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    <title>Crg Hill's poetry scorecard</title>
    
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    <id>tag:typepad.com,2003:weblog-5772</id>
    <updated>2009-11-11T01:05:33-08:00</updated>
    <subtitle>contemporary poetries, visual, verbal &amp; visual/verbal, with especial focus on small press books, magazines, and on websites of avant poetries</subtitle>
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    <link rel="self" href="http://feeds.feedburner.com/CragHillsPoetryScorecard" type="application/atom+xml" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><entry>
        <title />
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a677d96f970b</id>
        <published>2009-11-11T01:05:33-08:00</published>
        <updated>2009-11-11T01:05:33-08:00</updated>
        <summary />
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Avant Poetries" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Found Poetry" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sound Poems" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual/concrete Poetry" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><a href="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a677d8a5970b-pi" style="display: inline;"><img alt="Stereoscope1" border="0" class="asset asset-image at-xid-6a00d83451ba0469e20120a677d8a5970b image-full " src="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a677d8a5970b-800wi" title="Stereoscope1" /></a> <br /></div>
</content>


    </entry>
    <entry>
        <title />
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/he-will-rise-up-in-vain-to-pound-inside-dark-meanings--where-they-know-he-is-still-without-understanding-he-heard-the-crash.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a6776dbe970b</id>
        <published>2009-11-10T23:04:36-08:00</published>
        <updated>2009-11-10T23:04:36-08:00</updated>
        <summary>He will rise up in vain to pound inside dark meanings where they know he is still without understanding. He heard the crash right there beside facts. But no. It wasn’t a dream. Presently the painting seemed willing to normal....</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;"><br /></span></p><p><span style="font-size: 12pt; font-family: &quot;Times New Roman&quot;;">He will rise up in vain to pound inside dark meanings
where they know he is still without understanding. He heard the crash right
there beside facts. But no. It wasn’t a dream. Presently the painting seemed
willing to normal. He preferred not to strike the song until he surveyed the
long suspected melody. Birds dart upward, here as there. </span></p></div>
</content>


    </entry>
    <entry>
        <title>Your ivory background pushed us off </title>
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20128756714fd970c</id>
        <published>2009-11-09T08:41:17-08:00</published>
        <updated>2009-11-09T08:41:17-08:00</updated>
        <summary>It is only against that bed, the essential content. Come out in full relief because you will have been written. You’ll be free senseless. To keep her straight or green, she rubbed her hands against history, eels lying on the...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;

&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/strong&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;It is only against that bed, the essential content. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Come out in full relief because you will have been written. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;You’ll be free senseless. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;To keep her straight or green, she rubbed her hands against
history, &lt;/p&gt;

&lt;p class="MsoNormal"&gt;eels lying on the bottom. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;A big department had run an ad that said “hand.”&lt;/p&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title>Thoughtscape</title>
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a661b821970b</id>
        <published>2009-11-08T00:52:43-08:00</published>
        <updated>2009-11-08T00:52:43-08:00</updated>
        <summary />
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sound Poems" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual/concrete Poetry" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="thoughtscape" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><a href="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a661b7f5970b-pi" style="display: inline;"><img alt="Meld" border="0" class="asset asset-image at-xid-6a00d83451ba0469e20120a661b7f5970b " src="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a661b7f5970b-800wi" title="Meld" /></a> <br /></div>
</content>


    </entry>
    <entry>
        <title>The many undecipherable formed a single roar </title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/the-many-undecipherable-formed-a-single-roar-.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e201287561c977970c</id>
        <published>2009-11-07T15:51:35-08:00</published>
        <updated>2009-11-07T15:52:41-08:00</updated>
        <summary>Without knowing when is certainly not specific to the border. Love under hanging developed different systems of interpretation. The way in which we grasp reality coming out of the streets, every house a saloon, deserves examination. The speculative, paradoxical shadow...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Poems" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;Without knowing when is certainly not specific to the
border. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Love under hanging developed different systems of
interpretation. &lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;The way in which we grasp reality coming out of the streets,
&lt;/p&gt;

&lt;p class="MsoNormal"&gt;every house a saloon, deserves examination. &lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;The speculative, paradoxical shadow glided down upon them. &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;I surprised an ancient gravelly beach in a deep, still eddy,
the circle of his vision. &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;I presume he had angled there for privacy thus intruded
upon. &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;At one point, an eagle sprang from the top of them. &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;A kingbird gave chase, flashes of like and dislike.&lt;/p&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title>Coming late to damian lopes' eyethought-popping 'sensory deprivation &amp; dream poetics'</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/comeing-late-to-damian-lopes-eyethoughtopping-sensory-deprivation-dream-poetics.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/comeing-late-to-damian-lopes-eyethoughtopping-sensory-deprivation-dream-poetics.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a65ed263970b</id>
        <published>2009-11-06T17:05:11-08:00</published>
        <updated>2009-11-06T17:07:44-08:00</updated>
        <summary>Picked up this book last month at a visual poetry exhibit (Donato Mancini, Christian Bok, Mariana Roy) in Vancouver. Composed over ten years ago, published on-line and in print by Coach House Books about ten years ago, the work continues...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Avant Poetries" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sound Poems" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual/concrete Poetry" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Coach House Books" />
        <category scheme="http://sixapart.com/ns/types#tag" term="damian lopes" />
        <category scheme="http://sixapart.com/ns/types#tag" term="dream poetics" />
        <category scheme="http://sixapart.com/ns/types#tag" term="sensory deprivation" />
        <category scheme="http://sixapart.com/ns/types#tag" term="visual/concrete poetry" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>Picked up this book last month at a visual poetry exhibit (Donato Mancini, Christian Bok, Mariana Roy) in Vancouver. Composed over ten years ago, published on-line and in print by Coach House Books about ten years ago, the work continues to crackle (in part because of the superb print work, sharp, solid blacks on good paper).</p><p>Here's the Coach House blurb: "At long last, this double-barrelled collection of visual poetry, <em>sensory 
deprivation</em> and <em>dream poetics,</em> by damian lopes is now in print. 
Considered visual essays by the author, <em>sensory deprivation</em> explores 
the visual noise and overload of contemporary culture, while <em>dream 
poetics</em> offers an argument for a poetics in this culture."</p><p><a href="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a65ed0a3970b-pi" style="display: inline;"><img alt="Damian Lopes 1" border="0" class="asset asset-image at-xid-6a00d83451ba0469e20120a65ed0a3970b image-full " src="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a65ed0a3970b-800wi" style="width: 595px; height: 829px;" title="Damian Lopes 1" /></a> <br /> </p><p><a href="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a65ed0e1970b-pi" style="display: inline;"><img alt="Damian Lopes 2" border="0" class="asset asset-image at-xid-6a00d83451ba0469e20120a65ed0e1970b image-full " src="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a65ed0e1970b-800wi" title="Damian Lopes 2" /></a> <br /> </p><p>You can peruse it on-line at <a href="http://www.damianlopes.com/sensorydeprivation/">http://www.damianlopes.com/sensorydeprivation/</a></p></div>
</content>


    </entry>
    <entry>
        <title>Empirical Data Does Not Impose Wind </title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/empirical-data-does-not-impose-wind-.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a6afb912970c</id>
        <published>2009-11-05T20:47:42-08:00</published>
        <updated>2009-11-05T20:47:42-08:00</updated>
        <summary>If we accept a conceptual apparatus to increase the distance the image couldn’t do any better.</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;

&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/strong&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;If we accept a conceptual apparatus to increase the distance
&lt;/p&gt;

&lt;p class="MsoNormal"&gt;the image couldn’t do any better. &lt;/p&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title>Check out Regina Pinto's digital poetry/sound project, Project AlphaAlpha - "A" Poetry:</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/check-out-regina-pintos-digital-poetrysound-project-project-alphaalpha-a-poetry.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/check-out-regina-pintos-digital-poetrysound-project-project-alphaalpha-a-poetry.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a6aaedcc970c</id>
        <published>2009-11-04T23:03:30-08:00</published>
        <updated>2009-11-04T23:03:30-08:00</updated>
        <summary>I hear Stravinsky stripped down, Cage, Terry Riley. I see...That I can't put a name on it names itself. NEW PAGES http://arteonline.arq.br/a/ver_a_bighetti.html (Vera Bighetti - Brazil) http://arteonline.arq.br/a/fr_a_zao.html (Marcelo Frazão - Brazil) http://arteonline.arq.br/a/neufeldt_a.html (Brigitte Neufeudt - Germany) WHICH MORE PAGES ARE...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Announcements" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Avant Poetries" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Poems" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sound Poems" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual/concrete Poetry" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="digital poetry" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Project AlphaAlpha" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Regina Pinto" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em>I hear Stravinsky stripped down, Cage, Terry Riley. I see...That I can't put a name on it names itself.</em></p><p />NEW PAGES<br /><br /><a href="http://arteonline.arq.br/a/ver_a_bighetti.html">http://arteonline.arq.br/a/ver_a_bighetti.html</a> 
(Vera Bighetti - Brazil)<br /><br /><a href="http://arteonline.arq.br/a/fr_a_zao.html">http://arteonline.arq.br/a/fr_a_zao.html</a> 
(Marcelo Frazão - Brazil)<br /><br /><a href="http://arteonline.arq.br/a/neufeldt_a.html">http://arteonline.arq.br/a/neufeldt_a.html</a> 
(Brigitte Neufeudt - Germany)<br /><br /><br />WHICH MORE PAGES ARE READY?<br /><br /><a href="http://arteonline.arq.br/a/a_ndrews.html">http://arteonline.arq.br/a/a_ndrews.html</a> 
(Jim Andrews - Canada)<br /><br /><a href="http://arteonline.arq.br/a/b_a_bel.html">http://arteonline.arq.br/a/b_a_bel.html</a> 
(babel - Canada &amp; UK)<br /><br /><a href="http://arteonline.arq.br/a/bruno_a.html">http://arteonline.arq.br/a/bruno_a.html</a> 
(Bruno - Brazil)<br /><br /><br />MORE COLLABORATIONS WILL BE READY 
SOON!<br /><br /><br />AUTHOR'S PAGES THAT ARE ALREADY READY:<br /><br /><a href="http://arteonline.arq.br/a/um.html">http://arteonline.arq.br/a/um.html</a> 
(Regina Pinto - Brazil)<br /><br /><a href="http://arteonline.arq.br/a/dois.html">http://arteonline.arq.br/a/dois.html</a> 
(Regina Pinto - Brazil)<br /><br /><a href="http://arteonline.arq.br/a/tres.html">http://arteonline.arq.br/a/tres.html</a> 
(Regina Pinto - Brazil)<br /><br /><br />How to collaborate?<br /><br />Read the call at: 
<a href="http://arteonline.arq.br/a/call.htm">http://arteonline.arq.br/a/call.htm</a> 
and ... PARTICIPATE!</div>
</content>


    </entry>
    <entry>
        <title>Updated List of Vispo Blogs</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/updated-list-of-vispo-blogs.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/updated-list-of-vispo-blogs.html" thr:count="1" thr:updated="2009-11-05T08:24:49-08:00" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a653fe2b970b</id>
        <published>2009-11-04T13:22:26-08:00</published>
        <updated>2009-11-05T08:42:30-08:00</updated>
        <summary>Let me know if there are others. A rich flurry of activity the last year or so on/in the vispostream. Look for a major anthology of vispo from 1998-2008 next year and look for a major survey of vispo from...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual/concrete Poetry" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Weblogs" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="concrete poery" />
        <category scheme="http://sixapart.com/ns/types#tag" term="vispo" />
        <category scheme="http://sixapart.com/ns/types#tag" term="visual poetry" />
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;Let me know if there are others. A rich flurry of activity the last year or so on/in the vispostream. Look for a major anthology of vispo from 1998-2008 next year and look for a major survey of vispo from Klaus Peter Dencker. (Check out his work at Kaldron/Light &amp;amp; Dust: &lt;a href="http://www.thing.net/%7Egrist/l&amp;amp;d/dencker/dencker.htm"&gt;http://www.thing.net/~grist/l&amp;amp;d/dencker/dencker.htm&lt;/a&gt;)&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;o:smarttagtype name="State" namespaceuri="urn:schemas-microsoft-com:office:smarttags"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype name="place" namespaceuri="urn:schemas-microsoft-com:office:smarttags"&gt;&lt;/o:smarttagtype&gt;

&lt;/p&gt;&lt;p class="MsoNormal"&gt;Geof Huth&lt;br /&gt;
dbqp: visualizing poetics&lt;br /&gt;
&lt;a href="http://dbqp.blogspot.com/"&gt;http://dbqp.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Crg Hill&amp;#39;s poetry scorecard&lt;br /&gt;
&lt;a href="http://scorecard.typepad.com/crag_hills_poetry_score/"&gt;http://scorecard.typepad.com/crag_hills_poetry_score/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Michael Jacobson&lt;br /&gt;
The New Post-literate: A Gallery Of Asemic Writing.&lt;br /&gt;
&lt;a href="http://thenewpostliterate.blogspot.com/"&gt;http://thenewpostliterate.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Visuelle Poesie&lt;br /&gt;
Visuelle Poesie, Konkrete Poesie, Kunstreisen, Ideen, Aktuelles&lt;br /&gt;
&lt;a href="http://visuelle-poesie.blogspot.com/"&gt;http://visuelle-poesie.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Fluxlist&lt;br /&gt;
The Fluxlist Blog is an online intermedia community of Fluxlist &lt;br /&gt;
members. Fluxlist is an internet discussion list for all things Fluxus.&lt;br /&gt;
&lt;a href="http://fluxlist.blogspot.com/"&gt;http://fluxlist.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
mIEKAL aND&lt;br /&gt;
Data Visualization for the Synaptically Inspired&lt;br /&gt;
&lt;a href="http://filevillage.info"&gt;http://filevillage.info&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Bob Grumman&lt;/p&gt;

&lt;p class="MsoNormal"&gt;poeticks.com&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;br /&gt;
VISUAL SONIC VISCERAL &lt;br /&gt;
&lt;a href="http://davidbaptistechirot.blogspot.com"&gt;http://davidbaptistechirot.blogspot.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
and one i curate:&lt;br /&gt;
NOS OBRAS OTROS&lt;br /&gt;
&lt;a href="http://nosobrasotros.blogspot.com"&gt;http://nosobrasotros.blogspot.com&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;ted warnell&amp;#39;s&lt;br /&gt;
&lt;a href="http://codepo.blogspot.com/"&gt;http://codepo.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
daniel bradley&amp;#39;s&lt;br /&gt;
&lt;a href="http://fhole.blogspot.com/"&gt;http://fhole.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
ross priddle&amp;#39;s&lt;br /&gt;
&lt;a href="http://bentspoon.blogspot.com/"&gt;http://bentspoon.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
derya vural&amp;#39;s&lt;br /&gt;
&lt;a href="http://dryvrl.blogspot.com/"&gt;http://dryvrl.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
helen white&amp;#39;s&lt;br /&gt;
&lt;a href="http://www.krikri.be/helen/"&gt;http://www.krikri.be/helen/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
marko niemi&amp;#39;s&lt;br /&gt;
&lt;a href="http://www.nokturno.org/"&gt;http://www.nokturno.org/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
dan waber&amp;#39;s&lt;br /&gt;
&lt;a href="http://vispoets.com/"&gt;http://vispoets.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
jenny sampirisi&amp;#39;s&lt;br /&gt;
&lt;a href="http://otherclutter.com/"&gt;http://otherclutter.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
suzan sari&amp;#39;s&lt;br /&gt;
&lt;a href="http://www.suzansari.blogspot.com/"&gt;http://www.suzansari.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Jukka-Pekka Kervinen&amp;#39;s&lt;br /&gt;
&lt;a href="http://jukkapekkakervinen.blogspot.com/"&gt;http://jukkapekkakervinen.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
anrew topel&amp;#39;s&lt;br /&gt;
&lt;a href="http://vviissiioonnss.blogspot.com/"&gt;http://vviissiioonnss.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
troy lloyd&amp;#39;s&lt;br /&gt;
&lt;a href="http://wordwithinword.blogspot.com/"&gt;http://wordwithinword.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
reed altemus&amp;#39;&lt;br /&gt;
&lt;a href="http://tonerworks.blogspot.com/"&gt;http://tonerworks.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
jim leftwich&amp;#39;s&lt;br /&gt;
&lt;a href="http://jimleftwichtextimagepoem.blogspot.com/"&gt;http://jimleftwichtextimagepoem.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
john moore williams&amp;#39;&lt;br /&gt;
&lt;a href="http://fissuresofmen.blogspot.com/"&gt;http://fissuresofmen.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
peter ciccarielo&amp;#39;s&lt;br /&gt;
&lt;a href="http://invisiblenotes.blogspot.com/"&gt;http://invisiblenotes.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
gary barwin&amp;#39;s&lt;br /&gt;
&lt;a href="http://serifofnottingham.blogspot.com/"&gt;http://serifofnottingham.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Mara Patricia Hernandez&amp;#39; &lt;br /&gt;
&lt;a href="http://vizhewel.blogspot.com/" target="_blank"&gt;http://vizhewel.blogspot.com/&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
Ted Warnell&amp;#39;s&lt;br /&gt;
&lt;a href="http://codepo.blogspot.com/" target="_blank"&gt;http://codepo.blogspot.com/&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
Satu Kaikkonen&amp;#39;s&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;a href="http://vispoetrynewp.blogspot.com/"&gt;http://vispoetrynewp.blogspot.com/
              &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://ccciccc.blogspot.com/" target="_blank"&gt;http://ccciccc.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://asemicnotes.blogspot.com/" target="_blank"&gt;http://asemicnotes.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://abstractandvisualcomics.blogspot.com/" target="_blank"&gt;http://abstractandvisualcomics.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Various&amp;#39;&lt;br /&gt;
&lt;a href="http://weeimage.blogspot.com/" target="_blank"&gt;http://weeimage.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
unDress Beton (and others&amp;#39;)&lt;br /&gt;
&lt;a href="http://surrism.blogspot.com/" target="_blank"&gt;http://surrism.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Anne Boyer&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://odalisqued.blogspot.com/"&gt;http://odalisqued.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Jessica Smith&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://looktouch.wordpress.com/"&gt;http://looktouch.wordpress.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;K. &lt;st1:state&gt;&lt;st1:place&gt;Lorraine&lt;/st1:place&gt;&lt;/st1:state&gt;
Graham&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://terminalhumming.blogspot.com/"&gt;http://terminalhumming.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;C. Mehrle Bennett&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://www.flickr.com/photos/cmehrlbennett/"&gt;http://www.flickr.com/photos/cmehrlbennett/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Infusoria&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://infusoria.blogspot.com/"&gt;http://infusoria.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Sharron Harris&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://www.theiloveyoublog.com/"&gt;http://www.theiloveyoublog.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Ash Smith&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://opened-by.blogspot.com/"&gt;http://opened-by.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;Angela Genusa&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;a href="http://packageinsertofsorrows.blogspot.com/"&gt;http://packageinsertofsorrows.blogspot.com/&lt;/a&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;br /&gt;
Michelle&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&amp;#0160;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;http://www.daphnomancy.com/&lt;br /&gt;
&lt;a href="http://www.wombpoetry.com/"&gt;http://www.wombpoetry.com/&lt;/a&gt;&lt;/p&gt;

&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;
Mike Cannell&lt;br /&gt;
&lt;a href="http://visoundtextpoem.blogspot.com/"&gt;http://visoundtextpoem.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Abstract Comics&lt;br /&gt;
&lt;a href="http://abstractcomics.blogspot.com/"&gt;http://abstractcomics.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Steven Nelson&amp;#39;s Afterlights&lt;br /&gt;
&lt;a href="http://afterlights.blogspot.com/"&gt;http://afterlights.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Poemics, out of Poland&lt;br /&gt;
&lt;a href="http://poemicstrip.blogspot.com/"&gt;http://poemicstrip.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://thenewpostliterate.blogspot.com/"&gt;http://thenewpostliterate.blogspot.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title />
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/my-entry.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/my-entry.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a6516194970b</id>
        <published>2009-11-03T19:37:48-08:00</published>
        <updated>2009-11-03T19:37:48-08:00</updated>
        <summary />
        <author>
            <name>Crg Hill</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><a href="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a6516170970b-pi" style="display: inline;"><img alt="Scan" border="0" class="asset asset-image at-xid-6a00d83451ba0469e20120a6516170970b image-full " src="http://scorecard.typepad.com/.a/6a00d83451ba0469e20120a6516170970b-800wi" title="Scan" /></a> <br /></div>
</content>


    </entry>
    <entry>
        <title>Query from mIEKAL aND: Which Visual Poetry Blogs Do You Read?</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/query-from-miekal-and-which-visual-poetry-blogs-do-you-read.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/11/query-from-miekal-and-which-visual-poetry-blogs-do-you-read.html" thr:count="1" thr:updated="2009-11-02T08:47:26-08:00" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a64931a6970b</id>
        <published>2009-11-01T20:09:19-08:00</published>
        <updated>2009-11-01T20:09:19-08:00</updated>
        <summary>Geof Huth dbqp: visualizing poetics VISUAL POETRY, THE TEXTUAL IMAGINATION, AND PERSONAL EXPERIENCE http://dbqp.blogspot.com/ Crg Hill's poetry scorecard contemporary poetries, visual, verbal &amp; visual/verbal, with especial focus on small press books, magazines, and on websites of avant poetries http://scorecard.typepad.com/crag_hills_poetry_score/ Michael...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Aktuelles http://visuelle-poesie.blogspot.com/  Fluxlist The Fluxlist Blog is an online intermedia community of Fluxlist  members. Fluxlist is an internet discussion list for all things Fluxus. http://fluxlist.blogspot.com/  mIEKAL aND Data Visualization for the Synaptically Inspired http://filevillage.info  VISUAL SONIC VISCERAL  http://davidbaptistechirot.blogspot.com  and one i curate: NOS OBRAS OTROS http://nosobrasotros.blogspot.com  ted warnell's http://codepo.blogspot.com/  daniel bradley's http://fhole.blogspot.com/  ross priddle's http://bentspoon.blogspot.com/  derya vural's http://dryvrl.blogspot.com/  helen white's http://www.krikri.be/helen/  marko niemi's http://www.nokturno.org/  dan waber's http://vispoets.com/  jenny sampirisi's http://otherclutter.com/  suzan sari's http://www.suzansari.blogspot.com/  Jukka-Pekka Kervinen's http://jukkapekkakervinen.blogspot.com/  anrew topel's http://vviissiioonnss.blogspot.com/  troy lloyd's http://wordwithinword.blogspot.com/  reed altemus' http://tonerworks.blogspot.com/  jim leftwich's http://jimleftwichtextimagepoem.blogspot.com/  john moore williams' http://fissuresofmen.blogspot.com/  peter ciccarielo's http://invisiblenotes.blogspot.com/  gary barwin's http://serifofnottingham.blogspot.com/ " />
        <category scheme="http://sixapart.com/ns/types#tag" term="and on websites of avant poetries http://scorecard.typepad.com/crag_hills_poetry_score/  Michael Jacobson The New Post-literate: A Gallery Of Asemic Writing. http://thenewpostliterate.blogspot.com/  Visuelle Poesie Visuelle Poesie" />
        <category scheme="http://sixapart.com/ns/types#tag" term="AND PERSONAL EXPERIENCE http://dbqp.blogspot.com/  Crg Hill's poetry scorecard contemporary poetries" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Geof Huth dbqp: visualizing poetics VISUAL POETRY" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Ideen" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Konkrete Poesie" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Kunstreisen" />
        <category scheme="http://sixapart.com/ns/types#tag" term="magazines" />
        <category scheme="http://sixapart.com/ns/types#tag" term="THE TEXTUAL IMAGINATION" />
        <category scheme="http://sixapart.com/ns/types#tag" term="verbal &amp; visual/verbal" />
        <category scheme="http://sixapart.com/ns/types#tag" term="visual" />
        <category scheme="http://sixapart.com/ns/types#tag" term="with especial  focus on small press books" />
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;font face="Times New Roman" size="3"&gt;Geof Huth&lt;br /&gt;dbqp: visualizing poetics&lt;br /&gt;VISUAL POETRY, THE TEXTUAL IMAGINATION, AND PERSONAL EXPERIENCE&lt;br /&gt;&lt;/font&gt;&lt;a href="http://dbqp.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://dbqp.blogspot.com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;Crg Hill&amp;#39;s poetry scorecard&lt;br /&gt;contemporary poetries, visual, verbal &amp;amp; visual/verbal, with especial &lt;br /&gt;focus on small press books, magazines, and on websites of avant poetries&lt;br /&gt;&lt;/font&gt;&lt;a href="http://scorecard.typepad.com/crag_hills_poetry_score/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://scorecard.typepad.com/crag_hills_poetry_score/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;Michael Jacobson&lt;br /&gt;The New Post-literate: A Gallery Of Asemic Writing.&lt;br /&gt;&lt;/font&gt;&lt;a href="http://thenewpostliterate.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://thenewpostliterate.blogspot.com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;Visuelle Poesie&lt;br /&gt;Visuelle Poesie, Konkrete Poesie, Kunstreisen, Ideen, Aktuelles&lt;br /&gt;&lt;/font&gt;&lt;a href="http://visuelle-poesie.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://visuelle-poesie.blogspot.com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;Fluxlist&lt;br /&gt;The Fluxlist Blog is an online intermedia community of Fluxlist &lt;br /&gt;members. Fluxlist is an internet discussion list for all things Fluxus.&lt;br /&gt;&lt;/font&gt;&lt;a href="http://fluxlist.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://fluxlist.blogspot.com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;mIEKAL aND&lt;br /&gt;Data Visualization for the Synaptically Inspired&lt;br /&gt;&lt;/font&gt;&lt;a href="http://filevillage.info/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://filevillage.info&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;VISUAL SONIC VISCERAL &lt;br /&gt;&lt;/font&gt;&lt;a href="http://davidbaptistechirot.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://davidbaptist&lt;wbr /&gt;echirot.blogspot&lt;wbr /&gt;.com&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;and one i curate:&lt;br /&gt;NOS OBRAS OTROS&lt;br /&gt;&lt;/font&gt;&lt;a href="http://nosobrasotros.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://nosobrasotro&lt;wbr /&gt;s.blogspot.&lt;wbr /&gt;com&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;o:p&gt;&lt;font face="Times New Roman" size="3"&gt;&amp;#0160;&lt;/font&gt;&lt;/o:p&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="MARGIN: 0in 0in 0pt"&gt;&lt;font face="Times New Roman" size="3"&gt;ted warnell&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://codepo.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://codepo.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;daniel bradley&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://fhole.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://fhole.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;ross priddle&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://bentspoon.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://bentspoon.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;derya vural&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://dryvrl.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://dryvrl.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;helen white&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://www.krikri.be/helen/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://www.krikri.&lt;wbr /&gt;be/helen/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;marko niemi&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://www.nokturno.org/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://www.nokturno&lt;wbr /&gt;.org/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;dan waber&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://vispoets.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://vispoets.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;jenny sampirisi&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://otherclutter.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://otherclutter&lt;wbr /&gt;.com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;suzan sari&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://www.suzansari.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://www.suzansar&lt;wbr /&gt;i.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;Jukka-Pekka Kervinen&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://jukkapekkakervinen.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://jukkapekkake&lt;wbr /&gt;rvinen.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;anrew topel&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://vviissiioonnss.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://vviissiioonn&lt;wbr /&gt;ss.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;troy lloyd&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://wordwithinword.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://wordwithinwo&lt;wbr /&gt;rd.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;reed altemus&amp;#39;&lt;br /&gt;&lt;/font&gt;&lt;a href="http://tonerworks.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://tonerworks.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;jim leftwich&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://jimleftwichtextimagepoem.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://jimleftwicht&lt;wbr /&gt;extimagepoem.&lt;wbr /&gt;blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;john moore williams&amp;#39;&lt;br /&gt;&lt;/font&gt;&lt;a href="http://fissuresofmen.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://fissuresofme&lt;wbr /&gt;n.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;peter ciccarielo&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://invisiblenotes.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://invisiblenot&lt;wbr /&gt;es.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;font face="Times New Roman" size="3"&gt;gary barwin&amp;#39;s&lt;br /&gt;&lt;/font&gt;&lt;a href="http://serifofnottingham.blogspot.com/"&gt;&lt;font face="Times New Roman" size="3"&gt;http://serifofnotti&lt;wbr /&gt;ngham.blogspot.&lt;wbr /&gt;com/&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title>Otoliths 15 Now Live</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/otoliths-15-now-live.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/otoliths-15-now-live.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a69ab0e8970c</id>
        <published>2009-10-31T14:51:03-07:00</published>
        <updated>2009-10-31T14:51:03-07:00</updated>
        <summary>In a switch on the normal All Hallows' Eve tradition, the someone who's come knocking at your door is bringing you candy. No tricks, just treats. Issue 15, the southern spring 2009 issue, of Otoliths has just gone live, &amp;...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Announcements" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt;"><font face="Palatino Linotype">In a switch on the normal 
All Hallows' Eve tradition, the someone who's come knocking at your door is 
bringing <strong>you</strong> candy. No tricks, just 
treats. Issue 15, the southern spring 2009 issue, of </font><a href="http://the-otolith.blogspot.com/"><span style="font-family: Palatino Linotype;">Otoliths</span></a><font face="Palatino Linotype"> has 
just gone live, &amp; has in its basket a wondrous variety of text &amp; 
visuals—sometimes both—from Ray Craig, Crag Hill, Andrew Topel, Jeff Harrison, 
James Mc Laughlin, Bob Heman, Arpine Konyalian Grenier, Tyler Flynn Dorholt, 
Philip Byron Oakes, Chris Gordon, Louise Norlie, Donald Dunbar &amp; Andrew 
Lundwall, Raymond Farr, Márton Koppány, Halvard Johnson, Kathleen Rooney, Rodger 
Lowenthal, Travis Macdonald, John J. Trause, Kat Dixon, John M. Bennett, Baron 
&amp; John M. Bennett, Sheila E. Murphy &amp; John M. Bennett, Robert van Vliet, 
Cecelia Chapman &amp; Jeff Crouch, Yoko Danno, Charles Clifford Brooks III, j/j 
hastain, Daniel f Bradley, Tim Marcuson, Michael Brandonisio, Lance Newman, Adam 
Katz, Andy Martrich, Jeff Klooger, Yonah Korngold, John Martone, Bill Drennan, 
Karri Kokko, David Berridge, Ira Joel Haber, Marcia Arrieta, Martin Edmond, 
Andrew Topel &amp; John M. Bennett, Felino Soriano, Jal Nicholl, Ed Baker, Tony 
Rickaby, Sam Schild, Paul Siegell, Tom Beckett, Grzegorz Wróblewski, 
David-Baptiste Chirot, Jon Curley, sean burn, Tim Kahl, Mara Patricia Hernandez, 
PD Mallamo, Carlyle Baker, Bobbi Lurie, John Moore Williams, Dominic Amerena, 
&amp; Spencer Selby.</font></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt;"><span style="font-family: Palatino Linotype;"> </span></span></p>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt;"><font face="Palatino Linotype">So turn on the 
porchlight, &amp; get reading.</font></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt;" /> </div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt;"><span style="font-family: Palatino Linotype;">Mark Young</span></span></div></div>
</content>


    </entry>
    <entry>
        <title>Announcing IRRATIONAL DUDE</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/announcing-irrational-dude.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/announcing-irrational-dude.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a697e839970c</id>
        <published>2009-10-30T17:10:51-07:00</published>
        <updated>2009-11-01T19:51:20-08:00</updated>
        <summary>A new chapbook of collaborative writing by Nico Vassilakis and Robert Mittenthal from tir aux pigeons. http://tir-aux-pigeons.blogspot.com/ Until the crayons ran out of color. A gargantuan snag of me uphill. Supine on their backs an instrument with heads attached. The...</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Announcements" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Nico Vassilakis and Robert Mittenthal" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><font><font><font><span color="black" size="2;" style="font-family: Arial,Helvetica,sans-serif;"><br /></span></font></font></font></p><p><font><font><font><font color="black" face="Arial, Helvetica, sans-serif" size="2">A new <font size="2"><font face="Arial, Helvetica, sans-serif">chapbook of collaborative writing by 
</font></font><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font size="2"><font face="Arial, Helvetica, sans-serif">Nico Vassilakis and Robert 
Mittenthal</font></font></font></font><font size="2"><span style="font-family: Arial,Helvetica,sans-serif;"> from tir aux pigeons.  </span></font><a href="http://tir-aux-pigeons.blogspot.com/" target="_blank">http://tir-aux-pigeons.blogspot.com/</a></font></font></font></font></p><font><font><font><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2">
<div id="sig9664" style="clear: both;"><font size="2"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></font><em>Until the crayons ran 
out of color. A gargantuan snag of me uphill. Supine on their backs an 
instrument with heads attached. The stars are out above the 
bivouac.</em><br />       -from Testosterone Poisoning<br /><br /><font size="+0"><font size="+0"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2">On collaboration, <font size="+0"><font size="+0"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2">to quote the 
others on the plateaux: <em>"the two of us wrote this tog</em></font></font></font></font></font></font></font></font><font size="+0"><font size="+0"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font size="+0"><font size="+0"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><em>ether. Since each of us 
was several, there was already quite a crowd...  We have kept our names... out 
of habit, purely out of habit... to reach not the point where one no longer says 
I, but the point where it is no longer of any importance whether one says 
I."</em></font></font></font></font><em><br /></em></font></font></font></font><font size="2"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></font><font size="+0"><font size="+0"><font size="+0"><font size="+0"><font size="+0"><font size="+0"><font size="+0"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font color="black" face="Arial, Helvetica, sans-serif" size="2"><font size="2"><font face="Arial, Helvetica, sans-serif">PURCHASE COPY for $6 at: <a href="http://www.lulu.com/product/paperback/irrational-dude/5615159" target="_blank">http://www.lulu.com/product/paperback/irrational-dude/5615159</a><br /><br />or 
read downloadable PDF: <a href="http://www.lulu.com/items/volume_66/7814000/7814119/2/print/Irrational_Dude.pdf" target="_blank">http://www.lulu.com/items/volume_66/7814000/7814119/2/print/Irrational_Dude.pdf</a></font></font><br /><font color="black" face="Arial, Helvetica, sans-serif" size="2">
</font><br />To request a review copy, please reply to me &amp;/or 
<span color="black" size="2;" style="font-family: Arial,Helvetica,sans-serif;"><font size="2"><span style="font-family: Arial, Helvetica, sans-serif;">the publisher at </span></font></span></font></font><a href="mailto:tirauxpigeons@gmail.com" target="_blank">tirauxpigeons@gmail.com</a>.</font></font></font></font></font></font></font></font></font></font></font></font></div></font></font></font></font></font></font></div>
</content>


    </entry>
    <entry>
        <title />
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/i-dont-want-you-to-stay-consciousness--------i-only-came-to-show-you-unity--------he-broke-open-an-orang.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/i-dont-want-you-to-stay-consciousness--------i-only-came-to-show-you-unity--------he-broke-open-an-orang.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a634209d970b</id>
        <published>2009-10-29T09:47:35-07:00</published>
        <updated>2009-10-29T09:47:35-07:00</updated>
        <summary>“I don’t want you to stay consciousness.” “I only came to show you unity.” He broke open an orange.</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        
        
<content type="html" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;

&lt;p class="MsoNormal"&gt;“I don’t want you to stay consciousness.”&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;“I only came to show you unity.”&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;He broke open an orange.&lt;/p&gt;&lt;/div&gt;
</content>


    </entry>
    <entry>
        <title>Call for Submissions for a Special Issue of Western Humanities Review (Spring 2010)</title>
        <link rel="alternate" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/call-for-submissions-for-a-special-issue-of-western-humanities-review-spring-2010.html" />
        <link rel="replies" type="text/html" href="http://scorecard.typepad.com/crag_hills_poetry_score/2009/10/call-for-submissions-for-a-special-issue-of-western-humanities-review-spring-2010.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d83451ba0469e20120a683f52d970c</id>
        <published>2009-10-28T13:53:39-07:00</published>
        <updated>2009-10-28T13:53:39-07:00</updated>
        <summary>HYBRID // COLLABORATIVE edited by Lance Olsen, Karen Brennan, Craig Dworkin &amp; Paisley Rekdal Submit your hybrid and/or collaborative work through March 30th to ::: Western Humanities Review Hybrid / Collaborative Issue c/o dawn lonsinger University of Utah English Dept....</summary>
        <author>
            <name>Crg Hill</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Announcements" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Call for Submissions" />
        <category scheme="http://sixapart.com/ns/types#tag" term="collaborative" />
        <category scheme="http://sixapart.com/ns/types#tag" term="hybrid" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://scorecard.typepad.com/crag_hills_poetry_score/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><br />HYBRID // COLLABORATIVE<br /><br />edited by Lance Olsen, Karen Brennan, 
Craig Dworkin &amp; Paisley Rekdal<br /><br />Submit your hybrid and/or 
collaborative work through March 30th to :::<br /><br />Western Humanities 
Review<br />Hybrid / Collaborative Issue<br />c/o dawn lonsinger<br />University of 
Utah English Dept.<br />255 S. Central Campus Drive, LNCO 3500<br />Salt Lake City, 
UT 84112</p><p>dawn.lonsinger@UTAH.EDU</p></div>
</content>


    </entry>
 
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