Country Music Reviews! CountryChart.com

ALBUM REVIEW: Paul Thorn "What The Hell Is Goin' On?"

2012-04-18T05:07:00.003-05:00

Wisconsin born and Mississippi-raised Paul Thorn has a decidedly unique voice that offers the perfect blend of earthy blues and gravelly southern rock. The artist is currently riding a wave of success following his highest Billboard charting album - 2010's "Pimps And Preachers." However, his new album will be no less controversial as the cover to "What The Hell Is Goin' On?" is easily one of the most interesting and provocative album covers of 2012. Nevertheless, it's the music that matters most, and this album is an barnstorming, hell-raising, unqualified success.

The fun begins with the soulful and upbeat "Don't Let Me Down Again," which is performed with a comfortable ease that any musician would envy, but the album really sparks with the insanely memorable "Snake Farm." Radio program managers should take notice of this killer cut.

Thorn's unusual swagger is showcased on "Shelter Me," and some of his confidence may come from the fact that he was once a professional boxer (even fighting world champion Roberto Duran in a televised match). The gospel-infused, sing-a-long track "Shed A Little Light" is the album's biggest surprise and offers a pitch-perfect vocal performance. The quirky "Small Town Talk" is another surprise that offers thoughtful lyrics.

The title cut "What The Hell Is Going On?" is a cocksure song that boldly delivers on the promise of the album cover. Likewise, the cut offers terrific instrumentation and a memorable melody. However, the best song on the CD is the bluesy and melodic "Wrong Number." This song does everything right and shows Thorn's connection with traditional blues. Concert audiences and radio listeners will eat this song up faster than homemade peach ice cream at the annual church picnic.

"Bull Mountain Ridge" has much of the same charm of "Wrong Number," and the cut offers interesting elements that mix blues with outlaw country. Paul Thorn could have a country radio chart hit with "Bull Mountain Ridge." The best song on the album is saved the next to last with the truly lovely "She's Got A Crush On Me." The light instrumentation and Thorn's nuanced vocal performance make this track a standout moment. However, Paul Thorn rightly decides to end the album with a more upbeat cut that is a smile-inducing, toe-tapping musical treat titled "Take My Love With You."

"What The Hell Is Goin' On?" is a 48-minute extravaganza that carefully showcases a well-rounded musician in top form. Interestingly, Paul Thorn's album cover looks more like a punk rock album and prominently features the devil in several places. However, this may be a shrewd move: You see, the idiom "the devil is in the details" is truly fitting for an album that offers a thought provoking and mysterious cover that houses an equally interesting, complex and eventually fulfilling bluesy masterwork. CountryChart.com

ALBUM REVIEW: Corey Wagar "On The Edge"

2012-04-14T03:07:00.001-05:00

Country attitude and high-energy southern rock populate the 15 original tracks on Corey Wagar's appropriately-titled new album "On The Edge." Even though Wagar is a native of New Jersey, the singer's sound and lyrics seem to have come straight from the boondocks of Texas or Tennessee.

The album begins with "Hurricane," which was the album's lead single. Corey Wagar convincingly sells the song with confidence and enthusiastic fervor, and the album's second single "I Hate My Boyfriend" has much of the same charm - along with terrific lyrics.

Wagar's winning personality shines on the irresistible "Me And My Girls," which should also be considered as a radio single. The New Jersey native's sensitive side is on display with the country pop track "Miss You For Now." However, it is the story in song "16th Candle" that emerges as one of the album's best cuts. Wagar has a knack for telling a story, and her talent is on full display with "16th Candle."

The memorable melody of "Wild Side" is infectious, but it is the country pop track "Already To Go" which is the album's biggest surprise. This cut has the perfect ingredients for a summer country hit, and Corey Wagar's pleasing vocals put her firmly in Carrie Underwood territory. Radio program managers should take notice. However, the very best track on the album is "Beautiful Lie," which offers a stunning vocal performance from Corey Wagar. Radio should also take note of the cuts "Wishing It Was You" and "Your Girl."

The song "Do" is an interesting Jo Dee Messina-esque song that sparkles, and the album's final track, "Story End," is a fitting bookend for 15 songs that will leave you wondering why you have never heard of Corey Wagar.

"On The Edge" is the perfect title for this refreshing album from a new country artist on the edge of breaking through in the rough and tumble country music industry. Corey Wagar deserves album sales and radio chart success, and the evidence presented in this exciting new album suggests that she'll soon get it. CountryChart.com

ALBUM REVIEW: Chelle Rose "Ghost Of Browder Holler"

2012-03-31T16:31:00.001-05:00

With a hard-edged Americana sound and tight production (courtesy of Ray Wylie Hubbard), Chelle Rose bursts back onto the country and Americana music scene with a 12-song selection of fresh tracks that will quench the thirst of music lovers tired of pre-fab country pop on her new album titled "Ghost Of Browder Holler."

The album begins with the terrific "Browder Holler Boy," which has cool Lucinda Williams meets Chris Knight vibe that fires on all cylinders. Chelle Rose's seasoned vocal performance is pitch-perfect, and the slide-guitar instrumentation also deserves special mention.

The sparse and bluesy "Caney Fork Tennessee" continues the album's dark theme with winning results, and the memorable melody works. However, Chelle Rose is ready for a party, and it begins on the rockin' third cut "I Need You." Rose and her band have produced a track that will make even the least musical person on the planet start to tap his toes and groove to the beat.

However, the mid-tempo Americana song "Weepin Willow On The Hill" emerges as a contender for the album's best song. Indeed, Rose's intense and restrained vocal performance lends credence to the sincerity of the lyrics.

The biggest surprise on the album is the sing-a-long cut "Leona Barnett." The lyrics and music allow Chelle Rose to perform with an infectious and unbridled energy. Rose is definitely at the top of her game here, and "Alimony" has much of the same charm.

The restrained "If I Could" just barely beats "Weepin Willow On The Hill" as the best song on "Ghost Of Browder Holler." Describing the pure joy of this delicate track is almost indescribable, and radio program directors should take notice of this understated Americana gem, which offers a Grammy-worthy performance from Chelle Rose.

Speaking of radio, programmers should also seek out the insanely hummable "Rattlesnake In The Road" and the next to last track "Shady Grove Gonna Blow." The album ends on a quiet and winning note with "Wild Violets Pretty," which is a sparse and beautiful cut.

"Ghost Of Browder Holler" will ease the mind of country and Americana music fans who sometimes lose faith in the overly commercial pop sounds of many artists on country/Americana radio today. Yes, there is an alternative to the forgettable sound of a progression of popular but uninspiring artists. Her name is Chelle Rose, and Ray Wylie Hubbard has produced an album that won't let you forget it. CountryChart.com

ALBUM REVIEW: Family Reunion "Family Album"

2012-03-21T14:58:00.004-05:00

If you have brothers or sisters that live far away, you probably talk at least a few times a year - maybe every couple of months or more. However, cousins who live in different parts of the country rarely speak - except for the yearly Christmas card. That's what makes the success of Family Reunion's new album "Family Album" all the more special. Six cousins - yes, the number six - have created a band that records its one-of-a-kind brand of country songs using alter egos to protect their serious day jobs (such as accounting). Indeed, the Family Reunion band is somewhat like the British group Gorillaz - except with a few more jokes and some country attitude.

The album begins with the working-class anthem "Blue Collar King," which laments the anonymity of blue collar workers to white collar bosses. Likewise, the track confronts the sense of gloom facing many Americans since the US economy became turbulent at the end of the Bush term and throughout the Obama administration. The female lead vocals on the next cut "A Hard Man (Is Good To Find)" immediately lets the listener know that the song could be the Viagra theme song. Surprisingly, it works.

Cousins JD, Carrie, Barbie, Hollywood, Tex and Slim are the alter ego identities that form the band Family Reunion, and they live in the states of Virginia, Tennessee, Texas and California. In fact, they call themselves a "truly country-wide band."

The quiet "Judy My Dear" showcases a powerful, laid-back vocal performance that is both surprising and refreshing. "The sound of your laughter I hear," croons the singer. The cut "Beautiful Judas" has much of the same charm, and the song discusses a woman who abandons her man from the male perspective.

The song "Yes" has a cool vibe reminiscent of the best duets of Faith Hill and Tim McGraw. Both cousins give powerful vocal performances, and "Yes" emerges as the album's best produced track. Indeed, the cut could have wide appeal for multiple genres of country music, and radio program managers should consider introducing the song to its listeners. At over five minutes, the song might be a bit too long for radio, and a special edit could certainly make it better while still retaining its unique musical intensity. The duet "Hey Broken Hearted" could also interest some radio program managers.

The traditional cut "Delores" is a slow, story-in-song that is surprisingly touching, and "Runnin'" picks up the pace. However, the band might have a real radio winner with "Peas Porridge Cold." The actual song itself is country gold and could be a major mainstream Number One country chart hit in the able hands of a country star such as Blake Shelton or Luke Bryan. However, the retro country sound and "ooohhh" background vocals of the track do somewhat of a disservice to a song that has the potential to be a country blockbuster. It's a great cut as it is, but it's current state could be akin to having a beautiful wife that only wears jeans and t-shirts when she would look significantly more attractive in the right dress. In short, "Peas Porridge Cold" needs the perfect mix.

While the band Family Reunion is a group of six cousins who are shown as cartoon characters, don't want to use their real names due to serious day jobs and could have the song that could help Cialis gain more market share, the band is no joke. "Family Album" showcases a group of serious musicians who should be proud to show their faces. Maybe the next album should be called "Family Photo." CountryChart.com

ALBUM REVIEW: Aaron Owens "Troublemaker"

2012-03-12T15:39:00.001-05:00

Aaron Owens has a deep, rich voice that immediately commands attention, and his raw talent has earned him awards and critical praise, such as being named 2011's Arkansas Country Artist Of The Year. While awards are great, it's the music that matters, and Aaron Owens newest CD "Troublemaker" proves that this LA country boy is ready for the big stage. By the way, in Owens' world, LA stands for "Lower Arkansas."

The album begins with the melodic country tune "Before Forever" that has a cool Josh Turner meets Trace Adkins vibe. However, "Good Place To Start" is actually a better showcase for Aaron Owens' unique vocal talent, and radio program managers should take notice. Interestingly, the influence of Waylon Jennings is present throughout the track, and Aaron Owens makes a star turn on this stunning cut.

The title track "Troublemaker" is a dark and earthy song that succeeds, and "Let It Play" has much of the same charm. The honky tonk song "Sounds A Lot Like Me" is pure upbeat country fun. Owens softer side is shown on the quiet "Time," but the album's biggest surprise is "I Turned Her On," which purports to be a song about a woman discovering Merle Haggard and George Jones. However, concert audiences will eat up the double entendre faster than peach pie at the county fair.

The album abruptly moves to a story in song with the cut "Scars," which has a social and political message, and the album ends on a high note with the quirky "Redneck, White And Blue." Aaron Owens croons: "I'm a hillbilly with a bright red neck; blue collar country with a southern dialect; a God fearing, hard working, party loving son of a gun...making my momma proud and playing my music loud." In short, "Redneck, White And Blue" offers old fashioned, corn-fed lyrics that will please country fans on every level.

"Troublemaker," from rising country star Aaron Owens, shows exactly why this well-rounded country artist is winning awards and fans. They say you shouldn't go looking for trouble, but in this case you really should. CountryChart.com

ALBUM REVIEW: Sons Of Bill "Sirens"

2012-03-12T11:38:00.002-05:00

Sons Of Bill, whose members hail from the great state of Virginia, are back in top form after a long, long wait with the new album "Sirens." After the American gem "Far Cry From Freedom" and the even better "One Town Away" brought the band critical and commercial acclaim (read review by clicking here), "Sirens" proves to be a worthy follow up and definitely worth the wait.

The album begins with the lead single "Santa Ana Winds." Immediately, it is clear that producer and Cracker frontman David Lowery worked with the band to carefully craft its new, more contemporary sound that takes the group's successful Americana sensibilities and mixes it with alt rock fervor. Surprisingly, it works. The lyrics are interesting, and the instrumentation and melodic chorus are compelling. "Santa Ana Winds" deserves to be a great big, multi-genre hit, and the supporting video (watch below) should help on this front.

The thoughtful "Find My Way Back Home" highlights the band's pitch perfect vocal harmonies, and the toe-tapping chorus is infectious. The pace and intensity of the next cut "Siren Song" is reminiscent of today's best pop and country offerings. Indeed, "Siren Song" provides compelling evidence that Top 40 radio could be a second home for the Sons Of Bill. "Siren Song" should be released as a single and deserves to find much success.

The band's namesake Bill Wilson will probably be more comfortable with the traditional "Angry Eyes" that has a dark but intensely interesting story line. Once again, the Sons Of Bill's melodic sensibilities are on full display.

The quiet retro track "The Tree" is the album's biggest surprise. The punctuated lyrics and nuanced vocal performance is both mesmerizing and pleasingly perplexing. "Turn It Up" has much of the same charm.

A celebration of a ruined life has never sounded better than "Life In Shambles," which seems to revel in the subject's misery with great effect. The band's advice: "Take a shower, call your mom, you ain't living like you should." However, "The Losing Fight" returns to the band's new sound, and the vocal performance mixes diverse elements reminiscent of both Bryan Adams and Steve Earle.

Americana music fans will enjoy the reflective "Radio Can't Rewind," but it is "Last Call At The Eschaton" that emerges as the album's best cut. The intense vocals and subdued instrumentation slowly builds to a chorus that offers pure melodic bliss. Finally, the country tinged "Virginia Calling" offers a tribute to the state the band calls home. The song is also the purest example of country music on the album.

"Sirens" turns out to be the perfect title of an album that announces the Sons Of Bill to a new audience with a bold and inescapably interesting musical perspective. While the musicality and lyrical intentions present on the previous albums "Far Cry From Freedom" and "One Town Away" are different than "Sirens," a clear musical progression is readily evident. Yes, "Sirens" is different, but it is a masterful musical work. At the same time, it's clear that the Sons Of Bill are the same down to earth, good ol' boys that have made Bill Wilson proud since the day they were born. CountryChart.com

ALBUM REVIEW: Moot Davis "Man About Town"

2012-03-12T10:13:00.002-05:00

If you love old fashioned country music with a new twist, Moot Davis' new album "Man About Town" may just be your next favorite album. That's because this earnest and hard-working singer has crafted 13 songs that will excite even the most subdued music fan.

The upbeat "Rags To Rhinestones" begins the album with a bang. The song discusses aspects of love mixed with authentic talk of financial troubles that will ring true to any person who has lived through the tumultuous financial times of the 2010s. Indeed, Moot Davis croons about reversal of fortune: "When I was on top, everyone called me friend...I was the toast of the town. Now they kick me out of bars on Broadway"

The uniquely wonderful "Day The World Shook My Hand" offers a cool retro vibe that works, and the track's instrumentation is stellar. The next cut "Rocket" has much of the same charm, but it is the Roy Orbison-esque "Fade To Gold" that emerges as the album's best song. Moot Davis gives a nuanced vocal performance that highlights the piercing lyrics. "Fade To Gold" deserves radio and fan attention and could find the artist new fans.

"Queensbury Rules" offers Davis the opportunity to let loose, and the song showcases the fun to be had at a Moot Davis concert. The memorable "How Long" has gospel fervency and is irresistibly catchy. "Rust" showcases Moot Davis' bluesy side, and "Only You" highlights the artist's obvious respect for traditional country music.

However, the album surprises with the dark and wistful "Memory Lane," and the vocal performance is award-worthy. Unusually, the title track is saved for last, but it was a sound choice. The song "Man About Town" is a thoughtful and sincere track that blends the best bits of Moot Davis numerous musical influences into one solid cut.

The album "Man About Town" showcases Moot Davis as an interesting artist with eclectic tastes. On the record, Davis fully utilizes a winning mixture of talents that combine the soul of a musician with the charisma of a gifted actor - no small feat. And once you hear the 13 songs offered by Davis, you'll certainly want to move to this man's town. CountryChart.com

SINGLE REVIEW: Bo Phillips Band "Red Dirt Girl"

2012-03-11T15:48:00.006-05:00

Red Dirt musicians don't come any better than the boys of Stillwater, Oklahoma's Bo Phillips Band, who have created a scorching new album titled "Fishin' With Grandpa" that highlights lessons and stories about growing up. However, the band has the potential of a barnstorming, mega-hit with the anthem "Red Dirt Girl," which could propel the Bo Phillips Band to a whole new level.

Bo Phillips grew up with his two brothers (Red Dirt musician Stoney LaRue and Stephan Phillips) without much money, but the brothers' rich family heritage created a unique work ethic that is proven by the superb new album that begins with the hit single "Front Porch."

Despite their relative success, "Red Dirt Girl" steals the show on the band's new album, and the Bo Phillips Band have likely found its signature song with the lighter waving track - which is performed with a piercing sincerity that is palpably earnest. Indeed, both male and female concertgoers who may not have known of the Bo Phillips Band may find their way to concerts just for the song "Red Dirt Girl." Along they way, they are bound to discover the other great music they've missed. Country Chart Magazine also offered a rave review to the band's previous album: "Dirt Road." (Read review by clicking here).

"Red Dirt Girl" is a slow-building cut that gradually rises to a pulsing chorus. Indeed, the track deserves to be a #1 country music chart hit for the Bo Phillips Band. The song will also get a further push from Texas/Red Dirt radio because of its uncompromising lyrics. Bo Phillips wrote the song and began the cut with the lyrics: "She don't like the way the music is born in Tennessee. Says that they all sound the same to her, with nothing new to see."

The song also name checks classic country stars such as Willie Nelson, Merle Haggard and Waylon Jennings among others. Interestingly, Bo Phillips ties these legends musical legacies to Texas country stars such as Brandon Jenkins and Jason Boland - who will no doubt be flattered by the comparison.

"Red Dirt Girl" is the right song at the right place at the right time as dissatisfaction continues to grow with the Chesney-esque brand of country music within some groups of fans. Yes, the Bo Phillips Band have truly made a mark in the country market with a true country (not just Red Dirt) classic song. And, by the way, who doesn't love a Red Dirt girl? CountryChart.com

ALBUM REVIEW: The Oak Ridge Boys "It's Only Natural" (Cracker Barrel exclusive)

2012-03-11T14:50:00.011-05:00

The Oak Ridge Boys teamed up with the fine folks at Cracker Barrel to produce an exclusive album with 5 brand new songs and a load of other favorites. While the 12-track album dropped a few months ago, there is no greater Mother's Day or Father's Day gift than "It's Only Natural" from the Oak Ridge Boys.

The album begins with "What'cha Gonna Do," which has an upbeat, melodic sound that deserves to be a major country chart hit for the Oak Ridge Boys. "Before I Die" is another new song that has radio potential. The sincerity of the vocal performance is mesmerizing. "The Shade" has much of the same charm.

However, the best new song on the album is "Wish You Could Have Been There." The song has cultural relevance and an uplifting chorus that is both memorable and heartwarming. The bluegrass infused "Sacrifice … For Me" brings the Oak Ridge Boys back to their country roots, and the story in song has a political message that will resonate to patriotic American country music fans.

A re-recording of the classic Oak Ridge Boys hit "Elvira" is performed with a gospel-tinged fervency that is palpable. The classic "True Heart" showcases the group's melodic brilliance, and the hard-edged country blues track "Gonna Take A Lot of River" ups the fun quotient in a major way. Concert audiences love this track, and it helps this recorded album sparkle as well. Likewise, the classic Oak Ridge Boys vocal blend is front and center with "No Matter How High" and "Lucky Moon."

"It's Only Natural" is a top-notch, creative country album from the veteran Oak Ridge Boys. Indeed, the boys prove that there's a lot of life left in the group, and the evidence presented here shows that the band could possibly find their way back to the top of the country chart with the right song. Yes, "It's Only Natural" might be a great gift, but you'll also want to head out to Cracker Barrel and grab a copy for yourself as well. CountryChart.com

SINGLE REVIEW: The McClymonts "I Could Be A Cowboy"

2012-03-10T15:59:00.000-06:00

Female country trio The McClymonts have gotten tons of press ink in the American country music press following the group's meteroric rise in popularity in their native Australia. "I Could Be A Cowboy" proves why these country girls have achieved superstardom Down Under and deserve to be big stars in the USA too.

"I Could Be A Cowboy" is an unlikely title for a winning country ballad, and The McClymonts probably needed to show the American market the group's softer side. Sam McClyomont said: "You can choose to be independent and strong but sometimes you just need love and to be in someone else's arms.”

The piercing vocal performance combined with the terrific lyrics make "I Could Be A Cowboy" a must download for country music fans everywhere. At the same time, the track highlights the trio's tight harmonies and flawless production.

The McClymonts released their album "Wrapped Up Good" last year in America, and the album was released earlier in Australia. Surprisingly, the album managed to be the fifth most popular country album there last year - beating country megastars such as Kenny Chesney, Carrie Underwood, Tim McGraw and Alan Jackson.

"I Could Be A Cowboy" was released to radio several weeks ago, and it deserves to be a Top 10 US country chart hit for the talented Australian girl group. The McClymonts have a bright future in country music, and cowboys and cowgirls everywhere will be dancing the night away to their hot country tracks for years to come. CountryChart.com

SINGLE REVIEW: Casey Donahew Band "Let's Not Say Goodbye Again"

2012-03-09T21:41:00.008-06:00

When Casey Donahew announced his band's new single, "Let's Not Say Goodbye Again," to a screaming crowd at the oldest live music venue in Arkansas, a hush went through the crowd as the mixture of hard working blue collar men and women stopped clicking bottles and partying with upper middle class University of Arkansas undergraduates long enough to give a good listen to the new track. The assembled concertgoers seemed to know the words to almost every other song, but not this one. However, it was clear that the crowd took to the song faster than catfish attacking fresh bait as the chorus of "Let's Not Say Goodbye Again" kicked into overdrive. Yep, they were hooked.

The new single "Let's Not Say Goodbye Again" hit radio a few days later, and you can bet that hundreds of people who have caught the Casey Donahew Band's sold-out shows contacted their local radio stations to hear the new song. The track begins with a Texas country vibe, but the upbeat love song would fit comfortably on mainstream country radio.

However, the real strength of "Let's Not Say Goodbye Again" lies in the aforementioned hook. Donahew croons: "You remember when I said I love you. How long has it been? Well, I don't want this to end; let's not say goodbye again." Donahew's smooth country vocals ooze sincerity, which lends credence to the lyrics.

The band builds the excitement slowly, and the cut ends in a rousing crescendo of the chorus that masterfully brings the energy down to a thoughtful instrumental close. "Let's Not Say Goodbye Again" is a future Number One track for the Casey Donahew Band, and it will definitely bring the band new fans in the general country market along with the traditional support these country boys already receive from Red Dirt aficionados.

"Let's Not Say Goodbye Again" is featured on The Casey Donahew Band's new hit album "Double Wide Dream," which features 10 songs - all written by Casey Donahew - a self confessed "redneck at heart." However, this is one good ol' boy you'll want to keep around. As the Arkansas crowds will attest, nobody - and I mean nobody - wants to say goodbye to Casey Donahew. CountryChart.com

Grammy nod for Reckless Kelly "Good Luck & True Love" packaging

2011-12-01T09:24:00.012-06:00

Hard work by Red Dirt bands is not often recognized by the Grammy Awards. However, Reckless Kelly's "Good Luck & True Love" received a well-deserved Grammy nomination for its terrific album packaging on the band's hit album. Art directors Sarah Dodds and Shauna Dodds provided a comprehensively compelling package for "Good Luck & True Love" that was heralded by this magazine in August 2011 as "one of the best" album packages of any audio recording this year. Read full album review by clicking here.

The great CD packaging also properly highlighted the stellar musical collection by Reckless Kelly that includes the mid-tempo, Red Dirt anthem "Give It A Try" and the melodic "Save Me From Myself." This is one album you need to see for yourself. Buy it now by clicking here for the CD or clicking here for the vinyl edition.

Reckless Kelly's album will compete against "Chickenfoot III" by Chickenfoot, "Rivers And Homes" by J Viewz, "Scenes From The Suburbs" by Arcade Fire and "Watch The Throne" from Jay-Z and Kanye West.

In our album review, managing editor B.J. Jones said: "Good Luck & True Love" is one of the finest examples ever of a fully conceptualized album in the Red Dirt genre. With excellent packaging, song sequence, lyrics, vocals and instrumentation, this album should bring Reckless Kelly good fortune." Thankfully, Grammy voters agreed, and hopefully Reckless Kelly's good luck will prevail once again when the Grammy Awards are handed out in February 2012. CountryChart.com

Martina McBride, Reba & Rascal Flatts Team With Colonial Candle For Christmas Gift Set

2011-09-28T08:40:00.005-05:00

COUNTRY SUPERSTARS REBA, MARTINA MCBRIDE, RASCAL FLATTS & MORE
WILL BE FEATURED ON THE HOLIDAY ALBUM & CANDLE GIFT SET

Our good friends at Big Machine Records have teamed with Colonial Candle to announce a partnership just in time for the upcoming Christmas season. A star-studded lineup of country artists singing their favorite Christmas tunes – combined with the magnificent scent of fresh cut pine and a yuletide fire – provides a perfect gift for the holiday season. Country superstars Martina McBride, Rascal Flatts and Reba will be featured on the new candle gift set and Christmas album. Besides the holiday CD, the package includes a "Holiday Sparkle" fragranced Colonial Candle (8 ounce) packaged with an 8-ounce Colonial Candle “Holiday Sparkle”-fragranced candle. The suggested retail price is $25.

The package will be exclusive to Colonial Candle and Big Machine Records and featured artists include Justin Moore (“Run Rudolph Run”), Rascal Flatts (“Mary Did You Know”), Edens Edge (“O Holy Night”), Martina McBride (“Please Come Home for Christmas”), Jewel (“Angels We Have Heard on High”), Eli Young Band (“Wonderful Christmastime”), Steel Magnolia (“It's Christmas Time”), The Band Perry (“Santa Claus Is Coming to Town”) and Reba (“I'll Be Home for Christmas”).

Country music lovers will appreciate the album, which would be a perfect gift for teachers, hostesses, family and friends. The set will also be available in select retailers and online starting in October and continuing through the holiday season.

Stoney LaRue and Turnpike Troubadors lead Texas Country Chart Top 40

2011-09-20T09:08:00.003-05:00


Stoney LaRue

Stoney LaRue's "Velvet" takes command of the Official Texas Country Chart Top 40 for the second week as The Turnpike Troubadours rise dramatically to take the Number Two spot on the Texas music and Red Dirt chart with "Long Hot Summer Days."

Josh Abbott featuring Pat Green on "My Texas" came in at Number 3, and Kevin Fowler didn't disappoint at Number 4 with "Hell Yeah I Like Beer." Cody Canada and The Departed rounded out the Top 5 with "Ballad Of Rosalie."

The Turnpike Troubadours

"Another Like You" from Hayes Carll rose 14 places to Number 6, but Deryl Dodd fell 5 places to #7 with "Baby Where's My Bottle." Adam Hood's "Flame And Gasoline" jumped to Number 8 (from previous position of #32), and Reckless Kelly fell 5 places to number 9 with "Good Luck & True Love." The Number 10 place on the Official Texas Country Chart Top 40 went to Brandon Jenkins with "Too Big To Fail."

ALBUM REVIEW: The Good Intentions "Someone Else's Time"

2011-09-17T03:57:00.000-05:00

Liverpool, England is known worldwide for its musical heritage, and the folk country band The Good Intentions are near-perfect musical ambassadors with the new album "Someone Else's Time." But from the evidence presented in the 11-song album, it is clear that the project should have been called "Our Time" That's because The Good Intentions star shines bright on their seemingly mistitled album "Someone Else's Time."

A famous quote says that the road to hell is paved with good intentions, but the opposite is true for the Liverpool band members who named themselves The Good Intentions who have the sound of modest angels sent from heaven to bestow beautiful music to the world. In most cases, praise like this would be over-the-top and undeserved, but no so here. The Good Intentions begin the album with the quiet but masterful folk track "Gone So Long," which will have Americana radio program managers squealing with delight. The elegant production and laid-back cut will perfectly suit folk and Americana radio and could find country fans as well.

The first thing that needs to be understood about The Good Intentions is that the band is not flashy and does not screech or get too excited. However, the music - like the second song "Black Train" - is infectious. "Black Train" has a bluegrass and folk sound that is upbeat - but not too fast. In short, it's just right.

The ever-tasteful band The Good Intentions push the envelope slightly with the remarkably memorable (and hummable) "Everybody Loves A Drinking Man," which could be a hit on both on BBC Radio 2 in the UK and a few different Americana and folk channels on Sirius XM in the USA.

The dark "Coal Miner's Lament" is sung with reverence, and the track provides evidence of the band's musical heroes, such as Gillian Welch. The best song on the album is the fast-paced "The Cold Wind," which is a surprise featuring superb instrumentation and excellent vocal performance skills.

The sixth song, "Dark Stranger," arrives at the album's midpoint and will have folk fans rejoicing. The track showcases The Good Intentions beautiful vocal harmonies. "Oh My Darling" has much of the same charm, and listeners will get lost in the euphoric feeling in their hearts as the music helps conjure up memories of the past as they sing of "springtime."

The album takes on a more serious tone with "Lonely Train," and the imagery created by the lyrics paints a vivid picture: "The bells from the wildwoods still chime down the line as I wait for the train." The theme of death again surfaces in a major way with "Send The Devil Back To Hell," which is a very slow and somber song that oozes sincerity. However, the intense lyrics and stark title could actually make the song a hit for either a heavy metal band or even a contemporary Christian rock band.This is only notable because well-written songs are artistic works that can be interpreted in various ways, and that's the case here.

Thankfully, sweeter sounds reemerge on the easy-going country song "Western Lullaby," which is well-served by its top-notch production, and the song could get radio action. The album ends perfectly with the folk track "The Sound Of Time Passing," which is a warm and fuzzy cut that leaves the listener full of hope and goodwill.

The album "Someone Else's Time" by The Good Intentions is a remarkably self-assured and confident album that deserves attention for its quiet but potent delivery. However, the powerful lyrics and melodic choruses will have you returning to the album time and time again. The Good Intentions talked about time passing in the final track, and country, folk and Americana aficionados should make sure that at least some of their time and "someone else's time" - like friends and family - is spent listening to this surprisingly accomplished and intellectually honest recording. CountryChart.com

ALBUM REVIEW: Crystal Yates "Love Wins"

2011-09-16T18:29:00.004-05:00

Love is not the only thing that "wins" on Crystal Yates new country fusion CD titled "Love Wins." That's because the genre of country music is a "winner" since it can now boast an accomplished, new artist such as Crystal Yates that blends elements of folk, bluegrass, blues, contemporary Christian and country to create a winning formula that is deserving of radio chart success.

The album begins with the bluesy country vibe of "No More Sighin'," which showcases Yates' perky but intellectual vocals. Radio program directors from multiple genres will find something to like in the lead-off cut. However, Crystal Yates shows off her traditional country music chops in the stellar "Stupid In Love," which more than proves that Yates has the talent to pull off a major country career. The song builds to a memorable chorus that has surprisingly accomplished production values for a new artist.

With an intro worthy of Jason Mraz, Crystal Yates begins to sing "As Long As I'm Behaving" with a sultry vocal that is both convincing and confident. This is the "Grease" moment when the good girl goes bad (in a positive way). Nevertheless, it is the contemporary Christian and country influences on "Where I Belong" that emerges as the album's best track. This cut could and should be immediately be released to contemporary Christian radio and mainstream country radio (possibly with a new country mix).

"I Believe" showcases Crystal Yates the pop diva. Believe it or not, Yates actually pulls it off, and the dark track slowly builds to a powerful chorus that burns with passionate intensity. "Didn't Break My Heart" also has quirky pop sensibilities.

The style of music country fans will love returns on "More Like Me," which has a memorable melody but could use a new arrangement and softer instrumentation. With a few small tweaks, "More Like Me" could also be a hit. On the other hand, "Let's Begin Again" is perfect just as it is. It is obvious that Crystal Yates is singing this song from a personal experience.

Another standout cut is the quiet "Look At What You've Done," which is sung with an unnamed male vocalist that this reviewer assumes to be her husband, Will Yates. On the basis of this performance, the chemistry of the two singers is very marketable. If they aren't married, the two artists should at least get hitched musically by forming a duo. Once again, this track could chart in multiple genres. Unusually, the title track "Love Wins" was saved for last, but the song doesn't disappoint. This uplifting track has a contemporary country sound that works.

In many ways, the music industry doesn't do any favors for diverse artists such as Crystal Yates, but "Love Wins" proves that the artist could find a niche in a few different music genres which would warmly welcome her and probably make her a star in at least one of them. Which genre it will be is still unknown, but if Crystal Yates sticks to her guns making music this good, there will be no doubt of her future success either as a solo artist or as a duo with talented husband Will. CountryChart.com

ALBUM REVIEW: EG Kight "Lip Service"

2011-09-16T16:58:00.005-05:00

Describing her sound as "country-flavored, southern-fried blues," EG Kight offers some "Lip Service" to country music on her new album of the same name. And the blues artist extraordinaire has never sounded better.

Country audiences will swoon to the confident, sultry sound of the first track "Sugar Daddies," which shows that EG Kight is no Bonnie Raitt wannabe. As she has proven over the years, EG Kight is an artist with a unique sound and terrific vocal performance instincts.

The next cut, "I'm In It To Win It," is an upbeat celebration of self-confidence, but it is the slow-burning "That's How A Woman Loves," which is the album's biggest surprise. Kight offers a carefully nuanced performance that works by tugging at the heart. The title track "Lip Service" is a memorable delight that is catchy enough to be sold later as a movie or TV show theme song.

However, the album's best song by a mile is "Savannah," which will have country fans scratching their heads and wondering why EG Kight has not produced an entire country album. The bluesy "Somewhere Down Deep" will also please country fans who love Ray Charles and other R&B crooners.

The traditional sound of "It's Gonna Rain All Night" will obviously be a concert crowd-pleaser, and EG Kight's vocals build to a stirring vocal with superb instrumentation. Country audiences can also find something to like in the song "Goodbye," which is the most joyful "kiss-off" song you could possibly imagine. The album ends with the pure blues track "I'm Happy With The One I Got Now," and EG Kight is right in her element in a track that shows off all of her best musical assets.

"Lip Service" from EG Kight is a surprisingly accessible album for country audiences, and the blues artist is likely to find more than a few new fans in the country market due to songs such as "Sugar Daddies" and "Savannah." Indeed, country fans may eat up Kight's country-flavored blues faster than homemade vanilla ice cream at the annual family reunion. CountryChart.com

ALBUM REVIEW: Paladino "Paladino" (Self-Titled)

2011-09-16T16:22:00.002-05:00

If Reverend Horton Heat had children with Lucinda Williams they might have offspring that could form a band that sounds like Paladino on their quirky and intensely interesting "Paladino" self-titled album.

The project begins with the upbeat "Lonely Mountain" that can best be described as "cowboy punk." With a laid-back but fast-paced vocal style that is unusually compelling, lead singer Jonathan Harkham deserves careful artistic examination as do other founding Paladino members Chris and Adrienne Isom. Harkham is also a talented painter, and his artistic nature is the driving creative force on the album since he wrote most of the songs (and even painted the album cover).

Paladino's cowboy swagger emerges on "Snow Deer," which offers elements of traditional country presented in a style that would befit the Grand Ole Opry stage. However, the punk influences resurface on "Ode To Misery," which also features elements of alt country, Americana, and rock n' roll. It must be mentioned to country audiences that the word "punk" should not be a turn-off, because Paladino's self-titled album is both accessible and accomplished. Indeed, it is refreshing to see a unique blend of styles that respects the country genre.

The fourth cut, "In Exile," offers some of the best whistling on a cut since the theme of "The Andy Griffith Show." The most surprising track is the latin-tinged "Mexicali Rainsong," but it is "Green Green Grass Of Home" that will get country audiences excited the most and could land Paladino on country and Americana music charts. The beautiful cover put forth by Paladino is remarkable for its nuanced vocals and minimal production. Likewise, the beat was not accelerated too much, which allows the track to slowly simmer. "Green Green Grass Of Home" should be released to radio.

"Have You Ever Been Lonely" has much of the same charm, and the track has a retro-Traveling Wilbury's vibe that works. Cowboy punk returns on "Here I Lie," and "Dim & Gutless Jig" will likely be a concert favorite with its hard-edged lyrics and upbeat tempo. However, the album ends with another pure country/Americana song titled "Too Many Rivers" that fires on all cylinders.

"Paladino," the self-titled album from the group Paladino, is worth purchasing simply for the stellar track "Green Green Grass Of Home." However, all of the other tracks are musically interesting and carefully produced in such a way that each song has more resonance upon successive listens. No one will ever call "Paladino" boring, and you might just call it the most fun you've had this year. CountryChart.com

Reader Wins 5 CDs, DVD in Country Chart's Rebecca Linda Smith Sweepstakes

2011-09-16T06:51:00.020-05:00

Cassandra Darensbourg
Rebecca Linda Smith prize winner

Congratulations to Cassandra Darensbourg, a resident of the wonderful city of San Bernardino, California, for winning Country Chart's Rebecca Linda Smith sweepstakes and taking home a prize of 5 CDs and a DVD from the talented Texas country music artist

Darensbourg, a receptionist in San Bernardino, has won five CDs from award-winning vocalist Rebecca Linda Smith, including the 12-song CD "American Heroes," the 14-song CD "Jesus' Grace," the 12-song CD "Timeless," the 15 song "True Love" and the CD single "Forgotten Heroes." Plus she will receive a DVD containing pieces of the life of inspirational and country artist Rebecca Linda Smith and her husband and songwriter Dr. Robert Frank Smith - both of whom are veterans.


Rebecca Linda Smith

Country Chart would like to congratulate Cassandra Darensbourg on her win, and we hope Cassandra and her family enjoy the music of Rebecca Linda Smith as much as veterans, military personnel across the globe and country music fans everywhere. Visit Rebecca Linda Smith at her website by clicking here.

You can win with The Chart by entering our current sweepstakes competition for a Stoney LaRue "Velvet" T-shirt and CD by clicking here.
Winner supplied photo and gave permission to use name and occupation.

Win A Stoney LaRue "Velvet" T-Shirt & CD from The Chart

2011-09-16T05:14:00.006-05:00

The Chart is offering readers a chance to win a Stoney LaRue "Velvet" T-Shirt and CD in our latest sweepstakes competition in conjunction with WildfireApp - the only Twitter and Facebook approved contest app.

~~Simply click here or the box below to enter now!~~ Stoney LaRue's new album "Velvet" has been at the top of virtually every album chart this month, and Stoney LaRue's hit single (and title track) "Velvet" has also been atop virtually every song chart.

The winner of the contest will be chosen at random by WildfireApp software. Sweepstakes rules can be found by clicking the box below or the photo of the T-shirt and CD to your left. Good luck winning the Stoney LaRue "Velvet" Sweepstakes! The competition ends at 11.59pm CST on September 25, 2011.

To enter via the Twitter interface click here.

Or, click here for the main sweepstakes entry form.

ALBUM REVIEW: Drake Jensen "On My Way To Finding You"

2011-09-16T04:20:00.005-05:00

Drake Jensen has a deep country voice that could just as easily come out of El Paso, Texas rather than the island of Cape Breton in Nova Scotia, Canada - where he was born and raised. Nevertheless, the country crooner is on his way to finding his own country music dream with his surprisingly accomplished new album "On My Way To Finding You."

The album's first single "Wash Me Away" received a music award, and the track has a hard-driving beat with a memorable melody. The new single "All You Need" will please traditional country fans, and it actually has a retro-cool George Strait meets Mickey Gilley vibe.

The album's first cut, "Where You Goin' With That" actually sets the perfect tone for the Drake Jensen album, and the Canadian who recently moved to Ontario showcases his deep throaty vocals. The album's production quality is also stellar. The next track, "I'm Here To Love You" also could draw comparisons to the music of Brooks & Dunn, which is a major compliment.

The album's biggest surprise is a Tim McGraw-esque cut titled "The Son I'll Never Have," which also features traditional country elements. Drake Jensen's mother was a huge fan of country music, and this led to the artist listening to musicians such as Garth Brooks and George Strait. Indeed, the influences of Jensen's musical heroes are readily evident.

The easy-going "I Hope You Smile" is the best cut on the Drake Jensen album by a mile. Jensen offers a quiet confidence that is compelling combined with lyrics that flow easily off the tongue and into listeners' consciousness. The soaring "It's Not About Me Anymore" allows Drake Jensen to showcase his powerful vocal chops, and "Still On The Radio" might have radio chart potential.

The quiet cut "I Knew Her When" is another radio-ready song that was made for slow dances at the bar, and the title track "On My Way To Finding You" is a laid-back cut that clearly illustrates the professionalism and country charm of the artist.

The album "On My Way To Finding You" is a carefully, produced 11-track album running more than 40 minutes that will leave you wondering why you haven't found the mysteriously talented Drake Jensen until now. CountryChart.com

Stoney LaRue and Deryl Dodd Top First Ever Fan-Voted "Texas Country Chart"

2011-09-13T21:32:00.019-05:00

Texas Country Music's first ever fan-voted "Texas Country Chart" Top 40 Songs was published today with Red Dirt star Stoney LaRue's hit "Velvet" and Deryl Dodd's "Baby Where's My Bottle taking the first and second spots respectively.

The fan voters found some country love for Eli Young Band's mega-hit "Crazy Girl" at #3 and Reckless Kelly's "Good Luck And True Love" at #4. Rounding out the Top 5 is "Ballad Of Rosalie" from Cody Canada & The Departed.
Placing in the sixth postion of the September 13, 2011 chart was Max Stalling's "6 x 9 Speakers (Revisited)." Next, "Hell Yeah, I Like Beer" from the rockin' Kevin Fowler and Casey Donahew Band's "Breaks My Heart" dropped in at #7 and 8 respectively while "The River Song" from Mark McKinney arrived at #9 "Too Big To Fail" from Brandon Jenkins is the #10 song.

TOP 40

Chart #1 - Premiere Edition

This Week	Last Week	2 Weeks	Chart Weeks	Title/artist	Peak
1	NEW		1	*Number 1* VELVET - Stoney LaRue	1
2	NEW		1	BABY WHERE'S MY BOTTLE - Deryl Dodd	2
3	NEW		1	CRAZY GIRL - Eli Young Band	3
4	NEW		1	GOOD LUCK AND TRUE LOVE - Reckless Kelly	4
5	NEW		1	BALLAD OF ROSALIE - Cody Canada and The Departed	5
6	NEW		1	6X9 SPEAKERS (REVISITED) - Max Stalling	6
7	NEW		1	HELL YEAH, I LIKE BEER - Kevin Fowler	7
8	NEW		1	BREAKS MY HEART - Casey Donahew Band	8
9	NEW		1	THE RIVER SONG - Mark McKinney	9
10	NEW		1	TOO BIG TO FAIL - Brandon Jenkins	10
11	NEW		1	BETTER LIFE - Jackson Taylor	11
12	NEW		1	PEACE ON EARTH - Bo Phillips Band	12
13	NEW		1	THIS LITTLE FEELING - Tejas Brothers	13
14	NEW		1	WE'RE FROM TEXAS - Eleven Hundred Springs	14
15	NEW		1	PILLOW - T.J. Broscoff	15
16	NEW		1	IN THE COUNTRY - Brandon Rhyder	16
17	NEW		1	I GOTTA GO - Robert Earl Keen	17
18	NEW		1	HERE IN THIS TOWN - Kyle Bennett	18
19	NEW		1	YOU CAN HAVE ME - Phil Hamilton	19
20	NEW		1	ANOTHER LIKE YOU - Hayes Carll	20
This Week	Last Week	2 Weeks	Chart Weeks	TexasCountryChart.com	Peak
21	NEW		1	HOT MESS - Johnny Cooper	21
22	NEW		1	MARY ELLEN'S GREENHOUSE - Jason Boland and The Stragglers	22
23	NEW		1	CHASIN' AMY - Steve Helms Band	23
24	NEW		1	BALLAD OF A SOUTHERN MAN - Whiskey Myers	24
25	NEW		1	LEAD ME ON - Cory Morrow	25
26	NEW		1	TONIGHT (THE NIGHT OF OUR LIVES) - Zach Walther Band	26
27	NEW		1	THAT GIRL IN TEXAS - Jon Wolfe	27
28	NEW		1	THE APOLOGY - Rodney Parker and 50 Peso Reward	28
29	NEW		1	LONG HOT SUMMER DAYS - Turnpike Troubadors	29
30	NEW		1	HONKY TONK HEAVEN - Jason Cassidy	30
31	NEW		1	MY TEXAS - Josh Abbott / feat. Pat Green	31
32	NEW		1	FLAME AND GASOLINE - Adam Hood	32
33	NEW		1	SLEEPING ON THE INTERSTATE - Granger Smith	33
34	NEW		1	SWEET TIME - Ryan Turner	34
35	NEW		1	GO BACK THERE AGAIN - Jason Meadows	35
36	NEW		1	TONIGHT - William Clark Green	36
37	NEW		1	90 MILES AN HOUR - Brian Keane	37
38	NEW		1	DOIN' MY TIME - Curtis Grimes	38
39	NEW		1	ALL MY BEST FRIENDS (ARE BEHIND BARS) - Justin Haigh	39
40	NEW		1	BANNED FROM SANTE FE - Bri Bagwell	40

SINGLE REVIEW: Casey James "Let's Don't Call It A Night"

2011-09-11T23:03:00.003-05:00

Fort Worth native and American Idol alum Casey James sizzles with sultry country vocals in his debut single "Let's Don't Call It A Night."

The third-place finisher in Idol's ninth season begins the song complimenting his new lady friend's dress. He sings: "Love the way you look in that dress; You got me thinkin' thoughts in my head."

James' vocals are pure and crisp. While the new country artist was not previously known as a country singer during his brief TV stint, his bluesy southern charm is a welcome addition to country music. Indeed, his Texas swagger and all-American good looks should also help jumpstart his country music career.

The most surprising aspect of the song is not Casey James' stellar vocal performance, which TV viewers would have expected. However, James wrote both the words and music to the song, and the memorable melody is impressive in itself.

"Let's Don't Call It A Night" has already hit the country chart (and deservedly so). Fans won't be calling it a night with Casey James, because this single proves the new country musician has the legs to walk a few more miles around Nashville. CountryChart.com

ALBUM REVIEW: Slaid Cleaves "Sorrow And Smoke: Live At The Horseshoe Lounge"

2011-09-11T19:42:00.000-05:00

Music reviewers can usually find much to criticize on 2-disc live albums. However, Slaid Cleaves makes the job very hard on his excellent new, 22-track album titled “Sorrow& Smoke" which was recorded live at Austin's famed Horseshoe Lounge.

Slaid Cleaves begins the set with the terrific "Hard To Believe," which has a melodic chorus featuring Cleaves' outstanding vocals. Indeed, Slaid Cleaves vocals are so pure and natural that it is somewhat difficult to distinguish the vocals from his studio albums and the live album - except for the generally acoustic nature of the 2-disc set.

The artist's famous ode to the site of the live recording, "Horseshoe Lounge," is up next, and the crowd is eating up the renowned cut like horses eating hay. Indeed, this cut is one of the liveliest on the album.

However, at his core, Slaid Cleaves is a folk troubadour, which is on full display on "Drinkin' Days" and "Black T-Shirt." However, it is the traditional country/Americana track "Tumbleweed Stew" that really sparkles in the live format. Likewise, the quiet "Sinner's Prayer" offers a vocal performance by Cleaves that is both mysterious and potently persuasive.

The second disc begins with the song "Cry," which offers an engaging trumpet solo that is unique for a folk/Americana cut. However, the best track on the album is love song "Green Mountains And Me," which showcases every element that makes Slaid Cleaves great - including his engaging songwriting style and a vocal performance style which offers subtle differences in color, tone and feeling.

The quirky "Horses" is a pleasing track that is well-suited to be paired with the next cuts "Texas Top Hand" and "Rolling Stone From Texas." The dark "Breakfast In Hell" showcases a more throaty vocal offering from Slaid Cleaves that gives special resonance to the delivery of the story in song.

The 93-minute album ends with Slaid Cleaves singing "One Good Year" and the final track "Go For The Gold." On "One Good Year," Cleaves delivers a perfect performance to the appreciative crowd. Finally, "Go For The Gold" gives country fans a traditional song that will leave listeners aching for more.

"Sorrow & Smoke: Live At The Horseshoe Lounge" is a masterful set that exposes the low-key folk singer as the fine live performance artist that his convert audiences already recognized him to be. Indeed, ticket sales for future Slaid Cleaves concerts will likely be grabbed up faster than corn on the cob at the Iowa State Fair. CountryChart.com

ALBUM REVIEW: Brandon Rhyder "Live At Billy Bob's Texas"

2011-09-11T17:32:00.000-05:00

Very few artist's have the stamina and simple country charm of Texas country star and Carthage, Texas native Brandon Rhyder. Now, fans have a special 4-disc "Live At Billy Bob's Texas" set (2 CDs & 2 DVDs) that sizzles with excitement and smolders with Red Dirt intensity.

The 24 songs on the 2 CDs clock in at a beefy time of almost two hours. The festivities begin with the terrific "You Burn Me" which is followed by "It's What I Do" which slowly builds to a rousing crescendo. It also must be noted that Brandon Rhyder's true country talent is startling as he belts out song after song with solid vocal performances. Indeed, Rhyder has the kind of pure country voice that could draw in outsiders to the Texas country fold. That's no easy feat.

Brandon Rhyder wanted to give his fans everything he could on this 4-disc set, and he even includes eight never-recorded songs, which is almost unheard of on a live album. The current single "In The Country" is heating up the Texas country charts right now with laid-back country charm. However, other new songs also deliver, including the hummable "Lord I Hope This Day Is Good," featuring Radney Foster. This cut has a retro-cool country vibe that really suits Rhyder's pure country voice.

Another new song, the bluesy rock "No Where USA" is the album's biggest surprise, and Rhyder's throaty vocals are both impressive and somewhat awe-inspiring as the artist showcases an element of his musical persona that is not often on display.

Red Dirt fans will bask in the warm Texas country glow of the new song "You Can't Drink The Truth," featuring the legendary Walt Wilkins. "You Can't Drink The Truth" is a memorable, goose-bump producing track with a great melody. In short, this song is a future Number One hit for Brandon Rhyder and Walt Wilkins.

The quiet new cut "Lucky Man" showcases Brandon Rhyder's true artistry in a carefully nuanced performance that is both heartfelt and intense. Another new track "Austin Avenue" was co-written by Pat Green, and it is also a radio-ready potential Number One hit for Brandon Rhyder.

"Live At Billy Bob's Texas" is a carefully executed Red Dirt masterpiece that deserves a place on the shelf of any fan of hard-driving, thoughtful country music. In the final bonus studio cut, Brandon Rhyder sings a joyous track that sums up the entirety of the project: "Let The Good Times Roll." Indeed, the vocal intensity and passion evidenced by Brandon Rhyder on this 4-disc set serves notice that he is dedicated to keeping the good times rolling for his fans during at least the next few decades or so. CountryChart.com