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Carol Ofori Opens Up About the Realities of Raising Kids in a Digital-First World

2026-03-27T14:00:00.001+00:00

As screens become ever-present in everyday life, South African parents are facing a new kind of challenge: raising children in a world where the digital and real collide.

For award-winning broadcaster and mom, Carol Ofori, navigating this space is a constant balancing act, one that requires intention, awareness and ongoing conversation.

From managing screen time to deciding when children should access social media, Ofori shares her honest perspective on what it really takes to raise kids in a digital-first world.

As a mom and a media personality, how would you describe the reality of raising children in today’s digital-first world?

Raising kids today is exceptionally challenging. As a millennial, I grew up in a time with no internet, then dial-up, and now fibre, all within my lifetime. My kids, on the other hand, have been born into a world of instant, high-speed connectivity.

We’re a unique generation because we learned how to play outside and regulate our emotions without screens. Now, everything is immediate, and devices are constantly in children’s hands, which can easily lead to overexposure and dependency. It means I have to be very intentional about screen time, about encouraging outdoor play, and about how we parent.

It’s not always safe for kids to play outside the way we used to, so we’re constantly navigating a new way of raising children that fits the times we live in.

What practical rules or boundaries have you put in place at home when it comes to tech and social media?

My kids are not on social media, they’re still too young. We do, however, have strict screen time rules. There are no screens from Monday to Friday, and access only starts on Friday afternoons. Each child gets a maximum of two hours per day across all devices, which totals about six hours over the weekend. We’re quite firm about this, and we encourage reading, interactive play and spending time outdoors instead.

At what age do you think it’s appropriate for children to start engaging with social media or digital platforms and how do you navigate that as a parent?

This is a tough one. I’m only now realising that platforms like WhatsApp are also forms of social media. My son turns 11 soon, and while his cousins are on WhatsApp, he’s not on platforms like Facebook, Instagram or TikTok. I think it really depends on the child and their level of maturity, but personally, I would say 15 and older is more appropriate for full access to platforms like Instagram or TikTok, and even then, with strict boundaries.

That includes private accounts, content filtering and monitoring who they engage with. It’s scary, because that space can be toxic. At some point, though, you have to gradually let go, but with guidance and safeguards in place.

How do you balance protecting your child from the pressures of social media while still allowing them to be part of their generation’s reality?

The balance is the hardest part. It comes down to open and honest conversations. When issues come up, for example, safety concerns around platforms like Roblox, it’s important to talk to your children about the risks and explain why certain rules are in place. The more informed they are, the better decisions they can make, especially when you’re not around. Social media is evolving so quickly, and we’re all still learning. But consistent communication and empowering children to think critically is key.

What are some of the biggest challenges you’ve personally faced when it comes to screen time and digital exposure and how do you manage your own habits?

It’s tough, because my work is digital. My kids often laugh at me for always being on my phone, but it’s how I stay relevant and informed in my industry. For me, it comes down to intention. When we’re on holiday, I try to disconnect and be fully present. Even during local breaks, like over Easter, I make a conscious effort to put my phone down and spend quality time with my family. It’s about being aware of the moment you’re in and choosing to be present in it.

What advice would you give to other parents who feel overwhelmed navigating this digital landscape?

Start with yourself. Look at your own screen habits and where you can improve. It’s very difficult to tell your children to cut down on screen time if you’re constantly on your phone. Lead by example, that’s the most powerful tool you have. When you model healthy behaviour, it becomes much easier for your children to follow.

As technology continues to evolve, so too does the role of parents. For Ofori, the key lies in staying informed, setting clear boundaries and, above all, remaining intentional. In a world where screens are unavoidable, raising balanced, aware and resilient children may be one of the most important challenges modern parents face and one that requires learning, adapting and growing every step of the way.

Medikal Declares Himself Artiste of the Year 2025 After TGMA Nominations

2026-03-16T16:00:00.000+00:00

Award-winning Ghanaian rapper Medikal has confidently declared himself the rightful Artiste of the Year for 2025 following the release of nominations for the Telecel Ghana Music Awards.

The rapper made the bold declaration during a live performance at Kumawu on Saturday night, where he paused mid-set to address fans about the nominations.

“You know they released the nominations for the TGMA and the Artiste of the Year category,” he told the crowd. “You know Medikal has been working extremely harder than everyone every year. Let’s tell the organizers that this year, no libilibi, no labala.”

The statement was met with loud cheers from fans who echoed his confidence and support.

This year, Medikal stands among the most nominated artistes at the awards, securing over eight nominations, a reflection of what many fans describe as one of the most active and impactful years of his career.

He received nominations in the following categories:

Music Video of the Year
Rap Performance of the Year
Hiplife/Hip-Hop Artiste of the Year
Most Popular Song of the Year
Collaboration of the Year
Album/EP of the Year
Hiplife Song of the Year
Artiste of the Year

The Charterhouse Productions-organized awards scheme, powered by Telecel Ghana, is regarded as Ghana’s biggest music honors platform, celebrating excellence across the industry.

Supporters of the rapper argue that his consistency, hit releases, performances across the country, and strong fan engagement make a compelling case for him to win the night’s top prize.

With nominations spanning multiple major categories and a strong presence in the Ghanaian music scene throughout the year, Medikal’s campaign for the Artiste of the Year crown is already gaining momentum among fans and industry observers alike.

As anticipation builds toward the awards night, Medikal’s declaration has added a new layer of excitement to the race for the coveted title.

TGMA Board Introduces ‘Swing Period’ Policy To Recognise Late-year Music Impact

2026-03-15T14:30:00.000+00:00

The Board of the Telecel Ghana Music Awards has introduced a Swing Period policy to ensure that outstanding songs released late in the year receive fair consideration within the awards scheme.

The policy, implemented in the 27th edition of the Telecel Ghana Music Awards, allows songs released in December to be considered in the following awards year, provided they meet strict eligibility conditions.

To qualify, a song must:

Have been released in Decemberof the eligibility year
Have demonstrated measurable impact within the year under review
Not have received a nominationin the previous edition of the awards

According to the TGMA Board, the decision follows three years of engagement with industry stakeholders and reflects the Awards’ commitment to ensuring that impactful songs are not disadvantaged by release timing.

Under the newly introduced policy, two songs have earned nominations in the 27th TGMA:

Messiahby Sarkodie featuring Kweku Flick
Excellentby Kojo Blak featuring Kelvyn Boy

Both songs gained notable traction and audience engagement following their release, demonstrating the very scenario the Swing Period was designed to address.

The TGMA Board believes this policy strengthens the Awards’ mission to recognize excellence, reflect industry realities, and celebrate the full impact of Ghanaian music.

As the music industry continues to evolve—with changing release cycles, digital consumption patterns, and global audience dynamics—the Telecel Ghana Music Awards remains committed to refining its processes in ways that protect credibility while ensuring deserving works receive recognized.

The Big Unveil: Nominees for the 27th Telecel Ghana Music Awards to Be Announced on March 14

2026-03-12T15:30:00.000+00:00

The Ghanaian music landscape in 2025 has been nothing short of remarkable. From viral hits that defined our daily commutes to hidden gems that became the soundtrack to our most intimate moments, the year has seen artists push boundaries, break barriers, and command attention with their creativity.

Now, the time has come to honour the architects of that sound.

On Saturday, March 14, the curtain will rise as the TGMA Board officially announces the full list of nominees for the 27th Telecel Ghana Music Awards. As anticipation builds across the industry and among fans, one question remains at the centre of it all: who made the list?

Following the close of the submission window, the Board and the Selection Committee have spent several weeks carefully reviewing works released within the year under review. Each submission has been evaluated for artistic merit, technical excellence, and cultural impact to ensure the final nominee list reflects the very best of Ghanaian music.

What to Look Out For

The Hourly Unveil
A select list of nominees will be revealed every hour across all official TGMA social media platforms and partner channels from 11:00 AM to 4:00 PM.

The Nominees Announcement Show

A special ceremony will officially launch the 27th TGMA season, featuring the unveiling of the Big Five categories along with remarks from key industry stakeholders.

The TGMA Calendar

The official schedule of activities leading up to the main awards ceremony will be released, outlining the events and milestones that will shape this year’s awards season.

General Updates

Key announcements highlighting new developments, innovations, and updates shaping this year’s Telecel Ghana Music Awards.

Industry Mixer

An intimate networking reception designed to give industry stakeholders the opportunity to connect, reflect, and celebrate the year in music.

This moment is about more than simply announcing nominees. It is a celebration of a year defined by relentless creativity. Whether you are an artist who worked tirelessly for recognition, a fan who championed your favourite act, or an industry observer following the evolution of Ghanaian music, this occasion belongs to you.

Mark your calendars and set your reminders. The countdown to Ghana’s biggest night in music begins on Saturday, March 14.

For updates on the TGMA Festival and nominee announcements, follow the official pages of the Telecel Ghana Music Awards on Facebook, X, and Instagram.

The 27th Telecel Ghana Music Awards is produced by Charterhouse and proudly brought to you in partnership with TV3, Closeup, British Council, refreshed by Guinness, and powered by Telecel Ghana, connecting energies.

WiFT Ghana Successfully Launches with “The Evolution Workshops” – Free Training for 100 Women in Film

2026-03-09T15:16:00.016+00:00

Women in Film ,Television & Media Ghana (WiFT Ghana) officially launched its organization with a landmark event, “The Evolution Workshops: Celebrating 20 Years in Film,” held on March 8th at Jambo Spaces in Accra.

The event brought together industry professionals, aspiring creatives, and key stakeholders for a day of learning, collaboration, and empowerment aimed at strengthening women’s participation in Ghana’s film and creative industries.

The workshop, organized in collaboration with the Her STEAM Initiative and Jambo Spaces, provided free training for 100 women, equipping participants with both creative and business skills needed to thrive in the evolving film and media landscape.

The program began with the official launch of WiFT Ghana , where the President, Juliet Ibrahim, delivered an address introducing the organization, its vision, and its goals for supporting women in film, television, and digital media. She also encouraged women across the creative sector to become part of the WiFT Ghana community.

The event featured a range of expert-led sessions designed to address both the artistic and professional aspects of the film industry.

Actress, entrepreneur, and licensed therapist Sonia Ibrahim opened the workshop sessions with a presentation on “Mental Health in the Creative Arts,” highlighting the importance of emotional wellbeing and support systems for creatives.

Participants later took part in concurrent masterclasses covering key areas within the creative industry, including:

* Financial Literacy and Content Monetization led by Kwame A.A. Opoku

* Basics of Acting facilitated by Godwin Namboh

* The Business of Acting presented by Pascal Aka

* Cinematography and Photography led by Jonathan Addey.

* AI for Creatives delivered by Crystal Cummings.

* Branding and Personal Development by Juliet Ibrahim.

The event also included networking opportunities, media interactions, and refreshments sponsored by The Northern Bazaar, creating a space for participants to connect with industry leaders and fellow creatives.

The event was also graced by several notable personalities from Ghana’s entertainment industry, including veteran actress Pascaline Edwards, musician Mzbel, actress Charlotte Derban, media personality and actress Akuapem Poloo, and filmmaker Michael Brako, who attended to support the initiative and encourage participants.

In her closing remarks, Juliet Ibrahim expressed gratitude to the speakers, partners, and participants for contributing to the success of the inaugural event.

She emphasized WiFT Ghana’s commitment to building a supportive platform that will continue to provide mentorship, professional training, and opportunities for women in the creative sector.

WIFT Ghana expressed appreciation to its partners and collaborators, including Twellium, Creative Studio Academy, The Northern Bazaar, the National Film Authority, and Verna Mineral Water, pixie events for supporting the successful execution of the event.

As WiFT Ghana begins its journey, the organization aims to continue delivering training programs, industry dialogues, and initiatives that elevate the role and visibility of women within Ghana's creative economy.

About WiFT Ghana

Women in Film, Television and Media Ghana (WiFT Ghana) is a professional organization committed to advancing the careers of women working in film, television, and related creative industries through advocacy, education, mentorship, and networking opportunities.

For more information on how to be a part of the community visit: www.gwitt.org

Op-Ed: How Akwaaba Magic Rewrote the Story of Ghanaian Film and Television

2026-03-09T14:30:00.001+00:00

In March 2021 when Akwaaba Magic launched, few could have predicted the magnitude of its impact on Ghana’s creative economy. In just five years, the channel has not only excited a struggling film ecosystem but has reshaped the cultural landscape, re energised local storytellers, and redefined what Ghanaian television can be.

What we have witnessed is not merely growth it is a creative renaissance powered by intentional investment, trust in local talent, and an unwavering commitment to authentic Ghanaian narratives.

A Lifeline to an Industry on the Brink

Before 2021, Ghana’s once vibrant film sector was battling declining platforms, inconsistent financing, and limited opportunities for distribution. Filmmakers like Shirley Frimpong Manso and Leila Djansi continued to create, but the industry lacked the dedicated, well funded exhibition platform needed to sustain large scale production.

Akwaaba Magic filled this void. By launching as a 100% Ghanaian content channel on DStv and GOtv, it provided a consistent, premium home where Ghanaian creators could display their work to national and continental audiences.

The channel did not simply air shows; it rebuilt an entire value chain. In the words of celebrated Ghanaian producer Ivan Quarsigah, “Akwaaba Magic has become the single most important television platform sustaining Ghanaian film and TV in the last five years,” commissioning over two hundred projects and injecting millions of cedis into productions, cast, crew, vendors, and local talent.

Bringing back the love for Ghanaian content through series like Dede, To Have And To Hold, House of Klu, Queen of Akra, Accra Medic, Tanko Villa, RSM and unearthing talents like, Afia Odo, Dela Seade (Nuna), Anthony Woode (Inspector Bediako), Adoma (Dede) to mention a few.

In a rejoinder published widely in Ghana during MultiChoice Ghana’s regulatory challenges in 2025 an anonymous producer attested to the immense impact the channel had had on the landscape. “Over 750 Ghanaian cast and crew engaged at a time on a single Akwaaba Magic project; numbers unheard of in the free to air ecosystem, where per episode rates can be as low as 6% of Akwaaba Magic’s.”

Authentic Storytelling as Cultural Power

What sets Akwaaba Magic apart is not only how much it funds but what it chooses to fund. From Nana Akoto, Queen of Akra, Brenya, Dede, RSM, and Sankofa, the channel has intentionally centered stories rooted in Ghanaian history, culture, languages, and everyday lived experiences.

This direction has revived and modernised the Ghanaian storytelling tradition, helping preserve cultural identity while making it accessible and relevant to contemporary audiences. Shows incorporating Twi, Ga, Ewe, Frafra, Dagbani, and Akan have strengthened cultural pride and broadened accessibility. As Akwaaba Magic’s leadership has emphasised, the deliberate use of Ghanaian languages is not just a stylistic choice it is cultural preservation.

In an era where streaming algorithms often flatten cultural nuance, Akwaaba Magic has become a powerful counter force, using television as a cultural memory bank.

Raising the Bar: Professionalism, Quality & Employment

The channel’s commitment to high production values has raised the bar across industry. Filmmakers such as Shirley Frimpong Manso, Peter Sedufia, Julia Apea, and Ivan Quashigah already established within Ghanaian circles have been able to push their craft even further with budgets that allow for cinematic sets, sharp writing rooms, and world class production design.

Actors and crew have benefited immensely. Veteran performers like David Dontoh, Fred Amugi, and Augustine Abbey (Idi Koko) have found a renewed stage, while new talent has emerged through dramas, comedies, reality shows, and historical epics.

This rising professionalism has positioned Ghana as a competitive hub in African storytelling funneling into the National Film Authority’s “Film In Ghana” agenda. Further strengthening regional appeal and boosting the confidence of creators who once felt overshadowed by Nollywood and South African productions.

Economic Impact: Real Money, Real Jobs, Real Growth

Investment figures tell an undeniable story. In the last five years, Akwaaba Magic has channeled over two hundred million Ghana cedis into Ghana’s film ecosystem, stimulating job creation, enhancing production capabilities, and helping expand the country’s creative economy.

This funding has set off a cascading effect improved production quality, increased demand for local crew, better pay for actors, and new skills across cinematography, editing, costume design, and set construction. Broadly, these investments have contributed to the wider industry renaissance noted by filmmakers like Kwabena Gyansah, who credits Akwaaba Magic and DStv’s support for sparking a “complete transformation” of Ghana’s creative landscape.

A Platform Worth Protecting

The channel’s importance has become so undeniable that industry figures now openly warn that losing Akwaaba Magic through regulatory battles or overly punitive policy actions would severely hurt the sector. Actress Gloria Sarfo stated plainly in 2025 that while the industry would survive, it “would be found wanting” without Akwaaba Magic’s stabilising presence.

These concerns reflect a hard truth: Ghana’s film ecosystem is still fragile. Removing its strongest pillar risks unraveling a decade’s worth of progress.

Conclusion: Akwaaba Magic as a Cultural Institution

In five short years, Akwaaba Magic has evolved from a new DStv channel into a cultural institution. It has helped revive an ailing film sector, empowered local storytellers, funded hundreds of productions, preserved linguistic heritage, raised professional standards, and restored national pride in Ghanaian television.

Its story is about what happens when a nation’s narratives are valued financially, culturally, and institutionally. The future of Ghanaian film and TV is bright, but only if we protect and expand the platforms that make this creative flourishing possible. Akwaaba Magic did not just enter the media landscape; it helped transform it.

Relebogile Mabotja Receives SAFTA Nomination

2026-02-21T06:56:00.002+00:00

Relebogile Mabotja and GOAT Originals are celebrating a powerful new milestone as Untied, the bold and emotionally resonant Showmax Original that Relebogile Mabotja hosts and is credited as Associate Producer for, has officially received a South African Film and Television Awards (SAFTAs) nomination in the category Best Variety Show.

For Relebogile Mabotja and GOAT, the nomination lands as more than an industry nod. It is a recognition of a project that demanded honesty, sensitivity, and a deep respect for women’s lived experiences.

“Untied was never meant to be noise,” says Relebogile Mabotja. “It was always meant to be truth. To see the show recognised by the SAFTAs in this way, and in a category like Best Variety Show, feels incredibly affirming. Not just for me, but for every woman who trusted us with her story.”

Untied has quickly distinguished itself as one of Showmax’s most daring and emotionally layered originals. It is a space where some of South Africa’s most recognisable women sit down to unpack the reality of divorce, heartbreak, survival, and rebuilding. Across the season, the series invites audiences into raw, often unspoken conversations. It does so not for spectacle, but for healing.

Relebogile Mabotja, long celebrated as one of South Africa’s most respected broadcasters and producers, stepped into Untied as both host and associate producer. Relebogile Mabotja guided each episode with the kind of care and nuance that has defined her career.

“As the host, I had to hold space,” she adds. “But as associate producer, I also carried the responsibility of ensuring these stories were treated with dignity. It mattered to me that the women were not reduced to headlines. It mattered to me that their pain was not packaged. It mattered to me that their truth could breathe.”

The SAFTA nomination marks a significant moment for Untied’s production team, including GOAT, the producers behind some of Showmax’s most-watched titles. The nomination also reinforces Showmax’s growing slate of culturally urgent, conversation-shifting African originals.

“This nomination is a reminder that audiences, and the industry, are ready for stories that are layered,” says Relebogile Mabotja. “Stories that do not tidy women up for comfort. Untied is messy, tender, heartbreaking, and empowering, because healing is all of those things.”

For Relebogile Mabotja, it is also a reminder of why she continues to do this work. It is not only to entertain, but to create television that reflects real life, in all its complexity.

Carol Ofori Champions African Travel After Inspiring Family Adventure In Kenya

2026-02-20T14:45:00.002+00:00

Award-winning broadcaster, podcast host, children's book author, and passionate advocate for African exploration, Carol Ofori has built a career, and a life, around storytelling, connection, and wanderlust.

Fresh from a family holiday to Malindi in Kenya, Carol’s passion for African travel shines brighter before. She opens up on why she’s made it her mission to explore as much of Africa as possible and shares some of her favourite memories of visiting the Kenyan city of Malindi.

Travel has clearly been a huge part of your life. How did that love first start for you, and what keeps the fire burning after so many years and so many destinations?

My passion for travel started when my mom gave me the opportunity to see the world as a teenager. We travelled mainly around America and Europe, and those experiences opened my eyes in ways I’ll always be grateful for. Travel exposes you to culture, tolerance, acceptance and constant learning. It’s one of the most beautiful ways to grow as a human being and to develop empathy.

After travelling with my family, I moved out and all I wanted to do was keep exploring. Every December, after seeing so much of the United States and Europe, I told myself I wanted to see more of this continent that I love so much. My first African trip was to Victoria Falls in Zimbabwe, and I was hooked from that moment on.

You’ve visited dozens of countries across Africa and beyond. What is it about travel that still excites you the most?

For me, it’s the learning. I love learning, and visiting a new place allows you to soak up so much knowledge. I enjoy fully immersing myself in experiences because those moments imprint themselves on you. Your travel stories become part of who you are. Through learning, you develop respect for different people and cultures. You begin to appreciate how others live, think and celebrate. That perspective is priceless.

As a mother, how has becoming a parent changed the way you experience and approach travel?

I’ve always wanted my kids to see as much of Africa as possible, but I waited until my youngest was at least five years old.

When they’re very young, travelling can be more challenging, and we wanted them to be old enough to truly experience and absorb what they were seeing. Planning trips now requires a completely different lens. You have to consider distance, travel time and health precautions.

In parts of Africa, malaria can be a concern, so we make sure we’re properly prepared with medication before and during the trip. Safety is also a key factor. One year, we planned to visit Mozambique, but just before we travelled there was unrest in Maputo and we had to adjust our plans. As a parent, flexibility is everything.

You recently took the family to Malindi. What made you choose that destination, and how did it compare to your expectations?

It was actually my second time visiting Malindi, and we absolutely loved it. This time, I visited Gold Beach at Che Shale for the first time. It’s a stretch of coastline famous for its shimmering sand. The “golden” effect is caused by mineral deposits, specifically mica and titanium particles, that are washed down from the interior by the Sabaki River before settling along the shore.

The mix of gold and darker, almost black sparkles in the sand creates the most incredible, glistening effect in the sunlight. It was completely mind-blowing to see in person. We also visited the Vasco da Gama Museum, which was fascinating, snorkelled in the warm Indian Ocean, and explored the dunes on quad bikes.

The city tour was incredibly interesting, and we even went to Hell’s Kitchen, which looked completely different from when I first visited because of erosion. Experiencing it all again, but this time as a mother, was truly eye-opening.

Was there anything about Malindi that surprised even you?

The consistency of the weather! We had hot, 35-degree weather every single day, which is very different from South Africa where conditions change quickly. That consistency meant we could fully enjoy every activity we planned without worrying about sudden shifts in weather.

From a cultural and sensory perspective, what stood out most?

The Maasai culture stood out deeply for me. Watching them perform. the jumping, the singing, the pride in their heritage, was incredibly emotional. They are so proud of who they are. As South Africans, we’re familiar with diverse cultures, but experiencing something different firsthand is always special.

It’s very different from Zulu or Xhosa culture, for example. Their beadwork is extraordinary and unique to East Africa. What made it special is that while we all share beadwork traditions as Africans, we express them differently. The patterns, colours and techniques vary and that diversity is beautiful.

You’ve made it a mission to explore as much of Africa as possible. Why is that so important to you?

Simply put, Africa is the best continent in the world. I may be biased, but I truly believe that. If more Africans travelled within Africa, we would appreciate each other more and collaborate more. Unfortunately, it can be difficult to travel across our own continent due to various barriers.

If we were able to work together more seamlessly, we could all grow together. A thriving Africa means a thriving South Africa. Seeing the potential across the continent motivates me to explore as much of it as I can. There’s so much opportunity here, and we need to collaborate more with our neighbouring countries.

After Malindi, what’s next on your travel list for 2026?

I would love to do another solo trip, but as a mom of two, that’s not always easy! More than anything, I want to continue exploring Africa with my kids. They are obsessed with travelling the continent, and that makes me so proud.

It makes me feel like I’m doing something right as a parent. We haven’t decided where we’re going next just yet, but we’ll be pulling out the map, creating a wish list, weighing up the pros and cons, and then choosing our next adventure together.

For Carol Ofori, travel is more than movement. It is growth, it is connection and above all, it is a love letter to a continent she believes the world, and Africans themselves, should explore more deeply.

CAF Inspection Team kick-off TotalEnergies CAF AFCON Kenya, Uganda, Tanzania 2027

2026-02-11T17:38:00.003+00:00

A team of technical experts has been sent by the Confédération Africaine de Football (CAF) to the three Nations that will host the next edition of the TotalEnergies CAF Africa Cup of Nations Kenya, Tanzania and Uganda.

The spotlight has now shifted to the three East African countries and this will also be highlighted by the visit to Tanzania by the CAF Executive Committee and the CAF President Dr Patrice Motsepe on Friday, 13 February 2025.

The inspection visits by the technical experts kicked off this week and will run until Tuesday, 17 February, as CAF applies its strict, world-class delivery standards.

These include technical assessments covering pitch requirements, as well as safety, security and infrastructure readiness at key match and training venues earmarked for use during the tournament.

CAF’s inspections form part of a broader strategy to raise standards on and off the pitch across African football. By driving consistent, world-class benchmarks in infrastructure, operations and venue management, CAF aims to enhance the TotalEnergies CAF AFCON’s reputation as among the leading football tournaments in the world.

These efforts also support CAF’s wider objective of helping to build a stronger and more self-sustaining football ecosystem on the continent through partnerships with governments to improve facilities, delivery capability and long-term football development.

TANZANIA

CAF’s inspections began in Dar Es Salaam, Tanzania, and will continue with site visits to Arusha and Zanzibar. The programme includes the Benjamin Mkapa Stadium and several designated training sites.The mission will then continue to Arusha for an inspection of Samia Suluhu Stadium.

In Zanzibar, CAF experts will also inspect Amaan Stadium and Fumba Stadium, a venue that the Tanzania Local Organising Committee (LOC) has earmarked for the tournament.

KENYA

The CAF team will conduct a series of inspections in Nairobi, Kenya. The programme includes Kasarani Stadium, Nyayo Stadium and Talanta Sport Stadium, as well as key training sites such as the Ulinzi Sport Complex and the Kenya Academy of Sports.

UGANDA

Uganda’s inspection programme includes Entebbe and Kampala, with visits to Mandela National Stadium and designated training sites.The CAF delegation will also travel to Hoima to inspect Hoima City Stadium.

CAF will continue to work closely with the three host nations, their governments and LOC structures to support delivery planning and ensure that preparations intensify for the TotalEnergies CAF AFCON Kenya, Uganda, Tanzania 2027.

Over Again Goes Viral Again: Edem’s 12-Year-Old Hit Storms Charts and Social Media Nationwide

2026-02-09T21:20:00.001+00:00

Edem’s classic song “Over Again” has made a powerful return, 12 years after its release, re-emerging as one of Ghana’s most dominant records and capturing the attention of a new generation of listeners.

The song is currently charting in Spotify’s Top 100 and posting strong numbers across major streaming platforms, marking an unexpected but decisive comeback. Its renewed dominance is being fueled not by nostalgia alone, but by viral momentum across TikTok, Instagram, and other social platforms.

“Over Again” has become the soundtrack for emotionally driven content, with Gen Z creators and millennials using the record to narrate stories of love, betrayal, heartbreak, and personal healing. From short skits to raw, personal storytelling videos, the song has evolved into a cultural reference point for shared emotional experiences.

The trend has escalated rapidly, attracting top-tier influencers and high-profile digital creators whose participation has amplified the song’s reach nationwide and pushed it deeper into mainstream conversation.

Reacting to the resurgence, Edem described the moment as both affirming and exciting.

“When I created Over Again, I knew the impact it had. I knew how strong the song was back then,” he said. “Seeing it connect again after all these years, especially with a new generation, is very exciting.”

He also encouraged his loyal fan base, the Go-Getters, to continue engaging with the song and sharing their stories through it.

At its core, Over Again tells a story that has proven timeless. The song explores betrayal among friends, romantic relationships disrupted by close associates, and the emotional fallout of trust broken. These themes have resonated strongly in today’s digital storytelling culture, with users relating the lyrics to real-life experiences that remain painfully relevant.

As a result, the song is now widely used to narrate scenarios such as losing a partner to a friend, coping with heartbreak after emotional investment, and rebuilding strength after betrayal. Interestingly, some creators have also flipped the narrative, positioning themselves as the “other person” and using the song to explore accountability, growth, and redemption.

The renewed success of Over Again highlights a broader shift in music consumption. In the digital era, a song’s lifespan is no longer tied to its release window. Social media and streaming platforms have created space for timeless records to resurface, cross generational lines, and regain both cultural and commercial relevance.

With Over Again back in the charts, trending across social media, and dominating national conversations, Edem’s classic serves as a clear reminder: great music doesn’t expire. Twelve years later, Over Again isn’t just back—it’s leading the moment.

Akwaaba Festival Launches Fifth Edition

2026-02-03T21:30:00.024+00:00

The fifth edition of AkwaabaFest ’26 will take place at the National Theatre in Accra from March 5 to 7, 2026, following its official launch at a press event held at Ceejay Studios in Accra.

The launch brought together stakeholders from Ghana’s media, tourism, cultural and music sectors, with strong institutional backing from representatives of the Ministry of Tourism, Culture and Creative Arts, the Ghana Tourism Authority, the Creative Arts Agency, and the Musicians Union of Ghana.

Speaking at the event, Dr Geoffrey Tamakloe, Director of Tourism at the Ministry of Tourism, Culture and Creative Arts, reaffirmed the ministry’s support for the festival, noting that AkwaabaFest aligns with government initiatives such as the Black Star Experience and the 24 Hour Economy policy.

For the Ghana Tourism Authority, Kofi Atta Kakra Kusi, Deputy Director of Corporate Affairs, described the festival as a staple on the authority’s calendar, one that promotes domestic tourism, attracts the diaspora and expatriate community, and offers patrons an authentic immersion into Ghanaian culture.

Echoing the enthusiasm, Karim Mussa, representing the Creative Arts Agency, expressed excitement about the agency’s increased involvement this year and pledged its full support towards making the festival a standout success.

From the music front, Rev. Thomas Yawson, First Vice President of MUSIGA, welcomed the festival’s continued growth, highlighting its role in providing artistes with a platform to showcase their talents while amplifying Ghana’s rich cultural identity.

Unveiling what to expect in 2026, Richmond Adu-Poku, Chief Operating Officer of AkwaabaFest ’26, outlined a packed programme including a three day fair dubbed The Vibes Fair, celebrity games, a tribal fashion show, a children’s playground experience, and the much anticipated Akwaaba Experience Concert. He emphasised that this year’s edition is as much about immersive experiences, vibes and cultural renaissance as it is about a bold and visually stunning setup.

Founder of the festival, Joe Osae, closed the event by thanking partners, patrons and the media for their support over the years, promising that AkwaabaFest ’26 will deliver a refreshingly different and unforgettable experience.

The countdown to culture, colour and controlled chaos has begun.

Caroline Sampson Hosts Clear Cut on Revolve Plus

2026-01-18T05:44:00.000+00:00

Buzzing music, entertainment, and lifestyle brand Revolve Plus has announced that distinguished Ghanaian presenter, TV show host, and voice-over artist Caroline Sampson has collaborated with them to co-produce and host ‘Clear Cut, ' a podcast coming to the channel soon.

Caroline has 20+ years of experience in media and a deep understanding of how the industry works. Over the years, she has built a stellar reputation and relevant networks with stakeholders in the industry.

Speaking on this strategic move, Mr George Mensah Britton, CEO and visionary leader of Revolve Plus, expressed excitement and remarked "Caroline Sampson is a multi-award-winning, familiar face in the industry with a wealth of experience, and she brings to the team a fresh perspective that aligns with the brand."

Caroline Sampson co-owns and will co-produce and host the ‘Clear Cut’ Podcast, with its first episode airing soon on Revolve Plus. The show will have in-depth conversations about concerns and issues in entertainment and lifestyle around the world from the perspective of policy makers, event organisers, artists, and consumers.

On her part, Caroline Sampson expressed excitement about the new show. According to her, the show revolves around credibility and a fresh perspective on the pillars of entertainment, education, and engagement.

"We are clear and about to cut it. For this show, if it must be done, it must be done well," Caroline said

This new partnership marks a defining step for Caroline and Revolve Plus. Audiences should expect the best from future episodes of the 'Clear Cut' podcast.

Wendy Shay Bags Best Female Artiste Western Africa At 2025 AFRIMA

2026-01-12T16:00:00.002+00:00

Ghanaian music star, Wendy Asiamah Addo, known by the stage name Wendy Shay made a memorable appearance at the just-ended All Africa Music Awards (AFRIMA), where she not only picked up a major regional honour but also delivered a standout live performance.

Beyond receiving the Best Female Artiste in Western Africa award, Wendy Shay thrilled the audience with an energetic set that highlighted her stage presence and growing continental appeal. Her performance marked a significant personal milestone, as the awards ceremony also doubled as her first-ever visit to Nigeria.

Reacting to the win, Wendy Shay expressed gratitude to her supporters, team and the wider Ghanaian music community, describing the award as motivation to continue pushing Ghanaian music beyond borders.

AFRIMA continues to serve as a major platform celebrating African music and culture, bringing together artists from across the continent. Wendy Shay’s award win and performance further underline her rising profile and the growing influence of Ghanaian music on Africa’s biggest stages.

Global Star Amaarae Brings ‘The Blackout’ Home To Accra

2025-12-24T14:30:00.006+00:00

After a great year of representing Ghana around the world with her music and craft, Ghanaian-American trailblazer Amaarae is coming home. She marks her highly anticipated homecoming with "The Blackout: Amaarae Homecoming Concert".

Slated for Tuesday, 6th January, 2026, the event is not only a concert but also a celebration with the people and city that shaped her love for the arts. The concert also caps off her "Black Star" world tour at The Underbridge Annex in Accra.

The concert will be a display of Amaarae's signature genre-bending sound with captivating visual art and performance.

In a powerful nod to the roots that first championed her, Amaarae has partnered with Ghana’s own iMullar Sound System. This collaboration signals a union between Amaarae’s global domination and iMullar Sound System, the event collective that has been instrumental in shaping Accra's electronic, alternative, and experimental soundscape.

The collective has successfully curated credible spaces for DJs, selectors, and music enthusiasts. iMullar will co-curate a dedicated lineup of local and regional DJs, including TMSKDJ, DJ OJ, Kofi Kayy, and DJ Baaba, with additional heavy-hitters to be announced soon.

"The Blackout" is designed to be a bridge across generations of Ghanaian music. While Amaarae's global ascent has seen her light up major festivals like Coachella, where she made history as the first Ghanaian female artist to perform, this night is dedicated to the legends who paved her way.

Attendees can expect surprise guest performers, including iconic Ghanaian musicians who have shaped her sonic identity, promising a rich tapestry of the past, present, and future of Ghanaian music.

AFRIMA President, Mr Mike Dada Maps Out New Direction For Culture At Morocco Forum

2025-12-16T16:30:00.001+00:00

The President of the All Africa Music Awards (AFRIMA), Mr Mike Dada, joined leading cultural and creative industry experts from across the world to discuss the future of Africa’s cultural sector at the 3rd Moroccan Forum of Cultural and Creative Industries (CCI) in Rabat, Morocco.

The event, which took place from December 11 to 14, 2025, was organised under the 'High Patronage of His Majesty King Mohammed VI' and hosted by the HIBA Foundation, a cultural organisation established by the King to support the growth of Morocco’s creative economy.

This year’s forum brought together policymakers, investors, cultural operators, academics, and creative professionals from countries including Senegal, Tunisia, Côte d’Ivoire, Belgium, Germany, France, Burundi, Democratic Republic of Congo, Burkina Faso and Quebec. Over four days, they examined how African countries can strengthen their cultural ecosystems and increase the economic value of their creative industries.

Mr. Dada, a lawyer, Public Relations Consultant and creative economy expert who represented AFRIMA and the African music sector, joined a major panel session titled “Towards a Pan-African Federation of Cultural Operators: What lessons can be drawn from past experiences, and how can we project forward?” The conversation focused on how African countries can share knowledge, build stronger partnerships, and promote cultural exchange across borders.

During the discussion, Mr Dada highlighted AFRIMA’s work with the African Union and how the awards platform has helped to project African music to a global audience. He also stressed the need for investment, training, and collaboration to grow the continent’s cultural industries and provide more opportunities for young creatives.

He said, “Africa’s creative industry is not just growing; it is becoming a powerful economic force. What we need now is stronger cooperation across the continent, better policies, and sustainable investment. If we can achieve that, our cultural sector will contribute far more to national development than it does today.

"This forum gives us the platform to exchange ideas, learn from global partners, and build a shared vision for African culture. Conversations like this help us understand what is working, what needs to change, and how we can move forward together as one creative continent.

“Through AFRIMA, we continue to promote African music to the world, support young creatives, and strengthen partnerships between countries. Our goal is to make sure African talent is visible, respected, exposed to global opportunities and celebrated everywhere.”

As part of the event, Mr Dada attended a special reception hosted by the Ambassador of France to Morocco, Mr Christophe Lecourtier, on December 12, where cultural leaders interacted and explored new partnership opportunities.

AFRIMA is Africa's global music awards platform established in 2014 by the International Committee AFRIMA and the African Union (AU) to celebrate, reward, and promote Africa's diverse musical talents and rich cultural heritage globally, and its 9th Edition is scheduled to hold on January 7-11, 2026, in Lagos, Nigeria. The event is broadcast live in more than 84 countries around the world.

Beauty Tukura and Sunky O Join The Macallan as Official Brand Influencers

2025-12-15T21:00:00.003+00:00

Former beauty queen and reality TV star Beauty Tukura and lifestyle curator, Olasunkanmi ‘ Sunky O’ Ojulari have been unveiled as the new The Macallan brand influencers. The strategic collaboration aims to seamlessly blend and connect the rich heritage of The Macallan with the dynamic luxury lifestyle landscape in Nigeria.

The exclusive unveiling dinner, held on Thursday, December 11, 2025, at The Macallan Lounge, Kaly, Lagos, drew notable personalities and cultural tastemakers including Lanre Da’Silva, Ezinne Akudo, Dede, RooBoy, Hermes, Shaun, Jay On Air, and Fola David (Guinness World Record Holder), further affirming The Macallan’s connection to influential voices across fashion, media, art, and entertainment.

The influencers were revealed yesterday in an exclusive event held at The Macallan Lounge, Kaly, Victoria Island, attended by the prominent and influential personalities in Lagos. Some of the guests included fashion designer, Mai Atafo, media personalities, Gbemi Olateru-Olagbegi, Uti Nwachukwu, Lifestyle influencers Mercy Eke, Bella Okagbue, Adekunle Olopade and a host of other influential personalities.

The event was a classic display of The Luxury and premiumness The Macallan represented, as guests were treated to tastings of The Macallan expressions by Daniel Atteh, the brand ambassador and educator, Lagos.

Senior Brand Manager, West and Central Africa at Edrington, Hammed Adebiyi, described the partnership as not just about visibility, but about shared values. “The Macallan stands for mastery of craft. We are thrilled to partner with two individuals who embody the future of luxury in our market. A future that is bold, authentic and utterly captivating. Beauty and Sunky O do not just influence, they inspire a lifestyle of quality and are tastemakers who articulate the sophistication and distinct character of the brand,’ he said.

Beauty Tukura, the 43rd Miss Nigeria and reality TV star, has steadily built a reputation as a premium lifestyle influencer. She expressed her excitement to partner with the prestigious brand. “ This is truly an honour for me. The Macallan represents a standard of excellence that I admire and strive for in my own career, a commitment to patience and mastery. This partnership is more than just whisky; it is a celebration of the journey we take to become our best selves and the appreciation of mastery and class”

Sunky O, a filmmaker and lifestyle expert, expresses how the brand’s value aligns with his “As a creator, I view the world through a lens of storytelling and aesthetics, always searching for experiences that are authentic and meticulously crafted. The Macallan is an embodiment of that pursuit. My partnership with The Macallan is a natural alignment with my values, and I am super excited to showcase to my audience that true luxury isn’t just about consumption, but about the art of appreciating and the celebration of life’s most significant moments.”

The evening ended in a collective toast. As the guests savoured the rich, complex flavour of the whisky, the message was clear: The Macallan, with Beauty Tukura and Sunky O as its brand influencers, was not just celebrating a drink, but celebrating the era new era where tradition met trend, and luxury found its authentic voice in the heart of contemporary African culture.

5 Times Beauty Tukura Has Proven That She’s The Ultimate “It” Girl

2025-12-15T19:00:00.002+00:00

When Beauty Tukura first stepped onto the BBNaija stage in 2022, Nigeria wasn’t prepared for the force she was about to unleash. From her unforgettable entrance to her undeniable presence on Africa’s biggest reality TV show, she stood out boldly, offering the kind of main-character energy that kept viewers talking week after week.

Today, Beauty has established herself as a luxury lifestyle influencer, commanding a loyal, predominantly female following. Whether she’s hosting charitable outreaches or sharing real, relatable advice for young women navigating entrepreneurship, Beauty has become more than a public figure, she’s now the blueprint.

Here are five times Beauty Tukura has proven that she’s the ultimate ‘IT’ girl.

She Was a Beauty Queen Before the Fame and It Shows

If there’s one thing that stands out about Beauty, it’s her poise. Her pageant roots run deep. As the 43rd Miss Nigeria from Taraba State, her pageant experience is evident in the way she carries herself both on and off screen. Graceful, confident, and eloquent; these are the qualities that best define her.

The Red Carpet Hits Different When Beauty Shows Up

From winning the 2023 AMVCA Best Dressed award with her very first red carpet appearance; a flamboyant, peacock-inspired dress styled by Dahmola; to delivering standout looks at every event since, Beauty shows up with the intention to make a statement every single time.

Her looks are always intentional, glamorous, and always the moment.

A Beauty Queen with A Makeup Collab

Barely months after leaving the BBNaija house, Beauty launched her first major beauty collaboration with Beauty By AD. The “Shimmer Cruise” eyeshadow palette, true to its name, mirrors her bold confidence and unmistakable luxury aesthetic. It’s not just glam; it’s a glimpse into her growing lifestyle empire.

The Fans Love Her and So Do Luxury Brands

When you think lifestyle and influence, very few people fully embody the term in the Nigerian online space and Beauty is one of them. Leaning into the luxury side of lifestyle content creation, she has collaborated with premium brands such as The Polo Avenue, Boz Diamonds, L’Oréal, and most recently, the ultra-premium whisky brand, The Macallan, where she has now been unveiled as a brand influencer.

One thing is certain: her ability to merge authenticity with sophistication is exactly why top brands seek her out and why her fans remain fiercely loyal.

She Has Her Own Reality TV Show

For anyone who somehow missed the memo: Beauty is reality TV gold. So yes, it made perfect sense when she launched her own series, My Beautyful Life, giving fans an intimate look into her luxurious, fun, and flawlessly curated world. The show, which aired on DStv and Showmax, further cemented her place as an entertainment and lifestyle powerhouse.

Beauty Tukura isn’t just a luxury influencer. She’s that girl – Stylish, influential, and constantly evolving. And if this is what the last few years look like, the future is only getting brighter.

Cape Town International Jazz Festival Unveils New Brand Identity

2025-12-04T17:00:00.005+00:00

Today, the Cape Town International Jazz Festival (CTIJF), a staple of the Cape Town music scene for generations, undergoes a significant rebrand. In alignment with the spirit and ethos of the festival, the CTIJF now embraces a fresh, modern identity.

The 23rd edition of the festival will take place from 27 to 28 March 2026. From its early days at the Good Hope Centre to its current home at the Cape Town International Convention Centre, this rebrand is a natural milestone in its ongoing journey — a fresh start rooted in the same love for the principles of jazz.

Over the years, the Rosies, Manenberg, Moses Molelekwa and Kippies stages have hosted iconic names such as Herbie Hancock, Erykah Badu, Judith Sephuma, Youssou N’Dour, Zahara, and Marcus Miller, to name just a few. As excitement builds for the upcoming edition, Festival Co-Director Georgia Jones shares her enthusiasm:

“I am incredibly excited about the CTIJF rebrand. A festival with such a rich legacy and heritage truly deserves this new breath of life and fresh approach. We eagerly anticipate a new wave of progressive thinking, deeper community integration, and a brand that effectively encompasses this new vision.”

Festival Co-Director Carolyn Savage echoes this sentiment: “As anticipation continues to grow for the latest instalment of Africa’s grandest gathering, the rebrand not only signals a new era, but also pays homage to the festival’s foundations, which have inspired generations of musicians and music lovers.”

As the CTIJF prepares to unveil its 23rd edition, the rebrand stands as a powerful statement of renewed purpose. It honours the festival’s rich legacy while embracing a bold, modern vision that reflects the evolution of jazz and the community it serves.

With its refreshed identity and continued commitment to musical excellence, the CTIJF enters its next chapter ready to inspire, innovate, and unite audiences once again.

Buzzycash Rolls Out Culture-Driven Gaming Products in Ghana

2025-11-26T16:30:00.009+00:00

Buzzycash has officially launched in Ghana with three new games, Ghana Jollof Rice, Trotro, and Goldmine, each one inspired by everyday Ghanaian culture and experiences.

During a media launch in Accra on Tuesday, November 25, the company explained that the games were created to feel familiar, engaging, and fun, while still giving players real opportunities to win.

All three games are fully registered and approved by the National Lottery Authority (NLA), giving them full credibility under Ghana’s gaming laws.

Speaking at the event, the CEO said the company’s mission is to build an inclusive and rewarding gaming community, one that reflects daily life in Ghana and brings genuine joy and value to players. The Country Director added that the games were intentionally designed to mirror Ghana’s identity and culture, making them easy for people to connect with while offering fair chances of winning.

Each game comes with its own unique experience. Here’s how each game works:

In Ghana Jollof Rice, players pick a “secret ingredient”, like oil, pepper, beef stock or tomato paste, and the system instantly determines whether they win. Winners get immediate payouts to their mobile-money wallets.
Trotro is modeled after Ghana’s busy urban transport system. Players navigate through obstacles like police checkpoints, tyre-bursts, or road crashes. If they make it to the destination, they win a multiplied amount of their stake. If they don’t, they lose their stake, but if the game warns them of danger before they start, they get their stake refunded (like paying for a transport fare).
Goldmine has two modes, quick mining and specified-amount mining. Players stake between GHS 1 and GHS 1,000 and choose a multiplier. For example, staking GHS 1 with a 20x multiplier could pay out GHS 20 if you win.

Buzzycash says the games are transparent, run on the NLA Caritas platform (which ensures fairness and prevents manipulation), and also qualify players for a monthly draw of GHS 50,000.

Brilliance, Beauty, and Victory: Akosua Arhin Emerges Miss Malaika Ghana 2025

2025-11-24T18:00:00.000+00:00

The Miss Malaika Ghana 2025 pageant came to an end on Saturday, 22nd November, at the Palms Convention Centre in Accra.

After weeks of intense competition, 24-year-old Akosua Arhin emerged victorious, claiming the coveted crown in a gleaming finale that celebrated beauty, talent, confidence, and the empowerment of young Ghanaian women.

The glittering night opened with the Top 10 finalists delivering a captivating introductory performance, an illuminated act filled with synchronized movements, radiant costumes, and an unmistakable energy that set the tone for the evening. The ladies dazzled the audience with their poise and commitment, reminding everyone why they made it to the grand finale.

From there, the competition unfolded with elegance and emotion. The finalists competed in a series of segments designed to test not only their beauty, but their intellect, advocacy, creativity, and stage presence. Their evening gown presentation was a breathtaking display of class and style, as each contestant graced the runway with confidence and sophistication.

The highly anticipated Question & Answer segment brought out the contestants’ eloquence and depth. Akosua stood out with her thoughtful responses, demonstrating clarity of thought, leadership, and a strong understanding of the social issues that matter to young women in Ghana today.

Musical performances by Cina Soul, Kojo Blak, and Kaesa elevated the night, adding rhythm, excitement, and a touch of glamour to the celebratory atmosphere.

As the judges retreated to deliberate, anticipation filled the room. Moments later, the crowd erupted into cheers as Akosua Arhin was announced the new Miss Malaika Ghana 2025. With tears of joy and a heart full of gratitude, she received her sparkling crown, the sash, and the life-changing prizes that came with the title, including a brand-new car and a cash prize.

Her coronation marked not just the end of a competition, but the beginning of a new chapter. As the 23rd queen of the Miss Malaika legacy, Akosua steps into a role that embodies leadership, advocacy, and empowerment, ready to inspire and serve.

The night concluded with heartfelt celebrations, as supporters, past queens, family, and fans embraced the new Radiant Queen and ushered her into her reign.

Miss Malaika Ghana 2025 is more than a pageant; it is a powerful celebration of womanhood, resilience, and the limitless potential of young Ghanaian women.

The 2025 edition of Miss Malaika Ghana was proudly brought to you by GTP, The Pelican Hotel, Verna, Flicks and Licks, Eskel Groups, Marcel Desailly, JP. Chenet, Telecel, and Big Blue Resort. Airing on JoyPrime, DGN, MX24, Lifestyle TV, and GTV, and powered by Charterhouse.

SURAN To Make History With First-Ever K-Pop Fan Concert In Ghana

2025-11-23T15:51:00.004+00:00

SURAN is set to make her highly anticipated debut performance in Ghana. The South Korean singer will headline the inaugural edition of “Jaese Presents,” on December 20, 2025, at the Liberty Hall in Tema.

The event will officially mark the first-ever fan concert by a Korean artist in Ghana and West Africa. The concert is organized by Jaese Productions in collaboration with Native Hyve, the team behind Ghana’s acclaimed Eat Drink Music Festival.

Best known for hits like Wine, SURAN has built a dedicated global following through her innovative blend of R&B and pop. She has also contributed to numerous Korean drama soundtracks.

Her notable credits include The Glory, When the Phone Rings, and Strong Woman Do Bong Soon. Her collaborations span both K-pop and Korean R&B. She has worked with SUGA (BTS), TAEYONG (NCT), and Hwasa (MAMAMOO), as well as acclaimed R&B and hip-hop artists CRUSH, DEAN, Wonstein, and Heize.

In a message to fans, the singer shared her excitement about performing in Ghana. “I can't wait to share my music and I hope we can make amazing memories together,” SURAN stated.

At “Jaese Presents SURAN Live in Ghana,” fans can look forward to live performances of her most beloved tracks and interactive activities. A major attraction is “The SURAN Trivia,” where attendees can win various prizes. Outside the concert, attendees can also participate in various Korean and K-pop–themed games.”

The concert is projected to set a new record as the largest K-pop fan event ever held in West Africa, with over 1,000 attendees expected. Ghana was ranked by Spotify as the 5th top K-pop market in Sub-Saharan Africa.

Jaese Productions has played a key role in amplifying K-pop representation through projects such as YFM’s Pop Central and exclusive interviews with artists including P1Harmony, B.I, and Kep1er. “Jaese Presents” is expected to expand to other African countries following the Ghana launch.

Upcoming editions of the live show franchise will take place in Uganda, Côte d'Ivoire, Kenya, and Nigeria, highlighting talent from South Korea, Japan, China, and Thailand.

“The concert is proudly supported by The Diaspora Affairs and the Office of the President of Ghana. Key partners include Vee Tickets, Koreanova, Ghanasia, Gaia Music International, KVibe Nigeria, and Wakanow.

“Play More, Win More” — 220 Fans to Join Black Stars to the 2026 World Cup

2025-11-04T16:00:00.001+00:00

The Ghana Football Association has hosted the official launch of the World Cup Bonanza at its headquarters in Accra, bringing together leadership from the National Lottery Authority (NLA) and key partners to unveil a national raffle that will reward 220 Ghanaian football fans with trips to the 2026 World Cup.

Mr Kwabena Opoku-Boakye, Head of Marketing for the NLA outlined the mechanics of participation and nationwide engagement efforts assuring Ghanaians of a simple and accessible and impartial process.

Speaking on behalf of the Board Chairman of Rambell, Mr. Rockson Konde explained how fans can take part, stating: “Joining is straightforward. Dial *899*899#, follow the prompts and play. Every play increases your chances. It’s as simple as that. Play More, Win More.”

The initiative will select 220 winners through regulated draws, offering them the opportunity to join other Ghanaian supporters in cheering the national team live at the World Cup. Officials pledged transparency and assured that the program is designed to reward dedicated fans while maintaining the highest standards of integrity.

GFA President Mr. Kurt Okraku in his speech expressed appreciation to partners, emphasizing the significance of rewarding loyal football supporters. He noted that the Bonanza reflects the shared commitment to bringing fans closer to the national team and creating life-changing experiences for winners.

Mr. Mohammed Abdul-Salam, Director-General of the NLA, reaffirmed the Authority’s role in ensuring transparency and fairness throughout the raffle. He highlighted the importance of proper oversight and assured the public of a credible and well-managed process.

The launch concluded with a call to all football lovers and Ghanaians across the country to get involved and be part of the journey.

African Union (AU), All Africa Music Awards (AFRIMA) Confirm January 7-11

2025-11-04T15:00:00.001+00:00

The African Union Commission (AUC) and the International Executive Committee of the All Africa Music Awards (AFRIMA) have officially announced the 9th edition of Africa's global music awards will now take place between Wednesday, January 7 to Sunday, January 11, 2026, in Lagos, Nigeria.

Previously scheduled for November 25–30, 2025, the awards’ date adjustment followed extensive consultations with partners, artistes, and stakeholders across Africa and the diaspora.

“The African Union Commission is proud to continue its partnership with AFRIMA in celebrating Africa’s creative excellence and global influence,” said Ms. Angela Martins, Acting Director of Social Development, Culture and Sports and Head of the Culture and Sport Division, AUC.

“This relationship aligns perfectly with the AU’s Cultural Policy for Africa and the AU Agenda 2063, which prioritise the creative economy as a driver of sustainable development, youth empowerment, and continental integration. The new dates for the 9th AFRIMA in January 2026 provide an exciting opportunity to further showcase the rich diversity, innovation, and unity of Africa’s music and culture to the world.”

Explaining the decision, Nde Ndifonka, AFRIMA’s Regional Director for Central Africa and Cameroonian music star popularly known as Wax Dey, said the new dates in January will allow for broader participation and ensure a top-quality experience for everyone involved.

“AFRIMA is not just an award show; it is Africa’s global music stage,” said Ndifonka, who is also a lawyer. “Rescheduling the 9th edition to January allows us to deliver the kind of world-class celebration that truly reflects Africa’s creative power. It also ensures that more of our stakeholders, artistes, fans, media, and partners can participate fully. This is about giving African music the grand platform it deserves.”

The 9th AFRIMA, held in partnership with the African Union Commission, the Federal Government of Nigeria as the Official Host Country and Lagos State as the Official Host City, will feature a week-long lineup of music, culture, and entertainment.

The continent’s biggest music festival will commence officially on Wednesday, January 7 with the exclusive Welcome Soirée for nominees, delegates, guests and international media offering a premium networking space for artistes, industry leaders, sponsors, and media professionals. On the same day, the 9th AFRIMA Diamond Showcase, a special performance platform for undiscovered African music acts, will host 15 budding talents creating an opportunity for them to connect their sounds to a larger audience and break into mainstream music success.

On Thursday, January 8, the spotlight will shift to the Africa Music Business Summit (AMBS) —AFRIMA’s signature conference for thought leadership and collaboration within the African music ecosystem. Later that evening, guests will be treated to the Music Icons’ Night, a celebration of legendary figures who have shaped Africa’s music heritage.

The excitement continues on Friday, January 9 with a vibrant lineup that includes community outreach visits to schools, a host city cultural tour, and a courtesy reception with the Lagos State Government. The day will close on a high note with the AFRIMA Music Village, an open air live performances, star studded concert & festival arena

Saturday, January 10, will bring the energy up further at the 9th AFRIMA Nominees & Industry Party, a glamorous night dedicated to past winners, current nominees, and AFRIMA’s valued sponsors and partners.

The week-long celebration will culminate on Sunday, January 11, 2026, with the live broadcast 9th AFRIMA Awards Ceremony at the Eko Convention Centre, Eko Hotels & Suites in Lagos.

The grand event will include a live Red Carpet broadcast and feature electrifying performances from some of Africa's biggest music stars. The ceremony will be aired to over 84 countries around the world.

Global Music Trailblazer Patoranking Returns To His Galala Roots For Infectious New Single ‘NO JONZE’

2025-10-22T16:00:00.001+00:00

Award-winning Nigerian musician and global music star PATORANKING kickstarts his new era with ‘NO JONZE’, the street-rooted and festival-ready dance offering, and lead single from his forthcoming fifth studio album coming soon.

Built on the raw bounce of late ‘90s and early noughties Galala music, and laced with modern Afro-dancehall sensibilities, ‘No Jonze’ is pure forward motion and celebration with purpose – applauding hustle, urging focus, and reminding underdogs to keep their foot on the gas, with the title flipping Lagos street slang into a mantra for life, imploring listeners not to fumble the moment.

‘No Jonze’ is the first taste of a highly anticipated forthcoming project that will see Patoranking revisiting the streets and culture that raised him, and reframing that energy for today’s global afrobeats stage, connecting his reggae and dancehall foundation with global music momentum.

At the core of ‘No Jonze’ is Galala music, the Ajegunle-born dance-led sound that Patoranking grew up dancing to, and has long championed in his own music. Often described by Patoranking as the “stepchild of dancehall”, Galala music is raw, percussive, and defiantly alive, and ‘No Jonze’ pays that lineage forward, while echoing an era when music was resistance, survival, and freedom.

Patoranking also widens the lens with this one, placing Lagos’ street rhythm and culture in a global conversation – the same dancehall DNA that birthed Dominican Republic’s Dembow music, Kidandali in Uganda, and Kenya’s Gengetone also runs through the veins of Galala music.

The message from Patoranking threading it all together, and the thesis of his forthcoming album, is clear – afrobeats is not dying, you’ve only heard a few voices, and there’s a continent of stories, styles and sub-cultures yet to explore.

The accompanying video for ‘No Jonze’ lands this manifesto back in Ajegunle, where it all began. Shot in the heart of the bustling Lagos suburb, also known as “the Kingston of Nigeria”, Patoranking shares the frame with Galala greats Marvelous Benjy and Allen B, while a street mural salutes the forebears who birthed the culture, from Daddy Showkey, Daddy Fresh, and Oritse Femi, to Baba Fryo, African China, and Danfo Drivers.

Directed by Nigerian filmmaker Director K, who has also worked with Rema, Wizkid and Davido, among others, the visuals bring ‘90s Lagos City vibes and culture into 2025 with cinematic effect, while capturing the essence of ‘No Jonze’ – pure raw energy, galala dance as its finest, real street faces, and fearless fashion, It is improvised, communal, and true to the Nigerian spirit – a love letter to the streets that shaped Patoranking, and a statement of intent into the next generation.

Ghana To Host West Africa’s Biggest K-pop Event

2025-10-20T09:30:00.001+00:00

Ghana will host its first-ever K-pop Fan Concert on December 20, 2025. The event will also launch “Jaese Presents,” a new live show franchise created to spotlight top musical talent from South Korea, Thailand, Japan, and China.

While this will be the first K-pop performance in Ghana, it’s not the first time a K-pop star has visited the country. TVXQ’s U-KNOW YUNHO made a memorable trip to Ghana in 2013 under the Road for Hope project. The concert is already being considered the largest K-pop event ever held in West Africa, with over 1,000 passionate fans expected to attend.

This event also highlights Ghana’s thriving but often overlooked K-pop fan community. In 2022, Spotify ranked Ghana as the 5th top K-pop market in Sub-Saharan Africa, signaling the genre’s growing influence among Ghanaian youth.

Ghana also hosted one of the continent’s most influential K-pop radio shows, Pop Central on YFM, which earned recognition from Sony Music K-pop and Kevin Woo of K-pop Demon Hunters.

Jaese, the driving force behind the concert, has facilitated exclusive interviews with K-pop artists such as KWON EUN BI and BM on YFM Ghana. Now, under the “Jaese Presents” banner, the December concert is expected to pave the way for more Asian acts to directly engage with their growing Ghanaian and African fanbases.

The news was confirmed by Ella Okunmwendia, a music professional, advocate for K-pop in Africa, and team lead at Jaese. She and her team have played a key role in advocating for African market data from platforms like Spotify and Turntable Charts.

“This is a moment fans have been waiting for, and we’re excited to see it finally happen,” Okunmwendia stated. “To us at Jaese, this is not just a concert — it’s an opportunity to showcase Ghana and Africa in a positive light. In the words of K-pop star TAEMIN, ‘It’s My Showtime.’”