David Galletly: Blog

Thoughts on iBooks, iAuthor & The Illustration Racket

2012-01-20T01:06:30Z

After watching the iBooks Textbooks launch and having a little (like, 2 seconds) noodle around with Apple's new iBooks Author app, my thoughts turned immediately, inevitably, to my own gig - the illustration racket. I think this might be a Big Deal.

To talk from the top of my (admittedly uninformed) head for a minute - if there is now a way, however restricted it may be, to self-publish to the iBookstore, that's gotta be a Big Deal, doesn't it? As a starting point it has to be. Writers, obviously, should be freaking out, but what about illustrators? What about designers or DIY zine makers, knitting enthusiasts or poets? Can we now in theory distribute our books, our portfolios, our zines, our patterns and comics to millions of people? Jesus, if that's the case then yeah, it's definitely a Big Deal.

Depending on how flexible the tools turn out to be (looks like an ISBN may be required) and how expensive (I think you're charged to be listed on the iBook / App store), this could be really interesting. Imagine a digital, animated zine available to anyone with an iPhone or iPad for a couple of quid. Imagine an english student and an illustration student collaborating on a book and making a fortune. Imagine someone like Swatpaz making an interactive adventure story for kids and charging nothing for it because he's a nice guy. Best of all, imagine every illustrator (or agent) given an elegant way to distribute portfolios to anyone who might be interested. That'd be bananas.

Aye, there's a dark side too. The image of a classroom with kids all in rows, pecking away at their iPads (their expensive, fragile, wouldn't-take-it-to-school iPads) is, y'know, creepy. Things'd surely descend into fart apps and cyber-bullying madness by second period. And exactly how much sway should a big technology company have in education anyway? I'm not smart enough to know.

Every step we take away from pens & paper is a step we won't take back. We all love print. We all love glue and photocopies and posting our little envelopes. I don't think anyone wants to see that stuff go away. But, even if books do decline, even if it's better to do most things digitally, there'll still be a place for paper, just like there's still a place for vinyl. Don't worry about that, concentrate on the new stuff!

So what to do? I dunno. I should probably do a little more research and play with the apps properly. That'd be a start. This post is a thinking-as-I-go kinda deal and I'm likely way off with a lot of this - do Apple really want every Tom, Dick or Harry hucking rubbish all over the place? Seems kinda messy. Maybe by launching these products Apple will motivate someone else to do something similar. Regardless, I can't wait to hear what the guys on 5by5 have to say about the whole thing. John Gruber's take is already interesting. Will I make a book? Hmm, I'd certainly like to. Does that mean I will? Um…

Right now all eyes are on education, but it'll just take one clever sod with one clever idea to open the door for everyone. And y'know what? Whoever does that'll probably get a Big (book) Deal out of it.

EDIT: I have just noticed that I refer to the iBooks Author app as 'iAuthor' in the title of this post. Despite this being incorrect I will let it fly because I kinda like it.

Tiptoeing Boots

2012-01-16T14:09:07Z

While making You Only Went Out To Get Drunk Last Night for Kid Canaveral, Alex came up with an idea for what ended up being my favourite scene in the video. She suggested that our 'character' might tip-toe through the bedroom, drunkenly attempting not to wake his partner. This was perfect. It added a gag to what was pretty much a filler sequence. After a few sums, it looked likely that I'd be able to time the shots with the quietest part of the song which gave a really nice build-up to the finale.

Executing the idea proved fiddly. It was 2am and we had very little equipment to speak of. Our bedroom, while not tiny, is also pretty tight for floorspace. These limitations took most of the directing decisions out of my hands - we had to go under the bed. We had to animate the boots from above, pinching the cuffs with our fingernails.

Up until this point, our roles had been set. I'd animate the objects and Alex would work the camera. This scene was different. We swapped back and forth a number of times trying to get something, anything, to work. The problem was two fold: animating the boots was uncomfortable (really uncomfortable. lying-with-your-weight-on-the-edge-of-a-wooden-footboard uncomfortable) meaning we'd only get a few minutes before the 'mover' had to abandon their post and start over; also, you were working blind with no way to tell if your hand was in shot, if you'd moved too far or if what you were doing would achieve the desired effect.

We got there, though. I turned out to be the better animator / endurer of pain and Alex was the better filmer / communicator of how things looked. There was a lot of 'Dave, I can still see your fingers on that left boot' going on. The end result, while not exactly beautiful, is pretty much exactly what I tried to achieve. A success in particular because neither of us knew what the hell we were doing.

On a related note, Kid Canaveral are nominated to support Graham Coxon. You can help their chances by heading to the page and liking their video entry under the Edinburgh Liquid Rooms dropdown. Good idea that.

EDIT: a direct link to the vote page for the KC video is here. God you're a lazy bugger.

Instagramming

2012-01-10T08:20:13Z

For the past year I've been using Instagram, the photo filtering / sharing app. I really like it. I know, I know - making digial pictures look all retro and analogue is cheesy. But, guess what? It's kinda fun. You can be pretty subtle and at least they don't force you to use the faux-Polaroid borders anymore.

Anyway, 'til now, the only person I followed or (allowed to follow myself) was Alex. We had a private photostream (nothing saucy, honest) that only the other could see. It was a pretty cool thing - if Alex was away somewhere, I'd occasionally get a text saying 'check instagram' and I'd know to take a look at whatever she'd found on her travels.

The other day though, disaster struck. Alex accidentally made her stream public and was followed by some people she knew. What do we do?! A first-world problem. Should she block her new friends and go back to how things were before? Maybe. Should she keep her stream public? Maybe. If she did that though, should I keep my stream private? Could I remain monogamous with a polygamist?. I'd feel like a chump. The resolution was to both 'go public' on Instagram and set up a new, private account to keep our silly little world of daft faces and in-jokes alive.

So, should you want to, you can now follow me on Instagram. Just add me as davidgalletly.

My photos range from interesting-ish (like the photo above) to very, very dull. I guess that's true of most people. Maybe with audience of 2+, I'll put a little more effort in. Maybe I'll freak out and delete everyone. Welcome to the future David, it looks like 1978.

Gilbert Crockett: Switch Flip Up Stairs

2012-01-08T10:05:26Z

I've been following Thrasher's King of The Road, a sort of skateboarding version of Challenge Anneka, where skate teams go cross-country and try to score points by completing a list of challenges (grind a certain rail / do a trick naked / kiss an old lady etc.). You kinda forget how daft it is because it's been running for years but it always delivers some good footage.

After watching the most recent episode, I made this animated gif of Gilbert Crockett's amazing switch kickflip up 6 (longish!) stairs. Partly because it's a pretty frickin' good trick and partly to see if I could work out how to turn a YouTube clip into an animation. Turns out I could!

Back to Blog

2012-01-07T18:02:08Z

For the past couple of days I've been playing with my website. I've now finished (for the time being). My blog is now successfully powered by the fantastic Squarespace. I figured that, after a good few years of using free services (Blogger and more recently Tumblr), I needed something a little more substantial. I can now properly manage my content and... comments are back!

To any visitors, I guess not much has changed. That's a good thing. I've spent an afternoon moving posts over to my new space and setting up a bunch of 301s to make sure all links point where they should. I'm no expert but, hopefully, the transition was pretty seamless.

For subscribers, you might have been bombarded with a bunch of old content today. I apologise if that was the case. The worst of it is now over. My understanding of RSS etc. is pretty limited, but I've tried to make sure I lost as few people as possible in the switch. Should you be an existing subscriber, or a new visitor wishing to subscribe, my Feedburner feed is the one to use. That'll make sure you stay with me wherever I go.

I've a post in the works about my reasons for switching that, once I've finished off a little work, should appear soon. In the meantime, here's to another year of posting rubbish.

A 2011 Montage: 12 Photos Per Month

2012-01-02T14:13:00Z

For the 4th time now I’ve taken enough photographs to put together a montage covering the 12 months since the last New Year. Arranged chronologically, each row of the above image represents a month of 2011 using photos taken with my camera or my phone*. The previous ones are here: 2008, 2009, 2010.

This has become a tradition. I sit down, usually on New Years Day, and take a few hours sorting through iPhoto, dropping pictures into folders and sticking them together in Photoshop. The end result, while likely dull to anyone but myself and maybe a few of my friends is, to me, quite a special little thing. That 4400 x 3300 (full size) rectangle contains the 28th year of my life. I can’t change that. Not now, not ever.

For some months, the pickings were mighty thin. Maybe I didn’t do much, maybe I didn’t carry a camera. For others, there were so many photos that I had to be completely ruthless with my editing. It’s a hard balance weighing up how much I like a particular image with how much it represents a time or an event. I also try to include a good mixture of ‘important things’ (eg. a holiday / an exhibition) and ‘silly things’ (goofing off around the house / stuff we’ve eaten).

On the whole, 2011 has been a funny one. Small in some ways - I didn’t leave Scotland, I didn’t exhibit much, I put on a little weight. Big in others - I worked on some of my most important jobs (many of which I can’t talk about yet), I spent my first full year living with Alex and we passed the ‘6 months until our wedding’ milestone. I saw less of my friends and less of my parents than at any other time of my life. I made some ‘career’ decisions that I really regret and others that I’m really proud of. At some points I was very happy, at others I was very sad.

Mostly when I look back, one thought comes to mind: I wish I’d had more time. More time to draw. More time hanging out with Alex. More time alone. More time doing nothing. More time with friends and family. More time working for people I like, less time working for people I hate.

I may do a few more end of year / start of year posts over the next few days, I may not. I know they’re not that interesting to read, but they can be fun to write. Please stay tuned for more rubbish from me throughout 2012. I think it’s gonna be crazy. Thanks for reading my blog. I love you x

* owning a new, fancy phone has presented a problem this year - square photographs! Thanks to the likes of Instagram and Hipstamatic, I’ve actually taken more square pictures than rectangular ones. This has meant that, to keep things consistent, many of my best photos didn’t make the cut. I’m considering making a second, 12 x 12 square montage to fix this.

Bullhorn Boy

2011-12-18T15:14:00Z

This little fellow sits at the bottom of every page in a promotional notepad which arrived as part of a print job. I expect nobody who receives one uses it for anything other than putting cuss words in his mouth.

Gonna do one every weekday.

Wall-E Spotted In Glasgow

2011-11-28T15:15:00Z

Caught him near the Gallery of Modern Art.

Double Dip Christmas Show at Recoat

2011-11-23T15:00:00Z

I’m happy to announce that for maybe the 5th year running I will be participating in the Recoat Christmas show Double Dip in the West End of Glasgow. Super chuffed to be asked.

As always, Amy and Ali invite a wide range of friends to exhibit work at a low, low price. Each wall of the gallery is assigned a price (£25, £50, £75, £100) and is crammed with amazing prints, originals and other goodness. It’s perfect for seeking out a Christmas gift, snapping up a bargain or taking a first tentative step into the world of buying art.

Double Dip will feature an amazing selection of artists from Glasgow + beyond (including me) and is well worth checking out. The opening party on Friday 25th November is especially worth getting to if you can as stuff sells fast. All are welcome and a good number of those exhibiting will be in attendance if you’d like to say hello. Here’s a breakdown of the details:

Double Dip
Cut-price Christmas exhibition

Runs: 25th November - 23rd December 2011
Opening party: Friday 25th November 7-10pm

Recoat Gallery
323 North Woodside Road
Glasgow G20 6ND

Featuring the work of: Matt Mignanelli, Elph, David Galletly, Syrkus, Death Rattles, Eleanor Meredith, Inkie, Odra, Mark Lyken, Russell Dempster, Matt Naylor, Mike Inglis, Pure, FiST, Kath Leone and Will Barras, Tristram Aver, Susie Wright, Andrew Ingram, Al White, Chris MacFarlane

And that’s that. There’s an event page if you’d like to RSVP your attendance and, should you like to ‘like’ the gallery, you can do so on Recoat’s Facebook page. If you’ve never visited before, it’s a really nice wee space really near to the Kelvinbridge underground station. See you there hopefully.

Hair of The Dog at Mono, Glasgow

2011-11-15T14:59:00Z

In just under 2 weeks time I will be participating in a weekend of showing off at the wonderful cafe/bar/record shop that is Mono here in Glasgow. Jonnie Common is set to release Hair of The Dog, a full-length remix album that sees his fantastic debut Master of None set upon by a bunch of talented friends. To celebrate the launch there will be a number of certain things:

Thing number 1: The remix album will be released as a download code exclusively available on a limited-edition Gocco screenprint by myself. It features my Headless Dog drawing and will be available at the event and via the Red Deer Club webshop (p.s. you can head there now to pre-order the album should you wish to guarantee yourself a copy). It costs £5 and will be shipped from Monday 28th November. I will do a follow-up post with images of the Album soon. A print and an album for a fiver! Wait, what?

Thing number 2: Jonnie will also be unveiling a new interactive sound-installation that he’s made in collaboration with Zero Waste Design. Over the whole weekend (25th, 26th & 27th November), all visitors to Mono will be able to ‘mix’ Master of None in a wonderfully inventive way (trust me, it’s awesome). Nip in for lunch and a wee bit of lo-fi surround sound. I’ve had a wee sneak peak at what these guys are up to and I’m really looking forward to seeing the finished product.

Thing number 3: If that’s not all, I will be putting together a small exhibition of bits & bobs (drawings mainly, hairy ones) closely related to my work on Master of None. There will, hopefully, be some new work, large & small, as well as a few older pieces and, if I can figure out the logistics, a wall drawing or two. Remember, this will be a 3-day only show so if you fancy a look you won’t have long to stop in before it comes down.

Thing number 4: Finally, there will be a closing party on Sunday the 27th at 7:30pm featuring live music from Ben Butler & Mousepad, Dems and GRNR as well as a couple of DJ sets in between by Found and The Japanese War Effort. All these acts have contributed to Hair of The Dog by remixing a track of Jonnie’s music. Entry is £4. This’ll be the time to visit if you wanna catch everything at once. Not bad eh? Here are the summarised details:

Hair of The Dog
by Jonnie Common ft. David Galletly
Runs: Fri 25th - Sun 27th Nov
Mono, Glasgow
Free entry

Closing Party
ft: live music & DJs
Sunday 27th Nov
Mono, Glasgow
£4

Please, please, please stop by if you can. It’ll be a weekend of food, drink, art and music. I’ve put some web-flyers and a blurb up on my site should you like to post them on your blog or your social network of choice. Any help in this way would be greatly appreciated as we’re getting to the full-on headless chicken stage and it’s becoming hard to stay on top of the internet stuff. If you’ve never been to Mono, it’s a really great little place and well worth a visit in its own right - good food, nice atmosphere, one of the best record shops in Glasgow.

Keep up to date via Twitter: @jonniecommon / @davidgalletly. As is the way nowadays, you can also visit the Hair of The Dog Facebook page for more info + some chatter. We’ll both be around Mono throughout the weekend too, so say hello.