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	<title>CrazyEye Music Services</title>
	
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	<description>Audio Mixing, Mastering and Artist Development.</description>
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		<title>Ozone makes for a great vocal channel strip</title>
		<link>http://crazyeye.com/ozone-makes-for-a-great-vocal-channel-strip/</link>
		<comments>http://crazyeye.com/ozone-makes-for-a-great-vocal-channel-strip/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 01:58:01 +0000</pubDate>
		<dc:creator>Dave Lopez</dc:creator>
				<category><![CDATA[Audio Mixing]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://crazyeye.com/?p=32994</guid>
		<description><![CDATA[An Ozone fan on Gearslutz.com nominated Ozone the best vocal channel strip for some type of award or another. Honestly I don&#8217;t recall, but yes! That&#8217;s a great idea! Instead of trying get a great sound with five different plugins I&#8217;m going to start using Ozone on vocals in my mixes. It has it all [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignright" title="Ozone 4" src="http://crazyeye.com/wp-content/uploads/media/o4_eq_medjpg.jpeg" alt="" width="300" height="217" />An Ozone fan on Gearslutz.com nominated Ozone the best vocal channel strip for some type of award or another. Honestly I don&#8217;t recall, but yes! That&#8217;s a great idea!</p>
<p>Instead of trying get a great sound with five different plugins I&#8217;m going to start using Ozone on vocals in my mixes. It has it all &#8211; eq, reverb, compressor, limiter, exciter, imaging, etc. Makes sense to me.</p>
<p>It&#8217;s so simple (meaning complete) it just might work!</p>
<p>But what do you think? I&#8217;d love to hear your tips and tricks on using Ozone in your mixes.</p>
<p>If you have a special way you use Ozone please leave it a comment in the box below.</p>
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		<title>Studio Basics From The Universal Audio Web Site</title>
		<link>http://crazyeye.com/studio-basics-from-the-universal-audio-web-site/</link>
		<comments>http://crazyeye.com/studio-basics-from-the-universal-audio-web-site/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 01:03:29 +0000</pubDate>
		<dc:creator>Dave Lopez</dc:creator>
				<category><![CDATA[Audio Mastering]]></category>
		<category><![CDATA[Audio Mixing]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Songwriting]]></category>

		<guid isPermaLink="false">http://crazyeye.com/?p=32954</guid>
		<description><![CDATA[Great Production Tips from the Universal Audio web site. Having a boatload of UA plugins myself I should review this page more often. &#160; Thunderbolt Explained — What Does it Mean For Your Studio? Posted by Craig Anderton on October 18, 2012 3:20:58 PM PDT Intel’s new high-speed serial protocol provides ultra-fast data transfers for [...]]]></description>
				<content:encoded><![CDATA[<h3>Great Production Tips from the Universal Audio web site. Having a boatload of UA plugins myself I should review this page more often.</h3>
<p>&nbsp;</p>
<div>
<blockquote>
<h3><a href="http://www.uaudio.com/blog/thunderbolt-basics/"><img class="alignleft" title="From UA" src="http://www.uaudio.com/media/blog/t/h/thunderbolt_226.jpg" alt="" width="226" height="128" />Thunderbolt Explained — What Does it Mean For Your Studio?</a></h3>
<div>Posted by Craig Anderton on October 18, 2012 3:20:58 PM PDT</div>
<div>Intel’s new high-speed serial protocol provides ultra-fast data transfers for audio and video data streams. Read on to learn more about this groundbreaking technology and the potential it holds for studio workflow improvements, data transfer, and more.</div>
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<div><a href="http://www.uaudio.com/blog/thunderbolt-basics/">Read More</a></div>
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<h3><a href="http://www.uaudio.com/blog/studio-basics-mix-prep/"><img class="alignright" title="UA" src="http://www.uaudio.com/media/blog/p/r/prepping_hero_lrgthum.jpg" alt="" width="226" height="127" />Ready, Set, Mix! Tips for Prepping Your Mixing Session</a></h3>
<div>Posted by Bobby Owsinski on July 10, 2012 11:45:30 AM PDT</div>
<div>
<p>It’s time to mix, so let’s start to move some faders! Well, maybe not right away. If we really want a mix to go quickly and smoothly, there’s some preparation that needs to be done beforehand. Here&#8217;s a look at the technical prep, session prep, and personal prep needed before diving into your latest mixing session.</p>
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<div><a href="http://www.uaudio.com/blog/studio-basics-mix-prep/">Read More</a></div>
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<h3><a href="http://www.uaudio.com/blog/studio-basics-instrument-tuning/"><img class="alignleft" title="UA" src="http://www.uaudio.com/media/blog/t/u/tune_herolrgthumb.jpg" alt="" width="225" height="126" />Instrument Tuning Tips for Better Recordings</a></h3>
<div>Posted by Daniel Keller on May 18, 2012 3:53:08 PM PDT</div>
<div>
<p>While you’ve been working hard and paying attention to the songs, the parts, the sounds, and all the other big-picture stuff, maybe something’s just ever so slightly out of tune. Tuning is one of the little things that can end up making a huge difference in the final quality of your recordings, so here are some final things to listen for before you start your first take.</p>
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<div><a href="http://www.uaudio.com/blog/studio-basics-instrument-tuning/">Read More</a></div>
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<div><em><strong>Plus much more. Read them all at <a href="http://www.uaudio.com/blog/cat/studio-basics" target="_blank">Universal Audio</a></strong></em></div>
</div>
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		<title>Purging Plosives in your vocals.</title>
		<link>http://crazyeye.com/purging-plosives-in-your-vocals/</link>
		<comments>http://crazyeye.com/purging-plosives-in-your-vocals/#comments</comments>
		<pubDate>Wed, 03 Oct 2012 17:00:35 +0000</pubDate>
		<dc:creator>Dave Lopez</dc:creator>
				<category><![CDATA[Audio Mixing]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://crazyeye.com/?p=32934</guid>
		<description><![CDATA[From Darren Burgos at MacPro Video.  “Plosives”  can make or break the recording. Even with a pop filter, they still have a tendency to sneak their way in! There&#8217;s a letter in the alphabet that puts fear in the hearts of home recording engineers &#8230;P! The other is B to a lesser extent.  In this [...]]]></description>
				<content:encoded><![CDATA[<p>From Darren Burgos at MacPro Video.</p>
<blockquote><p> <em>“Plosives”  can make or break the recording. Even with a pop filter, they still have a tendency to sneak their way in! There&#8217;s a letter in the alphabet that puts fear in the hearts of home recording engineers &#8230;P! The other is B to a lesser extent. </em></p>
<p><em>In this article, I&#8217;ll show you two ways to remove them without simply stripping away the lows with a high pass filter. I&#8217;ve included a vocal sample so you can experiment with it, or just load up a track you know that has them. If you&#8217;ll be listening to these samples through an iPad or mobile phone speaker, you most likely will not hear the difference between the samples. Plosives are almost always in the low frequency range, and most of these devices built-in speakers can&#8217;t replicate frequencies low enough. Use headphones.</em></p></blockquote>
<p>Darren uses these two methods to clean up loud pops.</p>
<p><span id="more-32934"></span></p>
<p><strong>Step 1.</strong> Start with a Multipressor setting band 1 to 2oohz to cut a majority of the of the P or B and then adjust the other settings so as not to remove anything else. Here are the final settings.</p>
<div class="wp-caption aligncenter" style="width: 555px"><img title="Purging Plosives with Logic Pro" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7584/cp_545_Screen_Shot_5_annotated.png" alt="" width="545" height="452" />
<p class="wp-caption-text">Step 1, use a Multipressor. You only want to reduce the plosives.</p>
</div>
<p><strong>Step 2.</strong> Next use the Sample Editor to reduce the plosive even more.</p>
<div class="wp-caption aligncenter" style="width: 555px"><img title="Purging Plosives with Logic Pro" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7584/cp_545_Screen_Shot_8_annotated.png" alt="" width="545" height="535" />
<p class="wp-caption-text">Now use the pencil tool to reduce the problem even more.</p>
</div>
<p>Here&#8217;s a tip from Darren.</p>
<blockquote><p><em>If you haven&#8217;t zoomed in far enough, the Pencil Tool acts as the Zoom Tool. Once you&#8217;ve zoomed in far enough though, you&#8217;ll literally be able to draw out the plosive. Try to follow the natural curve of the waveform before and after the plosive for the best result.</em></p></blockquote>
<div class="wp-caption aligncenter" style="width: 555px"><img title="Purging Plosives with Logic Pro" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7584/cp_545_Screen_Shot_9_annotated.png" alt="" width="545" height="511" />
<p class="wp-caption-text">Per Darren, Try to follow the natural curve of the signal&#8230;</p>
</div>
<p>This is a great tutorial for anyone doing VO editing or a mixer who has to deal with a poorly recorded vocal.</p>
<p><strong><em><a href="http://www.macprovideo.com/hub/logic-pro/purging-plosives-with-logic-pro">Purging Plosives with Logic Pro &#8211; Logic Pro &#8211; macProVideo.com Hub</a>.</em></strong></p>
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		<title>Using Automation Patterns in Your Songs With Logic Pro</title>
		<link>http://crazyeye.com/using-automation-patterns-in-your-songs-with-logic-pro/</link>
		<comments>http://crazyeye.com/using-automation-patterns-in-your-songs-with-logic-pro/#comments</comments>
		<pubDate>Tue, 02 Oct 2012 20:35:18 +0000</pubDate>
		<dc:creator>Dave Lopez</dc:creator>
				<category><![CDATA[Audio Mixing]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://crazyeye.com/?p=32922</guid>
		<description><![CDATA[Here&#8217;s a handy trick to create cool effects in Logic. It&#8217;s by Darren burgos over at MacPro Video. This article talks about creating patterns with automation and then using them on instruments as effects. It a pretty complex set up, but looks like a lot of fun to play around with. Darren says&#8230; &#8220;When I’m [...]]]></description>
				<content:encoded><![CDATA[<p>Here&#8217;s a handy trick to create cool effects in Logic. It&#8217;s by Darren burgos over at <a href="http://www.macprovideo.com/" target="_blank">MacPro Video</a>. This article talks about creating patterns with automation and then using them on instruments as effects. It a pretty complex set up, but looks like a lot of fun to play around with. Darren says&#8230;</p>
<blockquote><p><em>&#8220;When I’m producing, I’ll often pull from a small library of shapes I’ve made and saved into a Logic Project. I can easily copy these pre-made patterns into my existing songs because they’ve been saved inside a standard region. This also makes it easy to stretch or compress the automation &#8230;but we’ll cover that in just a bit!&#8221;</em></p></blockquote>
<p><span id="more-32922"></span></p>
<p>Here are the steps involved. <a href="http://www.macprovideo.com/hub/logic-pro/logic-pro-using-automation-patterns-in-your-songs?utm_source=hubrss&amp;utm_medium=rss&amp;utm_campaign=logic-pro-using-automation-patterns-in-your-songs" target="_blank">You can read the entire article/instructions here.</a></p>
<h3>Step 1 &#8211; Copy The Automation</h3>
<p>Open the Automation Shape Logic Template and copy the region of your choice with <strong>Command-C</strong>, then click back into the song you’ll be adding the automation to.</p>
<p><img class=" alignnone" title="Logic Pro: Using Automation Patterns in Your Songs" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_1.png" alt="" width="545" height="481" /></p>
<h3></h3>
<h3>Step 2 &#8211; Create A Clone Of The Track</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_2.png" alt="" width="545" height="481" /></p>
<h3>Step 3 &#8211; Paste The Automation</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_3.png" alt="" width="545" height="454" /></p>
<h3>Step 4 &#8211; Repeat The Automation</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_4.png" alt="" width="545" height="413" /></p>
<h3>Step 5 &#8211; Convert Automation To Track Based</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_5.png" alt="" width="545" height="442" /></p>
<h3>Step 6 &#8211; Toggle To View The Automation</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_6.png" alt="" width="545" height="432" /></p>
<h3>Step 7 &#8211; Convert Automation To Another Parameter</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_7.png" alt="" width="545" height="507" /></p>
<h3>Step 8 &#8211; Time Stretch The Automation</h3>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_8.png" alt="" width="545" height="399" /></p>
<p>Now drag the region out while holding the <strong>Option</strong> key and the automation data will be time stretched to the length you choose.</p>
<p><img class="alignnone" src="http://macprovid.vo.llnwd.net/o43/hub/media/1094/7438/cp_545_Screen_Shot_9.png" alt="" width="545" height="413" /></p>
<p><strong> <em>I can&#8217;t wait to try this out! <a href="http://www.macprovideo.com/hub/logic-pro/logic-pro-using-automation-patterns-in-your-songs?utm_source=hubrss&amp;utm_medium=rss&amp;utm_campaign=logic-pro-using-automation-patterns-in-your-songs" target="_blank">Again, you can read the entire article/instructions here.</a></em></strong></p>
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		<title>7 Ways To Stimulate Your Capacity For Creativity</title>
		<link>http://crazyeye.com/7-ways-to-stimulate-your-capacity-for-creativity/</link>
		<comments>http://crazyeye.com/7-ways-to-stimulate-your-capacity-for-creativity/#comments</comments>
		<pubDate>Tue, 02 Oct 2012 17:00:23 +0000</pubDate>
		<dc:creator>Dave Lopez</dc:creator>
				<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Songwriting]]></category>

		<guid isPermaLink="false">http://crazyeye.com/?p=32911</guid>
		<description><![CDATA[&#160; I pulled this list from an article on Fast Company online. It was written by Don Peppers, the author of Extreme Trust: Honesty as a Competitive Advantage In it Don writes: &#8220;If you want to generate more innovative ideas, then you should purposely expose your mind to radically different facts and unusual, often conflicting [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<div class="wp-caption aligncenter" style="width: 522px"><img class=" " title="7 Ways To Stimulate Your Capacity For Creativity" src="http://media02.hongkiat.com/creative_modern_office_design/Google_Zurich_creative_office.jpg" alt="" width="512" height="384" />
<p class="wp-caption-text">Google&#8217;s creative office space in Zurich, Switzerland seems very stimulating.</p>
</div>
<p>I pulled this list from an article on Fast Company online. It was written by Don Peppers, the author of <a href="http://www.amazon.com/gp/product/1591844673/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1591844673&amp;linkCode=as2&amp;tag=crazyeye-20" target="_blank">Extreme Trust: Honesty as a Competitive Advantage</a><img style="border: none !important; margin: 0px !important;" src="http://www.assoc-amazon.com/e/ir?t=crazyeye-20&amp;l=as2&amp;o=1&amp;a=1591844673" alt="" width="1" height="1" border="0" /></p>
<p>In it Don writes:</p>
<blockquote><p>&#8220;If you want to generate more innovative ideas, then you should purposely expose your mind to radically different facts and unusual, often conflicting concepts.&#8221;</p></blockquote>
<p>This is great advice for musicians stuck in a creative rut. Try some of the Don&#8217;s ideas on the list and let me know if they worked for you by commenting below.</p>
<ul>
<li>Move to a different apartment, or a different office location, or a different job. Change your environment, for no reason other than to make the change.</li>
<li>Drive a different route to work or school, or to church, or to the club. Take a long cut, on purpose.</li>
<li>Spend 30 minutes a day for two or three weeks with a language course from <a href="http://www.amazon.com/s/?_encoding=UTF8&amp;camp=1789&amp;creative=390957&amp;field-keywords=Pimsleur&amp;linkCode=ur2&amp;rh=i%3Aaps%2Ck%3APimsleur&amp;tag=crazyeye-20&amp;url=search-alias%3Daps" target="_blank">Pimsleur</a><img style="border: none !important; margin: 0px !important;" src="https://www.assoc-amazon.com/e/ir?t=crazyeye-20&amp;l=ur2&amp;o=1" alt="" width="1" height="1" border="0" /> or <a href="http://www.amazon.com/s/?_encoding=UTF8&amp;camp=1789&amp;creative=390957&amp;field-keywords=rosetta%20stone&amp;linkCode=ur2&amp;sprefix=rosett%2Caps%2C292&amp;tag=crazyeye-20&amp;url=search-alias%3Daps" target="_blank">Rosetta Stone</a><img style="border: none !important; margin: 0px !important;" src="https://www.assoc-amazon.com/e/ir?t=crazyeye-20&amp;l=ur2&amp;o=1" alt="" width="1" height="1" border="0" /> in order to learn how to ask directions and order food in a new language.</li>
<li>Brainstorm different ways to use a common tool (like a hammer, or a Phillips screwdriver).</li>
<li>Go on a physical-fitness campaign. Work out until you break a sweat at least one time every day. Seriously. Every single day.</li>
<li>Memorize something useless but ambitious, like pi to 100 digits, or the names of all the major chess openings, or all the U.S. vice presidents and the presidents they served.</li>
<li>Meet one new person a day for a whole month. Talk to them, converse with them, get to know them. Talk with each of them frequently in subsequent days. You can easily do this online.</li>
</ul>
<p><em><strong>You can read the entire article over at <a href="http://www.fastcompany.com/3001707/7-ways-stimulate-your-capacity-creativity?partner=newsletter" target="_blank">Fast Company magazine</a>.</strong></em></p>
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