<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>Critică Muzicală</title><link>http://critica-muzicala.blogspot.com/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/CriticaMuzicala" /><description>Critică muzicală, muzică romanească 2011, plagiat, recenzii albume, artisti, compozitori, hituri, melodii copiate, vedete, manelisti, kitsch, artă, cultură.
Music critic, romanian music 2011, plagiarism, artists, composers, producers, art, culture.</description><language>en</language><managingEditor>noreply@blogger.com (Critică Muzicală)</managingEditor><lastBuildDate>Fri, 02 Dec 2011 08:20:05 PST</lastBuildDate><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rdf+xml" href="http://feeds.feedburner.com/CriticaMuzicala" /><atom:id xmlns:atom="http://www.w3.org/2005/Atom">tag:blogger.com,1999:blog-6038805904744010503</atom:id><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">137</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/CriticaMuzicala" /><feedburner:info uri="criticamuzicala" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:keywords>critica,muzicala</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Music</media:category><itunes:owner><itunes:email>critica_muzicala@yahoo.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:keywords>critica,muzicala</itunes:keywords><itunes:subtitle>Critica Muzicala</itunes:subtitle><itunes:summary>Primul blog de critica muzicala din Romania.</itunes:summary><itunes:category text="Music" /><feedburner:emailServiceId>CriticaMuzicala</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><title>Un român câştigă Oscarul pentru cel mai bun rol masculin într-o dramă</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/INZKSN9dTmk/un-roman-castiga-oscarul-pentru-cel-mai.html</link><category>oscar 2011</category><category>lebada neagra</category><category>critica muzicala</category><category>uneori</category><category>nicolae guta</category><category>robert de niro</category><category>film</category><author>critica_muzicala@yahoo.com</author><pubDate>Mon, 28 Feb 2011 12:33:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-6759811932423405745</guid><description>&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;        Este vorba despre cel mai mare actor român din toate timpurile, adică de la lansarea youtube-ului încoace, un monstru sacru al webcam-ului, care interpretează magistral rolul pierzătorului într-o relaţie amoroasă cu final tragic (ea pleacă...).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Pe durata de circa 4 minute a scurt metrajului învingător, publicul nu-şi poate clinti privirea de la monitor fiind în totalitate absorbit de lecţia de actorie predată cu atâta originalitate de tânărul nostru actor, pe nume predestinat &lt;b style="mso-bidi-font-weight:normal"&gt;Oscardes Acaprei&lt;/b&gt;, de altfel un reprezentant de marcă al generaţiei actuale, în el regăsindu-se atât cinefilii mâncători de popcorn de la scara blocului cât şi vecinii manelomani din perete care ascultă simfonii indiene pe mobil în liftul în care urinează nocturn.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:EN-US"&gt;(Cinefil înseamna cel care face sex cu cine apucă...)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Momentul culminant al efuziunii acestui mâncător de &lt;i&gt;lebădă neagră&lt;/i&gt;, îl puteţi urmări la minutul 2:20 precedat de un gest vicios uman, o gestică care poate concura doar cu cea a lui &lt;b&gt;Robert De Niro&lt;/b&gt; în scena cu ţigara la bar în filmul Goodfellas. Urmăriţi atenţi sincronizarea gesticii cu intrarea în cea de-a doua strofă a interpretării artistice. Genial. Fenomenal. &lt;/span&gt;&lt;span style="font-size:10.0pt; font-family:Verdana;mso-ansi-language:EN-US"&gt;Unic.&lt;/span&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;În plus, este cel mai bun playback românesc din istoria playback-ului post-decembrist...Sincronizare perfectă sunet / gura / limba / ochi / nări / venă gât.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Ori a fost montat filmul de un meseriaş de la Universal Pictures? O fi suprapusă gura lui Nicolae Guţă prin defecte speciale?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Nu ştim. Avem un câstigător la Oscar? Avem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:EN-US"&gt;Ladies and Gentlemen the Oscar goes to: &lt;b&gt;Oscardes Acapre&lt;/b&gt;i!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;iframe title="YouTube video player" width="380" height="290" src="http://www.youtube.com/embed/j3K0z9ZEDvQ" frameborder="0"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;iframe title="YouTube video player" width="380" height="290" src="http://www.youtube.com/embed/z49xZ7VcfqE" frameborder="0"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-6759811932423405745?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=INZKSN9dTmk:2kZIGVR8ELQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=INZKSN9dTmk:2kZIGVR8ELQ:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=INZKSN9dTmk:2kZIGVR8ELQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/INZKSN9dTmk" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2011-02-28T21:24:37.822Z</atom:updated><media:thumbnail url="http://img.youtube.com/vi/j3K0z9ZEDvQ/default.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><feedburner:origLink>http://critica-muzicala.blogspot.com/2011/02/un-roman-castiga-oscarul-pentru-cel-mai.html</feedburner:origLink></item><item><title>Gary Moore 1952 - 2011</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/IyJYkmJEmX4/gay-moore-1952-2011.html</link><category>parisienne walkways</category><category>gary moore</category><author>critica_muzicala@yahoo.com</author><pubDate>Mon, 07 Feb 2011 13:45:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-531875214682624706</guid><description>&lt;iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/i2tEzsT3Kyg" frameborder="0"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-531875214682624706?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IyJYkmJEmX4:nIk8AR6uejU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IyJYkmJEmX4:nIk8AR6uejU:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IyJYkmJEmX4:nIk8AR6uejU:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/IyJYkmJEmX4" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2011-02-07T21:46:27.256Z</atom:updated><media:thumbnail url="http://img.youtube.com/vi/i2tEzsT3Kyg/default.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://critica-muzicala.blogspot.com/2011/02/gay-moore-1952-2011.html</feedburner:origLink></item><item><title>Ioni pozitivi şi negativi</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/E41-Ea4xvwk/ioni-pozitivi-si-negativi.html</link><category>critica muzicala</category><category>gelem gelem</category><category>claude romano</category><category>geroge sbarcea</category><category>ionel ionelule</category><author>critica_muzicala@yahoo.com</author><pubDate>Fri, 07 Jan 2011 07:21:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-2367291008847169925</guid><description>&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; "&gt;&lt;span class="Apple-style-span"  &gt;Ionel, Ionelule – George Sbârcea (alias Claude Romano)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/WmXercOQ0eE?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/WmXercOQ0eE?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; "&gt;&lt;span class="Apple-style-span"  &gt;Gelem Gelem – Imnul romilor ( folclor ţigănesc )&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/7d74qevRxCk?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/7d74qevRxCk?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;Eheee...noi de la ei...ei de la noi...cum ne mai contopim noi românii...&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-2367291008847169925?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=E41-Ea4xvwk:rW8cdcfgkDw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=E41-Ea4xvwk:rW8cdcfgkDw:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=E41-Ea4xvwk:rW8cdcfgkDw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/E41-Ea4xvwk" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2011-01-07T15:23:59.441Z</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/8uoNV9Xrczo/WmXercOQ0eE" fileSize="1079" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ionel, Ionelule – George Sbârcea (alias Claude Romano) Gelem Gelem – Imnul romilor ( folclor ţigănesc ) Eheee...noi de la ei...ei de la noi...cum ne mai contopim noi românii...</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary>Ionel, Ionelule – George Sbârcea (alias Claude Romano) Gelem Gelem – Imnul romilor ( folclor ţigănesc ) Eheee...noi de la ei...ei de la noi...cum ne mai contopim noi românii...</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2011/01/ioni-pozitivi-si-negativi.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/8uoNV9Xrczo/WmXercOQ0eE" length="1079" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/WmXercOQ0eE?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Crăciun Fericit!</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/Fg_s3EN0Kvw/craciun-fericit.html</link><category>andre rieu</category><category>craciun 2010</category><category>white christmas</category><author>critica_muzicala@yahoo.com</author><pubDate>Sat, 25 Dec 2010 07:23:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-207460574304464069</guid><description>&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Oi14fbZQDa8?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Oi14fbZQDa8?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-207460574304464069?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Fg_s3EN0Kvw:fQusXLBV3TY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Fg_s3EN0Kvw:fQusXLBV3TY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Fg_s3EN0Kvw:fQusXLBV3TY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/Fg_s3EN0Kvw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-12-25T15:25:00.698Z</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/knVqMK5Mas4/Oi14fbZQDa8" fileSize="1068" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/12/craciun-fericit.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/knVqMK5Mas4/Oi14fbZQDa8" length="1068" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/Oi14fbZQDa8?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>André Rieu. Ceva nou în muzica clasică</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/IQlTtcOJrFU/andre-rieu-ceva-nou-in-muzica-clasica.html</link><category>critica muzicala</category><category>andre rieu</category><category>muzica clasica</category><category>entertainment</category><author>critica_muzicala@yahoo.com</author><pubDate>Thu, 09 Dec 2010 09:06:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-5209247044844097951</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TQENeKmIMSI/AAAAAAAAAgc/uMXv4IXQjBk/s1600/andre%2Brieu.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TQENeKmIMSI/AAAAAAAAAgc/uMXv4IXQjBk/s200/andre%2Brieu.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5548731027788673314" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"&gt;       &lt;/span&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Rămânem pe clasic trecând de la un clasic al secolului trecut - &lt;b style="mso-bidi-font-weight:normal"&gt;Enescu&lt;/b&gt; - la un clasic contemporan: &lt;b style="mso-bidi-font-weight:normal"&gt;André Rieu&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Este un violonist, dirijor şi compozitor olandez care a venit cu ceva nou în muzica contemporană. Acel ceva nou este...&lt;b style="mso-bidi-font-weight:normal"&gt;muzica clasică&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Muzica clasică - pentru mulţi dintre voi din păcate - reprezintă acea adunatură de sunete emise de instrumente prăfuite de la anticariat, acea muzică instrumentală enervantă fără voce, acea reprezentaţie difuzată accidental de televiziuni sau de radiourile comerciale şi care vă face sa schimbaţi postul în maxim 3,14 secunde. Nu-i aşa umilii mei afoni buccii inculţi?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;Maestrul André Rieu&lt;/span&gt;&lt;/b&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt; şi orchestra dumnealui sunt o adevarată industrie care susţin concerte pe tot mapamondul fiind unici prin: interpretare (lejeritate, virtuozitate, umor), costumaţiile instrumentiştilor (prinţese, personaje), scenografie, efecte scenice, invitaţi speciali şi multe altele. Echipa îşi adaptează fiecare concert la locul în care îl susţine incluzând în program folclorul şi arta acelor meleaguri.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Pe parcursul reprezentaţiei André&lt;b style="mso-bidi-font-weight: normal"&gt; &lt;/b&gt;face glume (cu gust), interacţioneaza cu publicul, realizând un spectacol care transpune auditoriul într-o lume de basm, o lume frumoasă, o lume perfectă: lumea muzicii.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Publicul său danseaza pe coridoare sau în faţa scenei pe valsurile lui Strauss, căntă şi fredonează la unison acordurile celor mai cunoscute opere clasice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Unii critici nu prea sunt la sentimentul acestui inovator în reprezentaţia muzicii clasice dar să nu uităm ca orice artist care se află pe scenă trebuie să fie în primul rând un entertainer şi ceea ce realizează Andre Rieu reprezinta 100% &lt;b style="mso-bidi-font-weight:normal"&gt;ENTERTAINMENT&lt;/b&gt;, 100% &lt;b style="mso-bidi-font-weight:normal"&gt;ARTĂ&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Î&lt;/span&gt;&lt;span lang="RO" style="font-size:10.0pt;font-family: Verdana;mso-ansi-language:RO"&gt;n pofida realitaţii că în România incultura şi kitschul sunt la voi acasă pe cablu tv, sunt convins ca totuşi am avea public pentru un asemenea spectacol (aviz promoterilor...).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="RO" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:RO"&gt;Noi, încă mai frecventam teatre şi filarmonici, chiar dacă ne perturbează zgomotul maneliştilor din foaier...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LX1fiE0U1qA?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/LX1fiE0U1qA?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;Şi la noi în foaier, aglomeraţie mare....&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/JZi3FBYZtlo?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/JZi3FBYZtlo?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"&gt;Îmi cer scuze pentru acest predominant contrast...&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-5209247044844097951?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IQlTtcOJrFU:hhkzsCUqfac:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IQlTtcOJrFU:hhkzsCUqfac:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=IQlTtcOJrFU:hhkzsCUqfac:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/IQlTtcOJrFU" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-12-09T17:16:57.562Z</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TQENeKmIMSI/AAAAAAAAAgc/uMXv4IXQjBk/s72-c/andre%2Brieu.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/gdPg4Ba_Ugw/LX1fiE0U1qA" fileSize="1087" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Rămânem pe clasic trecând de la un clasic al secolului trecut - Enescu - la un clasic contemporan: André Rieu. Este un violonist, dirijor şi compozitor olandez care a venit cu ceva nou în muzica contemporană. Acel ceva nou este...muzica clasică. Muzica c</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Rămânem pe clasic trecând de la un clasic al secolului trecut - Enescu - la un clasic contemporan: André Rieu. Este un violonist, dirijor şi compozitor olandez care a venit cu ceva nou în muzica contemporană. Acel ceva nou este...muzica clasică. Muzica clasică - pentru mulţi dintre voi din păcate - reprezintă acea adunatură de sunete emise de instrumente prăfuite de la anticariat, acea muzică instrumentală enervantă fără voce, acea reprezentaţie difuzată accidental de televiziuni sau de radiourile comerciale şi care vă face sa schimbaţi postul în maxim 3,14 secunde. Nu-i aşa umilii mei afoni buccii inculţi? Maestrul André Rieu şi orchestra dumnealui sunt o adevarată industrie care susţin concerte pe tot mapamondul fiind unici prin: interpretare (lejeritate, virtuozitate, umor), costumaţiile instrumentiştilor (prinţese, personaje), scenografie, efecte scenice, invitaţi speciali şi multe altele. Echipa îşi adaptează fiecare concert la locul în care îl susţine incluzând în program folclorul şi arta acelor meleaguri. Pe parcursul reprezentaţiei André face glume (cu gust), interacţioneaza cu publicul, realizând un spectacol care transpune auditoriul într-o lume de basm, o lume frumoasă, o lume perfectă: lumea muzicii. Publicul său danseaza pe coridoare sau în faţa scenei pe valsurile lui Strauss, căntă şi fredonează la unison acordurile celor mai cunoscute opere clasice. Unii critici nu prea sunt la sentimentul acestui inovator în reprezentaţia muzicii clasice dar să nu uităm ca orice artist care se află pe scenă trebuie să fie în primul rând un entertainer şi ceea ce realizează Andre Rieu reprezinta 100% ENTERTAINMENT, 100% ARTĂ. În pofida realitaţii că în România incultura şi kitschul sunt la voi acasă pe cablu tv, sunt convins ca totuşi am avea public pentru un asemenea spectacol (aviz promoterilor...). Noi, încă mai frecventam teatre şi filarmonici, chiar dacă ne perturbează zgomotul maneliştilor din foaier... Şi la noi în foaier, aglomeraţie mare.... Îmi cer scuze pentru acest predominant contrast...</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/12/andre-rieu-ceva-nou-in-muzica-clasica.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/gdPg4Ba_Ugw/LX1fiE0U1qA" length="1087" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/LX1fiE0U1qA?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Cursul leului...</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/-2yJOgMjEOY/cursul-leului.html</link><category>rapsodia romana</category><category>george enescu</category><category>mgm</category><category>1 decembrie</category><category>critica muzicala</category><category>cursul leului</category><author>critica_muzicala@yahoo.com</author><pubDate>Tue, 30 Nov 2010 16:00:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1572381790603676659</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TPWQ6Xi3YnI/AAAAAAAAAgU/bEFK1hs3HZg/s1600/MGM-MONOGRAM.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 125px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TPWQ6Xi3YnI/AAAAAAAAAgU/bEFK1hs3HZg/s200/MGM-MONOGRAM.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5545497848603697778" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_DmRYfDU9yew/TPWQ0-7iinI/AAAAAAAAAgM/eHaIFpjPZ1s/s1600/george%2Benescu.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 104px;" src="http://1.bp.blogspot.com/_DmRYfDU9yew/TPWQ0-7iinI/AAAAAAAAAgM/eHaIFpjPZ1s/s200/george%2Benescu.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5545497756096957042" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-size:10.0pt;font-family:Verdana"&gt;Metro-Goldwyn-Mayer (MGM) - Three Daring Daughters 1948 - &lt;/span&gt;&lt;span style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:EN-US"&gt;Rapsodia Română Nr.1 - George Enescu – 5 Lei&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/GXawc2M9Sjg?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/GXawc2M9Sjg?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;Deşteaptă-te române! &lt;st1:place st="on"&gt;Ţara&lt;/st1:place&gt; te vrea deştept!&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;La Mulţi Ani România!&lt;/span&gt;&lt;span lang="RO" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:RO"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1572381790603676659?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=-2yJOgMjEOY:TElPl0ffpxc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=-2yJOgMjEOY:TElPl0ffpxc:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=-2yJOgMjEOY:TElPl0ffpxc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/-2yJOgMjEOY" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-12-02T22:58:36.902Z</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TPWQ6Xi3YnI/AAAAAAAAAgU/bEFK1hs3HZg/s72-c/MGM-MONOGRAM.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/m4AzgAqMBck/GXawc2M9Sjg" fileSize="1065" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Metro-Goldwyn-Mayer (MGM) - Three Daring Daughters 1948 - Rapsodia Română Nr.1 - George Enescu – 5 Lei Deşteaptă-te române! Ţara te vrea deştept! La Mulţi Ani România!</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Metro-Goldwyn-Mayer (MGM) - Three Daring Daughters 1948 - Rapsodia Română Nr.1 - George Enescu – 5 Lei Deşteaptă-te române! Ţara te vrea deştept! La Mulţi Ani România!</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/12/cursul-leului.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/m4AzgAqMBck/GXawc2M9Sjg" length="1065" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/GXawc2M9Sjg?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Doar sunete</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/hGAAjR1_lT0/doar-sunete.html</link><category>rem</category><category>sunete</category><category>losing my religion</category><category>credinta</category><category>mtv</category><category>religie</category><category>muzica</category><author>critica_muzicala@yahoo.com</author><pubDate>Sun, 07 Nov 2010 06:42:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-7339640155573029334</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_DmRYfDU9yew/TNbOgGmCxtI/AAAAAAAAAgE/mc4Q0w2x1Nw/s1600/mtv+logo.png"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 101px; height: 81px;" src="http://3.bp.blogspot.com/_DmRYfDU9yew/TNbOgGmCxtI/AAAAAAAAAgE/mc4Q0w2x1Nw/s200/mtv+logo.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5536839842819917522" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;Îmi amintesc impactul primei vizionări în ’91 a videoclipului &lt;b style="mso-bidi-font-weight: normal"&gt;Losing My Religion&lt;/b&gt; REM. La finalul videoclipului a urmat un blank, dar sigla cea veche a MTV-ului încă lucea în colţul ecranului.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;Mi-e dor de sigla veche MTV. Mi-e dor de vechiul MTV.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;Aceste “icon”-uri au avut asupra generaţiei de atunci un impact similar cu apariţia unei noi religii. Pentru un artist de atunci difuzarea unui videoclip la MTV reprezenta aspiraţia supremă. Acum? Doar culise ale denigrantei industrii muzicale.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;Acum, ca şi religiile, ca şi ideologiile sau ca şi multe alte forme de control al minţii, muzica pierde din adepti. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;Ce ne-a rămas? &lt;b style="mso-bidi-font-weight:normal"&gt;Credinţa&lt;/b&gt;. Credinţa că muzica va reveni ceea ce a fost de la începuturi:&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;Doar sunete...&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; color:black;mso-ansi-language:IT;mso-bidi-font-style:italic"&gt;&lt;b&gt;&lt;i&gt;- recomand play concomitent -&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="600" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YUaTJORlWdU?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/YUaTJORlWdU?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="600" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="600" height="300"&gt;&lt;param name="movie" value="http://www.mapsofwar.com/images/Religion.swf"&gt;&lt;embed src="http://www.mapsofwar.com/images/Religion.swf" type="application/x-shockwave-flash" width="600" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-7339640155573029334?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=hGAAjR1_lT0:U6fTJrihC6U:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=hGAAjR1_lT0:U6fTJrihC6U:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=hGAAjR1_lT0:U6fTJrihC6U:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/hGAAjR1_lT0" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-12-02T23:00:21.001Z</atom:updated><media:thumbnail url="http://3.bp.blogspot.com/_DmRYfDU9yew/TNbOgGmCxtI/AAAAAAAAAgE/mc4Q0w2x1Nw/s72-c/mtv+logo.png" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/zMiXtZCVQXg/YUaTJORlWdU" fileSize="1079" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Îmi amintesc impactul primei vizionări în ’91 a videoclipului Losing My Religion REM. La finalul videoclipului a urmat un blank, dar sigla cea veche a MTV-ului încă lucea în colţul ecranului. Mi-e dor de sigla veche MTV. Mi-e dor de vechiul MTV. Aceste “</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Îmi amintesc impactul primei vizionări în ’91 a videoclipului Losing My Religion REM. La finalul videoclipului a urmat un blank, dar sigla cea veche a MTV-ului încă lucea în colţul ecranului. Mi-e dor de sigla veche MTV. Mi-e dor de vechiul MTV. Aceste “icon”-uri au avut asupra generaţiei de atunci un impact similar cu apariţia unei noi religii. Pentru un artist de atunci difuzarea unui videoclip la MTV reprezenta aspiraţia supremă. Acum? Doar culise ale denigrantei industrii muzicale. Acum, ca şi religiile, ca şi ideologiile sau ca şi multe alte forme de control al minţii, muzica pierde din adepti. Ce ne-a rămas? Credinţa. Credinţa că muzica va reveni ceea ce a fost de la începuturi:Doar sunete...- recomand play concomitent - </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/11/doar-sunete.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/zMiXtZCVQXg/YUaTJORlWdU" length="1079" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/YUaTJORlWdU?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Adrian Păunescu 1943 - 2010</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/jyayI8rUv0w/adrian-paunescu-1942-2010.html</link><category>cenaclul flacara</category><category>adrian paunescu</category><category>de la un cardiac cordial</category><author>critica_muzicala@yahoo.com</author><pubDate>Fri, 05 Nov 2010 02:24:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1599245258978963328</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_DmRYfDU9yew/TNPN-85EonI/AAAAAAAAAf0/Tdc5h11Sauc/s1600/Adrian+Paunescu.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 80px; height: 100px;" src="http://1.bp.blogspot.com/_DmRYfDU9yew/TNPN-85EonI/AAAAAAAAAf0/Tdc5h11Sauc/s200/Adrian+Paunescu.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5535994848349561458" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;span style="font-weight: bold; font-style: italic; "&gt;De la un cardiac, cordial&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;De-aicea, de pe patul de spital,&lt;/em&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Pe care ma gasesc de vreme lunga,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Consider ca e-un gest profund moral&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Cuvantul meu la voi sa mai ajunga.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Ma monitorizeaza paznici minimi,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Din maxima profesorului grija,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;In jurul obositei mele inimi&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Sa nu ma mai ajunga nicio schija.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Aud o ambulanta revenind,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Cu cine stie ce bolnav aicea,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Alarma mi se pare un colind&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Cu care se trateaza cicatricea.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Purtati-va de grija, fratii mei,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Paziti-va si inima, si gandul,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;De nu doriti sa vina anii grei,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Spitalul de urgenta implorandu-l.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Eu va salut de-a dreptul cordial,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;De-a dreptul cardiac, precum se stie,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Recunoscand ca patul de spital&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Nu-i o alarma, ci o garantie.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Va vad pe toti mai buni si mai umani,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Eu insumi sunt mai omenos in toate,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Da-mi, Doamne, viata, inca niste ani&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;Si tarii mele minima dreptate.&lt;/em&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif; font-size: 12px; "&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;em&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1M6WaChe5tA?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/1M6WaChe5tA?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1599245258978963328?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=jyayI8rUv0w:J9g-noSEcds:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=jyayI8rUv0w:J9g-noSEcds:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=jyayI8rUv0w:J9g-noSEcds:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/jyayI8rUv0w" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-11-05T09:38:25.636Z</atom:updated><media:thumbnail url="http://1.bp.blogspot.com/_DmRYfDU9yew/TNPN-85EonI/AAAAAAAAAf0/Tdc5h11Sauc/s72-c/Adrian+Paunescu.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/-vSkzfiMd6o/1M6WaChe5tA" fileSize="1028" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>De la un cardiac, cordial De-aicea, de pe patul de spital,Pe care ma gasesc de vreme lunga,Consider ca e-un gest profund moralCuvantul meu la voi sa mai ajunga. Ma monitorizeaza paznici minimi,Din maxima profesorului grija,In jurul obositei mele inimiSa n</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary>De la un cardiac, cordial De-aicea, de pe patul de spital,Pe care ma gasesc de vreme lunga,Consider ca e-un gest profund moralCuvantul meu la voi sa mai ajunga. Ma monitorizeaza paznici minimi,Din maxima profesorului grija,In jurul obositei mele inimiSa nu ma mai ajunga nicio schija. Aud o ambulanta revenind,Cu cine stie ce bolnav aicea,Alarma mi se pare un colindCu care se trateaza cicatricea. Purtati-va de grija, fratii mei,Paziti-va si inima, si gandul,De nu doriti sa vina anii grei,Spitalul de urgenta implorandu-l. Eu va salut de-a dreptul cordial,De-a dreptul cardiac, precum se stie,Recunoscand ca patul de spitalNu-i o alarma, ci o garantie. Va vad pe toti mai buni si mai umani,Eu insumi sunt mai omenos in toate,Da-mi, Doamne, viata, inca niste aniSi tarii mele minima dreptate. </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/11/adrian-paunescu-1942-2010.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/-vSkzfiMd6o/1M6WaChe5tA" length="1028" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/1M6WaChe5tA?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>2 ani de Critică Muzicală!</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/uNP_n7vpfLE/2-ani-de-critica-muzicala.html</link><category>muzica romaneasca</category><category>critica muzicala</category><category>primul loc</category><category>epigoni</category><author>critica_muzicala@yahoo.com</author><pubDate>Sun, 31 Oct 2010 17:23:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1312495997342865874</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_DmRYfDU9yew/TM4LPkGAUKI/AAAAAAAAAfs/QN2CFO8LDJc/s1600/Baby+Finger.GIF"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="http://3.bp.blogspot.com/_DmRYfDU9yew/TM4LPkGAUKI/AAAAAAAAAfs/QN2CFO8LDJc/s200/Baby+Finger.GIF" border="0" alt="" id="BLOGGER_PHOTO_ID_5534373354099724450" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;- A se citi cu ecou de crâşmă -&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;2,10, 2...10...ţ...qwerty....&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Stimaţi meseni (de la mese pentru tastatură),&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Blogul &lt;b style="mso-bidi-font-weight:normal"&gt;Critică Muzicală&lt;/b&gt; din România împlineşte astăzi infima vârstă de &lt;b style="mso-bidi-font-weight:normal"&gt;2 ani&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Mulţumim din albastrul suflet pentru că ne-au fost alături următorii: Costi Ioniţă, Dan Bursuc, Nicolae Guţă, Florin Salam, Adi Devito, Daniela Gyorfi, Susanu, Oana Zăvoranu, Cristina Spătar, Alb &amp;amp; Negru, Alex Velea, Marius Mogay, în ultimul rând Carmen Şerban şi încă mulţi alţii.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Existenţa blogului nostru în peisajul mioritic al muzicii românesti ar fi fost imposibilă fără aceşti &lt;b style="mso-bidi-font-weight:normal"&gt;epigoni inculţi&lt;/b&gt;...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Şi acum, cu dedicaţie pentru noi, bagă bocciule! Fără impozit...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LyO7vGerMM0?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/LyO7vGerMM0?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;b&gt;P.S. Critica noastră muzicală este tot pe primul loc în &lt;a href="http://www.google.ro/#hl=ro&amp;amp;source=hp&amp;amp;biw=1280&amp;amp;bih=709&amp;amp;q=critica+muzicala&amp;amp;aq=f&amp;amp;aqi=g1&amp;amp;aql=&amp;amp;oq=&amp;amp;gs_rfai=&amp;amp;fp=7d3629594141ab02"&gt;Google&lt;/a&gt;! &lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;b&gt;;)&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1312495997342865874?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=uNP_n7vpfLE:R14yx2HNR0s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=uNP_n7vpfLE:R14yx2HNR0s:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=uNP_n7vpfLE:R14yx2HNR0s:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/uNP_n7vpfLE" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-11-01T00:49:19.838Z</atom:updated><media:thumbnail url="http://3.bp.blogspot.com/_DmRYfDU9yew/TM4LPkGAUKI/AAAAAAAAAfs/QN2CFO8LDJc/s72-c/Baby+Finger.GIF" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/PSYQHF0zo4o/LyO7vGerMM0" fileSize="1053" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>- A se citi cu ecou de crâşmă - 2,10, 2...10...ţ...qwerty.... Stimaţi meseni (de la mese pentru tastatură), Blogul Critică Muzicală din România împlineşte astăzi infima vârstă de 2 ani. Mulţumim din albastrul suflet pentru că ne-au fost alături următorii:</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary>- A se citi cu ecou de crâşmă - 2,10, 2...10...ţ...qwerty.... Stimaţi meseni (de la mese pentru tastatură), Blogul Critică Muzicală din România împlineşte astăzi infima vârstă de 2 ani. Mulţumim din albastrul suflet pentru că ne-au fost alături următorii: Costi Ioniţă, Dan Bursuc, Nicolae Guţă, Florin Salam, Adi Devito, Daniela Gyorfi, Susanu, Oana Zăvoranu, Cristina Spătar, Alb &amp;amp; Negru, Alex Velea, Marius Mogay, în ultimul rând Carmen Şerban şi încă mulţi alţii. Existenţa blogului nostru în peisajul mioritic al muzicii românesti ar fi fost imposibilă fără aceşti epigoni inculţi... Şi acum, cu dedicaţie pentru noi, bagă bocciule! Fără impozit... P.S. Critica noastră muzicală este tot pe primul loc în Google! ;)</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/11/2-ani-de-critica-muzicala.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/PSYQHF0zo4o/LyO7vGerMM0" length="1053" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/LyO7vGerMM0?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Puţa</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/SoJLcv_6LOw/puta.html</link><category>puţa</category><category>justin bieber</category><category>critica muzicala</category><author>critica_muzicala@yahoo.com</author><pubDate>Fri, 22 Oct 2010 09:25:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1847122819510466646</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/TMG7noMI4dI/AAAAAAAAAfk/CMi0vYOVQFA/s1600/Justin+Bieber.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 150px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/TMG7noMI4dI/AAAAAAAAAfk/CMi0vYOVQFA/s200/Justin+Bieber.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5530908106865304018" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_DmRYfDU9yew/TMG7iix9RmI/AAAAAAAAAfc/APYp8THiRsc/s1600/pubertate.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 81px;" src="http://3.bp.blogspot.com/_DmRYfDU9yew/TMG7iix9RmI/AAAAAAAAAfc/APYp8THiRsc/s200/pubertate.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5530908019513968226" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Ne întoarcem cu un salt de circa 45 de ani în vremurile noastre mohorâte cu contemporanul dispreţ pentru degradarea artei.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Dragi abonaţi ai blogului &lt;b style="mso-bidi-font-weight: normal"&gt;Critică Muzicală&lt;/b&gt; din România şi stimaţi cititori din străinătate - cei care folosiţi Google Translate (&lt;i style="mso-bidi-font-style:normal"&gt;sanchi&lt;/i&gt;...),&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Nu-mi pot ascunde dispreţul pe care îl dezvolt faţă de una dintre cele mai urâte producţii muzicale mondiale din ultimii ani şi anume &lt;b style="mso-bidi-font-weight:normal"&gt;Justin Bieber&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Din păcate este vorba de un copil şi nu-mi pot revărsa criticile asupra lui ci asupra celor care l-au transformat într-o păpuşică jucărică cântătoare made not in China.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Îmi şi imaginez producătorii muzicali/artistici din spatele lui la un &lt;b style="mso-bidi-font-weight:normal"&gt;brainstorming&lt;/b&gt;, cum domnii cravată la camaşa-costum lucios şi părul arici gelat decid strategiile de exploatare ale puţoiului:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;- &lt;b style="mso-bidi-font-weight:normal"&gt;Deci&lt;/b&gt; (&lt;/span&gt;&lt;/i&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana;mso-ansi-language:IT"&gt;că aşa încep toţi proştii frazele&lt;i style="mso-bidi-font-style:normal"&gt;...), ne menţinem strategia pe globalizarea muzicii pop şi desigur pe maximizarea profitului. Targetul nostru este ca fiecare fetiţă între 2 şi 16 ani să ştie totul despre ultimul puf şi primul flocuşor pubian al băietului nostru. În plus, orice preot imoral să deţină un poster în chiliile lor cu mititelul nostru. Vreau ca internetul sa râgâie de Justinică al nostru! Să nu mai aud de SWOT! Vreau sales, sales şi profit, profit, profit! Hai, la treabă!...Tu Michelle mai ramâi puţin...;) &lt;/i&gt;( nimic nou, recunoasteţi stilul de şef bou...?)&lt;i style="mso-bidi-font-style:normal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Ceva talent are odrasla, dar muzica lui nu transmite nimic iar comportamentul lui matur din videoclipuri substanţiază ostentativ discrepanţa confuză &lt;b style="mso-bidi-font-weight:normal"&gt;copil-adolescent-adult&lt;/b&gt;. E ca şi cum l-am fi luat noi pe Hagi la naţională la vârsta de 12 ani...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;În ciuda faptului că se bagă milioane de bancnote sul în poponeaţa lui, &lt;b style="mso-bidi-font-weight:normal"&gt;melodiile lui n-au nicio urmă de hit, ci doar o dâra de shit...&lt;/b&gt;Mai pe româneste, nu are coaie domnule...nici la propriu, nici la figurat.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Scuzaţi limbajul dar vorbim de puţe, nu? Ce? Numai la Capatos să folosim limbaj de mârle?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Observaţi? În ţările sărace copii sunt exploataţi în mine de diamante sau la cusut de mingi, iar în capitalism li se îndoctrineaza marketingul direct în cerebel cu un ADHD bonus la promoţie.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Realizaţi în ce lume trăim acum? Vorbim de &lt;b style="mso-bidi-font-weight:normal"&gt;SUTE de MILIOANE de vizionari&lt;/b&gt; pe youtube la videoclipurile copchilului. Realizaţi cât de uşor sunt manipulate creierile pământenilor? Satana e extraterestu fraţilor!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Nici manelita Românie nu a omis să-şi expună ciaureii, desigur că au avut talent maneliştii să vină şi ei acolo cu Florin Cercel, Lele şi alţi purandei exponanţi ai pufului pubian.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;&lt;b&gt;Aşadar, muzica a murit! Trăiască Justin Bieber!&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;O puţă care cântă despre şi pentru puţe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;La milioanele de vizionări pe care le are, nu are nevoie de clickurile noastre, deci nu voi posta vreo melodie de-a lui ci altceva mult mai penibil. Priviţi!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:EN-US"&gt;&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/AKEQwvaYI_k?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/AKEQwvaYI_k?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1847122819510466646?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=SoJLcv_6LOw:9_83x896bsY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=SoJLcv_6LOw:9_83x896bsY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=SoJLcv_6LOw:9_83x896bsY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/SoJLcv_6LOw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-10-22T23:44:00.923+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/TMG7noMI4dI/AAAAAAAAAfk/CMi0vYOVQFA/s72-c/Justin+Bieber.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">7</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/k3Xr-GgZWZ0/AKEQwvaYI_k" fileSize="1030" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Ne întoarcem cu un salt de circa 45 de ani în vremurile noastre mohorâte cu contemporanul dispreţ pentru degradarea artei. Dragi abonaţi ai blogului Critică Muzicală din România şi stimaţi cititori din străinătate - cei care folosiţi Google Translate (sa</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Ne întoarcem cu un salt de circa 45 de ani în vremurile noastre mohorâte cu contemporanul dispreţ pentru degradarea artei. Dragi abonaţi ai blogului Critică Muzicală din România şi stimaţi cititori din străinătate - cei care folosiţi Google Translate (sanchi...), Nu-mi pot ascunde dispreţul pe care îl dezvolt faţă de una dintre cele mai urâte producţii muzicale mondiale din ultimii ani şi anume Justin Bieber. Din păcate este vorba de un copil şi nu-mi pot revărsa criticile asupra lui ci asupra celor care l-au transformat într-o păpuşică jucărică cântătoare made not in China. Îmi şi imaginez producătorii muzicali/artistici din spatele lui la un brainstorming, cum domnii cravată la camaşa-costum lucios şi părul arici gelat decid strategiile de exploatare ale puţoiului: - Deci (că aşa încep toţi proştii frazele...), ne menţinem strategia pe globalizarea muzicii pop şi desigur pe maximizarea profitului. Targetul nostru este ca fiecare fetiţă între 2 şi 16 ani să ştie totul despre ultimul puf şi primul flocuşor pubian al băietului nostru. În plus, orice preot imoral să deţină un poster în chiliile lor cu mititelul nostru. Vreau ca internetul sa râgâie de Justinică al nostru! Să nu mai aud de SWOT! Vreau sales, sales şi profit, profit, profit! Hai, la treabă!...Tu Michelle mai ramâi puţin...;) ( nimic nou, recunoasteţi stilul de şef bou...?) Ceva talent are odrasla, dar muzica lui nu transmite nimic iar comportamentul lui matur din videoclipuri substanţiază ostentativ discrepanţa confuză copil-adolescent-adult. E ca şi cum l-am fi luat noi pe Hagi la naţională la vârsta de 12 ani... În ciuda faptului că se bagă milioane de bancnote sul în poponeaţa lui, melodiile lui n-au nicio urmă de hit, ci doar o dâra de shit...Mai pe româneste, nu are coaie domnule...nici la propriu, nici la figurat. Scuzaţi limbajul dar vorbim de puţe, nu? Ce? Numai la Capatos să folosim limbaj de mârle? Observaţi? În ţările sărace copii sunt exploataţi în mine de diamante sau la cusut de mingi, iar în capitalism li se îndoctrineaza marketingul direct în cerebel cu un ADHD bonus la promoţie. Realizaţi în ce lume trăim acum? Vorbim de SUTE de MILIOANE de vizionari pe youtube la videoclipurile copchilului. Realizaţi cât de uşor sunt manipulate creierile pământenilor? Satana e extraterestu fraţilor! Nici manelita Românie nu a omis să-şi expună ciaureii, desigur că au avut talent maneliştii să vină şi ei acolo cu Florin Cercel, Lele şi alţi purandei exponanţi ai pufului pubian. Aşadar, muzica a murit! Trăiască Justin Bieber! O puţă care cântă despre şi pentru puţe. La milioanele de vizionări pe care le are, nu are nevoie de clickurile noastre, deci nu voi posta vreo melodie de-a lui ci altceva mult mai penibil. Priviţi! </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/10/puta.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/k3Xr-GgZWZ0/AKEQwvaYI_k" length="1030" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/AKEQwvaYI_k?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Ieri</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/ObmM2GXGq7c/ieri.html</link><category>yesterday</category><category>critica muzica</category><category>beatles</category><category>ieri</category><category>paul mccartney</category><author>critica_muzicala@yahoo.com</author><pubDate>Fri, 15 Oct 2010 18:55:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-6606104926711985747</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_DmRYfDU9yew/TLkGhBd9k8I/AAAAAAAAAfM/ZCPLheE7fKs/s1600/paulmccartney.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 149px; height: 168px;" src="http://1.bp.blogspot.com/_DmRYfDU9yew/TLkGhBd9k8I/AAAAAAAAAfM/ZCPLheE7fKs/s200/paulmccartney.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5528457181973550018" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Wow…Emoţionat, impresionat şi copleşit de numărul infinit de vizitatori pe care mi i-a adus postul anterior cu aniversarea lui John Lennon, am hotărat să rămân în aceiaşi atmosferă &lt;b style="mso-bidi-font-weight: normal"&gt;beatles&lt;/b&gt;-ciană a acestui liverpool-ian octombrie cu capodopera lui &lt;b style="mso-bidi-font-weight:normal"&gt;Paul McCartney - Yesterday&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Sunt atât de dezamăgit de muzica contemporană încât mi-aş planta caţiva muşchi faciali auxiliari pentru a-mi exprima complet dezgustul....&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Cum pot critica cel mai bine muzica de azi?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Simplu. Vorbind despre muzica de...&lt;b style="mso-bidi-font-weight: normal"&gt;ieri&lt;/b&gt;...&lt;/span&gt;&lt;span lang="RO" style="font-size:10.0pt;font-family: Verdana;mso-ansi-language:RO"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ONXp-vpE9eU?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/ONXp-vpE9eU?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;Varianta asta o ştiaţi?&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:EN-US"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YgtByWlBSdA?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/YgtByWlBSdA?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-6606104926711985747?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=ObmM2GXGq7c:czd4voN-cVI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=ObmM2GXGq7c:czd4voN-cVI:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=ObmM2GXGq7c:czd4voN-cVI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/ObmM2GXGq7c" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-10-16T02:59:58.073+01:00</atom:updated><media:thumbnail url="http://1.bp.blogspot.com/_DmRYfDU9yew/TLkGhBd9k8I/AAAAAAAAAfM/ZCPLheE7fKs/s72-c/paulmccartney.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/U3sPhWaeRMc/ONXp-vpE9eU" fileSize="1026" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Wow…Emoţionat, impresionat şi copleşit de numărul infinit de vizitatori pe care mi i-a adus postul anterior cu aniversarea lui John Lennon, am hotărat să rămân în aceiaşi atmosferă beatles-ciană a acestui liverpool-ian octombrie cu capodopera lui Paul Mc</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Wow…Emoţionat, impresionat şi copleşit de numărul infinit de vizitatori pe care mi i-a adus postul anterior cu aniversarea lui John Lennon, am hotărat să rămân în aceiaşi atmosferă beatles-ciană a acestui liverpool-ian octombrie cu capodopera lui Paul McCartney - Yesterday. Sunt atât de dezamăgit de muzica contemporană încât mi-aş planta caţiva muşchi faciali auxiliari pentru a-mi exprima complet dezgustul.... Cum pot critica cel mai bine muzica de azi? Simplu. Vorbind despre muzica de...ieri... Varianta asta o ştiaţi? </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/10/ieri.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/U3sPhWaeRMc/ONXp-vpE9eU" length="1026" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/ONXp-vpE9eU?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>John Lennon 70</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/D4d3n5BukCA/john-lennon-70.html</link><category>imagine</category><category>critica muzicala</category><category>john lennon</category><author>critica_muzicala@yahoo.com</author><pubDate>Sat, 09 Oct 2010 05:14:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-3747319597439988315</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TLBc-E5d-oI/AAAAAAAAAfE/7mLwdwZiVXM/s1600/john+lennon.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 197px; height: 194px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TLBc-E5d-oI/AAAAAAAAAfE/7mLwdwZiVXM/s200/john+lennon.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5526018964320025218" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Imagine there's no Heaven&lt;br /&gt;It's easy if you try&lt;br /&gt;No hell below us&lt;br /&gt;Above us only sky&lt;br /&gt;Imagine all the people&lt;br /&gt;Living for today&lt;br /&gt;&lt;br /&gt;Imagine there's no countries&lt;br /&gt;It isn't hard to do&lt;br /&gt;Nothing to kill or die for&lt;br /&gt;And no religion too&lt;br /&gt;Imagine all the people&lt;br /&gt;Living life in peace&lt;br /&gt;&lt;br /&gt;You may say that I'm a dreamer&lt;br /&gt;But I'm not the only one&lt;br /&gt;I hope someday you'll join us&lt;br /&gt;And the world will be as one&lt;br /&gt;&lt;br /&gt;Imagine no possessions&lt;br /&gt;I wonder if you can&lt;br /&gt;No need for greed or hunger&lt;br /&gt;A brotherhood of man&lt;br /&gt;Imagine all the people&lt;br /&gt;Sharing all the world&lt;br /&gt;&lt;br /&gt;You may say that I'm a dreamer&lt;br /&gt;But I'm not the only one&lt;br /&gt;I hope someday you'll join us&lt;br /&gt;And the world will live as one&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9Q0Eyw3l3XM?fs=1&amp;amp;hl=en_GB"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/9Q0Eyw3l3XM?fs=1&amp;amp;hl=en_GB" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-3747319597439988315?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=D4d3n5BukCA:exLGuYZerOI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=D4d3n5BukCA:exLGuYZerOI:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=D4d3n5BukCA:exLGuYZerOI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/D4d3n5BukCA" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-10-09T13:16:55.479+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TLBc-E5d-oI/AAAAAAAAAfE/7mLwdwZiVXM/s72-c/john+lennon.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/zmhLXZIBClY/9Q0Eyw3l3XM" fileSize="1051" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Imagine there's no Heaven It's easy if you try No hell below us Above us only sky Imagine all the people Living for today Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life i</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Imagine there's no Heaven It's easy if you try No hell below us Above us only sky Imagine all the people Living for today Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace You may say that I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people Sharing all the world You may say that I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/10/john-lennon-70.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/zmhLXZIBClY/9Q0Eyw3l3XM" length="1051" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/9Q0Eyw3l3XM?fs=1&amp;amp;hl=en_GB</feedburner:origEnclosureLink></item><item><title>Monologul deceniului</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/7mugIv_V7Is/monologul-deceniului.html</link><category>vampir</category><category>monologul deceniului</category><category>true blood</category><category>russell edgington</category><category>broadway</category><author>critica_muzicala@yahoo.com</author><pubDate>Mon, 04 Oct 2010 14:22:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-5902963593013847789</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TKpGf5_Q9gI/AAAAAAAAAe8/iIfq-DB0YF8/s1600/true+blood+season+3.jpg"&gt;&lt;img style="MARGIN: 0px 0px 10px 10px; WIDTH: 180px; FLOAT: right; HEIGHT: 135px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5524305406879397378" border="0" alt="" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TKpGf5_Q9gI/AAAAAAAAAe8/iIfq-DB0YF8/s200/true+blood+season+3.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-ansi-language: IT;font-family:Verdana;font-size:10;" lang="IT"&gt;Fac critică muzicală însă fiind blogul meu îmi permit şi o critică subtilă de film.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-ansi-language: IT;font-family:Verdana;font-size:10;" lang="IT"&gt;Producţia HBO &lt;b style="mso-bidi-font-weight: normal"&gt;True Blood&lt;/b&gt; tocmai a expus în sezonul 3/episodul 9 &lt;b style="mso-bidi-font-weight: normal"&gt;monologul deceniului&lt;/b&gt;, aparţinând personajului vampir &lt;b style="mso-bidi-font-weight: normal"&gt;Russell Edgington&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-ansi-language: RO;font-family:Verdana;font-size:10;" lang="RO"&gt;Iată lecţia de actorie de pe Broadway:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;“Ladies and gentleman,&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;My name…is Russell Edgington, and I have been a vampire for nearly 3,000 years.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Now, the American Vampire League wishes to perpetrate the notion that we…are…just like you and, I suppose, in a few small ways we are. What a narcissists…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;We care only about getting what we want, no matter what it costs, just like you.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Global warming, perpetual war, toxic waste, child labour, torture, genocide... that's a small price to pay, for your SUVs and your flat screen tv’s, your blood diamonds, your designer jeans, your absurd Garish McMansions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Futile symbols of permanence to quell your…quivering, spineless souls.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;But no.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;In the end, we…are…nothing like you. We are … immortal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Because we drink the true blood. Blood that is living, organic and human.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Mmm…That is the truth.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;The AVL wishes to conceal from you, because let's face it, eating people is a tough sell these days so, they put on friendly faces to pass their beloved VRA but make no mistake, mine is the true face of vampires!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Why would we seek equal rights?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;You are not our equals.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;We will eat you, after we eat your children.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Now time for the weather.&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-family:Verdana;font-size:10;"&gt;Tiffany?"&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;i&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-size: 10px;"&gt;&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1EYmr3lokQg?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/1EYmr3lokQg?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-5902963593013847789?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=7mugIv_V7Is:NOa2iZHRSVY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=7mugIv_V7Is:NOa2iZHRSVY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=7mugIv_V7Is:NOa2iZHRSVY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/7mugIv_V7Is" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-10-22T23:48:59.847+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TKpGf5_Q9gI/AAAAAAAAAe8/iIfq-DB0YF8/s72-c/true+blood+season+3.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/0rs8INvRN2g/1EYmr3lokQg" fileSize="1060" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Fac critică muzicală însă fiind blogul meu îmi permit şi o critică subtilă de film.Producţia HBO True Blood tocmai a expus în sezonul 3/episodul 9 monologul deceniului, aparţinând personajului vampir Russell Edgington.Iată lecţia de actorie de pe Broadwa</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Fac critică muzicală însă fiind blogul meu îmi permit şi o critică subtilă de film.Producţia HBO True Blood tocmai a expus în sezonul 3/episodul 9 monologul deceniului, aparţinând personajului vampir Russell Edgington.Iată lecţia de actorie de pe Broadway:“Ladies and gentleman,My name…is Russell Edgington, and I have been a vampire for nearly 3,000 years.Now, the American Vampire League wishes to perpetrate the notion that we…are…just like you and, I suppose, in a few small ways we are. What a narcissists…We care only about getting what we want, no matter what it costs, just like you.Global warming, perpetual war, toxic waste, child labour, torture, genocide... that's a small price to pay, for your SUVs and your flat screen tv’s, your blood diamonds, your designer jeans, your absurd Garish McMansions.Futile symbols of permanence to quell your…quivering, spineless souls.But no.In the end, we…are…nothing like you. We are … immortal.Because we drink the true blood. Blood that is living, organic and human.Mmm…That is the truth.The AVL wishes to conceal from you, because let's face it, eating people is a tough sell these days so, they put on friendly faces to pass their beloved VRA but make no mistake, mine is the true face of vampires!Why would we seek equal rights?You are not our equals.We will eat you, after we eat your children.Now time for the weather.Tiffany?"</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/10/monologul-deceniului.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/0rs8INvRN2g/1EYmr3lokQg" length="1060" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/1EYmr3lokQg?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Iancu Marinescu - La Copoul din Iaşi (Înregistrare Istorică 1916)</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/sl8AUR4he7A/iancu-marinescu-la-copoul-din-iasi.html</link><category>zavaidoc</category><category>la copoul din iasi</category><category>columbia records</category><category>iancu marinescu</category><author>critica_muzicala@yahoo.com</author><pubDate>Thu, 30 Sep 2010 12:25:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-2127240828345860673</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/TKTlBxkIP1I/AAAAAAAAAe0/6x9w5mISvKg/s1600/columbia+records.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 189px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/TKTlBxkIP1I/AAAAAAAAAe0/6x9w5mISvKg/s200/columbia+records.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5522790861710573394" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;La Copoul din Iaşi - Acompaniat de Orchestra Mitică Guţescu Bucureşti. Înregistrare istorică, anul 1916.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Până astăzi această înregistrare era considerată a fi pierdută, discul este extrem de rar, sunt şanse să fie singurul exemplar ramas întreg, fiind şi în stare foarte bună.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Iancu Marinescu a fost cel mai mare cântăreţ român din perioada 1900-1920, dar nu se cunosc prea multe date despre el. A avut zeci de înregistrezi la firma Schallplatte Grammophon şi Columbia Records, dar puţine au supravieţuit.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Daca ascultaţi cu atenţie înterpretarea, se poate observa o uşoară asemanare cu Zavaidoc, acesta fiind stilul anilor 1910-1920. Zavaidoc a început imprimarea pe discuri, la casa de discuri Columbia in anul 1926.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;Înregistrarea prezenta este complet acustica, în 1916 nu exista înregistrare electrică, drept urmare acest sunet destul de metalic.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: right;"&gt;&lt;span lang="IT" style="font-size:10.0pt;font-family:Verdana; mso-ansi-language:IT"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "&gt;Sursa: YouTube&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" align="right" style="text-align: left;"&gt;&lt;span lang="IT"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/HwCRQrCjbSc?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/HwCRQrCjbSc?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-2127240828345860673?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=sl8AUR4he7A:Y8Lk_X_mbGg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=sl8AUR4he7A:Y8Lk_X_mbGg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=sl8AUR4he7A:Y8Lk_X_mbGg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/sl8AUR4he7A" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-09-30T20:31:47.252+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/TKTlBxkIP1I/AAAAAAAAAe0/6x9w5mISvKg/s72-c/columbia+records.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/OlJJQpOTzOI/HwCRQrCjbSc" fileSize="1053" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> La Copoul din Iaşi - Acompaniat de Orchestra Mitică Guţescu Bucureşti. Înregistrare istorică, anul 1916. Până astăzi această înregistrare era considerată a fi pierdută, discul este extrem de rar, sunt şanse să fie singurul exemplar ramas întreg, fiind şi</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> La Copoul din Iaşi - Acompaniat de Orchestra Mitică Guţescu Bucureşti. Înregistrare istorică, anul 1916. Până astăzi această înregistrare era considerată a fi pierdută, discul este extrem de rar, sunt şanse să fie singurul exemplar ramas întreg, fiind şi în stare foarte bună. Iancu Marinescu a fost cel mai mare cântăreţ român din perioada 1900-1920, dar nu se cunosc prea multe date despre el. A avut zeci de înregistrezi la firma Schallplatte Grammophon şi Columbia Records, dar puţine au supravieţuit. Daca ascultaţi cu atenţie înterpretarea, se poate observa o uşoară asemanare cu Zavaidoc, acesta fiind stilul anilor 1910-1920. Zavaidoc a început imprimarea pe discuri, la casa de discuri Columbia in anul 1926. Înregistrarea prezenta este complet acustica, în 1916 nu exista înregistrare electrică, drept urmare acest sunet destul de metalic.Sursa: YouTube</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/09/iancu-marinescu-la-copoul-din-iasi.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/OlJJQpOTzOI/HwCRQrCjbSc" length="1053" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/HwCRQrCjbSc?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Nici eu...</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/0hBK9JLtx7Y/ati-ascultat-vreodata-madonna-paradise.html</link><category>madonna paradise</category><category>bang olufsen</category><category>aston martin</category><author>critica_muzicala@yahoo.com</author><pubDate>Fri, 24 Sep 2010 15:41:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-7232485889244906934</guid><description>&lt;span style="font-family:verdana;"&gt;Aţi ascultat vreodată &lt;strong&gt;Madonna - Paradise&lt;/strong&gt; (Not For Me) noaptea pe autostradă într-un Aston Martin dotat cu sistem audio Bang &amp;amp; Olufsen?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/0q0D1WDrZK8?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/0q0D1WDrZK8?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Nici eu...&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-7232485889244906934?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=0hBK9JLtx7Y:XpMf8u4dBsQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/0hBK9JLtx7Y" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-09-24T23:48:34.653+01:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/Z6PbL_uyrNE/0q0D1WDrZK8" fileSize="1054" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>Aţi ascultat vreodată Madonna - Paradise (Not For Me) noaptea pe autostradă într-un Aston Martin dotat cu sistem audio Bang &amp;amp; Olufsen? Nici eu...</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary>Aţi ascultat vreodată Madonna - Paradise (Not For Me) noaptea pe autostradă într-un Aston Martin dotat cu sistem audio Bang &amp;amp; Olufsen? Nici eu...</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/09/ati-ascultat-vreodata-madonna-paradise.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/Z6PbL_uyrNE/0q0D1WDrZK8" length="1054" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/0q0D1WDrZK8?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Desteptarea!...arhaism...</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/Yc9B4dcct8s/desteptareaarhaism.html</link><category>critica muzicala</category><category>inxs</category><category>cover</category><category>muzica buna</category><author>critica_muzicala@yahoo.com</author><pubDate>Sat, 11 Sep 2010 12:26:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-8135247609087685879</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/TIvbfPHc0oI/AAAAAAAAAes/8WSeklLILXU/s1600/50cent.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 166px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/TIvbfPHc0oI/AAAAAAAAAes/8WSeklLILXU/s200/50cent.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5515743498325512834" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;"&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;i&gt;Salut,dragii mei critici muzicali!&lt;br /&gt;&lt;br /&gt;Ce dracu facem fratilor, ca vine sfarsitul lumii........&lt;br /&gt;&lt;br /&gt;La concluzia asta am ajuns fara ajutor de la Discovery Channel ,ci culmea, de la MTV si YOUTUBE.Si nu vorbesc numai de muzica romaneasca ci de tot mapamondu'.&lt;br /&gt;Am 30 de ani (hai ca nu sunt chiar atat de batran!ca dovada uite,inca ma mai "bate" tata ca stau prea mult pe net&lt;img src="http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/01.gif" /&gt;) si am ajuns sa traiesc din amintiri(muzicale).Pana mai ieri pe YOUTUBE cautam si eu Depeche Mode,Prince,U2,INXS(Pentru cei mai tineri:da,da!astia au cantat,nu sunt vreun energizant........)si mai imi clateam urechile dar acum nici asta nu mai imi vine.Pai cum sa-ti vina cand te uiti la comment-uri si te crucesti.&lt;br /&gt;&lt;br /&gt;E posibil sa vezi o adevarata cearta in care unii argumenteaza ca Cage the elephant(o formatie aparuta din 2005)s-a infiintat inaintea lui Depeche Mode,ba chiar astia din urma se si inspira un pic de la ei.&lt;br /&gt;Sau,tot asa,sa te uiti si tu pe Youtube la John Lennon-IMAGINE si sa vezi jos comment :"Dumnezeule! As fi putut sa jur ca e melodia lui Justin Bieber!"(si nu era roman cel care a scris) si asta fiindca a facut si pustiu' ala un cover dupa John la un moment dat.&lt;br /&gt;Sau sa vezi ca Justin Bieber,ca tot am adus vorba,are 300.000.000 de view-uri(deci cam 0,5% din populatia pamantului),Vorba unui prieten de-al meu:"pai JB ar trebui sa-si inceapa viata sexuala.Cifrele ii sunt favorabile....."&lt;br /&gt;Pai va dati seama ca Elvis se rasuces....ce?face "moonwalking"in mormant?&lt;br /&gt;Ce?Am adus vorba de Elvis?Pai cum de unde il stiu?Pai nu am trait pe vremea lui si totusi stiu ca "&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="yiv1006880073yiv1719632340eow-title" class="yiv1006880073yiv1719632340" dir="ltr" title="elvis presley vs jxl - a little less conversation"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;i&gt;A little less conversation" e melodia lui  si&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;i&gt;Junkie XL a facut doar un cover.......&lt;br /&gt;&lt;br /&gt;Un alt exemplu nascator de icter,hepatita s.a.m.d. este...tobele va rog....PROFESSOR GREEN !!!!!! Un alt geniu muzical contemporan care face.......COVER-URI&lt;br /&gt;&lt;br /&gt;"I need you tonight" (INXS) si "Dub be good to me"(cover din '90 semnat de Beats International dupa melodia"Just be good to me" din '83) sunt primele doua creatii ini.."mini maini mo" ale acestui Profesor verde(le fel ca fata mea cand il ascult)&lt;br /&gt;&lt;br /&gt;Sa nu ma intelegeti gresit! Sunt de acord cu cover-urile ,dar daca tot faci bani cu munca altuia pai macar munceste si tu putin,nu lua melodia,ii scoti versurile si te bagi tu peste cu putin rap style.&lt;br /&gt;&lt;br /&gt;Fratilor!Asta nu a schimbat nimic important in melodiile astea...ba pardon...a schimbat:la melodia "just be good to me" a zis ...atentie!..."just be good to Green"(Baaa da destept e baiatu' asta!!)&lt;br /&gt;Problema e ca cei care-l asculta au impresia ca-s ale lui melodiile......&lt;br /&gt;&lt;br /&gt;Si mai are si 350.000 de view-uri(ca iar ma enervez)!Pai d-aia ba se drogheaza George Michael &lt;img src="http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/18.gif" /&gt;!!Ca el are la "Spinning the wheel" tot atatea,numai ca el a scos melodia asta cand profesoru asta era Green de la prea multe prajituri.&lt;img src="http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/26.gif" /&gt;.....&lt;br /&gt;&lt;br /&gt;Pe multi devoratori de youtube daca ii intrebi de Michael Jackson(da!chiar el)stiti ce o sa zica(pun pariu):&lt;br /&gt;-Pai nu e ala...de-a murit?&lt;br /&gt;&lt;br /&gt;Ca si concluzie pentru generatia noua:Ba!!!Nu faptul ca sunteti tineri ma deranjeaza(probabil de asta o sa ma acuzati)ci ma deranjeaza faptul ca desi e atat de usor acum sa te documentezi(google!ce dracu' ma va invat eu?)voi tot nu stiti nimic ma despre muzica si va mai dati si cu parerea.....&lt;br /&gt;Si doi:Eu nu stiu de Elvis si Frank Sinatra de cativa ani(ca sa dati vina pe varsta iar)ci de mic,si nu numai eu,aproape toti cei de varsta mea..&lt;br /&gt;&lt;br /&gt;Asa ....m-am racorit...&lt;br /&gt;&lt;br /&gt;Si acum ca sa revin la voi,dragii mei critici muzicali,sunteti printre putinii cu care mai pot sa discut problemele astea si sa fiu si inteles.....&lt;br /&gt;Stiu ca nu putem face mai nimic si trebuie sa ne adancim in varsta terifiati ca astia o sa conduca lumea atunci cand noi nu vom mai avea putere,dar am o propunere:&lt;br /&gt;&lt;br /&gt;Hai sa facem o rubrica zilnica(pun si eu umarul daca vreti)de genul"Sa nu ne uitam batranii"(am incercat eu pe Twitter dar la cei aproximativ 22 de followers pe care ii am nu prea am reusit sa ajung lider de opinie..&lt;img src="http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/01.gif" /&gt;.) in care sa dam in fiecare zi cate un videoclip&lt;br /&gt;uitat,ce nu trebuie uitat,impreuna cu un mic comentariu ,poate mai educam lumea...&lt;br /&gt;Mi-a venit ideea asta fiind abonat la voi si simtind nevoia unui "apel" zilnic de la Critica Muzicala (si nu cred ca sunt singurul)plus faptul ca mi-ar face placere sa primesc un mail zilnic cu o melodia valoroasa si buna ca un vin vechi(si stiu sigur ca nu sunt singurul caruia i-ar face placere)langa care poti face schimb de pareri cu alti iubitori de muzica buna.&lt;br /&gt;&lt;br /&gt;Chiar daca va numiti"Critica Muzicala"...hai sa-i si educam nu numai sa-i criticam.&lt;br /&gt;&lt;br /&gt;La sfarsit va urez succes in continuare si chiar daca nu sunteti de acord cu propunerea mea sa stiti ca eu tot va citesc&lt;img src="http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/01.gif" /&gt;!!!!!&lt;br /&gt;&lt;br /&gt;PS Cateva exemple de  "vin vechi"&lt;br /&gt;&lt;br /&gt;http://www.youtube.com/watch?v=iBQ778KVYZo     -e posibil sa aiba decat 25000 views&lt;br /&gt;http://www.youtube.com/watch?v=cKezAA-9Xsg      -18000 views  Dumnezeule mare!!!&lt;br /&gt;http://www.youtube.com/watch?v=ARXDK0qEZbE&lt;br /&gt;http://www.youtube.com/watch?v=6b2ZXKX9NSY     -Atat de actual!!!!Un cantec cu care ar &lt;br /&gt;                                                                            trebui sa ne incepem toti ziua&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; line-height: normal; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;http://www.youtube.com/watch?v=jhdFe3evXpk        -se varsau lacrimi pe melodia asta&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;"&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" &gt;&lt;b&gt;Mircea Vlasceanu&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=""&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ARXDK0qEZbE?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/ARXDK0qEZbE?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-8135247609087685879?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Yc9B4dcct8s:Efmdeier758:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Yc9B4dcct8s:Efmdeier758:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Yc9B4dcct8s:Efmdeier758:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/Yc9B4dcct8s" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-09-11T21:03:10.323+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/TIvbfPHc0oI/AAAAAAAAAes/8WSeklLILXU/s72-c/50cent.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/WtWwlo-T3EM/ARXDK0qEZbE" fileSize="1051" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> "Salut,dragii mei critici muzicali! Ce dracu facem fratilor, ca vine sfarsitul lumii........ La concluzia asta am ajuns fara ajutor de la Discovery Channel ,ci culmea, de la MTV si YOUTUBE.Si nu vorbesc numai de muzica romaneasca ci de tot mapamondu'. Am</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> "Salut,dragii mei critici muzicali! Ce dracu facem fratilor, ca vine sfarsitul lumii........ La concluzia asta am ajuns fara ajutor de la Discovery Channel ,ci culmea, de la MTV si YOUTUBE.Si nu vorbesc numai de muzica romaneasca ci de tot mapamondu'. Am 30 de ani (hai ca nu sunt chiar atat de batran!ca dovada uite,inca ma mai "bate" tata ca stau prea mult pe net) si am ajuns sa traiesc din amintiri(muzicale).Pana mai ieri pe YOUTUBE cautam si eu Depeche Mode,Prince,U2,INXS(Pentru cei mai tineri:da,da!astia au cantat,nu sunt vreun energizant........)si mai imi clateam urechile dar acum nici asta nu mai imi vine.Pai cum sa-ti vina cand te uiti la comment-uri si te crucesti. E posibil sa vezi o adevarata cearta in care unii argumenteaza ca Cage the elephant(o formatie aparuta din 2005)s-a infiintat inaintea lui Depeche Mode,ba chiar astia din urma se si inspira un pic de la ei. Sau,tot asa,sa te uiti si tu pe Youtube la John Lennon-IMAGINE si sa vezi jos comment :"Dumnezeule! As fi putut sa jur ca e melodia lui Justin Bieber!"(si nu era roman cel care a scris) si asta fiindca a facut si pustiu' ala un cover dupa John la un moment dat. Sau sa vezi ca Justin Bieber,ca tot am adus vorba,are 300.000.000 de view-uri(deci cam 0,5% din populatia pamantului),Vorba unui prieten de-al meu:"pai JB ar trebui sa-si inceapa viata sexuala.Cifrele ii sunt favorabile....." Pai va dati seama ca Elvis se rasuces....ce?face "moonwalking"in mormant? Ce?Am adus vorba de Elvis?Pai cum de unde il stiu?Pai nu am trait pe vremea lui si totusi stiu ca "A little less conversation" e melodia lui siJunkie XL a facut doar un cover....... Un alt exemplu nascator de icter,hepatita s.a.m.d. este...tobele va rog....PROFESSOR GREEN !!!!!! Un alt geniu muzical contemporan care face.......COVER-URI "I need you tonight" (INXS) si "Dub be good to me"(cover din '90 semnat de Beats International dupa melodia"Just be good to me" din '83) sunt primele doua creatii ini.."mini maini mo" ale acestui Profesor verde(le fel ca fata mea cand il ascult) Sa nu ma intelegeti gresit! Sunt de acord cu cover-urile ,dar daca tot faci bani cu munca altuia pai macar munceste si tu putin,nu lua melodia,ii scoti versurile si te bagi tu peste cu putin rap style. Fratilor!Asta nu a schimbat nimic important in melodiile astea...ba pardon...a schimbat:la melodia "just be good to me" a zis ...atentie!..."just be good to Green"(Baaa da destept e baiatu' asta!!) Problema e ca cei care-l asculta au impresia ca-s ale lui melodiile...... Si mai are si 350.000 de view-uri(ca iar ma enervez)!Pai d-aia ba se drogheaza George Michael !!Ca el are la "Spinning the wheel" tot atatea,numai ca el a scos melodia asta cand profesoru asta era Green de la prea multe prajituri...... Pe multi devoratori de youtube daca ii intrebi de Michael Jackson(da!chiar el)stiti ce o sa zica(pun pariu): -Pai nu e ala...de-a murit? Ca si concluzie pentru generatia noua:Ba!!!Nu faptul ca sunteti tineri ma deranjeaza(probabil de asta o sa ma acuzati)ci ma deranjeaza faptul ca desi e atat de usor acum sa te documentezi(google!ce dracu' ma va invat eu?)voi tot nu stiti nimic ma despre muzica si va mai dati si cu parerea..... Si doi:Eu nu stiu de Elvis si Frank Sinatra de cativa ani(ca sa dati vina pe varsta iar)ci de mic,si nu numai eu,aproape toti cei de varsta mea.. Asa ....m-am racorit... Si acum ca sa revin la voi,dragii mei critici muzicali,sunteti printre putinii cu care mai pot sa discut problemele astea si sa fiu si inteles..... Stiu ca nu putem face mai nimic si trebuie sa ne adancim in varsta terifiati ca astia o sa conduca lumea atunci cand noi nu vom mai avea putere,dar am o propunere: Hai sa facem o rubrica zilnica(pun si eu umarul daca vreti)de genul"Sa nu ne uitam batranii"(am incercat eu pe Twitter dar la cei aproximativ 22 de followers pe care ii am nu prea am reusit sa ajung lider de opinie...) in care sa dam in fiecare zi cate un videoclip uitat,ce nu trebuie uitat,impreuna cu un mic comentariu ,poate mai educam</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/09/desteptareaarhaism.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/WtWwlo-T3EM/ARXDK0qEZbE" length="1051" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/ARXDK0qEZbE?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Roade care rod...</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/_y9oTzGFTeQ/roade-care-rod.html</link><category>critica muzicala</category><category>anaf</category><category>impozite manelisti</category><author>critica_muzicala@yahoo.com</author><pubDate>Sun, 29 Aug 2010 05:07:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-6563155448467053457</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/THpSF9W0bcI/AAAAAAAAAek/FTThsgMp0Oo/s1600/dan+bursuc.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/THpSF9W0bcI/AAAAAAAAAek/FTThsgMp0Oo/s200/dan+bursuc.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5510807356364320194" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_DmRYfDU9yew/THpPhY-f7PI/AAAAAAAAAec/s6Wg9n-iv1Y/s1600/anaf.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="http://1.bp.blogspot.com/_DmRYfDU9yew/THpPhY-f7PI/AAAAAAAAAec/s6Wg9n-iv1Y/s200/anaf.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5510804529100090610" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;         Acţiunile şi articolele din presa românească şi ale &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Criticii Muzicale&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt; dau roade!&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Articolele noastre:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="RO"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;a href="http://critica-muzicala.blogspot.com/2010/04/open-letter-to-european-commission.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Open Letter to the European Commission&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;a href="http://critica-muzicala.blogspot.com/2010/04/taxe-si-impozite-fara-numar.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Taxe şi impozite. Fără număr…&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;a href="http://critica-muzicala.blogspot.com/2010/03/ministrul-inculturii.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Ministrul Inclulturii&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;a href="http://critica-muzicala.blogspot.com/2010/03/ei-sta-si-se-rade-pe-seama-voastra.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Ei stă şi se râde pe seama voastră...&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;a href="http://critica-muzicala.blogspot.com/2010/02/adi-minune-audienta-maxima.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;Adi Minune. Audienţă maximă&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;şi altele...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style=" font-weight: bold; "&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;“Guvernul vrea să ia impozite de la manelişti&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;h1 style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;i&gt;&lt;span lang="IT"  style="mso-ansi-language: IT;font-weight:normalfont-family:Verdana;"&gt;&lt;o:p&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;  &lt;p class="firstp" style="margin:0cm;margin-bottom:.0001pt;line-height:15.0pt"&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Premierul Emil Boc a declarat, astăzi, la Iaşi, că interpreţii de manele vor trebui să plătească impozit pe veniturile obţinute, la fel ca orice alt cetăţean, adăugând că normele de aplicare vor fi elaborate până la sfârşitul acestei luni, potrivit &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mediafax&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height:15.0pt"&gt;&lt;i&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Emil Boc a afirmat, într-o conferinţă de presă, că interpreţii de manele vor fi trataţi ca restul cetăţenilor, aceştia fiind nevoiţi să plătească impozite pe veniturile obţinute.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height:15.0pt"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;"Se poate face prin controale indirecte, care vor permite ca şi maneliştii să fie trataţi ca toţi cetăţenii acestei ţări şi să plătească impozite şi taxe legale. &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;E problema Finanţelor să stabilească modul în care se face această impozitare, dar există metoda controlului indirect", a afirmat Emil Boc.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt;line-height:15.0pt"&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;El a spus că orice contribuabil din România, care realizează venituri trebuie să plătească un impozit aferent la bugetul de stat.&lt;br /&gt;"Acum se elaborează normele de aplicare a &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Codului Fiscal&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, aprobat prin ordonanţă de urgenţă. Cel care face acest lucru e şeful &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;ANAF&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. Normele vor fi aprobate prin ordin, până la sfârşitul lunii august", a afirmat premierul Emil Boc.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;”&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt;line-height:15.0pt"&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt;line-height:15.0pt"&gt;&lt;i&gt;&lt;span lang="IT"  style="font-family:Verdana;"&gt;&lt;o:p&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt;line-height:15.0pt"&gt;&lt;i&gt;&lt;span style="font-family:Verdana;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/v8X4wxlwk08?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/v8X4wxlwk08?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-6563155448467053457?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=_y9oTzGFTeQ:M0ghGn4nEmE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=_y9oTzGFTeQ:M0ghGn4nEmE:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=_y9oTzGFTeQ:M0ghGn4nEmE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/_y9oTzGFTeQ" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-08-29T13:39:41.704+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/THpSF9W0bcI/AAAAAAAAAek/FTThsgMp0Oo/s72-c/dan+bursuc.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">7</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/TZObKocCRUI/v8X4wxlwk08" fileSize="1051" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Acţiunile şi articolele din presa românească şi ale Criticii Muzicale dau roade! Articolele noastre: Open Letter to the European Commission Taxe şi impozite. Fără număr… Ministrul Inclulturii Ei stă şi se râde pe seama voastră... Adi Minune. Audienţă max</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Acţiunile şi articolele din presa românească şi ale Criticii Muzicale dau roade! Articolele noastre: Open Letter to the European Commission Taxe şi impozite. Fără număr… Ministrul Inclulturii Ei stă şi se râde pe seama voastră... Adi Minune. Audienţă maximă şi altele... “Guvernul vrea să ia impozite de la manelişti Premierul Emil Boc a declarat, astăzi, la Iaşi, că interpreţii de manele vor trebui să plătească impozit pe veniturile obţinute, la fel ca orice alt cetăţean, adăugând că normele de aplicare vor fi elaborate până la sfârşitul acestei luni, potrivit Mediafax. Emil Boc a afirmat, într-o conferinţă de presă, că interpreţii de manele vor fi trataţi ca restul cetăţenilor, aceştia fiind nevoiţi să plătească impozite pe veniturile obţinute."Se poate face prin controale indirecte, care vor permite ca şi maneliştii să fie trataţi ca toţi cetăţenii acestei ţări şi să plătească impozite şi taxe legale. E problema Finanţelor să stabilească modul în care se face această impozitare, dar există metoda controlului indirect", a afirmat Emil Boc. El a spus că orice contribuabil din România, care realizează venituri trebuie să plătească un impozit aferent la bugetul de stat. "Acum se elaborează normele de aplicare a Codului Fiscal, aprobat prin ordonanţă de urgenţă. Cel care face acest lucru e şeful ANAF. Normele vor fi aprobate prin ordin, până la sfârşitul lunii august", a afirmat premierul Emil Boc.” </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/08/roade-care-rod.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/TZObKocCRUI/v8X4wxlwk08" length="1051" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/v8X4wxlwk08?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Top cele mai bune cântece româneşti ale anilor '80</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/fO3o_S8JDYk/top-cele-mai-bune-cantece-romanesti-ale.html</link><category>nicu alifantis</category><category>aura urziceanu</category><category>critica muzicala</category><category>anii 80</category><category>cele mai bune cantece romanesti</category><category>cornel fugaru</category><author>critica_muzicala@yahoo.com</author><pubDate>Wed, 25 Aug 2010 05:41:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-2577369180014032069</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/THUP84f7g7I/AAAAAAAAAeM/iVg7pnWxP_4/s1600/electrecord.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/THUP84f7g7I/AAAAAAAAAeM/iVg7pnWxP_4/s200/electrecord.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5509327257790546866" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;     Rămânem în anii ’80. Şi ca subiect, şi ca nivel de trai...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Mi s-a cerut să fac un top al celor mai bune piese româneşti din ‘80 încoace.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Ehe...vremuri...viniluri strâmbe cu coperţi cartonate decolorate, casete derulate cu pixu, carcase ferecate, radio Pacific, televizor Snagov...(clamp...clamp...aşa se auzea când schimbam posturile...alea două...)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Printre artiştii emeriţi ai Combinatului Electrecord şi privighetorile Partidului, s-au strecurat şi compozitori talentaţi cu creaţii muzicale foarte bune. Se făcea şi muzică dar până la vamă şi’napoi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Zeci de scuze, dar melodii precum &lt;i style="mso-bidi-font-style: normal"&gt;Hai vino iar în gara noastră mică, Deschideţi poarta soarelui&lt;/i&gt; sau &lt;i style="mso-bidi-font-style:normal"&gt;Fotoliul din odaie&lt;/i&gt; n-au ce căuta aici. Acest top nu include melodiile pe care le-ar fi ascultat Ursulescu dacă ar fi avut un iPod confiscat în talcioc, ci cele mai bune cântece românesti din punct de vedere al calităţii compoziţiei si al aranjamentului muzical.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Verdana;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#CC6600;"&gt;Poziţia 3 – Cornel Fugaru – De ce-ai plecat din viaţa mea&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Un pop frumos al acelor ani.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;font-size:10.0pt;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/w2FFQQLF9Rc?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/w2FFQQLF9Rc?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Verdana;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#CC6600;"&gt;Poziţia 2 – Nicu Alifantis – Emoţie de toamnă&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;O combinaţie frumoasă: Nichita Stănescu pe bossa nova...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;font-size:10.0pt;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/SbT-9_mdx8c?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/SbT-9_mdx8c?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Verdana;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#CC6600;"&gt;Poziţia 1 – Aura Urziceanu – Vreau să vii în viaţa mea&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="IT"   style=" mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;"&gt;Profesionişti...&lt;/span&gt;&lt;span lang="EN-US"   style="mso-ansi-language:EN-US;font-family:Verdana;font-size:10.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Verdana;font-size:10.0pt;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/udyPVXgSByQ?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/udyPVXgSByQ?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-2577369180014032069?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=fO3o_S8JDYk:KRCf8dkLNtY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=fO3o_S8JDYk:KRCf8dkLNtY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=fO3o_S8JDYk:KRCf8dkLNtY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/fO3o_S8JDYk" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-08-25T18:45:42.906+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/THUP84f7g7I/AAAAAAAAAeM/iVg7pnWxP_4/s72-c/electrecord.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/Mcy_83bW-u8/w2FFQQLF9Rc" fileSize="1053" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Rămânem în anii ’80. Şi ca subiect, şi ca nivel de trai... Mi s-a cerut să fac un top al celor mai bune piese româneşti din ‘80 încoace. Ehe...vremuri...viniluri strâmbe cu coperţi cartonate decolorate, casete derulate cu pixu, carcase ferecate, radio Pa</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Rămânem în anii ’80. Şi ca subiect, şi ca nivel de trai... Mi s-a cerut să fac un top al celor mai bune piese româneşti din ‘80 încoace. Ehe...vremuri...viniluri strâmbe cu coperţi cartonate decolorate, casete derulate cu pixu, carcase ferecate, radio Pacific, televizor Snagov...(clamp...clamp...aşa se auzea când schimbam posturile...alea două...) Printre artiştii emeriţi ai Combinatului Electrecord şi privighetorile Partidului, s-au strecurat şi compozitori talentaţi cu creaţii muzicale foarte bune. Se făcea şi muzică dar până la vamă şi’napoi. Zeci de scuze, dar melodii precum Hai vino iar în gara noastră mică, Deschideţi poarta soarelui sau Fotoliul din odaie n-au ce căuta aici. Acest top nu include melodiile pe care le-ar fi ascultat Ursulescu dacă ar fi avut un iPod confiscat în talcioc, ci cele mai bune cântece românesti din punct de vedere al calităţii compoziţiei si al aranjamentului muzical. Poziţia 3 – Cornel Fugaru – De ce-ai plecat din viaţa mea Un pop frumos al acelor ani. Poziţia 2 – Nicu Alifantis – Emoţie de toamnă O combinaţie frumoasă: Nichita Stănescu pe bossa nova... Poziţia 1 – Aura Urziceanu – Vreau să vii în viaţa mea Profesionişti... </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/08/top-cele-mai-bune-cantece-romanesti-ale.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/Mcy_83bW-u8/w2FFQQLF9Rc" length="1053" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/w2FFQQLF9Rc?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Discoteca Ring Costineşti 1983</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/w88s0kVttZw/discoteca-ring-costinesti-1983.html</link><category>discoteca ring</category><category>anii 80</category><category>sorin lupascu</category><category>costinesti</category><author>critica_muzicala@yahoo.com</author><pubDate>Tue, 17 Aug 2010 07:18:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1612611742443071217</guid><description>&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;          Am găsit pe blogul lui &lt;a href="http://www.hiq.ro/blog/florin/2010/08/16/istorie-video-din-discoteca-ring-1983/"&gt;Florin Grozea&lt;/a&gt; o înregistrare extraordinară din anii '80 ce conţine: DJ român cu mustăcioară ( Sorin Lupaşcu), un Shure, magnetofoane, benzi, pickup-uri, vinil-uri şi nu în ultimul rând turişti...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;span class="Apple-style-span" style="font-size:large;"&gt;&lt;span class="Apple-style-span" style="color:#CC6600;"&gt;Disco Ring ieri...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Xdi8IFGGu3o?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Xdi8IFGGu3o?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;span class="Apple-style-span" style="font-size:large;"&gt;&lt;span class="Apple-style-span" style="color:#CC6600;"&gt;Disco Ring azi...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-family:verdana;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8Xg-_QPCqRk?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/8Xg-_QPCqRk?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1612611742443071217?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=w88s0kVttZw:9XNI0imDUhQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=w88s0kVttZw:9XNI0imDUhQ:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=w88s0kVttZw:9XNI0imDUhQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/w88s0kVttZw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-09-12T01:19:51.699+01:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">7</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/s2kdSjWffUg/Xdi8IFGGu3o" fileSize="1037" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Am găsit pe blogul lui Florin Grozea o înregistrare extraordinară din anii '80 ce conţine: DJ român cu mustăcioară ( Sorin Lupaşcu), un Shure, magnetofoane, benzi, pickup-uri, vinil-uri şi nu în ultimul rând turişti... Disco Ring ieri... Disco Ring azi..</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Am găsit pe blogul lui Florin Grozea o înregistrare extraordinară din anii '80 ce conţine: DJ român cu mustăcioară ( Sorin Lupaşcu), un Shure, magnetofoane, benzi, pickup-uri, vinil-uri şi nu în ultimul rând turişti... Disco Ring ieri... Disco Ring azi...</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/08/discoteca-ring-costinesti-1983.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/s2kdSjWffUg/Xdi8IFGGu3o" length="1037" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/Xdi8IFGGu3o?fs=1&amp;amp;hl=en_US</feedburner:origEnclosureLink></item><item><title>Conexiuni româneşti - Jean Negulesco</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/yfFInTG9Zrg/conexiuni-romanesti-jean-negulesco.html</link><category>daddy long legs</category><category>jean negulesco</category><category>smooth criminal</category><category>fred astaire</category><author>critica_muzicala@yahoo.com</author><pubDate>Sat, 07 Aug 2010 03:14:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-5069209759706340944</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TF0zOgl61_I/AAAAAAAAAd0/Pq0ZN1ml5ro/s1600/jean+negulesco.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 178px; height: 178px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TF0zOgl61_I/AAAAAAAAAd0/Pq0ZN1ml5ro/s200/jean+negulesco.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5502610644076779506" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span style=" ;font-family:Verdana;font-size:10.0pt;color:black;"&gt;Michael Jackson – Smooth Criminal – Fred Astaire – Daddy Long Legs – &lt;b&gt;Jean Negulesco&lt;/b&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-size:13px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/b7cy-3f3sc8&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/b7cy-3f3sc8&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RKanPsUjP7w&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/RKanPsUjP7w&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-5069209759706340944?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=yfFInTG9Zrg:qH3QNFgfa2c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=yfFInTG9Zrg:qH3QNFgfa2c:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=yfFInTG9Zrg:qH3QNFgfa2c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/yfFInTG9Zrg" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-08-07T11:19:44.053+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TF0zOgl61_I/AAAAAAAAAd0/Pq0ZN1ml5ro/s72-c/jean+negulesco.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/-jZWvzV9ZBk/b7cy-3f3sc8&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1069" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Michael Jackson – Smooth Criminal – Fred Astaire – Daddy Long Legs – Jean Negulesco. </itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Michael Jackson – Smooth Criminal – Fred Astaire – Daddy Long Legs – Jean Negulesco. </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/08/conexiuni-romanesti-jean-negulesco.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/-jZWvzV9ZBk/b7cy-3f3sc8&amp;amp;hl=en_US&amp;amp;fs=1" length="1069" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/b7cy-3f3sc8&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><item><title>Frumoasa 3D şi Horia 37</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/0dtgWgDC9jQ/frumoasa-3d-si-horia-37.html</link><category>ultimul dans</category><category>horia 37</category><category>horia brenciu</category><category>critica muzicala</category><author>critica_muzicala@yahoo.com</author><pubDate>Tue, 27 Jul 2010 14:19:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-2547138254332977716</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/TE9N6YU3ikI/AAAAAAAAAds/Rw4X_4Pn0SI/s1600/horia+brenciu.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 86px; height: 130px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/TE9N6YU3ikI/AAAAAAAAAds/Rw4X_4Pn0SI/s200/horia+brenciu.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5498699335400393282" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"    style="mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;color:black;"&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt; &lt;/span&gt;Ca să fiu direct, în primul rând &lt;b&gt;Horia Brenciu&lt;/b&gt; este un artist bun pentru că a interpretat una din cele mai bune piese româneşti “Septembrie, luni”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"    style="mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;color:black;"&gt;Interpretează melodiile mai bine decât le cântă (şi cânta bine...), ajunge subtil ca un burlac încăpăţânat mediu la sufletele ascultatoarelor şi face live-uri bune cu trupa lui. Până aici, Bingo!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"    style="mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;color:black;"&gt;În timp ce sâltimbancii contemporani montatori de imagini color cu aspiraţii de “video director” se inspiră din traduceri proaste ale manualelor de utilizare a softurilor video şi produc videoclipuri la nivel de cameramani de nuntă mai fâşneţi, eu respect un artist român care se inspiră simplu din Disney cum a facut Horia la producţia &lt;b&gt;Ultimul Dans&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"    style="mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;color:black;"&gt;Să trăieşti Horia şi te felicit din toate urechile că eşti o &lt;/span&gt;&lt;span lang="IT"    style="font-family:Verdana;font-size:10.0pt;color:black;"&gt;&lt;b&gt;bestie&lt;/b&gt;&lt;/span&gt;&lt;span lang="IT"    style="mso-ansi-language:IT;font-family:Verdana;font-size:10.0pt;color:black;"&gt; profesionistă!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Verdana;font-size:13px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Uo0SBHBdxoA&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Uo0SBHBdxoA&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Verdana;font-size:13px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/315s1whYVLI&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/315s1whYVLI&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:verdana;"&gt;P.S. Bestie în sensul bun...&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-2547138254332977716?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=0dtgWgDC9jQ:Ebk_tbeshNM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=0dtgWgDC9jQ:Ebk_tbeshNM:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=0dtgWgDC9jQ:Ebk_tbeshNM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/0dtgWgDC9jQ" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-07-29T10:03:31.180+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/TE9N6YU3ikI/AAAAAAAAAds/Rw4X_4Pn0SI/s72-c/horia+brenciu.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">9</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/ROwDrAQwpsA/Uo0SBHBdxoA&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1030" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Ca să fiu direct, în primul rând Horia Brenciu este un artist bun pentru că a interpretat una din cele mai bune piese româneşti “Septembrie, luni”. Interpretează melodiile mai bine decât le cântă (şi cânta bine...), ajunge subtil ca un burlac încăpăţânat</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Ca să fiu direct, în primul rând Horia Brenciu este un artist bun pentru că a interpretat una din cele mai bune piese româneşti “Septembrie, luni”. Interpretează melodiile mai bine decât le cântă (şi cânta bine...), ajunge subtil ca un burlac încăpăţânat mediu la sufletele ascultatoarelor şi face live-uri bune cu trupa lui. Până aici, Bingo! În timp ce sâltimbancii contemporani montatori de imagini color cu aspiraţii de “video director” se inspiră din traduceri proaste ale manualelor de utilizare a softurilor video şi produc videoclipuri la nivel de cameramani de nuntă mai fâşneţi, eu respect un artist român care se inspiră simplu din Disney cum a facut Horia la producţia Ultimul Dans. Să trăieşti Horia şi te felicit din toate urechile că eşti o bestie profesionistă! P.S. Bestie în sensul bun...</itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/07/frumoasa-3d-si-horia-37.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/ROwDrAQwpsA/Uo0SBHBdxoA&amp;amp;hl=en_US&amp;amp;fs=1" length="1030" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/Uo0SBHBdxoA&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><item><title>ANI, 'mi iei şi tinereţea?</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/g6q-I64P6BI/ani-mi-iei-si-tineretea.html</link><category>anii mei si tineretea</category><category>gabi lunca</category><category>ANI</category><author>critica_muzicala@yahoo.com</author><pubDate>Wed, 21 Jul 2010 05:40:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-6531972874025533185</guid><description>&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/i4tuwmCC01s&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/i4tuwmCC01s&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-6531972874025533185?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=g6q-I64P6BI:faSOyLNCX0g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=g6q-I64P6BI:faSOyLNCX0g:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=g6q-I64P6BI:faSOyLNCX0g:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/g6q-I64P6BI" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-07-21T13:43:52.426+01:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/uO7Env2Sx8k/i4tuwmCC01s&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1057" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/07/ani-mi-iei-si-tineretea.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/uO7Env2Sx8k/i4tuwmCC01s&amp;amp;hl=en_US&amp;amp;fs=1" length="1057" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/i4tuwmCC01s&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><item><title>Mădălina Manole 1967 - 2010</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/Cl3ad2gLXO0/madalina-manole-1967-2010.html</link><category>fata draga</category><category>madalina manole</category><author>critica_muzicala@yahoo.com</author><pubDate>Wed, 14 Jul 2010 09:46:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-5277517234021908172</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TD3qEBkQfEI/AAAAAAAAAdk/myq99mrGIYU/s1600/madalina_manole_poza.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 121px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TD3qEBkQfEI/AAAAAAAAAdk/myq99mrGIYU/s200/madalina_manole_poza.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5493804475322760258" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;object width="640" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Yif7YURUtbQ&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Yif7YURUtbQ&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-5277517234021908172?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Cl3ad2gLXO0:R-Iw9JWqv8Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Cl3ad2gLXO0:R-Iw9JWqv8Y:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=Cl3ad2gLXO0:R-Iw9JWqv8Y:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/Cl3ad2gLXO0" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-07-27T23:14:30.560+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TD3qEBkQfEI/AAAAAAAAAdk/myq99mrGIYU/s72-c/madalina_manole_poza.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/q1srlZE8CWI/Yif7YURUtbQ&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1064" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> </itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/07/madalina-manole-1967-2010.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/q1srlZE8CWI/Yif7YURUtbQ&amp;amp;hl=en_US&amp;amp;fs=1" length="1064" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/Yif7YURUtbQ&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><item><title>Viva La España!</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/rJtcM5dO-LA/viva-la-espana.html</link><category>viva la espana</category><category>spania</category><category>campioana mondiala 2010</category><author>critica_muzicala@yahoo.com</author><pubDate>Mon, 12 Jul 2010 15:02:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-6161299964251611518</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_DmRYfDU9yew/TDuRlvWCmyI/AAAAAAAAAdc/bXO_av7Du7Q/s1600/spain+2010.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 172px;" src="http://2.bp.blogspot.com/_DmRYfDU9yew/TDuRlvWCmyI/AAAAAAAAAdc/bXO_av7Du7Q/s200/spain+2010.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5493144248058551074" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:verdana;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;b&gt;Ole!&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LPTdjEaZ6ao&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/LPTdjEaZ6ao&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-6161299964251611518?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=rJtcM5dO-LA:cIrEtNOn-Ck:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=rJtcM5dO-LA:cIrEtNOn-Ck:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=rJtcM5dO-LA:cIrEtNOn-Ck:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/rJtcM5dO-LA" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-07-12T23:05:21.310+01:00</atom:updated><media:thumbnail url="http://2.bp.blogspot.com/_DmRYfDU9yew/TDuRlvWCmyI/AAAAAAAAAdc/bXO_av7Du7Q/s72-c/spain+2010.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/mw-I48rMp_o/LPTdjEaZ6ao&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1037" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Ole! </itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> Ole! </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/07/viva-la-espana.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/mw-I48rMp_o/LPTdjEaZ6ao&amp;amp;hl=en_US&amp;amp;fs=1" length="1037" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/LPTdjEaZ6ao&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><item><title>Anul 2014 d.D.D.</title><link>http://feedproxy.google.com/~r/CriticaMuzicala/~3/k4UKS0WrNVI/anul-2014-ddd.html</link><category>generic</category><category>dan diaconescu presedinte</category><category>critica muzicala</category><category>anul 2014</category><category>dan ciotoi</category><author>critica_muzicala@yahoo.com</author><pubDate>Thu, 01 Jul 2010 09:43:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6038805904744010503.post-1536289957727003598</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_DmRYfDU9yew/TCzGSEYh3mI/AAAAAAAAAdU/iu61fVejXJI/s1600/dan+diaconescu.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 136px; height: 102px;" src="http://4.bp.blogspot.com/_DmRYfDU9yew/TCzGSEYh3mI/AAAAAAAAAdU/iu61fVejXJI/s200/dan+diaconescu.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5488980059574361698" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"   style="font-family:Verdana;color:black;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;În anul 2014, când îl veţi alege preşedinte pe Dan Diaconescu, cultura românească va ajunge într-un sfârsit la apogeul ei.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"   style="font-family:Verdana;color:black;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Muzica în România va ajunge pe culmi nebănuite de orchestraţie şi interpretare.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;span lang="IT"   style="font-family:Verdana;color:black;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Iată un şablon de generic aflat în forma sa maximă, un artist reprezentant al viitoarei ere diaconesciene:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style=" ;font-size:13px;"&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oVvBf8X4Kls&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/oVvBf8X4Kls&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6038805904744010503-1536289957727003598?l=critica-muzicala.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=k4UKS0WrNVI:DSlRIuhuzEA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=k4UKS0WrNVI:DSlRIuhuzEA:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/CriticaMuzicala?a=k4UKS0WrNVI:DSlRIuhuzEA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/CriticaMuzicala?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CriticaMuzicala/~4/k4UKS0WrNVI" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2010-07-01T17:54:57.258+01:00</atom:updated><media:thumbnail url="http://4.bp.blogspot.com/_DmRYfDU9yew/TCzGSEYh3mI/AAAAAAAAAdU/iu61fVejXJI/s72-c/dan+diaconescu.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><media:content url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/xSUtsl27sfU/oVvBf8X4Kls&amp;amp;hl=en_US&amp;amp;fs=1" fileSize="1051" type="application/x-shockwave-flash" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> În anul 2014, când îl veţi alege preşedinte pe Dan Diaconescu, cultura românească va ajunge într-un sfârsit la apogeul ei. Muzica în România va ajunge pe culmi nebănuite de orchestraţie şi interpretare. Iată un şablon de generic aflat în forma sa maximă,</itunes:subtitle><itunes:author>critica_muzicala@yahoo.com</itunes:author><itunes:summary> În anul 2014, când îl veţi alege preşedinte pe Dan Diaconescu, cultura românească va ajunge într-un sfârsit la apogeul ei. Muzica în România va ajunge pe culmi nebănuite de orchestraţie şi interpretare. Iată un şablon de generic aflat în forma sa maximă, un artist reprezentant al viitoarei ere diaconesciene: </itunes:summary><itunes:keywords>critica,muzicala</itunes:keywords><feedburner:origLink>http://critica-muzicala.blogspot.com/2010/07/anul-2014-ddd.html</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/CriticaMuzicala/~5/xSUtsl27sfU/oVvBf8X4Kls&amp;amp;hl=en_US&amp;amp;fs=1" length="1051" type="application/x-shockwave-flash" /><feedburner:origEnclosureLink>http://www.youtube.com/v/oVvBf8X4Kls&amp;amp;hl=en_US&amp;amp;fs=1</feedburner:origEnclosureLink></item><media:rating>nonadult</media:rating><media:description type="plain">Critica Muzicala</media:description></channel></rss>

