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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Photographer and director Michael Grecco debunks the fallacy that the money paid for an artist’s work never goes to the artist.</span></p>]]></description>
      
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      <title>Copyright in Context: Ellen Seidler Part 2</title>
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      <pubDate>Tue, 10 Feb 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Filmmaker Ellen Seidler shares some insights about how to prevent the viral spread of pirated content.</span></p>]]></description>
      
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      <title>Copyright in Context: Ellen Seidler Part 1</title>
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      <pubDate>Thu, 05 Feb 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Filmmaker Ellen Seidler says sharing is not caring. There is an entire black market that thrives on stealing artists’ work.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Filmmaker Ellen Seidler says sharing is not caring. There is an entire black market that thrives on stealing artists’ work.</p>]]></content:encoded>
      
      
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      <title>Perspectives: David Price</title>
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      <pubDate>Tue, 03 Feb 2015 10:30:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">David Price, Director of Piracy & Counterfeit Analysis at NetNames, discusses his new report "Behind the Cyberlocker Door," published in collaboration with Digital Citizens Alliance. Price discusses the profitability from hosting infringing material and the role of legitimate payment processors like Visa and Master Card. Price also reveals the manner in which these cyberlockers are used to deliver malware to users.</p>]]></content:encoded>
      
      
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      <title>Copyright in Context: Jordu Schell Part 2</title>
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      <pubDate>Thu, 29 Jan 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Monster maker Jordu Schell explains how he has dealt with plagiarists.</span></p>]]></description>
      
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      <itunes:duration>01:30</itunes:duration>
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    <item>
      <title>Copyright in Context: Jordu Schell Part 1</title>
      <itunes:title>Copyright in Context: Jordu Schell Part 1</itunes:title>
      <pubDate>Tue, 27 Jan 2015 18:50:02 +0000</pubDate>
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      <title>Creative Works: David Parker</title>
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      <pubDate>Tue, 13 Jan 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Choreographer and co-founder of dance company The Bang Group, David Parker talks about the art of using rhythm to communicate, and he describes the inspiration behind one of his most well-known dance pieces in which he and his partner wear Velcro suits. He also talks about the challenges of running a dance company and the opportunities for dancers in New York today.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Choreographer and co-founder of dance company The Bang Group, David Parker talks about the art of using rhythm to communicate, and he describes the inspiration behind one of his most well-known dance pieces in which he and his partner wear Velcro suits. He also talks about the challenges of running a dance company and the opportunities for dancers in New York today.</p>]]></content:encoded>
      
      
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      <title>CA Connects with Siggy Ferstl</title>
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      <pubDate>Thu, 08 Jan 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production.  In this interview, the Copyright Alliance speaks with colorist Siggy Ferstl about the importance of his work in the creation of a look and feel for a particular movie.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview, the Copyright Alliance speaks with colorist Siggy Ferstl about the importance of his work in the creation of a look and feel for a particular movie.</p>]]></content:encoded>
      
      
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    <item>
      <title>CA Connects with Phillip Boutte Jr.</title>
      <itunes:title>CA Connects with Phillip Boutte Jr.</itunes:title>
      <pubDate>Tue, 06 Jan 2015 11:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview the Copyright Alliance speaks with Star Trek costume illustrator Phillip Boutte Jr about the role of a costume illustrator in the greater costume department and the economic impact of movie crews on the community they are working in.</p>]]></content:encoded>
      
      
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    <item>
      <title>CA Connects with Jackeline Tejada</title>
      <itunes:title>CA Connects with Jackeline Tejada</itunes:title>
      <pubDate>Thu, 01 Jan 2015 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview, the Copyright Alliance speaks with “Blue Bloods” editor Jackeline Tejada about the art of editing and the difference even minute choices in camera angles can make to the overall mood of a scene. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview, the Copyright Alliance speaks with “Blue Bloods” editor Jackeline Tejada about the art of editing and the difference even minute choices in camera angles can make to the overall mood of a scene. </p>]]></content:encoded>
      
      
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      <itunes:duration>01:43</itunes:duration>
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    <item>
      <title>CA Connects with Cig Neutron</title>
      <itunes:title>CA Connects with Cig Neutron</itunes:title>
      <pubDate>Tue, 30 Dec 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview, the Copyright Alliance speaks with effects makeup artist Cig Neutron about the process of developing a character from start to finish. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this interview, the Copyright Alliance speaks with effects makeup artist Cig Neutron about the process of developing a character from start to finish. </p>]]></content:encoded>
      
      
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      <itunes:duration>01:47</itunes:duration>
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      <title>CA Connects with Donna Zakowska</title>
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      <pubDate>Thu, 25 Dec 2014 11:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this video, the Copyright Alliance discusses the creation of 18th century costumes for the TV show “Turn” with wardrobe designer Donna Zakowska.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Hosted by the Creative Rights Caucus of the U.S. Congress, the event "Beyond the Red Carpet" in Washington, D.C. showcased the work of craftspeople working behind the scenes in TV and motion picture production. In this video, the Copyright Alliance discusses the creation of 18th century costumes for the TV show “Turn” with wardrobe designer Donna Zakowska.</p>]]></content:encoded>
      
      
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      <title>CA Connects with Rosanne Cash &amp; John Leventhal</title>
      <itunes:title>CA Connects with Rosanne Cash &amp; John Leventhal</itunes:title>
      <pubDate>Tue, 23 Dec 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">We talk to singer/songwriter Rosanne Cash and composer John Leventhal (husband & partner) at the Americana Music Fest NYC at Lincoln Center 2014.  Rosanne and John tell us about their new album The River & The Thread; about their approach to the creative process; and about their views of the music industry through their experienced perspective.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">We talk to singer/songwriter Rosanne Cash and composer John Leventhal (husband & partner) at the Americana Music Fest NYC at Lincoln Center 2014. Rosanne and John tell us about their new album The River & The Thread; about their approach to the creative process; and about their views of the music industry through their experienced perspective.</p>]]></content:encoded>
      
      
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      <itunes:duration>08:09</itunes:duration>
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      <title>Perspectives: Chris Pennington</title>
      <itunes:title>Perspectives: Chris Pennington</itunes:title>
      <pubDate>Thu, 18 Dec 2014 13:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Chris Pennington, Executive Director of the Jerome Robbins Foundation, provides an overview of Jerome Robbins's significance in American dance and discusses the management of rights to the choreographer's works.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Chris Pennington, Executive Director of the Jerome Robbins Foundation, provides an overview of Jerome Robbins's significance in American dance and discusses the management of rights to the choreographer's works.</p>]]></content:encoded>
      
      
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      <itunes:duration>04:12</itunes:duration>
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    <item>
      <title>CA Connects with Zachary Maxwell</title>
      <itunes:title>CA Connects with Zachary Maxwell</itunes:title>
      <pubDate>Tue, 16 Dec 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with young filmmaker Zachary Maxwell at our Inaugural OneVoi©e Event. He talks about his latest documentary Anatomy of Snow Day, which investigates the complicated decision-making process city officials go through when deciding whether to shut down New York City schools during a snow storm.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">The Copyright Alliance speaks with young filmmaker Zachary Maxwell at our Inaugural OneVoi©e Event. He talks about his latest documentary Anatomy of Snow Day, which investigates the complicated decision-making process city officials go through when deciding whether to shut down New York City schools during a snow storm.</p>]]></content:encoded>
      
      
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    <item>
      <title>CA Connects with Thom Niemann</title>
      <itunes:title>CA Connects with Thom Niemann</itunes:title>
      <pubDate>Thu, 11 Dec 2014 12:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with Fordham University theater student Thom Niemann at our Inaugural OneVoi©e Event. He talks about his aspirations as an actor and current opportunities in the entertainment industry. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">The Copyright Alliance speaks with Fordham University theater student Thom Niemann at our Inaugural OneVoi©e Event. He talks about his aspirations as an actor and current opportunities in the entertainment industry. </p>]]></content:encoded>
      
      
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    <item>
      <title>CA Connects with Paige Campbell</title>
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      <pubDate>Tue, 09 Dec 2014 10:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with filmmaker and NYU grad Paige Campbell at our Inaugural OneVoi©e Event. She talks about her upcoming film Vanitas, her thoughts about DIY filmmaking, and the state of the industry.</span></p>]]></description>
      
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      <title>Creative Works: Doug Menuez</title>
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      <description><![CDATA[<p>Photographer Doug Menuez describes his career and his experiences capturing the images for his newly published book, Fearless Genius, depicting the spirit of the pioneer founders of Silicon Valley in the early 1990s.</p>]]></description>
      
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      <title>CA Connects with Jed Hilly</title>
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      <title>Creative Works: Andrew Harnik</title>
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      <title>Creative Works: Kat Caverly</title>
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      <pubDate>Tue, 26 Aug 2014 11:00:00 +0000</pubDate>
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      <title>Perspectives: David Kappos Part 2</title>
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      <pubDate>Thu, 14 Aug 2014 11:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">IP attorney David Kappos of Cravath, Swaine & Moore, LLP says that part of the solution to the digital-age copyright challenge will be for consumers to start to see themselves as creators of content that is worthy of respect.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">IP attorney David Kappos of Cravath, Swaine & Moore, LLP says that part of the solution to the digital-age copyright challenge will be for consumers to start to see themselves as creators of content that is worthy of respect.</p>]]></content:encoded>
      
      
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      <title>Perspectives: David Kappos Part 1</title>
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      <pubDate>Tue, 12 Aug 2014 10:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">IP attorney David Kappos of Cravath, Swaine & Moore, LLP discusses the opportunity the United States has to play a leadership role in the changing copyright landscape in the digital age.</p>]]></content:encoded>
      
      
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      <title>Interview with Kevin Lester</title>
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      <pubDate>Tue, 05 Aug 2014 10:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">David Newhoff speaks with Singapore musician Kevin Lester, an award-winning hip hop artist, writer, and producer. They discuss the role that a new generation of artists like Kevin are playing in helping to develop a sustainable creative industry. Kevin speaks about his attraction to hip hop as an art form and discusses his latest hit “Forever,” a song about his determination to be an artist and an activist for promotion of the arts in his country.</span></p>]]></description>
      
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      <title>Interview with Jennifer Lyn Morone Part 2</title>
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      <pubDate>Thu, 31 Jul 2014 10:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">This is part II of David Newhoff’s conversation with Jennifer Lyn Morone, an artist who has incorporated herself in order to confront some of the social, economic, and existential questions we face in the digital age.</p>]]></content:encoded>
      
      
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      <title>Interview with Jennifer Lyn Morone Part 1</title>
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      <pubDate>Tue, 29 Jul 2014 10:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In part I of this podcast, David Newhoff talks with Jennifer Lyn Morone, who is in the start-up phase of bringing to market Jennifer Lyn Monroe™ Incorporated.  An American artist who has lived in Europe more than a decade, Morone has chosen to address the current social, economic, and existential questions surrounding the value of privacy and personal data by incorporating herself in an act of what she calls “extreme capitalism.” Listen to Part II of the podcast next.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In part I of this podcast, David Newhoff talks with Jennifer Lyn Morone, who is in the start-up phase of bringing to market Jennifer Lyn Monroe™ Incorporated. An American artist who has lived in Europe more than a decade, Morone has chosen to address the current social, economic, and existential questions surrounding the value of privacy and personal data by incorporating herself in an act of what she calls “extreme capitalism.” Listen to Part II of the podcast next.</p>]]></content:encoded>
      
      
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      <title>Interview with Parry Teasdale</title>
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      <pubDate>Thu, 24 Jul 2014 10:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In this podcast, David Newhoff interviews Parry Teasdale, Editor-in-Chief of The Columbia Paper, which serves a small, rural community in the Hudson Valley. They discuss Teasdale’s involvement in the new media vanguard of the late 1960s and early 1970s (when portable video cameras were just becoming available to ordinary citizens), as well as the current state of journalism, and our relationship to information.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this podcast, David Newhoff interviews Parry Teasdale, Editor-in-Chief of The Columbia Paper, which serves a small, rural community in the Hudson Valley. They discuss Teasdale’s involvement in the new media vanguard of the late 1960s and early 1970s (when portable video cameras were just becoming available to ordinary citizens), as well as the current state of journalism, and our relationship to information.</p>]]></content:encoded>
      
      
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    <item>
      <title>Interview with Chris Ruen Part 2</title>
      <itunes:title>Interview with Chris Ruen Part 2</itunes:title>
      <pubDate>Tue, 22 Jul 2014 10:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">This is Part II of David Newhoff’s interview with Chris Ruen, author of Freeloading: How Our Insatiable Hunger for Free Content Starves Creativity. </p>]]></content:encoded>
      
      
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      <itunes:duration>29:20</itunes:duration>
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    <item>
      <title>Interview with Chris Ruen Part 1</title>
      <itunes:title>Interview with Chris Ruen Part 1</itunes:title>
      <pubDate>Thu, 17 Jul 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">David Newhoff speaks with Chris Ruen, author of the book Freeloading: How Our Insatiable Hunger for Free Content Starves Creativity.  Ruen’s book provides a glimpse into his personal transition from consumer of free media to advocate for artists’ rights and a more rational conversation about copyright in the digital age.  In this podcast, Ruen shares his own thoughts about common justifications for online piracy, about the mechanics behind the anti-SOPA protest, and about his own proposals for a renewed dialogue about copyright reform and enforcement.  Listen to Part II of the podcast next.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">David Newhoff speaks with Chris Ruen, author of the book Freeloading: How Our Insatiable Hunger for Free Content Starves Creativity. Ruen’s book provides a glimpse into his personal transition from consumer of free media to advocate for artists’ rights and a more rational conversation about copyright in the digital age. In this podcast, Ruen shares his own thoughts about common justifications for online piracy, about the mechanics behind the anti-SOPA protest, and about his own proposals for a renewed dialogue about copyright reform and enforcement. Listen to Part II of the podcast next.</p>]]></content:encoded>
      
      
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      <title>Creative Works: Michael Grecco</title>
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      <pubDate>Tue, 15 Jul 2014 09:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Michael Grecco briefly discusses his work as a celebrity, journalistic, and commercial photographer and the lighting books he has written. As a professional photographer in the digital age, he describes both the business sense required to be successful in the field and the importance of copyrighting one’s work.   </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Michael Grecco briefly discusses his work as a celebrity, journalistic, and commercial photographer and the lighting books he has written. As a professional photographer in the digital age, he describes both the business sense required to be successful in the field and the importance of copyrighting one’s work. </p>]]></content:encoded>
      
      
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      <itunes:duration>04:20</itunes:duration>
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      <title>Creative Works: Matthew Harrison</title>
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      <pubDate>Thu, 10 Jul 2014 10:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">New York filmmaker Matthew Harrison discusses his film Rhythm Thief, which won the Sundance Jury Prize in 1995.  Inspired by anti-bootlegging campaigns of the 1990s, Harrison talks about wanting to make a film that is of a time and place yet holds up even decades later.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">New York filmmaker Matthew Harrison discusses his film Rhythm Thief, which won the Sundance Jury Prize in 1995. Inspired by anti-bootlegging campaigns of the 1990s, Harrison talks about wanting to make a film that is of a time and place yet holds up even decades later.</p>]]></content:encoded>
      
      
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      <itunes:duration>03:31</itunes:duration>
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      <title>Creative Works: Judy Chu</title>
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      <pubDate>Tue, 27 May 2014 10:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Representative Judy Chu of California discusses the founding of the Creative Rights Caucus and describes the events they are organizing to promote artists rights and highlight the importance of creative occupations around the country.</span></p>]]></description>
      
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      <itunes:duration>04:54</itunes:duration>
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      <title>Creative Works: Jeff Pirtle</title>
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      <pubDate>Tue, 13 May 2014 11:00:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">NBCUniversal Studios chief archivist Jeff Pirtle shares some assets from the studio's collection, including the minute book from the founding of Universal. Jeff describes his role in preserving assets used in motion pictures, including set plans, vintage posters, and costumes. His favorite part of his job is uncovering interesting facts about the studio’s history.</p>]]></content:encoded>
      
      
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      <itunes:duration>04:12</itunes:duration>
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    <item>
      <title>Creative Works: Poppy Cannon-Reese</title>
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      <pubDate>Thu, 08 May 2014 11:00:00 +0000</pubDate>
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      <itunes:duration>04:27</itunes:duration>
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    <item>
      <title>Creative Works: Avallone</title>
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      <pubDate>Tue, 22 Apr 2014 09:30:00 +0000</pubDate>
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      <content:encoded><![CDATA[<p>Filmmaker David Avallone discusses the work of his father, Michael Avallone, author of the Ed Noon detective series. Having inherited the rights to his father’s novels, Avallone discusses the process of making these works newly available as eBooks and self-promoting Ed Noon via social media.</p>]]></content:encoded>
      
      
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      <title>Creative Works: Cheryl Engelhardt</title>
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      <pubDate>Tue, 15 Apr 2014 17:54:25 +0000</pubDate>
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      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this profile, Cheryl B. Englehardt gives us a glimpse into the world of a contemporary working composer. She discusses her songwriting process and how she manages to strike a balance between composing for clients and composing for her own records.</p>]]></content:encoded>
      
      
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    <item>
      <title>CA Connects with Valerie Simpson</title>
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      <pubDate>Thu, 10 Apr 2014 12:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with Grammy-nominated singer/songwriter Valerie Simpson at the 2014 Grammy Foundation’s event recognizing songwriters. Simpson describes the importance of the songwriter in the creation of music and explains how she knows when she has written a good song.</span></p>]]></description>
      
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    <item>
      <title>CA Connects with Ryan Shaw</title>
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      <pubDate>Tue, 08 Apr 2014 09:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with singer/songwriter Ryan Shaw about his Grammy-nominated cover of the Beatles’s “Yesterday.” Shaw explains music’s ability to transcend time and the important role the Grammy Foundation plays in preserving music for future generations.</span></p>]]></description>
      
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    <item>
      <title>CA Connects with Neil Portnow</title>
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      <pubDate>Thu, 03 Apr 2014 10:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">Neil Portnow, President of the National Academy of Recording Arts & Sciences, talks to the Copyright Alliance about the academy's core work beyond the Grammy Awards. Portnow explains what the Recording Academy’s role has been in supporting artists amidst the current copyright review process in Congress and concludes by offering advice to artists getting their start within the changing landscape of the music industry.</span></p>]]></description>
      
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    <item>
      <title>CA Connects with Mindi Abair</title>
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      <pubDate>Tue, 01 Apr 2014 10:30:00 +0000</pubDate>
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    <item>
      <title>CA Connects with Maybe April</title>
      <itunes:title>CA Connects with Maybe April</itunes:title>
      <pubDate>Thu, 27 Mar 2014 13:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with up-and-coming Nashville-based band Maybe April at the 2014 Grammy Foundation Songwriters event. Having originally met at Grammy Camp, a music-industry camp organized by the Grammy Foundation, the trio describe how the organization has helped them in pursuing a career in music.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">The Copyright Alliance speaks with up-and-coming Nashville-based band Maybe April at the 2014 Grammy Foundation Songwriters event. Having originally met at Grammy Camp, a music-industry camp organized by the Grammy Foundation, the trio describe how the organization has helped them in pursuing a career in music.</p>]]></content:encoded>
      
      
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      <itunes:duration>02:03</itunes:duration>
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    <item>
      <title>CA Connects with Louise Lynn Goffin</title>
      <itunes:title>CA Connects with Louise Lynn Goffin</itunes:title>
      <pubDate>Tue, 25 Mar 2014 12:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">Singer/songwriter and producer, Louise Lynn Goffin takes a moment to talk to the Copyright Alliance at the Recording Academy’s <em>Producers and Engineers Wing </em>event<em>. </em>Goffin<em> </em>speaks about her performance paying tribute to her parents Carole King and Gerry Goffin. Goffin advises young songwriters to find and nurture what makes them unique and to reject any ideas of what they <em>should</em> sound like. </span></p>]]></description>
      
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    <item>
      <title>CA Connects with JD Souther</title>
      <itunes:title>CA Connects with JD Souther</itunes:title>
      <pubDate>Thu, 20 Mar 2014 12:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks to singer/songwriter J.D. Souther at the Grammy Foundation 2014 Songwriters event. Souther explains his support of the Grammy Foundation’s focus on music education and music preservation. With respect to his own music, Souther confesses to not ever really knowing whether he has written a good song until after it has been released. He encourages young musicians to take the time to learn their craft and to depend less on illusory media success.  </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">The Copyright Alliance speaks to singer/songwriter J.D. Souther at the Grammy Foundation 2014 Songwriters event. Souther explains his support of the Grammy Foundation’s focus on music education and music preservation. With respect to his own music, Souther confesses to not ever really knowing whether he has written a good song until after it has been released. He encourages young musicians to take the time to learn their craft and to depend less on illusory media success. </p>]]></content:encoded>
      
      
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      <itunes:duration>02:24</itunes:duration>
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    <item>
      <title>CA Connects with Colbie Callait</title>
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      <pubDate>Tue, 18 Mar 2014 09:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">Singer-songwriter Colbie Callait talks to the Copyright Alliance at the Recording Academy’s <em>Producers and Engineers Wing </em>event. Colbie describes the work that goes into the creation of a song and acknowledges the unseen people behind the music -- the songwriters, engineers, producers, management and labels. She advises aspiring artists to understand the amount of work they must put into being in any creative field.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">Singer-songwriter Colbie Callait talks to the Copyright Alliance at the Recording Academy’s <em>Producers and Engineers Wing </em>event. Colbie describes the work that goes into the creation of a song and acknowledges the unseen people behind the music -- the songwriters, engineers, producers, management and labels. She advises aspiring artists to understand the amount of work they must put into being in any creative field.</p>]]></content:encoded>
      
      
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      <itunes:duration>01:40</itunes:duration>
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    <item>
      <title>CA Connects with Boney James</title>
      <itunes:title>CA Connects with Boney James</itunes:title>
      <pubDate>Tue, 11 Mar 2014 13:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with songwriter and saxophonist, Boney James, about his latest Grammy nominated album. He acknowledges the role his music educators played in shaping his career and commends the Grammy Foundation for its efforts to bring music education to schools, especially in light of the challenges young musicians face today in the industry.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">The Copyright Alliance speaks with songwriter and saxophonist, Boney James, about his latest Grammy nominated album. He acknowledges the role his music educators played in shaping his career and commends the Grammy Foundation for its efforts to bring music education to schools, especially in light of the challenges young musicians face today in the industry.</p>]]></content:encoded>
      
      
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      <itunes:duration>01:55</itunes:duration>
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    <item>
      <title>Talking Digital Cinema with Cinematographer Steven Poster</title>
      <itunes:title>Talking Digital Cinema with Cinematographer Steven Poster</itunes:title>
      <pubDate>Thu, 06 Mar 2014 11:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">While it’s true that affordable digital cameras and editing software have put impressive means of production into the hands any boot-strapping filmmaker with a dream, digital filmmaking at the highest end of TV and motion pictures is actually more complex and more expensive than the days of celluloid-only production.  </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In this podcast, David Newhoff discusses these issues and more with cinematographer Steven Poster. Poster has more than 50 credits as Director of Photography, has served as president of the American Society of Cinematographers, and is currently the National President of theInternational Cinematographer’s Guild. David spoke to Steven in Los Angeles via Skype. Recorded in September 2012. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">While it’s true that affordable digital cameras and editing software have put impressive means of production into the hands any boot-strapping filmmaker with a dream, digital filmmaking at the highest end of TV and motion pictures is actually more complex and more expensive than the days of celluloid-only production. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this podcast, David Newhoff discusses these issues and more with cinematographer Steven Poster. Poster has more than 50 credits as Director of Photography, has served as president of the American Society of Cinematographers, and is currently the National President of theInternational Cinematographer’s Guild. David spoke to Steven in Los Angeles via Skype. Recorded in September 2012. </p>]]></content:encoded>
      
      
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      <itunes:duration>21:47</itunes:duration>
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    <item>
      <title>Interview with DIY musician Matthew Ebel</title>
      <itunes:title>Interview with DIY musician Matthew Ebel</itunes:title>
      <pubDate>Tue, 04 Mar 2014 13:00:00 +0000</pubDate>
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      <link><![CDATA[https://copyrightalliance.libsyn.com/interview-with-diy-musician-matthew-ebel]]></link>
      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Matthew Ebel would seem to be the living definition of the DIY digital artist.  With 10 albums full of satirical and thought-provoking songs, he writes, composes, and performs based out of his New Hampshire studio. Matthew’s strategy for forging a career in the age of file-sharing, torrents, and remixes is to do all he can to introduce his listeners to the man and the work behind the music. </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">After listening to Matthew’s song, “The Last Pirate,” which criticizes both the traditional music industry and thoughtless file sharers, David Newhoff asked Matthew for an interview. This podcast interview was recorded via Skype. Recorded in September 2012. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Matthew Ebel would seem to be the living definition of the DIY digital artist. With 10 albums full of satirical and thought-provoking songs, he writes, composes, and performs based out of his New Hampshire studio. Matthew’s strategy for forging a career in the age of file-sharing, torrents, and remixes is to do all he can to introduce his listeners to the man and the work behind the music. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica;">After listening to Matthew’s song, “The Last Pirate,” which criticizes both the traditional music industry and thoughtless file sharers, David Newhoff asked Matthew for an interview. This podcast interview was recorded via Skype. Recorded in September 2012. </p>]]></content:encoded>
      
      
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      <title>Interview with Ellen Seidler</title>
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      <pubDate>Fri, 28 Feb 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">Tom Galvin, CEO, Digital Citizens Alliance, discusses a new study about content theft web sites, and their profitability, with Ellen Seidler, Vox Indie.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">Tom Galvin, CEO, Digital Citizens Alliance, discusses a new study about content theft web sites, and their profitability, with Ellen Seidler, Vox Indie.</p>]]></content:encoded>
      
      
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      <itunes:duration>20:38</itunes:duration>
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    <item>
      <title>CA Connects with Paul Williams</title>
      <itunes:title>CA Connects with Paul Williams</itunes:title>
      <pubDate>Thu, 27 Feb 2014 13:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks to Grammy Award Winner Paul Williams about his experience working with Daft Punk on their latest album. In recognition of ASCAP’s 100th year anniversary, Williams expresses his appreciation for the organization and others, including NARAS and the Grammy Foundation, which works to preserve the music, support the rights of musicians, and promote music education in schools.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">The Copyright Alliance speaks to Grammy Award Winner Paul Williams about his experience working with Daft Punk on their latest album. In recognition of ASCAP’s 100th year anniversary, Williams expresses his appreciation for the organization and others, including NARAS and the Grammy Foundation, which works to preserve the music, support the rights of musicians, and promote music education in schools.</p>]]></content:encoded>
      
      
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      <title>CA Connects with Ne-Yo</title>
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      <pubDate>Wed, 26 Feb 2014 15:53:57 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Ne-Yo, a multi-platinum recording artist sits down with Cary Sherman, RIAA, & CEO, and discusses his passion for songwriting and music. In addition to being a musician, Ne-Yo is also the Senior Vice President of A & R Motown Records and explains how he brings talent to the label, what he looks for in an artist and his advice for upcoming artists in the music industry. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Ne-Yo, a multi-platinum recording artist sits down with Cary Sherman, RIAA, & CEO, and discusses his passion for songwriting and music. In addition to being a musician, Ne-Yo is also the Senior Vice President of A & R Motown Records and explains how he brings talent to the label, what he looks for in an artist and his advice for upcoming artists in the music industry. </p>]]></content:encoded>
      
      
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      <itunes:duration>06:40</itunes:duration>
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    <item>
      <title>Interview with Veteran Journalist Christopher Dickey</title>
      <itunes:title>Interview with Veteran Journalist Christopher Dickey</itunes:title>
      <pubDate>Tue, 25 Feb 2014 17:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In this podcast, David Newhoff speaks to veteran journalist Christopher Dickey about the changes to news reporting in the digital age.  With a career that begins well before public use of the Web, Dickey is an old-school journalist who fully embraces the flexibility and editorial potential of new and social media. Dickey is currently the Paris Bureau Chief and Middle East Regional Editor for Newsweek Magazine and The Daily Beast. David spoke to Christopher in Paris via Skype. Recorded in August 2012.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this podcast, David Newhoff speaks to veteran journalist Christopher Dickey about the changes to news reporting in the digital age. With a career that begins well before public use of the Web, Dickey is an old-school journalist who fully embraces the flexibility and editorial potential of new and social media. Dickey is currently the Paris Bureau Chief and Middle East Regional Editor for Newsweek Magazine and The Daily Beast. David spoke to Christopher in Paris via Skype. Recorded in August 2012.</p>]]></content:encoded>
      
      
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      <itunes:duration>26:07</itunes:duration>
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    <item>
      <title>Talking Branded Entertainment with Filmmaker Amy French</title>
      <itunes:title>Talking Branded Entertainment with Filmmaker Amy French</itunes:title>
      <pubDate>Thu, 20 Feb 2014 12:30:00 +0000</pubDate>
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      <link><![CDATA[https://copyrightalliance.libsyn.com/talking-branded-entertainment-with-filmmaker-amy-french]]></link>
      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">There are a lot theories and a lot of experimentation with regard to independent filmmaking, the digital age, and the prospects for redefining the ways in which filmed entertainment can be funded by sponsors and distributed over the web. </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In this podcast, David Newhoff speaks to actress and filmmaker, Amy French.  They discuss her work in the world of branded entertainment, specifically her latest project for California brand, Umami Burger, for which she created a humorous mockumentary style series. David spoke to Amy in Los Angeles via Skype. Recorded in November 2012. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">There are a lot theories and a lot of experimentation with regard to independent filmmaking, the digital age, and the prospects for redefining the ways in which filmed entertainment can be funded by sponsors and distributed over the web. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"> </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this podcast, David Newhoff speaks to actress and filmmaker, Amy French. They discuss her work in the world of branded entertainment, specifically her latest project for California brand, Umami Burger, for which she created a humorous mockumentary style series. David spoke to Amy in Los Angeles via Skype. Recorded in November 2012. </p>]]></content:encoded>
      
      
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      <itunes:duration>25:53</itunes:duration>
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    <item>
      <title>CA Connects with the Grammy Foundation</title>
      <itunes:title>CA Connects with the Grammy Foundation</itunes:title>
      <pubDate>Mon, 17 Feb 2014 22:08:23 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The Copyright Alliance speaks with the Chairman of the Grammy Foundation, Rusty Rueff about the purpose of the foundation and about the first recipient of the Music Educators Award, Kent Knappenberger. Rueff explains why the inaugural Music Educators Award is of such importance in promoting the overall mission of the Grammy Foundation to preserve the legacy of songwriters, fund music research, and support music education.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">The Copyright Alliance speaks with the Chairman of the Grammy Foundation, Rusty Rueff about the purpose of the foundation and about the first recipient of the Music Educators Award, Kent Knappenberger. Rueff explains why the inaugural Music Educators Award is of such importance in promoting the overall mission of the Grammy Foundation to preserve the legacy of songwriters, fund music research, and support music education.</p>]]></content:encoded>
      
      
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      <itunes:duration>03:24</itunes:duration>
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    <item>
      <title>Interview with NEA&#39;s Sunil Iyengar</title>
      <itunes:title>Interview with NEA&#39;s Sunil Iyengar</itunes:title>
      <pubDate>Mon, 17 Feb 2014 21:44:17 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">National Endowment for the Arts’ Sunil Iyengar discusses a government report on the value of arts and culture. He speaks with Sandra Aistars on the Copyright Alliance Podcast.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">National Endowment for the Arts’ Sunil Iyengar discusses a government report on the value of arts and culture. He speaks with Sandra Aistars on the Copyright Alliance Podcast.</p>]]></content:encoded>
      
      
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      <itunes:duration>15:41</itunes:duration>
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    <item>
      <title>CA Connects with Chad Smith</title>
      <itunes:title>CA Connects with Chad Smith</itunes:title>
      <pubDate>Thu, 13 Feb 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;"><span style="letter-spacing: 0.0px;">Chad Smith, drummer for the Red Hot Chili Peppers, takes a moment to talk to the Copyright Alliance at the Recording Academy’s <em>Producers and Engineers Wing </em>event. Chad describes the role sound engineers and producers play in shaping a finished song and insists that those working hard to create music be recognized and compensated for the work they do.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica; color: #232323;">Chad Smith, drummer for the Red Hot Chili Peppers, takes a moment to talk to the Copyright Alliance at the Recording Academy’s <em>Producers and Engineers Wing </em>event. Chad describes the role sound engineers and producers play in shaping a finished song and insists that those working hard to create music be recognized and compensated for the work they do.</p>]]></content:encoded>
      
      
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      <itunes:duration>01:45</itunes:duration>
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    <item>
      <title>Women in Engineering and the Future of Technology Design, Part II</title>
      <itunes:title>Women in Engineering and the Future of Technology Design, Part II</itunes:title>
      <pubDate>Mon, 27 Jan 2014 11:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">This is Part II of David Newhoff’s conversation with technologist and industrial designer, Carla Diana. In the final half of this podcast, the discussion focuses on the GoldieBlox copyright case and the future of 3D printing. </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"><span style="letter-spacing: 0.0px;"></span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Diana originally studied mechanical engineering, but early in her career, she shifted her focus to industrial design, which demands a broad set of disciplines that sound more sociological than technological.  In January of 2013, Diana wrote an article for <i>The New York Times </i>about how we interact with robotic machines, and how that interaction is anticipated by designers in the early stages of development.  Most recently, Diana published a book called <i>LEO the Maker Prince</i>, a children’s story that works in conjunction with projects kids can do using a consumer-grade 3D printer. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">This is Part II of David Newhoff’s conversation with technologist and industrial designer, Carla Diana. In the final half of this podcast, the discussion focuses on the GoldieBlox copyright case and the future of 3D printing. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"></p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica;">Diana originally studied mechanical engineering, but early in her career, she shifted her focus to industrial design, which demands a broad set of disciplines that sound more sociological than technological. In January of 2013, Diana wrote an article for <i>The New York Times </i>about how we interact with robotic machines, and how that interaction is anticipated by designers in the early stages of development. Most recently, Diana published a book called <i>LEO the Maker Prince</i>, a children’s story that works in conjunction with projects kids can do using a consumer-grade 3D printer. </p>]]></content:encoded>
      
      
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      <itunes:duration>17:09</itunes:duration>
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    <item>
      <title>Women in Engineering and the Future of Technology Design, Part I</title>
      <itunes:title>Women in Engineering and the Future of Technology Design, Part I</itunes:title>
      <pubDate>Fri, 24 Jan 2014 11:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The controversial copyright battle between GoldieBlox CEO, Debbie Sterling, and the Beastie Boys has brought the subject of women in engineering to the foreground. </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"><span style="letter-spacing: 0.0px;"></span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">In this podcast, David Newhoff speaks with technologist and industrial designer, Carla Diana. In January of 2013, Diana wrote an article for <i>The New York Times </i>about how we interact with robotic machines, and how that interaction is anticipated by designers in the early stages of development.  Most recently, Diana published a book called <i>LEO the Maker Prince</i>, a children’s story that works in conjunction with projects kids can do using a consumer-grade 3D printer. </span></p>
<p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"><span style="letter-spacing: 0.0px;"></span></p>
<p style="margin: 0px 0px 12px; text-align: justify; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">This is Part I of David’s interview with Carla Diana.  They discuss design, smart objects, and the responsibility of designers to consider the social implications of their products. Listen to Part II next.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">The controversial copyright battle between GoldieBlox CEO, Debbie Sterling, and the Beastie Boys has brought the subject of women in engineering to the foreground. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"></p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica;">In this podcast, David Newhoff speaks with technologist and industrial designer, Carla Diana. In January of 2013, Diana wrote an article for <i>The New York Times </i>about how we interact with robotic machines, and how that interaction is anticipated by designers in the early stages of development. Most recently, Diana published a book called <i>LEO the Maker Prince</i>, a children’s story that works in conjunction with projects kids can do using a consumer-grade 3D printer. </p> <p style="margin: 0px; font-size: 12px; font-family: Helvetica; min-height: 14px;"></p> <p style="margin: 0px 0px 12px; text-align: justify; font-size: 12px; font-family: Helvetica;">This is Part I of David’s interview with Carla Diana. They discuss design, smart objects, and the responsibility of designers to consider the social implications of their products. Listen to Part II next.</p>]]></content:encoded>
      
      
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      <itunes:duration>26:24</itunes:duration>
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    <item>
      <title>Custodianship of Famous Works Part 2</title>
      <itunes:title>Custodianship of Famous Works Part 2</itunes:title>
      <pubDate>Thu, 23 Jan 2014 10:30:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">David Newhoff speaks to Will Hammerstein, Grandson of Oscar II, about custodianship of famous works. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">David Newhoff speaks to Will Hammerstein, Grandson of Oscar II, about custodianship of famous works. </p>]]></content:encoded>
      
      
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      <itunes:duration>18:29</itunes:duration>
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    <item>
      <title>Custodianship of Famous Works Part 1</title>
      <itunes:title>Custodianship of Famous Works Part 1</itunes:title>
      <pubDate>Wed, 22 Jan 2014 18:18:44 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">David Newhoff speaks to Will Hammerstein, Grandson of Oscar II, about custodianship of famous works. </span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;">David Newhoff speaks to Will Hammerstein, Grandson of Oscar II, about custodianship of famous works. </p>]]></content:encoded>
      
      
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      <title>Copyright in Context: Nate Krenkel</title>
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      <title>Success Strategies for the Professional Arts in the Digital Age with Dan Phenicie</title>
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      <title>Success Strategies for the Professional Arts in the Digital Age with Jon Garon</title>
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      <title>Copyright in Context: Chad Kleitsch</title>
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      <pubDate>Wed, 20 Nov 2013 11:00:00 +0000</pubDate>
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      <title>Copyright in Context: East Bay Ray</title>
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      <title>Copyright Small Claims with Jacquelyn Charlesworth Part 3</title>
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      <pubDate>Fri, 15 Nov 2013 13:00:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">The average cost to litigate a small copyright infringement lawsuit can easily hit hundreds of thousands of dollars, making it impractical for most independent creators and small businesses to protect their work. </span></p>
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      <title>Copyright Small Claims with Jacquelyn Charlesworth Part 2</title>
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      <title>Copyright Small Claims with Jacquelyn Charlesworth Part 1</title>
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      <title>What&#39;s Driving Online Piracy? Part 2, Interview with Dr. David Price, NetNames.com</title>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="text-decoration: underline; letter-spacing: 0.0px; color: #021eaa;"><a href="http://www.netnames.com/">NetNames</a></span><span style="letter-spacing: 0.0px;"> released a report entitled <a href="http://illusionofmore.com/wp-content/uploads/2013/09/NetNames-Sizing_Piracy_Universe-Report-2.5.pdf"><span style="letter-spacing: 0px; color: #021eaa;">Sizing the piracy universe</span></a>, which reveals substantial evidence that piracy of entertainment media increased substantially over a 15-month period of study.  The author of that report is Dr. David Price, Director of Piracy and Counterfeit Analysis at NetNames. Dr. Price was kind enough to take about an hour of his time for a conversation via Skype.  We discussed the report itself, of course, but also other issues related to piracy and digital distribution opportunities and threats as well as a broader discussion as to why people might want to pay attention to this issue.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><a href="http://www.netnames.com/">NetNames</a> released a report entitled <a href="http://illusionofmore.com/wp-content/uploads/2013/09/NetNames-Sizing_Piracy_Universe-Report-2.5.pdf">Sizing the piracy universe</a>, which reveals substantial evidence that piracy of entertainment media increased substantially over a 15-month period of study. The author of that report is Dr. David Price, Director of Piracy and Counterfeit Analysis at NetNames. Dr. Price was kind enough to take about an hour of his time for a conversation via Skype. We discussed the report itself, of course, but also other issues related to piracy and digital distribution opportunities and threats as well as a broader discussion as to why people might want to pay attention to this issue.</p>]]></content:encoded>
      
      
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      <pubDate>Thu, 17 Oct 2013 18:58:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="text-decoration: underline; letter-spacing: 0.0px; color: #021eaa;"><a href="http://www.netnames.com/">NetNames</a></span><span style="letter-spacing: 0.0px;"> released a report entitled <a href="http://illusionofmore.com/wp-content/uploads/2013/09/NetNames-Sizing_Piracy_Universe-Report-2.5.pdf"><span style="letter-spacing: 0px; color: #021eaa;">Sizing the piracy universe</span></a>, which reveals substantial evidence that piracy of entertainment media increased substantially over a 15-month period of study.  The author of that report is Dr. David Price, Director of Piracy and Counterfeit Analysis at NetNames. Dr. Price was kind enough to take about an hour of his time for a conversation via Skype.  We discussed the report itself, of course, but also other issues related to piracy and digital distribution opportunities and threats as well as a broader discussion as to why people might want to pay attention to this issue.  This is Part I of our discussion.  Listen to Part 2 next.</span></p>]]></description>
      
      <content:encoded><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><a href="http://www.netnames.com/">NetNames</a> released a report entitled <a href="http://illusionofmore.com/wp-content/uploads/2013/09/NetNames-Sizing_Piracy_Universe-Report-2.5.pdf">Sizing the piracy universe</a>, which reveals substantial evidence that piracy of entertainment media increased substantially over a 15-month period of study. The author of that report is Dr. David Price, Director of Piracy and Counterfeit Analysis at NetNames. Dr. Price was kind enough to take about an hour of his time for a conversation via Skype. We discussed the report itself, of course, but also other issues related to piracy and digital distribution opportunities and threats as well as a broader discussion as to why people might want to pay attention to this issue. This is Part I of our discussion. Listen to Part 2 next.</p>]]></content:encoded>
      
      
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      <title>Copyright in Context: Rick Carnes</title>
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      <title>Copyright in Context: ESL Music</title>
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      <pubDate>Fri, 04 Oct 2013 21:41:26 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Eric Hilton, one half of the DC-based, internationally acclaimed Thievery Corporation, and Phil Hawken, his business partner at ESL Music, talked to us about how they built their business supporting artists, and what they see as a difficult future for promising young musicians.</span></p>]]></description>
      
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      <title>Copyright in Context: Helienne Lindvall</title>
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      <pubDate>Fri, 04 Oct 2013 21:36:50 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Songwriter/Journalist Helienne Lindvall explains the principle that publishers are investors.</span></p>]]></description>
      
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      <itunes:duration>02:03</itunes:duration>
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      <title>Copyright Alliance: 5th Anniversary</title>
      <itunes:title>Copyright Alliance: 5th Anniversary</itunes:title>
      <pubDate>Wed, 02 Oct 2013 17:48:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Lucky Dub frontman Gordon Daniels talks about the labor of leading an indie band and about protecting copyrights.</span></p>]]></description>
      
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      <itunes:duration>03:17</itunes:duration>
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      <title>Copyright Alliance SXSW 2013: John Pointer</title>
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      <pubDate>Wed, 02 Oct 2013 17:40:16 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Austin-based guitarist and songwriter John Pointer talks about how it feels to have music ripped off and about his solutionpatronism.com.</span></p>]]></description>
      
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      <title>Copyright Alliance SXSW 2013: David Lowery</title>
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      <pubDate>Wed, 02 Oct 2013 17:38:49 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Singer/Songwriter David Lowery explains the principle of permission in civilized society.</span></p>]]></description>
      
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      <title>Copyright in Context: Dan Goodman</title>
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      <pubDate>Wed, 02 Oct 2013 17:12:29 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Believe Entertainment Group co-founder Dan Goodman sees creator rights being relevant in future business models.</span></p>]]></description>
      
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      <title>Copyright in Context: Jack Tempchin</title>
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      <pubDate>Wed, 02 Oct 2013 17:07:00 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px;"><span style="letter-spacing: 0.0px;">Songwritter Jack Tempchin advises new musicians and songwriters that making money is not really an option right now.</span></p>]]></description>
      
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      <title>Copyright in Context: Trisha Ziff</title>
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      <pubDate>Wed, 02 Oct 2013 17:04:47 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Filmmaker Trisha Ziff describes how piracy affects prospective investment in future projects.</span></p>]]></description>
      
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      <title>Copyright in Context: Robert Levine</title>
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      <pubDate>Wed, 02 Oct 2013 17:02:47 +0000</pubDate>
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      <description><![CDATA[<p style="margin: 0px; font-size: 12px; font-family: Helvetica;"><span style="letter-spacing: 0.0px;">Journalist Robert Levine observes that duration of copyright doesn’t matter when infringement happens almost immediately.</span></p>]]></description>
      
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