<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-9867328</atom:id><lastBuildDate>Thu, 26 Mar 2026 13:38:53 +0000</lastBuildDate><title>Diary of Musical Thoughts</title><description>The title says it all.</description><link>http://diaryofmusicalthoughts.blogspot.com/</link><managingEditor>noreply@blogger.com (Barry)</managingEditor><generator>Blogger</generator><openSearch:totalResults>1243</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-2487647443774959044</guid><pubDate>Thu, 26 Mar 2026 13:38:00 +0000</pubDate><atom:updated>2026-03-26T09:38:53.066-04:00</atom:updated><title>90&#39;s nostalgia</title><atom:summary type="text">I had a yen to hear Sonic Youth’s &quot;Total Trash&quot;, which quickly spiraled into a YouTube-assembled playlist of late ’80s/early ’90s indie rock—Pixies, Blur, PJ Harvey, Galaxie 500, and more. What can you say, the algorithm knows what it’s doing. It starts with my search (Sonic Youth), pulls in the obvious contemporaries (Pixies), and then folds in the British acts it knows I like. It’s a formula </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2026/03/90s-nostalgia.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-804055241977878935</guid><pubDate>Thu, 26 Feb 2026 21:10:00 +0000</pubDate><atom:updated>2026-02-26T16:10:10.186-05:00</atom:updated><title>Various, &quot;Tresor 4 -- Solid&quot;</title><atom:summary type="text">As I alluded to a few weeks ago, I could keep this blog going indefinitely by revisiting and reevaluating CD&#39;s from the 90&#39;s.For instance, take the series of compilations released by Tresor.&amp;nbsp; I own numbers 2 through 8, with the exception of number 6.&amp;nbsp; It&#39;s safe to say that Tresor II and 3 are the most well-regarded, most influential, and probably were the biggest sellers of the series. </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2026/02/various-tresor-4-solid.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-8149898718826418754</guid><pubDate>Sun, 08 Feb 2026 14:55:00 +0000</pubDate><atom:updated>2026-02-08T09:56:04.002-05:00</atom:updated><title>Bob Marley, &quot;Legend&quot;</title><atom:summary type="text">I have been thinking a lot about a new format for this blog.&amp;nbsp; The correct choice seems to be taking the entire thing to a video format on YT or a social media platform.&amp;nbsp; Would this be in addition to, or instead of the written blog?&amp;nbsp; I&#39;m not sure.&amp;nbsp; I feel that writing is more suitable for longer think-pieces and collated musings (which is what I tend to do) and shorter snippets</atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2026/02/bob-marley-legend.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-2714670446814733214</guid><pubDate>Wed, 28 Jan 2026 16:08:11 +0000</pubDate><atom:updated>2026-01-28T11:11:01.756-05:00</atom:updated><title>Beach House are still amazing</title><atom:summary type="text">I will never catch up with contemporary music ever again, I am checked out on that front. I&#39;m too far behind even with the music released by my all-time favourite acts, so there&#39;s zero chance of getting up to speed on recent releases in general.&amp;nbsp; Case in point, I intended to post a triple review of three new albums by three of my all-time favourite artists -- Moderat&#39;s &quot;MORE D4TA&quot;, </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2026/01/beach-house-are-still-amazing.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-6559393606987851775</guid><pubDate>Wed, 31 Dec 2025 16:31:00 +0000</pubDate><atom:updated>2025-12-31T11:31:09.391-05:00</atom:updated><title>Israel Philharmonic presents &quot;Little Tchaikovsky&quot;, cond. Lahav Shani</title><atom:summary type="text">Every year, the Vienna Philharmonic presents a New Year&#39;s Day concert of light music based around Strauss-family waltzes and polkas.&amp;nbsp; These concerts are legendary and are broadcast worldwide, reaching a viewership around 50 million people annually.&amp;nbsp; &amp;nbsp;This was essentially an unadvertised concert that didn&#39;t appear on their published schedule, with tickets sold to under-35&#39;s at a </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/12/israel-philharmonic-presents-little.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-8419505850320531255</guid><pubDate>Tue, 23 Dec 2025 21:16:00 +0000</pubDate><atom:updated>2025-12-23T16:16:34.089-05:00</atom:updated><title>Another year without a list</title><atom:summary type="text">I used to obsess over my year-end lists, but now, I don&#39;t miss them in the least.&amp;nbsp; Non-listmaking friends and online acquaintances used to claim that lists were simply not their preferred method of judging the music they listened to.&amp;nbsp; I thought it was a giant cop-out.&amp;nbsp; If you love music, then you should stick your neck out for the stuff you&#39;ve been championing all year long.&amp;nbsp; </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/12/another-year-without-list.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-7338368995668967020</guid><pubDate>Thu, 11 Dec 2025 08:20:00 +0000</pubDate><atom:updated>2025-12-11T03:20:57.389-05:00</atom:updated><title>Various, &quot;A Tribute To Spacemen 3&quot; (Rocket Girl)</title><atom:summary type="text">I don&#39;t know why I have never written about this album before, seeing as it influenced my buying habits for years afterward.&amp;nbsp; If memory serves, this was my introduction to Bardo Pond and Low.&amp;nbsp; I had heard the names of both bands prior to this but had never heard their music.&amp;nbsp; I had never heard or heard of Flowchart or Transient Waves.&amp;nbsp; I spent considerable time tracking down </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/12/various-tribute-to-spacemen-3-rocket.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-5930305578591546314</guid><pubDate>Sun, 07 Dec 2025 15:32:00 +0000</pubDate><atom:updated>2025-12-07T10:32:36.448-05:00</atom:updated><title>One Shot with Ed Sheeran</title><atom:summary type="text">Of course it’s an advertisement for his upcoming world tour, and yes, he surely got a boatload of money from Netflix for doing it. But set the cynicism aside—One Shot is ridiculously fun to watch: a fresh, challenging, and genuinely unique take on the “no camera cuts” concept. They brought in the team behind Adolescence to execute the vision and the logistics, and Sheeran absolutely delivers </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/12/one-shot-with-ed-sheeran.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-739955360168357849</guid><pubDate>Tue, 25 Nov 2025 15:44:00 +0000</pubDate><atom:updated>2025-11-25T10:44:40.460-05:00</atom:updated><title>Milli Vanilli -- Grammy revenge</title><atom:summary type="text">In 1991, Milli Vanilli became the first and still only act to be stripped of a Best New Artist Grammy.&amp;nbsp; Now, more than three decades later, Fab Morvan has been nominated for Best Audiobook and may finally get the last laugh by winning that elusive Grammy.&amp;nbsp; It would make for a fascinating acceptance speech if it makes TV (which it probably won&#39;t).&amp;nbsp;&amp;nbsp;Never mind the fact that Rob </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/11/milli-vanilli-grammy-revenge.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-7220311597585002251</guid><pubDate>Tue, 28 Oct 2025 15:00:00 +0000</pubDate><atom:updated>2025-10-28T11:00:38.026-04:00</atom:updated><title>LFO, &quot;Advance&quot; (1996)</title><atom:summary type="text">Hard to believe that this album is nearly 30 years old.&amp;nbsp; At the time, it felt wholly out of place.&amp;nbsp; Although released on Warp, &quot;Advance&quot; couldn&#39;t have been further removed from the &quot;Artifical Intelligence&quot; style of bedroom techno that had dominated the label in the previous few years.&amp;nbsp; It was too sobering and grounded for the rave scene, and not propulsive or hedonistic enough for </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/10/lfo-advance-1996.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-4232951562222818177</guid><pubDate>Wed, 08 Oct 2025 20:30:00 +0000</pubDate><atom:updated>2025-10-08T16:30:17.696-04:00</atom:updated><title>BBC Music ranks the top 12 classical pieces that bridged the pop culture divide </title><atom:summary type="text">&amp;nbsp;It&#39;s always nice to see a list that covers a subject that hasn&#39;t been overdone.&amp;nbsp; Other than Percy Grainger&#39;s &quot;Country Gardens&quot; -- the only piece on the list that I wasn&#39;t familiar with, it must be a Brit-centric thing -- each of these pieces has been featured, immortalized, and run full circle into parody.&amp;nbsp; These are truly famous pieces that have spanned oceans and crossed borders</atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/10/bbc-music-ranks-top-12-classical-pieces.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-2217733099299211299</guid><pubDate>Tue, 30 Sep 2025 12:42:00 +0000</pubDate><atom:updated>2025-09-30T08:42:46.308-04:00</atom:updated><title>Shlomo Artzi, live at Park Raanana</title><atom:summary type="text">Twelve years ago, I saw Shlomo Artzi in concert for the first time and was blown away.&amp;nbsp; At the time I wrote that &quot;I&#39;m not sure I&#39;ve ever seen an artist connect with his audience as well as Shlomo Artzi connected with the crowd in Ashdod&quot;.&amp;nbsp; The connection was &quot;almost telepathic&quot;, operating on a deeper, more personal, more empathetic level than just about any other artist I&#39;ve seen -- in </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/09/shlomo-artzi-live-at-park-raanana.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-5740342955613213183</guid><pubDate>Wed, 10 Sep 2025 21:56:00 +0000</pubDate><atom:updated>2025-09-10T17:56:02.830-04:00</atom:updated><title>The pacification of music criticism</title><atom:summary type="text">Kelefa Sanneh hit a home run with his excellent piece in the New Yorker, covering the decline of music criticism from acerbic, witty truth telling to the placid, homogenized landscape that we have today.&amp;nbsp;&amp;nbsp;Additional context comes by way of a video by Dave Hurwitz, and even though he&#39;s talking about the classical music industry (his specialty), the sentiment is applicable to other genres</atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/09/the-pacification-of-music-criticism.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-5653336864479915624</guid><pubDate>Thu, 21 Aug 2025 08:57:00 +0000</pubDate><atom:updated>2025-08-21T04:57:50.193-04:00</atom:updated><title>Dr. Guiseppe and Mr. Sinopoli</title><atom:summary type="text">I have taken to Sinopoli&#39;s recordings as somewhat of a guilty pleasure.&amp;nbsp; His style certainly isn&#39;t for everyone.&amp;nbsp; &amp;nbsp;Most people value instrumental clarity and individual sonorities when listening to classical music.&amp;nbsp; Sinopoli didn&#39;t care about any of that, he approached the orchestra as if it was a gigantic, people-powered modular synth, with separate components only existing </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/08/dr-guiseppe-and-mr-sinopoli.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-2079684092426709177</guid><pubDate>Sat, 05 Jul 2025 22:14:00 +0000</pubDate><atom:updated>2025-07-05T18:14:13.953-04:00</atom:updated><title>Oasis 2025 -- 90&#39;s comfort food</title><atom:summary type="text">The Oasis reunion is finally happening and it already feels bigger than any other &quot;reunion&quot; tour in recent years.&amp;nbsp; In his review of their kick-off concert in Cardiff, The Independent&#39;s Mark Beaumont half-heartedly tries being cynical about it, with a slight few backhanded compliments thrown in, but in the end it didn&#39;t matter.&amp;nbsp; He gives them a five star review.&amp;nbsp; &amp;nbsp;Yes, both </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/07/oasis-2025-90s-comfort-food.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-2547776449688747185</guid><pubDate>Tue, 01 Jul 2025 08:49:00 +0000</pubDate><atom:updated>2025-07-01T04:49:30.560-04:00</atom:updated><title>It took me eight years to &quot;get&quot; Fleetwood Mac&#39;s &quot;Tusk&quot;</title><atom:summary type="text">I had never heard of this album until it was featured in Melody Maker&#39;s &quot;Unknown Pleasures&quot; book in 1995.&amp;nbsp; A few more years passed before I heard a note of music from it, via the Fleetwood Mac Greatest Hits compilation.&amp;nbsp; After that, more than a decade passed until I heard the full album.&amp;nbsp; I bought the 2CD reissue,&amp;nbsp;wrote a post about it, and all these years later I mostly agree</atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/07/it-took-me-eight-years-to-get-fleetwood.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-734427399966535177</guid><pubDate>Thu, 26 Jun 2025 19:28:00 +0000</pubDate><atom:updated>2025-06-29T16:17:43.604-04:00</atom:updated><title>Mandle Cheung and Mahler 2</title><atom:summary type="text">Along comes another rich guy with Mahlerian dreams of grandeur who lives out his fantasies by paying a princely sum to conduct a leading orchestra.&amp;nbsp; We&#39;ve seen this before with Gilbert Kaplan.&amp;nbsp; Now it&#39;s Mandle Cheung &quot;hiring&quot; the Toronto Symphony Orchestra for his own personal vanity project.&amp;nbsp; Are we supposed to care?&amp;nbsp;OK, enough with the cynicism.&amp;nbsp; Like Kaplan, Cheung is </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/06/mandle-chung-and-mahler-2.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-3149736641720971691</guid><pubDate>Thu, 12 Jun 2025 20:25:00 +0000</pubDate><atom:updated>2025-06-15T07:24:06.132-04:00</atom:updated><title>Brian Wilson RIP</title><atom:summary type="text">Here is the first line of Brian Wilson&#39;s obit in the NYT:&amp;nbsp;Brian Wilson, who as the leader and chief songwriter of the Beach Boys became rock’s poet laureate of surf-and-sun innocence, but also an embodiment of damaged genius through his struggles with mental illness and drugs, has died.Continuing on, the article presents a balanced picture of his considerable fame and talents, as well as </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/06/brian-wilson-rip.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-1921718112229434362</guid><pubDate>Sun, 25 May 2025 21:25:00 +0000</pubDate><atom:updated>2025-06-12T16:29:51.047-04:00</atom:updated><title>IPO dir. Christoph Koncz, Clara Jumi Kang</title><atom:summary type="text">According to his bio, Koncz is a young conductor who seems to gravitate toward classical and early Romantic music, setting him apart from many of his peers who tend to favor impressionistic and more modern works.&amp;nbsp; I expected a more fiery rendition of Beethoven&#39;s Leonore Overture No. 3, but the result was somewhat lukewarm—essentially a lackluster run-through of a piece that both the </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/05/ipo-dir-christoph-koncz-clara-jumi-kang.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-8965926508496591578</guid><pubDate>Mon, 19 May 2025 08:47:00 +0000</pubDate><atom:updated>2025-05-19T17:34:21.745-04:00</atom:updated><title>Eurovision 2025</title><atom:summary type="text">This year&#39;s event had nearly everything you could ask for—extraordinary performances, impressive spectacles, and a tight race that came down to the final televote announcement.&amp;nbsp; I certainly did not expect Israel to nearly win the whole thing.&amp;nbsp; The bookmakers all predicted a Swedish runaway -- by the night of the final, it was Sweden for the win with nearly even odds against the other 25</atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/05/eurovision-2025.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-8551029404034667080</guid><pubDate>Mon, 05 May 2025 12:31:00 +0000</pubDate><atom:updated>2025-05-05T08:31:30.135-04:00</atom:updated><title>FireAid Benefit Concert</title><atom:summary type="text">I watched the nearly six-hour FireAid special on Netflix, and I don&#39;t really want to critique it because the audiences obviously enjoyed it and they raised a ton of money for the worthiest of causes.&amp;nbsp; However, I do have a few thoughts:This was an old set of performers.&amp;nbsp; I counted eight acts where the featured musician was seventy or older.&amp;nbsp; That&#39;s not counting the guest vocalists </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/05/fireaid-benefit-concert.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-1318658583118190964</guid><pubDate>Sun, 27 Apr 2025 21:09:00 +0000</pubDate><atom:updated>2025-04-27T17:09:34.500-04:00</atom:updated><title>The Rolling Stones are featured on &quot;The Rest Is History&quot;</title><atom:summary type="text">This might seem like an unusual topic for a history podcast, but co-host Dominic Sandbrook wrote his doctorate on American politics in the 1960&#39;s and has written multiple books on post-WWII Britain.&amp;nbsp; He has a unique talent for tapping into the essence of baby boomer politics and culture. In the first episode of a two-part series, he demonstrates a keen understanding of how the Stones filled </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/04/the-rolling-stones-are-featured-on-rest.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-3240765406192986743</guid><pubDate>Thu, 10 Apr 2025 19:55:00 +0000</pubDate><atom:updated>2025-04-10T15:57:23.199-04:00</atom:updated><title>Ranking every recording of Sibelius&#39; Fifth Symphony that I own</title><atom:summary type="text">(It&#39;s been a while since my last post, and that&#39;s because I have undertaken a listening marathon while quietly compiling these 5000 words on Sibelius)Five years ago, I discovered the world of Sibelius through reading Alex Ross&#39; &quot;The Rest Is Noise&quot;.&amp;nbsp; Sibelius might be the ideal pandemic-era composer.&amp;nbsp; His music can vary between intense claustrophobia and celebrations of the wondrousness </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/04/ranking-every-recording-of-sibelius.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-1021339133023010320</guid><pubDate>Tue, 11 Mar 2025 23:17:00 +0000</pubDate><atom:updated>2025-03-11T19:17:22.209-04:00</atom:updated><title>Popmatters Best Alternative Singles of the 90&#39;s</title><atom:summary type="text">Putting aside the egregious editing mistake in the header -- note that this is a singles list, not a songs list -- this is a rare 90&#39;s listicle with results that I mostly agree with.&amp;nbsp; The methodology behind the SINGLES list is described&amp;nbsp;here, and keep scrolling to see the full list.&amp;nbsp;&amp;nbsp;The one song per artist rule is a necessary one for this kind of project, so good on </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/03/popmatters-best-alternative-singles-of.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9867328.post-6750270657660844734</guid><pubDate>Sat, 08 Mar 2025 22:00:00 +0000</pubDate><atom:updated>2025-03-08T17:00:02.257-05:00</atom:updated><title>IPO dir. Lahav Shani, Martha Argerich (Jeans concert)</title><atom:summary type="text">Tonight&#39;s concert was wonderfully varied and was headlined by the sensational Martha Argerich playing Shostakovich&#39;s Piano Concerto No. 1.&amp;nbsp; I have to admit that I didn&#39;t care for the work, it&#39;s a showcase for all the weird tonalities and dissonances that characterize the composer a bit too much.&amp;nbsp; IOW, too Shostakovich-y for me.&amp;nbsp; But the ageless Argerich (83 years young) displayed </atom:summary><link>http://diaryofmusicalthoughts.blogspot.com/2025/03/ipo-dir-lahav-shani-martha-argerich.html</link><author>noreply@blogger.com (Barry)</author><thr:total>0</thr:total></item></channel></rss>