Information Overdrive brought to you by Crews Control

Live Broadcasting In A Backpack

Tue 21 May 2013 12:11:38 EDT

LiveU uses cellular bonding to create one strong feed for video uplink. Basically they are able to broadcast video from a backpack instead of a satellite truck. Does the Lu70 backpack replace a sat truck in all instances no BUT it can go where a sat truck can't like from a moving car or the top of a bridge. In many instances the LU70 and LiveU other solutions are being used in conjunction with a sat truck. Who is using LiveU, major networks, owner operators, local affiliates, college sports, sports teams themselves, Corporate events, launch parties, security applications.

Sony 4K Field Monitor

Mon 22 Apr 2013 12:52:21 EDT

The PVM-X300 field monitor and BKM XP1 4K SxS player is a great option to monitor and review Sony 4K footage on site. The monitor is in the field and being used currently for a range of productions. It is also available at many rental houses nation wide

Jokerboxes the “MacGyver” of Apple Boxes

Wed 03 Apr 2013 8:54:00 EDT

Professional Field Producers, Directors of Photography and Camera Operators know that space saving tools, being organized and being able to load gear in and out of a variety of locations are essential. Jokerboxes are the DP's MacGyver of Apple Boxes. Store a stopwatch, pens, chewing gum, C47s and spring clamps. But wait the lid turns into a pigeon plate or clip board or slate. Check out all the possible configurations.

Canon Professional Cameras Comparison

Thu 14 Mar 2013 3:14:50 EDT

Do you want that gorgeous large camera sensor image but your not sure which Canon professional camera to choose for your video project? Check out the this video written and shot by a Production Company that uses the Canon EOS 5D, EOS C100, EOS C300 and the 4K EOS C500 for a wide range of commercial, corporate and cinema projects.

Professional Mobile Recording Devices

Tue 13 Nov 2012 7:05:39 EDT

What mobile recording devices are best for your video productions? Mitch Gross from AbelCine highlights three recorders for professional digital cinema and HD cameras: Ki Pro Mini by AJA, Gemini 4:4:4 by Convergent Design and Pix 240 by Sound Devices. If you would like to attend a future CCU please email education@crewscontrol.com

ATEM TV Studio and ATEM 1M/E Software Controlled Switchers By Blackmagic Design

Tue 09 Oct 2012 9:18:56 EDT

Crews Control is highlighting the ATEM TV Studio and ATEM 1ME switchers from Blackmagic Design in this episode of Information Overdrive. These software controlled switchers give you full control with a computer or a hard panel. If you manage studios in multiple locations check out an available feature that will be able to increase your productivity and potentially alleviate some scheduling issues.

Tips For Producing and Shooting Aerial Video

Mon 24 Sep 2012 9:58:36 EDT

Do you need to shoot aerial video or aerial digital cinema footage and are wondering what your best options are for mounts and helicopters? Here is some great tips from an experienced Aerial DP about you need to consider before scheduling an aerial film crew.

BlackMagic Digital Cinema Camera

Thu 26 Jul 2012 8:47:46 EDT

Blackmagic Cinema Camera features a 2.5K image sensor with 13 stops of dynamic range and compatibility for EF and ZE mount lenses. This camera is set to ship starting in July 2012. Find out all the camera's features and recording media here.

The Miro 320 Is A Small But Powerful Digital Cinema Camera

Tue 12 Jun 2012 3:30:00 EDT

Miro 320S is a 3lbs digital cinema quality camera that allows the user to shoot 1540 fps at 1920 x 1080 12 bit uncompressed raw files. The Miro has 12GB’s of internal memory and is used in conjunction with an SSD memory device called the Cineflash. The user can also tap into the HD-SDI out and record any number of files, including Pro Res. Mitch Gross, from AbelCine, will touch on some workflow solutions and what types of productions this camera might be best suited for as well as much more.

How Is The Cloud Going To Revolutionize Video Productions?

Tue 15 May 2012 7:39:12 EDT

If you produce a large volume of shoots you know it can be difficult to keep your call sheets, budgets, scripts and videos for client approval organized. Especially, when you need to send revisions to your crew. Did I copy the makeup artist on the call sheet with the new address? What is cloud computing or cloud based software? What applications will make it easier to produce video shoots? We will answer these questions and more.

Faster, Bigger, Better Sony Delivers at NAB 2012

Thu 03 May 2012 3:49:21 EDT

The NEX-FS700U is a high speed camera with a 4K sensor. It does 960fps at it's lowest resolution and 240fps at full HD resolution. Sony's 4K recorder is still under development so the camera can't record at 4K just yet. The 35mm sensor PMW-F3 camera has a new recorder the SR1. Ever wondered what S-Log is and how it is used with the F3? Peter Crithary explains S-Log & LUTs. IP Live Production let's you send 3 HD-SDI, genlock and tally over live IP transmission while controlling remote pan and tilt heads.

Teradek Cube A Video Producers Best Friend

Tue 13 Mar 2012 3:44:33 EDT

Teradeks' Cube is a wired or wireless video encoding device that is palm sized. It has many applications. This video is highlighting the Cube as a video producers remote monitoring tool. The Cube is connected to the cameras SDI/ HDSDI or HDMI outputs on the camera. It then works with Livestream (or any CDN) to send you an encoded stream from the camera to your desktop. You can approve shots, conduct the interview with a speaker phone and feel confident that you are getting all the right shots.

Dolly Shots Made Simple With The tommyTRACK

Tue 07 Feb 2012 1:49:43 EDT

The tommyTrack camera, on tripod, dolly system allows any camera operator to get that hard dolly shot. It has a super quick set up time, available in 36 inches or customizable lengths and is USA made. For more information email tommytrack@crewscontrol.com

How To Shoot All Day With A Hand Held Camera!

Fri 13 Jan 2012 2:36:08 EDT

The Camera Ribbon will allow freelance camera operators and professional camera crews to stabilize prosumer cameras and Canon DSLR cameras like a shoulder-mounted camera. Its simplistic design makes it easy to use and it will not add volume to your camera kit.

Shopping For Digital Cinema Cameras, XDCAM HD workflow or multiformat compact switcher?

Mon 25 Apr 2011 2:02:17 EDT

Get info about new Sony gear right from the experts. Why the NXCAM 35mm Camcorder NEX-FS100UK is better than a Canon DSLR for your video production? Use XDCAM HD workflow and shopping for a server? Check out the XDSPD2000 professional media station. If you have a XDCAM HD PDWU1 is it worth getting the U2? MCS8M switcher is small has the right inputs and outputs. You can use it in a flight pack, production studio, house of worship and more.

How To Get Sony XDCAM Software

Wed 22 Dec 2010 12:01:27 EDT

How to downloading necessary Sony drivers and plug-ins for XDCAM EX SxS cards. Also, how to view video XDCAM EX clips with Sony's fee Clip Browser software. And how to transfer XDCAM EX video and audio files to import the files into your NLE (non-linear editor).

Slow Motion With High Speed Digital Cinema Cameras

Fri 27 Aug 2010 2:30:37 EDT

Have you ever wondered how you can see a bullet shoot out of a gun? Rich Robinson from Vision Research show cases the Phantom v710 ultra high speed and v640 large sensor cameras. For more information log onto www.visionresearch.com

1 Beyond Wranglers Media Management For Digital Cinema and Video Production

Fri 25 Jun 2010 5:40:47 EDT

1 Beyond Wranglers for Media Management on site offers flexible and customizable solutions for on location SD, HD or 3D video shoots to CF cards, SxS cards, P2 cards , SD cards and the Phantom CineMag to eSATA drives, external hard drives, LTO tape or edit your video production on location.

Jan Crittenden Reveals 3D Panasonic Camera at NAB 2010

Mon 17 May 2010 6:11:57 EDT

3D Production has always been accomplished with 2 cameras & a 3D Rig UNTIL now. Panasonic showcases the 3D AVCHD/ AVCCAM AG3DA1 at NAB 2010 for Fall 2010 release. Jan Crittenden explains AG3DA1's engineering, workflow and the differences of this camera compared to a 3D rig.

Sony Booth Tour At NAB 2010

Thu 22 Apr 2010 5:48:11 EDT

Take the Sony Booth Tour with us at NAB 2010 as we explore 3-D, XDCam HD workflow, VTR PDW-U1, VTR PDW F1600, Mobile editors like the PDWHR1 & PDBK-MK1, AVCHD Format, the NXCAM HXR-NX5U camera and the new live logging function.

Video Asset Management Solution

Tue 09 Mar 2010 5:09:21 EDT

Tony Cahill from Line 1 Media, a Media Distributors Company, introduces Constellation VCM. This is a highly customizable asset management system that allows the user to organize, share, search, retrieve and protect all of your film, tape, disc and RAID media in one storage environment. You can even search by the spoken word!

Akela Crane

Sat 10 Oct 2009 6:12:29 EDT

Are you a digital cinema Director, video Producer or DP and need to get extremely wide shots to close ups of sporting events, outdoor crowd shots or sweeping camera movements without a dolly? Check out the Akela Crane demo. The 85 foot Akela Crane has a small footprint. This camera Crane carries 100 pounds at 85 foot lengths and 200 pounds at 72 feet.

Master Control at Levy Productions

Thu 01 Oct 2009 6:19:52 EDT

Get a sneak peak at the wizard behind the curtain. Rebekah Toth takes you behind the scenes of Levy Productions to reveal the machine room.

Video Interview Tips

Wed 24 Jun 2009 6:27:01 EDT

Tips that professional producers use to put video interviewees at ease. It is natural to be nervous in front of the camera use those nerves to get the best video interview possible.

Recoding and copying video with Panasonic P2

Fri 05 Jun 2009 6:29:09 EDT

Do you have questions about moving to a tapeless workflow? We will answer the following questions. Is tapeless video more complicated to shoot or edit? How does tapeless video get recorded onto the cards? What media does a Producer take back to their editors? What is metadata and how do I add it to my footage from a P2 camera? Have more questions...comment...we'd love to start a conversation.

Panasonic HPX300 and Sony EX3 Camera Comparison

Wed 06 May 2009 4:33:20 EDT

We visit Jan Crittenden from Panasonic and Jarrod Haarstod from AbelCineTech at NAB 2009 to compare the Panasonic AG-HPX300 and the Sony PMW-EX3 cameras. Which tapeless workflow is right for your production company or media organization SxS or P2 cards?

Tips for Professional Video Recording with a Steadicam

Fri 03 Apr 2009 10:19:30 EDT

Tom Upton gives us some insights to best utilize a steadicam camera stabilizing system. What is the set up time for a steadicam operator? How long can you wear a steadicam rig? How much does a Steadicam weigh? How does a steadicam operator get the shot?

Questions Clients Ask Video Editors

Thu 12 Mar 2009 12:05:41 EDT

If you are an editor you have heard one of these questions. Can you write 20 minutes of an uncompressed QuickTime video onto a data DVD? If you have 5 minutes of video can you compress it and email it? If you have an original program shot at 720p, 24fps can you master that program to D-5 tape? If you have a 4:2:2 master can you create a master that is 4:4:4? Can you put multiple frame rates on one tape? Rocky and the Accord Production Editors stage a satiric game show to answer all of your client’s questions.

Digital Audio Recording For Transcription

Fri 06 Feb 2009 11:07:51 EDT

Digital Audio recording is often done during video interviews, testimonials and corporate meetings. We show you how to record audio with timecode on a separate channel and FTP the large files to a transcriptionist.

Spider Support Systems Spider Pod

Wed 03 Dec 2008 11:48:03 EDT

The Spider Pod is a 2’ portable video camera tripod riser and separate operator platform. The camera operator can move freely without shaking the camera. The Spider Pod designed by one of Crews Control’s own Directors of Photography Charlie Kendall. It is the perfect camera riser for corporate meetings and live events for any location production crew or freelance video crew.

HD Video Acquisition, Data Management, Post Production Editing and Data Archiving

Fri 07 Nov 2008 11:56:37 EDT

Crew Control believes sharing information with our network of high definition video and digital cinema producers, camera operators, directors and media managers is extremely important to ensure each project is of the highest quality. Crews Control has teamed up with the leading video camera manufactures and resellers like Able Cine Tech, Sony and others for Crews Control University classes nationwide.

Red One Digital Cinema Camera

Wed 08 Oct 2008 1:01:48 EDT

Chat with Ted Schilowitz from RED Digital Cinema Camera Company at NAB 2008 about the Red One. The Scarlet and Epic prototypes in the video look very different from their final release in 2011. Digital Cinema Technology has eclipsed film cameras and the Red One was one of the first cameras to usher in the industry switch.

Information Overdrive Introduction

Mon 02 Jun 2008 1:18:40 EDT

What is Crews Control and why are we sharing professional video production tips? Crews Control is the leading location production staffing company for HD video, film and digital cinema crews. Scheduling professional video and digital cinema productions is our business. We love bringing technical information about professional HD video cameras, corporate video productions, tapeless workflows and new video production gear to our subscribers.