<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>dcfontana-blog</title><link>http://pippip.typepad.com/dcfontanablog/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/Dcfontana-blog" /><description>DC Fontana - From Merica, UK this mod-soul-beat-jazz Orchestra is currently one of the music worlds un-missables!</description><language>en-US</language><lastBuildDate>Mon, 10 May 2010 10:29:18 PDT</lastBuildDate><admin:generatorAgent xmlns:admin="http://webns.net/mvcb/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" rdf:resource="http://www.typepad.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rdf+xml" href="http://feeds.feedburner.com/Dcfontana-blog" /><feedburner:info uri="dcfontana-blog" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>DC Fontana - From Merica, UK this mod-soul-beat-jazz Orchestra is currently one of the music worlds un-missables!</itunes:subtitle><feedburner:emailServiceId>Dcfontana-blog</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><title>DC Fontana - Super Gig news 2010...</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/cYACwrpAG-Q/dc-fontana-super-gig-news-2010.html</link><category>Gigs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Mon, 10 May 2010 10:29:18 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2010/05/dc-fontana-super-gig-news-2010.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span style="font-family: Helvetica; font-size: medium; line-height: normal; "><blockquote>
<a style="display: inline;" href="http://pippip.typepad.com/.a/6a010536d09bf4970c0133ed71db15970b-popup" onclick="window.open( this.href, '_blank', 'width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0' ); return false"><img  class="asset asset-image at-xid-6a010536d09bf4970c0133ed71db15970b " alt="Brewers droop 1" src="http://pippip.typepad.com/.a/6a010536d09bf4970c0133ed71db15970b-500wi" /></a> <br>&nbsp;<br></blockquote><blockquote><br>STOP PRESS.........DC Fontana confirmed to play this year's <br><span>&nbsp;</span>Eden Sessions festival in Cornwall, England.<br><br>The band will appear on stage at the world-famous <br><span><strong>&nbsp;</strong></span><strong>Eden Project venue</strong> near St. Austell in Cornwall <br><span>&nbsp;</span>on&nbsp;SUNDAY JUNE 27th 2010.<br><br>The DCs are on stage at around&nbsp;3pm&nbsp;in the afternoon.<br><br>Main headline act for the day is disco-pop chart hitter <strong>MIKA.</strong><br><br>The show comes as part of the band's never-ending heavy schedule of dates throughout the UK.<br><br>The band are also delighted to announce they will be playing at this year's wonderful <strong>Euro Ye-Ye festival</strong> in <strong>Gijon, Spain</strong> on <br>FRIDAY JULY 30 2010 before jetting back to the UK to headline the Weston&nbsp;</blockquote><blockquote><strong>Super&nbsp;Mare Scooter Rally&nbsp;</strong></blockquote><blockquote>24 hours later on SATURDAY JULY 31 2010.<br><br>Please keep your eyes peeled on our website,&nbsp;</blockquote><blockquote><a href="http://www.dcfontana.com" target="_blank" title="www.dcfontana.com">www.dcfontana.com</a> &nbsp;for more dates and information.<br>&nbsp;<br></blockquote>

<p><br></p></span></p><div class="feedflare">
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</div>]]></content:encoded><description>STOP PRESS.........DC Fontana confirmed to play this year's Eden Sessions festival in Cornwall, England. The band will appear on stage at the world-famous Eden Project venue near St. Austell in Cornwall on SUNDAY JUNE 27th 2010. The DCs are on stage at around 3pm in the afternoon. Main headline act for the day is disco-pop chart hitter MIKA. The show comes as part of the band's never-ending heavy schedule of dates throughout the UK. The band are also delighted to announce they will be playing at this year's wonderful Euro Ye-Ye festival in Gijon, Spain on FRIDAY JULY 30 2010...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2010/05/dc-fontana-super-gig-news-2010.html</feedburner:origLink></item><item><title>DC Fontana - Official Gig Guide</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/hQkAhlqvZ8s/dc-fontana-the-james-wyatt-alvaston-derby.html</link><category>Gigs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">jamie</dc:creator><pubDate>Mon, 05 Oct 2009 09:17:42 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/10/dc-fontana-the-james-wyatt-alvaston-derby.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><a href="http://dcfontana-social.ning.com/events/dc-fontana-latest-live-dates" target="_blank">Official DC Fontana Gig Guide</a></p><p></p><p><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c012875ee35e4970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Dcf_gif_promo" class="asset asset-image at-xid-6a010536d09bf4970c012875ee35e4970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c012875ee35e4970c-500wi" /></a>&#0160;</p><p><a href="http://www.dcfontana.com/dcfstore/index.php?act=viewCat&amp;catId=1" target="_blank">Buy the Vinyl Single Here!</a><br /><br />You can download the double A side single from over 700+ sites around the world but here are 5 easy places to try: <br />www.7digital.com<br />www.itunes.com <br />www.amazon.co.uk<br />www.hmv.com<br />www.tesco.com<br /> </p><div class="feedflare">
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</div>]]></content:encoded><description>Official DC Fontana Gig Guide Buy the Vinyl Single Here! You can download the double A side single from over 700+ sites around the world but here are 5 easy places to try: www.7digital.com www.itunes.com www.amazon.co.uk www.hmv.com www.tesco.com</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/10/dc-fontana-the-james-wyatt-alvaston-derby.html</feedburner:origLink></item><item><title>DC FONTANA - SOUNDBAR, BIRMINGHAM 12th SEPTEMBER 2009!</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/U4nHCJ4wZjo/dc-fontana-soundbar-birmingham-12th-september-2009.html</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">jamie</dc:creator><pubDate>Wed, 26 Aug 2009 02:22:38 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/08/dc-fontana-soundbar-birmingham-12th-september-2009.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0120a51f6384970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="New Image" class="at-xid-6a010536d09bf4970c0120a51f6384970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0120a51f6384970b-320wi" /></a></p><p>Hi guys, </p><p>The DC Machine is turning over at a furious pace at
the moment. With the ever closer Album Launch Party (26th of sep,
contact us if you want tickets!) Dc are playing the Soundbar on the 12
of September in the middle of Birmingham.</p><p>Its £5 on the door, if you want £4 from www.ticketsllers.co.uk</p><p>Support DC Fontana on the night are Marquis Drive - <a href="http://www.myspace.com/jadeband1" onmousedown="UntrustedLink.bootstrap($(this), &quot;d6ed6ec57d977109c16896a6fdfa84c3&quot;, event)" rel="nofollow" target="_blank"><span>http://www.myspace.com/jad</span><wbr /><span class="word_break"></span>eband1</a></p><p>So please come and have some beers and enjoy some great music!</p><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=U4nHCJ4wZjo:EVRvNJic2zo:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=U4nHCJ4wZjo:EVRvNJic2zo:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>Hi guys, The DC Machine is turning over at a furious pace at the moment. With the ever closer Album Launch Party (26th of sep, contact us if you want tickets!) Dc are playing the Soundbar on the 12 of September in the middle of Birmingham. Its £5 on the door, if you want £4 from www.ticketsllers.co.uk Support DC Fontana on the night are Marquis Drive - http://www.myspace.com/jadeband1 So please come and have some beers and enjoy some great music!</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/08/dc-fontana-soundbar-birmingham-12th-september-2009.html</feedburner:origLink></item><item><title>DC FONTANA ALBUM LAUNCH - SEPTEMBER 26th 2009</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/QsYfAhFLttY/dc-fontana-album-launch-september-26th-2009.html</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">jamie</dc:creator><pubDate>Sat, 08 Aug 2009 03:44:35 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/08/dc-fontana-album-launch-september-26th-2009.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><strong><font size="5"><br /><br /><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0120a4d6227f970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Dc final smaller" class="at-xid-6a010536d09bf4970c0120a4d6227f970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0120a4d6227f970b-320wi" /></a> <br />DON&#39;T MISS DC FONTANA&#39;S BIG NIGHT 
OUT!</font></strong></div>
<div><strong></strong>&#0160;</div>
<div><font size="3"><strong>Roll up! Roll up! For the biggest night out for DC 
Fontana!</strong></font></div>
<div><font size="3"><strong></strong></font>&#0160;</div>
<div><font size="3"><strong>The group is staging its official launch party for its 
forthcoming album</strong></font></div>
<div><font size="3"><strong>&quot;<font color="#008000">Six Against Eight</font>&quot; in 
central London on <font color="#ff0000"><span class="Object" id="OBJ_PREFIX_DWT934">Saturday</span> September 26</font> and we want 
YOU</strong></font></div>
<div><font size="3"><strong>to share this 
incredible&#0160;experience.</strong></font></div>
<div><font size="3"><strong></strong></font>&#0160;</div>
<div><font size="3"><strong>An amazing show featuring the DCs&#0160;and special 
guests jetting in from</strong></font></div>
<div><font size="3"><strong>across Europe is being put 
together</strong></font></div>
<div><font size="3"><strong>to take place at the UK&#39;s most happening 60s music 
event, </strong></font></div>
<div><font size="3"><strong>CROSSFIRE which is </strong></font><font size="3"><strong>held inside the prestigious </strong></font></div>
<div><font size="3"><strong>Venue opposite Regents Park on Great Portland 
Street.</strong></font></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">The debut DC Fontana album is due out at the start of 
<span class="Object" id="OBJ_PREFIX_DWT935">October</span> but</font></strong></div>
<div><strong><font size="3">a special collector&#39;s edition 7&quot; double A sided single 
&quot;The Contessa&quot;/&quot;Snake</font></strong></div>
<div><strong><font size="3">Charmer&quot; will be available on the night in 
London.</font></strong></div>
<div><font size="3"><strong></strong></font>&#0160;</div>
<div><font size="3"><strong>The band is on stage at 10pm and the gig is 
</strong></font></div>
<div><font size="3"><strong>followed by an AMAZING all-nighter 
featuring</strong></font></div>
<div><font size="3"><strong>the cream of Europe&#39;s 60s music DJs spread 
across&#0160;</strong></font></div>
<div><font size="3"><strong>THREE&#0160;rip-roaring rooms of first-class 
music.</strong></font></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">Room One: </font><font color="#000080">Voice Your Choice</font><font size="3"> 
- all oldies, all night: London&#39;s biggest northern soul allnighter (NB: this is 
the 600-capacity&#0160;ballroom DC Fontana will play in)</font></strong></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">Room Two: </font><font color="#000080">Boogaloo!</font><font size="3"> - club 
soul, ska, real R&amp;B, boogaloo and jazz</font></strong></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">Room Three: </font><font color="#000080">The Beat 
Basement</font><font size="3"> - prime cuts of monster 60s garage, psychedelia, 
freakbeat!</font></strong></div>
<div><font size="3"><strong></strong></font>&#0160;</div>
<div><font size="3"><strong>And what an amazing line up of DJ talent on show 
across these rooms to </strong></font></div>
<div><font size="3"><strong>let your hair down to after the DC show 
ends!</strong></font></div>
<div><font size="3"><strong></strong></font>&#0160;</div>
<div><font size="3"><strong>This stunning bill of 60s-spinning talent 
includes:</strong></font></div>
<div><font size="3"><strong>Russ Winstanley (Wigan Casino), </strong></font></div>
<div><font size="3"><strong>Ady Croasdell (100 Club),</strong></font></div>
<div><font size="3"><strong>Robert Bailey (New Untouchables, Beat Bespoke), 
</strong></font></div>
<div><strong><font size="3">Brian Rae, Val Palmer, Dave Greet, 
</font></strong></div>
<div><strong><font size="3">Miguel Ygaza (Mushroom Machine, Spain), 
</font></strong></div>
<div><strong><font size="3">Stephan Golowka (Germany), Coffin Joe (The 
Horrors),</font></strong></div>
<div><strong><font size="3">Scott C (Lava Lounge), Speed, Doctor Robert, 
Roger</font></strong></div>
<div><strong><font size="3">Banks, Alan Handscombe, Jim Cox, Joe Dutton, 
</font></strong></div>
<div><strong><font size="3">Pete Tebbutt....</font></strong></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">Admission is a ridiculously cheap £12 or £ for NUS or 
ES40</font></strong></div>
<div><strong><font size="3">card holders!</font></strong></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">This is astonishing good value for an all-night event 
of this calibre </font></strong></div>
<div><strong><font size="3">right in the heart of London&#39;s West 
End!</font></strong></div>
<div><strong><font size="3">
<div><strong></strong>&#0160;</div>
<div>The DC Fontana album is a stirring collection of majestic soundscapes</div>
<div>and kitchen sink dramas soaked in soul and colour..... art &amp; soul 
for</div>
<div>all....</div>
<div>&#0160;</div>
<div><strong><font size="3">For more information on DC Fontana go 
to</font></strong></div>
<div><strong><font size="3"><span class="Object" id="OBJ_PREFIX_DWT936"><a href="http://www.dcfontana.com" target="_blank">www.dcfontana.com</a></span></font></strong></div></font></strong></div>
<div><strong></strong>&#0160;</div>
<div><strong><font size="3">For more info on the actual club go 
to</font></strong></div>
<div><strong><font size="3"><span class="Object" id="OBJ_PREFIX_DWT937"><a href="http://www.229thevenue.co.uk" target="_blank">www.229thevenue.co.uk</a></span> 
</font></strong></div><p><strong><font size="3">
</font></strong></p><div><strong><font size="3"><br />For tickets see any band member URGENTLY - please note</font></strong></div>
<div><strong><font size="3">once the tickets are sold out we will not be able to get you in for</font></strong></div>
<div><strong><font size="3">this amazing show so BUY EARLY or be disappointed.</font></strong></div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=QsYfAhFLttY:RqH96GdixU4:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=QsYfAhFLttY:RqH96GdixU4:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>DON'T MISS DC FONTANA'S BIG NIGHT OUT! Roll up! Roll up! For the biggest night out for DC Fontana! The group is staging its official launch party for its forthcoming album "Six Against Eight" in central London on Saturday September 26 and we want YOU to share this incredible experience. An amazing show featuring the DCs and special guests jetting in from across Europe is being put together to take place at the UK's most happening 60s music event, CROSSFIRE which is held inside the prestigious Venue opposite Regents Park on Great Portland Street. The debut DC Fontana album is...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/08/dc-fontana-album-launch-september-26th-2009.html</feedburner:origLink></item><item><title>Contessa Euro Tour Diary - our own Italian, French &amp; Swiss Job</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/iBW2gKm9m-E/contessa-euro-tour-diary-our-own-italian-french-swiss-job.html</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mark</dc:creator><pubDate>Mon, 20 Jul 2009 12:55:55 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/contessa-euro-tour-diary-our-own-italian-french-swiss-job.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><strong>Two weeks, four countries, 4,800 miles of non air-conditioned road-rolling in high temperatures, eight shows, bizarre mid-summer hailstorms, sunstroke, injuries, theft&#0160;and police incidents....DC Fontana&#39;s July mini European tour was a full-on furnace blast of fun.</strong></p>
<p>There was no need to consult the compendium of rock &amp; roll controversy. </p>
<p>There were no drugs busts, no televisions propelled through any kind of glass l, no hordes of groupies hangin&#39; out and no cliches of &quot;rock<span id="fck_dom_range_temp_1248088460390_736"></span> &amp; roll&quot;&#0160;total excess to tell the grand children in years to come.</p>
<p>But the &quot;<strong>Contessa</strong>&quot;&#0160;jaunt was memorable for a host of reasons on&#0160;all kinds of (spirit)&#0160;levels and it was a success. Yes...a success!</p>
<p>The tour&#0160;was designed as a two-week promotional&#0160;<em>hors d&#39;oeuvre</em> for the forthcoming debut dc record and a chance for us to escape the studio and head out on the continental highways for a breath of fresh air and to vibe-up again.</p>
<p>Since last summer we have been travelling backwards and forwards up and down the M6 to Liverpool where we have been hanging out and recording &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Six Against Eight&quot;</span></strong>at Echo &amp; The Bunnymen&#39;s studios, Parr Street.</p>
<p>The &quot;<strong>Contessa</strong>&quot; tour was partly to promote the forthcoming release and also partly a chance to let our hair down after completing 90% of the album and give us chance to hang out.</p>
<p>But chasing&#0160;Helios and his fiery chariot across Europe in a stifling tour bus minus air-conditioning left the 11-strong touring party exhausted, dehydrated and often <em>soporific-terrific</em>.</p>
<p>The exhaustion was palpably worsened when humping heavy gear often at the hottest part of the day (anyone who has tried to move a Hammond organ across a busy beach front and down lots of sandy steps with the Mediterranean sun blistering your back will know what I mean!).</p>
<p>But the exhaustion, sunstroke and dehydration was nothing compared to the good-time groove of the good-ship DC Fontana and we had a great time, making many new friends.</p>
<p>My original intention was to write an in-depth daily tour journal on the run but we had lo-fi wi-fi headaches and so this tour diary comes to you right at the end of the &quot;comin&#39; down&quot; part of the trip (man).</p>
<p>Take it in. Spit it&#0160;out.</p>
<p><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000"><strong>DAY ONE - Saturday July 04, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Polesworth, UK</span>)</strong></span></p>
<p>The tour began with a &quot;local&quot; Midlands gig close to DC headquarters in the UK... we made the short&#0160;journey to Polesworth in the north of Shakespeare&#39;s county (Warwickshire) on what was the village&#39;s busiest day of the year.</p>
<p>Carnival Day in Polesworth is like nothing anywhere else....vast amounts of alcohol is drunk to the point where all the pubs have to close by evening time as they literally run out of beer and almost everyone seems to be off their face, including the kids!</p>
<p>This meant we were guaranteed a large and very very lively turnout for the first show of the tour and the audience was a mixture of &quot;smashed&quot; villagers and genuine DC followers all of whom crowded into a small room to catch us playing two sets in very hot conditions.</p>
<p>It was great to see our original guitarist Lloyd (Barnett) in the audience and he seemed to really love the night.</p>
<p>The gig went VERY well&#0160;and&#0160;we played a lot of tunes from the new album including &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Six</span></strong> <strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Against Eight</span></strong>&quot; (the title-track), &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Winona Ryder</span></strong>&quot;, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Switchblade Love</span></strong>&quot;, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">You Strip Me</span></strong> <strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Bare</span></strong>&quot;, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Sleeping With X</span></strong>&quot;, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Poor Boy</span></strong>&quot;, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Benny</span></strong>&quot; and more.</p>
<p>Ex-Dream Factory drummer Steve &quot;Quilly&quot; Quilton sat bleary-eyed at the front of the stage, directly in the full hazy view&#0160;ofour singer Karla &amp;&#0160;constantly demanded to play her tambourine and maraccas...</p>
<p>For the most part this was taken in good spirit but he did overstep the mark and try and grab the mike at one point and to be honest it did become a bit of a pain.</p>
<p>In the end&#0160;Karla relented a little and let him have a&#0160;fiddle&#0160;about with the tambourine&#0160;but his constant interfering, while amusing the band, annoyed some of the tanked-up villagers and by the end of our last set we heard that he had been given quite a heavy beating outside in the car park, providing a literally bloody end to the first night of the tour.</p>
<p>Rock &amp; roll.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY TWO - Sunday July 05, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Coventry, UK</span>)</span></strong></p>
<p>The second leg of the tour was also in the UK Midlands as we made our way down to Coventry to appear at the tiniest venue we have played for many a year...</p>
<p>The Craven Arms is a traditional back-street boozer but is run by a scooter-riding fan and we had a great night there in what we designed as a &quot;dress rehearsal&quot; for the contintental leg of the tour.</p>
<p>Somehow we managed to squeeze into the tiniest of spaces, blocking off the front door of the pub and we were less than six feet from the bar itself by the time we were ready.</p>
<p>It was another fine gig with the new original songs being well received by everyone and we also met up with Dee Dee Kett (she of the mucho-mod-scribblings&#0160;aboard Facebook)&#0160;who came along to check us out and seemed to thoroughly enjoy herself.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY THREE - Monday, July 06, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Tamworth, UK - Metz, France</span>)</span></strong></p>
<p>After a short sleep the dc touring party made a 9a<span id="fck_dom_range_temp_1248092659359_367"></span>m rendezvous at my place in Tamworth and Ad, our regular tour driver (from Vans For Bands), arrived with the tour bus and large trailer which would take us down to Italy and back.</p>
<p>Our Hammond player Scott (Riley) and merchandise-selling girl Charlotte &quot;Charlie&quot; Rose did not join the trip at this stage as they had other commitments which would mean them meeting us in Italy a few days later.</p>
<p>But the rest of the band arrived almost promptly: Karla (vocalist), Neil (guitarist), Jamie (tenor sax), Tim (alto sax &amp; flute), Steve (trumpet), Ben (drummer), Josh (the teenage trombone-playing one)....</p>
<p>After packing the bus and trailer expertly, we set off from dc HQ at 9.30am and trumpet-playing &quot;<em>Trigger</em>&quot; (aka Steve Trigg) immediately suggested a &quot;let&#39;s start the tour as we mean to go on&quot; kind of toast and opened the first bottle of tequila!</p>
<p>The normally silent and reserved Ben (our drummer from the original Hollywood....i.e. the one in south Birmingham and not the one in California) jumped at the chance of downing some of the Mexican spirit.</p>
<p>I made a mental note at the time: this tour is going to be messy.</p>
<p>We arrived at the Channel Tunnel bleary-eyed and babbling incoherently, enjoyed a brief kick-about with the dc football in the car park and then set off on the <em>Tunnel sous La</em> <em>Manche</em> towards <em>la belle</em> <strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">France.</span></strong></p>
<p>The rest of the trip involved us watching a number of DVDs while drinking more tequila and beer including a new DC Fontana &quot;movie&quot; which I called &quot;<span style="FONT-FAMILY: Lucida Grande; COLOR: #a040ff">Grasp The&#0160;Candle</span>&quot;&#0160;that&#0160;I had created on my PC at home.</p>
<p>This 25-minute film shows us at work and play in Liverpool during the early part of 2009 as we continued recording our forthcoming debut disc, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Six Against Eight</span></strong>&quot; at Parr Street Studios on Merseyside.</p>
<p>This seemed to go down very well and matched the tequila-&amp;-beer combo and after watching the DC moviewe were titilated by other visual delights including Derek &amp; Clive, Morecambe &amp; Wise, Family Guy etc...</p>
<p>Our first stop in Europe was at the north-eastern French city of Metz which is the capital of the Lorraine area. We had an overnight stay here which included drinking red wine and noticing how various lorry drivers were taking &quot;ladies of the night&quot; into the hotel for fun and paid-for frolics....we sat outside the hotel in the warm night-air having fun and toasting all manners of things with le vin rouge while being observed by a half-naked man from a nearby window.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY FOUR - Tuesday, July 07, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Metz, France - Luzern, Switzerland</span>)</span></strong></p>
<p>Heading east towards Strasbourg and then south to the border with Switzerland, we experienced rain showers and found that the wi-fi going was poor-to-impossible.</p>
<p>Having never been to Switzerland before it was really great to see the place and the scenery we passed by was just stunning all the way.</p>
<p>We arrived at our second destination, a campsite on the outskirts of Luzern, by early evening and we were shown to our dormitory huts (which we all felt was VERY &quot;Great Escape&quot; - I nicknamed our hut &quot;Tom&quot; after my eldest son!) before heading into town for drinks and food.</p>
<p>Luzern was a smashing place, really pleasant and some great sights to see...... it was as if we had kind of infiltrated some kind of postcard world... I felt like I was in some kind of Alpine AAP cartoon show without any Lederhosen....</p>
<p>After a short while we managed to find ourselves in a bar run by a very friendly Geordie fella from the UK who turned out to be a very genial host, plying us with yet more alcohol and peanuts as the bar&#39;s big screen was filled with the sights and sounds of the Wacko Jacko funeral over in the US of A.</p>
<p>By this time we were already &quot;lubricated&quot; and as the beer continued to flow some of our &quot;comments&quot; about the star-studded so-called King Of Pop&#39;s farewell (particularly when Mariah Carey appeared) were not so well received by other people in the bar.</p>
<p>Striving to avoid an international incident we continued to drink more heavily!</p>
<p>Our genial host had his laptop connected to the big screen and to our amusement (and the irritation of others in the room) the Jackson show was replaced by footage of DC Fontana that can be found on You Tube for a while.</p>
<p>After staggering out of the bar in a largely embarassing state of drunken laughter we had a walk (and then a run) across the city&#39;s famous <em>Kapellbruecke</em> wooden bridge, ate a giant sized pizza and then walked back to the camp site decidedly sloshed.</p>
<p>On the way back Neil &amp; Josh decided to collect a large sized hardboard dolphin advertising sign&#0160;for reasons only they will know but were stopped by a perturbed Swiss police officer who then frog-marched them away to an office to photocopy their passports and to deliver a severe telling off and to inform them &quot;I will be making a report about you.&quot;</p>
<p>During the night in my wooden hut, Jamie was awoken by a mixture of creeping claustrophobia and disturbing noxious whiffery. I was mentally disturbed by his super-strong snoring and searched in vain for the entrance to any escape tunnel...</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY FIVE - Wednesday July 08, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Luzern, Switzerland - Menaggio, Italy</span>)</span></strong></p>
<p>Word reached us from England that Donneye (our producer <strong>Donald Ross Skinner</strong>) was very pleased with a mix-in-progress of the song &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Snake Charmer</span></strong>&quot; from our new record which was underway by his brother Gavin in London.</p>
<p>In the meanwhilst we were also awaiting news from Moseley, Birmingham, where GCorp (formerly the Groove Corporation) were tackling the job of mixing &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Switchblade Love</span></strong>&quot; for the new album...</p>
<p>Travelling through Switzerland and part of the Alps we were treated to a feast of scenic beauty. There was an ambiance which filtered through the tinted glass windows and into our tour bus itself and we settled down,after several failed attempts at yodelling, to enjoying the view and applauding the brilliant driving feats of our regular driver Ad Of Oxford.</p>
<p>There was trouble ahead though.</p>
<p>Firstly, at one of our &quot;urination stops&quot; at a motorway service station I was totally pissed off to discover someone had stolen my camera... this was a tough blow for me as I was amassing loads of material for posterity and as my wife had bought it me as a gift I felt particularly upset about it.</p>
<p>It seemed all a bit mad...weren&#39;t the Swiss supposed to be friendly people in a country where petty crime was almost unheard of? As I surveyed the collection of people in the building it was a mish-mash of holiday-makers, officious service station staff and the occasional lorry driver.</p>
<p>I quickly figured that I had either mis-placed my camera or some non-Swiss opportunist had honed in on me as I was a very tired-looking person. Whoever had taken it and for whatever reason didn&#39;t quite matter...I was gutted.</p>
<p>The staff at the services didn&#39;t really want to know and I left that place with a heavy heart and feeling glum. It was hard to be cheered even though we were passing through some of the prettiest places to see.</p>
<p>As we reached the border between Switzerland and Italy,&#0160;still in Alpine country,&#0160;the frontier forces were less-than-friendly and noticing the &quot;rock &amp; roll&quot; element to our vehicle, we were immediately brought to a halt and myself and Tim were taken off to a nearby police office to explain who we were and what we were doing.</p>
<p>The past day or so had been quite easy in a linguistic way as I speak both French and German (in admittedly limited quantities) but now in Italy I was unable to catch the drift of what animated conversation was taking place before our eyes between various police officers, jobsworths and a rather cool and laid-back cigarette-puffing customs official.</p>
<p>Thankfully, after a while the latter decided to address me in English and he walked me back to the bus and trailer and asked us, in a slow monotone, to open &quot;her up&quot; so he could check what we had on board.</p>
<p>He initially spoke in a very hushed and measured tone which kind of added a touch of menace to proceedings. He had a way of looking direct into your eyes, a look which was horribly penetrative and it seemed to dig in past the eyeball and start tickling the fear-nerve.</p>
<p>The way he spoke made me feel uncomfortable and even made me feel&#0160;guilty&#0160;despite the fact&#0160;we had nothing on board to break into a sweat about (thank God).</p>
<p>He had an intimate knowledge of electric guitars and Hammond organs which was another surprise and he asked me to prove that we were indeed the owners of the gear contained in our bus trailer...he also wanted us to prove that we hadn&#39;t bought all this equipment a few miles behind us in Switzerland (because that&#39;s not part of the EU and therefore there were customs and legal implications).</p>
<p>After allowing us to speak and sweat (and it seemed much warmer over in Italy even though were a stone&#39;s throw from the land of the Swiss) he calmly said &quot;I like you. I believe you. You can go.&quot;</p>
<p>And so we left behind the Swiss-Italian border and soon made it to our next stop which was in the truly magnificently and magical town of Menaggio which hugs the expansive Lake Como.</p>
<p>Here were we staying at the International Youth Hostel which is perched above this impressive body of water and a few hundred yards outside the hustle &amp; bustle of this tourist-trap settlement.</p>
<p>Sadly it was siesta time which meant we couldn&#39;t check in&#0160;and so we decided to head into town to have a beer or two.</p>
<p>That was lovely and the place was just majestic in its natural beauty....everywhere you turned your head to look was another beautiful sight and in a way this got to me as I had no longer got a camera to capture it all!</p>
<p>After yet more lubrication in town we returned to the youth hostel, checked in and went down for dinner and to drink what turned out to be vast quantities of local red wine while savouring the views across the lake.</p>
<p>In fact, we drank ALL of the youth hostel&#39;s red wine and the surprised barman was sent out to find moreas the festivities continued unabashed.</p>
<p>Even driver Ad joined in and he put away a tidy amount of the tasty red drink before retiring for the night! Steve and Karla consumed considerable amounts of wine as well.</p>
<p>This was a fantastic night and even I somehow managed to cheer up - the vibrations were all VERY VERY good to say the least and I think each and every one of us was sad to leave Menaggio after such a short stay (it&#39;s a place I will deffo return to).</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY SIX - Thursday July 09, 2009&#0160;(<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Menaggio, Italy - Montevarchi, Italy</span>)</span></strong></p>
<p>The sadness of leaving Menaggio had a bitter twist to it when we realised a few people in the party had been targetted successfully by the local Italian mosquito contingent&#0160;whomust have had a thoroughly fine feast at the expense of dc fontana.</p>
<p>Jamie was particularly hard hit and had a number of nasty-looking bites which left his legs badly blotched and red. Tim and Karla were also &quot;victims&quot; of the human-hungry mosquitoes whose penc<span id="fck_dom_range_temp_1248097539234_893"></span>hant for English rock &amp; roll blood was in high evidence.</p>
<p>Fortunately, my own insect repellent from Boots had saved my own skin...</p>
<p>After finally clearing the Alpine region we drove south to Milan and collected Scott &amp; Charlie who joined the tour-bus after flying in from ole Blighty as we continued our merry way south into Tuscany, another beautiful area to delight in.</p>
<p>The journey south saw big changes in weather as we experienced prolonged rain showers&#0160;followed by&#0160;very warm temperatures indeed.</p>
<p>By the time we reached our destination, the town of Montevarchi in the province of Arezzo, we were in a MUCH hotter climate and we were all sweating and feeling dehyrdated.</p>
<p>Our next gig on the tour was to be held in a cellar bar called, curiously, &quot;Mods Lounge&quot; on the edge of a piazza in the town centre&#0160;but when we were greeted by the bar owner David, he explained that it shuts during the summer and all events are held outdoors during the hot days.</p>
<p>He gave us all a very welcome cold drink in the cellar bar, had a good chat with us (he speaks brilliant English) and seemed a throughly decent fella.</p>
<p>We followed him across town to the Montevarchi swimming baths and were told we&#39;d be playing outdoors on a lorry trailer in front of the swimming pool!</p>
<p>Ad, Charlie and myself all took advantage of the pool before the sound check and enjoyed a good swim in very hot temperatures before we decided to set up the stage ahead of our first Italian show of 2009.</p>
<p>After a lovey pre-show dinner of pasta we enjoyed the gig a lot and though the numbers of punters there was disappointing it was EXTREMELY well greeted and - again - material from the new album was received extremely well, particularly the frenetic psychedelic jazz of &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Six Against Eight</span></strong>&quot; which we had re-arranged especially for the tour with our brass section playing some of the very challenging and ultra-cool string parts that appear on the recorded version.</p>
<p>We sold a few dc t-shirts and badges (thanks to Barry &amp; Denise at Pip! Pip! for the excellent merchandise) and all was good.</p>
<p>After the gig we were taken off into the darkness and the hills that surround Montevarchi where the famous Chianti wine grapes are grown and we spent the night at a quite stunning rustic farmhouse high up in the hills.</p>
<p>The place was just amazing and though we were all tired it was a cracking place to spend the night. They had a very friendly husky and beagle and an equally amiable cat at this place and - interestingly - inside&#0160;each bedroom there were a collection of vintage organs and rotary cabinet speakers...</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY SEVEN - Friday, July 10, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Montevarchi, Italy - Terracina, Italy</span>)</span></strong></p>
<p>If the journey from Menaggio to Montevarchi was a long and hot one then today&#39;s trip from the Chianti region to the beautiful coastal resort of Terracina facing out on to the Tyrrhenian Sea was even hotter and more uncomfortable.</p>
<p>We became a veritable&#0160;boil-in-the-bag band as the tour bus steadily steamed down the Italian peninsula through some more delightful countryside.</p>
<p>Despite the discomfort of the heat, we headed south for the &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #00007f">Right Track On The Beach</span></strong>&quot; mod weekender in fine spirit.</p>
<p>After getting a little lost in the town itself, the organisers sent out Guido on his&#0160;scooter to find us and we followed him to the gig venue with our Vespa escort!</p>
<p>Arriving on the sea front in the middle of the afternoon with the sun at its scorching peak we then had the unthankable task of loading the gear down on to the beach itself - the Hammond, its Leslie, the Fender Rhodes and my 8x10 bass amp were all particularly problematic and the sun-worshippers looked on baffled as this hair-bear bunch of tired&#0160;English people attempted this tricky task right in front of them.</p>
<p>Our hosts Leo &amp; Peter were lovely guys, very friendly, helpful and cool people and we knew we were in for a good time.</p>
<p>After a few ice cold beers the band soundchecked and dashed back to the hotel for a quick shower before returning in time to be fed. The organisers provided us with plenty of food but unfortunately it was not vegetarian-friendly so I headed off into town with Jamie&#0160;for an alternative meal and we got back in time to go on stage.</p>
<p>Having no time to try and sort out my unruly hair was of particular embarassment to yours truly....inevitably, as it is want to do, my hair decided it would fool around prior to going on stage and with it sticking out here and there at silly tangents it was quite frankly annoying to me and amusing to the rest of the band.</p>
<p>I refused to gaffer tape the hair down or use industrial strength glue and instead let it flow with the sea breeze as we took to the stage....</p>
<p>Guido introduced us on stage &amp; we started the set with the 100mph amphetamine-doused instrumental soul of &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">The Contessa</span></strong>&quot; and the roar after that tune and the following number, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Sleeping With X</span></strong>&quot; was great to hear and set us up fora great night by the seaside!</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01157127db2c970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="5292_1160494980301_1465612773_30436218_3354538_n" class="at-xid-6a010536d09bf4970c01157127db2c970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01157127db2c970c-320wi" /></a></p>
<p> </p>
<p>All in all we played for just under two hours in front of a very smartly-dressed crowd of 60s nuts from all over Europe.....we saw cats from Spain&#0160;to Scotland and from Italy (of course) to Sweden and all seemed to be smiling and enjoying our performance which also included newies like &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">You Strip Me Bare</span></strong>&quot; (at the moment very difficult to play without the orchestra that we employed in the studio) and the 5/4 psychedelcised jazz of Scott&#39;s tune &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Poor Boy</span></strong>.&quot;</p>
<p>Indeed, &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Poor Boy</span></strong>&quot; for some reason didn&#39;t seem to generate the same sort of loud sonic appreciation of clapping hands and whooping shouts as some of the other tunes....this seemed to be happening on a number of the gigs on the tour and &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Winona Ryder</span></strong>&quot; was another that occasionally had the same, more muted reaction.</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4c67970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="6050_1200482134661_1306774946_584684_4450045_n" class="at-xid-6a010536d09bf4970c0115721c4c67970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4c67970b-320wi" /></a></p>
<p> </p>
<p>Being someone who looks far too deeply into the whys and wherefors of such stuff it did play on my mind a little....why were these songs not getting the rip-roaringly great reactions they should be getting?</p>
<p>Certainly they are great songs and we play them well..... in the end I remembered the words of the great Scott Walker. We had been watching the &quot;30 Century Man&quot; documentary on the tour bus about Mr. Engel&#0160;and he had commented that he feels part of the reason his amazing &quot;Scott 4&quot; album inexplicably died commercially was that he had been writing a lot of his songs in 6/8 and 3/4 and other time signatures than the obvious 4/4 that most pop songs are written in.</p>
<p>It got me thinking....were songs like &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Winona</span></strong>&quot; (which is basically a waltz-time exercise in other-worldly psychedelic soul) and &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Poor Boy</span></strong>&quot; (complete with mod-jazz groove in 5/4) a bit confusing for a crowd expecting four on the floor dancers?</p>
<p>My verdict was that we should do what we do and so we did of the rest of the tour...both &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Poor Boy</span></strong>&quot; &amp; &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Winona Ryder</span></strong>&quot; (&amp; indeed the title track of the album &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Six Against Eight</span></strong>&quot; which is another non 4/4 rhythm track) were played out on each night.</p>
<p>It seems to me you gotta do what you believe in, even if people don&#39;t &quot;get it&quot; straight away! It&#39;s currently a time for bravery within the dc camp...</p>
<p>Interestingly, one or two people did comment to me on how great &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Winona</span></strong>&quot; was in particular after the gigs and that they really enjoyed its slow, soulful vibe which in its live setting has a sort-of Stax brass feel rather than the more elegant orchestrated version that will appear on the record.</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4a0a970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="5292_1160494340285_1465612773_30436202_5044817_n" class="at-xid-6a010536d09bf4970c0115721c4a0a970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4a0a970b-320wi" /></a></p>
<p> </p>
<p>After the gig in Terracina Scottish DJ Mickey Collins said he particularly enjoyed Scott&#39;s song &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Satisfied </span><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00"><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">(</span>Part 2</span><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">)</span></strong>&quot; which was great to know (he seemed to like the band a lot and we are hoping to get something on the go with him in Glasgow). The drinks were flowing in earnest and Karla certainly let her hair down late into the night.</p>
<p>The DJ part of the event was taking place above the area where we had played in a circular room and it was cracking fare on offer with an exquisite blend of sounds for the cool school covering most aspects of the mod/60s scene.</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4e07970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="6050_1200482094660_1306774946_584683_353541_n" class="at-xid-6a010536d09bf4970c0115721c4e07970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4e07970b-320wi" /></a></p>
<p> </p>
<p>Rumour has it that&#0160;Karla later&#0160;decorated the beach before the sun came up with an assortment of tummy tinsel but I didn&#39;t witness that myself :)</p>
<p>Indeed I was starting to feel decidedly dodgy so I made a sharp exit back to the lovely hotel. Scott and Charlie got a lift back from Peter and were in a messy condition to the point where Scott climbed over a fence to get back into the hotel and injured his ankle quite badly while doing so.</p>
<p>Another ankle problem affected Neil whose joints seemed to swell alarmingly as if he had some kind of water retention problem due to the long hours of travel on the tour bus.</p>
<p>My theory was it must have been red wine retention but, joking aside, he did suffer with this for a few days.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY EIGHT - Saturday, July 11, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Terracina, Italy</span>)</span></strong></p>
<p>This was designated as our main &quot;day off&quot; and those who managed to make breakfast at the hotel should have been awarded a medal. I failed and spent several hours seeking the solace of the cold porcelain of my hotel room toilet.</p>
<p>I think it was a mixture of the soaring high temperatures, the long days of travel, the exhaustion of humping gear &amp;&#0160;playing live and perhaps maybe a teeny weeny bit to do with excessive alcohol intake.....</p>
<p>Eventually I wobbled downstairs to the terrace area outside our (magnificent)&#0160;hotel and joined the rest of the DCs who seemed to be in far better shape than myself.</p>
<p>We spent most of the day relaxing on the terrace drinking, having fun and even taking a two-hour swim in the sea which was great fun. Neil and Josh chickened out from immersing themselves in the salty waters&#0160;and Karla only made a brief appearance but the rest of us swam about in seas strong enough for good surfing.</p>
<p>Later that evening we switched hotels and Tim and I went for a quick shopping trip before the evening fun started at a bar in the town centre called The Old Square where DJs were playing out some fine music as an aperative for the night&#39;s fun back down on the beach.</p>
<p>The dcs together with Ad (sporting a brightly-coloured Hawaiian shirt) and Charlie all enjoyed several hours sitting outside the Old Square drinking, digging the sounds and having our photos taken.</p>
<p>Then we went for something to eat and ended up back at the beach for the night&#39;s entertainment.</p>
<p>I managed to also buy a replacement camera in Terracina which was another good moment for me :)</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY NINE - Sunday July 12, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Terracina, Italy - Genoa, Italy</span>)</span></strong></p>
<p>It was sad to leave Terracina as we had such a great time there and met so many lovely, friendly people before and after our gig....we left with great memories and embarked on one of the longest journeys of the tour which would take us almost the length of Italy back up to the north of the country.</p>
<p>The journey was made on one of the hottest days of the tour so far and by this time everyone was really starting to wilt under the intensity of the heat.</p>
<p>Tim finally decided he could no longer continue being in the van while wearing a shirt and so went topless for the journey while Scott used his own personal fan to try and keep cool (in vain).</p>
<p>Indeed we even plugged in an electric fan to try and cool ourselves down - sadly this merely blew the electricity inside the van which was a bit of a blow of the wrong kind!</p>
<p>Eventually we made the beautiful port city of Genoa and then we looked on in a mixture of disbelief and genuine anxiety as our driver Ad had to drive the tour bus and trailer around some incredibly tight and steep hairpin bends going uphill as we seeked out the International Youth Hostel in Genoa where we were staying overnight.</p>
<p>By the time Ad expertly navigated his way up the mountain to the hostel everyone broke out into spontaneous applause - what a great driver (and with such a great beard)!</p>
<p>Views from the hostel itself on the city below were spectacular and after dinner and yet more wine we attempted sleep.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY TEN - Monday July 13, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Genoa, Italy - Lyon, France</span>)</span></strong></p>
<p>The day began with clouds in the sky which made for a merciful (yet temporary) relief from the heat as we set off heading north from Genoa past Turin and over the border back into France through the south-western part of the Alps.</p>
<p>The Alpine scenery was once again wonderful and though the heat returned with a vengeance we enjoyed the first part of the trip greatly as we headed north.</p>
<p>But it was not a short journey and as the day wore on we became more and more heat-affected. By the time we reached the venue in Lyon we were running slightly late and really feeling exhausted.</p>
<p>Nevertheless we immediately got our gear into the Toi Toi Le Zinc venue and set up to soundcheck which turned out to be a difficult process as local byelaws prohibit loud noises during the day!</p>
<p>Temperatures were now even higher than they were at Terracina and the sweat was literally pouring off us and inside our clothes and shoes as we completed the soundcheck!</p>
<p>Outside there were some great sounds being spun by the English Soulcialist DJ team while Denis (Troufleau), the organiser (and keyboard player with local Lyonnaise funk outfit Betty Pearl) cooked a barbecue.</p>
<p>Also playing on the night was another local Lyon-based band, Mr. Day who were a very tight quartet (Hammond, bass, drums &amp; Mr Day himself on guitar &amp; vocals) playing a brand of Weller-esque soul and funk grooves which was also heavily influenced by Curtis Mayfield.</p>
<p>After they finished their spot we tried to get on stage as fast as we could to rip into &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">The Contessa</span></strong>&quot; which of course we did with aplomb! The reaction was deafening and we had a resounding response from the French crowd.</p>
<p>The 90-minute show was one hell of a sweaty affair and at various points I felt like I was melting into the stage itself...the sweat was pouring off my hands onto the bass which made playing quite complicted at times.</p>
<p>We encored with our re-sculpture of Jackie Lomax&#39;s &quot;Little Yellow Pills&quot; which was received brilliantly well. Ben produced one of his often hilarious set-climax drum sticks-throwing affairs complete with accompanying gurning and this left us all with big smiles on our <em>visages</em> as we left the stage, the floor of which was awash with sweat!</p>
<p>Sadly Jamie left a pair of Levis at the venue during the staggering, bleary-eyed aftermath...</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY ELEVEN - Tuesday July 4, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Lyon, France - Six-Fours-Les-Plages, France</span>)</span></strong></p>
<p>Eleven days into the tour and we were travelling back south again and even further into the furnace!</p>
<p>The journey from Lyon to the French Riviera was another exhausting affair though driver Ad seemed to somehow find an extra burst of speed from somewhere as if we were driving down hill with the wind at our backs driving us forward!</p>
<p>Driving through Provence was just brilliant, and like others before me, I found that by sitting in the front passenger seat of the tour bus with the window wide open produced the most fantastic breeze and brought me pleasurable relief from sitting in the back of the bus which still resembled an oven.</p>
<p>We made the seaside town of Six-Fours-Les-Plages by 2.30pm in the afternoon and found the gig venue, La Vague,&#0160;right on the seafront. However, there was nowhere to park and so we had to double park on the main road and load the gear directly on to the beach in front of several thousand astonished holidaymakers who were sun tanning themselves on the beach outside this quaint restaurant.</p>
<p>The gig was to be played on a reactangle-shaped trailer base parked on the sand facing the restaurant (with the Mediterranean Sea on our left and the seafront road on our right).</p>
<p>As we loaded the gear onto the beach we were met by Bool, the head honcho at La Vague who couldn&#39;t speak a word of English but was a charming, lovely fella and who I managed to converse with using my GCE French!</p>
<p>It wasn&#39;t long before Alain and the rest of the French band Penelope also turned up together with the sound engineering crew and so we all set the stage up as the sun continued to burn brightly throughout the afternoon.</p>
<p>At one point Ad shouted for help as two French policewomen started to write him a parking ticket. I dashed to his aid and explained to the duo that we would only be double parked for another few minutes.</p>
<p>I have to say to you I&#39;ve never met two&#0160;police officers like these before in my life - they were genuine beauties and looked more like models posing in police uniforms....they also had pleasant personalities and were most helpful to us and decided to tear up their ticket!</p>
<p>How I love the Gendarmerie! :)</p>
<p>As we were soundchecking we saw this young lad keep walking in front of the stage and he looked like he was putting sand into the rubbish bin....&quot;odd&quot; I thought. Later I found out he was standing in the sea and scooping out loads of poisonous jellyfish and then putting them into the bin so that he and his friends could feel safer swimming!</p>
<p>This was Bastille Day in France and there were thousands upon thousands of holidaymakers swarming across this popular Riviera resort close to Toulon and Marseille enjoying thier special&#0160;public holiday festival.</p>
<p>Josh and I bumped into a Bastille Day parade in the town centre which had policemen, soldiers, civic dignitaries and a collection of odd-looking firemen who looked like they had been transported straight out of some old 1940s World War II movie.</p>
<p>Penelope played first and had plenty of their own local friends and followers to give them a resoundingly fab reaction. Musically they sounded in some parts 60s-garagey, some parts funky and at other parts quite post-punk, particularly when playing their assortment of synth keyboards (they used 5 keyboards on stage).</p>
<p>Bass player Alain, who also DJd at the party afterwards under his pseudonym of Numero 9, is one of those lovely people who you really enjoy meeting....he was like a large, ever-smiling Gallic garage band guy...somewhow he seemed to personify the year 1966 (not a bad thing in my book) and I found him to be a top fella!</p>
<p>And that had absolutely nothing to do with the fact he kindly gave me a copy of his vinyl compilation of French 60s organ grooves, &quot;Quel Organ!&quot; complete with naked French lady on the front jacket sleeve.</p>
<p>We somehow squeezed onto a tiny stage and felt genuinely worried that one of us would topple off the side or back of this unstable-looking trailer base and fall on to the beach below!</p>
<p>As we launched into &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">The Contessa</span></strong>&quot; there were fireworks exploding across the skyline all around us and there was a gaggle of teenage girls who stood at the front of the stage and bounced up and down together like a female po-go troupe! Standing next to them and going for it was a young teenage mod boy (maybe aged 12 or 13?) dressed in a boating blazer who was having a great time.</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4f11970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="6736_231822985533_556830533_8039554_1507393_n" class="at-xid-6a010536d09bf4970c0115721c4f11970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c4f11970b-320wi" /></a></p>
<p> </p>
<p>It turned out later that he was the son of a radio presenter from Lille in the north of France and they had made the very long journey south to watch us play and to interview us for their show! Magnifique!</p>
<p>This young mod kid went ape when we did our ballsy cover of Brian Auger&#39;s &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Black Cat</span></strong>&quot; and that was a great thing to see! Holidaymakers were walking past all the time and most stopped for long periods on the seafront and danced together on the concrete while the young indie-girls leaped up and down on the sand and pebbles.</p>
<p>We finished our set just in time for the heavens to open which was a huge surprise and we had to make a mad dash to get the electrical equipment under cover... It was a great gig and one that will live long in the memory.</p>
<p>After the show Karla was interviewed by the radio station guy from Lille and we had compliments a-go-go from all manners of people.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY TWELVE - Wednesday July 15, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Six-Fours-Les-Plages, France&#0160;- Nice, France - Beaune, France</span>)</span></strong></p>
<p>This was one of the longest days of the tour.</p>
<p>Firstly we had to drive east to the city of Nice in the morning to drop off our teenage trombone star Josh Large at the airport. Sadly he had to leave the tour early &amp; fly back to Birmingham as he was due to appear in a very prestigious classical concert at the city&#39;s Symphony Hall.</p>
<p>Seventeen year old Josh not only plays trombone with the DCs but he is regarded as one of the country&#39;s top up and coming classical brass players and this was a concert he just couldn&#39;t afford to miss.</p>
<p>So we dropped him off at Nice airport hoping to God he had got his passport and paperwork sorted out and then we headed back towards Toulon before turning north through Provence and heading out of the heat of the south of France.</p>
<p>We drove all day and some of the night as we eventually reached Beaune, a very pretty town in the Burgundy area of France made famous by the Beaujolais wines.</p>
<p>This was another tough day in the tour bus even with one less person on board.</p>
<p>At Beaune we managed to persuade the head waiter at the &quot;Buffalo Grill&quot; restaurant to stay open for a bit longer so we could eat and drink (we did both gloriously well) and then we collapsed into our hotel utterly exhausted.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY THIRTEEN - Thursday July 16, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Beaune, France - Paris, France</span>)</span></strong></p>
<p>The drive from Burgundy to the Ille de la France was mercifully more bearable than previous days as the further north we drove the less intense the heat became.</p>
<p>We arrived in Paris much earlier than we had expected and headed straight to the venue for the evening&#39;s gig which on this occasion was, bizarrely, a genuine Chinese junk ship moored on the River Seine.</p>
<p>La Dame de Canton is about as unusual a gig venue as you can find but somewhow DC Fontana has a knack of seeking them out! :)</p>
<p>Loading the gear on board the ship was yet another tricky exercise and I was wary because on board we immediately noticed that it was moving quite a lot due to the swell on the river as various cruisers steamed up and down the Seine.</p>
<p>I am one of those people who can get sea-sick standing on a barge so I was dismayed thinking that I was going to spend the gig later that night puking up into a vomit bucket while trying to keep the groove flowing!</p>
<p>The sound engineer, like all those we encountered on &quot;<strong>The Contessa</strong>&quot; tour was really quite fantastic and very much &quot;on it.&quot; This meant the soundcheck proceeded very smothly (in direct opposition to the choppy waters of the Seine which were throwing the junk about quite a lot).</p>
<p>I was grateful to get off the boat so this land lubber could sit down and clear my head!</p>
<p>There was nowhere to change before the gig so we turned our trailer into a makeshift dressing room before we went on stage to play two sets on board the boat.</p>
<p>During the first set there were not too many punters on board.....and as we had our break we experienced a quite stunning storm of ferocious intensity.</p>
<p>Considering it was the middle of July and that daytime temperatures even in Paris were still scorching, the scene after our first spot resembled November or December. Gale force winds and torrential Monsoon-like rain lashed the boat and the quayside and then the hail arrived...</p>
<p>I don&#39;t think I have ever quite seen hailstones as big as what we witnessed outside La Dame de Canton - they were the size of pebbles and were really hurting anyone they hit. In the night sky above us we were treated to the most spectacular electrical storm and it was all very dramatic, almost cataclysmic and armageddon-like!</p>
<p>People huddled together under the giant gazebos covering the quay next to the boat as she lurched up and down in the waters.</p>
<p>We made a dash for it as our second set was due to start and by the time we were back on board the place was heaving with people, some who were genuinely there to see us and others who wanted shelter from the storm.</p>
<p>This made for an electric atmosphere on the boat and the second set was blistering with a raucous atmosphere as our French audience went nuts. The roar that came during the opening bars of Scott&#39;s Manzarek-esque intro to &quot;<strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #407f00">Remember Me</span></strong>&quot; was just brilliant and the gig was a huge success.</p>
<p style="text-align: center"><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c5643970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="DISPLAY: inline"><img alt="DSCF0337" class="at-xid-6a010536d09bf4970c0115721c5643970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115721c5643970b-320wi" /></a></p>
<p> </p>
<p>Sadly for Tim the heat on board the boat was a bit too much and he very ill minutes after the gig ended and was in a bad way.</p>
<p>After the gig we stayed in a hotel near Montmartre, one of my favourite spots in Paris. Sadly on this trip we were not able to meet up with our Italian friends Kicca Andriollo &amp; Oscar Marchioni (who both live &amp; perform in the French capital) but we are looking forward to them appearing with us live at our forthcoming album launch show at London&#39;s Crossfire event (September 26).</p>
<p>After the Paris gig more wine was drunk in the hotel to celebrate the end of the continental leg of the tour....</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY FOURTEEN - Friday July 17, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Paris, France - Tamworth, UK</span>)</span></strong></p>
<p>We left Paris in the morning and headed north to Calais and the Channel Tunnel to return back to England.</p>
<p>Once again the rain started to fall and though everyone had enjoyed a great trip it was clear that it would be nice to be back &quot;home.&quot;</p>
<p>We arrived back at dc HQ by 10pm to disembark.</p>
<p><strong><span style="FONT-FAMILY: Lucida Grande; COLOR: #c00000">DAY FIFTEEN - Saturday July 18, 2009 (<span style="FONT-FAMILY: Lucida Grande; COLOR: #0000bf">Batley, Yorkshire, UK</span>)</span></strong></p>
<p>On Saturday we travelled north to West Yorkshire to play at The Frontier Club in Batley.</p>
<p>Sadly we were without Steve for this gig though we did have trombone-playing Josh back with us for the gig.</p>
<br />
<p>MARK MORTIMER</p><div class="feedflare">
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</div>]]></content:encoded><description>Two weeks, four countries, 4,800 miles of non air-conditioned road-rolling in high temperatures, eight shows, bizarre mid-summer hailstorms, sunstroke, injuries, theft and police incidents....DC Fontana's July mini European tour was a full-on furnace blast of fun. There was no need to consult the compendium of rock &amp; roll controversy. There were no drugs busts, no televisions propelled through any kind of glass l, no hordes of groupies hangin' out and no cliches of "rock &amp; roll" total excess to tell the grand children in years to come. But the "Contessa" jaunt was memorable for a host of reasons on all...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/contessa-euro-tour-diary-our-own-italian-french-swiss-job.html</feedburner:origLink></item><item><title>Testing...one..two....testing</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/RJG1aRR53NQ/testingonetwotesting.html</link><category>Weblogs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">jamie</dc:creator><pubDate>Sat, 18 Jul 2009 06:40:31 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/testingonetwotesting.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Please bear with me, this is the deranged thoughts of a rambling DC Fontana Tenor Saxophone Player. </p><p><img alt="" src="file:///C:/Documents%20and%20Settings/home/My%20Documents/My%20Pictures/recording/DSC09647.JPG" /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011571217e82970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="DSC09647" class="at-xid-6a010536d09bf4970c011571217e82970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011571217e82970c-320wi" /></a> <br />This is me, and this is a handy way to test whether i&#39;m doing this right. so far so good! </p><p>The band returned from Tour last night (17/06/2009) We arrived in Tamworth around about 9.30 after leaving Paris at 9.30am... amazing! </p><p>Tonight we are gigging at the Frontier Club in Batley (up north!) if your near there do come and say hello and see the band. Anway thats it for now, hopfully this doesn&#39;t look to horrible and i will update more on how the tour went!</p><p>Ciao,</p><p>Jamie</p><br /><div class="feedflare">
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</div>]]></content:encoded><description>Please bear with me, this is the deranged thoughts of a rambling DC Fontana Tenor Saxophone Player. This is me, and this is a handy way to test whether i'm doing this right. so far so good! The band returned from Tour last night (17/06/2009) We arrived in Tamworth around about 9.30 after leaving Paris at 9.30am... amazing! Tonight we are gigging at the Frontier Club in Batley (up north!) if your near there do come and say hello and see the band. Anway thats it for now, hopfully this doesn't look to horrible and i will update more on...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/testingonetwotesting.html</feedburner:origLink></item><item><title>Howdy DC Fontana Members</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/oQY4CjbD5mw/howdy-dc-fontana-members.html</link><category>Weblogs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden</dc:creator><pubDate>Thu, 02 Jul 2009 12:33:59 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/howdy-dc-fontana-members.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570b03f96970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Photo 177" class="at-xid-6a010536d09bf4970c011570b03f96970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570b03f96970c-320wi" /></a> <br />I just managed to set up and test an invitation to be a guest author on the DC Fontana Blog and by Jove it seems to work! I do hope that all those that feel inclined try to complete the sign-up process (which is easy) and start blogging away till their hearts content with exotic tales of far off climes with musical chimes! Be seeing you!</p><div class="feedflare">
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</div>]]></content:encoded><description>I just managed to set up and test an invitation to be a guest author on the DC Fontana Blog and by Jove it seems to work! I do hope that all those that feel inclined try to complete the sign-up process (which is easy) and start blogging away till their hearts content with exotic tales of far off climes with musical chimes! Be seeing you!</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/howdy-dc-fontana-members.html</feedburner:origLink></item><item><title>Interviews</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/Zaj51BTVKrc/interviews.html</link><category>Media</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Wed, 01 Jul 2009 09:03:03 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/interviews.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span style="font-family: Arial; font-size: medium; line-height: normal; "></span></p><div style="padding-top: 7px; padding-right: 7px; padding-bottom: 7px; padding-left: 7px; background-color: #ffffff; font: normal normal normal 13px/1.22 arial, helvetica, clean, sans-serif; font-family: &#39;Lucida Grande&#39;, Verdana, sans-serif; font-size: small; "><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570a5b79e970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="L_9b1976d3b49c4bf7b36c2af34859f51c" class="at-xid-6a010536d09bf4970c011570a5b79e970c" src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570a5b79e970c-320wi" /></a> <br /></div><div style="padding-top: 7px; padding-right: 7px; padding-bottom: 7px; padding-left: 7px; background-color: #ffffff; font: normal normal normal 13px/1.22 arial, helvetica, clean, sans-serif; font-family: &#39;Lucida Grande&#39;, Verdana, sans-serif; font-size: small; ">Please bare with us we are still busy building, pop back soon maybe!</div><p></p><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=Zaj51BTVKrc:l5WVTXxA08U:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=Zaj51BTVKrc:l5WVTXxA08U:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>Please bare with us we are still busy building, pop back soon maybe!</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/interviews.html</feedburner:origLink></item><item><title>Press Reviews</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/9k34be_OeVU/press-reviews.html</link><category>Media</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Wed, 01 Jul 2009 09:02:33 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/press-reviews.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae04b970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="15" class="at-xid-6a010536d09bf4970c0115719ae04b970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae04b970b-320wi" /></a> </p><p>Please bare with us we are still busy building, pop back soon maybe!</p><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=9k34be_OeVU:cnrb_b2PuHg:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=9k34be_OeVU:cnrb_b2PuHg:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>Please bare with us we are still busy building, pop back soon maybe!</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/press-reviews.html</feedburner:origLink></item><item><title>DC Fontana - The Contessa, Euro Tour, July 09</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/1WhIeqHC6b0/dc-fontana-the-contessa-euro-tour-july-09.html</link><category>Gigs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Wed, 01 Jul 2009 07:37:33 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/07/dc-fontana-the-contessa-euro-tour-july-09.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span style="font-family: Helvetica; font-size: medium; line-height: normal; "></span></p><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae1c9970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="DCF_Euro_Tour_Poster_09" class="at-xid-6a010536d09bf4970c0115719ae1c9970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae1c9970b-320wi" /></a> <br /></div><div>DC central is delighted to announce details of a forthcoming mini Euro tour next month.</div><br /><div>The band will be setting up stall in both France and Italy as part of their summer gigging schedule ahead of the release of the super new debut album “Six Against Eight&quot; via the DC Tone label!</div><br /><div>The gigs include a headline slot at this year’s Right Track On The Beach mod weekender at Terracina, Italy.</div><br /><div>Other gigs include shows in Paris, Toulon and Lyon in France and a whistle-stop visit to the beautiful hills of Chianti country in Italy.</div><br /><div>The mod weekender show takes place on Friday July 10 literally on the beach in the popular Italian resort south of Rome in Latina (Lazio).</div><br /><div>The event, which runs all weekend, also features a clutch of respected DJs from across Europe including Alessandro Detassis (Sweden), Alvaro &amp; Mocky Dimples (Spain), DJ Amma (England) and Mikey Collins (Scotland).</div><br /><div>The night before Terracina the DCs are at Mods Lounge in Montevarchi in the Chianti area of central Italy.</div><br /><div>DC Fontana head back into France to plat at Toi Toi Le Zinc in Lyon with Acid Jazz act Mr. Day and the Soulcialist DJ team on Monday July 13, which is a Bank Holiday in France.</div><br /><div>The following night the band heads south again to the French Riviera where they play another show directly on the beach. This time the gig will be outside the venue La Vague in the Mediterranean resort of Six-Fours-Les-Plages which is close to Toulon.</div><br /><div>The DCs return to one of their favourite cities when they head north to play the French capital, Paris, on Thuesday July 16.</div><br /><div>On this occasion the DCs will be live at La Dame de Canton, a fascinating venue for a live show as the club is in fact an authentic Chinese junk sailing ship which is moored on the River Seine!</div><br /><div>The ship has criss-crossed the oceans and has visited more than 40 different countries in the past 10 years but is now moored atPorte de la Gare close to the Bibilotheque (nearest Metro@ Quai de la Gare).</div><br /><div>The tour continues on Saturday July 18 at the Frontier Club in the West Yorkshire town of Batley back in the UK.</div><br /><div>The full tour dates are:</div><br /><div>Sat July 04: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; Polesworth Club, North Warwickshire, UK</div><div>Sun July 05: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160;The Craven Arms, Chapelfields, Coventry, UK</div><div>Tues July 07:&#0160; &#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160; Venue tbc, Paris, France</div><div>Thurs July 09: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; Mods Lounge, Montevarchi, Italy</div><div>Fri July 10: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160;Right Track On The Beach, Terracina, Italy</div><div>Sat July 11: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; Right Track On The Beach, Terracina, Italy</div><div>Mon July 13: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; Toi Toi Le Zinc, Lyon, France</div><div>Tues July 14&#0160;: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; La Vague, Six-Fours-Les-Plages, nr. Toulon, France</div><div>Thurs July 16&#0160;:&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160;&#0160; La Dame de Canton, Paris, France</div><div>Sat July 18: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; The Frontier Club, Batley, UK</div><div><span style="font-family: Helvetica, Verdana, sans-serif; font-size: medium; line-height: normal; "><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Fri 24 Jul: &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; Cox’s Yard, Stratford-upon-Avon,&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><span style="white-space: normal; ">Avonbridge Wharf,&#0160;</span></span><br /></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Sat 25 Jul &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; &#0160; The Yardbird Jazz Club, Birmingham&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><span style="white-space: normal; ">Paradise Place, Birmingham,</span></span></div></span></div><br /><div class="AppleMailSignature" id="31EFDE21-DB7B-4ABC-80EF-D4CE87F514A6"><br /><br /></div><p></p><div class="feedflare">
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</div>]]></content:encoded><description>DC central is delighted to announce details of a forthcoming mini Euro tour next month.

The band will be setting up stall in both France and Italy as part of their summer gigging schedule ahead of the release of the debut album “Six Against Eight.”</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/07/dc-fontana-the-contessa-euro-tour-july-09.html</feedburner:origLink></item><item><title>DC Fontana - A big summer welcome...</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/j6pJhJmm81o/dc-fontana-who.html</link><category>Music</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Fri, 29 May 2009 06:39:53 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-who.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div style="width:360px; text-align: center;"><embed height="160" src="http://w651.photobucket.com/pbwidget.swf?pbwurl=http://w651.photobucket.com/albums/uu234/dcfontana_bucket/dc fontana bandshots/2e795c17.pbw" type="application/x-shockwave-flash" width="400" wmode="transparent" /></div><br /><div>

The UK&#39;s hardest working Mod/Soul/Northern Soul band play Europe to celebrate the release of their debut single &#39;Contessa&#39; and upcoming album&#0160;</div><div>&#39;Six Against Eight&#39;. 
Find a date near you and come and feel the groove.&#0160;</div><div>See who will be there and check those dates for your Summer Calendar?&#0160;</div><br /><div>&#0160;KARLA MILTON: Vocals &amp; guitar</div><br /><div>MARK MORTIMER:&#0160;</div><div>Bass guitar</div><br /><div>SCOTT RILEY:&#0160;</div><div>Vocals, Hammond organ, Fender Rhodes electric piano, Farfisa organ,&#0160;</div><div>Vox Continental organ, guitars</div><br /><div>NEIL JONES:&#0160;</div><div>Guitars &amp; vocals</div><br /><div>BEN JONES:&#0160;</div><div>Drums &amp; percussion</div><br /><div>STEVE TRIGG:&#0160;</div><div>Trumpet, flugelhorn, cornet</div><br /><div>TIM NIGHTINGALE:&#0160;</div><div>Alto. saxophone &amp; flute</div><br /><div>JOSH LARGE:&#0160;</div><div>Trombone</div><br /><div>JAMIE RYDER:&#0160;</div><div>Tenor saxophone</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=j6pJhJmm81o:zoxEfKxpLIU:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=j6pJhJmm81o:zoxEfKxpLIU:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>The UK's hardest working Mod/Soul/Northern Soul band play Europe to celebrate the release of their debut single 'Contessa' and upcoming album 'Six Against Eight'. Find a date near you and come and feel the groove.</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-who.html</feedburner:origLink></item><item><title>DC Fontnana - Live Shows 2009</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/SlT5q-RY0_o/dc-fontnana-live-shows-2009.html</link><category>Gigs</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Fri, 29 May 2009 06:24:48 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontnana-live-shows-2009.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae13d970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="73" class="at-xid-6a010536d09bf4970c0115719ae13d970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c0115719ae13d970b-320wi" /></a> <br /></div><br /><div><span style="font-family: Helvetica; font-size: medium; line-height: normal; "><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">24 Jul 2009, 21:00 09:00 PM - Cox’s Yard, Stratford-upon-Avon &#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Avonbridge Wharf, Bridgefoot, Stratford-upon-Avon, Midlands CV37 6YY -</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">+ Support (Outraze)</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">25 Jul 2009, 22:00 10:00 PM - The Yardbird Jazz Club, Birmingham&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Paradise Place, Birmingham, Midlands B3 3HJ -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">01 Aug 2009, 14:00 02:00 PM - GW Fest, Warwick&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">TBC, Warwick, Midlands -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">open-air festival</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">01 Aug 2009, 20:00 08:00 PM - The Fox &amp; Dogs, Warton&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Orton Road, Warton, Midlands B79 0HT -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">08 Aug 2009, 21:00 09:00 PM - The Clarendon - Royal Leamington Spa&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">44 - 46, Clarendon Avenue, Royal Leamington Spa, Midlands CV32 4RZ -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">22 Aug 2009, 20:00 08:00 PM - Walterstock 2009 - Chesterfield&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Hasland Village Hall, Eastwood Park, Hasland,, Chesterfield, Midlands S41 0AY -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Cancer charity event - + supporting DJs &amp; other attractions</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">29 Aug 2009, 21:00 09:00 PM - Bradley House, Uttoxeter&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Bradley Street, Uttoxeter, Midlands ST14 7QA -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">30 Aug 2009, 13:00 01:00 PM - The Old Rose &amp; Crown, Stourport-on-Severn&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Worcester Road, Stourport-on-Severn, Midlands DY13 9PA -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">AFTERNOON charity show for SCOPE +support tbc</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">12 Sep 2009, 21:00 09:00 PM - The Sound Bar, Birmingham&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">205-213, Corporation Street, Birmingham, Midlands B4 6SE -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">19 Sep 2009, 21:00 09:00 PM - Village Sunsets Festival, Scotland&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">TBC, Collieston, Aberdeen, Scotland -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">25 Sep 2009, 21:00 09:00 PM - Spring Meadow Club&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Springmeadow Road, Old Hill, Cradley Heath, Midlands B64 6LB -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">26 Sep 2009, 21:45 09:45 PM - ALBUM LAUNCH @ Crossfire @ The Venue, London&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">229, Great Portland Street, London, London and South East W1W 5PN -</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">+ NUTS dj team + Ady Croasdell</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">17 Oct 2009, 14:00 02:00 PM - Butlin’s,Minehead&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Warren Road, Minhehead, Southwest TA24 5SH -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">24 Oct 2009, 21:00 09:00 PM - Club Cinematheque - Leicester&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Venue to be confirmed, Leicester, Midlands -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">31 Oct 2009, 21:00 09:00 PM - The Boathouse, Rushall&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Daw End Road / Park Road, Rushall, Midlands WS4 1LG -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">13 Nov 2009, 20:00 08:00 PM - The Boundary House, Abingdon&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">69, Oxford Road, Abingdon (near Oxford), South OX14 2AA -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">05 Dec 2009, 21:00 09:00 PM - The Clarendon - Royal Leamington Spa&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">44 - 46, Clarendon Avenue, Royal Leamington Spa, Midlands CV32 4RZ -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">12 Dec 2009, 22:00 10:00 PM - The Yardbird Jazz Club, Birmingham&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Paradise Place, Birmingham, Midlands B3 3HJ -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">13 Dec 2009, 21:00 09:00 PM - The Brickmaker’s Arms, Walsall Wood&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Salters Road, Walsall Wood, Walsall, Midlands WS9 9JB -</span></div><span style="line-height: normal; font-size: 12px; font-family: &#39;Lucida Grande&#39;; "><br /></span><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">27 Mar 2010, 20:00 08:00 PM - Wednesfield British Legion&#0160;</span><span style="white-space: pre; font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">	</span></div><div><span style="font-size: 12px; font-family: &#39;Lucida Grande&#39;; ">Vicarage Road, Wednesfield, Midlands WV11 1SF -</span></div></span></div><div class="feedflare">
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</div>]]></content:encoded><description>Live and direct</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontnana-live-shows-2009.html</feedburner:origLink></item><item><title>DC Fontana Story - Where are They Now? (2004+)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/8SVAuse7EKo/dc-fontana-story-where-are-they-now-2004.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 07:50:47 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-where-are-they-now-2004.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><span style="font-weight: bold; font-size: 14px; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Neil Jones:</span></div><div>Original founding member, Neil has been working on a new band project with fellow ex-DCs Nigel Horton and Nick Read in 2005 while spending time with his young family in Tamworth.</div><br /><div><span style="color: #c00000; font-size: 14px; font-weight: bold; line-height: 17px; ">Nigel Horton:</span></div><div>Long-time DC drummer Nige continues to live and work in Tamworth and, like Neil Jones and Nick Read, is in constant friendly contact with the DCs. He is also working on a new musical project with both Jones and Read together with bassist Glen Lewis (ex-Orange).</div><br /><div><span style="font-weight: bold; color: #c00000; font-size: 14px; font-family: &#39;Lucida Grande&#39;; ">Frazer Douglas:</span></div><div>Has re-located to London and has a new career as an actor, picking up numerous roles including a brief appearance in the James Bond movie ‘Die Another Day’ and various cameo roles in TV shows like ‘East Enders’ and ‘The Bill’ among others. In 2003 he began work on his first major movie role in a film about ‘Joan Of Arc.’</div><br /><div><span style="font-weight: bold; font-size: 14px; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Lloyd Barnett:</span></div><div>Currently residing in north Warwickshire, Lloyd only occasionally dabbles in music but continues to support DC Fontana by watching the band perform regularly.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Nick Read:</span></span></div><div>The former DC Fontana front man quit in 2002 but within weeks joined Warwickshire-based Stone Foundation. But his time with that group was short-lived and he has occasionally returned to perform on stage with DC FONTANA while, in 2005, started putting together a new band of his own.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Mark Wallis:</span></span></div><div>Has continued his obsession with vintage musical instruments by adding to his collection of Hammond organs and Mellotrons by purchasing a Wurlitzer organ and also a theremin plus other electronic gadgets. Mark became a part-time member of Stone Foundation after his stint in the DCs and in 2005 works on a number of other musical projects. Still lives in Tamworth.</div><br /><div><span style="color: #c00000; font-size: 14px; font-family: &#39;Lucida Grande&#39;; "><span style="font-weight: bold;">Andy Codling:</span></span></div><div>Now retired as a live musician, Andy continues to throw himself into his Dinmakers Recording and Rehearsal Studio project, which is currently based in Nuneaton and he has also been heavily involved in helping to record and promote DC pals Stone Foundation.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Claudette Nelson:</span></span></div><div>After her departure from the band it was rumoured the Smethwick-based singer was recording R&amp;B material for a German dance label but the band has not heard a single word from her demise but were shocked to see her appear on television’s ‘Stars In Their Eyes’ show in 2002 as Heather Small of M-People.</div><br /><div><span style="font-size: 14px; color: #c00000; font-family: &#39;Lucida Grande&#39;; "><span style="font-weight: bold;">Donald Ross Skinner:</span></span></div><div>Continues to live in London and work on numerous different musical projects including the highly rated band Kisok. In recent years he has played drums for The Mighty Lemon Drops and regularly tours with his brother Gavin in the Julian Cope band.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Peter Bacon:</span></span></div><div>Enjoyed a short spell in the live DC Fontana band during 2004 on tenor sax and percussion but quit the band to concentrate on a new job with the Lichfield Jazz Festival and continues to play live as part of The Sleaze Brothers.</div><br /><div><span style="font-weight: bold; font-size: 14px; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Christine Wilson:</span></div><div>Christine is now living in north Warwickshire but is no longer singing.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Lee Parkes:</span></span></div><div>Nothing has been seen of Lee since his sudden departure from the band following his brief time with the Fontana set and it is not believed he is still playing guitar.</div><br /><div><span style="font-size: 14px; "><span style="color: #c00000; font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">DeHavilland</span></span></span><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">:</span></span></div><div>Continues to provide Tamworth with its only permanent and professional recording and rehearsal studio but has not played live for some years now. In recent months he has launched a free monthly advertising newspaper in the Midlands town.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Nicci Hall:</span></span></div><div>Continues to live in the Wolverhampton area and performs as a solo singer doing the cabaret circuit in the Midlands.</div><br /><div><span style="font-weight: bold; font-size: 14px; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Bryan Deane:</span></div><div>Lives in Leicestershire and is engaged to ex-DC vocalist Nicci Hall. He occasionally performs live as a solo act in pubs in the Midlands, playing guitar and keyboards.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Paul Scragg:</span></span></div><div>One-time Dream Factory saxophonist, Paul has played on some DC Fontana sessions including ‘The Snake’ but continues to play with his own outfit, the Expresso Bongo Orchestra.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Adie Pyecroft:</span></span></div><div>Since his unfortunate ousting from the band nothing has been heard of the singer but it is presumed he is still living in Leicestershire.</div><br /><div><span style="font-size: 14px; "><span style="font-weight: bold; color: #c00000; font-family: &#39;Lucida Grande&#39;; ">Guy Greenway:</span></span></div><div>Trumpet player and bon vivant, Nuneaton’s ‘Stav’ suffered a horrific accident at work and lost one of his fingers but to this day remains a live musician with a Commitments-styled R&amp;B band.</div><div class="feedflare">
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</div>]]></content:encoded><description>Neil Jones: Original founding member, Neil has been working on a new band project with fellow ex-DCs Nigel Horton and Nick Read in 2005 while spending time with his young family in Tamworth. Nigel Horton: Long-time DC drummer Nige continues to live and work in Tamworth and, like Neil Jones and Nick Read, is in constant friendly contact with the DCs. He is also working on a new musical project with both Jones and Read together with bassist Glen Lewis (ex-Orange). Frazer Douglas: Has re-located to London and has a new career as an actor, picking up numerous roles including...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-where-are-they-now-2004.html</feedburner:origLink></item><item><title>DC Fontana Story - Peopler Get Ready For A New Soul Vision (2000-04)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/22nDpLpUzZs/more-appearances-at-scooter-and-mod-events-followed-throughout-the-rest-of-2000-including-the-birmingham-inland-mod-rally-for.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 07:41:37 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/more-appearances-at-scooter-and-mod-events-followed-throughout-the-rest-of-2000-including-the-birmingham-inland-mod-rally-for.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>More appearances at scooter and mod events followed throughout the rest of 2000 including the Birmingham inland mod rally for the <a href="http://www.newuntouchables.com" target="_blank">New Untouchables</a> as the group’s profile continued to expand. But the impetus started to slow a little as 2000 turned into 2001. With Jones becoming a father for the first time on March 26 after the birth of daughter Daisy time had to be put aside for paternal duties. This, along with a coincidental slowing of the group’s hectic schedule took away a lot of the line-up’s thrust and vitality that had buoyed them so much in the early stages of Read’s tenure.</div><p><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb79495970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Muck" class="at-xid-6a010536d09bf4970c01156fb79495970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb79495970c-320wi" /></a> </p><div>Mark Mortimer &amp; Nick Read <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">photographed at Fazeley by former Fontana horn-blower Andy Codling.</span></span></div><br /><br /><div>Despite this the band played a really belting gig at the Morecambe Scooter Rally at The Carleton on May Bank Holiday weekend before making their third visit to Paris for the Action Vespa Association.</div><div>This time the band played at La Scene Club in the Bastille area of the city in July and had a thoroughly excessive weekend of fun and frolics in the Fab French capital.</div><br /><div>But without realising it, the band was about to enter its most depressing and negative stage of its existence and heralding this black era was the tragic news that close friend Paul ‘Hammy’ Hanlon had lost his 15-year battle against cancer on Friday, September 14, 2001.</div><br /><div>Read, in particular, was shell-shocked, having spent many years in the same band as Hanlon (Dance Stance and Rare Future) and the loss of their friend was equally upsetting for Horton, Jones and Mortimer who all attended the funeral in Atherstone along with hundreds of others.&#0160;A few weeks later and Mortimer was left gutted when his vintage customised Lambretta was stolen from his garden and the band virtually ground to a halt over the Christmas and New Year period.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570accf4c970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Jamminlady" class="at-xid-6a010536d09bf4970c011570accf4c970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570accf4c970b-320wi" /></a> <br /></div><br /><div>Nick Read &amp; Mark Mortimer in action at Tamworth venue The Lady Meadow, Easter 2002. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: The Rev. Delirium.</span></span></div><br /><div>Although the camaraderie and close friendship remained rock solid between all four Fontanas there was no escaping the fact that optimism had seemed to have drained from them since the previous summer and promised plans to record a new single failed to materialise as the group started to feel a little hum drum, harking back to the days just before Frazer Douglas quit in the late 1990s.</div><br /><div>The biggest jolt of all was to come during May 2002 when thieves stole the group’s trailer containing all £40,000 worth of their instruments and equipment from a supposedly secure compound in Fazeley, near Tamworth.&#0160;Like most bands it was far too expensive to have the gear insured so the band now had to face up to the most dreadful news possible and the future seemed to be seriously in doubt.</div><br /><div>‘At the time I was in Cyprus on business,’ said Mortimer, ‘and Nige rang me to say what had happened but I just thought he was having a laugh and I couldn’t believe what he was saying.’&#0160;</div><br /><div>‘The loss of all our gear meant we had to cancel all our shows and it was like someone had dropped this huge weight out of the cosmos and it had crushed us.</div><br /><div>‘We had no way of rehearsing, let alone playing live and as none of us are by any means wealthy we just couldn’t see a way forward. It was a numbing experience and to say the mood had gone jet black was an under-statement.’</div><br /><div>After a few weeks of reflection the band decided to hold its nerve and try to find a way out of the mess they were in.</div><br /><div>A few kindly souls offered to donate cash or raise money for the band throughout the summer of 2002 and the band managed to borrow equipment from friends to enable them to headline the National Scooter Rally Of Scotland in July at which, the very generous organisers donated their net proceeds to the band to help rekindle hopes of a future.</div><br /><div>‘This was all very touching and a bit embarrassing at the time,’ said Mortimer, ‘and to be honest Nick became a little resentful and angry that people may have interpreted this generosity as us becoming a charity cause.’</div><br /><div>‘His attitude was like there are far more worthy causes than us which of course was very true but I also found it really nice that people did care about us and wanted to help save us from tottering over the precipice.’</div><br /><div>Unfortunately, the loss of the gear and these mixed emotions, plus a general weariness of having been in bands non-stop without a break since the early 80s took their toll on front man Read.&#0160;Not only that but he could see little future in playing on the scooter scene and felt a desire to branch out and do something different so before the band convened for a fund-raising show at Polesworth in Warwickshire in August he announced he was quitting DC Fontana.</div><br /><div>This was another hammer blow to the group because, as with Frazer Douglas, Read was a special friend as well as a band colleague and Horton was severely affected.</div><br /><div>It seemed he would follow suit and quit the band and become the first founder member to break away from the outfit that had, by now, become something of an institution in Tamworth.&#0160;Not that anyone could blame him the ‘group’, if you could call it that, now had no lead singer, no lead guitarist, no equipment, no shows planned and, seemingly, no future.&#0160;After a month or two of feeling depressed, Mortimer decided to fight back against the group’s pessimism and decided action was needed to stop the rot and to build a new future for them.&#0160;He recruited Nicci Hall to the band as the new lead singer.</div><br /><div>Hall, who was based in the Black Country, was a singer of outstanding talent and had already enjoyed having a few urban R&amp;B singles released as a teenager. She was no stranger to Mortimer, having sung for his entertainments agency but had no experience of singing with a live band. This inexperience was to prove to be a hurdle within a few months.&#0160;At the same time, Mortimer called up Coalville-based Brian Dean on keyboards and backing vocals.&#0160;For one brief moment Read re-considered his decision to quit and spouted the idea of DC Fontana forming its own record label and using a variety of guest vocalists in different styles of music - a notion that was flatly refused by Horton, Jones and Mortimer.&#0160;Rehearsals began with the new duo over Christmas 2002 as the remaining founder members scrimped and saved to buy new instruments and gear.&#0160;The band sounded instantly different, not only because of Hall’s funkier vocal style and Dean’s classy piano performance but because they were using different instruments and amps there was obviously a different noise coming out.</div><div>‘It was, without trying to sound in any way pathetic, a bit of a self-exploration too as we challenged each other and ourselves to play better, be a bit more sophisticated and to put more actual soul into the sound.’&#0160;The net result was that the band became funkier, the groove developed more space for the songs to breathe in and the songs just achieved more in terms of pizzazz.</div><br /><div>Just as they began to settle into a happy groove Mortimer suffered a freak accident while playing five-a-side soccer and ended up with six broken ribs and this more or less meant the DCs fell silent for a few months.</div><br /><div>But with their debut gig scheduled for the Lady Meadow in Tamworth on May 15, 2003 followed a week later by a prestigious appearance alongside Ranking Roger’s latest incarnation of Two Tone heroes The Beat at The Ryde Theatre on the Isle of Wight, it seemed time was running out to get the show rehearsed in time.</div><br /><div>Despite this, the band dug deep and worked really hard in a very short space of time and the Lady Meadow show was a good start with the Isle of Wight gig an excellent success as the band received their best-ever scooterist event reaction.</div><br /><div>Another great reception was waiting for them at the Bridlington Scooter Rally in the autumn of 2003 but by the time the band set foot on stage there it was clear that any hopes of the line-up settling down were pie in the sky. Friction had developed between the band and the highly-talented Hall.</div><div>Her last live show for the DCs was in Rotherham early in the spring of 2004 and then both she and Dean (by now her boyfriend) had left the band by mutual consent.</div><br /><div>Into the breach stepped that man Nick Read again who was more than happy to return to the DCs on a casual ad-hoc basis to help his mates out. At the same time the group has turned to a Coventry-based female singer Wendy Skoglund who readily dived headlong into the DC Fontana project with gusto.&#0160;Stone Foundation Hammond organist Ian Arnold also began a six-month stint in the group during the spring of 2004 with Lichfield-based South African sax player Peter Bacon also stepping into the live line up.</div><br /><div>Skoglund performed miracles to lean a 90-minute show in just SIX days before making the trip south to the Isle of Wight in May 2004 as the band were re-booked to play at the Lambretta Day event in Ryde, this time alongside another former Two Tone hero in the shape of ex-Specials and FunBoy Three front man Neville Staples.&#0160;The only problem was Skoglund had put so much energy and effort into the group that she had virtually lost her voice by the time the group had disembarked the ferry! Nevertheless, the band enjoyed another successful show with both Read and Skoglund sharing the vocal duties.</div><br /><div>By the summer of 2004 Read had drifted back into the peripheral shadows of the group while ex-Dexy’s trumpeter Lynn Thompson teamed up with the band.</div><br /><div>He had last played with Mortimer, Jones and Horton during various demo sessions they had recorded early in the 90s and had spent the time in between playing live in various soul groups and different incarnations of the Dexy’s project.</div><br /><div>The group was far from settled though when they played a home-town gig in Tamworth on November 6 and shortly afterwards both Horton and Jones decided to throw the towel in, quitting the band at a meeting in Mortimer’s living room.</div><br /><div>They felt they were letting the DCs down by not putting enough effort and desire into the band and, after such a long time with the group, they just felt they had to move on to something else.</div><div>This was the first time that original founding members had quit the group and, initially, the decision hit Mortimer like a harrowing hammer blow. It was, according to the bass player, ‘a tremendously emotional experience and felt a bit like divorce!’</div><br /><div>But with Horton and Jones very amicably deciding to pursue other musical horizons, Mortimer soon became determined to draw a line under what had been a messy period of instability and to create a new DC Fontana that would simply explode with class and energy.</div><div>This determination took on manic proportions as the bassist, together with Skoglund and Thompson, set about the task with a fervent fever-pitch desire.</div><br /><div>‘It wasn’t so much that I wanted to prove Neil &amp; Nige how wrong they were for leaving but more that I genuinely tried to turn that disappointment and hurt upside down and make it a positive thing.</div><div>‘So I set out in my mind a vision of what we could create and how to go a’</div><br /><div>Thanks to Mortimer’s friend Martin Kelly he stumbled across teenage guitar wizard James Stanley who, at their first meeting, quoted funk outfit The Meters as one of his big influences.</div><br /><div>‘Amazing for a 17 year old, I thought’ commented Mortimer ” and it soon became obvious this lad had amazing ability and was not only technically superb but had a real feel for music plus a Hendrix-like gift for visualising the creation of music in a psychedelic-painting sort of way.</div><br /><div>If Stanley added a powerful, even bluesier, feel to the group, then drummer Rob Moore added the punch, style and groove that Mortimer was seeking. Moore, now in his 50s, had played drums in the late 60s with cool underground British psychedelic band World Of Oz and also with Kansas Hook.</div><div>This, of course appealed to Mortimer’s mod sensibilities (he has ten millions of tales to tell!) but also his undoubted experience and excellent ability just knocked the group’s socks off</div><br /><div>With sax player Peter Bacon no longer involved the band turned to another teenage wunderkind, this time Spencer Hague from Leicester, a terrific trombonist with a powerful and</div><div>accurate style that instantly gave the band a FIERCE sounding horn section of class and power.</div><br /><div>The group then recruited Jennifer Mantell to the fold, a Tamworth singer &amp; flautist with a choral and classical background.&#0160;All of this was pulled together over a few crazy weeks at the start of 2005 as the new look group got it together at a series of lively rehearsals in and around Tamworth.</div><br /><div>&quot;We got this collection of disparate characters with a great variety of ages and backgrounds and it just felt so exciting, fresh, positive and uplifting. Without over-stating the situation, it was very much like a ‘renaissance’ and there was a really happy, feeling,“ explained Skoglund</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=22nDpLpUzZs:YLu5MUZt14Q:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=22nDpLpUzZs:YLu5MUZt14Q:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>More appearances at scooter and mod events followed throughout the rest of 2000 including the Birmingham inland mod rally for the New Untouchables as the group’s profile continued to expand. But the impetus started to slow a little as 2000 turned into 2001. With Jones becoming a father for the first time on March 26 after the birth of daughter Daisy time had to be put aside for paternal duties. This, along with a coincidental slowing of the group’s hectic schedule took away a lot of the line-up’s thrust and vitality that had buoyed them so much in the early...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/more-appearances-at-scooter-and-mod-events-followed-throughout-the-rest-of-2000-including-the-birmingham-inland-mod-rally-for.html</feedburner:origLink></item><item><title>DC Fontana Story - Do We Love You (Indeed We Do) (1998-2000)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/xoyLd1vtQII/dc-fontana-story-do-we-love-you-indeed-we-do-19982000.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 07:19:11 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-do-we-love-you-indeed-we-do-19982000.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>The Douglas who returned to the fold was much different to the one who had departed exactly eight calendar months before. He was far happier, brimming with temperance and had a silent resolve to get this band back on track.&#0160;If that meant putting up with cover versions in the short term then so be it because Douglas had visions of greatness that involved writing epic new pop songs.</div><div>The band had always ploughed their own furrow in terms of writing original material and performing it live but these compositions had been overshadowed because of the expediency of having to play covers at the sort of venues they were playing.&#0160;However, Douglas had spent his eight months away from the band re-charging his batteries and sculpting his own composition talents to a degree that he was determined to become a recognised songwriter himself.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acdda8970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Frazer" class="at-xid-6a010536d09bf4970c011570acdda8970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acdda8970b-320wi" /></a> <br /></div><br /><div>Frazer Douglas back in the band and larking around in London, January 1998. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Mark Mortimer</span></span><br /></div><br /><div>For now he got on with the task in hand - re-learning the band&#39;s repertoire inside a week! And he made his return to the stage (at Drayton Manor near Tamworth) on December 19, just three days after officially being welcomed back.&#0160;The following day the band travelled to the Valleys of South Wales to play at a club in Penrhiwcieber - a trip that revitalised the group&#39;s sense of fun and 1998 began with them adding some easy listening covers to their set of psych, garage and soul numbers including Andy Williams&#39; &quot;Music To Watch Girls By.&quot;<br /></div><br /><div>A trip to London in January followed so the group could buy some groovy clothes and a month later the band began work on recording their first-ever CD single in Codling&#39;s own recording studio - called Dinmakers - which was set in the corner of a scrap-yard at Freasley, north Warwickshire (note: this was the same scrap-yard that had been photographed for the front cover of Julian Cope&#39;s 1987 LP &quot;Saint Julian&quot;).</div><br /><div>The band laid down two northern soul covers - Al Wilson&#39;s &quot;The Snake&quot; and &quot;Do I Love You (Indeed I Do)&quot; by Frank Wilson. Wallis provided some interesting tones on the tracks via his 1968 Mellotron and the horns were provided by one-time Dream Factory man Paul Scragg, ex-Dance Stance trumpeter Guy Greenway and Codling himself.&#0160;Extra backing vocals were belted out by two acts working for Mortimer&#39;s Jazzfish agency - Susan James and Beverley Dawn.</div><br /><div>The CD was the beginning of a new era for DC FONTANA who had agreed with Douglas that change was required and required fast to stop the band from disintegrating.&#0160;In the new epoch more self-penned material would appear live and the band would dump all the covers they disliked and replace them with cooler material. Meanwhile, the CD would assist them getting gigs on the scooter and mod scenes.&#0160;Mods and scooterists had started showing up at the band&#39;s gigs during &#39;96 and Mortimer, still riding scooters, listening to soul, jazz, beat and psychedelia had been trying to lead the band even more in that direction for some time.</div><br /><div>Douglas was concentrating on his own compositions that were leaning towards an &quot;easy&quot; vibe with John Barry, Sinatra, Scott Walker and Bacharach being the obvious early influences.</div><br /><div>At this time the band rehearsed more regular than they had done for four years and this helped them forge an idiosyncratic sound that somehow managed to marry the mod/soul edge of Mortimer with the easy leanings of Douglas into one happy mould.</div><br /><div>Douglas had been recording rough demos of his songs on his own four-track home studio machine and then tarting them up at Dinmakers. Some of these included &quot;A Man Could Get Killed&quot; and &quot;Trouble In Toytown.&quot;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde80970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Sillyboys" class="at-xid-6a010536d09bf4970c011570acde80970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde80970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>Silly boys! From left: Neil Jones, Frazer Douglas &amp; Mark Mortimer explore conceptual stage shapes.<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Nigel Horton.</span></span></div><br /><div>The former had a John Barry-meets-Jacques-Brel feel to it with cinematic overtones. Douglas had taught himself just enough to play some trumpet lines and it worked a treat.&#0160;The latter was an almost menacing waltz-time tune that was both easy and trippy at the same time. Unfortunately, the arrangements of these songs made it nigh on impossible for them to be played live.&#0160;Interest from the scootering scene was increasing (especially after adverts had been placed in the Scootering International magazine) and this proved catalytic as DC Fontana&#39;s renaissance continued apace as the band fell at ease with themselves musically, re-discovered their sense of fun and became very choosy about which gigs they agreed to play.</div><br /><div>May 9, 1998 was a first for the band when management of a nightclub in Nottingham called Top Of O&#39;Reilly&#39;s cut them short after four songs, complaining not enough people were dancing.&#0160;Jones:&#0160;&quot;We were up there jumping around and playing our hearts out but the audience were Sharons and Traceys if you know what I mean and they hadn&#39;t got a clue what we were about.</div><br /><div>&quot;We were paid off for the first and only time and we didn&#39;t know whether to be embarrassed or laugh. So we laughed. A lot.&quot;</div><br /><div>Around the same time the Action Vespa Association from Paris, France made contact with the band and they were duly booked to play for them on July 18, 1998 at the Glaz&#39;Art Club on the north-eastern perimeters of the city.</div><br /><div>This was a huge fillip for the band. Paris was Mortimer&#39;s favourite city in the world and he had long harboured a desire to play there one day so this was a dream coming true.</div><br /><div>The trip marked the group&#39;s first-ever gig abroad and although they lost money on it, they had a wonderful time. On the first night they were taken out for drinks by Olivier Stark, the main man with this amiable bunch of French modernists and Mortimer got completely smashed and was violently ill for the whole of the next day.</div><br /><div>&quot;I remember wandering around outside Olivier&#39;s flat trying to stop being sick and trying to not vomit on his scooters! It was utter hell,&quot; he said.</div><br /><div>Thankfully, the bass player recovered enough for the gig, which came just a week after France had won soccer&#39;s World Cup!&#0160;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde4f970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Parislv" class="at-xid-6a010536d09bf4970c011570acde4f970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde4f970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>First show outside of the UK was at the Glaz&#39;Art Club in Paris - here Mark Mortimer (left), Nigel Horton (centre) and Mark Wallis give off good vibes.</div><br /><div>Jones: &quot;We had been trying to learn a few French words to try and impress those watching but when it came to it the only thing Frazer could blurt out was &quot;Coupe de la Monde!&quot; (I.e. the World Cup) which was really good.</div><br /><div>&quot;Also we did the &quot;Self Preservation Society&quot; theme from &quot;The Italian Job&quot; complete with the English soccer chants in it and basically the whole thing was really good fun.&quot;</div><br /><div>Wallis, who had been playing keyboards, was thrilled to borrow a draw-bars organ from a French mod to play on stage and the only one to return home without any enjoyment from the trip was Codling who, by this stage, was tiring of playing live.</div><br /><div>Mortimer added: &quot;The whole trip was exhausting but we loved every second of it and the atmosphere at the club was very cool which struck a serious subconscious note with me.</div><br /><div>&quot;I&#39;d always been infused with a love of 60s modernism, the fashion thing, the scooters and the various music styles but this really just set me ablaze. I went back home and bought a Lambretta Li 125 Special from Des&#39; place in Brum (aka Gran Sport) - the first tidy and cool one I&#39;d ever had - and just felt re-born in a way.&quot;&#0160;This almost spiritual experience for Mortimer in particular hastened the move to a new DC Fontana sound and gigs at venues they had always played at now seemed dull in comparison.&#0160;Strangely enough, the next time anyone from the two-wheeled fraternity offered the band a gig was at a bikers&#39; festival near Burton-upon-Trent and had nothing to do with mods and scooters!&#0160;But the band loved a challenge! They agreed to do the bikers bash at Catton Hall on September 12, 1998 and Mortimer rode to the gig on his Lambretta, much to the utter disbelief of the 200 or so diehard leather-clad bikers!</div><br /><div>Bravery or stupidity, this move somehow gained the band respect among the bikers who took to their sound as much as the scooterist and mod types were doing at other gigs.&#0160;On the way back home from the gig Mortimer&#39;s Lambretta broke down and he ended up pushing it eight miles back to his house in Tamworth!</div><br /><div>The ever-prolific Douglas had recorded more demos of quirky original songs including &quot;Hey! Young Lovers&quot;, &quot;To Catch The Cat&quot; and so on and had dispatched these off to various record labels in the vain hope someone would sit up and take notice.</div><br /><div>The usual polite and not-so-polite record company replies saying &quot;thanks but no thanks&quot; were received back but Neil Hanlon of chart-hitting band The Divine Comedy (one of Douglas&#39; current favourites) had written back very approvingly.&#0160;During the late summer, Douglas had enjoyed a holiday in Greece and met - and fallen head-over-heels for - a Slovenian girl called Ursa and they had been so entranced with each other that they had kept in touch.&#0160;Towards the end of &#39;98 Douglas had flown out to visit his new-found love and their relationship had grown very deep. The band had serious concerns about the singer&#39;s future commitment to the cause, as his interest seemed to be waning the same as before.</div><br /><div>On Christmas Eve 1998 the band played a gig at The Old Liberal House in Tamworth and in the audience was a drunken dancing girl called Claudette Nelson from Smethwick.&#0160;After the show she approached the band and offered her services as a future vocalist - either as a backing singer or on lead. At the time the band laughed off her comments as she was clearly worst for wear and, besides, Douglas was the man!</div><br /><div>But the group&#39;s fears about the same man persisted and worsened even though Douglas had pledged loyalty during a meeting with Mortimer in the opening week of January 1999.</div><br /><div>After Christmas, the band approached Nelson with the idea of inviting her along as a backing vocalist and she immediately began rehearsing with them. Nelson made her first live appearance at Nottingham&#39;s The Maze on January 15, 1999, mainly singing backing vocals to Douglas. However, back-stage afterwards the enigmatic Douglas announced he was quitting the band and emigrating to Slovenia so he could be with Ursa.</div><br /><div>Mortimer: &quot;Everyone was really sad and down but not really surprised in the slightest. The fact he was leaving the band again was bad enough but on a friendship level we were all depressed he was leaving Britain.&#0160;&quot;Of course we were happy he was in love and stuff but it was still hard.&quot;</div><br /><div>However, Nelson was proving to be a very talented singer and she made the instant step up from backing vocalist to lead singer. Her Aretha Franklin-esque vocals were perfectly suited to the northern soul material the band was introducing to the set in droves and it seemed a natural step.</div><div>During this time Douglas stayed on and shared vocals with Nelson until January 30, 1999 when the original singer was given a fond send-off at The DeVere Manor Hotel in Meriden, the centre of England.&#0160;The band decided to advertise for a second lead vocalist, the new idea being to have one male and one female singer and within days Phil McFarlane from Birmingham was on board.&#0160;Having two soulful black singers strengthened the group&#39;s northern soul image both in a visual and audio sense and a whole host of obscure 60s soul numbers were rehearsed including &quot;There Was A Time&quot; - Gene Chandler; &quot;The Right Track&quot; - Billy Butler; &quot;Let&#39;s Wade In The Water&quot; - Marlena Shaw; &quot;Night Owl&quot; - Bobby Paris etc.</div><br /><div>This new-look line-up was first showcased at The Harvester, Solihull on Wednesday, February 10, 1999 to rave reviews and the same happened when the band were invited back by Coventry&#39;s All Or Nothing Scooter Club on February 20, 1999 - a gig delayed because McFarlane had been involved in a minor road accident en route to the venue.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a359970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Claudette" class="at-xid-6a010536d09bf4970c01156fb7a359970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a359970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>Claudette Nelson - gave the band&#39;s sound a more soulful direction during her brief spell as lead singer in 1999.</div><br /><br /><div>A week later the group played for the VFM scooterist organisation in Manchester and McFarlane clearly felt nervous and un-sure how to deal with the gig.&#0160;</div><br /><div>Horton: &quot;We thought it was the skinheads that put him off! But in the end we sussed that he is just a very nervous person with no confidence in his own ability.&quot;</div><br /><div>Reluctantly, McFarlane quit less than a month after having joined, leaving Nelson as the sole soul singer and this was the line-up that appeared at Tony Class&#39; CCI-organised party at the Great Yarmouth National Scooter Rally on April 4, 1999. By this time Wallis had bought a Hammond organ, giving the band a groovier and fuller sound.</div><br /><div>That gig proved to be the final one using the group&#39;s infamous mini bus/van and the final curtain for Codling. The van had to be sold for scrap the following week and the sax player withdrew into his scrap yard studio to concentrate on his Dinmakers recording venture. Then Mortimer broke his elbow and wrist and gigs had to be cancelled as a result.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde21970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Ouch" class="at-xid-6a010536d09bf4970c011570acde21970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acde21970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a></div><br /><div>Ouch! Agony for Mark Mortimer after his double break. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Neil Mortimer.</span></span></div><br /><div>But Class, knocked out by the band at Yarmouth, was spreading the word and, writing in Scootering International, claimed the band was the best he had booked in 15 years.&#0160;A return to Paris followed on June 12, 1999 but the French mods were less impressed with Nelson - now struggling with increasingly intense stage fright - than they were with Douglas.</div><br /><div>One moment of light relief came when, en route to Paris, the band had stopped at a garage in Pas de Calais to buy a gas stove so they could cook breakfast and Wallis insisted he had the best knowledge of the French language.</div><br /><div>So he went inside the garage to buy the stove but returned with a gas lamp, his mastery of the Gallic lingo not what had been suggested! The organ man hadn&#39;t realised he had bought a lamp and tried cooking a tin of baked beans on it- much to the great merriment of the others!</div><br /><div>Despite such lighter moments, the band was very concerned their new singer was still reading lyrics off a music stand on stage and seemed incapable of speaking to the audience, her shyness coming over as being an air of aloofness.</div><br /><div>Mortimer: &quot;She had a great voice, looked good and all that but at the end of the day she wasn&#39;t communicating or connecting the audience and Neil and I were having to do her job for her.&quot;</div><div>This problem was highlighted further at Camber Sands on July 10, 1999. DC Fontana had looked on as Who tribute band Who&#39;s Who had taken the gig by storm and then the Midlanders had to follow their tumultuous reaction.</div><br /><div>Jones: &quot;They had a great thing going with the crowd - and there was about 2,000 people there - but we went on knowing it was going to be hard to keep the great vibe going and Claudette just sort of froze on stage.&quot;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a3fc970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Mailrev" class="at-xid-6a010536d09bf4970c01156fb7a3fc970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a3fc970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>The Birmingham Evening Mail review of the band&#39;s support slot to mod revivalists The Circles at The Shed, Brierley Hill on Friday, August 6, 1999.</div><br /><div>The reaction to the band remained positive but under whelming. A fortnight later the band travelled to play The Winning Post, Twickenham (another Class gig) and Nelson let it slip that she was doing recording work for a dance label and was meeting German representatives of the label after the gig.</div><div>By this stage the band&#39;s frustration at her total lack of stage presence and often-moody tantrums had boiled over into almost open revolt. Nevertheless, they struggled on and hoped their disposition would brighten at the forthcoming Isle of Wight National Scooter Rally.</div><br /><div>But Mortimer somehow managed to break the same elbow for a second time within several months, leaving the gig cancelled and to all intents and purposes, the band was put on ice for three months.</div><div>They reconvened for a long-standing booking at Tamworth Rugby Club on October 2, 1999 but the gig was a disaster and relations between Nelson and the rest of the band was, at best, glacial.</div><div>Mortimer: &quot;After that gig we just never rang her again. I know that sounds crap but it was obvious she didn&#39;t want anything to do with us and our patience had run out.</div><br /><div>&quot;It seemed best that we just let the band be put into hibernation for the winter so we could get our heads together. At this point Claudette would moan about most things and wouldn&#39;t even drive over to Tamworth to rehearse so I don&#39;t see what choice we had.&quot;</div><br /><div>Wallis had indicated for some time that he wanted out as he was desperate to forge his own more experimental path and with him went the Hammond sound. It was a blow to lose such a talented musician but by the same token, there had been a few differences of opinion so it felt right.</div><div>And the band basically ground to a halt, exhausted by constant line-up changes, in fighting and bickering and disillusioned about the future.</div><br /><div>Thankfully, Mortimer, Horton and Jones remained unified, extremely close and although they had suffered the odd disagreement, generally they were extremely together. It always seemed the &quot;others&quot; who brought friction and strife to the unit.</div><br /><div>DC Fontana chilled out and recharged their batteries. Then, a chance meeting, in a pub called The Albert in Tamworth changed the group&#39;s direction and future.&#0160;Mortimer and his old school friends have annual get-togethers at Christmas and at one of these gatherings in the pub, Nick Read turned up and casually asked the bassist &quot;you&#39;re not looking for a singer are you?&quot;</div><br /><div>Read: &quot;It was only a joke really but I couldn&#39;t believe it when he said yes!&quot;</div><br /><div>The guitarist/singer had been putting enormous effort into his band, Mandrake Root for a couple of years and had become very restless and frustrated at their lack of progress.</div><br /><div>The introduction of Read to DC Fontana was an instant hit as the sound became meaty, beaty and full of vitality once again. Not only did the band sound now musically right but also the atmosphere was 100% improved.</div><br /><div>Horton: &quot;Having someone in the band who you went to school with and feel close to was a big thing and the only disappointment we could find is that it took us so long for us to get together!&quot;</div><div>The new look band&#39;s overhauled sound had more energy, zest, life and power and added to the northern soul tracks were some obscure beat and psychedelia. In January and February 2000 the band began work on a new CD.</div><br /><div>The tracks featured were &quot;Father&#39;s Name Is Dad&quot; - a re-invention of the old 1968 psych/mod classic from The Fire and the old northern soul track &quot;The Magic Touch.&quot; An instrumental re-mix of &quot;The Snake&quot; was also added as a bonus track to the CD.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a4d1970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Sleeve" class="at-xid-6a010536d09bf4970c01156fb7a4d1970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb7a4d1970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>The &quot;Father&#39;s Name Is Dad&quot; / &quot;The Magic Touch&quot; CD sleeve.</div><br /><br /><div>Jones played some wicked 12-string Rickenbacker guitar on the first track, including some Roger McGuinn-styled soloing towards the end while Read completely altered the original of &quot;The Magic Touch&quot; by a blast of a guitar solo.</div><br /><div>Initial reaction was a mixture of surprise, delight and foolish snobbery. Surprise because most people had just become acquainted with the Nelson-era sound that was polished, smooth and soulful only to be jarred by this new abrasive, energetic vibe.</div><br /><br /><div>Delighted because the CD really did refresh and energize the group&#39;s sound. And the foolish snobbery - well a tiny minority of northern soul diehards were utterly dismayed the band should try and re-interpret old obscure classics in a garagey guitar style minus the horns and orchestration of the originals. Talk about missing the point!</div><br /><div>But a fine gig for the Fabulous! Organisation at Dempsey&#39;s in Cardiff, South Wales on March 11, 2000 set them off and running once more, followed by a series of excellently received shows.&#0160;Punters took to the new, harder &quot;punk-soul&quot; sound of the slimmed-down quartet and preferring it to the more laid-back &#39;99 line-up, were turning up to shows in larger numbers than ever before.&#0160;In the summer, the group headlined the Self Preservation Society Scooter Club&#39;s bash in Birmingham and also played the Isle of Wight Scooter Rally for VFM at Bobby Gs (aka Livingstone&#39;s) among other scooter related gigs.&#0160;During a wild weekend in London for Jones&#39; stag celebrations, the band went to see reformed 60s mod heroes The Action live at the 100 Club (the legendary gig where Phil Collins made a guest appearance on drums).</div><br /><div>Afterwards Read jokingly asked ex-Genesis man Collins to pose for a photo but the actor-cum-musician refused and scurried off at great speed to try and escape the drunken antics of the Fontana front man.</div><br /><div>Action lead singer Reggie King saw a similar escape plan foiled and chatted away with the band - long admirers of the one-time mod legends - and even agreed to have his photo taken with them at the end of the night.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acdd42970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Action" class="at-xid-6a010536d09bf4970c011570acdd42970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acdd42970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><div>Sweaty DC Fontana members meet up with long time hero Reggie King, lead singer with sensational 60s mod band The Action at London&#39;s 100 Club, June 2000.</div><br /><div>The <a href="http://www.newuntouchables.com" target="_blank">New Untouchables</a> mod organisation had also been taking notice of the new-look outfit and booked them to appear at their inland rally in Birmingham on October 13, 2000.</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=xoyLd1vtQII:ehXRUCQjW1s:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=xoyLd1vtQII:ehXRUCQjW1s:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>The Douglas who returned to the fold was much different to the one who had departed exactly eight calendar months before. He was far happier, brimming with temperance and had a silent resolve to get this band back on track. If that meant putting up with cover versions in the short term then so be it because Douglas had visions of greatness that involved writing epic new pop songs. The band had always ploughed their own furrow in terms of writing original material and performing it live but these compositions had been overshadowed because of the expediency of having to...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-do-we-love-you-indeed-we-do-19982000.html</feedburner:origLink></item><item><title>DC Fontana Story - Hell and Back (1997)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/KRDMDJE6y1U/dc-fontana-story-hell-and-back-1997.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 07:10:25 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-hell-and-back-1997.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>By now Mortimer, Jones, Horton, Barnett and Codling felt Douglas was letting the side down with his apathy and attitude to the audience.</div><br /><div>By contrast Douglas felt the rest of the band were letting him down by persisting with the type of gigs they had been playing - ironically a view which DC FONTANA later came to wholeheartedly embrace!</div><div>But it was plain to both camps that things couldn&#39;t continue as they were because by now venues were refusing to book the band because of their on-stage attitude.</div><br /><div>Things came to a head on April 16, 1997 when they held a meeting in the Bow Street Runner pub in Tamworth to discuss their future and the net result was Douglas resigned.</div><div>The reaction to this was a mixture of relief and great sadness. Yes, Douglas was a reluctant member of the band and his attitude was souring gigs but he was also a soul mate, a dear friend and someone who the rest of the band loved greatly.</div><br /><div>It was a decision that sparked years of niggling line-up changes that greatly disrupted the band as they lurched one step forward and three steps back time and time again.</div><div>Douglas&#39; replacement was DeHavilland who returned as a part-time vocalist. His voice had a similarly deep style to Douglas and he worked very hard at very short notice.</div><div>Unwisely the band decided not to cancel any gigs and failed to properly rehearse a new line-up they felt comfortable with.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acac6c970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Dehav" class="at-xid-6a010536d09bf4970c011570acac6c970b" src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570acac6c970b-320wi" /></a> <br /></div><br /><div>DeHavilland renewed his association with the band in 1997 but this move was doomed to almost instantaneous failure. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Mark Mortimer.</span></span></div><br /><div>DeHavilland, to his credit, learned the repertoire in double-quick time and filled in at very short notice (about 10 days). But there was always an uneasy atmosphere.&#0160;Barnett was instantly turned off by the new era and indicated his desire to follow in Douglas&#39; footsteps. He had other reasons - his job was placing huge demands on his time and he was genuinely exhausted at being in the band and needed a rest.</div><br /><div>His announcement to quit came on April 27, 1997 and for a few weeks the group played as a five-piece instead of six. But after auditions held in Fazeley on May 8, Lee Parkes from Stonydelph got the gig as Barnett&#39;s replacement.&#0160;A naturally quiet sort, Parkes was eager to learn but extra help came in the shape of ex-Joe Brown &amp; The Bruvvers guitar man Steve Martyn, a self-contained cabaret act working for Mortimer&#39;s newly-launched <a href="http://www.jazzfish.co.uk" target="_blank">Jazzfish Promotions</a> business who deputised on guitar at a couple of shows, busking the numbers.</div><br /><div>Mortimer had been left on the dole when Neil Rushton&#39;s Network Records had been bankrupted and had set up his own entertainment agency business directly because of his experiences of working as a member of DC FONTANA.</div><br /><div>On September 26, 1997 the band played their biggest venue - Leicester&#39;s DeMontfort Hall - but the performance wasn&#39;t right at all and by now DC FONTANA were clearly vexed. To say the DeMontfort Hall show embarrassed them was something of an understatement.</div><p><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb770d3970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Fontana98" class="at-xid-6a010536d09bf4970c01156fb770d3970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb770d3970c-320wi" /></a> </p><br /><div><br /><div>DC Fontana in easy listening psychedelic mode in 1998 in Stoke-on-Trent. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Roger Brightmore.</span></span></div><br /><div>DeHavilland&#39;s last gig was on Saturday October 18, 1997 at Nether Whitacre Ex-Servicemen&#39;s Club but a week later a certain Adie Pyecroft was at the mike when DC FONTANA debuted at The Maze Nightclub in Nottingham.</div><br /><div>Pyecroft had been discovered via Mortimer&#39;s Jazzfish business. A mouthy, over-confident singer with a strident garagey voice and the looks of a hard-partying Iggy Pop, he lived in Coalville, Leicestershire and had obviously lived a rock and roll lifestyle!&#0160;His desire and hunger was evident as he very rapidly learned the band&#39;s set and put in a storming show in his first gig at Nottingham. The band was far happier with Pyecroft in the band as he gave them an earthier edge.</div><br /><div>Unfortunately, out of the blue Parkes announced he was quitting on November 7 due to the fact he had got his girlfriend pregnant, once again throwing the group&#39;s plans into turmoil!</div><br /><div>After a few more gigs as a five-piece, a replacement was found in the shape of Mark Wallis, a one-time hippy from Wilnecote who was a demon guitar player and also owned both a Mellotron and a Hammond organ, two very important factors!</div><br /><div>He joined primarily as lead guitarist but with the plan that he would eventually double up as a keyboard player to give the band a wider scope for material, which by now was mainly a mix of psychedelia, garage and soul.</div><br /><div>Pyecroft&#39;s performances were fine but within weeks of him joining Mortimer and Douglas had a&#0160;</div><div>get-together in Nuneaton and had openly discussed a return to the fold for the original vocalist.</div><div>Douglas insisted his head was right, his attitude was spot-on and that he had feverish desire in his bones to make the band work again.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb77030970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Frazerglasses" class="at-xid-6a010536d09bf4970c01156fb77030970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb77030970c-320wi" /></a> <br /></div><br /><div>Effortlessly charming, suave and great fun to be around. DC Fontana&#39;s own Roger Moore, Frazer Douglas returned to the band just before Christmas 1997. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Mark Mortimer</span></span></div><br /><div>The dilemma for the group was that they had discovered a good, strong singer in Pyecroft who was also a fine front man but here was Douglas vying for a return.&#0160;Douglas - unquestionably the better singer - had been so miserable during the latter days of his last term with the band that it would be a gamble if he were re-instated in preference to Pyecroft.</div><br /><div>However, the telling factor was the close friendship that still existed between Douglas and the rest of the band and he was duly restored to the microphone with DC FONTANA on December 16, 1997.</div><div>Pyecroft&#39;s initial reaction was to physically threaten Mortimer - an understandable retort under the circumstances (after all he had done nothing wrong!).</div></div><div class="feedflare">
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</div>]]></content:encoded><description>By now Mortimer, Jones, Horton, Barnett and Codling felt Douglas was letting the side down with his apathy and attitude to the audience. By contrast Douglas felt the rest of the band were letting him down by persisting with the type of gigs they had been playing - ironically a view which DC FONTANA later came to wholeheartedly embrace! But it was plain to both camps that things couldn't continue as they were because by now venues were refusing to book the band because of their on-stage attitude. Things came to a head on April 16, 1997 when they held...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-hell-and-back-1997.html</feedburner:origLink></item><item><title>DC Fontana Story - Magic Bus (1996)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/GCAz8yQTXuY/dc-fontana-story-magic-bus-1996.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 07:02:19 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-magic-bus-1996.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>Douglas felt this irritation more strongly than most and his once wild performances were now more often than not tame in comparison as his interest rapidly subsided into a mixture of resentment and apathy.&#0160;It was at this time that Pete Adams had decided to leave the band to its own devices. He had started off as an additional help, particularly in sourcing bookings but as Mortimer took on the job more and more, his role had become mainly as the person responsible for operating the band&#39;s lighting system.</div><br /><div>Birmingham-based Dave &quot;Brelly&quot; Brelsforth was the person who took over once Adams had decided enough was enough. A strange man in his 50s, Brelly found hanging out with the band as a means of re-living his miss-spent youth in the 60s but although DC FONTANA appreciated his help, the Brummie became somewhat of a comic figure (in a nice way!).</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76cee970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Dave" class="at-xid-6a010536d09bf4970c01156fb76cee970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76cee970c-320wi" /></a> <br /></div><br /><div>&quot;Don&#39;t Look Back In Hanger&quot; - Dave Brelsforth typically acts his age at a 1997 gig. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">P</span></span><span style="font-size: 10px; "><span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">hoto: Lloyd Barnett.</span></span></span><br /></div><br /><div>Barnett: &quot;He went to the most ridiculous extremes to get the lights looking just right and it was all so over the top that it sometimes got on a nerves and at other times we thought it was great he was so bothered about getting it right.&quot;</div><br /><div>Whereas the band&#39;s jibes to Brelly were always in jest, Wedrychowski patently didn&#39;t like the lighting man and her comments were much more cutting and acidic.</div><div>Musically, the band was also changing, moving away from the more obvious covers and it was during 1996 that mods and scooterists started to take notice of them.</div><br /><div>In May 1996 DC FONTANA forked out £1,300 on a battered old Ford Transit mini bus in an attempt to make travel to gigs more cost effective and fun. Up until then the group had used their own cars to reach venues.</div><br /><div>The mini bus was altered by Barnett and Codling who made it half-a-van while Mortimer decided to &quot;decorate&quot; its interior by stapling thousands of photos and memorabilia from the 60s to it!&#0160;Barnett added more &quot;colourful&quot; photos and the bus became a bit of a legend around the Midlands. Jones: &quot;It was always difficult for people to believe it was road-worthy!</div><br /><div>&quot;During the winter being in the bus was hell as the heater was bust and we used to keep a rug in there which we used to all crawl under on the journey home from gigs, often listening to the Beatles&#39; &quot;White Album&quot;.</div><p><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca771970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Magicbus" class="at-xid-6a010536d09bf4970c011570aca771970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca771970b-320wi" /></a> </p><div>Travelling to gig in utter comfort, the band&#39;s infamous van (nicknamed &quot;van oil&quot;) with Mark Mortimer (left). <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Neil Jones.</span></span></div><br /><div>&quot;The bus cost us a mini fortune in repairs and maintenance and it was like an uncomfortable joke - you could even see the road through the bits of the floor that had rotted!&quot;</div><div>If the band&#39;s transportation was somewhat of a gag, then the on-stage vibe had passed the &quot;stale&quot; phase and had deteriorated further to &quot;mouldy.&quot; It wasn&#39;t that they weren&#39;t playing well because by now they were a very tight tour de force live.</div><br /><div>The problem was far more fundamental. Singer Douglas, by now an excellent vocalist and front man, was thoroughly bored of the DC FONTANA trip and although the other members also hated most of the covers they were playing, they found ways of tolerance.</div><br /><div>One of those devices was to drink copious amounts of alcohol and the band staggered throughout 1996 in a smashed stupor, somehow managing to hold it together on stage.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca7b9970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Planet" class="at-xid-6a010536d09bf4970c011570aca7b9970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca7b9970b-320wi" /></a> <br /></div><br /><div>It&#39;s Planet of the Apes time for DC Fontana in Birmingham. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Nigel Horton</span></span></div><br /><div>There were exceptions to the rule. During a gig at O&#39;Shea&#39;s in Erdington, Birmingham on May 25, 1996, the band were playing The Monkees&#39; &quot;Last Train To Clarksville&quot; and managed to get stuck on the opening riff. Instead of moving off into the verse, the group couldn&#39;t for the life of them stop playing the riff and it went on and on for ages until the band collapsed in a mass giggling fit.</div><div>On another occasion they decided to stun the audience at Bolehall Swifts Football Club in Tamworth by going on stage dressed in nothing but swimming trunks.</div><br /><div>It was their way of coping with the decaying interest in the sort of venues they were playing. There was an established circuit of pubs and clubs in the Midlands that covers bands and tribute acts trod.</div><div>But DC FONTANA were far from your average covers band and had soon been banned from some venues that found their attitude snotty and their music too energetic and aggressive.&#0160;Because Mortimer was, in effect, the manager, it was often him who had the ear bashing from discontented landlords and that also bred further bad vibes in the camp.</div><br /><div>By this stage the band had upwards of 150 songs to choose from in their repertoire so they had enough options to cover most types of gigs. On September 28, 1996 they played at a wedding reception held in a giant marquee in the middle of Sutton Park, near Birmingham.</div><br /><div>Douglas became so brassed-off with these kinds of gigs that his attitude to the audience was now that they were an inconvenience and half the time he didn&#39;t bother talking to them.</div><br /><div>The band left the Sutton Park gig in a bit of a storm after leaving bottles and beer cans in what was a beauty spot and again Mortimer was left to apologise for others&#39; actions.</div><br /><div>The following month Mortimer decided to buy a sitar from an Indian importer in Handsworth. He said: &quot;The plan was to try and learn how to play it but that was a pipe dream.</div><br /><div>&quot;I had no chance of doing that and in the end the sitar became an exotic ornament for the house although I did take it on stage a few times and pretended to play it in the middle of &quot;Paint It Black.&quot; I don&#39;t think anyone was fooled!&quot;</div><br /><div>There was a nasty experience for Mortimer when playing for Birmingham University students on November 29, &#39;96. The students had set up enormous amounts of pyrotechnics and indoor fireworks and set them off halfway through the band&#39;s set.</div><br /><div>Mortimer - an asthmatic - was left choking half way through a psyched-out &quot;Gloria&quot; and had to flee the stage, unable to breathe at all and managed to recover outside in the rain, gasping for air. The next day the band was refused payment at The Bradford Arms in Birmingham because they were too loud.</div><br /><div>On December 15, &#39;96 the band played their first official scooterist bash when they appeared at Coventry&#39;s Vauxhall Club for the All Or Nothing Scooter Club.</div><br /><div>But on New Year&#39;s Eve the band performed for almost five hours at a hotel near Birmingham Airport in front of a bunch of demented drunken idiots. It was simply too much and resentment continued to build through the early months of 1997.&#0160;</div><div class="feedflare">
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</div>]]></content:encoded><description>Douglas felt this irritation more strongly than most and his once wild performances were now more often than not tame in comparison as his interest rapidly subsided into a mixture of resentment and apathy. It was at this time that Pete Adams had decided to leave the band to its own devices. He had started off as an additional help, particularly in sourcing bookings but as Mortimer took on the job more and more, his role had become mainly as the person responsible for operating the band's lighting system. Birmingham-based Dave "Brelly" Brelsforth was the person who took over once...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-magic-bus-1996.html</feedburner:origLink></item><item><title>DC Fontana Story - A Hard DCs Night (1993-94)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/Jr0_EBSuyb8/dc-fontana-story-a-hard-dcs-night-199394.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 06:49:52 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-a-hard-dcs-night-199394.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>Then came a gig which was to dramatically alter the way DC FONTANA was to progress over the next few years. By chance the band was approached to play at a special Beatles party night at Tamworth Arts Centre.&#0160;The gig was to coincide with the release of the &quot;Backbeat&quot; movie in UK cinemas and so the band hastily worked out how to play half an hour&#39;s worth of Beatles songs including a garage version of &quot;A Day In The Life&quot;, an awful &quot;Abbey Road&quot; medley, &quot;Taxman&quot;, &quot;You&#39;ve Got To Hide Your Love Away&quot; and a few standards like &quot;Twist And Shout&quot;.</div><br /><div>The gig was a resounding success and the band was shocked to see people going ape at them and frugging around while giving them a standing ovation at the end of their set.</div><br /><div>Jones: &quot;In retrospect, we enjoyed the attention and mini-adulation that it got us thinking a little and we thought we could get more work and have more fun if we did a few more covers. It was such a refreshing change for people to dance to us instead of shoegazing!&quot;</div><br /><div>Inadvertently, the &quot;Backbeat&quot; gig established them as an exciting 60s cover versions band despite the fact they were far more interested in playing their own songs. In the audience at the Arts Centre that night was Beatles fanatic Pete Adams who was so knocked out by what he saw he offered his services as a manager.</div><br /><div>True enough, the work flowed in as they orientated their set to a mix of originals and more mainstream 60s covers (in the past they had played stuff like Love&#39;s take on Bacharach&#39;s &quot;My Little Red Book&quot;) that seemed to appeal to everyone.</div><br /><div>The outfit ploughed on with more gigs and lined up a third demo recording in the summer of &#39;94. This time it was Mortimer&#39;s foolishly ambitious idea of attempting to emulate the grandiose recordings of The Walker Brothers that set him off on one. The venture was set for DeHavilland&#39;s studio again and Mortimer spent a month recruiting a large collection of brass musicians and string players.</div><br /><div>DC FONTANA planned to record Burt Bacharach&#39;s &quot;Another Tear Falls&quot; and Mortimer&#39;s &quot;King&#39;s Evil.&quot; On the hottest day in the year 25-plus musicians turned up at DeHavilland&#39;s to do the recording without any prior rehearsals.</div><br /><div>The first problem was the withdrawal of the string players and making the situation more difficult was the fact that DeHavilland had renovated his premises and hadn&#39;t quite finished it (he was still plastering as the musicians entered the building).</div><br /><div>The recording itself was fraught and was best described as &quot;sweaty chaos.&quot; The horn blowers were mainly average players drawn from the brass band fraternity and though they dutifully tried their best they found organising the parts very difficult.</div><br /><div>The heat made the tuning of the brass instruments a nightmare and as Mortimer vainly tried to conduct them in the studio, it was plain early on the project was pretty much doomed.</div><div>To their credit they battled on and managed to complete a version of &quot;Another Tear Falls&quot; while &quot;King&#39;s Evil&quot; was shelved but the finished product was sub-standard to say the least and Mortimer was the butt of band jokes for quite a while afterwards for coming up with the idea.</div><br /><div>On September 1, 1994 DC Fontana were paid a fee for the first time when they played at the tiny Propino Bibo wine bar in Lichfield and were given the princely sum of £30 for their efforts.</div><div>Mortimer: &quot;It seems ridiculous now but we were absolutely chuffed to bits to get paid full stop and £30 was exciting. Having a bag of chips afterwards and a few beers that were paid for by the gig was something new to us really!&quot;</div><br /><div>Around this time contact was made with former Dream Factory sax man Andy Codling who had recently been sacked by Rare Future and had been licking his wounds. Codling had played on the &quot;Another Tear Falls&quot; session and his willingness to go that extra mile in helping arrange the track had impressed Mortimer who felt the addition of sax could help them perform more soul-orientated tracks.&#0160;The repertoire grew even further as a result of Codling&#39;s decision to become a semi-permanent member of the band but Barnett&#39;s injury jinx struck again in the autumn when the wretched guitarist had to be dragged from his wrecked car after it overturned in a ditch near Atherstone, the musician suffering a broken collar bone, whiplash and cuts.</div><br /><div>After his recovery, DC FONTANA were invited to play at Stockingford Labour Club in Nuneaton on New Year&#39;s Eve, 1994 following a chaotic Boxing Day gig at Foster&#39;s Yard in Polesworth where drunken French tourists had collapsed on top of their gear mid-gig.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca36d970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Withthefontanas-1" class="at-xid-6a010536d09bf4970c011570aca36d970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570aca36d970b-320wi" /></a> <br /></div><br /><div>With the Fontanas, (back row) left to right: Frazer Douglas, Nigel Horton &amp; Neil Jones; (front row) left to right: Mark Mortimer &amp; Lloyd Barnett.<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Matt Page.</span></span></div><br /><div>1995 began with the band playing a series of gigs at Aston University in Birmingham, a ludicrous number of shows at the tiny Tweeddale Arms in Tamworth and publicity photos loosely based on the &quot;With The Beatles&quot; and &quot;Fifth Dimension&quot; (Byrds) sleeves.</div><br /><div>Their &quot;show must go on&quot; spirit prevailed when they played a gig without drummer Horton on February 23, 1995 at The Station Hotel in Sutton Coldfield (he had the &#39;flu)!</div><br /><div>A 14-track cassette was compiled called &quot;Out To Lunch With DC Fontana&quot; featuring all three demos plus a remixed version of &quot;Words Of Wisdom&quot; (without drums) and some awful live rehearsal recordings of self-penned numbers &quot;September Honey&quot; (a garage punker from the Bash Out The Odd days along the lines of The Seeds from Mortimer) and &quot;True Heaven&quot; (a former Scuba Divers track from Jones which had been re-arranged and doused in punky fire) plus a few of the covers including &quot;In The Midnight Hour&quot; and &quot;Roadrunner.&quot;</div><br /><div>The originals were on one side of the tape, the covers on the other -a move that perfectly summed up the groups paradoxical state-of-mind at the time. It was almost as if there were two different DC FONTANAs - one who wrote caustic pop songs with a 60s feel and aimed for the stars and another that was a good-time bar band playing stomping cover versions in a psychotic fashion.</div><div>Around this time the gigging schedule was at its peak and in one crazy week they played eight shows in seven days - the final performance at Ashby-de-la-Zouch&#39;s Bull&#39;s Head complete with the spectacle of Mortimer and Douglas crashed out on the floor at various stages through sheer exhaustion.</div><div>At some gigs there were bizarre requests for Douglas to perform a few Sinatra songs (singing to backing tapes) and Mortimer added to the surreal sense of fun by miming some jazz bass and then being amazed that no one ever realised he wasn&#39;t actually playing live.&#0160;The regular live show had literally been spiced up with the burning of incense and the repertoire was becoming more and more spaced-out as everything tended to get a psychedelic sheen sprayed on. At the same time the band introduced oil projectors and slide projectors to make their gigs even more visual.</div><br /><div>For some punters this was an entirely refreshing break from the norm while for others it was baffling. In one incident, police officers were called out to stop an open-air gig at Mile Oak Rovers FC on July 15, 1995 after complaints from people living four miles away who moaned at the band&#39;s volume!</div><div>The DC boys were also being booked for private parties as well as their pub and club gigs but even when playing other people&#39;s songs the band never sounded like your typical cover versions band or tribute act.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76997970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Harddcs" class="at-xid-6a010536d09bf4970c01156fb76997970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76997970c-320wi" /></a> <br /></div><br /><div>Douglas: &quot;We always played everything with verve and we always perverted the original track by sticking our own angle on it, even if the song was as well known as &quot;A Hard Day&#39;s Night.&quot;</div><div>The double-page feature on the band which appeared in the Tamworth Trader on Thursday, April 13, 1995.&#0160;Talking of which, local journalist Mike Turner ran a double-page spread in the Tamworth Trader on April 13, 1995 with the headline of &quot;It&#39;s been a hard DC&#39;s night&quot; explaining how the hard-work ethic of the band was being taken to extremes while highlighting the paradox of the band&#39;s musical schizophrenia.</div><br /><div>During &#39;95, Codling was trying to spread himself between DC FONTANA and Tamworth band The Crazy Beat Demons and when he couldn&#39;t play the FONTANA boys would use girl sax player Nikki Wedrychowski from Smethwick, West Midlands as a deputy.&#0160;On November 24, 1995 the band almost made their television debut. Researchers from Central Television&#39;s (infamous) &quot;Central Weekend&quot; show invited the band to be interviewed live on air.&#0160;The programme was debating the merits of the &quot;Free As A Bird&quot; Beatles single release and whether John Lennon&#39;s demos should never have been tampered with.</div><br /><div>The band had to finish their gig at The Beaufort Arms in Hamstead, north Birmingham early so they could get down to the studios and when they arrived there it was Douglas and Mortimer who were invited to do the speaking while the others were left alone with free booze in the hospitality suite.</div><div>The Fontana duo sat in the invited audience while the likes of Pete Wylie (of Wah!), Chris Dreja (of The Yardbirds), Mark E Smith (of The Fall), Martin Carr (of The Boo Radleys) and Mike McGear (Paul McCartney&#39;s cousin and ex-Scaffold person) thrashed out their views on stage.</div><br /><div>However, the programme over-ran as the debate raged and the only involvement of the Fontana boys came with them pulling silly faces on camera as they gooned around. Presenter Nicky Campbell, who had promised to involve them, apologised afterwards for not speaking to them on air.</div><br /><div>&quot;It was completely mad but a bit of a bugger because we thought we would get on the telly!&quot; remembered Douglas. &quot;It&#39;s probably just as well that we didn&#39;t as we&#39;d had a lot to drink and most of what was being said by the so-called &quot;celebrities&quot; was utter nonsense.&quot;</div><br /><div>In the end 1995 proved to be DC FONTANA&#39;S &quot;year of the popular cover version&quot; and by December the BBC had picked up on their reputation by naming them as BBC Radio West Midlands&#39; &quot;Band Of The Year&quot; following &#39;phone calls from punters.</div><br /><div>For winning this award the group were invited in to the Pebble Mill studios to record a six-track live session of covers:&#0160;</div><br /><div>The Kinks&#39; &quot;Waterloo Sunset&quot;, The Small Faces&#39; &quot;Lazy Sunday&quot;, Arthur Conley&#39;s &quot;Sweet Soul Music&quot;, James Brown&#39;s &quot;I Got You&quot;, The Beatles&#39; &quot;A Hard Day&#39;s Night&quot; and &quot;The Monkees Theme!&quot;&#0160;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76840970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Newbbc" class="at-xid-6a010536d09bf4970c01156fb76840970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb76840970c-320wi" /></a> <br /></div><br /><div>Freaking-out at Pebble Mill in Birmingham is Mark Mortimer.<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Nigel Horton</span></span></div><div><span style="font-size: 10px; font-style: italic; line-height: 12px;"><br /></span></div><div>Both Wedrychowski and Codling played on the session that was rushed through at top-speed on December 18 and 19, 1995. All five members of the band were unhappy with the finished product which was, at best, below average but enjoyed being at Pebble Mill.&#0160;A live interview was broadcast along with the recordings two days after Christmas. The start of 1996 was marked by growing discontentment among most of the group who were fed-up with being labelled as merely a covers band.&#0160;</div><div class="feedflare">
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</div>]]></content:encoded><description>Then came a gig which was to dramatically alter the way DC FONTANA was to progress over the next few years. By chance the band was approached to play at a special Beatles party night at Tamworth Arts Centre. The gig was to coincide with the release of the "Backbeat" movie in UK cinemas and so the band hastily worked out how to play half an hour's worth of Beatles songs including a garage version of "A Day In The Life", an awful "Abbey Road" medley, "Taxman", "You've Got To Hide Your Love Away" and a few standards like "Twist...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/dc-fontana-story-a-hard-dcs-night-199394.html</feedburner:origLink></item><item><title>DC Fontana Story - Idiotgenius (1993)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/Ydf5jvZEHkk/the-dc-fontana-story-idiotgenius-1993.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 06:19:36 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-idiotgenius-1993.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>With Douglas on board, Jones came up with the group&#39;s name (the identity of a Star Trek script writer) and they ploughed into a serious schedule of rehearsing and song-writing escapades.</div><br /><div>The name has been the source of much merriment for the band over the years as they have been incorrectly announced on stage several times with classic faux pas including &quot;Ladies and gentlemen, we give you the one and only Disco Sultana&quot;; &quot;Here are the wonderful MC Fontana!&quot; and so on . . .</div><div>Locking themselves away in a creative powerhouse, the group deliberately removed itself from the epicentre of the local music scene, preferring instead to discover a pure and unashamed enjoyment at making music.</div><br /><div>Jones and Mortimer shared the early song-writing duties and within a short period of time the band felt ready enough to gig their new vibed-up sound of entirely self-penned songs that drew on out and out classic influences.</div><br /><div>The pot-pourri of these inspirations summed up the group members&#39; individual musical tastes and made for an interesting sonic collision; The Byrds, Scott Walker, northern soul, The Small Faces, Syd Barratt, Elvis Costello, Frank Sinatra, The Beatles, Gram Parsons, The Long Ryders and The Chocolate Watch Band.</div><br /><div>The diversity of these elements were both a reason to celebrate and cause for confusion but the embryonic DC FONTANA sound, while never reaching for the stars, was ambitious enough and tight enough to immediately elevate the group out of the &quot;another local band&quot; bracket.</div><br /><div>Undeterred, the new line-up rehearsed at a pace without the guitarist for a few months and Barnett then had to perform a bit of &quot;catch-up.&quot; But the atmosphere at rehearsals was one of freshness and great camaraderie - there was a vibe of unity that had not been seen before.</div><br /><div>Before they had debuted live on stage DC FONTANA were invited in to perform an unplugged session for BBC Coventry and Warwickshire Radio just seven weeks after Douglas&#39; arrival. The acoustic recital was broadcast live on Sunday, October 24, 1993 without Barnett&#39;s guitar-playing (he sang) who was still sidelined with his broken wrist and the band performed Jones&#39; country-rock tinged &quot;Seashell Blue&quot; and &quot;Unfaithful. &quot;</div><br /><div>The session was well-received enough for a return invite at Christmas when the band - now with Barnett - performed Mortimer&#39;s perennial &quot;Switchblade Love&quot; plus a new Jones opus called &quot;Winona Ryder&quot; and, from the same composing hands, &quot;Words Of Wisdom,&quot; while a cover of The Byrds&#39; 1966 single &quot;Mister Spaceman&quot; was also aired.</div><br /><div>In between tracks the band were subjected to some quite abysmal interview techniques on both sessions by two of the most unlikely radio presenters you could ever come across and the events took on a novelty - no - comic feel as the group remorselessly made fun out of the hapless &quot;presenters.&quot;</div><div>Other early songs the band was playing included &quot;Up Sunday Mountain&quot;, &quot;Goodbye Girl&quot; and the old Lovebirds song &quot;Sweetness.&quot;</div><br /><div>Reaction to their first-ever gig - on Bonfire Night, Friday, November 5, 1993 at Rockwells in Tamworth - was one of amused bewilderment.&#0160;The venue had been used to the usual Tamworth diet of sub-goth indie nonsense and heavy metal so when the group ploughed through 14 tracks of 60s-influenced numbers with a smattering of folk-rock and country-rock vibes, it was, well, very different.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb753bf970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Tree" class="at-xid-6a010536d09bf4970c01156fb753bf970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb753bf970c-320wi" /></a> <br /></div><br /><br /><div>Frazer Douglas and the band freak-out outside after the second DC Fontana gig at Staffordshire University. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Lloyd Barnett.</span></span></div><br /><div>The second gig was at Staffordshire University in Stoke-on-Trent five days later with a gig at Bangles in Nuneaton the following evening and another small pub date in the northern Warwickshire town - The Bucksford a few days afterwards.</div><br /><div>If the first gigging fortnight of the band was somewhat hectic, it somehow laid the foundations for a culture of heavy live scheduling, as the band rapidly became Tamworth&#39;s hardest-working outfit.</div><div>During the early weeks, the band managed to cram in a new demo recording at DeHavilland&#39;s eight-track studios in Tamworth where the five-piece laid down both &quot;Seashell Blue&quot; and &quot;Unfaithful&quot; plus a spur-of-the-moment live version of &quot;Mister Spaceman&quot; as a bit of fun.</div><br /><div>Recording at these premises no longer felt awkward, as DeHavilland was truly part of the band&#39;s old past. The session was a great laugh and even more so after a 65-year-old pedal steel player Richard Stanton from Stourbridge was roped in.&#0160;</div><br /><div>Stanton - a genial fellow with no rock and roll history whatsoever - had a lovely instrument but possessed a musical affliction which the band only discovered after four hours of trying to coax him into playing a short four-bar phrasing on &quot;Seashell Blue.&quot;</div><br /><div>The problem was that Stanton could only play pedal steel in 3 / 4 waltz time and not in a straight 4 / 4 format. This was both frustrating and hilarious at the same time and while the red-faced OAP fought long and hard to supply the goods, in the end his contribution to the finished product was minimal to say the least.</div><br /><div>Behind the use of Stanton was the notion of adding a splash of Flying Burrito Brothers-esque country vibes to the venture. In the end, the ambitious five-minute long &quot;Seashell Blue&quot; certainly had more than one foot in country-rock territory but then meandered off into a psychedelic instrumental passage (Mortimer&#39;s brainchild) while Barnett laid down some fine feedback guitar.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac8f7e970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Fontas" class="at-xid-6a010536d09bf4970c011570ac8f7e970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac8f7e970b-320wi" /></a> <br /></div><br /><div>Early gigs are greeted enthusiastically by local press.<br /></div><br /><div>&quot;Unfaithful&quot; was a dandy pop song that was typical of Jones&#39; composing style at this time - bouncy, catchy and with a nod towards the country-rock vibe of Gram Parsons and latter-day Byrds. Once again Stanton&#39;s contribution had to be heavily edited as the track was in 4 / 4.</div><div>&quot;Mister Spaceman&quot; was recorded all-but-live in the studio and while it retained some of the fun from the original, it paled to the other two songs on the demo.</div><br /><div>No sooner had the demo had been finished than the band had already planned a follow-up recording a few weeks later - at the same venue. This time the five-piece laid down two originals - &quot;Winona Ryder&quot; and &quot;Words Of Wisdom.&quot;</div><br /><div>The former began with a dreamy psychedelecised fade-in that led to Jones&#39; 12-string guitar intro and on into what became a workmanlike five-minute mid-tempo outing of rocked-up pop.</div><div>&quot;Words of Wisdom&quot; saw a change of pace and a subtler acoustic vibe replaced the sneering guitar outro of &quot;Winona Ryder.&quot; On this second song the band employed Martin Kelly to play organ and even utilised the services of a school-based female string quartet from north Warwickshire.</div><div>The idea was to add an Eleanor Rigby feel to the middle section of the song but the ambition out-weighed the girls&#39; ability as they struggled nobly to cope with the arrangement the band had served up for them.</div><br /><div>Making this struggle more arduous was the fact DeHavilland had unfortunately left the studio intercom mike on so the girls could hear all the group&#39;s (unreasonable) laughter and criticism of them as they tried to get their parts right!</div><br /><div>It was nothing short of a miracle that the girls decided to continue and finish the project after listening gob smacked to what was being said about them in the control room!</div><div>The demo was recorded either side of Christmas 1993 and finished off early in 1994 as the band continued to plough ahead with unpaid gigs galore. In the spring of 1994 the group put together their two demos on to one cassette and titled it &quot;Idiotgenius.&quot;</div><br /><div>The idea was to try and win themselves better gigs and even tempt record company people into taking a closer look at them. The first idea was partially achieved but no record company took the blindest bit of notice in the band.</div><br /><div>Undeterred, the group was having a ball and was already unconcerned whether a record deal and fame and fortune were in the offing or not.</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=Ydf5jvZEHkk:J3lqJWG20Vw:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=Ydf5jvZEHkk:J3lqJWG20Vw:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>With Douglas on board, Jones came up with the group's name (the identity of a Star Trek script writer) and they ploughed into a serious schedule of rehearsing and song-writing escapades. The name has been the source of much merriment for the band over the years as they have been incorrectly announced on stage several times with classic faux pas including "Ladies and gentlemen, we give you the one and only Disco Sultana"; "Here are the wonderful MC Fontana!" and so on . . . Locking themselves away in a creative powerhouse, the group deliberately removed itself from the epicentre...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-idiotgenius-1993.html</feedburner:origLink></item><item><title>DC Fontana Story - A New Beginning (1993)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/gtSHupbZvIo/the-dc-fontana-story-a-new-beginning-1993.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 06:09:25 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-a-new-beginning-1993.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>BY 1993 the prospect of being catapulted to musical super-stardom was merely an ancient reverie for Lloyd Barnett, Nigel Horton, Neil Jones and Mark Mortimer.&#0160;The quartet had all enjoyed numerous cracks of the whip at &quot;making it&quot; in the pop world and, despite coming close, had ultimately failed.&#0160;Now times had moved on and the persistent chopping and changing of personnel had taken its toll to the point where the four Tamworth musicians really didn&#39;t care any longer whether success lay around the corner or not.&#0160;To them their prerequisite for continuing to make music was a primeval factor . . . enjoyment.</div><div><span class="Apple-tab-span" style="white-space:pre">	</span></div><p><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac895f970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Jonesbegin" class="at-xid-6a010536d09bf4970c011570ac895f970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac895f970b-320wi" /></a><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74e64970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Lloydbegin" class="at-xid-6a010536d09bf4970c01156fb74e64970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74e64970c-320wi" /></a></p><div>DC Fontana&#39;s original two guitarists: Lloyd Barnett (left) &amp; Neil Jones. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photos: Mark Mortimer &amp; Matt Page.</span></span></div><br /><div>The mood had evolved into a &quot;forget the ego bullshit&quot;, &quot;forget trying to act cool and say all the right things all the time&quot; vibe; there was a simple yearning to simply get out there to enjoy playing live.</div><div>Music was flowing through their collective veins and they had no desire to admit a weary defeat and slip into a bland musical retirement. Therefore, once Christine Wilson had departed, the remaining foursome decided to make another difficult search for someone who could re-ignite the project, add new vitality and help them succeed in their back-to-basics quest.</div><br /><div>They needed a kindred spirit as the group&#39;s front man: someone who could fit in to what was a close circle of friends - not an easy thing.&#0160;But, as fate would have it, they managed to accomplish that feat fairly quickly - something that was as surprising as it was exciting.</div><br /><div>An evening of auditions was scheduled at former singer DeHavilland&#39;s tiny rehearsal and recording studio in Tamworth town centre and among the applicants were an attractive girl, a brash Yorkshire man and a guy from Nuneaton who used to play bass guitar for local indie group Festive Road.</div><div>The girl looked nice but her voice was painfully tuneless, the Yorkshire man was wholly inappropriate and kept singing &quot;Hull City&quot; over and over again. And then Frazer Douglas stepped into the room and, according to bassist Mortimer, &quot;I knew within ten seconds that he HAD to be our next singer.&quot;</div><br /><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac8a4e970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Fraznew" class="at-xid-6a010536d09bf4970c011570ac8a4e970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac8a4e970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>Frazer Douglas in Liverpool, becoming the band&#39;s very own psychedelic Sinatra!<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Nigel Horton</span></span></div><br /><div>&quot;He oozed charisma, looked great and had an electric presence.&quot;&#0160;Mortimer knew of him through his work as a journalist in Nuneaton. Douglas had been a bass player with a group Mortimer had reviewed in the Evening Tribune but lately Douglas had been singing with the North Warwickshire Jazz Orchestra and crooning Frank Sinatra songs in select social clubs and hotels!</div><br /><div>Despite this, he looked like Jim Morrisson and obviously had a broad knowledge of great music. Douglas and the band hit it off big time and after a few spluttering out-of-key verses of Mortimer&#39;s &quot;Switchblade Love&quot; he wowed them with a passionate display of vocal histrionics.&#0160;</div><br /><div>Douglas boasted a deep and rich voice perfect for the crooning style of Sinatra, Bennett, Scott Walker etc but also had fire in his lungs and was equally at home with his new colleagues&#39; hi-octane brand of 60s-influenced music.</div><br /><div>Prior to the emergence of Douglas, Mortimer and Barnett had rehearsed trying to get a few songs together and, interestingly, two tunes they chose along with original material were &quot;Plastic Palace People&quot; by Scott Walker and &quot;Love Is A Serious Business&quot;, a 70s northern soul tune from Alfie Davison.</div><div>Both songs were extremely ambitious and disparate in their origins and their choice hinted at a future desire to come up with unusual selections for cover versions to go alongside their own material.</div><div>Neither song ever made a full band rehearsal, let alone a live performance.</div><p><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74f51970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Earlydcfontana" class="at-xid-6a010536d09bf4970c01156fb74f51970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74f51970c-320wi" /></a> </p><br /><div>First ever DC Fontana promo pic without Lloyd Barnett who failed to show as he was drunk so Neil Jones had his back photographed to represent Barnett! Photo: Judith Coker.</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=gtSHupbZvIo:cAWeTvJURkE:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=gtSHupbZvIo:cAWeTvJURkE:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>BY 1993 the prospect of being catapulted to musical super-stardom was merely an ancient reverie for Lloyd Barnett, Nigel Horton, Neil Jones and Mark Mortimer. The quartet had all enjoyed numerous cracks of the whip at "making it" in the pop world and, despite coming close, had ultimately failed. Now times had moved on and the persistent chopping and changing of personnel had taken its toll to the point where the four Tamworth musicians really didn't care any longer whether success lay around the corner or not. To them their prerequisite for continuing to make music was a primeval factor...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-a-new-beginning-1993.html</feedburner:origLink></item><item><title>Fontana Story - Part Time Pop Stars (1992-93)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/EqAjlKK443M/the-dc-fontana-story-part-time-pop-stars-199293.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 06:00:52 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-part-time-pop-stars-199293.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>On his first day in the job Mortimer had to field a thousand questions from tabloids after Network secured its first (and only) UK number one (&quot;Please Don&#39;t Go&quot; - KWS).</div><br /><div>Mortimer: &quot;I didn&#39;t really understand dance music and it wasn&#39;t my cup of tea at all but I gradually learned how to develop a quality control perspective to realise which stuff was good and which wasn&#39;t and in the end I got to quite like the more soulful stuff Network put out like The Reese Project and also the material from Groove Corporation who were very inventive and cool people.</div><br /><div>&quot;Also, there were quite large similarities in terms of lifestyle between dance music and the northern soul thing which I understood and loved.&quot;</div><br /><div>But there was great unrest building with two camps developing in the band - one involving DeHavilland who was determined the group should concentrate on his own songs and the other involving the other four who were not at all keen on those songs and had their own that they preferred.</div><br /><div>The group&#39;s hunger and desire was waning fast and Mortimer, Horton, Barnett and Jones found relief in a most bizarre way - by pretending to be pop stars!</div><br /><div>&quot;With Mortimer still working for Network, he had arranged for horn-blowing friends Andy Codling, Paul Scragg, Guy Greenway and Paul Speare to appear on &quot;Top Of The Pops&quot; with the chart-topping K.W.S. as well as on their video for &quot;Rock Your Baby&quot; (the follow-up to &quot;Please Don&#39;t Go&quot;). &quot;</div><div>Mortimer even engineered and part-produced the third K.W.S. single &quot;Hold Back The Night&quot; (a cover of the Trammps&#39; northern soul classic) and &quot;for a laugh&quot; made a cameo appearance in the video as bassist in The Trammps&#39; backing band!</div><br /><div>When the Nottingham pop/dance group were invited to play at the Disco Club International awards party at The Equinox in Leicester Square, London in September 1992, Mortimer and the horn section appeared on stage with them for a laugh, miming to the hits, being extremely drunk and annoying the &quot;serious&quot; dance music types in the audience by taking the urine.</div><br /><div>For the BBC Children In Need live broadcast that autumn K.W.S. and The Trammps were filmed at a Robin Hood tourist spot in rural Nottinghamshire and again Mortimer, Greenway, Codling and Speare went along to appear on stage with them.</div><br /><div>A month later and a private charity show was finally organised at Atreides Wine Bar in Brierley Hill whereby K.W.S. were scheduled to appear &quot;live&quot; but because of arguments within the band, two of the trio were off galavanting on a promotional tour of the States, leaving lead singer Del St Joseph behind in the UK.</div><br /><div>For a laugh Mortimer set about creating an imaginary K.W.S. backing band featuring the most un-like K.W.S. people he could find and so The Strangeloves (minus DeHavilland of course), the horn players plus a few musos from Stoke-on-Trent went on stage and managed an excellent job of miming to an hour-long K.W.S. show that was playing on DAT!&#0160;Girls screamed and whooped in delight, St Jospeh acted out the pop star role perfectly and in the background The Strangeloves had a whale of a time pretending to be somewhat demented (and drunken) pop stars.</div><br /><div>Jones: &quot;It really was funny and we had a right laugh pretending to be pop stars. What was really silly was that here we were looking like a fully-live band with guitars and horns and drums when the K.W.S. stuff was obviously computer-generated dance-pop stuff!</div><br /><div>&quot;But no one seemed to notice and the whole thing was like a surreal in-joke. One of the silliest things was that Lloyd had got himself so worked up that he figured out all the chords from the K.W.S. songs so his performance looked more realistic.</div><br /><div>&quot;He was panicking in case he played the wrong chords and yet we weren&#39;t plugged in and the audience hadn&#39;t got a clue in any case.</div><br /><div>&quot;It was just brilliant - a real blast and after the gig there were queues of people after our autographs which we found hilarious! Neil signed his name as Dick Dastardly.&quot;</div><br /><div>If the K.W.S. dalliance was proving a silly surreal diversion, the reality of The Strangeloves was an altogether more depressing situation.</div><br /><div>Singer DeHavilland had by this time opened his own recording studio in Tamworth and seemed more interested in that than the band. Tension had grown large and so The Strangeloves promptly split up, only to deliberately reform the next day without their singer!</div><br /><div>Adverts were placed in the local press and along came Christine Wilson from Grendon, her folksy voice giving the band a whole refreshing new feel in 1993, which was something they had been desperate for.</div><br /><div>Rare Future were suffering from bickering and things got so bad that Read ended up smashing a £600 guitar into pieces on stage rather than hitting it over Hanlon&#39;s head.&#0160;Codling was fed-up of the band by this stage and had started working with another Tamworth act called Crazy Beat Demons. The sax player was later to be sacked from Rare Future.</div><br /><div>During this time Mortimer had a little more fun with his Network connections when the dance label released a hastily put together single based on the infamous &quot;Squidgy&quot; tapes allegedly featuring the voice of Princess Diana.</div><br /><div>The track &quot;Squidgy&quot; was released under the artist name of House of Windsor (crass pun intended) and when TV and press became seriously interested in the song, a make-believe group had to be formed.</div><div>Mortimer recruited veteran Tamworth techno face and former Those Attractive Magnets man &quot;Rik Quay&quot; to front it along with Network PA Judy Nanton whose Detroit-based sister was married to American techno/house wizard Kevin Saunderson &amp; had sung the lead vocals for the single down a &#39;phone line from Michigan!</div><br /><div>A couple of people from the Baseroom Studios in Stoke were also roped in and set up camp at&#0160;</div><div>Stoke-on-Trent for a series of TV interviews which were later aired in Japan and the States.</div><div>Mortimer borrowed a sitar (for no reason since there was no sitar on the song!) and the baffled Japanese and American film crews had not got a clue what was going on.&#0160;Weeks later Mortimer was summoned to be interviewed live on Britain&#39;s busiest radio station, Radio One in London along with Rik Quay which was again, great fun.&#0160;At the same time the former Strangeloves began gigging with no name but eventually the quintet settled on the twee identity of The Lovebirds and demos featuring songs such as &quot;Lighting Bonfires&quot;, &quot;Tender&quot; and &quot;Even Angels Pray&quot; followed soon after.</div><br /><div>They were recorded in an uncomfortable atmosphere though as they opted to do it at former singer DeHavilland&#39;s own studio!</div><br /><div>There was an understandable dollop of bad feeling after the band had seemingly split up only to re-assemble without him and the weirdness of this situation was exacerbated after the band discovered Wilson had recently become DeHavilland&#39;s girlfriend!</div><br /><div>A second demo was recorded at The Baseroom Studios in Stoke-on-Trent, a complex part-owned by Network, and &quot;Tender&quot; was the stand-out track with its hint of Long Ryders guitar and a catchy vocal line. Rave chart hit makers Altern 8 (signed to Network) offered to do a dance remix of the material but it was never completed.</div><br /><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac83e9970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Baserm" class="at-xid-6a010536d09bf4970c011570ac83e9970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac83e9970b-320wi" /></a> <br /></div><br /><div>Lloyd Barnett (left) and Mark Mortimer indulge in some sensible studio engineering during the Lovebirds&#39; trip to The Baseroom studios in Stoke-on-Trent.<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Neil Jones.</span></span></div><br /><div>But despite that the strange vibes persisted and the line-up was not happening musically either so it wasn&#39;t long before Wilson quit the band to &quot;go solo&quot; leaving the remaining four to search for yet another lead singer in the autumn of 1993 - a move that gave birth to DC Fontana . . .</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=EqAjlKK443M:-Rltf4Qgo30:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=EqAjlKK443M:-Rltf4Qgo30:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>On his first day in the job Mortimer had to field a thousand questions from tabloids after Network secured its first (and only) UK number one ("Please Don't Go" - KWS). Mortimer: "I didn't really understand dance music and it wasn't my cup of tea at all but I gradually learned how to develop a quality control perspective to realise which stuff was good and which wasn't and in the end I got to quite like the more soulful stuff Network put out like The Reese Project and also the material from Groove Corporation who were very inventive and cool...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-part-time-pop-stars-199293.html</feedburner:origLink></item><item><title>DC Fontana Story - Stranger Than Love (1987-92)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/qomdw93W1ig/the-dc-fontana-story-stranger-than-love-198792.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 05:46:26 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-stranger-than-love-198792.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>This was definitely a great period of change for Mortimer who managed to get himself married and divorced within one tumultuous and traumatic year and the result was that inevitably the songs took on a darker edge. The first demo featured &quot;Witch-Well&quot; and Wilson&#39;s &quot;Pieces&quot; while from another session there were &quot;Black Flower&quot; and &quot;Silent Head&quot;, the themes always seemingly opaque, emotionally distressed and substance-influenced.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb741ef970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Rockoutmort" class="at-xid-6a010536d09bf4970c01156fb741ef970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb741ef970c-320wi" /></a> <br /></div><br /><div>Mark Mortimer rocks-out during one of his infamous &quot;Yellow Submarine&quot; parties at his bedsit in Upper Gungate, Tamworth. Photo: Rob Cross.</div><br /><div>&quot;It wasn&#39;t long before I was having my infamous &quot;Yellow Submarine&quot; parties twice a week in my bedsit when Rob (Cross), Dan (Collins), Gavin (Skinner) and others would ingest enormous numbers of magic mushrooms and freak out,&quot; said Mortimer.</div><br /><div>&quot;They were quite intense times and I vividly remember having in-depth conversations with Donald Duck from my lamp-shade. It was then that I clicked that I was not leading a healthy lifestyle conducive to music-making, nor being a journalist!&quot;</div><div>Unfairly sacked from his job with the Tamworth Trader and receiving regular beatings from idiot friends of his ex-wife, the mood of the time was understandably bleak.</div><div>In the summer of &#39;87 Mortimer and Gavin Skinner joined forces with Barry Douce for a very silly episode of musical merry-making.</div><br /><div>Donald Ross Skinner&#39;s younger brother had dug out some fantastic-looking wigs and along with Mortimer&#39;s outlandish publicity hype they totally fooled the local press into believing a cult 1960s garage singer called Hamilton Hammond was flying into the UK for a series of one-off, low-key gigs including the annual nightmare that was the Tamworth Rock Festival!&#0160;Skinner took on the role of the swaggering Hammond while Mortimer swapped bass for rhythm guitar, fellow mushrooms-head Rob Cross opted for fuzz guitar and Barry Douce played organ with the bass &amp; drums coming on tape.</div><div>All robed up and wigged out for the (drunken) spectacle, it was quite simply ludicrous but to the quartet&#39;s stupefied amazement, there were still requests for autographs from some members of the audience!&#0160;Around the same time another imaginary band was invented on another spur of the moment fit of utter madness.</div><br /><div>This time Rob Cross was the prime mover and the act was given the (apt) title of The Liberty Caps. The Herald journalist and seriously over-partied man that was Dan Collins was also involved along with Mortimer and various other members of Cross&#39; own Jesus &amp; Mary Chain/Velvet Underground band The Ferocious Apaches.&#0160;One gig was arranged with the idea of the band playing so utterly badly that they would cause total havoc.</div><br /><div>It was staged in a pub in Atherstone in Warwickshire and truly it was a cacophonous bag of excrement, leading to the landlord switching off the power supply less than a minute into the &quot;performance.&quot;</div><div>Mortimer&#39;s developing knack of Malcolm McLaren-like press hype went into overdrive and within days the incident was splashed across Britain&#39;s daily newspapers and even on TV.</div><div>When the television cameras arrived at Tamworth Arts Centre to film the &quot;band&quot;, Neil Jones replaced Mortimer in the line-up, looking suitably ridiculous with the now-obligatory wig!</div><div>At the same time Mortimer was so utterly in to his friend Cross that he went into debt to pay for his band to record a demo of several songs including a raucous version of the Velvets&#39; &quot;She Cracked&quot; at The Expresso Bongo.</div><br /><div>A month later, Mortimer&#39;s debts piled up even further as he and (Gavin) Skinner recorded a pointless Beastie Boys pastiche called &quot;Mollusc Number 9&quot; (a title dating back to the days of 1978 and Filth).</div><div>Despite all this madness, Cope&#39;s guitarist and former Factory worker (Donald) Skinner produced a new demo for The Great Express - &quot;You Could Change My World&quot; - but that old cliché &quot;musical differences&quot; between members was taking its toll before the group had a real chance to blossom.</div><div>Indeed, they never grabbed the same sort of attention as the Factory and within months Mortimer was once again working on recording projects and losing all grip on his already-depleted finances at the Expresso Bongo Studios with former Dexy&#39;s Midnight Runners and Elvis Costello sax player Paul Speare and various other friends as guest vocalists and musicians including the then drummer of Primal Scream, (Gavin) Skinner and Douce.</div><br /><div>Around this time Mortimer had discovered the majesty of Scott Walker&#39;s late 60s solo recordings and it had a profound effect on his song-writing. The first fruits of this stop-gap period was &quot;Autumn Girl&quot; which was a direct rip-off of Love&#39;s &quot;Orange Skies&quot; while classical strings added a Walker vibe. The jazzy flute of Speare merely bolstered the comparisons to &quot;Orange Skies.&quot;</div><div>Mortimer: &quot;In my own defence I have to say this was an entirely subconscious thing as I was listening to the &quot;Da Capo&quot; album a lot then and I never intentionally went out to rip it off.</div><div>&quot;The song was meant to be a sonic love letter to my girlfriend who had buggered off to work in Bavaria as an au pair. It was an incredibly cathartic project and was recorded with massive amounts of love and pain.&quot;</div><br /><div>The second song recorded by this bunch was &quot;Feel Your Touch&quot; - an old Factory track with big bold soul horns as Mortimer assembled a huge brass section including Dance Stance&#39;s Guy Greenway and ex-Dream Factory saxophonist Andy Codling among others.</div><div>The third was called &quot;Enchanted&quot; and was an overly-simplified strings-and-piano Scott Walker-inspired pop work-out written during Mortimer&#39;s lunch hour at his newspaper job and recorded four hours later after work . . . unfortunately the finished song sounded as rushed as it was!</div><div>During 1987 The Scuba Divers formed purposely to support The Mighty Lemon Drops on tour at the behest of (Gavin) Skinner.&#0160;Skinner asked Jones to put together the outfit and he called upon fellow Orange Blossom Special bass player Lewis and then-keyboard player Nigel Horton.</div><div>A hastily-recorded demo at the Expresso Bongo Studios bore the excellent fruits of &quot;True Heaven&quot; and &quot;Look Up&quot; but unfortunately, despite the tape being of the grooviest quality, the support slot was not acquired.&#0160;Speare had formed a band from various friends he had met in the studio and called it the Expresso Bongo Orchestra - the idea to create a soul and funk band with a sort-of Monty Python-esque sense of humour and Codling joined up in tandem with his Dance Stance duties and part-time blowing for the Alas Smith and Jones Blues Band.</div><br /><div>Meanwhile, in &#39;86 Neil Rushton had fallen in love with the emerging house and techno scenes in Chicago and Detroit respectively, leading him to put Inferno on hold and to create Kool Kat Records to import new dance tracks.</div><br /><div>A natural progression was for Mortimer to do some part-time PR for Kool Kat to stir up some silly acid house drug outrage in the national media in order to shift some more singles for Rushton&#39;s growing underground dance label.</div><br /><div>In a short space of time this band recorded three demos at the ubiquitous Expresso Bongo. On the first there were &quot;Miles High&quot;, &quot;Thunder Town&quot; and &quot;Sugar Tears&quot;; the second saw the unveiling of &quot;Oh Maria&quot;, &quot;Worldwide&quot; and &quot;Motor City Groove.&quot;</div><br /><div>The third Macoys demo tape featured &quot;Lighting Bonfires&quot; and &quot;Everything Turns Full Circle&quot;.&#0160;At the same time Mortimer formed The Space Seeds with a loose collection of friends and psychedelic truth-seekers who had helped out on the Expresso Bongo recording sessions (DeHavilland - lead vocals &amp; guitar; Martin Kelly - lead vocals and guitar; Rob Cross - fuzz guitar; Martin Cooper - trumpet; Mark Allison - trumpet; Mortimer - bass; Alan Hodgetts - keyboards and Gavin Skinner helped out with drums until Stu Pickett became a permanent member).</div><br /><div>Following the break-up of The Macoys, Neil Jones played solo acoustic gigs under the name of Huggy Jones including some support slots with friends Dance Stance.&#0160;Dance Stance had been taken on by Goodyer Associates on a management deal but the relationship was fraught as the band felt they were being manipulated.&#0160;Rumours abounded that the management only wanted to sign certain band members but nevertheless the group were holed up in a studio near Soho in London to record a new single - a project that failed due to the group&#39;s enormous appetite for partying!</div><br /><div>Instead they returned home, piled into the Expresso Bongo and recorded a new demo entirely live. During this time they had become virtual residents at Coventry&#39;s Tic-Toc venue.</div><br /><div>The Space Seeds was more of a social gathering than a cohesive band despite the demo recording of two Mortimer tunes: &quot;Switchblade love&quot; which married Walker Brothers-esque vocals with northern soul horns and &quot;Saturn In Her Eyes&quot; that mixed sitars, classical horns, horrible keyboard sounds, funky guitar and a thrashy rave-up ending in true 60s garage style.</div><br /><div>The band was quickly re-sculpted and embarrassingly re-named as Bash Out The Odd featuring former World Intelligence Network singer DeHavilland on lead vocals along with Julian Amos on guitar and Stuart Pickett on drums plus a three-piece classical horn section giving the band a &quot;Penny Lane&quot; edge (Bryan Hurdley joining Allison and Cooper).</div><br /><div>On the band&#39;s first demo &quot;Heavenly Angel&quot; displayed deep crooned vocals a la Scott Walker, symphonic strings and Tex-Mex trumpets that nodded towards Love&#39;s &quot;Forever Changes&quot; LP.</div><div>Also featured was a sort-of Britpop-sounding Turtles track called &quot;Love Walks Away&quot; complete with a Motown baritone sax vibe. Unfortunately, there were also the very clumsy Mortimer tune &quot;Mother Sea&quot; plus a less-than-fab Amos attempt at surf-pop called &quot;Bug&quot; -an ode to his Volkswagen Beetle car!</div><div>Various people showed an interest including the people looking after both Birdland and The Primitives but by the end of 1990 the group was in a sorry state, directionless and, in short, boring.</div><div>Dance Stance had switched identities after a re-vamp and were now calling themselves Rare Future and going for a more underground jazz-funk style, gaining some fine support slots to people like Gil Scott Heron and Geno Washington.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7e67970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Newnick" class="at-xid-6a010536d09bf4970c011570ac7e67970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7e67970b-320wi" /></a> <br /></div><br /><br /><div>Nick Read . . . . looking for a Rare Future . . . .</div><br /><div>After a line-up change or two Bash Out The Odd recorded a demo at The Stables Studio in Lichfield and because their guitarist was on holiday, Nick Read was invited along to play a cameo role that he did magnificently on Mortimer&#39;s poppy &quot;Rainy Day Sunshine&quot;.</div><br /><div>A personnel re-shuffle in the Bash Out The Odd camp in 1991 ensued and after a chance meeting in a Tamworth pub, Lloyd Barnett was the surprise choice as the new guitarist for what was to be an entirely new band.&#0160;The Polesworth musician had been living down in Brighton on the Sussex coast with Quilton since the split of the Dream Factory but had yearned for home.</div><br /><div>Also joining this new-look band was music scenster Nigel Horton (ex-Femme Fatale, Scuba Divers, Orange etc) who turned up to become the drummer despite not owning a kit.</div><br /><div>This burgeoning outfit kept the classical horn section and played a handful of gigs before recruiting Neil Jones while the group changed names to The Strangeloves.</div><br /><div>Gigs followed supporting indie types The Primitives, The Brilliant Corners and Echo &amp; The Bunnymen to name a few. Bunnymen guitar man Will Sargent couldn&#39;t understand why the band had given themselves a monicker that had previously been used by a popular 60s beat outfit and in post-punk Liverpool.&#0160;</div><br /><div>Rushton rejoins our story when, in January 1992, he invited Mortimer to become the press officer for his new dance label Network Records in Birmingham who had secured worldwide hits with rave &amp; house acts like Altern 8, KWS, Inner City and Krush plus promoting more underground dance types such as The Reese Project, The Groove Corporation, Love Revolution etc.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7e2b970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Historypre" class="at-xid-6a010536d09bf4970c011570ac7e2b970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7e2b970b-320wi" /></a> <br /></div><br /><div>Chart-topping popsters K.W.S. at the shoot of the &quot;Rock Your Baby&quot; video in Birmingham, August 1992 (clockwise from top): Del St Joseph, Winnie Williams and Chris King. Photo: Mark Mortimer.&#0160;</div><div class="feedflare">
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</div>]]></content:encoded><description>This was definitely a great period of change for Mortimer who managed to get himself married and divorced within one tumultuous and traumatic year and the result was that inevitably the songs took on a darker edge. The first demo featured "Witch-Well" and Wilson's "Pieces" while from another session there were "Black Flower" and "Silent Head", the themes always seemingly opaque, emotionally distressed and substance-influenced. Mark Mortimer rocks-out during one of his infamous "Yellow Submarine" parties at his bedsit in Upper Gungate, Tamworth. Photo: Rob Cross. "It wasn't long before I was having my infamous "Yellow Submarine" parties twice a...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-stranger-than-love-198792.html</feedburner:origLink></item><item><title>DC Fontana Story - Opportunity Knocks (1985-87)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/Yh1Fz7L3wuU/the-dc-fontana-story-opportunity-knocks-198587.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 05:39:56 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-opportunity-knocks-198587.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>Dance Stance were steaming forward at full pelt, winning plenty of followers and playing a gig over the water in Jersey - a show which became infamous as sexual trysts, scenes of debauchery and much more made the whole jaunt very &quot;eventful&quot; to say the least! They also headlined The Mean Fiddler in London and played numerous college gigs around the UK.</div><br /><div>The Factory&#39;s Polesworth connection - Barnett and Quilton - were sacked around this time for being lazy which was a very difficult decision for Goode and Mortimer seeing they were still close friends - and the duo was replaced by Andy &quot;Batman&quot; Holt on drums and Polesworth jazz guitar wizard Dave Stevenson. At the same time Codling quit to play jazz and blues with a quartet called Trout Joins The Cavalry &amp; shortly after that moved on to join Dance Stance. He was replaced by a horn section of ever-changing faces including, among others, Paul Scragg, Paul Stansfield, Neil Gledhill.</div><div>In 1986 Orange Blossom Special emerged from the ashes of Love On Board with Neil Jones (guitar/vocals), Anice Byfield (lead vocals), Nigel Horton (keyboards), Julian Amos (guitar/vocals), Clark Stewart (drums) and Glenn Lewis (bass).</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74068970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="N&amp;n" class="at-xid-6a010536d09bf4970c01156fb74068970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb74068970c-320wi" /></a> <br /></div><br /><div>Neil Jones (left) &amp; Nigel Horton on board the Orange Blossom Special in 1986. P<span style="font-style: italic; font-size: 10px; font-family: &#39;Lucida Grande&#39;; ">hotograph: Nick Read.</span></div><br /><br /><div>Horton had been scheduled to join Love On Board but they split up the day he was due to team up with the band. At this stage, drums were never on the cards for the musician who was content playing keyboards.&#0160;The first gig for OBS was at Tamworth&#39;s infamous Battle of the Bands contest (dear oh dear) and then followed four demo recordings inside 18 months.&#0160;The debut demo featured &quot;I Can&#39;t Tell The Days Apart&quot; and &quot;Precious Blue&quot; and was recorded almost live at the Expresso Bongo Studios.</div><div>Changes were afoot for OBS though by the autumn when Stewart quit as drummer and Horton decided to give it a go as his replacement. Then Byfield, daughter of well-known Tamworth PA engineer Dennis Byfield, departed from the band late in &#39;86.</div><br /><div>Various record labels were sniffing around the Dream Factory at this time and the future of both bands looked rosy. However, just around the corner were serious problems for both camps.</div><div>Firstly, Goode suffered a serious head injury after larking about while drunk one night, falling off the bonnet of a friend&#39;s car, cracking his skull on a roadside kerb and then developing a life-threatening blood clot on the brain.</div><br /><div>Goode was lucky as he managed to cheat death by minutes and a spell in the intensive care ward of the Midland Centre for Neurosurgery in Smethwick followed - a body blow which would further blacken the mood in a Factory camp that was already full of spreading pessimism after interested label Silver Records opted for baggy pioneers The Stone Roses instead of the Tamworth boys despite &quot;auditioning&quot; the Factory by watching a live session staged in the Expresso Bongo Studios that appeared to have knocked them out!</div><br /><div>At the same time Dance Stance vocalist Hanlon was diagnosed with cancer. First in his knee, this was removed after surgery, but later, and more seriously, the disease re-appeared in one of his lungs that had to be removed.</div><br /><div>Barnett was re-established in The Dream Factory in 1986 but Mortimer had sensed the group&#39;s musical limitations and Goode&#39;s flirtation with jazz-funk was killing his love for the project so he announced his decision to quit in the autumn of the same year.</div><br /><div>Goode&#39;s reaction was to punch Mortimer in the face on stage during the band&#39;s final Tamworth gig at The Rathole but the bass player had already started up a new sideline project called The Great Express with the emphasis being on a noisier, garageier sound.</div><br /><div>Mortimer: &quot;I suppose it was my reaction to Tim (Goode) getting on his Sade trip and I wanted a &quot;get back to basics&quot; vibe. It was a shame that the Factory split but the problem with the band was that the chance of success had come at the wrong time for us.</div><br /><div>&quot;We had the big buzz and a good following but we simply weren&#39;t very good. Our strength was a rabble-rousing, whip up the audience kind of thing and we jumped around the stage like nutters but musically we were poor.&#0160;&quot;I&#39;ve often said since that if only the buzz about that band could have come at a later stage when we&#39;d learned to play properly!&quot;</div><br /><div>Mortimer&#39;s new band The Great Express had a tough birth and somewhat inexplicably former cohort Brian Lacey was drafted in as the new singer/guitarist.&#0160;A quickly arranged demo of a song called &quot;Graveyard Faces&quot; followed but to Mortimer&#39;s utter horror, the lead vocals on the tracks were absolutely woeful. His decision was to wait until Lacey had left the studio to go home for the night and then re-mix the songs with the vocals almost inaudible while adding his own whispered vocals over the top only louder! Not surprisingly Lacey freaked and quit.</div><br /><div>However, the new band was boosted by the arrival of keyboard player Chantal Weston and drummer Dave Burgess from Witherley.&#0160;Following Byfield&#39;s departure from OBS this outfit recorded two demo tapes one after the other with Jones now assuming lead vocal duties. The first of these recordings gave the world &quot;Brilliant Mistake&quot; and &quot;All She Said&quot; while the follow-up featured &quot;Sugar Tears&quot; and &quot;Laugh?! I Almost Cried.&quot;</div><br /><div>During early &#39;87 Orange Blossom Special saw another change when Amos departed to pursue some kind of strange detective work and Lewis had also quit to join Bop Baroque.&#0160;After they left a new demo was recorded. Lewis agreed to stay on to fulfill this project and Read was drafted in to help out on guest guitar. Horton played drums and keyboards during the session.</div><br /><div>The songs on this tape were: &quot;Honey&quot; and &quot;Mister Wonderful&quot; but by the autumn of &#39;87 the band was no more.&#0160;Early in 1987 Mortimer recruited former OBS man Julian Amos and Ted Wilson as guitarists and singers.&#0160;A settled line-up for The Great Express lasted throughout 1987, tackling a 60s-inspired direction that took in garage and folk-rock influences (most notably The Byrds and The Sonics).</div><div>The same year saw Dance Stance steaming ahead, playing all over the UK, and releasing a self-financed single &quot;The Other Side of Paradise&quot; / &quot;The Sweetest Pain.&quot;</div><br /><div>They embarked on a nine-date tour of Britain, riding in some kind of luxury thanks to the services of a 52-seater coach and recorded a demo including &quot;Higher Ground&quot;, &quot;Years Of Production&quot; and a cover of Clarence Carter&#39;s Atlantic soul monster &quot;Snatchin&#39; It Back.&quot;</div><br /><div>There was some alleged history-making in store from the band when they then became the first-ever unsigned band to release a CD single in the UK. It was a four-track disc that featured previous single &quot;The Other Side Of Paradise&quot; plus three new tracks: &quot;Heaven Help Me&quot;, &quot;Love Parade&quot; and &quot;Falling Dow,.&quot; The last three tracks all recorded at the Expresso Bongo studios with Paul Speare.&#0160;Only 1,000 copies were manufactured - thanks to the backing of Nuneaton-based record store What Records where bassist Sheasby was an employee - and it was greeted by the usual elaborate praise from the Herald&#39;s Sam Holliday.</div><br /><div>After topping the newspaper&#39;s &quot;best local band&quot; poll for the second consecutive year in 1988 (the Factory had done the same thing three times on the trot in 84, 85 and 86), there was an even more riotous trip to Jersey with antics that are best left out of this story for legal reasons!</div><div>Another tour of universities followed and everything continued to be rosy in the camp until one single shattering blow left the band reeling. In November 1988 the band&#39;s manager Ray Sheasby - father of bassist Neil - died suddenly after a short illness.</div><br /><div>It was a tragedy the band never really recovered from.&#0160;Before he had died the manager had persuaded the band - against their wishes - to audition for Bob Monkhouse&#39;s Opportunity Knocks TV programme.&#0160;They auditioned in Nottingham and London before Sheasby died and were accepted. The band then had to juggle whether to risk losing credibility by taking part in such a TV show despite reaching out to a huge audience.</div><br /><div>They decided to go ahead in memory of Sheasby.&#0160;As it turned out, bassist Neil Sheasby and drummer Phil Ford ended up in police cells the night before filming in early 1989 was due to begin, the old Bill refusing to believe the boys had a filming date with the Beeb the following morning!</div><br /><div>The duo had been arrested for jumping up and down on a bicycle that had been carelessly left in their way and had caused them such a minor inconvenience!</div><br /><div>They got out just in time up for the recording. The band&#39;s visible discomfort of being interviewed on the comfy sofa by smooth-talking Monkhouse was all too evident but it was obvious to anyone who saw it that the clapometer section of the show that the band really didn&#39;t give a toss and were out for a good laugh.</div><div class="feedflare">
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</div>]]></content:encoded><description>Dance Stance were steaming forward at full pelt, winning plenty of followers and playing a gig over the water in Jersey - a show which became infamous as sexual trysts, scenes of debauchery and much more made the whole jaunt very "eventful" to say the least! They also headlined The Mean Fiddler in London and played numerous college gigs around the UK. The Factory's Polesworth connection - Barnett and Quilton - were sacked around this time for being lazy which was a very difficult decision for Goode and Mortimer seeing they were still close friends - and the duo was...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-opportunity-knocks-198587.html</feedburner:origLink></item><item><title>DC Fontana Story - Chart Dreams (1984-85)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/2-BOdZvI64I/the-dc-fontana-story-chart-dreams-198485.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 05:17:24 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-chart-dreams-198485.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>Soul journalist and entrepreneur Neil Rushton had been silently following the Dream Factory&#39;s fortunes in the press and approached them (at Wilnecote Youth Centre would you believe!) to offer a possible recording deal on his Inferno imprint which, up to that point, had been responsible for re-releasing classic northern soul gems such as Dobie Gray&#39;s &quot;Out On The Floor&quot;, Frank Beverley&#39;s &quot;If That&#39;s What You Wanted&quot; and getting fave-rave soul men like JJ Barnes back in the studio.</div><br /><div>At this stage the Factory were a fiasco on stage - unable to play particularly well but nevertheless boasting a spark of vitality and energy that spurred on their huge following who were invariably so plastered they could hardly stand!&#0160;Rushton could see potential in the band if they could only get their act together musically and so dispatched them into the Grosvenor Recording Studios, Handsworth in November 1984 to record their first single.</div><br /><div>A double a-side, it featured &quot;Wine &amp; Roses&quot; - a joint Barnett/Goode composition - and &quot;Fashion Toys&quot; which was a Mortimer/Barnett/Goode effort. Hammond organ was provided by Chris Taylor - nowadays a successful jazz keyboardist - and the single came out in the spring of 1985 (cat no: DREAM ONE, Inferno Records) to good national press reviews with both Sounds and NME giving it favourable reviews while Radio One&#39;s Janice Long took the single and gave it air-time.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7288970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Factoryfans84" class="at-xid-6a010536d09bf4970c011570ac7288970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7288970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>Scooter boys from Tamworth and Atherstone find a Dream Factory fan&#39;s Vespa scooter at Weston-super-Mare, September 1984. Photo: Mark Mortimer.</div><br /><div>The band headlined the Weston-super-Mare National Scooter Rally and made the TV and radio after around 80 of their fans decided to travel down to the West Country with the band on their scooters, the convoy headed by Goode and Mortimer on their Vespas.&#0160;Gigs around the country further strengthened the band&#39;s growing audience, the emphasis now firmly on scooter boy and mod elements.</div><p><br /><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb73860970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Dreamfactory85" class="at-xid-6a010536d09bf4970c01156fb73860970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb73860970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " />&#0160;</a>&#0160;</p><br /><div>A Dream Factory Photo Shoot in Sutton park, near Birmingham, 1985&#0160;</div><div>(L-R: Barnett, Mortimer, Goode, Codling, Quilton).</div><br /><div>In 1985 Love On Board seemed to be virtual residents at Tamworth Arts Centre but in truth the quartet had been spreading its wings (including one gig at Walsall FC&#39;s club) and gaining new friends wherever they went (they also played the 1984 &amp; 1985 Tamworth Rock Festivals).&#0160;The same year Nigel Horton appeared on the Tamworth music scene as keyboard player with Femme Fatale but it was a brief fortnight-long stint with the band fronted by Debbie Whitty.&#0160;Cope and Skinner were now touring and promoting the &quot;World Shut Your Mouth&quot; and &quot;Fried&quot; albums for Mercury Records and the singer was constantly referring to Tamworth and its surrounding villages in his lyrics. Mortimer was still very much in touch with them both as the Factory seemed to be on an upward spiral, winning the local Tamworth Herald annual readers&#39; poll for two consecutive years and getting national press and radio mentions.&#0160;Skinner was reveling in the globe-trotting successes with Cope but also had serious desires to do things on his own terms and by 1985 was playing out with his own combo - Freight Train - that also consisted of part-time Mighty Lemon Drop Barry Douce and Cope&#39;s younger brother Joss along with various drummers (they eventually settled on Skinner&#39;s younger brother Gavin).</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac71d1970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Ftrn" class="at-xid-6a010536d09bf4970c011570ac71d1970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac71d1970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>FREIGHT TRAIN photographed at The Malt &amp; Hops, Stafford, September 1985 including Joss Cope (left) and Donald Ross Skinner (with guitar).<span style="font-size: 11px; font-family: &#39;Lucida Grande&#39;; "><span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Mark Mortimer</span></span><br /></span></div><br /><div>Sounds proposed a feature on the Factory but then stitched them up by misquoting and twisting the article to make it appear like a scooter boys versus mods hate story which was ridiculous as Mortimer and Goode were very much more inclined to modernism than scooterism!</div><div>Nevertheless, this caused the group some serious grief and was the cause of some acute embarrassment. However, buoyed by good sales figures of the single, they saw themselves climb up above the likes of The Smiths and Jesus &amp; The Mary Chain in the UK independent chart and continue to attract audiences that were huge by the standard of most local Tamworth bands.</div><div>Paul Weller wrote to Mortimer saying he despised the &quot;Wine &amp; Roses&quot; sleeve (in fact, so did the band!) and offered to design a future sleeve free of charge for them. He also remarked how he had been besieged with good vibe reports from his own fans who&#39;d been praising the Factory to him.</div><br /><div>&#0160;<a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7205970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Dfwine" class="at-xid-6a010536d09bf4970c011570ac7205970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac7205970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>The sleeve of Dream Factory&#39;s Wine &amp; Roses/Fashion Toys from 1985 that Paul Weller had criticised so very heavily?</div><br /><div>The Factory were on a high for the whole of 1985 and even had Tamla Motown and northern soul legend Edwin Starr offering praise. The &quot;Agent Double O&#39;Soul&quot; man had recently moved to the UK and had set up home in a castellated mansion in Polesworth (note: Love On Board bassist Glenn Lewis eventually joined Starr&#39;s backing band).</div><br /><div>The Dream Factory joined the bill for the Castle Donington International Scooter festival and playing in front of 30,000 scooterists and mods with the likes of Bad Manners, The Meteors &amp; The Gents, an unforgettable experience for many reasons.</div><br /><div>Barnett: &quot;We were on early and the audience were notoriously difficult. A few of the more aggressive skinheads pelted us with beer glasses and one of our sax players started throwing them back which was actually a very risky thing to do!&quot;</div><br /><div>With one member of the audience almost killed in a knifing attack as the Factory played on and various members of The Meteors roaming around backstage menacingly with baseball bats, the violent nature of the event left a very sour taste.</div><br /><div>The same year the band played at the Morecambe National Scooter Rally in the pier theatre and had to go on stage minutes after a terrifying and bloody mass riot.&#0160;The promoter was so concerned for the safety of the Factory that he moored an &quot;escape&quot; boat to the pier just in case things got out of hand while placing 25 of the most hardened skinheads around on stage as protection!</div><br /><div>Escaping from that one unharmed, the band ploughed on but were becoming increasingly fed up with the hooligan element at scooter events, this being exacerbated when Mortimer and band manager Rushton got caught up in the violent fighting at Tiffany&#39;s, Great Yarmouth as ska sensation Desmond Dekker was beaten up on stage by fascist skinhead thugs.</div><br /><div>During this period Mortimer was a regular converser with his one-time hero Paul Weller whose Style Council were in the throes of organising some benefit shows for the striking British miners and The Factory had been mooted as being show-openers (however, the idea collapsed).</div><br /><div>In late 1985, The Crowd had metamorphosed into Dance Stance, a soul-based outfit from neighbouring Atherstone named after the classic Dexy&#39;s song who soon recruited future DC Fontana singer Nick Read as guitarist and backing vocalist following the untimely demise of Love On Board.</div><div>At this time, Love On Board drummer Twist joined a group called Baroque Theatre while the remaining Jones and Lewis set about putting a new act together.</div><br /><div>The Factory&#39;s direction began to mellow a little and head off in a jazzier bearing while Rushton released a limited edition single - &quot;Cold Turkey&quot;/&quot;Memory Lane&quot; (cat. No: DREAM 2, Inferno Records) to sell at gigs, the former track being a twisted cover of the Big Boy Pete psych classic&#0160;</div><div>(&quot;We were so crap we couldn&#39;t work out the proper guitar riff&quot; - Mortimer) and the flip being a jazzy instrumental. Both songs were hurriedly recorded on eight-track and virtually live in the Expresso Bongo Recording Studios under the direction of former Dexy&#39;s Midnight Runners &amp; Elvis Costello horn-blower Paul Speare.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac71e9970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Coldt-1" class="at-xid-6a010536d09bf4970c011570ac71e9970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac71e9970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>Dream Factory&#39;s second single was Cold Turkey with its bizarre monkey-man photo.<br /></div><br /><div>Dave Smith, maniacal frontman of various Tamworth blues outfits, appeared on the single on harp harmonica while a bunch of fans were drafted in to talk throughout the B -side in a bid to create a soul/jazz club atmosphere!</div><br /><div>A more serious recording project was underway at Birmingham&#39;s Abbatoir Studios - owned by UB40 - with Donald Skinner (now re-invented as Donald Ross Skinner by Julian Cope after the wild slide guitarist Glen Ross Campbell from seminal 60s outfit The Misunderstood) co-producing two tracks called &quot;Love 15&quot; (a poppy soul ballad) and &quot;Mousetrap&quot; (a northern soul styled mover).</div><div>Skinner had become involved because of the friendship angle and also seeing that both Freight Train and Cope had recently been recording at the Brummie studios (the former releasing a single - &quot;Man&#39;s Laughter&quot;/&quot;Head On A Plate&quot; on the Bam Caruso label run by Cope&#39;s then manager Cally Calloway and which had previously specialised in re-releasing classic garage and 60s psych material).</div><br /><div>The all-night recordings were dogged by technical difficulties, excess alcohol and fatigue and unfortunately the recordings, planned as the third single, were indefinitely shelved and now lie on a dusty shelf in Rushton&#39;s attic.&#0160;</div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=2-BOdZvI64I:HjtfxMOmavo:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=2-BOdZvI64I:HjtfxMOmavo:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>Soul journalist and entrepreneur Neil Rushton had been silently following the Dream Factory's fortunes in the press and approached them (at Wilnecote Youth Centre would you believe!) to offer a possible recording deal on his Inferno imprint which, up to that point, had been responsible for re-releasing classic northern soul gems such as Dobie Gray's "Out On The Floor", Frank Beverley's "If That's What You Wanted" and getting fave-rave soul men like JJ Barnes back in the studio. At this stage the Factory were a fiasco on stage - unable to play particularly well but nevertheless boasting a spark of...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-chart-dreams-198485.html</feedburner:origLink></item><item><title>DC Fontana Story - Copeing With Changes (1983-84)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/0OsgyBLgw4U/the-dc-fontana-story-copeing-with-changes-198384.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Thu, 28 May 2009 04:54:14 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-copeing-with-changes-198384.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>Mortimer - by now a fully-fledged Vespa-riding mod - began planning a &quot;proper&quot; group with real ambition that could actually write songs and play tightly in a half-psychedelic, half-soul direction.<br /></div><div>After reading an article in a pornographic magazine at Skinner&#39;s Wigginton home, The Dream Factory was chosen as the new group&#39;s appellation and rehearsals began in earnest at Wigginton Village Hall with Mortimer, Goode and Skinner.</div><br /><div>At exactly the same time, Jones and Read were putting together their own band Love On Board with drummer John Twist and bass player Glenn Lewis.</div><div>These two mates took centre stage as guitarists and song-writers and would later hook up again in a latter DC Fontana incarnation.</div><br /><div>At the time they were heavily influenced by the likes of Scottish pop scene acts Orange Juice, Aztec Camera and Friends Again as well as The Byrds and the recently launched REM. Although their early performances tended to be like the Factory&#39;s in that they seriously lacked polish and tightness, the songs were head-turning, catchy, quirky and . . . cool.</div><br /><div>Meanwhile, the Factory progressed and, in the autumn of 1983, drafted in drummer Steve Quilton from the nearby village of Polesworth, Ian Roberts on a cheap £50 Casio keyboard (suggested by Mortimer as Julian Cope was using a similar one and it had some good garagey 60s organ sounds) together with Mortimer&#39;s and Goode&#39;s sisters Nicola and Michelle respectively as backing vocalists.</div><div>Preparing for their debut recording session in Birchmoor,&#0160;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb72b7e970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Dream83" class="at-xid-6a010536d09bf4970c01156fb72b7e970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb72b7e970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a>&#0160;<br /></div><br /><div>THE DREAM FACTORY, gather (left to right): Ian Roberts, Tim Goode, Mark Mortimer, Steve Quilton&#0160;</div><div>and Donald Ross Skinner. <span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;">Photo: Steve Adams.</span></span></div><br /><div>Within weeks a demo was hastily recorded in Steve Adams&#39; eight-track home recording studio at Birchmoor, north Warwickshire, a venue that had weeks earlier been used by former Teardrop Explodes singer Julian Cope for a series of demos with his brother Joss Cope under the guise of United States Of Mind (some of these later turned up as b-side tracks on his debut solo single &quot;Sunshine Playroom&quot;).</div><br /><div>Three Mortimer songs were recorded: &quot;The Haze&quot;, &quot;I Want To Tell You That I Love You&quot; and &quot;Remember Me&quot; with the musical direction being a wonderfully naive mish-mash of pseudo soul and Syd Barrett-influenced psychedelic pop that included some excellent work from Skinner in particular plus some catchy &quot;ba ba ba&quot; vocals from the girls and some Doors-esque keyboards from Roberts who then departed from the group shortly after the recordings but wasn&#39;t replaced.</div><br /><div>It was at this time that Mortimer became friendly with Cope who was regrouping in his home-town following the break-up of the Teardrops and was planning his solo career in an atmosphere of permeating paranoia and (now infamous) drug-taking marathons at his three-storey home he had moved into at 1, Mill Lane, Tamworth with his beautiful girlfriend Dorian from New York.</div><div>Mortimer used his job as a journalist with the Tamworth Trader as a front to try and set up a meeting with the singer, whose music he really dug. But reclusive Cope would never answer his front door let alone agree to an interview!&#0160;Undeterred, Mortimer would spend his lunch times from work climbing over Cope&#39;s garden wall, &quot;run&quot; style, and hammering on his back door and kitchen window until the freaked-out singer would relent.&#0160;Mortimer: &quot;Eventually one day, the door opened a tiny crack and Cope asked what the hell I was doing banging on his door like a madman! I told him I loved his music but that I also worked for the local press and wanted to interview him about his move back home to Tamworth where he&#39;d lived as a child.</div><br /><div>&quot;He point blank refused an interview but invited me in for a cup of tea and a really good friendship was founded there and then.&quot;</div><br /><div>At this stage the singer was having all kinds of weirdoes knocking on his door trying to sell him drugs, sign autographs or just act plain weird and with Cope&#39;s state of mind not really what it should have been, it was something of a major achievement to get inside his house let alone become pally!</div><div>Mortimer would often go round and spend evenings at the Cope residence drinking tea, listening to loads of obscure garage and psychedelia with the singer and Dorian, generally hanging out and having fun.&#0160;The couple found Mortimer&#39;s obsessive behavioural patterns attractive and revelled in his demi-monde world of scooters, girls, photograph albums and his deep love of 60s music.</div><div>Cope even gave Mortimer an acetate of the final Teardrops single, &quot;You Disappear From View&quot; and asked him to play it at Tamworth Youth Centre (where Mortimer had been doing some DJ work) to see what the reaction would be.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac6581970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Jcop" class="at-xid-6a010536d09bf4970c011570ac6581970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac6581970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>JULIAN COPE, photographed at an after-gig party in Birmingham, March 1984.&#0160;<span style="font-style: italic; font-size: 10px; font-family: &#39;Lucida Grande&#39;; ">Photo: Mark Mortimer</span></div><br /><br /><div>The one-time darling of the pop world was amused that an out-and-out mod like Mortimer could have such expanded musical influences and also be a truth-seeker.&#0160;He wrote in &quot;Repossessed&quot;: &quot;His name was Mark Mortimer and he was a mod. He dressed like a mod, he rode a scooter, he loved The Jam and he talked obsessively about all things mod.</div><br /><div>&quot;The reason I liked him so much was because he also hated mod, thought it was uncool and asked not &quot;how the hell do I get out of it?&quot; but &quot;how do I make it more psychedelic and Utopian?</div><div>&quot;Dorian and I called him &quot;M&quot; for the simple reason that Mark Mortimer lived in a spy movie.&#0160;</div><div>He brought all his photo albums around with all his little moddy friends and their scooters and everything was captioned in the most impersonal way imaginable.&quot;</div><br /><div>&quot; `M. Mortimer with B. Lacey and C. Underwood. 1993.&#39; We got to know his friends from their photographs. Dorian and I would make up stories about them. We loved them; they had this timeless innocence, like some living kitchen-sink film.&quot;</div><br /><div>Cope took an interest in the fledgling Dream Factory giving the debut demo a cautious thumbs up and remarking on how great the guitar parts were. At the time he was looking to put together a Tamworth-based band for his planned solo career and originally wanted town scenster (DHSS vocalist) Vince Watts as a staple part of the line-up.</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb72b3b970c-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Crazygreen" class="at-xid-6a010536d09bf4970c01156fb72b3b970c " src="http://pippip.typepad.com/.a/6a010536d09bf4970c01156fb72b3b970c-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a><br /></div><br /><div>MARK MORTIMER a regular visitor to 1, Mill Lane, Tamworth in 1983 and 1984. Here he is pictured in full psychedelic regalia with Julian Cope&#39;s surreal painted dustbin, September 1983!&#0160;<span style="font-size: 10px; font-style: italic; line-height: 12px; ">Photo: Julian Cope.</span></div><br /><div>But Watts had been acting extremely strangely of late, stripping off in public and attaining a depressing reputation of becoming Tamworth&#39;s very own Syd Barrett.</div><br /><div>A few weeks later and Skinner had been introduced into the growing Copey circle of new Tamworth friends, a great piece of timing that led to a long association between the Drude and Skinner.</div><div>Indeed, Skinner would quickly go on to become Cope&#39;s right-hand man. The singer may have failed in forming a Tamworth-based backing band but the gifted guitar player from Wigginton satisfied part of that whim.</div><br /><div>He was a very skillful player with good vision and ideas while holding quietly fierce ambition, &amp; going on to share the limelight with the idiosyncratic Cope for almost a decade.</div><div>Skinner, who by this time was also involved in a band formed from the ashes of DHSS &amp; going under the name of The Dead Captain Speaks with Glascote resident Barry Douce (who was later to play keyboards with the Black Country&#39;s very own Bunnymen, The Mighty Lemon Drops), diplomatically announced he wouldn&#39;t have enough time to dedicate to the Factory and was replaced with Quilton&#39;s best friend from Polesworth Lloyd Barnett who had previously been in a village punk band called Tora! Tora! Tora! with the drummer.</div><br /><div>By now Cope plugged the Dream Factory in various interviews with the likes of Smash Hits and on Channel Four&#39;s The Tube TV show with presenter Paula Yates as he got his first solo album&#0160;</div><div>&quot;World Shut Your Mouth&quot; together.</div><br /><div>Barnett&#39;s style of playing was far more conventional than Skinner&#39;s and this led to a sub-conscious move away from the more creative brand of nouveau psychedelia that Mortimer had promised he would attempt to mould leading to a simplified northern soul feel.&#0160;Andy Codling was drafted in on alto and tenor sax at the start of 1984 - the idea being to build a horn section around him (various people such as Robin Manuell came and went on trumpet) - and the change of musical direction was evident after a second visit to Steve Adams&#39; studio in February, 1984.&#0160;Recording the second Dream Factory demo at Steve Adams&#39; house in Birchmoor:&#0160;</div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac65b3970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline; color: blue; text-decoration: underline; cursor: pointer; "><img alt="Dreamdemo" class="at-xid-6a010536d09bf4970c011570ac65b3970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac65b3970b-320wi" style="cursor: pointer !important; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; " /></a>&#0160;<br /></div><br /><div>Mark Mortimer &amp; Lloyd Barnett look for guidance.<span style="font-size: 10px; font-family: &#39;Lucida Grande&#39;; "><span style="font-style: italic;"> Photo: Tim Goode.</span></span></div><br /><div>However, new songs such as &quot;The Game Of Life&quot; were poor and paled embarrassingly when compared to their first effort. Also recorded was a bizarre re-write of a Matthew Lees-penned song from the Fretz era of 1980 called &quot;Keeping Myself To Myself&quot;! Despite this largely crap demo, early gigs were hugely popular around Birmingham and a hefty fan following sprung up from seemingly nowhere.</div><div>Love On Board suffered a near-fatal blow on Sunday, March 11, 1984 when guitarist Nick Read and drummer John Twist were seriously injured in a car crash at Bassetts Pole, near Sutton Coldfield.</div><div>They spun out of control in wet conditions and collided with another car at 50mph. Fire crews had to cut the Love On Board musicians out of the wreckage of the Colt Lancia and were rushed to the Good Hope Hospital in nearby Sutton Coldfield.</div><br /><div>Twist managed to escape with bruises and a few broken ribs but Read came off the worst with multiple internal injuries, a broken pelvis and other serious problems that left him unconscious for three days and in intensive care for a month.&#0160;The Dream Factory didn&#39;t realise it at the time, but their birth coincided with a burgeoning scooterist movement in the UK and Midlands scooter riders had chosen to champion their cause.&#0160;Dream Factory had never consciously decided to be labelled a &quot;scooterist&quot; or &quot;mod&quot; band but nevertheless, the majority of their swelling ranks of followers tended to be from these two related scenes.</div><br /><div>Unfortunately, those early gigs were often marred by mindless violence from certain less cerebrally-endowed members of the audience; one particular rampage of vulgar vandalism outside Tamworth Arts Centre giving the band some very bad PR indeed.&#0160;Despite this, or maybe because of this, the following was expanding week from week and soon the band were pulling in regular crowds of 500 and 600 to bizarre venues such as Dordon Working Men&#39;s Club, Polesworth Miners&#39; Welfare Club, Kingsbury Working Men&#39;s Club and Birmingham&#39;s Mackadown pub.</div><br /><div>They had also successfully headlined Tamworth&#39;s open-air rock festival despite fears fans of the band would clash with those of heavy rockers Wolfsbane but nothing happened and the festival was dire, setting the tone for a decade of truly diabolical events of a similar nature in the town.</div><div>During the summer of 1984 Love On Board started to gig properly after the recovery of Read and Twist in and around the Midlands while recording a demo tape late in the year.&#0160;On the tape were&#0160;</div><div>&quot;I Struck A Gold Mine&quot;, &quot;Love On Board&quot;, &quot;Train Across The Canyon&quot; and &quot;Two Cents For Listening.&quot;</div><br /><div>Recorded in a studio in Nuneaton where the band had been rehearsing, the demo featured Nick Read on Ray Manzarek-sounding organ on the final track and boasted a strong 12-string acoustic sound from Jones.&#0160;The demo was well-received and further bolstered the band&#39;s local standing which had grown and grown since its inception.&#0160;During this period, the Factory&#39;s popularity encouraged a group of North Warwickshire mods to form a rival group called The Crowd.</div><br /><br /><div><span style="font-style: italic; font-size: 10px; font-family: &#39;Lucida Grande&#39;; ">Note:For more information on the Tamworth scene of Julian Cope in the mid 1980s please see his autobiography (part 2), &quot;Repossessed: Shamanic depressions in Tamworth &amp; London (1983-89)&quot; which is published by Thorsons (an imprint of HarperCollins Publishers).&#0160;References to Mark Mortimer and The Dream Factory are on pages 22, 39 and 44.&#0160;References to Donald Skinner are on pages 44-7, 49-50, 57-8, 64, 66, 82, 88, 91-2, 96, 100, 121-4, 126, 141, 144-6, 154-5, 166, 174, 179.&#0160;Reference to The Dream Factory can be found on page 22.&#0160;</span></div><div class="feedflare">
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</div>]]></content:encoded><description>Mortimer - by now a fully-fledged Vespa-riding mod - began planning a "proper" group with real ambition that could actually write songs and play tightly in a half-psychedelic, half-soul direction. After reading an article in a pornographic magazine at Skinner's Wigginton home, The Dream Factory was chosen as the new group's appellation and rehearsals began in earnest at Wigginton Village Hall with Mortimer, Goode and Skinner. At exactly the same time, Jones and Read were putting together their own band Love On Board with drummer John Twist and bass player Glenn Lewis. These two mates took centre stage as guitarists...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/the-dc-fontana-story-copeing-with-changes-198384.html</feedburner:origLink></item><item><title>DC Fontana Story - Beat Of The Classroom (1978-82)</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/m2QudeTBKHs/-the-dc-fontana-story-introduction.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Wed, 27 May 2009 09:48:29 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/-the-dc-fontana-story-introduction.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><span style="font-family: Helvetica; line-height: normal; "><div><br /><div><a href="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac5e11970b-popup" onclick="window.open( this.href, &#39;_blank&#39;, &#39;width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&#39; ); return false" style="display: inline;"><img alt="Fretz" class="at-xid-6a010536d09bf4970c011570ac5e11970b " src="http://pippip.typepad.com/.a/6a010536d09bf4970c011570ac5e11970b-320wi" /></a> <br /></div><br /><br /><div><span style="font-family: &#39;Lucida Grande&#39;;">THE ORIGINS of DC Fontana can be traced back as far as the early 1980s when all four musicians attended Queen Elizabeth&#39;s Mercian School in the Medieval English town of Tamworth.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">It was during the mid 80s that the busy town&#39;s music scene provided the foundations of what was to later become the current band with its members constantly criss-crossing each other in various local groups.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">One band - The Dream Factory - went on to reach the lower ends of the UK independent charts with one of two singles and gained a large following on the scooterist and mod scenes of the time.&#0160;Another - Love On Board - became ingrained in the musical folklore of the Staffordshire market town with its quirky pop tunes and ahead-of-its-time ideas.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Although both bands attracted differing audiences, played contrasting music and came from different backgrounds they had mutual respect for each other and were very friendly.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">These two bands provided the future fundamentals for DC Fontana and it is therefore worth taking a trip through the murky mists of time back to those heady (and horrible) 80s.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Here, then, is an exhaustive history of that period when it seemed almost everyone was playing in an awful indie or rock band in Tamworth!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Spurred on by the journalistic scriptures of former Classified Ads singer Sam Holliday in local newspaper The Tamworth Herald, these nouveau teenage &quot;garage&quot; bands seemed to crawl out of the woodwork like a plague, infesting venues such as Tamworth Arts Centre, the &quot;Assems&quot; (Assembly Rooms) and The Tavern In The Town pub among others.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">I suppose every town in the country has its fair share of wannabe pop stars and local personalities but there was an unusually large explosion of music-making in this particular fraction of the English Midlands and to understand the background of DC Fontana it is necessary to know a little of the atmosphere pervading there at the time.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Post-punk rock Tamworth in the late 1970s had witnessed the arrival of bands like The Reliants and DHSS who, along with a predictable column of dull heavy rock plodders, trod the boards to a mixture of bewilderment and apathy among the town&#39;s population.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">But a new scene was beginning to emerge and evolve in the early 80s, nurtured in the classrooms and playgrounds of Queen Elizabeth&#39;s Mercian School, a newly created comprehensive that mixed the town&#39;s historical Grammar and neighbouring Mercian Boys Schools.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">The merger itself had created a paradox of friction and friendship between boys from two different schools who had previously been considered as rivals as they now had to learn how to study together.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">To generalise a little, Mercian boys considered those from the Grammar as being posh, snobby and poncey while those who passed their 11-Plus exams and had attended the Grammar felt their Mercian counterparts crude and violent.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">It was during this difficult period when youngsters were being integrated that new friendships were formed and with them came the creation of school bands.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Most of them at QEMS had little or no ability but just as it was the done thing to support a soccer team as a Tamworth teenager, it was almost de rigeur to be in a group and gaining a good review in the Herald lifted your self-esteem and boosted your public image!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Membership of a band was far more important than what the group actually did and line-ups were often dependent on who were &quot;best friends&quot; at any given time; therefore rival groups of friends soon became rival pop groups in town!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">In the early 80s Grammar School pupil Mark Mortimer had been involved in various &quot;bands&quot; with no ability, including The Fretz, The Travelling Dog, (Fetch) The Comfy Jigsaw, Thirty Frames A Second and so forth.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">All these bands featured close school friends including Andrew Baines and Matthew Lees from the Grammar and Donald Skinner who had been welcomed into their circle despite being originally from the Mercian.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">The very first incarnation of these schoolboy bands was amusingly, and simply, called Filth (circa: 1978) and the &quot;songs&quot; were vicious punk rock tirades against various classmates and teachers the boys disliked at school including a take-off of The Beatles&#39; &quot;Hey Jude&quot;, re-named &quot;Hey Moll&quot; (Moll was the shortened version of &quot;mollusc,&quot; a nickname for German teacher Mr Short).</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Matthew &quot;Mas&quot; Lees was band leader and various others were involved. The Fretz were born in 1979 and alongside Lees on vocals, Mortimer on bass, Baines on guitar, Derek Goodwin on trombone (which he couldn&#39;t play of course),Two Tone fan Phil Hobbins on drums and Skinner also on guitar.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Indeed, not only was Skinner in because he seemed a decent kid, but he was, in fact, the only one who could actually play guitar and so there were other expedient reasons for his musical acceptance!</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">The former Mercian pupil started off as guitarist but also enjoyed a stint as drummer before older pupil Hobbins was drafted in as the percussionist and Skinner reverted back to his Telecaster.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Among the early attempts at song-writing was the hilarious pseudo punk &quot;Slum Living&quot; with the immortal opening lyrics: &quot;Living in a flat on Bolebridge Street, find it hard to make ends meet&quot; even though the composer was from a very comfortable middle-class background at Gillway Lane in the town!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Hanging out at Lees&#39; house at Albert Road would often be another ex-Mercian Boy Nick Read who was friends with his brother Andrew and he also became integrated into this growing circle of friends at QEMS (despite being a year younger) whose main shared interest was new wave music and acting, well, odd.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">Sixth-form capers at QEMS in September 1981 with (back-row, left to right): Mark Mortimer, Donald Skinner and Simon &quot;Webby&quot; Webster of The Classified Ads. Photo: Matthew Lees.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Mortimer: &quot;We thought we were the coolest generation of kids ever to go to school and it was truly a great time. We used to be pretty disruptive in class even though we were obviously not academically stupid and our fooling around reached quite legendary sillyness in school and out.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;I did a streak outside St John&#39;s Youth Club on The Leys aged 14 and we used to do a thing called going on &quot;a run&quot; whereby we used to go out late at night and run through the back gardens of 30 or 40 consecutive homes up Gillway Lane - you know, like an army obstacle course.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;We used to dress in black clothes and take the whole thing to military proportions, making sure we were camouflaged and wearing the right footwear and gloves and then crawl on our hands and knees through bushes, straddle fences, climb over sheds and all sorts!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;Absolutely ridiculous but brilliant fun! One stupid week we did the same course over two or three days on the trot, adding more and more friends each time until on the fourth occasion there must have been 20 or so of us on a &quot;run&quot; in one long line that stretched back over four gardens.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;But some of the owners had sussed us out and were lying in wait for us and I remember one of them threw a brick at me which hurt my shoulder quite badly and they then chased me through the streets of Tamworth for about a mile! Not your average 14 year-old&#39;s kind of thing really I suppose.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;But we weren&#39;t trying to vandalise - that wasn&#39;t the kick - it was just like a mad adventure. Another favourite pastime was knocking on someone&#39;s door and when they answered I&#39;d just recite a nursery rhyme to them and then walk away without saying another word.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;We also used to walk around the town centre on a Saturday afternoon eating Bonio dog biscuits to weird out anyone who was looking. I also tried selling a packet of Bonios to the trade-in shop!&quot;</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">Vandalism might not have been on the agenda but there was the infamous &quot;turd in the bath&quot; incident which was given embarrassing publication in the recent Julian Cope autobiography &quot;Repossessed&quot; whereby Mortimer stopped off at someone&#39;s house on the way home from St John&#39;s Youth Club as he was desperate for toilet relief but then disgracefully decided to defecate in their bath tub instead of the usual (even having the audacity to pour shampoo all over it afterwards). Not pleasant.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">&quot;It&#39;s hard to believe I could have done that but at the time it became a Tamworth legend and most people either thought me demented or a tosser,&quot; admitted Mortimer.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">During the formation of these early school groups Mortimer reluctantly accepted a role as bass guitarist after Lees, Baines and Skinner in particular considered him to be the weakest guitarist.</span></div><div><span style="font-family: &#39;Lucida Grande&#39;;">The Fretz were considered schoolboy personalities at QEMS after the Birmingham Evening Mail featured them on their news pages but the truth was the band was, well, not musical!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">By 1981 the same people had learned to play their instruments a little better and had called themselves (Fetch) The Comfy Jigsaw (for a few weeks) and then Thirty Frames A Second with Mortimer trying his best to give the group a 60s mod sound while Baines and Lees were pushing for a more experimental Echo &amp; The Bunnymen-influenced feel.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">A year later Mortimer teamed up with Skinner and gum-chewing Paul Weller devotee Brian Lacey to form a more serious band that even used a drum kit (most of the groups up to this point had used old margarine tubs, saucepan lids and dustbins!) and real guitars!</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">This moddy power pop group was called Private Property and after a few youth club gigs in the town it eventually evolved into a larger-sized act with no name.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">While most of his school mates had taken the strange path of moving away from punk and new wave sounds to investigating prog rock, Mortimer was totally fascinated by 60s music and in particular psychedelic-era Beatles, Pink Floyd, Small Faces and soul music.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">At one shambolic gig held at Wigginton Village Hall (with Baines on drums instead of Skinner) boyhood friend Tim Goode muscled his way into the group by pretending to be a roadie but then deciding to sing lead vocals for most of the gig, a move which so annoyed Lacey that the Weller-ite did one of his famous storming-off routines.</span></div></div></span></div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=m2QudeTBKHs:iQYqo7K2QEU:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Dcfontana-blog?a=m2QudeTBKHs:iQYqo7K2QEU:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/Dcfontana-blog?d=qj6IDK7rITs" border="0"></img></a>
</div>]]></content:encoded><description>THE ORIGINS of DC Fontana can be traced back as far as the early 1980s when all four musicians attended Queen Elizabeth's Mercian School in the Medieval English town of Tamworth. It was during the mid 80s that the busy town's music scene provided the foundations of what was to later become the current band with its members constantly criss-crossing each other in various local groups. One band - The Dream Factory - went on to reach the lower ends of the UK independent charts with one of two singles and gained a large following on the scooterist and mod...</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/-the-dc-fontana-story-introduction.html</feedburner:origLink></item><item><title>DC Fontana Story - Introduction</title><link>http://feedproxy.google.com/~r/Dcfontana-blog/~3/Sv3NV_Bt3NM/-the-dc-fontana-story-introduction-1.html</link><category>Band History</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">bazden pip</dc:creator><pubDate>Wed, 27 May 2009 09:46:00 PDT</pubDate><guid isPermaLink="false">http://pippip.typepad.com/dcfontanablog/2009/05/-the-dc-fontana-story-introduction-1.html</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><span style="font-family: Helvetica; line-height: normal; "><div><span style="font-family: &#39;Lucida Grande&#39;;">DC Fontana celebrated ten years of making music in 2003 and the group’s long history is brought together across a series of “chapters” which you can access from this new blog section.</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">From the band’s first live show at Tamworth nightclub Rockwells back in the autumn of 1993 through to their recent headlining appearances at scooter and mod events throughout Europe there are a thousand tales to be told of this never-say-die combo.&#0160;</span></div><span style="font-family: &#39;Lucida Grande&#39;;"><br /></span><div><span style="font-family: &#39;Lucida Grande&#39;;">Throughout the decade the nucleus of the group has remained the same with Neil, Nigel &amp; Mark augmented by various vocalists and sundry musicians.</span></div></span></div><div class="feedflare">
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</div>]]></content:encoded><description>DC Fontana celebrated ten years of making music in 2003 and the group’s long history is brought together across a series of “chapters” which you can access from this new blog section. From the band’s first live show at Tamworth nightclub Rockwells back in the autumn of 1993 through to their recent headlining appearances at scooter and mod events throughout Europe there are a thousand tales to be told of this never-say-die combo. Throughout the decade the nucleus of the group has remained the same with Neil, Nigel &amp; Mark augmented by various vocalists and sundry musicians.</description><feedburner:origLink>http://pippip.typepad.com/dcfontanablog/2009/05/-the-dc-fontana-story-introduction-1.html</feedburner:origLink></item><media:rating>nonadult</media:rating></channel></rss>

