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	<description>Amy Gahran's news and musings on how we communicate in the online age.</description>
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		<title>links for 2009-11-07</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/URZQLHNznr8/</link>
		<comments>http://www.contentious.com/2009/11/07/links-for-2009-11-07/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 08:04:11 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/07/links-for-2009-11-07/</guid>
		<description><![CDATA[

Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com
&#34;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2009/09/06/arts/music/06ratl.html">Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com</a></div>
<div class="delicious-extended">&quot;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. For this reason he won’t allow “The Visitor,” or any of his albums, to be sold as downloads, on iTunes or anywhere else. He’s taking a stand against the sound quality of MP3s; he’s also taking a stand in favor of artists being able to control the medium and reception of their work.</p>
<p>“You can no longer use context as part of your work,” he said, glumly, “because it doesn’t matter what you do, somebody’s going to change the context of it. The confusion of creativity, making something, with this Internet idea of democratization &#8230;” he trailed off, disgusted. “It sounds like old-man stuff, but I think it’s disastrous for the possibilities of any art form.”</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/music">music</a> <a href="http://delicious.com/agahran/remix">remix</a> <a href="http://delicious.com/agahran/vision">vision</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/perspective">perspective</a> <a href="http://delicious.com/agahran/personal%2Bexpression">personal+expression</a> <a href="http://delicious.com/agahran/distribution">distribution</a> <a href="http://delicious.com/agahran/control">control</a>)</div>
</li>
</ul>
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		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/Wi1ktzaRYds/</link>
		<comments>http://www.contentious.com/2009/11/07/links-for-2009-11-06-7/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 07:36:20 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/07/links-for-2009-11-06-7/</guid>
		<description><![CDATA[

Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com
&#34;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2009/09/06/arts/music/06ratl.html">Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com</a></div>
<div class="delicious-extended">&quot;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. For this reason he won’t allow “The Visitor,” or any of his albums, to be sold as downloads, on iTunes or anywhere else. He’s taking a stand against the sound quality of MP3s; he’s also taking a stand in favor of artists being able to control the medium and reception of their work.</p>
<p>“You can no longer use context as part of your work,” he said, glumly, “because it doesn’t matter what you do, somebody’s going to change the context of it. The confusion of creativity, making something, with this Internet idea of democratization &#8230;” he trailed off, disgusted. “It sounds like old-man stuff, but I think it’s disastrous for the possibilities of any art form.”</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/music">music</a> <a href="http://delicious.com/agahran/remix">remix</a> <a href="http://delicious.com/agahran/vision">vision</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/perspective">perspective</a> <a href="http://delicious.com/agahran/personal%2Bexpression">personal+expression</a> <a href="http://delicious.com/agahran/distribution">distribution</a> <a href="http://delicious.com/agahran/control">control</a>)</div>
</li>
</ul>
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		<item>
		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/hSFUreJR06U/</link>
		<comments>http://www.contentious.com/2009/11/07/links-for-2009-11-06-6/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 07:04:46 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/07/links-for-2009-11-06-6/</guid>
		<description><![CDATA[

Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com
&#34;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2009/09/06/arts/music/06ratl.html">Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com</a></div>
<div class="delicious-extended">&quot;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. For this reason he won’t allow “The Visitor,” or any of his albums, to be sold as downloads, on iTunes or anywhere else. He’s taking a stand against the sound quality of MP3s; he’s also taking a stand in favor of artists being able to control the medium and reception of their work.</p>
<p>“You can no longer use context as part of your work,” he said, glumly, “because it doesn’t matter what you do, somebody’s going to change the context of it. The confusion of creativity, making something, with this Internet idea of democratization &#8230;” he trailed off, disgusted. “It sounds like old-man stuff, but I think it’s disastrous for the possibilities of any art form.”</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/music">music</a> <a href="http://delicious.com/agahran/remix">remix</a> <a href="http://delicious.com/agahran/vision">vision</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/perspective">perspective</a> <a href="http://delicious.com/agahran/personal%2Bexpression">personal+expression</a> <a href="http://delicious.com/agahran/distribution">distribution</a> <a href="http://delicious.com/agahran/control">control</a>)</div>
</li>
</ul>
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		<item>
		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/oNs7fl0hlb0/</link>
		<comments>http://www.contentious.com/2009/11/06/links-for-2009-11-06-5/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 04:08:36 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/06/links-for-2009-11-06-5/</guid>
		<description><![CDATA[

Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com
&#34;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2009/09/06/arts/music/06ratl.html">Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com</a></div>
<div class="delicious-extended">&quot;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. For this reason he won’t allow “The Visitor,” or any of his albums, to be sold as downloads, on iTunes or anywhere else. He’s taking a stand against the sound quality of MP3s; he’s also taking a stand in favor of artists being able to control the medium and reception of their work.</p>
<p>“You can no longer use context as part of your work,” he said, glumly, “because it doesn’t matter what you do, somebody’s going to change the context of it. The confusion of creativity, making something, with this Internet idea of democratization &#8230;” he trailed off, disgusted. “It sounds like old-man stuff, but I think it’s disastrous for the possibilities of any art form.”</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/music">music</a> <a href="http://delicious.com/agahran/remix">remix</a> <a href="http://delicious.com/agahran/vision">vision</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/perspective">perspective</a> <a href="http://delicious.com/agahran/personal%2Bexpression">personal+expression</a> <a href="http://delicious.com/agahran/distribution">distribution</a> <a href="http://delicious.com/agahran/control">control</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.readwriteweb.com/archives/read_it_later_iphone_bookmarking_and_offline_reading.php">Read It Later: iPhone Bookmarking and Offline Reading on Steroids</a></div>
<div class="delicious-extended">I&#039;m trying this out:</p>
<p>&quot;Bookmarking on the iPhone and iPod touch works well enough in Safari, but it can clearly be improved upon. The latest app that tries to provide a better bookmarking experience on the iPhone is Read It Later (iTunes link), which also syncs with the company&#039;s desktop browser plugins and bookmarklets. Read It Later is similar to Instapaper. It lets you save pages through a bookmarklet in Safari and then read them in the app&#039;s built-in browser, both as a cached copy of the web page, or in a text-only mode.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/bookmarking">bookmarking</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/iphone">iphone</a> <a href="http://delicious.com/agahran/mobile">mobile</a> <a href="http://delicious.com/agahran/integration">integration</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://alternativeto.net/desktop">Alternatives to Windows, Mac, Linux and online software &#8211; AlternativeTo.net</a></div>
<div class="delicious-extended">Great resource site where you can find or suggest alternatives to crappy software and online tools.</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/sharing">sharing</a> <a href="http://delicious.com/agahran/resources">resources</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.livescience.com/technology/091105-ebook-reader-war.html">The E-book Battle: You Win | LiveScience</a></div>
<div class="delicious-extended">&quot;The Nook&#039;s killer feature is its ability to share books among friends — a feature the Kindle lacks. Barnes &amp; Noble says users can lend their books to a friend&#039;s Nook, cellphone, or computer for up to 14 days at a time, but not all e-books will be available for lending. </p>
<p>&quot;&#8230;Sony is also hoping to win customers by adopting the open EPub format. This will allow users to read books purchased from the Sony store on any EPub-compatible device. In contrast, both Amazon and Barnes &amp; Noble use proprietary digital formats, essentially locking users to the companies&#039; devices. A Kindle user can&#039;t switch to a Nook or a Sony Reader without losing access to all the books they purchased through Amazon. However, with a price tag of $399, the Sony Reader Daily Edition is $140 more expensive than the Nook and the Kindle.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/e-books">e-books</a> <a href="http://delicious.com/agahran/e-readers">e-readers</a> <a href="http://delicious.com/agahran/competition">competition</a> <a href="http://delicious.com/agahran/devices">devices</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://covertheplanet.org/?p=433">Cover the Planet » Blog Archive » Can you commit journalism while comparing your ex to an invasive species?</a></div>
<div class="delicious-extended">&quot;I like to preach that journalism equals content plus engagement. I tell students that they can write an incredibly important story, but it isn’t journalism unless people &#8211; hopefully lots of people &#8211; consume it. Important but boring is not journalism. Something no one reads but the writer is not journalism. That’s more like a diary entry &#8211; perhaps helpful to the writer but certainly not journalism.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/journalism">journalism</a> <a href="http://delicious.com/agahran/engagement">engagement</a> <a href="http://delicious.com/agahran/style">style</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://serc.carleton.edu/earthandmind/about_mission.html">Earth &amp; Mind blog</a></div>
<div class="delicious-extended">&quot;The mission of the Earth &amp; Mind blog is to facilitate discussion and discovery about how humans think and learn about the Earth and environment. Earth &amp; Mind explores the intersection between Geosciences, Education and Cognitive Sciences.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/environment">environment</a> <a href="http://delicious.com/agahran/space">space</a> <a href="http://delicious.com/agahran/science">science</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/education">education</a> <a href="http://delicious.com/agahran/research">research</a> <a href="http://delicious.com/agahran/blogs">blogs</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.squared5.com/svideo/mpeg-streamclip-mac.html">Squared 5 &#8211; MPEG Streamclip video converter for Mac OS X</a></div>
<div class="delicious-extended">If you use a Flip video cam and Final Cut for video editing, you&#039;ll need this app to format the clips in a way that will let Final Cut handle them easily</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/video">video</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/processes">processes</a> <a href="http://delicious.com/agahran/editing">editing</a>)</div>
</li>
</ul>
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		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/MAk7TIVyoKU/</link>
		<comments>http://www.contentious.com/2009/11/06/links-for-2009-11-06-4/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 03:38:34 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/06/links-for-2009-11-06-4/</guid>
		<description><![CDATA[

Four Keys To Fun BayCHI Slides 100n081109
Nicole Lazzaro, XEODesign: &#34;Often ignored by usability, neuroscience now proves that emotion deeply connects decision making and performance. Emotions also coordinate the actions between people. Therefore the next design challenge for desktop and cloud applications is not making a UI &#34;easy,&#34; but rather making it more emotional and social. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.slideshare.net/NicoleLazzaro/four-keys-to-fun-baychi-slides-100n081109">Four Keys To Fun BayCHI Slides 100n081109</a></div>
<div class="delicious-extended">Nicole Lazzaro, XEODesign: &quot;Often ignored by usability, neuroscience now proves that emotion deeply connects decision making and performance. Emotions also coordinate the actions between people. Therefore the next design challenge for desktop and cloud applications is not making a UI &quot;easy,&quot; but rather making it more emotional and social. The trick is that emotions and social experiences cannot be designed directly. This presentation covers how the choices in games craft player emotions to increase engagement.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/games">games</a> <a href="http://delicious.com/agahran/emotions">emotions</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/learning">learning</a> <a href="http://delicious.com/agahran/design">design</a> <a href="http://delicious.com/agahran/presentations">presentations</a>)</div>
</li>
</ul>
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		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/b-2Gm4vsBms/</link>
		<comments>http://www.contentious.com/2009/11/06/links-for-2009-11-06-3/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 00:37:39 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/06/links-for-2009-11-06-3/</guid>
		<description><![CDATA[

Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com
&#34;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2009/09/06/arts/music/06ratl.html">Music &#8211; Jim O’Rourke, Once an Insider, Worked Alone and on the Outside for ‘The Visitor’ &#8211; NYTimes.com</a></div>
<div class="delicious-extended">&quot;Mr. O’Rourke’s production style is precise and dry; he creates a sound picture in which tiny sonic details matter. But where his Drag City records are concerned, everything matters: the pacing, the length, the sound, the cover images. For this reason he won’t allow “The Visitor,” or any of his albums, to be sold as downloads, on iTunes or anywhere else. He’s taking a stand against the sound quality of MP3s; he’s also taking a stand in favor of artists being able to control the medium and reception of their work.</p>
<p>“You can no longer use context as part of your work,” he said, glumly, “because it doesn’t matter what you do, somebody’s going to change the context of it. The confusion of creativity, making something, with this Internet idea of democratization &#8230;” he trailed off, disgusted. “It sounds like old-man stuff, but I think it’s disastrous for the possibilities of any art form.”</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/music">music</a> <a href="http://delicious.com/agahran/remix">remix</a> <a href="http://delicious.com/agahran/vision">vision</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/perspective">perspective</a> <a href="http://delicious.com/agahran/personal%2Bexpression">personal+expression</a> <a href="http://delicious.com/agahran/distribution">distribution</a> <a href="http://delicious.com/agahran/control">control</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.readwriteweb.com/archives/read_it_later_iphone_bookmarking_and_offline_reading.php">Read It Later: iPhone Bookmarking and Offline Reading on Steroids</a></div>
<div class="delicious-extended">I&#039;m trying this out:</p>
<p>&quot;Bookmarking on the iPhone and iPod touch works well enough in Safari, but it can clearly be improved upon. The latest app that tries to provide a better bookmarking experience on the iPhone is Read It Later (iTunes link), which also syncs with the company&#039;s desktop browser plugins and bookmarklets. Read It Later is similar to Instapaper. It lets you save pages through a bookmarklet in Safari and then read them in the app&#039;s built-in browser, both as a cached copy of the web page, or in a text-only mode.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/bookmarking">bookmarking</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/iphone">iphone</a> <a href="http://delicious.com/agahran/mobile">mobile</a> <a href="http://delicious.com/agahran/integration">integration</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://alternativeto.net/desktop">Alternatives to Windows, Mac, Linux and online software &#8211; AlternativeTo.net</a></div>
<div class="delicious-extended">Great resource site where you can find or suggest alternatives to crappy software and online tools.</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/sharing">sharing</a> <a href="http://delicious.com/agahran/resources">resources</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.livescience.com/technology/091105-ebook-reader-war.html">The E-book Battle: You Win | LiveScience</a></div>
<div class="delicious-extended">&quot;The Nook&#039;s killer feature is its ability to share books among friends — a feature the Kindle lacks. Barnes &amp; Noble says users can lend their books to a friend&#039;s Nook, cellphone, or computer for up to 14 days at a time, but not all e-books will be available for lending. </p>
<p>&quot;&#8230;Sony is also hoping to win customers by adopting the open EPub format. This will allow users to read books purchased from the Sony store on any EPub-compatible device. In contrast, both Amazon and Barnes &amp; Noble use proprietary digital formats, essentially locking users to the companies&#039; devices. A Kindle user can&#039;t switch to a Nook or a Sony Reader without losing access to all the books they purchased through Amazon. However, with a price tag of $399, the Sony Reader Daily Edition is $140 more expensive than the Nook and the Kindle.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/e-books">e-books</a> <a href="http://delicious.com/agahran/e-readers">e-readers</a> <a href="http://delicious.com/agahran/competition">competition</a> <a href="http://delicious.com/agahran/devices">devices</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://covertheplanet.org/?p=433">Cover the Planet » Blog Archive » Can you commit journalism while comparing your ex to an invasive species?</a></div>
<div class="delicious-extended">&quot;I like to preach that journalism equals content plus engagement. I tell students that they can write an incredibly important story, but it isn’t journalism unless people &#8211; hopefully lots of people &#8211; consume it. Important but boring is not journalism. Something no one reads but the writer is not journalism. That’s more like a diary entry &#8211; perhaps helpful to the writer but certainly not journalism.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/journalism">journalism</a> <a href="http://delicious.com/agahran/engagement">engagement</a> <a href="http://delicious.com/agahran/style">style</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://serc.carleton.edu/earthandmind/about_mission.html">Earth &amp; Mind blog</a></div>
<div class="delicious-extended">&quot;The mission of the Earth &amp; Mind blog is to facilitate discussion and discovery about how humans think and learn about the Earth and environment. Earth &amp; Mind explores the intersection between Geosciences, Education and Cognitive Sciences.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/environment">environment</a> <a href="http://delicious.com/agahran/space">space</a> <a href="http://delicious.com/agahran/science">science</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/education">education</a> <a href="http://delicious.com/agahran/research">research</a> <a href="http://delicious.com/agahran/blogs">blogs</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.squared5.com/svideo/mpeg-streamclip-mac.html">Squared 5 &#8211; MPEG Streamclip video converter for Mac OS X</a></div>
<div class="delicious-extended">If you use a Flip video cam and Final Cut for video editing, you&#039;ll need this app to format the clips in a way that will let Final Cut handle them easily</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/video">video</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/processes">processes</a> <a href="http://delicious.com/agahran/editing">editing</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.slideshare.net/NicoleLazzaro/four-keys-to-fun-baychi-slides-100n081109">Four Keys To Fun BayCHI Slides 100n081109</a></div>
<div class="delicious-extended">Nicole Lazzaro, XEODesign: &quot;Often ignored by usability, neuroscience now proves that emotion deeply connects decision making and performance. Emotions also coordinate the actions between people. Therefore the next design challenge for desktop and cloud applications is not making a UI &quot;easy,&quot; but rather making it more emotional and social. The trick is that emotions and social experiences cannot be designed directly. This presentation covers how the choices in games craft player emotions to increase engagement.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/games">games</a> <a href="http://delicious.com/agahran/emotions">emotions</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/learning">learning</a> <a href="http://delicious.com/agahran/design">design</a> <a href="http://delicious.com/agahran/presentations">presentations</a>)</div>
</li>
</ul>
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		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/W5846WU8xtU/</link>
		<comments>http://www.contentious.com/2009/11/06/links-for-2009-11-06-2/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 23:39:24 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/06/links-for-2009-11-06-2/</guid>
		<description><![CDATA[

Introduction (Google Wave Federation Protocol)
Google writes: &#34;We want to expand upon the Gwave platform, which is why we&#039;ve put together the initial draft of the Google Wave Federation Protocol, the underlying network protocol for sharing waves between wave providers.
&#34;Yes, that&#039;s between wave providers: anyone can build a wave server and interoperate, much like anyone can [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.waveprotocol.org/">Introduction (Google Wave Federation Protocol)</a></div>
<div class="delicious-extended">Google writes: &quot;We want to expand upon the Gwave platform, which is why we&#039;ve put together the initial draft of the Google Wave Federation Protocol, the underlying network protocol for sharing waves between wave providers.</p>
<p>&quot;Yes, that&#039;s between wave providers: anyone can build a wave server and interoperate, much like anyone can run their own SMTP server. The wave protocol is open to contributions by the broader community with the goal to continue to improve how we share information, together.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/Google-Wave">Google-Wave</a> <a href="http://delicious.com/agahran/collaboration">collaboration</a> <a href="http://delicious.com/agahran/development">development</a> <a href="http://delicious.com/agahran/open-source">open-source</a> <a href="http://delicious.com/agahran/platforms">platforms</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.electronista.com/articles/09/11/03/att.claims.verizon.ads.misleading/">AT&amp;T sues Verizon over &quot;there&#039;s a map for that&quot; ads | Electronista</a></div>
<div class="delicious-extended">Um, shouldn&#039;t they be focusing on improving 3G coverage rather than suing each other? </p>
<p>&quot;AT&amp;T on Tuesday sued Verizon for allegedly misleading customers with its &quot;there&#039;s a map for that&quot; ads. The complaint argues that Verizon is deliberately exaggerating the gaps in AT&amp;T&#039;s coverage through its map of 3G networks, making it seem as though some areas have no coverage at all, not just 3G. The campaign has already had to alter maps after some earlier protests from AT&amp;T.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/mobile">mobile</a> <a href="http://delicious.com/agahran/access">access</a> <a href="http://delicious.com/agahran/law">law</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/stupidity">stupidity</a> <a href="http://delicious.com/agahran/advertising">advertising</a>)</div>
</li>
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		<title>links for 2009-11-06</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/0qOPeJ3UdRs/</link>
		<comments>http://www.contentious.com/2009/11/06/links-for-2009-11-06/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:39:00 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/06/links-for-2009-11-06/</guid>
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Introduction (Google Wave Federation Protocol)
Google writes: &#34;We want to expand upon the Gwave platform, which is why we&#039;ve put together the initial draft of the Google Wave Federation Protocol, the underlying network protocol for sharing waves between wave providers.
&#34;Yes, that&#039;s between wave providers: anyone can build a wave server and interoperate, much like anyone can [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.waveprotocol.org/">Introduction (Google Wave Federation Protocol)</a></div>
<div class="delicious-extended">Google writes: &quot;We want to expand upon the Gwave platform, which is why we&#039;ve put together the initial draft of the Google Wave Federation Protocol, the underlying network protocol for sharing waves between wave providers.</p>
<p>&quot;Yes, that&#039;s between wave providers: anyone can build a wave server and interoperate, much like anyone can run their own SMTP server. The wave protocol is open to contributions by the broader community with the goal to continue to improve how we share information, together.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/Google-Wave">Google-Wave</a> <a href="http://delicious.com/agahran/collaboration">collaboration</a> <a href="http://delicious.com/agahran/development">development</a> <a href="http://delicious.com/agahran/open-source">open-source</a> <a href="http://delicious.com/agahran/platforms">platforms</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.electronista.com/articles/09/11/03/att.claims.verizon.ads.misleading/">AT&amp;T sues Verizon over &quot;there&#039;s a map for that&quot; ads | Electronista</a></div>
<div class="delicious-extended">Um, shouldn&#039;t they be focusing on improving 3G coverage rather than suing each other? </p>
<p>&quot;AT&amp;T on Tuesday sued Verizon for allegedly misleading customers with its &quot;there&#039;s a map for that&quot; ads. The complaint argues that Verizon is deliberately exaggerating the gaps in AT&amp;T&#039;s coverage through its map of 3G networks, making it seem as though some areas have no coverage at all, not just 3G. The campaign has already had to alter maps after some earlier protests from AT&amp;T.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/mobile">mobile</a> <a href="http://delicious.com/agahran/access">access</a> <a href="http://delicious.com/agahran/law">law</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/stupidity">stupidity</a> <a href="http://delicious.com/agahran/advertising">advertising</a>)</div>
</li>
</ul>
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		<title>links for 2009-11-05</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/NeF0yMDdQj8/</link>
		<comments>http://www.contentious.com/2009/11/05/links-for-2009-11-05-11/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 03:34:40 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.contentious.com/2009/11/05/links-for-2009-11-05-11/</guid>
		<description><![CDATA[

Alternatives to Windows, Mac, Linux and online software &#8211; AlternativeTo.net
Great resource site where you can find or suggest alternatives to crappy software and online tools.
(tags: software tools sharing resources)


The E-book Battle: You Win &#124; LiveScience
&#34;The Nook&#039;s killer feature is its ability to share books among friends — a feature the Kindle lacks. Barnes &#38; Noble [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://alternativeto.net/desktop">Alternatives to Windows, Mac, Linux and online software &#8211; AlternativeTo.net</a></div>
<div class="delicious-extended">Great resource site where you can find or suggest alternatives to crappy software and online tools.</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/sharing">sharing</a> <a href="http://delicious.com/agahran/resources">resources</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.livescience.com/technology/091105-ebook-reader-war.html">The E-book Battle: You Win | LiveScience</a></div>
<div class="delicious-extended">&quot;The Nook&#039;s killer feature is its ability to share books among friends — a feature the Kindle lacks. Barnes &amp; Noble says users can lend their books to a friend&#039;s Nook, cellphone, or computer for up to 14 days at a time, but not all e-books will be available for lending. </p>
<p>&quot;&#8230;Sony is also hoping to win customers by adopting the open EPub format. This will allow users to read books purchased from the Sony store on any EPub-compatible device. In contrast, both Amazon and Barnes &amp; Noble use proprietary digital formats, essentially locking users to the companies&#039; devices. A Kindle user can&#039;t switch to a Nook or a Sony Reader without losing access to all the books they purchased through Amazon. However, with a price tag of $399, the Sony Reader Daily Edition is $140 more expensive than the Nook and the Kindle.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/e-books">e-books</a> <a href="http://delicious.com/agahran/e-readers">e-readers</a> <a href="http://delicious.com/agahran/competition">competition</a> <a href="http://delicious.com/agahran/devices">devices</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://covertheplanet.org/?p=433">Cover the Planet » Blog Archive » Can you commit journalism while comparing your ex to an invasive species?</a></div>
<div class="delicious-extended">&quot;I like to preach that journalism equals content plus engagement. I tell students that they can write an incredibly important story, but it isn’t journalism unless people &#8211; hopefully lots of people &#8211; consume it. Important but boring is not journalism. Something no one reads but the writer is not journalism. That’s more like a diary entry &#8211; perhaps helpful to the writer but certainly not journalism.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/journalism">journalism</a> <a href="http://delicious.com/agahran/engagement">engagement</a> <a href="http://delicious.com/agahran/style">style</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://serc.carleton.edu/earthandmind/about_mission.html">Earth &amp; Mind blog</a></div>
<div class="delicious-extended">&quot;The mission of the Earth &amp; Mind blog is to facilitate discussion and discovery about how humans think and learn about the Earth and environment. Earth &amp; Mind explores the intersection between Geosciences, Education and Cognitive Sciences.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/environment">environment</a> <a href="http://delicious.com/agahran/space">space</a> <a href="http://delicious.com/agahran/science">science</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/education">education</a> <a href="http://delicious.com/agahran/research">research</a> <a href="http://delicious.com/agahran/blogs">blogs</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.squared5.com/svideo/mpeg-streamclip-mac.html">Squared 5 &#8211; MPEG Streamclip video converter for Mac OS X</a></div>
<div class="delicious-extended">If you use a Flip video cam and Final Cut for video editing, you&#039;ll need this app to format the clips in a way that will let Final Cut handle them easily</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/video">video</a> <a href="http://delicious.com/agahran/tools">tools</a> <a href="http://delicious.com/agahran/software">software</a> <a href="http://delicious.com/agahran/processes">processes</a> <a href="http://delicious.com/agahran/editing">editing</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.slideshare.net/NicoleLazzaro/four-keys-to-fun-baychi-slides-100n081109">Four Keys To Fun BayCHI Slides 100n081109</a></div>
<div class="delicious-extended">Nicole Lazzaro, XEODesign: &quot;Often ignored by usability, neuroscience now proves that emotion deeply connects decision making and performance. Emotions also coordinate the actions between people. Therefore the next design challenge for desktop and cloud applications is not making a UI &quot;easy,&quot; but rather making it more emotional and social. The trick is that emotions and social experiences cannot be designed directly. This presentation covers how the choices in games craft player emotions to increase engagement.&quot;</div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/games">games</a> <a href="http://delicious.com/agahran/emotions">emotions</a> <a href="http://delicious.com/agahran/psychology">psychology</a> <a href="http://delicious.com/agahran/learning">learning</a> <a href="http://delicious.com/agahran/design">design</a> <a href="http://delicious.com/agahran/presentations">presentations</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.waveprotocol.org/">Introduction (Google Wave Federation Protocol)</a></div>
<div class="delicious-extended">Google writes: &quot;We want to expand upon the Gwave platform, which is why we&#039;ve put together the initial draft of the Google Wave Federation Protocol, the underlying network protocol for sharing waves between wave providers.</p>
<p>&quot;Yes, that&#039;s between wave providers: anyone can build a wave server and interoperate, much like anyone can run their own SMTP server. The wave protocol is open to contributions by the broader community with the goal to continue to improve how we share information, together.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/Google-Wave">Google-Wave</a> <a href="http://delicious.com/agahran/collaboration">collaboration</a> <a href="http://delicious.com/agahran/development">development</a> <a href="http://delicious.com/agahran/open-source">open-source</a> <a href="http://delicious.com/agahran/platforms">platforms</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.electronista.com/articles/09/11/03/att.claims.verizon.ads.misleading/">AT&amp;T sues Verizon over &quot;there&#039;s a map for that&quot; ads | Electronista</a></div>
<div class="delicious-extended">Um, shouldn&#039;t they be focusing on improving 3G coverage rather than suing each other? </p>
<p>&quot;AT&amp;T on Tuesday sued Verizon for allegedly misleading customers with its &quot;there&#039;s a map for that&quot; ads. The complaint argues that Verizon is deliberately exaggerating the gaps in AT&amp;T&#039;s coverage through its map of 3G networks, making it seem as though some areas have no coverage at all, not just 3G. The campaign has already had to alter maps after some earlier protests from AT&amp;T.&quot;</p></div>
<div class="delicious-tags">(tags: <a href="http://delicious.com/agahran/mobile">mobile</a> <a href="http://delicious.com/agahran/access">access</a> <a href="http://delicious.com/agahran/law">law</a> <a href="http://delicious.com/agahran/problems">problems</a> <a href="http://delicious.com/agahran/stupidity">stupidity</a> <a href="http://delicious.com/agahran/advertising">advertising</a>)</div>
</li>
</ul>
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		<title>Twitter @ replies &amp; how I’m changing my live event coverage</title>
		<link>http://feedproxy.google.com/~r/Contentious/~3/Kkxut5uvD78/</link>
		<comments>http://www.contentious.com/2009/11/05/twitter-replies-how-im-changing-my-live-event-coverage/#comments</comments>
		<pubDate>Thu, 05 Nov 2009 23:50:55 +0000</pubDate>
		<dc:creator>Amy Gahran</dc:creator>
				<category><![CDATA[Conversations]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[skills]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[twitter]]></category>
		<category><![CDATA[Alex Howard]]></category>
		<category><![CDATA[hashtag]]></category>
		<category><![CDATA[Leslie Poston]]></category>
		<category><![CDATA[Scott Rosenberg]]></category>

		<guid isPermaLink="false">http://www.contentious.com/?p=2993</guid>
		<description><![CDATA[



If you weren&#8217;t already following author Scott Rosenberg on Twitter, as well as me, you would have missed my coverage of his talk last night. Sorry, that won&#8217;t happen again. (Image via Wikipedia)



Just yesterday I learned that on Twitter (a social media service I use a lot), if I begin a tweet with an @ [...]]]></description>
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<dl class="wp-caption alignright" style="width: 230px;">
<dt class="wp-caption-dt"><a href="http://en.wikipedia.org/wiki/Image:Scott_rosenberg.jpg"><img title="Scott Rosenberg (journalist)" src="http://upload.wikimedia.org/wikipedia/en/4/49/Scott_rosenberg.jpg" alt="Scott Rosenberg (journalist)" width="220" height="332" /></a></dt>
<dd class="wp-caption-dd zemanta-img-attribution" style="font-size: 0.8em;"><span style="color: #800000;"><em><strong>If you weren&#8217;t already following author Scott Rosenberg on Twitter, as well as me, you would have missed my coverage of his talk last night. Sorry, that won&#8217;t happen again. (Image via <a href="http://en.wikipedia.org/wiki/Image:Scott_rosenberg.jpg">Wikipedia)</a></strong></em></span></dd>
</dl>
</div>
</div>
<p>Just yesterday I learned that on Twitter (a social media service I use a lot), if I begin a tweet with an @ reply (such as: <em>@lisawilliams said&#8230;</em>), that tweet will only be seen by people who not only follow me but who ALSO follow the Twitter user named after the initial &#8220;@&#8221;.</p>
<p>You&#8217;d think I would have known this already, but every once in a while something major slips by me. Twitter changed how it handles &#8220;@ replies&#8221; a few months ago &#8212; something that caused considerable controversy on the service. It was a controversy I happened to miss. But thanks to the kindness of a stranger, I&#8217;m now caught up on the issue and can offer some useful tips.</p>
<p>I&#8217;m writing about this issues because it has significant implications for how I&#8217;ll be doing live coverage of events via Twitter.</p>
<p>Whenever I&#8217;m at an event (such as a conference, talk, or arts event) that I think might also interest some of my Twitter followers, I tend to &#8220;live tweet&#8221; it &#8212; posting frequent updates about what&#8217;s being said, what I&#8217;m seeing, reactions to what&#8217;s happening, etc.</p>
<p>I do this so much, and have gotten pretty good at it, that I have attracted many Twitter followers because of it. So I&#8217;ve decided to explore offering <a href="http://www.contentious.com/2009/10/14/experiment-great-live-event-coverage-for-hire-what-do-you-think/">live event coverage as a professional service</a>.</p>
<p>BUT: What if only a fraction of my nearly 5,000 Twitter followers have the opportunity to see my live coverage? And what if those people are already, in a sense, part of the &#8220;in crowd?&#8221;</p>
<p>That&#8217;s the situation when I start my live tweets with &#8220;@&#8221;.</p>
<p>Yeah, big problem. Especially if part of the value I bring to the table with live event coverage service is the size of my Twitter posse.</p>
<p>Fortunately, it&#8217;s fixable&#8230;<span id="more-2993"></span></p>
<p><span style="color: #ff0000;"><strong>Here&#8217;s what I have been doing:</strong></span></p>
<p><strong></strong>When I live tweet &#8212; especially when I&#8217;m covering what&#8217;s being said at an event &#8212; I&#8217;ve tended to use a format like this:</p>
<blockquote><p>@<a href="https://twitter.com/scottros">scottros</a>: &#8220;I envy journalism students now. You all have the opportunity to publish. Just start publishing now, whatever your passion is.&#8221;</p></blockquote>
<p>&#8230;That is, the first thing I do is identify the speaker in a way that people can find and follow that person on Twitter. Then I deliver the quote. This makes sense for reading, but not for how Twitter works now.</p>
<p>Some Twitter users hack around this by inserting characters like &#8220;.&#8221; or &#8220;r [space]&#8221; before the @. This is apparently sufficient to trick Twitter into serving those tweets up to all your followers.</p>
<p>It works, but I don&#8217;t like it.</p>
<p><strong>I believe in trying to make tweets read as naturally as possible,</strong> within that 140-character constraint. It&#8217;s challenging, but I&#8217;ve come to think of it as an art form. Well, at least a useful writing skill.</p>
<p>In my experience: <strong>Being as readable as possible on Twitter counts. </strong>It encourages more people to follow you, retweet you, and interact with you.</p>
<p>Too many people use Twitter&#8217;s character-count constraint as an excuse to get cryptic or vague in order to save space. The problem is, when people have to think too much (or at all) to decode or interpret what you wrote, you become less interesting. And you&#8217;ll only succeed on Twitter if you&#8217;re interesting.</p>
<p><span style="color: #ff0000;"><strong>My proposed solution:<br />
</strong></span></p>
<p><strong>Here&#8217;s what I&#8217;m going to try:</strong> From now on, when I&#8217;m live tweeting and quoting someone, I&#8217;ll <em>begin</em> with the quote, and <em>end</em> with the attribution in parentheses. That would only add one character to my current style.</p>
<p>For example, the tweet I shared above would look like this:</p>
<blockquote><p>&#8220;I envy journalism students now. You all have the opportunity to publish. Just start publishing now, whatever your passion is.&#8221; (@<a href="https://twitter.com/scottros">scottros</a>)</p></blockquote>
<p>If I live tweet that way, then ALL of my Twitter followers would see the tweet &#8212; whether or not they also follow author <a href="http://twitter.com/scottros">Scott Rosenberg on Twitter</a>.</p>
<p><strong>What do you think of this approach?</strong> Please comment below.</p>
<p>I&#8217;ll try this out tonight. I&#8217;m attending a book signing, which I&#8217;ll be covering for <a href="http://oaklandlocal.com">Oakland Local</a>. It&#8217;s fun stuff: Local illustrator Chris Lane will be discussing his new book, <a href="http://www.amazon.com/Zombies-Record-Infection-Don-Roff/dp/0811871002/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1257467404&amp;sr=8-1">Zombies: A Record of the Year of Infection</a>. (<a href="http://sfappeal.com/culture/2009/11/funcheap-daily-fun-local-illustrator-chris-lane-discusses-zombies.php">Event details</a>)</p>
<p>Once I try this live-tweeting strategy, I&#8217;ll get a sense for whether and how well it really works. But you let me know what you think.</p>
<p>&#8230;Yeah, this seems like a minor, picky point of style.<strong> </strong>However, given how Twitter now works, it would vastly increase the audience for my live event coverage.</p>
<p>I thought other Twitter users might find this info useful as well, especially journalists and others who do live coverage of events or breaking news via Twitter. After all, I can&#8217;t be the only avid Twitter user who missed this, right?</p>
<p>&#8230;Oh well, maybe I could be, I dunno.</p>
<p>In my own defense, when Twitter made this change back in May, I was at the apex of several major, stressful life changes &#8212; including selling my home of 12 years, downsizing my possessions to fit in a single room, and relocating to a new and very different city. I remember seeing the <a href="http://search.twitter.com/search?q=%23fixreplies">#fixreplies hashtag</a>, but at the time I didn&#8217;t have the mental energy to figure out what people were talking about. My bad.</p>
<p>Anyway, <strong>I&#8217;m very grateful to <a href="http://digiphile.wordpress.com">Alex Howard</a></strong> (<a href="http://twitter.com/digiphile">@digiphile</a> on Twitter) who kindly pointed out to me this change in how Twitter works last night. I was live-tweeting a talk that Scott Rosenberg, author of <a href="http://www.amazon.com/Say-Everything-Blogging-Becoming-Matters/dp/0307451364/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1257463470&amp;sr=8-1">Say Everything</a> and founder of the intriguing new <a href="http://mediabugs.org/">Mediabugs</a> project. Alex liked my coverage, which he only saw because he also follows Scott on Twitter. He wanted more people to be able to see what I was doing, and kindly clued me in about the implications of starting with @.</p>
<p><strong><span style="color: #ff0000;">RESOURCES:</span><br />
</strong></p>
<p>Alex directed me to his <a href="http://pistachioconsulting.com/community-replies-fixreplies-and-change/">discussion with Leslie Poston about implications of the @ reply change</a>. This is quite thought-provoking and readable. If how people actually connect via social media matters to you, give it a read.</p>
<p>More recently, blogger Patrix covered this issue: <a href="http://www.ipatrix.com/understanding-twitter-replies-behavior/">Understanding Twitter @Replies Behavior</a>. The comment thread here provides considerable clarification.</p>
<p>Finally, it&#8217;s important to understand <a href="http://help.twitter.com/forums/10711/entries/14023">how Twitter distinguishes between replies and mentions</a>.</p>
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