So let’s get started!

Filmmaker Mode was launched back in August of last year, and this year’s CES is the perfect time for products supporting the mode to be demonstrated, and for new announcements to be made by the UHD Alliance about the new viewing mode.

For a quick catch-up, the intention behind Filmmaker Mode is for cinema lovers to have a quick and easy way to turn off all the post-processing features found in modern TVs. While these may improve TV viewing, most will end up making films look very different from what they’re supposed to look like. Things like motion smoothing, digital noise reduction can make movies look unnatural. Filmmaker Mode will be an easily turned on (and off) option that will remove all the unnecessary processing, to make the film presentation on the TV as close as possible to the cinema experience.

This solves the annoying problem of having to hunt down settings to turn on and off, or in some worst cases, not having the option to disable annoying post-processing.

Back in August, Filmmaker Mode was supported by LG, Panasonic and VIZIO, as well as the Directors Guild of America and The Film Foundation. At this year’s CES, the UHD Alliance announced more supporters for the initiative, including CE firms Samsung and Philips, as well as the American Society of Cinematographers and the International Cinematographers Guild.

The original supporters, Panasonic and LG, also made announced in relation to Filmmaker Mode at CES 2020. LG announced that all of their 2020 range of 4K and 8K TVs will support the mode, while Panasonic will support the mode on all of their 2020 OLED HD 2000 series TVs.

Samsung says their 2020 TVs will also come with Filmmaker Mode, but the company was more keen to promote their MicroLED technology, which will make ginormous screens with perfect contrast and color control a possibility. They demonstrated a 292-inch 8K MicroLED wall TV at CES, and plan on making MicroLED TVs commercially available this year. They won’t be cheap though!

If CES 2020 had a theme in terms of display technology, then 8K is that theme, with Samsung also releasing a range of 8K TVs. 8K content is still very, very thin on the ground (might start putting a few 8K demo clips on our YouTube channel though), but with new formats and the chicken/egg conundrum, it’s always easier to have hardware in people’s homes to drive content, as opposed to having content first and then waiting for people to buy the TVs.

So it looks like 2020 will be the year that 8K start making a real impact, which is just as well because with most new TVs being 4K, there will always be a need for something new to drive future sales (the fact that 4K Blu-ray isn’t enough to stop the decline of Blu-ray sales could also point to an 8K disc format in the future – and to be honest, with the bandwidth 8K requires, optical discs may still be the best way to deliver content to viewers).

======

That’s it for the week. See you again soon!

So I guess this is as good a time as any to review 2019 and summarise everything that has happened over the last year. Or at least the things that I can remember right now.

And don’t forget to enter our 20th anniversary competition, where you can win some cool prizes simply by finding a codeword that we’ve hidden in a news article, or maybe even in this very article

As with our usual “weekly” roundups, let’s start with the copyright stuff.

Torrenting is down as expected, but that’s not because of the effectiveness of all the anti-torrenting laws and measures, but because people have moved onto other ways to get their piracy fix. Piracy streaming is now the go-to for people because streaming technology and people’s broadband speeds have improved to the point where HD streaming is possible and easy. Direct downloads are also making a comeback via private forums and chat groups, encrypted and password-protected download links, coupled with decent download speeds even for free hosting services. The downloader benefits from these two methods because they’re largely free from monitoring, and there’s little chance of a nasty email from your IPS informing you that you’ve been caught.

The response from the other side? Sites continue to get taken down, operators sued, new laws passed. So basically the same old, same old game of whack-a-mole.

With access to even faster download speeds, Blu-ray rips and 4K downloads, once the domain of the most hardcore due to their 25 to 100 GB downloads, will become more popular. At least for those that are still bothering to download stuff.

Unless you’re somehow immune to our cross-promotional efforts, you should know that we now have our own YouTube channel. We’ve taken everything we’ve learned over the years to focus on the niche of 4K upscaled (and sometimes, native 4K) content, mostly trailers, but also behind-the-scene clips and even music videos of our own creation. I can confidently say that our 4K uploads are some of the best you’ll see on YouTube, and that’s largely down to the effort we take to upscale the content from the best possible sources. None of this ripping from a muddy YouTube HD upload and then doing a simple bilinear 4K upscale, with so-called 4K uploads looking worse than the original HD version.

We’ve also learned a lot about not just how YouTube works (and how channels that focus on quality often lose out to channels that focus on speed), but also how the whole trailers game works (it’s way way more complicated than what I originally thought – there’s a real art to how to best promote a movie, and some studios are simply better at it than others).

And some trailers are just better than others, and here’s our top 10 for the year:

Moving away from shameless self-promotion, the home video landscape remains in flux as streaming takes over everything and anyone who is anyone is coming out with their own streaming product (and at the same time, taking their stuff off Netflix).

But the one that has the best potential to disrupt Netflix is probably Disney+ and so far, it’s going to take a while for this to happen, if it happens at all.

The Mandalorian is probably the best Star Wars anything since the original trilogy (okay, Rogue One was pretty good too), but with the first season now over, there’s nothing really on Disney+ that’s a must-see. The other Star Wars shows, and the Marvel originals are months if not years away, and in terms of catalogue content, only a tiny fraction of the Disney and Fox library is on there (and Disney is not in a hurry to add more).

At the same time, Netflix is releasing about 1,362 new shows and original films every month. And while many of them are completely missable shows, many are really quite fantastic. I just hope Netflix doesn’t run out of money soon, because their production costs are enormous and without theatrical runs for their movies, they’re missing out on a potential billion dollars in box office takings.

The current big debate over original IPs versus more and more superhero movies involves Netflix and other streaming outfits too. One side argues that Hollywood (and cinema chains) is too focused on the next Avengers phase or Star Wars, and not giving movies like ‘Richard Jewell’ a chance. The other side argues that superior movies like ‘Richard Jewell’ and ‘Uncut Gems’, both in cinemas right now, just don’t make economic sense when the inferior ‘Star Wars’ is obliterating them in terms of ticket sales. In the case of ‘Richard Jewell’, I know for a fact that Warner Bros. did promote it as much as its other movies (in terms of trailers, promotional clips, etc…), but moviegoers are just not biting.

The question that some have asked is that would ‘Joker’ have made so much money if it had been simply called ‘Arthur’ and was not based on DC Comic’s IP? Most likely not!

So can you really blame Hollywood for being unoriginal when unoriginal is what pays the bills? The same for cinema chains, who will always show more love to an uninspired Marvel film over a film like The Irishman.

I’ve uploaded some great trailers for some really interesting films this year, but they will never get as many views as says a Top Gun 2 trailer or a Wonder Woman sequel. The only exception is Christopher Nolan, who’s original films are more anticipated than even the most anticipated franchise titles.

The other raging debate is over the apparent focus testing of movies, and how it’s ruining creativity and originality. The re-designed Sonic is what started this debate, with many believing that the original design, as bad as it was, would have made a weirder and less mainstream film that would have lived on as a cult classic. A movie so bad, that it’s good.

But then the horror movie known as Cats happened, and its director Tom Hooper appears to have ignored all calls for focus-testing and character re-designing, and well, we now know that perhaps some changes should have been made. If Paramount can avoid what happened to ‘Cats’ with a re-designed Sonic, as pandering as it was, then I think they would believe that it was a change worth making.

And finally, disc sales continue to slide, as even 4K Ultra HD can’t save physical media from being made obsolete by digital and streaming. I had promised to write our 2018 disc sales analysis almost a year ago, and it’s almost time to write another 2019’s. I’ll probably combine the two together, and I’m not making any promises, but hopefully, that analysis will be uploaded soon. Spoiler alert: Blu-ray disc sales have fallen, not as much as DVD sales, but still quite alarming despite the increasing popularity of 4K.

I haven’t covered gaming news as much in 2019, but the three big stories are the continued success of Nintendo’s Switch, and the two new consoles from Microsoft and Sony, the funnily name Xbox Series X and the PS5.

While I can go on about ray-tracking, 120 FPS gaming and SSD storage, but what interested me the most was the fact that Sony’s PS5 will finally support 4K Ultra HD Blu-ray playback, having skipped it in the PS4. I guess you can surmise that Sony now realise it was a mistake to not include UHD disc playback with the PS4, although they will argue that the cost of the drive and the fact that games are getting bigger and bigger were all factors in Sony deciding to jump aboard the UHD, and BDXL train. While I haven’t found any concrete information on what kind of disc drive the Xbox Series X will be using, but I would be very surprised if it turns out to not support UHD Blu-ray playback.

#Celebrate

On that note, we come to the end of this roundup, and (almost) 2019. Hope you all have a great time celebrating the new year, and may this new year be your best yet!

See you next year.

Thought it was time to do another newsletter, and so scrapped up some news, and here we are!

If you’ve never watched a single episode of An Idiot Abroad, you should do yourself a favour and watch one now. You never know if the star of the show, Karl Pilkington, is actually just being himself or playing a character and in on the joke from the start. Either way, he is one funny guy.

I haven’t seen his new show, ‘Sick of It’ yet, but the fact that he plays two characters in it suggest that the “Idiot” was definitely more of an act. And if you haven’t seen an episode of this new show, maybe because it’s not widely available around the world at the moment, don’t fret, Karl has some suggestions for you: pirate it!

When people ask Pilkington where they can see his show, he’s sending them a link to a Vimeo video where they can watch a full episode. The only problem? The video is a pirate upload.

And he’s not just done that once, he’s done it multiple times, he’s done it every time someone has asked about how to see the show.

Not sure how the show’s network, Sky, will feel about this, but as the creator of the show, Pilkington must feel that informing people about the merits of his show is more important than silly copyright issues.

======

That’s pretty much it for now. To celebrate both the 20th anniversary of Digital Digest and our new YouTube channel which just hit 1,000 subscribers, we’re going to be giving away some prizes soon. Check our Facebook page or Twitter feed for details soon.

I myself took part in the craziness by trying to get a really good quality 4K upscaled trailer to the masses as soon as possible, even live-tweeting the entire process.

And I guess I got caught up in the madness (and yes, I’ve already pre-booked my movie ticket), and subsequently uploaded a French/Canadian version of the trailer, a dialogue-free music version of the trailer, and just yesterday, the original studio released 4K version of the trailer.

No more The Rise of Skywalker uploads, I promise.

While big-budget Hollywood blockbusters are usually the ones that get all the attention, the video streaming industry has quietly overtaken Hollywood in terms of revenue just this year, globally.

And this is why every other media conglomerate is launching their own streaming platform these days, and so it makes total sense that the two rather large non-Disney ones, Warner Media and NBC Universal, would be launching their own as well.

Nobody really wants to directly take on the behemoth that’s Netflix though. Amazon has long said that Prime Video is really just a way to sell Prime memberships and get people addicted to shopping on Amazon. Hulu has focused more on TV and catch-up content, although it’s starting to take Netflix head-on. And Warner’s HBO Max and NBC’s Peacock will also be avoiding direct conflict with Netflix by going after cable subscribers, with both offering free subscriptions to this demographic (and perhaps the most likely to not have a Netflix subscription), providing a transition from cable to streaming without people having to spend their hard-earned.

It’s a good strategy because asking people to spend money on yet another subscription service is going to be hard, especially when any one of these services would have more than enough content to keep you entertained (although not necessarily *all* the content you may want to watch).

But that also points to another problem. Is there such a thing as too much content? Too many new original shows and movies from too many platforms, even if some of them are “free”, that you just don’t have time to watch it all? I myself am still catching up on shows that I first added to my watch list three years ago, so I guess things are only going to get worse.

And this whole Golden Age of Television thing isn’t helping! Why does everything have to be so good?!

======

Well, the only solution I can think of is to spend more time watching stuff, which is what I’m going to do right now. See you next time!

Well, if ESPN can post a video promoting a Star Wars trailer, I can certainly do the same!

Still not a huge amount of news, but we do have some (and by some, I mean one story), so here we are …

It’s not a great time to be Netflix right now. They’ve largely managed to see to the threat of Amazon and Hulu, despite the latter spending more and more on content. But they now have to contend with new offerings from Apple and Disney, namely Apple TV+ and Disney+.

To make things worse, two new players have announced they’ll enter the market, with Warner Media’s HBO Max and NBC Universal’s Peacock, both trying to tap into the lucrative streaming scene.

But is Netflix worried? Nah, say the company’s bosses. CEO Reed Hastings was a bit too casual with his statement last month that November, when Apple TV+/Disney+ launches, will usher in a “whole new world” for streaming – and the market interpreted this as a suggestion that things are going to change (and not for the better) for Netflix. Never mind that Hastings was clearly trying to use an “Aladdin” reference to have some fun with the whole Disney+ thing, but the truth is, Netflix perhaps should be worried.

With Warner, Universal, Disney, three of the largest studios, going their own way and taking their content with them, it leaves Netflix increasing dependent on their original productions. Productions that, without a theatrical and home video sales run, are almost never profitable in any meaningful direct way. Our sister site Streambly has been monitoring the binge-watching bahaviour of Netflix subscribers and the most popular shows on Netflix are not the ones you think. They are shows like ‘Friends’ (NBC), ‘Brooklyn Nine-Nine’ (NBC), ‘The Big Bang Theory’ (CBS) and ‘The Office’ (NBC). Shows that, in time, will probably no longer be allowed to have a home on Netflix. And that’s not to mention all the blockbuster movies that will no longer be made available on Netflix.

So while Hastings may have been just joking around with the “whole new world” statement, what he says is actually quite true. We are entering a whole new, fragmented world of streaming that won’t be a friendly one for Netflix. For the consumer, we will have access to more streaming content than ever before, but only if we’re willing to pay the price, and when combined, the price won’t be cheap. Some of these offerings will probably fail to impress and will die away naturally and we will see some consolidation again, but before then, things will be more complicated (and more expensive) than they need to be.

======

That’s it for this week. Come back on Monday night (Tuesday afternoon, Australian time) for the Rise of Skywalker trailer, one of the biggest trailers this year. And maybe I’ll see you this time next week again, assuming we have something interesting to talk about. Until then …

And yes, I promise I will start writing a bit more news (a bit more as in more than nothing), which is why I’m here today. But don’t get your hopes up, there’s only one thing to talk about this week.

After months of no news, we suddenly have lots of it about Sony’s next game console, unofficially dubbed the PS5.

First of all, it now has an official name: PS5. Not much of a surprise there. Slightly surprising, given the lack of it on any incarnations of the PS4, is the including of 4K Ultra HD Blu-ray playback. Finally, I hear you say. And you’d be right, because Sony gambled that 4K discs wouldn’t take off and they were wrong. While 4K UHD Blu-ray hasn’t replaced standard Blu-ray, but it’s built itself a nice niche and sales have been relatively strong for such a new format. 4K streaming has been doing well too, but it seems most people still prefer to get 4K from discs.

The problem is that high-quality 4K takes a long time to download, or a very fast connection to stream. And I’m not even counting Netflix 4K as high-quality 4K, because compared to 4K discs and on a large high-quality screen, you can easily see the difference (same with YouTube – the 4K trailers I upload are nowhere near as nice when played back there, compared to my original MKV versions – you can download some of these 4K trailers for yourself and compare). The same problem is happening with games that are getting bigger and bigger, which is why Sony has opted to include a BD-XL drive in the PS5 that will allow game developers to put more on a single disc (100GB vs 50GB). Gamers can still download games, but Sony is introducing a new feature where they only need to download a part of the game to get started, with other parts downloading when needed.

Also announced are some important changes to the new DualShock controller for the PS5 (DualShock 5?), including haptic feedback, haptic trigger buttons and, finally, a USB-C charging port.

Sony also confirmed that ray-tracing support will be in hardware form as opposed to software. Interesting ammunition for the next console wars (assuming the next Xbox doesn’t also do hardware ray-tracing), and for those that are completely invested in gaming graphics.

======

And that’s it for the week. Hopefully, there will be more news next week. For Star Wars geeks like myself, you might be interested to know that there’s a good chance the new Rise of Skywalker trailer might be coming on Monday during Monday Night Football. If not this Monday, then the next one for sure. Excited!

If you’re an Aussie and you like the sort of things I like, then you would have been ecstatic about the news of Disney+ coming down under, and for the really good price of $8.99 (that translates to less than the US pricing of $6.99).

What’s more, with Disney’s fan event, the D23 Expo, happening just a short while after the pricing announcement, Disney used the event to give fans even more information about the service.

We got trailers for the new Star Wars TV series The Mandalorian (and the trailer looked fantastic – if the show if half as good, it will be epic), original films Lady and the Tramp and Noelle. There was also a bunch of announcement for new Marvel shows, and a big one, Ewan McGregor coming back as Obi-Wan in a new TV series.

From a technical standpoint, there was also some exciting news that all Disney+ accounts will have access to 4K, HDR, Dolby Vision and Dolby Atmos. This makes Disney+ by far the cheapest streaming plan to included these advanced features, $9 per month cheaper than the Netflix plan with the equivalent feature.

Those in the U.S. can also bundle Disney+ with Hulu and ESPN+ for only $12.99 per month, saving almost $5.

With so much enticing content, a great price and unexpected feature-set, it looks like Disney is very very serious about going head to head with Netflix. All the talk about Disney+ not being a competitor for Netflix (and most of that talk is coming from Disney, which is telling) is technically correct, but with Hulu under its wings, there’s no reason, from a content point of view, that Disney can’t take on Netflix.

It will be good news for us consumers, not so much Netflix shareholders, I think.

And in the near future, when you’re watching a 4K Disney+ stream on your new TV, you might notice that there might be a new mode on your TV called ‘Filmmaker Mode’. If you see it, you should enable it.

Announced this week by the UHD Alliance, along with CE partners Panasonic, LG and VIZIO and along with the Directors Guild of America and The Film Foundation, Filmmaker Mode will be a shortcut that turns off all the post-processing features on the TV that distracts from the film-watching experience. You know the ones – motion smoothing, the over-sharpening and unnatural colour corrections, and when combined, makes movies look more like daytime soap operas.

But now, with just one setting, you can watch the film as the filmmakers intended, with the right colour reproduction, and more importantly, the right framerate.

The new mode seems to be made for UHD Blu-ray discs, but there’s no reason why it can’t be used for streaming as well. So there won’t be any more excuses for films to be played back with the soap opera effect turned on. No excuses!!

That’s it for the week. Back to making trailers for me. Until next time!

Regular readers will know how we big up streaming here, and not just because we also run an Australian news site that’s dedicated to the topic of streaming.

But you have to be living under a rock to not notice that streaming is taking over everything, but sometimes some solid stats go a long way to paint a full picture of what’s happening.

That data has been recently provided by analytics firm Conviva, and it shows that streaming media consumption has double over the last year in the United States.

The consumption was led by Roku users, who helped to drive up the adoption of Internet-connected TVs by 143% and accounted for 43% of all connected TV viewing measured by Conviva. Roku themselves are seeing a period of strong growth, with the service now having more than 30 million subscribers.

Adoption of Amazon Fire TV devices also growing strongly over the last year, up 145% and now accounting for 18% of connected viewing.

Here in Australia, our one and only cable TV operator has finally embraced streaming and have started to bundle Netflix with their subscriptions (despite the fact that it tried to launch its own streaming platform). And with broadband speeds increasing and bandwidth costs decreasing all the time, streaming just make more and more sense.

With that said, and this is from my first-hand experience with uploading 4K trailers, we are still dealing with huge files and that it’s going to take a while before we reach mainstream adoption. For one, YouTube’s bitrate of choice for 4K content is only around 13 Mbps (and that’s using the not so efficient VP9 codec, instead of HEVC), and that’s not really enough. But any higher, the number of people able to watch 4K quickly drops from an already small pool of users actively looking for 4K content. So until people can comfortably stream a 30+ Mbps stream and still be able to use their connections for other things, 4K adoption (despite the huge number of 4K or at least 1440p capable devices, including most phones and tablets and TVs sold these days) will be bottlenecked. Let’s not even think about 8K for now.

Disney’s acquisition of Fox is a bold and potentially profitable move for the Mickey Mouse company. But not right now though, because Disney has been surprised at just how much Fox Studios is underperforming right now, with projected profits turning into losses for the last quarter.

The box office for Dark Phoenix was much less than expected, and none of Fox’s other movies also did well enough. The rest of 2019 looks a bit brighter with Ford v Ferrari and Ad Astra, but these are hardly locked in winners.

So if anything, the sale of Fox to Disney came at the right time for the former News Corp studio. Maybe at the right time for Disney as well. Not so much for Fox’s release slate, since Disney is already doing pretty well this year with over $8 billion in box office takings, but as a way to acquire a great back catalogue of titles to fill their Disney+ and Hulu content libraries.

That’s all I have for you this week. Until next time!

Please, Hollywood, stop making human-animal CGI hybrids. Learn the lessons from the Sonic trailer, I beg of you!

Oh yes, the news.

Google’s DMCA take-down regime is in the news again, this time it has been co-opted by pirates and scammers to their own advantage. Apparently, people are pretending to be rights-holders and submitting fake take-down notices, to remove the URLs of competitor sites. One person recently pretended to be the MPAA to take down links from a Turkish piracy site.

It’s possible that it’s other piracy sites that are doing this, in order to knock off competitors and increase their own rankings. It could also be scammers trying to do the same thing.

And all of this is possible because Google often does not verify the identities of those submitting DMCA notices, and so anyone could pretend to be a rights-holder and get their submissions approved, as long as the sites they’re removing are genuine piracy sites.

Things are getting more difficult for Netflix. Not only is Disney+ on the way Warner Media has now also decided to launch their own streaming platform, combining HBO’s premium content with Warner’s vast library to form HBO Max.

Unlike the much cheaper Disney+, HBO Max goes for the other end of the market and will be priced higher than Netflix (and Disney+ combined). The premium-ness of HBO is the main reason for the higher price, although one could argue that shows like ‘Stranger Things’, ‘The Handmaid’s Tale’ and ‘When They See Us’ has the budget and quality to out-HBO HBO. It’s an interesting pricing strategy, but one that I’m not sure would work.

It’s also not great news for us consumers. HBO Max will increase fragmentation in a market that’s already becoming far too fragmented. With Disney (and Fox) pulling their stuff from Netflix, and now Warner possibly doing the same, it means you now have to subscribe to yet another service if you don’t want to miss out on some of the best content.

But it’s undoubtedly worse news for Netflix, and the most recent results for the company showed it actually went backward when it came to domestic (U.S.) subscriber numbers (our sister site Streambly will have more on this soon). This, coupled with ballooning content acquisition and production costs, means Netflix has some important decisions to make on what kind of service it wants to be.

======

And that’s it for the week. Excuse me while I go and meditate to try and get the disturbing pictures of human-cat hybrids out of my mind. Until next time …

Which means that I didn’t really have enough time to plan anything, despite the fact that I had been thinking about doing something ever since I realised, last July 4th, that this year was going to be the 20th (I did have time to design a new logo though). And this is also why I’ve decided to celebrate our 20th not just on one day, but throughout the year. That should give me more time to get my sh*t together!

So we’ll have special articles, some prize giveaways, and whatever I can think of in between.

Oh yes, the news (as in the singular version of the word).

Over the years, especially the last decade or so, we’ve reported on a lot of copyright-related lawsuits, and so on the 20th anniversary, it seems appropriate to report on yet another one, this time against streaming operator SET TV.

Florida based SET TV offered for sale devices pre-loaded with apps that potentially allowed users to access pirated content, including via their own subscription service that promised hundreds of channels of content for a small fee. While SET TV marketed their device and service as legal, the fact that the fee was so small for so much content, meant that something wasn’t quite right.

And that something, according to Amazon, Netflix and several Hollywood studios, is piracy.

While SET TV was prepared to fight the case early on, it appears that money ran out, especially after the 90 million dollar judgement against them from a lawsuit brought forward by cable operator Dish, and now a new default judgement has been handed down against SET TV, despite the fact that the outfit no longer operating.

So it’s more money awarded to rights-holders and against SET TV that SET TV probably has no means to pay. But that was never the point – it was always about putting on a show of force, to scare others into line. It’s also to set an example so that their lobbying efforts in D.C. will have more teeth to it. Will it work? Well, the fact that I’ve probably written several dozen of these stories about “won lawsuits” over the last couple of years, and the amount of help the likes of the MPAA gets from the government, combined that with the fact that there have never been more piracy sites out there suggests that this strategy has some flaws.

======

And on that rant, that’s the end of this pretty quiet week. Bound to be more next week, starting with a story that Netflix’s 4K encryption might have also have some flaws. Until then …