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		<title>MFF 2026: Festival Highlights</title>
		<link>https://criticspeak.com/mff-2026-festival-highlights/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2026-festival-highlights</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Fri, 08 May 2026 05:35:21 +0000</pubDate>
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		<category><![CDATA[Carolina Caroline]]></category>
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		<category><![CDATA[Yes]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8926</guid>

					<description><![CDATA[<p>Sometimes that guy talking too much during a movie deserves a salute rather than a dirty look. That’s why Milwaukee Record’s Matt Wild published an unironically grateful piece on April 18 called “11 things the guy behind me yelled at last night’s midnight screening of ‘A Bay of Blood.’” His rundown is hilarious, but naturally raises [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2026-festival-highlights/">MFF 2026: Festival Highlights</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
]]></description>
		
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		<title>MFF 2026: Week Two Picks</title>
		<link>https://criticspeak.com/mff-2026-week-two-picks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2026-week-two-picks</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 07:01:46 +0000</pubDate>
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		<category><![CDATA[A Sad and Beautiful World]]></category>
		<category><![CDATA[A Useful Ghost]]></category>
		<category><![CDATA[Adam Scott]]></category>
		<category><![CDATA[Damian McCarthy]]></category>
		<category><![CDATA[Hokum]]></category>
		<category><![CDATA[Kings of Venice]]></category>
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		<category><![CDATA[Nino]]></category>
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		<category><![CDATA[You Had to Be There]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8918</guid>

					<description><![CDATA[<p>Looking for a surefire way to blow the minds of your friends? Shelve the cookbook. Drop the name-dropping. Forget that party trick (seriously, just no). All you really need is this year’s Milwaukee Film Festival program book, which is brimming with proven strategies like How to Impress Your Friends by Seeing Movies Before Anyone Else. [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2026-week-two-picks/">MFF 2026: Week Two Picks</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
]]></description>
		
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		<title>MFF 2026: Retro Programming Recap</title>
		<link>https://criticspeak.com/mff-2026-retro-programming-recap/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2026-retro-programming-recap</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 07:01:54 +0000</pubDate>
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		<category><![CDATA[A Bay of Blood]]></category>
		<category><![CDATA[Buster Keaton]]></category>
		<category><![CDATA[Jim Henson]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Labyrinth]]></category>
		<category><![CDATA[Mario Bava]]></category>
		<category><![CDATA[MFF]]></category>
		<category><![CDATA[MFF 2026]]></category>
		<category><![CDATA[Milwaukee Film]]></category>
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		<category><![CDATA[MKE Film]]></category>
		<category><![CDATA[revival cinema]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[School of Rock]]></category>
		<category><![CDATA[Stop Making Sense]]></category>
		<category><![CDATA[The General]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8910</guid>

					<description><![CDATA[<p>Fifty years after surfacing, “Jaws” is still leaving other movies dead in the water. When it opened over Labor Day weekend, Steven Spielberg’s toothy monster flick grossed $8.2 million before dropping anchor as the second-biggest draw of the week. Not in 1975. In 2025. Repertory programming is having a moment, with cinemas across the country [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2026-retro-programming-recap/">MFF 2026: Retro Programming Recap</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
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		<title>Introducing the 2026 Milwaukee Film Festival</title>
		<link>https://criticspeak.com/introducing-the-2026-milwaukee-film-festival/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=introducing-the-2026-milwaukee-film-festival</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 06:21:07 +0000</pubDate>
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		<category><![CDATA[Bob Uecker]]></category>
		<category><![CDATA[Downer Theatre]]></category>
		<category><![CDATA[I Swear]]></category>
		<category><![CDATA[MFF 2026]]></category>
		<category><![CDATA[Milwaukee Film]]></category>
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		<category><![CDATA[Power Ballad]]></category>
		<category><![CDATA[Stop Making Sense]]></category>
		<category><![CDATA[The Big Cheese]]></category>
		<category><![CDATA[The General]]></category>
		<category><![CDATA[Ueck]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8903</guid>

					<description><![CDATA[<p>I’m thinking juuust a bit outside the box, so hear me out: Each movie at this year’s Milwaukee Film Festival should end with a post-credits stinger where Bob Uecker notices the remaining viewers and shouts, “Get up, get up, get outta here!” Mr. Baseball might be gone, but his hometown-boy-makes-good legacy continues to be enshrined [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/introducing-the-2026-milwaukee-film-festival/">Introducing the 2026 Milwaukee Film Festival</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
]]></description>
		
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		<title>MFF 2025: Festival Highlights</title>
		<link>https://criticspeak.com/mff-2025-festival-highlights/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2025-festival-highlights</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 15 May 2025 13:00:19 +0000</pubDate>
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		<category><![CDATA[Kensuke’s Kingdom]]></category>
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		<category><![CDATA[One to One: John & Yoko]]></category>
		<category><![CDATA[Pavements]]></category>
		<category><![CDATA[Secret Mall Apartment]]></category>
		<category><![CDATA[Souleymane’s Story]]></category>
		<category><![CDATA[The Shrouds]]></category>
		<category><![CDATA[Vulcanizadora]]></category>
		<category><![CDATA[Woolly]]></category>
		<category><![CDATA[WTO/99]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8889</guid>

					<description><![CDATA[<p>“No talking, no texting,” Milwaukee Film Executive Director Susan Kerns said. “But you can dance if you want to.” Kerns was introducing a 40th-anniversary screening of Susan Seidelman’s “Desperately Seeking Susan,” a thrift-store screwball comedy starring Madonna that, for &#8217;80s kids like me, threatens to someday, someway morph into a jukebox. (Marshall Crenshaw fans unite!) [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2025-festival-highlights/">MFF 2025: Festival Highlights</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
]]></description>
		
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		<title>MFF 2025: Week Two Picks</title>
		<link>https://criticspeak.com/mff-2025-week-two-picks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2025-week-two-picks</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 01 May 2025 12:00:47 +0000</pubDate>
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		<category><![CDATA[Art Spiegelman: Disaster Is My Muse]]></category>
		<category><![CDATA[Cloud]]></category>
		<category><![CDATA[Cole Bruce]]></category>
		<category><![CDATA[How to Make Millions Before Grandma Dies]]></category>
		<category><![CDATA[Jane Austen Wrecked My Life]]></category>
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		<category><![CDATA[Office Cats]]></category>
		<category><![CDATA[One to One: John & Yoko]]></category>
		<category><![CDATA[The Dells]]></category>
		<category><![CDATA[The Diamond King]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8879</guid>

					<description><![CDATA[<p>At the concession stand, be sure to order some popcorn, a soft drink and a box of tissues. Napkins may not cut it. Today the Milwaukee Film Festival is showing “How to Make Millions Before Grandma Dies” (6:45 p.m., Oriental Theatre), a blockbuster last year in Southeast Asia that inspired a viral trend of filmgoers [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2025-week-two-picks/">MFF 2025: Week Two Picks</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
]]></description>
		
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		<title>MFF 2025: Week One Picks</title>
		<link>https://criticspeak.com/mff-2025-week-one-picks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2025-week-one-picks</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 24 Apr 2025 12:00:59 +0000</pubDate>
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		<category><![CDATA[Anvil Orchestra]]></category>
		<category><![CDATA[David Cronenberg]]></category>
		<category><![CDATA[Desperately Seeking Susan]]></category>
		<category><![CDATA[Four Mothers]]></category>
		<category><![CDATA[Janis Ian: Breaking Silence]]></category>
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		<category><![CDATA[Nikah]]></category>
		<category><![CDATA[Nosferatu: A Symphony of Horror]]></category>
		<category><![CDATA[Rent Free]]></category>
		<category><![CDATA[Row of Life]]></category>
		<category><![CDATA[Separated]]></category>
		<category><![CDATA[Slice of Life: The American Dream. In Former Pizza Huts.]]></category>
		<category><![CDATA[Susan Seidelman]]></category>
		<category><![CDATA[The Shrouds]]></category>
		<category><![CDATA[This Is a Film About the Black Keys]]></category>
		<category><![CDATA[Young Hearts]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8866</guid>

					<description><![CDATA[<p>Pop quiz, hotshot. There’s a book signing with a Hollywood director. Once you go, you’ll miss the documentary about former Pizza Huts. If you pick that one, your schedule blows up. What do you do? What do you do? Howard Payne didn’t program the 17th annual Milwaukee Film Festival—after all, he lost his head in [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2025-week-one-picks/">MFF 2025: Week One Picks</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
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		<title>Introducing the 2025 Milwaukee Film Festival</title>
		<link>https://criticspeak.com/introducing-the-2025-milwaukee-film-festival/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=introducing-the-2025-milwaukee-film-festival</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 17 Apr 2025 04:58:01 +0000</pubDate>
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		<category><![CDATA[Nosferatu: A Symphony of Horror]]></category>
		<category><![CDATA[Sally]]></category>
		<category><![CDATA[Sally Ride]]></category>
		<category><![CDATA[Susan Seidelman]]></category>
		<category><![CDATA[The Librarians]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8859</guid>

					<description><![CDATA[<p>The last time the Milwaukee Film Festival operated at only two venues, “Slumdog Millionaire” was the reigning Oscar champ. Contraction might be the subtext of MFF’s 17th annual edition, which launches with “Sally,” a documentary about the first American woman in space, at 6 p.m. April 24 inside the Oriental Theatre on North Farwell Avenue. [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/introducing-the-2025-milwaukee-film-festival/">Introducing the 2025 Milwaukee Film Festival</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
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		<title>Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2024 Milwaukee Film Festival</title>
		<link>https://criticspeak.com/2024-milwaukee-film-festival-conversation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2024-milwaukee-film-festival-conversation</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Sat, 04 May 2024 17:50:40 +0000</pubDate>
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		<category><![CDATA[Booger]]></category>
		<category><![CDATA[Cat City]]></category>
		<category><![CDATA[Do Not Expect Too Much from the End of the World]]></category>
		<category><![CDATA[Downer Theatre]]></category>
		<category><![CDATA[Four Daughters]]></category>
		<category><![CDATA[Ghostlight]]></category>
		<category><![CDATA[Humanist Vampire Seeking Consenting Suicidal Person]]></category>
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		<category><![CDATA[Remembering Gene Wilder]]></category>
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		<category><![CDATA[The Queen of My Dreams]]></category>
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		<guid isPermaLink="false">https://criticspeak.com/?p=8845</guid>

					<description><![CDATA[<p>The 16th annual Milwaukee Film Festival, which closed April 25, brought more than 300 films to audiences in southeastern Wisconsin. Critic Speak contributors Eric Beltmann and Shelly Sampon discuss their shared love for Gene Wilder, how the Downer Theatre returned to the festival and why virtual options should return, too. Eric Beltmann: Before we dive [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/2024-milwaukee-film-festival-conversation/">Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2024 Milwaukee Film Festival</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
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		<title>MFF 2024: Festival Highlights</title>
		<link>https://criticspeak.com/mff-2024-festival-highlights/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mff-2024-festival-highlights</link>
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		<dc:creator><![CDATA[Eric Beltmann]]></dc:creator>
		<pubDate>Thu, 02 May 2024 17:08:10 +0000</pubDate>
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		<category><![CDATA[India Donaldson]]></category>
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		<category><![CDATA[MKE Film]]></category>
		<category><![CDATA[Monster]]></category>
		<category><![CDATA[Radu Jude]]></category>
		<category><![CDATA[Ryuichi Sakamoto]]></category>
		<category><![CDATA[Ryuichi Sakamoto: Opus]]></category>
		<category><![CDATA[Tótem]]></category>
		<guid isPermaLink="false">https://criticspeak.com/?p=8837</guid>

					<description><![CDATA[<p>After setting the over/under at 15 minutes, I lost the wager in my mind: It didn’t take that long for the first person to walk out. The Milwaukee Film Festival’s annual Super Secret Members-Only Screening is always a gamble. Without knowing which movie would show, hundreds of dues-paying members of Milwaukee Film, the nonprofit organization [&#8230;]</p>
<p>The post <a href="https://criticspeak.com/mff-2024-festival-highlights/">MFF 2024: Festival Highlights</a> appeared first on <a href="https://criticspeak.com">Critic Speak</a>.</p>
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