piece powerhouse ensemble. The core group originally hit the studio in early 2023, slowly expanding the music through ongoing sessions over the following year. UK/NZ drummer Myele Manzanza provides a massive backbone, driving the record with deep rhythmic elasticity. Meanwhile, longtime collaborator Lewis Moody handles the production and mixing, masterfully shaping the album's sonic architecture. Spanning eight cinematic tracks—including two digital-only pieces—Art Don't Lie leaves plenty of breathing room for each musician to stretch out and improvise. You will hear soaring saxophone lines and traditional oud blending perfectly with layered sound design and analog synthesis. Ultimately, it is a rhythm-driven triumph that invites listeners into a truly unique, borderless musical conversation. Available on vinyl, CD & digital.

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Armenian producer Henna Onna is about to release her anticipated vinyl debut. Known for effortlessly blending house, jazz, and broken beat, she brings her unique sonic pallette to Deeppa Records with the mesmerizing Maboroshi EP. The project's title is deeply symbolic; in Japanese, Maboroshi translates to an illusion, phantom, or dream. It perfectly describes a fleeting vibe that feels beautifully unreal and almost impossible to catch. This conceptual framework sets the stage for a sophisticated deep house record. It caters perfectly to heads who appreciate musical, heads-down grooves with a leftfield edge.

The project opens with "Shibuya Oiran," a hypnotic cut that utilizes syncopated drum patterns and modal synth lines. It pulls Eastern tonal references directly onto the dancefloor. Producer Kuniyuki Takahashi steps in to extend this vision. His deep dub version is packed with live-feel percussion and lush, sustained chord progressions. Deeper into the record, "Enoshima" locks into a steady, warm groove elevated by smoothly filtered melodic elements. To push the energy further, Satoshi Fumi provides a high-octane remix. He dramatically increases the rhythmic density through smartly layered drums, driving bass and acid sequencing. Ultimately, the Maboroshi EP is a thoughtful crafted journey through jazz-informed textures. Available on vinyl.

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Rush City are comprised of Jonahlo and Joint4nine. The pair are also the founders of the independent imprint Ritmo Terco and through this platform they consistently share their reinterpretation of raw, gritty origins of electronic dance music. Following the recent success of their No Rush, Just Dub! EP, they are now back with a massive three-track package titled Stop. Venturing deep into indie dance territory, the original version balances serious drive with a warm, psychedelic atmosphere. Jonahlo provides the vocal work that glides perfectly over a hypnotic acid line and rolling rhythms. For those seeking something heavier, the producers also deliver a raw Club Version. This tougher take shifts gears for peak-time moments. It deploys a weighty acid bassline, addictive bleep-driven arpeggios, and distorted vocal treatments specifically designed to command larger sound systems.

To round out this engaging release, the EP calls upon some serious London talent. Renowned duo FYI Chris teams up with Simeon Jones of Colours That Rise to deliver a stunning UK breaks reinterpretation. Their remix beautifully transforms the title track into a soulful, richly textured journey full of atmospheric detail and broken rhythms. This cross-continental collaboration seamlessly bridges the vibrant underground scenes of both Bogotá and London. It successfully blends distinct musical identities into one highly cohesive package. The result is a genre-blurring project that effortlessly connects the dots between indie dance, acid house, electro, and contemporary UK club sounds. Available via Bandcamp.

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Australian pianist and producer Joshua Smeltink has spent three years crafting his second full-length band project. Operating under his celebrated moniker On-Ly, he is now delivering a massive independent release titled BURN. This volatile collection of fusion music stems from a whirlwind of rotating line-ups, live recordings, and studio sessions. Unlike most modern fusion, this album treats the grand piano as a fiery, reactive engine. It never simply sits in the background. Instead, it drives an entire ecosystem of shifting rhythms and dense interplay. The ensemble constantly breathes, expanding into colossal arrangements and contracting into tightly coiled grooves. Heavy improvisation electrifies every moment. It is a wildly dynamic journey that perfectly blends acoustic romanticism with electric jazz lineage.

The sonic landscape on BURN covers some serious ground. Tracks like "Gabbro" nod to the gritty acid-blues and funk-fusion of the 1970s. Meanwhile, "Recondite" pushes things into intense, punk-leaning territory. Tracks move from funk-heavy workouts and ambient passages to explosive improvisation, while live recordings add an extra layer of spontaneity. To achieve this huge sound, Smeltink enlisted an incredible cast of collaborators from the Melbourne underground. Daniel Waddingham brings an expansive electric guitar style. Multiple bassists—including Ash De Neef, Sam Watts, and Henry Hicks—reshape the band's gravity. Rhythmic stability comes from drummers Bryce Zelno and Miles Henry. Adding another layer of depth, Phil Stroud introduces rare Afro-Arab folkloric instruments like the udu and doumbek. Finally, intermittent Rhodes passages and rare synthesizers bring the entire record into a mystical focus. It ultimately channels the classic energy of vintage Columbia Records and CTI Records crossovers, yet remains undeniably rooted in modern production aesthetics. Huge record - available on Bandcamp.

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The Italian underground has a fresh transmission. Released via Periodica Records, COSMO-LOGIC channels the spirit of classic Italo-disco while weaving in cosmic disco, minimalist electro and machine-driven funk. It's a fitting next step for Cosimo Mandorino, aka Cosmo Dance, whose work as the founder of Mirella and long-standing presence in Italy's underground scene has always balanced dancefloor instinct with a taste for experimentation.

Built during a series of recording sessions in Naples alongside Raffaele Arcella and Dario di Pace, COSMO-LOGIC unfolds like the soundtrack to a retro-futuristic sci-fi tale. Vocoders, analog effects and the unmistakable bite of the Korg MS-20 give the album its robotic pulse, while themes of artificial intelligence, conflict and imagined digital worlds run through its core. Rather than feeling nostalgic, the record reinterprets the golden age of electronic music with fresh energy, making it an easy pick for fans of vintage synths, cosmic grooves and timeless underground sounds. Available on vinyl.

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L.D.F. treats World Beats. Vol. 2 like a patient late-night session, where each transition matters as much as the tracks themselves. The Italian producer and curator has long moved between deep house, jazz and Afro-rooted sounds, and this release feels like a natural extension of that mwousical curiosity. Released on World Beats, it favours atmosphere over immediacy and lets groove slowly take control.

Collaboration sits at the heart of World Beats. Vol. 2. Byron the Aquarius brings his unmistakable jazz touch and loose, swung rhythms, while Tilman adds a more hypnotic and restrained energy. Trinidadian Deep injects warmth and emotional depth into the journey, and closing cut "Fire Drums II" leans into ritualistic percussion and tribal intensity. Rather than chasing standout singles, the record invites full immersion. It's the kind of release that settles in gradually and stays there. Available on vinyl.

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 There are plenty of tributes to jazz classics, but few approach them with the openness that Tenderlonious brings to Africa/Brass Live. Released on his own 22a label, the album revisits John Coltrane's groundbreaking 1961 masterpiece through a modern lens. The original studio session beautifully captured the revolutionary spirit of a changing African continent through lush arrangements and trance-inducing saxophone arpeggios. For Ed Cawthorne—the man behind the moniker—modal jazz is a deeply spiritual discipline.

The raw energy of Africa/Brass Live was captured on a Monday night at the Melbourne International Jazz Festival in October 2025. It went down as part of Pique-nique’s innovative Take Two series. The event began with a pure, high-fidelity playback of Coltrane's original masterpiece before the band unleashed their own live interpretation. To pull this off, the bandleader assembled a fiercely talented quartet. He flew in his longtime London drum collaborator, Tim Carnegie. They then linked up with Melbourne heavyweights Horatio Luna on bass and On-Ly on piano. Using the original melodies simply as a launchpad, the group engaged in a wildly intense, spontaneous musical search. Available on vinyl.

Tenderlonious: alto saxophone, soprano saxophone, flute
On-Ly: piano
Horatio Luna: bass
Tim Carnegie: drums

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The late, great soul icon Leon Ware left behind an incredible legacy of sensual, elegant music. Before his passing in 2017, he poured his heart into a final masterpiece called Rainbow Deux. Released two years later in 2019, the project featured a mesmerizing standout track titled For the Rainbow. Now, Cataleya Music is honoring his memory by giving this beautiful song a fresh, club-ready update. This special posthumous debut on the label respectfully reimagines the original tune for modern dancefloors. It is a stunning tribute that perfectly captures the mellow, hypnotic warmth he was always known for.

To bring this vision to life, the imprint tapped two incredibly talented producers. Bay Area maestro Coflo steps up to deliver three distinct interpretations. His 'Original Retouch' gently pushes the percussive elements toward a midtempo house groove while letting the original piano keys absolutely shine. Meanwhile, his main remix channels the spirit of classic NYC vocal house, complete with rich organ chords reminiscent of Blaze. If you want something deeper, his 'Backside Mix' strips things down into a wonderfully subtle, spiritual journey. Finally, French producer Laroye closes out the package with a highly sophisticated broken beat revision. He crafts a space where bouncing drums dance effortlessly beneath the positive, uplifting vocals. It is a truly classy release that keeps a legendary spirit alive. Available on vinyl.

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Hailing from the vibrant underground house scene of Johannesburg, Deep Owen is a talent you might want to keep on your radar. Raised in Braamfisherville, Soweto, the self-taught producer, remixer, and DJ has spent the last few years quietly building a deeply soulful catalog. Drawing heavy inspiration from pioneers like Jimpster and Atjazz, his sound is a warm, spiritual blend of deep house, dub, minimal, and Afro-tech. Following a steady stream of radio appearances and solid underground drops, he has now joined forces with Dealt With Records to deliver his newest project, the I'm Spinnin' For A Reason EP. It serves as a medium for an immersive atmosphere of the South African house movement.

The new EP functions as a powerful reminder that dance music is meant to carry weight far beyond the walls of a club. Deep Owen purposely crafted this project to be both groove-driven and reflective, allowing each track the space to breathe naturally. For him, the act of spinning is alignied with rhythm and intention. He beautifully explains that "sound is ancient medicine, and frequencies awaken what words cannot." By weaving together hypnotic rhythms, lush atmospheric textures, and deeply soulful vocals, he ensures that every single rotation of the record delivers a warm message. Available digitally.

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For years, Moyses dos Santos has been a familiar name behind some of the biggest voices in soul, jazz and pop, lending his bass playing to artists such as Nile Rodgers, Janelle Monáe, Gregory Porter and Omar. Now, through Far Out Recordings, he steps into the spotlight with Maria, a debut album that feels both deeply personal and remarkably expansive. Named after his mother, the record finds the London-based musician reconnecting with the sounds of North-Eastern Brazil, drawing inspiration from the rhythms, traditions and musical memories that shaped him long before his international career took off.

Sonically, Maria is an absolute trip. It perfectly blends the raw soul of his early church band days with traditional street rhythms. You will hear rolling batucadas, breezy sambas, and upbeat frevos. He then filters all of this through a slick, contemporary jazz and funk lens. Drawing heavy inspiration from bass legends like Jaco Pastorius and Stanley Clarke, the grooves are seriously infectious. He also brought some heavy hitters along for the ride. Grammy-nominated trumpet star Theo Croker blesses the astral-jazz cut "Brazilian Spirit." Meanwhile, the iconic Brazilian maestro Arthur Verocai weaves his signature strings around Lynda Dawn’s divine vocals on the lush track "Saudade." It is a stunning, warm debut that brings cosmopolitan dancefloor energy straight to your headphones. One of the releases of the year - available on vinyl.

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Lisbon-based producer roxo introduces his new label, create a new tempo, through no tempo left, a debut EP that feels playful, warm and abstract in a good way. Built around manipulated field recordings captured by Carolina Ribeiro, the release turns everyday sounds into something strangely emotional. Children's voices, bells and fragments of the outside world drift through "introgoo," setting the tone for a record that treats sampling less as a technique and more as a form of exploration.

no tempo left then shifts through shapes. "No time to choose the right sample" bounces between piano motifs and restless drum programming, while "undertempo" sinks into darker waters with heavy bass pressure and submerged atmospheres. "leftfield philosophy" blurs lines between experimental listening and off-kilter dance music. Throughout the EP, ambient textures act as the glue, holding together a collection of ideas that feels both intimate and unpredictable. It's an intriguing first chapter for create a new tempo and a promising glimpse into the producer’s world. Available on Bandcamp.

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Following the amazing Aerial EP, the highly anticipated debut full-length from the fast-rising Frankfurt and Leipzig-based duo not even noticed dropped last friday. Via Tartelet Records, space beyond noise arrives just in time for the summer warmth and is an absolute masterclass in atmospheric sounds. After a decade of carving out their unique sound across various underground scenes, the pair found fresh inspiration in a rather peaceful ritual. While touring the globe - from Japan to Tunisia - they frequently sought out quiet botanical gardens to mentally recalibrate. This lush, environmental immersion serves as the very backbone of the album. By weaving subtle field recordings of wind, birdsong, and nature directly into the track transitions, they have crafted a vivid, lived-in sonic ecosystem. It effortlessly bridges the gap between deep club functionality and the rich, narrative flow of a long-form listening experience.

The twelve-track project is bursting with an open, mellow musicality. The rolling downtempo glide of "plune" beautifully unfolds into a honey-coated acid line. The woozy two-step pulse of "skum" reveals a softer, deeply assured touch. When the tempo needs to pick up, the duo delivers serious heat: swooning pads on "chrone" collide with a heavy electro-funk drive & "diras" locks into the groove with rugged basslines and sharp hip-hop cuts. Ultimately, space beyond noise is an expansive, restorative-sounding body of work. It is a wonderfully kinetic soundtrack built to move, no matter where your daily travels might lead. Available on vinyl.

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Recently awarded Jazz Talent of the Year at the 2024 Molde International Jazz Festival, Rino Sivathas is stepping fully into the spotlight. The Trondheim-educated percussionist just dropped his anticipated debut album as a bandleader. Arriving via Purple Theory Records, Speak Volumes perfectly captures his visionary approach to rhythm. Instead of sticking strictly to traditional sounds, he effortlessly merges raw jazz improvisation with bumping hip-hop beats and lush electronic textures. It serves as a beautiful reflection of his diverse, ever-evolving musical identity.

The music itself feels like a constantly shifting sonic landscape. Sivathas spent years carefully simmering these ideas before finally bringing them to life. Now realized as a vibrant solo project, the record remains highly energetic and unpredictable. The grooves are super tight yet playfully loose at the exact same time. To help achieve this unique dynamic, he tapped some of the most exciting young instrumentists in the Norwegian underground. Ultimately, Speak Volumes is a deeply personal statement. It invites listeners into a warm, open space where instruments shine through the guiding hands of talent. Available on Bandcamp.

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Three decades into a career that has touched everything from Detroit techno and ambient to Balearic grooves and Latin jazz, John Beltran still sounds effortlessly curious. For his latest outing on Phuture Shock Musik, the Michigan producer delivers Coquito, a sunlit release that feels tailor-made for open-air sessions and slow summer evenings. Beltran first emerged in the early ’90s with the cult classic "Aquatic" on Carl Craig’s Retroactive imprint, before building an acclaimed catalogue through labels such as R&S, Peacefrog, Delsin and Ubiquity. That broad musical history echoes throughout this new project, where deep house foundations meet global rhythms with trademark elegance.

Now, he helms the eleventh installment in Phuture Shock's beloved 'DUBZ' series. The masterfully crafted two-track package perfectly leans into familiar Balearic territory while keeping the genre-bending spirit of both the artist and the label alive. It proves once again that his highly melodic, emotive signature style remains as sharp and consistent as ever. Side A delivers the title track, serving up a breezy, cowbell-laden slab of Detroit house beaming with soulful warmth. Its lively percussive patterns, dubby low end, and flickering keys will instantly transport you to the balmy heights of summer. On the flip side, "Piragua" completely switches the mood to an altogether downtempo affair. This summer night bliss features a beautiful sprinkling of Afro-Latin and West Coast flavors. It effortlessly blends shuffling samba percussion with low-slung hip-hop beats. Complete with jazzy piano chords and atmospheric ocean waves, it is a brilliantly smooth mix of Brazilian saudade and pure Motor City swagger. Some records feel like they arrive carrying their own sort of weather. That is the case of Coquito, now available on vinyl.

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Some artists treat genres like fixed destinations. Divorce From New York prefers to treat them as connecting flights. On Jazzthetics, the San Sebastián producer glides between broken beat, house, nu-jazz and soulful electronics with an ease that feels completely natural. Over the years he has quietly built an impressive catalogue, while earning support from tastemakers across the world. That broad musical outlook is all over this record, which feels equally at home in a listening session or a packed dancefloor.

Jazzthetics is a masterclass in genre-bending, made from the imagination of Álvaro Granda who always show a knack for balancing detailed musicianship with raw, club-ready energy. This latest release leans heavily into organic textures and serious rhythmic depth. Rather than relying on one mood, Jazzthetics unfolds through a cast of collaborators and remixers who each add their own palette. The title track perfectly captures this spirit, featuring conversational rapper Sticky Dub riding a shuffled beat with undeniable swagger. Meanwhile, the party really heats up on "Soul Control," that earned a pair of distinct remixes. Legendary New York producer Ge-Ology delivers a deeply spiritual, jazz-infused Holy Ghost version, while Atlanta’s Stefan Ringer provides his own forward-thinking take. Heavyweight UK producer K15 also steps in to expand the sound with a future-minded interpretation of "Broken Heart." Just released via High Praise, this premium package turned our heads around. A highly immersive, soulful journey that connects atmospheric warmth with powerful grooves. Available on vinyl.

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Bogota's very own Felipe Gordon has become a true staple in the underground deep house scene. The Colombian producer is known for seamlessly blending complex jazz with club-ready basslines. Now, he is stepping up with his most ambitious project yet. He revisits his friends at Shall Not Fade, to deliver Tezeta. This highly anticipated album marks his seventh full-length excursion and it feels incredibly special right out of the gate. Rather than rushing to meet a deadline to release a record, he gave himself complete creative freedom. He recorded this music during a period of introspection and removed all rigid time constraints and self-imposed pressure. The result is a profoundly complete body of work and the kind of record that instantly feels timeless. It wraps you in a warm sense of familiarity from the very first listen.

The title Tezeta actually holds a specific, deeply emotional meaning. It refers to a traditional Ethiopian musical mode championed by Ethio-jazz pioneer Mulatu Astatke. The word translates roughly to a bittersweet sense of nostalgia, longing, saudade. Gordon beautifully weaves this exact feeling of affection and melancholy through every single track. He uses this soulful ingredient as a foundation for a diverse sonic palette. Throughout the journey, you will hear deep house, downtempo & hip-hop-ish moments, vocals pulling from indie music and dancefloor pop. These effortlessly rub shoulders with dusty breakbeats and moody trip-hop explorations. He deploys a vast array of instruments, analog synthesizers. Every 4/4 beat and chiming chord feels perfectly placed. Ultimately, he has crafted a truly immersive album. A project that will mark 2026 and beyond? Available on vinyl. For collectors and not-collectors.

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There’s a smoky late-night feel to Kuzco’s Bound To Be, never staying in one lane for too long. Released through Energy Exchange Records, the Melbourne artist keeps pulling threads from different corners of club culture — street soul, ghetto tech, downtempo and Detroit electronics all rubbing shoulders in the same space. Kuzco has already been building serious momentum through her femme and queer-led party Soak, plus sets at Booty2Booty in Australia, and this release feels like another clear step forward. You can hear the influence of London’s ‘90s underground in the softer vocal textures and swung grooves, though the pulse underneath belongs firmly to contemporary Naarm dancefloors.

Bound To Be leans into her energetic and character. “What Could Happen” drifts beautifully with airy vocals and dusty rhythm patterns, while “Be Loved” pushes into tougher territory with saturated breaks and acidic bass pressure. The second half of the EP gets sweatier and looser. “Waaalk” and “Ha Ha Ha” flirt with electro and ghetto tech energy without losing that playful touch Kuzco carries throughout her productions. Remixes from Detroit’s Ladymonix and Black Moonchild add another perspective on that late-night weight, especially the latter’s hypnotic techno rework that sounds built for dark rooms and strobe lights. A proper heads-down release with heart in it. Available on vinyl, Bound To Be is a project we believe will inroduce this very interesting artis to wider audiences.

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Toronto's underground veteran Sean Roman is stepping into a new era. Old-school drum and bass heads will remember him as Mutt. However, he has spent the last ten years smoothly shifting gears. He now champions a rich blend of deep house, UK garage, and disco, presenting a brand new full-length project titled Sweetboi. It just dropped on vinyl and digital via Lately Bass Records, and serves as a creative milestone and a deeply personal evolution for the Canadian producer. He beautifully channels decades of DJ experience into a fresh, modern groove. The record feels warm and hypnotic. It is expertly crafted for both solitary headphone sessions and packed dancefloors alike. Roman weaves in local field recordings from northern Ontario, which is an element that subtly gives the project an organic, lived-in atmosphere.

The music glides effortlessly between peak-time club energy and quiet introspection. The journey opens gracefully with the mellow, ambient textures of "Jo." From there, the rhythm simply locks in. "Batchewan Ridddim" serves up lush pads and swinging house drums. He also brings some serious local talent into the fold. Toronto MC RasThug injects commanding energy into the skippy 2-step cut "Move Fast." Later, the vibe plunges straight into the after-hours abyss. The stripped-back, low-slung groove of "Goin’ Up" provides the deepest moment on the wax. Finally, the breakbeat closer "Skylines" wraps things up beautifully with emotive vocals from anarose. Sweetboi perfectly distills his vast club knowledge into a soulful, forward-thinking statement. Available on vinyl.

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