Some other board games appeared in the mix. The students finished reading the book and creating these projects before the movie debuted in theaters, but images of the characters were already readily available, and the students took advantage of them.

Dioramas were also a popular medium for showing the various conflicts involved in the story. Each project, regardless of medium, involved some sort of write-up, to demonstrate full comprehension of the concepts. Some write-ups were attached to the projects themselves, as in the diorama on the left.

Students took advantage of the open-ended nature of the assignment and played to their individual strengths. Shown below, left to right and top to bottom: a poster, a brochure, another poster, an essay, a student finishing up the cover of her fan-fiction piece, students playing a student-designed Hunger Games themed computer game, a complicated diagram showing the interrelationships of the story.

Overall, the projects were quite impressive, and the fictional conflicts were a good starting point for studying real historical conflicts in the future.

Don't worry, I have literally hundreds of books in my house I can read. Plus, you know, a library card. So it's not about not having something great available to read, I just haven't chosen wisely lately. I'm due, though. Time to go pick.

...but just in time for me to spend every waking hour outside, the Portland weather comes back:

Yes, that's right, that's snow you're seeing there. ...Sigh...

But other questions were so universal that it didn't really matter which picture they were originally intended for. Below are some of my favorites, along with the pictures. I'll bet you can't tell which questions match each picture.

At school, why do they teach us to make friends while America is making enemies?
Why does it take such a massive effort to create simple changes to society?
Why don't some people agree with using non-violence to get their point across?
If one thing simply stopped existing, how would that affect other things around it?

The next step was just as powerful. The students were asked to create a title for each picture based on the questions. Just like the questions themselves, the title for each picture could be applied to almost any of the pictures:

The ultimate goal was a single title or idea for all of the images together, which was "power." This is the launching point for understanding the nature of conflict for the project.

Earthquakes are a constant threat in the vicinity of the seismically active San Andreas Fault, but individual minor quakes are only as significant as something like a nearby tornado: sure you pay attention to it, but if it doesn't destroy your house or community, you can forget about it pretty quickly. Here it is just a few days later and I bet most people have forgotten it already.

Every once in a while, though, an earthquake is a big deal. Longtime residents of the Bay Area will certainly remember the Loma Prieta earthquake (a.k.a. the Quake of '89 or the World Series Earthquake) as vividly as others remember 9/11 or the assassination of JFK.

The Loma Prieta Quake measured 6.9 on the Richter Magnitude Scale. The Richter Scale is logarithmic in nature, so each whole number is 10 times as powerful as the preceding number. That makes the '89 quake roughly 1000 times as powerful as Monday's quake.

Because of the timing of the event, the earthquake happened during the warm-up of a World Series game, making it the first major quake to have live, national coverage on television. It was also the event that triggered more long-distance phone calls than any other date in history up to that point. Everyone wanted to know if their Bay Area loved ones were OK.

As, of course, did I. My mother (the one whose feet are warmed by Mac) was unable to cross the San Francisco-Oakland Bay Bridge because of the collapsed section, and took a circuitous route around the bay on public transportation to get home from work that night, along with everyone else in the same boat. A commute that normally took about an hour on the bus ended up taking her closer to seven hours.

Before cell phones, there was really no way for me to know if she was going to be able to come home at all that night. As a ten-year-old who had just experienced a major earthquake, it was pretty scary. I stayed at a friend's house that night, as did my brother. We didn't leave a note for Mom, mostly because we didn't want to remain in the high-rise apartment building longer than necessary, but she knew exactly where to find us anyway. She called our respective friends' houses around midnight when she finally got home.

Twenty-two years later, I can still remember exactly what I was eating just a moment before the shaking started. I can remember the underside of the heavy wooden table under which we took cover. I can remember exactly what the shaking felt like. I can remember the color of my friend's socks as we ran down eleven flights of stairs without stopping to put on our shoes. I can remember debating whether to continue walking to my friend's (one story) house in just our socks, or to risk going back inside for shoes (ultimately, we decided to go back inside for shoes and to rescue the cat). I can remember the exact clothing items I had to borrow from my friend to wear to school the next morning. I can remember looking around at the empty desks of my classmates the next day, and hoping that nothing terrible had happened to them.

And I can remember swapping where-where-you-when? stories for years afterward.

As it turns out, the very thing that Carl loved most about the Universe, is also what Neil loves most, and both of them just make you want to pack a bag and head for the stars (well, them and Doctor Who), because really, you're just going home.

The transcript of the video:

Thanks, Neil. Carl would be proud.

It's not that I'm trying to prove that I knew he was cool before anyone else. It's more that I'm trying to prove to myself that I have good taste, and that it was worth it to remember his name.

You see, that original venue was the ill-fated 1000 Markets. You've probably heard of Etsy; 1000 Markets was the same idea, except, well, beautiful. Selling one's wares involved a few hurdles (the site was curated; your product photos had to look good, or you wouldn't be accepted), which ensured that any page on the site looked clean and professional. I loved the way my products looked on 1KM. I loved the way everyone's products looked on 1KM. It became the shop I sent people to, because that's how I wanted them to see my products for the first time.

Unfortunately, it was not to be, and 1KM URLs now bounce to Bonanza. Double-unfortunately, Bonanza is ugly (I actually just poked around after typing that, to see if their site design had improved at all. I thought for a few moments that I was wrong, and they had improved—it didn't look so bad! But then I found the mother of all reasons never to sell my wares there: all-caps extra-large comic sans. In three different colors. Granted, it was an individual seller's shop policies, but it shouldn't even be an option. I didn't go hunting for it; it was the first item I clicked on).

But, back to my impeccable taste. So, Frank Chimera had a shop on 1KM, and I found his art and loved it, and blogged about it in 2009. What I didn't know (until I don't know, today maybe?) was that Frank was also responsible for the beautiful site design of 1000 Markets. Chimero said, "Artisanal selling is the only model of selling things where there's delight on both sides: delight in making, and then delight in consuming. It's a transfer of delight."

It turns out, delight is a bit of a specialty for Frank Chimero. You may have noticed that everything in this post that can be a link is a link, except for Frank's name. That's because I'm making you wait for the delight. His newly launched website, and this other thing of his I found, are absolutely delightful. You need to see them. I promise they're worth the wait.

As far as I can tell, this personal / professional landing page doesn't even exist anymore—at least not in this form. Then, posted a week later, but it's possible I saw them the same day, was this mention of Frank's newly redone website on Swiss Miss.

So take a few minutes for the delight. Scroll down. Slowly. Maybe a few times. Then come back here, because I'm not done showing you the awesome yet. http://FrankChimero.com

Are you back? Are you impressed by that delightful scrolley business? OK, now go here: Frank Chimero's Lost World's Fair: Atlantis. Scrolling all the way to the bottom of a ridiculously long web page has never been so delightful!

There are many interviews with this design master out there, and all of them leave you wanting to be a designer if you're not one already, or to be a better designer if you are. He just wrote a book: The Shape of Design, if you want to delve deeper. This talk he did at the Build Conference is pretty good, too, though I think his audience is a bit of a dud: they don't laugh at his jokes!

One more thing I found impressive, though not at all surprising: almost all of the websites I could find that feature an interview with Frank, or his art, design, or ideas, itself is an example of great design. It's reassuring to see that the people who praise Frank Chimero the most actually know what they're talking about. They recognize great design because they strive to create it themselves.

Below are some of my favorite well-designed sites talking about Frank Chimero:

Oh, also The Mavenist is pretty awesome. Frank explains what it is here, using my all-time favorite exchange from The West Wing as an analogy. Can this fool get any better? Oh, wait, he's a Portland boy, so—yes, yes he can.

Luckily, a few episodes into the series, the show stopped taking itself nearly so seriously, and it's a little less painful to watch, plot-wise anyway. The clothes would still feel quite at home in the above photograph, number 32 in my 36 Views of South Waterfront series. Click on any photo for a slide show of the series so far. "Very smooth routine, Gilmore. Very smooth."

Johnny Depp is currently hitting on a woman who just said, "Welcome to the 80s." Oh, snap. Now he has to pretend to be a student in her class. "Van Halen, dude! The man knows his music!"

There's a 21 Jump Street movie coming out soon. I'm a little worried about it. The original series might be in that precarious state of being—perfect for its time, but not good enough to withstand a re-make, especially in movie format. "I didn't figure you for a Twisted Sister fan."

Though the exhibit and the mural both serve to depict some of the experiences and political struggles of communities of immigrants within the U.S., there is an essential larger message here:

No human being is illegal.

I don't know if you heard me. Let me say that again:

_No human being is illegal. Please apply that to everything. Always. Any scrap of dignity you feel entitled to for yourself should be given to every human being on the planet. No exceptions. I can think of zero circumstances in which dignity should be denied to another citizen of the planet. Or any other planet, for that matter. No human being is illegal. No human being is illegal. No human being is illegal. Keep saying it until you believe it. Now say it to everyone else.

Carissa was confident in her writing, and unafraid to share. Her thoughts were organized well enough for a twelve-year-old, but right in the middle of her soliloquy came this:

_Her teacher and I exchanged glances across the room. He mouthed "Oh my god!" We both knew immediately that such a powerful statement—such a powerful idea—was one not easily understood by very many adults, let alone humans as young as Carissa.

Her teacher informed me later that part of Carissa's academic history included an IEP, or "Individualized Education Program," specifically for writing. Such programs are tailored to meet the academic needs of a student who struggles in a particular area for a variety of reasons.

It's hard to say when Carissa went from struggling with writing to eloquently expressing such powerful ideas, but a safe, respectful environment in which to share her writing aloud was probably a large part of it. If you ask Carissa, she'd say she wants to be a writer when she grows up.

Never underestimate the capacity of a child to think and express in profound ways. Never underestimate the power of a respectful and encouraging community to let individuals shine.

...makes me want to sit down with a nice cool glass of water. Or maybe half a glass...