Disarray Magazine

Filmmakers Spotlight: Ali Scher of "The Maiden and The Princess"

2012-05-22T21:38:00.002-07:00

When it comes to pushing the envelope, Director and Co-Writer Ali Scher just does that. In her latest project, The Maiden and The Princess, Scher tackles homosexuality in a fresh and innovative way. Learn about her film, the lessons she's learned and check out her advice for up and coming filmmakers.

Tell us a little bit about your project and how long you’ve been working on it.

My short film, The Maiden and The Princess, is about Little Emmy Adams [who] kisses a girl on the playground and is left feeling isolated and alone. The Grand High Council of Fairy Tale Rules and Standards led by Bernard (Julian Sands) sends her a hetero-normative fairytale to set her down the 'right' path in life. With the help of fairy godmother and rogue fairytale narrator, Hammond (David Anders), Emmy searches for herself amidst this musical fairytale.

The Maiden and The Princess is a fairy tale about a little girl who needs to learn to love herself. I made this film for every little girl and boy out there that feels different without understanding why. There were no books or films with people like me in them when I was growing up. There was a Disney princess for every color of hair and every country, but no princess ever had a girlfriend. My goal with this project is to cut through the silence and facilitate honest communication between children and parents about sexual orientation. As a kid, I was afraid that by talking about my feelings, I would lose the people in my life I loved. I made this film so no kid has to feel ashamed of who they are. We as a society need to encourage individuality in children, even if it means exposing them to things we are afraid of.

Is there anyone you'd like to thank for helping out with this film?

I’d like to thank my genius cast and crew, as this project really was a fantastic collaboration! Specifically, I have to thank my wonderful producers, Ian Ward and Rebecca Louisel, along with my fantastic leads, David Anders, Julian Sands, Tallulah Wayman-Harris and Megan Hilty. I also need to thank my beautiful, perfect girlfriend, Olivia Choate, for inspiring me in both my life and my art.

How does it feel to have your film part of the New Film Makers Screening at Sunset Gower Studios?

It feels AMAZING to have my film be a part of the New Film Makers Screening at Sunset Gower Studios! I’ve heard such incredible things about this screening series, mostly from fellow USC graduates, and I’m beyond honored to take part!

What inspires you?

I’m most inspired by a really good story and dynamic, original characters.

Who are your influences and who do you admire?

Growing up, I used to always keep my gigantic anthology of Hans Christian Anderson fairytales on my bedside table. My mom or dad would read me two a night. Those stories shaped my childhood dreams and definitely still inspire me today.

What lessons have you learned from the industry so far?

I've grown up a ton since becoming a filmmaker. Making a movie is like having a baby. It poops and pukes and sometimes just cries and smells... but you love it anyway because it's yours. Taking care of a film, ushering it into being, takes an enormous amount of discipline and drive. Filmmaking has turned me into an adult, but left me with the excitement and effervescence of being a kid. It's the best of both worlds (and yes, I did just quote Hannah Montana, sue me).

If you could collaborate with anybody, who would it be?

I’d really love to work with Tina Fey someday. She’s such an intelligent and talented female writer/actress. I have a lot of respect for that woman.

What is the toughest experience you've ever had to overcome?

Casting the lead part in Maiden was an enormous challenge. Finding a little girl with a believable British accent in L.A. is no easy feat! I joined an online expatriate meet-up group and attended their meetings at local pubs. Once I was on their mailing list, I started sending out inquiries about kids who might have recently moved here from the UK with an interest in casting. I’d also include updates about how the rest of the cast was coming together. It definitely helped that our amazing Casting Director Tammara Billik got us the incredible David Anders and the incomparable Julian Sands. We actually got a few replies from those email inquiries and that was how we wound up casting Tallulah, our little star.

What is the best piece of advice someone has given to you?

Amanda Pope, one of my mentors from USC always told me to never ask for permission. Just do it (whatever it is) and ask for forgiveness later!

What advice would you give to new filmmakers starting out in the industry?

Have a voice! Know what you want to say, and say it in a distinct way. Pussy footing around won't get you anywhere. No one will care until you take that camera and MAKE them care.

Where can we expect to see you next?

We're nearing the end of our first year on the circuit and have played at over 50 film festivals (both in the US and abroad). The film has won quite a few awards, including a Student Emmy, the 2011 DGA Jury Award for Best Female Director, and the 2012 USC Faculty Award for Best Director. I’m working to adapt a really exciting book (set in 13th century Italy) into a screenplay with my writing partner from Maiden, Joe Swanson. And I’m also co-creator of a webseries called Candyland (link provided bellow).

Let our readers know where they can find more information about you and your projects.

Here’s Maiden’s official website: www.maidenandprincess.com

Maiden’s facebook page: http://www.facebook.com/pages/The-Maiden-and-The-Princess/202801736419385

And here’s a link to the promo for Candyland, the webseries: http://www.kickstarter.com/projects/1396193475/candyland

Anything else you'd like to add?

I've always wanted to be a storyteller. I love theater and literature, but film provides a much larger canvas to paint on.

I'd worked in theater since I was really little, and love directing for the stage. I just hated that feeling after a show ends... like a part of you is dead and gone forever. With film nothing ever dies. That’s a big part of what I love about it.

Want more info?

Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information.

About the Author

Formerly an editor at Demand Media, writer at Citysearch, The Examiner, LA Youth Newspaper and proofreader at The Los Angeles Daily News, Christy Buena decided to start Disarray Magazine because she missed writing what she wanted. From hiring writers, to contacting publicists and making assignments, Christy is responsible for the editorial strategy of Disarray Magazine. Get to know the team of talented contributors.

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Interview with "Holiday Road" Producer Will T.S. Coleman

2012-05-21T11:48:00.001-07:00

This week's Filmmaker Spotlight is on Will T.S. Coleman of the film Holiday Road. His film is part of the NewFilmmakers Los Angeles screening. Learn about his latest project, his goals and lessons learned from the industry.

Tell us a little bit about your project and how long you’ve been working on it.

Holiday Road is a feature film infused from 12 short, zany and hilarious stories that take place throughout the calendar year. The concept was created in January of 2011 in the back of a shuttle van headed to the Slamdance Film Festival by Kevin M. Brennan and Todd Berger. The goal was to make a film with a budget of almost nothing, fun to watch and good enough to tour the 2012 film festival circuit. After 9 months of work by 13 filmmakers, 6 producers and a giants handful of talented crew, the result is almost as impressive as our former president’s vocabulary.

Is there anyone you'd like to thank for helping out with this film?

There is not enough room in this article to individually give thanks to all those that helped make the film into reality. Holiday Road is entirely made from a shared vision consisting of personal favors, bartered work, massive I.O.U’s and endless unpaid hours of sleepless nights. So for the 100+ people that believed in the concept and trusted that it could be taken to the finish line in all its glory, I leave you with my entire collection of Pez dispensers and undying gratitude!

How does it feel to have your film part of the New Film Makers Screening at Sunset Gower Studios?

I have been to over a dozen screenings that NFMLA has hosted and it is an absolute honor to have Holiday Road projected on their big screen. This project was intended to bring all of our talented networks together to form one hell of a wrap party and yes, NFMLA will be our wrap party and YOU are invited!

What inspires you?

For me, inspiration is in everything. -The people one meets, the stories shared, the lessons learned, the adventures lived and the nights nearly forgotten- The day I stop finding the inspiration in everything is the day I move to Riverside and sell shoes at Footlocker.

Who are your influences and who do you admire?

I am thankful for your time invested in this article thus far, so I will keep it simple. I am a small town dude from the Pacific Northwest that admires his peers and is influenced by those that wake up in the morning always wanting more and doing so with a smile.

What lessons have you learned from the industry so far?

1. If you’re going to fail, fail brilliantly.

2. Do the same thing, but different.

3. Don’t press snooze.

If you could collaborate with anybody, who would it be?

This list could go on forever… I would love to work with Duncan Jones, Robin Williams, Sam Rockwell, Mike Judge and of course, Ralph Macchio.

What is the toughest experience you've ever had to overcome?

The day I quit my job waiting tables and told myself, the only income in my wallet would come from industry work. I thought the top ramen diet supposed to end after college, but man was I wrong. (Come see me if you need recipes)

What is the best piece of advice someone has given to you?

You can get everything you want, it just takes longer than you want to get it.

What advice would you give to new filmmakers starting out in the industry?

1. Always return emails and phone calls.

2. Surround yourself with likeminded people.

3. No matter what, at some point, you will always find time to sleep

4. There will always be a hot bartender, an awesome party, or a sale on PBR. Don’t forget why you put up with LA’s traffic and why you are here.

Where can we expect to see you next?

Well, because of my pea-sized bladder, you’ll probably find me in a public restroom near you. Or perhaps you will find me on set after you have decided to be an investor for one of our next films.

Let our readers know where they can find more information about you and your projects

Well my website is under construction, but you can find me in the white pages but if are really interested, you can email me at wtscoleman@aol.com or friend me on Myspace.com.

Anything else you'd like to add?

I recently started coordinating at an amazing and incredibly talented visual FX house. If you need anything from flying pigs to blemishes concealed, come find me at the screening. You wont be sorry! (www.edenfx.com) Thank you for your time and ENJOY OUR SHOW!

Want more info?

Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information.

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Exclusive Interview with Writer and Director Jonathan Ade of “Meditations: Supper”

2012-05-17T09:30:00.000-07:00

Tell us a little bit about your project and how long you’ve been working on it.

"Supper" is the second in a thematic series of "Meditations" films that our team started making about three years ago. The idea behind "Meditations" is to illuminate everyday moments of life, dramatizing scenes that, on first appearance, don't appear worthy of such treatment. In "Meditations," the moments drive the story, instead of the other way around. I would consider them tributes to the every day.

“Supper” is about two teenagers that discover artifacts from the 1940s. As they dress in the outfits of the time period, they begin to playfully assume elderly identities. When they go out to dinner in full costume, they encounter an actual old couple who came of age during World War II.

Is there anyone you'd like to thank for helping out with this film?

Yes, too many to thank in this forum, but most notably the numerous individuals that made up the fabric of our financing. Money turns the machine, even for small independent films. And I’d be remiss if I didn’t thank my parents for their support through this whole process.

How does it feel to have your film part of the New Film Makers Screening at Sunset Gower Studios?

A great honor, and an exciting opportunity. Our film was locally produced in Los Angeles, so this is the first screening that many of the people who worked on the film can attend.

What inspires you?

What it is
I know not,
But with gratitude
My tears fall.
—Saigyo

Who are your influences and who do you admire?

My influences are diverse, multidisciplinary and in some cases, fairly contradictory. But doesn’t that make for the best kind of influences? These are my unqualified but highly enthusiastic recommendations: Charles Burnett (filmmaker), Matsuo Basho (poet), JD Salinger (writer), Orson Welles (filmmaker/actor), Walter Murch (editor), Billy Collins (poet), Charles Chaplin (filmmaker/actor), Walt Whitman (poet), the Maysles Brothers (documentarians), Andrei Tarkovsky (filmmaker), Stan Brakhage (filmmaker) and George Orwell (writer).

What lessons have you learned from the industry so far?

It’s a lot more diverse than you realize, and while there is plenty of rejection and closed doors to be found, it’s also surprising to find friendly, good natured and spirited collaborators that WANT to do good work. It’s a good reminder that you’re in a community, even if it is a fully camouflaged community.

If you could collaborate with anybody, who would it be?

War photographers, I think, would make interesting cinematographers. Also, it seems to me that digital sensors have become the new “film stock”, and I’d be interested in experimenting with sensors that, like b/w film and reversal, have specific aesthetic uses for specific situations. That is to say, not one sensor to rule them all.

What is the toughest experience you've ever had to overcome?

Every film you make is the hardest experience of your life if you take artistic ownership of it. As Charles Burnett once said, when asked about artistic control over his films, “It’s not a matter of control. It’s a matter of responsibility.” I feel similarly, and so every struggle is far more personal, and every reward equally so.

What is the best piece of advice someone has given to you?

An extremely intelligent and trusted friend of mine, (who’s, quite honestly, the most talented director I personally know), said that the purpose of a director's preparation is not to execute a plan, but to cultivate an instinct.

What advice would you give to new filmmakers starting out in the industry?

There's a great quotation from Ira Glass floating around the internet, which you might have seen. I'm paraphrasing, but essentially it says that we spend a lifetime developing a critical ability, and so when we're starting out in creative endeavors, it's easy to get discouraged because we have this highly refined taste yet poorly refined ability. You begin to judge your work through this distorted lens and it can really be extremely counter-productive. Just know that good work takes time, and it can't be judged against what anyone else is doing.

Oh, and do not wait. That's probably the most important of all.

Where can we expect to see you next?

Our team has just finished shooting the third Meditation in the series, "Meditations: ItsOkayItsOkay," our most ambitious yet. It tells the story of a sick little boy that must make the long journey down his own hallway in the middle of the night to wake up his father. We spent well over 10 months in preproduction, built three standing sets and filmed only a single weekend. We're currently in post-production for that film.
And after that, my DP, Alexander Paul, and I are working on a more narrative-based short film. We've just entered pre-production and are looking for fundraising partners as we begin our most ambitious project yet.

Let our readers know where they can find more information about you and your projects

JonoKino.com

Anything else you'd like to add?

Thank you very much.

Want more info?

Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information.

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmakers Spotlight: Interview with Di Koob of LIKING MEN

2012-05-16T09:30:00.000-07:00

This week's Filmmakers Spotlight focuses on Di Koob, writer, producer and actor of LIKING MEN. Learn more about the inspiration behind the film, Koob's goals, lessons and upcoming projects.

Tell us a little bit about your project and how long you’ve been working on it.

I first read the short story from which this film was adapted in 1994, and it just kind of stuck with me. It’s a very visual story, as written, and every now and then I’d think, “That would make a good short film.” I finally wrote the script in November 2009 and it took until mid-2010 to get the rights from Margaret Atwood, the author of the short story and her publisher. Pre-production began in earnest in January 2011 with the search for a director; I was lucky to find the fabulous Heather de Michele, and we nailed down the shoot for the end of April; post was completed in late August. Once it got going, things moved quickly, but it took me a while to start.

Is there anyone you'd like to thank for helping out with this film?

I have to thank Heather de Michele, our director, first and foremost. She really contributed so much to the telling of the story, from developing the script to the people she brought on board to the tone on set. She really took on the story I had written – it was a true collaborative effort and was so much better for her involvement. I would also like to thank our production designer, Alan Muraoka – he made me think about character in a new way, which helped on both sides of the camera.

How does it feel to have your film part of the New Film Makers Screening at Sunset Gower Studios?

I’m really so pleased and proud to be a part of NewFilmmakers! They were the first festival to get behind LIKING MEN, and I have to say, it’s just a fantastic feeling when people get your work.

What inspires you?

Life is hard sometimes, and I’m really touched by people just living their lives fully and from an awake and aware place. I’m drawn to stories of quiet heroism, of overcoming the messes that life can throw at you just because that’s life, not because there’s any reward in it. Those moments really inspire me to live my life more fully, to grow both as an artist and as a person.

Who are your influences and who do you admire?

Irish playwright & filmmaker Martin McDonagh is a huge influence for me. In 2005, I saw his play THE PILLOWMAN on Broadway, and it really galvanized me as an artist. McDonagh is so great at creating a funny, quirky, off-kilter world that you enjoy while simultaneously revealing both the darkness and the light that is inside of everyone. He walks that line between comedy and tragedy with such balance and precision.
One of the people I admire most is my cousin, Joy Coughlin – she is tireless. Her younger son has Cerebral Palsy and caring for him takes a lot of work, but her family is happy and they all get along and work together and care about and for each other. They are just getting on with life, which is truly inspiring and puts whatever issue I’m having in perspective. It’s just life, so press on and enjoy it.

What lessons have you learned from the industry so far?

Persistence is the big thing I’ve learned. Persistence and integrity – you have to fight for what you want to do, what you want to say, and so you keep at it and find a way to tell your story.
If you could collaborate with anybody, who would it be?
I would LOVE to work with Jim Sheridan. And Melissa McCarthy. They would be my dream team.

What is the toughest experience you've ever had to overcome?

Oddly, with the film, the hardest thing was finding a realistic-looking rubber frog that I could afford within the time frame. I was banging my head against the wall trying to find the frog. There is a company that will make a really realistic rubber frog, but their cost wasn’t even in the same state as my budget and it would’ve been finished roughly around the time we were wrapping up post. So that was a little nerve-wracking, but I eventually did find something that would work. Everything else kind of fell in place. For casting, we wanted people who wanted to work on this film specifically, not just any film – for all the crew as well. And when you find people who want to be there, it makes everything else go that much smoother.

What is the best piece of advice someone has given to you?

When it comes to filmmaking, an editor friend gave me great advice: “save money wherever you can, but always pay the sound guy – everything else I can fix, but if the sound is bad, there’s nothing I can do.” That and “NEXT!” When someone says no, move on to the next until you find someone who will say yes.
What advice would you give to new filmmakers starting out in the industry?
Work as much as you can with people who are more experienced than you. Ask questions. Don’t be afraid of looking stupid, just ask for help and move forward, even if it’s just a little bit each day. Believe in yourself and your story. And “NEXT!”

Where can we expect to see you next?

The next confirmed festival screening of LIKING MEN is at the New Hope Film Festival in New Hope, PA, in July. We’re hoping a few more festivals show up on our schedule in the meantime. I’m also hoping to develop a program with a local rape crisis center and with a local therapist training center, to help start a conversation. Nothing is set yet, but we’re talking.

Let our readers know where they can find more information about you and your projects

www.LikingMen.com
www.DiKoob.com
Facebook (Di Koob & Liking Men)
Twitter (@TheDiKoob)

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Stylist Spotlight: Interview with Lee Krislov of Byuti Salon in Brentwood

2012-05-06T23:30:00.000-07:00

We caught up with Lee Krislov, colorist/stylist at Byuti Salon in Brentwood, CA. As a veteran in the industry, we wanted to feature Krislov in this week's Stylist Spotlight. Learn hair tips and tricks from a pro who has been in the industry for 25 years. For those starting out, Krislov provides advice and also shares a few of his own personal goals. Keep reading to learn more about Lee Krislov.

How long have you been a colorist/stylist and what are some of your goals?

For 25 years. My main goal has always been to be a part of a team of people who love to do hair like I love it.

Do you have a favorite hairstylist that you admire and look up to?

Yes, I have been fortunate to work with some of the best people in the industry. I have to say though, working with Anthony Moscolo of Toni & Guy in LONDON was my best experience.

If you could work with anyone, who would it be?

I feel that working with the staff here [at Byuti Salon] and Natashia is where I want to be.

Are there any lessons you learned being in the industry?

What I have learned is that even though I may have a lot of experience, there is always room to grow.

What advice do you have for aspiring colorists/stylists?

The advice I always give is to never stop going to classes and [continue your] education.

Tell us a little bit about your favorite looks that are easy to style for those on the go.

What I think will be next trend for easy hair will be a shift back to the classics, like bobs wedges, one length looks with bangs and the return of short hair.

What are some tricks/tips to help hair stay healthier longer?

I would suggest using Pureology that is best for your hair needs and we also have our own essential blenders conditioning line where we use a Japanese Micro mist machine and we make a blend for your scalp and hair needs. We only provide this in the salon.

When it comes to hair, are there any common mistakes you see that girls and guys should avoid?

I would have to say a good shampoo and conditioner. Men have a tendency to ignore conditioner and women normally don't use the right one for their hair type.

What is the easiest/quickest way to transform a day look into an outgoing nightlife look?

The easiest for a woman with long hair is to put it in a chignon by taking the long hair into ponytail wrapping the hair around the ponytail and taking 2 to 3 bobby pins and pining it in. Pull a few pieces down around the face and around the nape. You can use a flat iron or a round one on the pieces that you pull down.

What are some cost-effective hair & beauty regimens that can be done at home?

I would recommend the Pureology hair masque for your hair type [for those] in need of some TLC.It is the best home remedy there is.

How can people get in contact with you?
They can reach me at Byu-Ti Brentwood 888.99.byuti Lee Krislov.

Is there anything else you'd like to add?
I would like to say that we are the most attentive to your scalp and hair when it comes to the condition of it. We also are the most involved when it comes to education for a smaller private company. We are the west coast flagship for Pureology and are Redken educators.

Disarray Magazine readers can enjoy a complimentary Blow Dry if you tell them "Disarray Magazine" sent you! Offer stands until June 2012.

For more information:

New Location

17740 San Vicente Boulevard

Suite 203

Los Angeles, CA 90049

Current Location:

510 Wilshire Boulevard

Santa Monica, CA 90401

Telephone:

1-888-90- BYUTI

Website: www.byu-ti.com

Email: info@byu-ti.com

Owner/Creative Director: Natasha Sunshine-Antonioni

Check out our review of the Byuti Salon grand opening:

Live Review: Natasha Sunshine-Antonioni Launches ByuTi Salon in Brentwood

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: Madeon at the Roxy Theatre 2012

2012-05-06T22:31:00.000-07:00

Good music can come from minors, right? If you were at the Roxy Theatre on the Sunset Strip to catch Madeon recently, then you already know the answer to that question. At 17-years-old, the pop/house producer from France, got the audience dancing their asses off at the sold-out show. Luckily for you, if you missed it we were there.

Who knew watching a dude onstage twisting knobs could be so entertaining? There's something about a live show that enhances the auditory awesomeness of any music experience. Despite being surrounded by hyper teens jumping up and down screaming at the top of their lungs, the setting was fun and almost nostalgic. (Oh, to be 16 again watching punk bands at this venue).

In front of the stage, the audience showed off their fancy footwork while Madeon "rocked out" playing, "Icarus," resembling a young David Guetta. He'd take sips of Redbull in between songs - cute, we thought. As much as we hate the word, "Swagger," there's no doubt that Madeon's got it. A simple raise of his hand got the audience hyperventilating during, "Pop Culture." He'd jump up during climatic parts of his songs and the crowd would go nuts.The lighting effects definitely helped amplify the experience.

A sea of iPhones and cameras could be seen recording Madeon's remix of Yelle's, "Que Veux Tu," and Deadmau5's "Raise Your Weapon," at the Roxy Theatre show. We've got a hold of some footage that will transport you to the show. Check it out below.

Check out our slide show for some of our favorite photos from the show:

(All photos by Markus Biegel)

If you've never heard of Madeon, check out a few videos below courtesy of keiji805:

Here are some fun videos below featuring Nathan J. Barnatt:

Hopefully, we've turned you into a Madeon fan. The 17-year-old electronic prodigy is coming to a city near you! For more information about this artist, make sure to visit the following:

https://www.facebook.com/itsmadeon

http://soundcloud.com/madeon
http://youtube.com/itsmadeon
http://twitter.com/madeon

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: Cystic Fibrosis Charity Event on Wisteria Lane 2012

2012-05-06T20:07:00.002-07:00

The Universal Studios Backlot on "Wisteria Lane" was home to the Cystic Fibrosis charity event, which featured the cast of the hit TV show, "Desperate Housewives." Attendees rubbed elbows with A-list celebrities and enjoyed complementary food, live entertainment, cocktails and participated in silent auctions. A portion of the proceeds from the event went towards the Cystic Fibrosis Foundation.

For those unaware, the Cystic Fibrosis Foundation was founded in 1955 and funds more CF research than any other organization. Every CF drug available was due to the Foundation's support. The Foundation's wide network includes more than 115 care centers, 50 affiliate programs, upwards of 75 chapters and offices nationwide. The Foundation also includes 95 adult care programs. For more information, make sure to check out http://www.cff.org.

If you missed the event, The Band From TV consisting of familiar on-screen actors, took the stage to rock out on instruments singing memorable cover songs. Band members included Greg Grunberg (HEROES)- Drums, Bob Guiney (GSN Host, ABC, TLC)-Vocals, James Denton (DESPERATE HOUSEWIVES)-Guitar, Jesse Spencer (HOUSE MD)-Violin, Adrian Pasdar (HEROES)-Guitar, Scott Grimes (ER) Keyboards, Chris Kelley-Guitar, Barry Sarna -Keyboards, Brad Savage-Bass/Vocals and Jon Sarna-Percussion. Last year, we saw Jorge Garcia (LOST) grace the stage but he was not in attendance this year.

See some of our favorite photos from the event:

(Click images to enlarge)

Teri Hatcher got on the mic and belted lyrics to Sugarland's "Stuck Like Glue," and Carrie Underwood's "Before He Cheats," and Mary Chapin Carpenter's "I Feel Lucky."

Bob Guiney

Teri Hatcher and daughters

Adrian Pasdar (HEROES)

Jesse Spencer (HOUSE MD)

James Denton (DESPERATE HOUSEWIVES)

Scott Grimes (ER)

Teri Hatcher (DESPERATE HOUSEWIVES)

All photos by Markus Alexander

This year's sponsor's included Warner Brothers, Wen by Chaz Dean, ABC, StoneFire Grill and Netflix.

For more information about the event, visit:

www.wisterialaneblockparty.com

For information on Band From TV, visit:

www.bandfromtv.org

See coverage from last year's event:

Live Review: Wisteria Lane Block Party Benefits Cystic Fibrosis Foundation

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: Natasha Sunshine-Antonioni Launches ByuTi Salon in Brentwood

2012-04-15T13:31:00.002-07:00

Celebrity hair stylist Natasha Sunshine-Antonioni celebrated the grand opening of ByuTi Salon's second location in Brentwood, CA this past week. To kick-off the milestone, magazine editors and bloggers were invited to enjoy two complimentary signature services whether it be a haircut, blow dry, ByuTi Blender, eyebrow shaping or makeup application. Unable to pass up the opportunity (and curious to see what this new salon had to offer), I opted for a haircut and eyebrow shaping.

Upon arrival, I made my way to the second floor of 17740 San Vicente Boulevard and walked over to Suite 203. I waited in the lobby, which contained Asian flair and warm modernist tones. Ebony wood stations and chocolate leather chairs gave the salon a clean, posh feel. In the lobby, there was a wall dedicated to press clips and celebrity clients.

Hair stylist Lee Krislov greeted me and then we walked over to the changing station, similar to a spa experience. Instructed to change into a black robe, I was then escorted to the makeup station for my eyebrow shaping.

Colorist/Stylist Marisa Kerns hooked up my eyebrows

Marisa Kerns, a bubbly and very personable colorist/stylist hailing from San Diego, began waxing and taming my unkempt brows. The experience was painless, fast and made me realize that getting my eyebrows professionally done vs. doing it myself was a much better (and stress-free) experience. I wondered why I waited so long to do this. Additionally, when Kerns told me that my eyebrows had a "beautiful shape" and "all they needed was a good cleaning," it made my day. Trust me, when you've spent years doing your own eyebrows, wondering if the left one was higher than the right, this is exactly what you want to hear.

As soon as we finished with the eyebrow shaping, Kerns brought me over to Lee Krislov, a funny, personable and uber professional stylist who made me feel like I was in good hands. However, sitting in the cutting station, I was still nervous and found myself mentally recalling every female celebrity's haircut and style. I knew what I wanted last night, how could I have forgotten such an important decision? This was intense.

Colorist/Stylist Lee Krislov revamped and upgraded my hair

Lee Krislov asked me what style I wanted and putting his skills to the test, I replied, "I want something modern, perhaps layers but something that complements my face shape." With a debonair confidence, he was up for the challenge and evaluated my current look. He explained that my hair was all one length and lacked the moisture that it should have. He assured me that he would fix the situation. After washing my locks and applying a minty leave in conditioner, he wrapped my hair in a warm towel to lock in the moisturizer. We headed over to the cutting station and already, I could see the difference.

As I sipped the herbal tea he made me, he began cutting. I started to see the finished product come into place and could tell my look was already being transformed to a more "modern" style. I thanked him for bringing me into 2012. See the finished product below:

Once the haircut was done, I sarcastically said, "Great, all I need to do now is throw on some makeup." Krislov then brought me back to Kerns and I apologized, "Oh, I was just joking. I'm just going back to the office afterwards. There's no need for full-on makeup." They insisted, I caved and Mariska applied a soft, daytime look consisting of a bit of bronzer, shimmer and nude tones. I was satisfied and walked out with a full makeover.

In short, ByuTi Salon was nothing but professional, courteous and the entire experience was reminiscent to a spa day. Did I mention they have complimentary champagne on the weekend? The Brentwood salon will offer special packages, including complimentary treatments for new clients in addition to 20 percent off products and their next appointment.

Besides haircuts and colorings, visitors can enjoy a few perks including:
The Healing Haircut, - a restorative meditation and beauty treatment; ByuTi Blenders, - custom-formulated treatments unique to each client to boost shine, volume, smoothness, and restorative repair andMen’s Grooming.

Disarray Magazine readers can enjoy a complimentary Blow Dry if you tell them "Disarray Magazine" sent you! Offer stands until June 2012.

For more information:

New Location

17740 San Vicente Boulevard

Suite 203

Los Angeles, CA 90049

Current Location:

510 Wilshire Boulevard

Santa Monica, CA 90401

Telephone:

1-888-90- BYUTI

Website: www.byu-ti.com

Email: info@byu-ti.com

Owner/Creative Director: Natasha Sunshine-Antonioni

Make sure to swing by and make an appointment to see Marisa Kerns and Lee Krislov at ByuTi Salon in Brentwood!

Check out our exclusive Stylist Spotlight with Lee Krislov of Brentwood's Byuti Salon:

Stylist Spotlight: Interview with Lee Krislov of Byuti Salon in Brentwood

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmaker Spotlight: Interview with Katie Uhlmann of "A Very Office Christmas"

2012-04-12T08:30:00.000-07:00

This week's filmmaker spotlight is on Producer and Co-Writer Katie Uhlmann of "A Very Office Christmas." Uhlmann's film was selected to be part of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month. Learn about the film, Uhlmann's inspirations, goals and current projects.

"A Very Office Christmas"
Katie Uhlmann
Producer and Co-Writer

Tell us a little bit about your project and how long you've been working on it.
“A Very Office Christmas” is the first film for Producers’ Katie Uhlmann and Claire Stollery and Director Maital Falkovitz’. We would like to pretend that it was a long and thought out process, but the whole project came together in under a week! We chest-bumped each other.

The film starts out as your typical office Christmas party. Everyone is having an okay time. But when the secret Santa gift exchange takes an unusual turn, peoples' true natures are revealed. You might laugh, you might cry, and you'll definitely learn the meaning of Christmas. Or will you?

Is there anyone you'd like to thank for helping out with this film?
We would like to thank Tony Edgar, Chris Stacey, Barak Falkovitz, and our friends and families who also made their screen debut in our short (some not by choice).

How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
We are very excited to have our film screening at the NewFilmmakers festival. This is the first festival that accepted our film and we could not be more thrilled! So thrilled, that our director and some members of the cast are flying from Toronto to attend.

What inspires you?
Celine Dion and her life’s work.

Who are your influences and who do you admire?
People who have taken risks, especially in comedy, have always influenced our projects. Judd Apatow, Kristin Wigg, Tina Fay, Lauren Graham and Lenah Dunham have completely transformed the way women are seen in comedy in the last ten years. We also admire the greats, like Lucille Ball and the ever-controversial Joan Rivers.

What lessons have you learned from the industry so far?
You can’t please everyone. We received a lot of hate mail about our short. Literally, these people said we ruined their lives with our film. But then there were other people who just “got” it who loved it. At the end of the day it’s important to remind yourself that you can never reach everyone.

If you could collaborate with anybody, who would it be?
Celine Dion, naturally.

What is the toughest experience you've ever had to overcome?
When we couldn’t get tickets to see Celine Dion because they were sold out. And then our cat died. Her name was Celine.

What is the best piece of advice someone has given to you?
Make your own work. Be prepared when opportunity arises. Also, don’t tell anyone you like Celine Dion. I guess for us it’s too late…

What advice would you give to new filmmakers starting out in the industry?
Sleep your way to the top or at least to the middle. We haven’t done it yet (clearly), but we hear it helps.

Where can we expect to see you next?
Cannes, actually. “A Very Office Christmas” will be screening at the Short Film Corner this year.

Let our readers know where they can find more information about you and your projects.
Twitter:
@ClaireStollery
@KatieUhlmann
@RealProfesh We are also on IMDB.

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

2012: The End of Days...and New Video Game IP Beginnings

2012-04-10T10:00:00.000-07:00

It’s 2012, and if the Mayan calendar has its way, then we are all dust come Dec. 21. Grab your loved ones, hold them close, and make peace with your maker before that time. 2012 marks the beginning of the end of days (potentially) and you need to live like you’ve got nothing to lose. Don’t go steal a car or anything (wink, wink, nudge, nudge) but it might be time to turn over a new leaf and live a different life to make up for that time in Cancun in ’03. Seems some video game developers are heeding this advice, reinventing storied franchises and IP’s to see if a new look might be just the ticket to salvation...of a franchise. Here is our list of the five games this year that aren’t putting on the Nikes and drinking the Kool-Aid with the end upon us.

#5
Halo 4
“Holiday” 2012
Halo: Reach was great, but not the blockbuster end to anything if Microsoft’s investors had anything to say about it. It’s a bankable series. So, take the IP and hand it to 343i. Enter: Master Chief. What happened after Halo 3? Well, we are about to find out in the beginning of a brand new trilogy that is Halo 4. Picking up where 3 left off, you literally find yourself getting rocked out of hyper sleep and thrown in to a new adventure as the key-leading badass we’ve all kind of missed. Yes, Halo: Reach was pretty awesome, but Halo 4 puts us back in to the boots of our favorite soldier, and with a few little tweaks that we are excited (not Tebow excited, but excited) to see.

Spartan IV armor will have upgradeable features. Gone are the days of just the same old armor, or new un-lockable customization of armor pieces to show how obsessed with multiplayer you are, yet does nothing. As we’ve heard from developers, this armor might actually do something. Also, way behind the curve, but better late than never, is the arrival of customizable loadouts. Finally, after 900 Call of Duty games, Halo finally got the message.

Besides the single player campaign, which will be good to excellent if history serves as any kind of indicator, there’ll be the ever popular multiplayer which is said to finally have some significance. I hold out hope that gone are the days of just leveling up, killing and fighting for the fun of it. Gone are just round after round of matches for no reason other than to get out some pent up nerd rage. Hopefully, we will see some kind of reaction to multiplayer success in the single player campaign, or even something on a Halo Network setup similar to Call of Duty ELITE. It’s pure speculation, but some tangible reason for tolerating d-bags in multiplayer for hours might keep me from abandoning the mode completely after a month.

#4
Max Payne 3
May 15, 2012
It’s been a long time since we’ve seen Max, and apparently times have not been good to him. A series long since dead has been revitalized by the good folks at Rockstar Games, and with Rockstar at the helm, we think we can safely say this is going to be gritty. Classic Max.

Max is out of the NYPD, outside of New York, and finds himself in a world of shit, and I’m not just talking being six months late for his latest prostate check-up. If there was ever a game where you were going to get to play as a modern day Bruce Willis vis a vis Die Hard With a Vengeance, this is it. Take an old cop and throw him in to a situation with some serious baddies from a foreign country and you’ve got yourself one raucous game.

Some things I’m nervous about: Multiplayer. This is the feature that feels as tacked on as anything in games today. Often it stands as a chance to make a few extra bucks with DLC Map Packs post release, but is spot welded on for the opportunity. This might be one of those instances. Multiplayer aside, I am also just nervous on whether Max is going to break a hip tucking and rolling in bullet time. Centrum Silver, anyone?

Despite my apprehension, it is about time this game changing...well, game, made a comeback. With Rockstar Studios on the case, and their reputation on the line post-artsy LA Noire and pre-GTA 5, this one needs to go off without a hitch. Never mind, it’s Rockstar, they will be here after the apocalypse selling indie games to the roaches. This will be good.

#3
Prey 2
December 31, 2012
If there is no end of days scenario, or as long as there is still electricity in Apocalyptia (the Fallout inspires city I envision in my mind), then this shall be your reward as one of the biggest 180’s of any game franchise. Remember Prey? Yeah, it’s hazy for me as well. It doesn’t matter, because the “sequel” is nothing like it.
Prey 2 places you as a bounty hunting Marshall in a sci-fi world populated by many alien species (still hazy on the details, but they’ll get fleshed out at E3, I’m sure). You hunt down criminals...simple enough, probably while you unravel an overarching storyline filled with potential deceit and betrayal. I don’t know, but the bounty hunting is cool.

This game is probably the greatest departure from its predecessor than any others on this list, and probably for the best. Imagine playing Bladerunner: The Game. This is the overall setting, and from preview videos we’ve seen, kind of the tone, too. We’ve also heard a bit about your ability to choose how to play. You can be stealthier and more law-abiding, or you can go all out guns blazing, but you’re probably going to get a prickly reaction from your surroundings. It will all end in the same story, they have that nailed to the ground, but you can change the resistance of your path getting there.

The good news, and what keeps me excited for this release, besides pretending I’m Harrison Ford while I play it, are the names attached and the tech involved. We’ve got Bethesda publishing, which brings some financial cannons to bear and a fairly blemish free resume. It’s Human Head developing, which are the same people that brought you the first Prey, so look out for some Easter eggs hidden around the game. Finally, and most to my excitement, is the Id Tech software they are using. If you liked the look and feel of a game like Rage, then this should be pretty damned stellar, pushing the consoles and PCs to their limits for gameplay, but probably adding a disc or two for the XBOX360 (sad XBOX360 owner face). Extra bonus...so far, no multiplayer tack welded on.

#2
Assassin’s Creed 3
October 30, 2012
I know, Assassin’s Creed games have been coming out like hot cakes...if hot cakes were pretty cool games, but haven’t you always wished you could jump and scale a building not located in Europe? Well, how about kicking ass and shivving redcoats during the freaking revolutionary war!? Yeah, I’m kinda hard, too.
Assassin’s Creed 3 takes us to the eighteenth century and the shores of America with a new character (half Native American, half English). We’ve all seen the cover art and are crazed at the idea of going toe to toe with George Washington, maybe.

I am sure we will have our blades, our sword, but the sight of a tomahawk and the potential for firing muskets along with a bow and arrow is just too good to pass up.

Imagine running across the rooftops of Philadelphia searching for Templar founding fathers and historical figures. There has got to be nothing more patriotic than securing the history of this country one redcoat at a time. Ubisoft Montreal is at the helm, and considering some of their past work on the series, I think it is in good hands.

I am nervous about two things, though. Will they insist on multiplayer, and what kind of take on American history is a Canadian developer owned by a French publishing house going to have? This might be a poetic take on history, but I’m just stoked on that tomahawk!

#1
Bioshock Infinite
October 16, 2012
Sooooo...THIS IS GOING TO BE AMAZING! Wooh, I’ve collected myself. Forget everything you know about the Ayn Rand inspired Rapture. Forget the neon lights, the neo-noire feel of the joint and the disfigured look of the fifties New Year’s celebration gone completely awry. You’re not in Rapture anymore.

Talk about a reinvention of a quickly emerging franchise. It is now 1912 and steam punk rules the day. You’re not under the sea, nor are you on land. You find yourself in the floating city of Columbia. Rocketed in to the sky, you are surrounded by cleverly complicated yet simple steam machines, and a sky filled with rails and turn of the century architecture. As we’ve seen so far, the enemies are something out of a twisted dream, and there is an acceptable level of cartoonish and exaggerated feel to everything, and everyone.

The look of this game is like nothing else on the slate this year. There is so much good news on this game I hardly have enough time to list it all here. First off, we have Irrational Games at the developing helm. This means, for those of you that don’t know, Ken Levine (angels trumpeting) is the motor that makes this street racer roll. Levine is basically the personification of a seal of approval. He even stepped in to legitimize motion controlling, saying that he was excited for the technology...good enough for Levine, then, it’s good enough for me.

What we’ve gotten to see in heavy hitter videos has shown us the immaculately imagined enemies. We’ve seen the use of rails as a mode of travel between areas of the level, and the premise of the sky city and the patriotic propaganda will makes for a world worth exploring and saving. We can rest easy in the combat and weapon design with Irrational not missing a single detail. This is by far the most anticipated game of the year for myself, followed very closely by number two on this list.

So, there you have it, our top five anticipated games of the year that are jumping outside the box they built for themselves. Four of them release before the reckoning on the 21st, one after. Keep in mind, if you’re worried about the cost of buying all of these games, currency will have no value in the wastelands after Xenu and the ghost of Mister Rogers usher in the apocalypse on the back of Falcore the luck dragon. What? That’s the square we got in the office apocalypse pool.

About the Author

Wesley Bauman is an editor/photojournalist in Ventura, CA. With a background in journalism, Wesley has expanded his scope of work and created Project: Poppycock, a digital experiment in collaborative writing and open dialogue. He is the author of two books, Doggy Paddling in the Deep End andWhat!? I Said, "With All Due Respect!" Both books are available through his blog, projectpoppycock.com (click on "The Bookstore"). All profits from the sales benefit charities atdonorschoose.org. Follow Wesley on Twitter @myownfalseidol

Filmmaker Spotlight: Interview with Writer/Director Ryan Goldstein

2012-04-10T09:00:00.000-07:00

In celebration of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month, we're conducting a series of Q&A Features and this week we're bringing you Writer and Director Ryan Goldstein of "The Contract."

“The Contract”
Ryan Goldstein
Writer/Director

Tell us a little bit about your project and how long you've been working on it.
The Contract is a film that began after a discussion with my father when he told me about his worst fear; out-living his own children. When he said that, it stayed with me for a very long time and eventually became the driving force behind the idea of this film. From the first draft of the script to the final tweaks of color correction and sound design, the process took us about one full year. We were all working full-time at our day jobs during the process, so it was definitely a challenge.

Is there anyone you'd like to thank for helping out with this film?
There's just so many people that without their help, there would honestly be no film at all. Thank you to everyone who helped us finance the film, everyone who graciously gave their time and effort during production, and everyone who believed in us along the way. Thank you, thank you, thank you.

How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
It's truly special for us because Myself (writer/director), Kelly Sullivan (producer), Reba Rosenthal (producer), Jack Coleman (actor) and a few others on the production all first met while working on the television series "Heroes" which shot at Sunset Gower Studios. Its an amazing example of how some things really do come full circle. We are honored to be screening at the studio where it all began for us.

What inspires you?
My love for the movies and my on-going dream of telling stories to anyone who will watch.

Who are your influences and who do you admire?
My personal influences are amazing film-makers from the likes of Orson Welles and Federico Fellini, to Soderbergh, the Cohens, Aronofsky, and PTA. I admire the directors that bring new and inventive ways to telling a simple story and always continue to push the envelope.

What lessons have you learned from the industry so far?
It's extremely competitive and takes no prisoners. Hard work, persistence, and the undying passion for film-making is the only way to truly find success.

If you could collaborate with anybody, who would it be?
Steven Allan Spielberg

What is the toughest experience you've ever had to overcome?
Self-doubt. Believing in yourself and your abilities is truly the first, and most important step to becoming a great filmmaker.

What is the best piece of advice someone has given to you?
Always make the film YOU want to make. Don't compromise your integrity to make everyone happy, because that's impossible.

What advice would you give to new filmmakers starting out in the industry?
Learn from rejection and let it set a fire beneath you to strive for great things. Also remember, every idea has already been done a million times. No matter what, always try to put your own personal spin on it. Find a way to stand out.

Where can we expect to see you next?
"The Contract" will be playing at the Sonoma International Film Festival in April as well as The Palm Beach Festival Later in the month. Personally, I am developing a pilot based on the idea of "The Contract," as well as a few other smaller projects.

Let our readers know where they can find more information about you and your projects.
Our film's website - www.thecontractshortfilm.com as well as Miles From Shore's website (The production company behind the film) - www.milesfromshorefilms.com on Facebook you can find us at www.facebook.com/pages/The-Contract-short-film/239832492708685

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmakers Spotlight: Interview with Director Wesley Du

2012-04-09T09:00:00.000-07:00

In celebration of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month, we're conducting a series of Q&A Features and this week we're bringing you director Wesley Du of "Dumpling."

“Dumpling”
Wesley Du
Director

Tell us a little bit about your project and how long you've been working on it.
"Dumpling" is a story about a former boxer who believes that "you just don't know a man until you fight him". When he completely fails to connect with his son, he challenges him to a fight because that is his only way in which he knows how to connect with people in his life.

This project started off as a play back in 2006 and it had readings at all the major Asian American Theater companies in the United States, but it was never produced so a part of me felt the journey was unfinished. That is why I wrote this as a short film and decided to make it even though the film and the play have many differences. I think it's just the idea of the "dumplings" being a metaphor for the family that I had a major need to express.

Is there anyone you'd like to thank for helping out with this film?
My Lord and Savior, Jesus Christ. Whatever little bit of talent I have comes from Him.
How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
I think if this happened 7 years ago I would be more excited than I am now. Back then I was much more self centered and ego driven. Now it's great to have my film shown at film festivals and I am greatly humbled by the opportunity, but it doesn't mean anything to me unless the work has an impact when people watch it.

What inspires you?
Authentic and vulnerable interaction and dialogue between people.

Who are your influences and who do you admire?
I admire Marvin Sims, Philip Gotanda, and Spike Lee. I had the privilege of being mentored by Mr. Gotanda for 2 years when I was living in San Francisco. He instilled in me a respect for the history and the people who came before me within the Asian American theater and film community. He told me that if I didn't have anything to say then I shouldn't be doing this.

Marvin Sims was a teacher of mine back in college. He renewed my faith in art and myself after I was told by the faculty at Cal Arts that I shouldn't be an artist. He has since passed but he still continues to be a major influence in my life and always will.

What lessons have you learned from the industry so far?
I don't really consider myself engulfed in the "industry" so I wouldn't know how to answer that question. I've made a short film that has screened at some great festivals. I don't make a living at this so I am not exposed to what it really means to be "in the industry".

If you could collaborate with anybody, who would it be?
Spike Lee because he is someone who has held onto his integrity for all these years and has never back down from speaking his truth.

What is the toughest experience you've ever had to overcome?
I don't know how to answer this because looking back nothing was nearly as "tough" as I thought it was at the time.

What is the best piece of advice someone has given to you?
You should become a therapist.

What advice would you give to new filmmakers starting out in the industry?
Don't put all your eggs into one basket. It's okay to follow and explore other passions that you have besides acting, writing, and directing. I cringe when I hear people say that acting, writing, or directing is the only thing they are good at. I don't think they give themselves enough credit. You can make a living pursing other things that you love while also continue to follow your artistic passions. It doesn't have to be one or the other. If you think of getting a job doing something else that you're passionate about to SUSTAIN your dream of being an artist so you don't have to be working as a waiter or bartender, I think you'll be better off in the long run.

But as far as artistically, the best piece of advice I can give anyone is just to take the craft seriously because stories are important to society. Doctors heal lives but artists make life worth living for so please take what you do seriously and treat it with integrity. Being an actor, writer, or director is no different than being a concert pianist or ballerina. It takes just as much time, effort, and commitment to the craft and at times I feel that is somewhat lost.

Where can we expect to see you next? You can expect to see me continuing my private practice as a mental health therapist in Redondo Beach and also working with lower resource individuals, families, and couples at The Relational Center in Miracle Mile.
Let our readers know where they can find more information about you and your projects.
You can check me out at http://www.wix.com/wesleyjdu/mft.

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmaker Spotlight: Interview with Director and Writer Endre Hules

2012-04-08T10:00:00.000-07:00

In celebration of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month, we're conducting a series of Q&A Features and this week we're bringing you Writer and Director Endre Hules of "The Maiden Danced to Death."

“The Maiden Danced to Death”
Endre Hules
Writer and Director

Tell us a little bit about your project and how long you've been working on it.
I had the first draft of “Maiden” ready in 2000. It has gone through many transformations, funding debacles and reorganizations. I have completed two other films before I could finally begin production in 2010 in a rather complex three-way co-production. But the results were worth every minute of it.

Is there anyone you'd like to thank for helping out with this film?
Oh, yes. Pretty much everybody who was working on it, did over and beyond the call of duty. Our producers, Gabor Garami, Michael Dobbin and Igor Pedicek navigated the extremely traitorous waters of financing with amazing skill. Vilmos Zsigmond and Zoltan Honti’s images made the film unforgettable, but Ferenc Kiss’ music and Zoltan Zsuraffszky’s choreography make it stand apart from anything I have ever seen. Then the wonderful actors and dancers and on and on… It was truly a labor of love and I couldn’t be more grateful.

How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
I can’t wait! After 18 festivals from India to Korea, Germany, Spain and Canada, this is our introduction to the Hollywood Industry. I have butterflies in my stomach.

What inspires you?
Originality and courage. I would rather see a not entirely successful, but courageous piece, then a “well-made” one. All the greats in history busted existing traditions – didn’t ignore them – and created new ones that the next generation had to reinvent.

Who are your influences and who do you admire?
I try to take inspiration wherever I can find it. I often rely on music. Shostakovich, Philip Glass, Flamenco, world music always help me out from a creative rot. I admire anyone who can pull off a successful movie. The chances are close to zero.

What lessons have you learned from the industry so far?
No matter what situation you are in, you are dealing with people, who want to be treated as such. This goes all the way up and down the line.

If you could collaborate with anybody, who would it be?
I was extremely lucky in having a collaborator like cinematographer Vilmos Zsigmond – and it was not because of his Oscar. I couldn’t have asked for a more knowledgeable and generous partner. I hope to work with him again. Also, I would love to work with Philip Glass on a film.

What is the toughest experience you've ever had to overcome?
Acting in a film, and directing it at the same time. It’s enough to drive you crazy. I’m not likely to repeat it any time soon.

What is the best piece of advice someone has given to you?
You will always get what you want. The trick is to know in advance what it is…
What advice would you give to new filmmakers starting out in the industry?
Perseverance. You will get you chance – but then you must be ready to make the most of it.

Where can we expect to see you next?
I have just finished the screenplay for “The Flight,” the story of the first hijacking. Seven unarmed kids made a desperate escape from Eastern Europe, knowing that there was an armed secret agent on board. It’s a fascinating cat-and-mouse game based on a true story adapted from Frank Iszak’s book, “Free for All to Freedom.”

Let our readers know where they can find more information about you and your projects.
Besides my website, www.endrehules.com and the film’s www.themaidendancedtodeath.com, inquiring minds can find me on IMDB, as well as in thousands of entries in Google (not all accurate, though).

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmaker Spotlight: Q&A with Ronnie Connell of "Ticket to Hell"

2012-04-08T09:00:00.000-07:00

In celebration of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month, we're conducting a series of Q&A Features and this week we're bringing you Executive Producer, Co-Writer and Lead role: Ronnie Connell of "Ticket to Hell."

“Ticket to Hell”
Ronnie Connell
Executive Producer, Co-Writer, Lead role

Tell us a little bit about your project and how long you've been working on it?
When I was 16 years old (which was two years ago), I was doing an AP course about Motion Picture and TV Production at UCLA and we had to write a story for the film. When I gave my story to the professor, Duane Dell'Amico, he said we will not be able to use your story because we do not have enough time, but he said, "Hold on to this story. This is amazing, you should definitely make a movie. You've got the talent kid."
I wanted to create something that will change the way we view things that are happening in our country; in this case specifically people without health insurance and things that lead or may lead people to do certain things when they face the inevitable. The main question for me was: What happens if you are sick and you do not have insurance? What do you do? I was encouraged by my parents to show the story to my manager Ryan Glasgow and we shaped up the story together into what it is right now. We started working on the project in May 2011 and we had the final product in fall of 2011.

Is there anyone you'd like to thank for helping out with this film?
I would like to thank Ryan Glasgow, my friend and manager, story and screenplay co-writer and executive producer, who believed in me and in this project, the director Enrico Natale who's keen eye moved this project into a completely different level. I would like to thank our superb actors Stephanie Jones who was my mom in the movie, Erick Scott Woods as a creepy Mr Sargento, and wonderful Bill Zasadil, and Bree Pavey. Our producers Renee Pezzotta and Alex Bram thank you for your generosity and patience; PJ Gaynard our great cinematographer, Red Dragons are absolutely an amazing group of people to work with, Adam Knapp my friend and our still photographer, Scott Chesak our very talented music composer, Julie Keppel the make up artist, Brad Hansen our screenplay co-writer and editor, Susan Ferris and Alison Buck from Bohemia Entertainment. I would like to thank all that worked on this movie, and last, my parents for the financial and mental support through this amazing journey.

How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
It feels surreal. It is an exuberating feeling and thank you NewFilmmakers so much for giving "Ticket To Hell" a chance.

What inspires you?
Real stories and real people.

What are your influences and who do you admire?
Gary Oldman, Ralph Fiennes, John Malkovich, Christopher Guest, Clive Owen

What lessons have you learned from the industry?
Believe in yourself, your project, and ideas and do not ever give up and surrender.

If you could collaborate with anybody, who would it be?
Steve Buscemi, Steven Spielberg, Martin Scoursese, Guillermo del Toro, James Cameron and Tim Burton.

What is the toughest experience you've ever had to overcome?
I think making the decision of doing the project. Just the thought of financial side of making the movie is the scariest thing I think for every filmmaker.
Because when you're "in" there is no backing off and you never know how much you'll have to spend even though you have set budget it ends up being more, much more than anticipated.

What is the best piece of advice someone has given to you?
Do not ever give up on yourself and your creations.

What advice would you give to new filmmaker starting out in the industry?
This business is not easy, there are lots of obstacles, even daily obstacles that you have to over come and sometimes you'll doubt yourself, but if you give up, your dreams will never come true for sure.

Where can we expect to see you next?
In the second season of the wonderful web series created by very talented Ryan Glasgow "Good Job, Thanks" as a son "Stanley Jr." of the infamous Hollywood casting director "Linda Livingston-Black" played by the great actress Stephanie Jones.

Let our readers know where they can find more information about you and your projects?
www.tickettohell.us.com
www.goodjobthanks.com
http://www.youtube.com/watch?v=qcwg-Cq81RY
http://www.youtube.com/watch?v=3__s0I2QkhQ&feature=related

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: alice + olivia by Stacey Bendet Denim Preview Event

2012-04-07T20:15:00.002-07:00

A tiny boutique with a lot of buzz, alice + olivia welcomed a small group of fashionistas to preview their spring denim collection on Robertson Boulevard and Disarray Magazine was there to check it out.

Besides being lured in with a stocked candy bar and refreshing cocktails, alice + olivia introduced shoppers to the colorful spring collection that was sure to capture the spirit of the season. Bright neons, floral patterns and even some bold stripes were beautifully showcased throughout the boutique, meanwhile others made their way into the fitting rooms to try on a pair.

And what outfit wouldn’t be complete without a pair of fun heels?. To commemorate the season’s bright looks, alice + olivia debuted a shoe collection one could definitely mistake for candy.

Throughout the night, shoppers were spoiled with makeup applications by Make Up For Ever artists, color block nail designs by Gelish and aura color readings. If that wasn’t enough to make you want to stay the night over, one could easily be attracted to the rest of the items the boutique had to offer from fierce heels and sandals to adorable, trendy dresses.

alice + olivia is the brainchild of designer Stacey Bendet, who is fascinated with all things denim and is even referred to as “Staceypants”. The first boutique opened in New York City and has since grown to its high-end location on Robertson Boulevard and can also be found in Malibu, California.

alice + olivia

134 S Robertson Blvd.,

Los Angeles, CA 90048

For more information, visit:
www.aliceandolivia.com
www.makeupforever.com
http://www.nailharmony.com/

Photos by Nancy Mora for Disarray Magazine

About the Author

Nancy Mora is currently studying Beauty Industry Marketing & Merchandising. Her exuberance comes from creative writing and bringing stories to life. She indulges in her weekly cravings from salads to chili cheese fries and is an obliging gym rat – minus the bulging muscles. She is always accompanied by her shaggy dog, Lucy.

Screenwriter Spotlight: Q&A with Dan Spurgeon of BUGBABY

2012-04-07T18:10:00.000-07:00

In celebration of the NewFilmmakers Los Angeles screenings at Sunset Gower Studios this month, we're conducting a series of Q&A Features and this week we're bringing you Screenwriter Dan Spurgeon of "BUGBABY" as he discusses the film, goals and upcoming projects.

“BUGBABY”
Dan Spurgeon
Screenwriter

Tell us a little bit about your project and how long you've been working on it.
BUGBABY first began its life as a short play, written for a benefit performance in Summer of 2009. Struck with the swine flu shortly after being given a week's deadline to write the play, Dan's fever somehow produced this weird tale of a sitcom family with a newborn that just happens to be a giant insect. Although he was asked, Dan prefers not to direct his own stage work, so the producer found Becky through the sponsoring theatre company. Becky responded to the material and brought a lot of creative new elements to the staging. The play received a great response from enthusiastic audiences, and Becky and Dan began talking about making it into a short film. Annick, our producer, and Drew, our executive producer, were brought on board shortly after, money was raised through the generous donations of family and friends, Mink Stole graciously accepted the role of Mrs. Tottifot (which was rewritten for the screen with her in mind), an intrepid and talented crew was assembled, and the project was shot in February 2010 and completed a few months later.

Is there anyone you'd like to thank for helping out with this film?
Literally everyone who worked on BUGBABY did it for peanuts or less, and they all deserve thanks for their fantastic work. Specifically, though, our donors deserve kudos for their unwavering and generous support of such a peculiar little film, and we are forever grateful to the wonderful Mink Stole for agreeing to appear in the movie.

How does it feel to have your film part of the NewFilmmakers Screening at Sunset Gower Studios?
It's great! Although BUGBABY has screened at dozens of festivals internationally (and even won a few awards), many members of the LA-based crew have not yet been able to view the finished film. We are extremely grateful to NewFilmmakers LA for giving this chance not just to them, but for also for even more audiences to experience our odd and amusing story.

What inspires you?
The glory of the world around us that allows each of us to see god in each and every piece of his creation... Nah, I'm bullshitting you. This film was a collaborative effort, and I'm sure each person involved would have a different answer to that question. However, as the old adage goes, inspiration isn't nearly as important as perspiration in creating quality work.

Who are your influences and who do you admire?
BUGBABY has many, many influences - I Love Lucy, The Dick Van Dyke Show, and other mid-century TV sitcoms; Tales from the Darkside; Eraserhead; Little Shop of Horrors; and about a bazillion exploitation grindhouse flicks watched in grainy quality on VHS, lost save the indelibly weird images that flicker through hazy, drug-addled memories. And as you can see merely by the casting, the work of John Waters was a huge influence from concept through execution, and probably the most collectively admired by the filmmakers.

What lessons have you learned from the industry so far?
None, obviously, because we're still doing it. Or, perhaps, the lessons are plentiful, and we are simply morons.

If you could collaborate with anybody, who would it be?
I'm sure all the core team members would have different answers on this, though I'm sure they would have one thing in common: extraordinarily talented and respected artists who try to change destructive cultural mindsets with their art, or have succeeded in doing it. That, or literally anyone with money who's willing to pay us.

What is the toughest experience you've ever had to overcome?
What, like, in the movie biz? Or with that "ever" included in the question, is this finally a chance to tell you about a childhood raised by blind immigrant alcoholic lesbian prostitutes in a twister-savaged double-wide filled with bloodthirsty housecats, which was overcome in a comfortable ninety minutes because (thank god) everyone realizes the dork is really a model once the eyeglasses come off?

The story is a natural tour-de-force of obvious audience manipulation, transparent themes, shallow emotions and less satisfying content than a rice cake. And Tyler Perry has expressed interest - or something resembling interest, or possibly disdain, it's hard to say. Cocaine is a hell of a drug.

Seriously, though - the cast and core crew are all educated, comfortably middle-class, able-bodied people with jobs and families. Whatever obstacles we may have overcome just don't rank that high when you look at the bigger picture of the world, and what hundreds of millions or even billions of less fortunate people have to endure on a daily basis for years or a lifetime.

What is the best piece of advice someone has given to you?
Well, this is a question that everyone would have their own answer for - so, lucky readers, you get two answers instead of just one!

Don't take a job in entertainment just to get into the industry, unless you're doing what you really want to do. I didn't listen - and totally understood a couple of years later, when someone referred to me as "the receptionist who writes plays" instead of a playwright.

What advice would you give to new filmmakers starting out in the industry?
It's in your best interest to be related to someone in the industry, or a have a large amount of familial wealth to start yourself off. If you do not have these qualities, set aside a few months to acquire them before embarking on your career. It'll be smooth sailing for you from then on!

Where can we expect to see you next?
Dan and Drew are currently concentrating on the primary work of The Visceral Company, which is live theatre focusing on the strange and macabre. Their next project, a two-actor version of Henry James's terrifying classic "The Turn of the Screw," opens May 10 at the Underground Theater in Hollywood.

Let our readers know where they can find more information about you and your projects.
The Visceral Company is online at www.thevisceralcompany.com, and BUGBABY has a dedicated website at www.bugbabymovie.com. You can also find us on Facebook and Twitter (though having a staff of two, we're often not as active online as we probably should be!).

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now! http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Filmmaker Spotlight: Q&A with Director Casey Kriley

2012-04-07T16:58:00.000-07:00

We caught up with Emmy winning reality TV Producer Casey Kriley, who is also the director of The Mighty Mavericks, a film that will be showcased at the NewFilmmakers screening at Sunset Gower Studios on April 16th. Learn about Kriley's goals, influences and future projects.

“The Mighty Mavericks”

Casey Kriley

Director

Photo credit: David Savinski

Tell us a little bit about your project and how long you've been working on it.

I started the project 8 years ago. The film was inspired by the obsessive fans of the Montana Grizzlies football team in Missoula, Montana, my hometown.

Is there anyone you'd like to thank for helping out with this film?

The faculty and staff of the University of Montana, the Missoula community and my father, James Kriley, the biggest Montana Grizzlies football fan of all.

How does it feel to have your film part of the New Filmmakers Screening at Sunset Gower Studios?

Exciting. It should be a fun night.

What inspires you?

People’s lives and their stories, the state of Montana, and creativity.

Who are your influences and who do you admire?

My father, James Kriley. He taught me so many life lessons that have really helped make me the woman I am today.

What lessons have you learned from the industry so far?

I have learned that commitment and hard work always pays off.

If you could collaborate with anybody, who would it be?

Lasse Hallström or Giuseppe Tornatore.

What is the toughest experience you've ever had to overcome?

The death of my father and finishing this film.

What is the best piece of advice someone has given to you?

“Just show up and do the work.”

What advice would you give to new filmmakers starting out in the industry?

Never give up and keep striving to do the best job you can.

Where can we expect to see you next?

Executive Producer on Top Chef Season 10

For more information on the screenings in Los Angeles, see below:

NewFilmmakers Los Angeles invites you to join the Monday April 16th 2012 film screening series and after-party event at Sunset Gower Studios in Hollywood with a filmmaker lounge throughout the evening.

5:30PM Shorts Program Pre-Screening Reception
6:00PM Shorts Program #1 Screening:

* Dumpling (Dir. Wesley Du)
* Bugbaby (Dir. Rebecca Lorenne)
* Ticket to Hell (Dir. Enrico Natale)
* The Contract (Dir. Ryan Goldstein)
* A Very Office Christmas (Dir. Maital Falkovitz)

7:00PM Feature Film Program #1 Pre-Screening Reception
7:27PM Shorts Film Program #1 After-Party
7:30PM Feature Film Program #1 Screening:

* The Maiden Danced to Death (Dir. Endre Hules)

9:15PM Feature Film Program #2 Pre-Screening Reception
9:35PM Feature Film Program #1 After-Party
9:45PM Feature Film Program #2 Screening:

* The Mighty Mavericks (Dir. Casey Kriley)

11:20PM Q&A with Feature Film Program #2 Filmmakers
11:35PM Feature Film Program #2 After Party

You will have the opportunity to meet the directors of each film, the actors and other crew + participate in a live audience Q&A.

There are pre-receptions and after-parties for each program. Admissions to the programs are only $6 which includes the screening ticket and access to the filmmaker lounge. Visit the NewFilmmakers LA Official Website at www.NFMLA.org for more information and to purchase your ticket now!http://www.newfilmmakersla.com/tickets.html

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: The Makeup Show in Los Angeles

2012-03-30T22:40:00.001-07:00

Makeup artists and beauty bloggers roamed the 13th floor at the California Market Center in downtown Los Angeles Makeup Show earlier this month. Over 20 prestige and independent makeup and beauty companies set up displays of their products as eye candy for makeup enthusiasts, including Smashbox Cosmetics, Inglot, Stila Cosmetics and Make Up For Ever.

For those who don't know, the Makeup Show is an annual event that debuts products and beauty innovations for makeup professionals all over the world. Starting in Los Angeles, the Makeup Show makes its rounds through New York City, Chicago, Europe and Orlando, Florida. The weekend event is devoted to all things beauty, hosting seminars for professionals, as well as guest speakers and technique workshops. Some of the workshops include Perfect Beauty Fundamentals, Glamour Makeup and Advanced Airbrush for Editorial Beauty.

With so many beauty products on display, it is easy to get overwhelmed and excited at the same time. Offering discounted specials and unique products, cosmetic companies lure professionals into adding much needed beauty items for their makeup kits. From lash extension serums to airbrushing tools, makeup artists were introduced to unique products they could utilize for work.

A few popular booths with girls hovering over included, Eye Kandy, a cosmetic line based in Southern Utah that offers various colored glitter for eyes and lips. Fans were waiting in line for a chance to be glitter-fied and it was common to see others walking around with glitter lips.

While some were looking for deals, others were stocking up on this season’s “it” colors. Pantone recently named Tangerine Tango their color of the year and for Youngblood Mineral Cosmetics, their Tangelo lipstick was flying off the shelves.

While Make Up Forever can already be found in nearby Sephora stores worldwide, their booth offered a collection not found in Sephora: their Rouge Natural lipsticks. According to Nicole, representative of the prestigious brand, this lipstick is sheer but offers a more intense pay-off than other lip products. And at $9.50 a pop, attendees stocked up on those and other discounted products.

The Makeup Show was not just about playing with new beauty products. The event, devoted to professionals worldwide, also allowed emerging makeup artists to enhance their skills through various workshops and lectures held by accountable artists known in the field. Smashbox Cosmetics invited artists into their makeup booths to recreate looks on guests, which they could add to their portfolio. Smashbox had a photographer nearby taking close-ups of the makeup, of which would then be put on a disk and given to the makeup artist, at no charge. Other makeup artists were gazing the booths with full-on costume makeup and business cards on hand in hopes to discovered and applauded for their work.

The Makeup Show in Los Angeles attracted many makeup mavens that in this instance, were allowed to mix work with pleasure.

Full coverage can be seen in the slideshow below.

(Photos are courtesy of Nancy Mora and Vivian Ramirez)

For more information, visit:
http://www.themakeupshow.com
https://www.facebook.com/themakeupshow

About the Author

Live Review: The Parlor Mob Rocks the House of Blues in Hollywood

2012-03-27T10:13:00.000-07:00

Hailing from New Jersey, the Parlor Mob hit the stage at the House of Blues on the legendary Sunset Strip in Hollywood, CA earlier this month. Performing songs from their Roadrunner Records album Dogs, the Parlor Mob's aggressive guitar riffs, distinct vocals and tantalizing stage presence, definitely make the band one to watch.

The Parlor Mob, a name based on the 19th century gang, is made up of front man Mark Melicia, guitarist David Rosen, guitarist Paul Ritchie, bassist Anthony Chick and drummer Sam Bey. The band succeeds in bringing Rock N' Roll back without being gimmicky. These guys are the real deal.

With, "Into the Sun," a track that's making its way around the sports circuit, the group captivated the crowd inside the HOB with their fast drum beats, killer vocals and bad ass guitar solos. There's no wonder girls in the audience screamed and danced as if they were possessed by the auditory awesomeness oozing from the speakers. Guys in the audience were digging it too as fists pumped into the air during, "Fall Back," the quintessential rock anthem where Melicia belted at the top of his lungs, "Fall back, girl you don't know how to act...You're fucking crazy and your mind is a mess, so fall back."

Appealing to a more softer side, the band exemplified a diverse set list with, "Hard Enough," which caused us to immediately fall in love with the emotional, honest and heartfelt track. By this time, we were now convinced we had to see band again if they rolled through Hollywood again. During a short intermission, the crowd yelled their request for, "Hard Times," a clear favorite that featured a harmonica. Closing the show with the perfect power ballad, "The Beginning," front man Melicia belted lyrics to the melodic and progressive tune, which had the audience head-bagging during some portions of the performance.

See photos from the entire show in our slide show below:

Stay up to date on the band and visit the following sites to see when they're coming to a city near you.

http://www.theparlormob.com

http://www.facebook.com/pages/The-Parlor-Mob/5962064315

http://twitter.com/#!/theparlormob

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: G. Marie Runway Collection at Project Ethos

2012-03-20T01:00:00.001-07:00

Gina Marie Tomassone (G. Marie), showcased a variety of looks during Los Angeles Fashion Week this past Tuesday at Project Ethos. For those who have never attended a Project Ethos event, picture a showcase filled with the up and coming taste makers and trendsetters in the music, fashion and art industry. Today, we're covering the fashion portion with G. Marie's collection.

Coverage is sponsored by Guardian Printing.

On the runway, we saw sheer flower fabrics paired with black leather, which created a refreshing contrast of colors and styles. G. Marie married edgy leather looks with whimsical, flirty floral skirts. The collection also consisted of short dresses, special occasion gowns and casual looks including free flowing blouses, draped fabrics and bright colors.

G. Marie designs definitely catered to every woman. Going to a cocktail party, the office or even a casual date? Not to fret, the looks we saw were fit for any occasion.

Our favorite looks from the night are pictured below:

For the full line, see our slide show:

All photos by Markus Biegel for Disarray Magazine

For more information on G. Marie, visit:
http://www.gmarieboutique.com/
http://www.facebook.com/shop.gmarieboutique
https://twitter.com/gmarieboutique

Don't forget to LIKE us on Facebook to tag yourself in our photos:

Check out our past Project Ethos coverage:
Live Review: Project Ethos at L.A. Fashion Week (Part 1)
L.A. Fashion Week Recap: Project Ethos (Part 2)
Live Review: Project ETHOS Love Sick @ Music Box
Project ETHOS Heats Up L.A. Fashion Week
Interview with Project Runway Season 7 Alumn Jesus Estrada
For more information, visit:
http://www.projectethos.com
http://www.twitter.com/projectethos

About the Author

Questions, comments or suggestions?

Contact Christy@disarraymagazine.com
Follow Twitter.com/ChristyBuena

Live Review: Melissa Velia Fall 2012 Collection at Project Ethos

2012-03-19T20:15:00.003-07:00

Melissa Velia returned to Project Ethos debuting her Fall 2012 Collection during Los Angeles Fashion Week this past Tuesday. Her line kicked off with hip-hop dance choreography by Joanna Baca. After the performance, models graced the catwalk wearing sheer, light fabrics with intrinsic designs. The runway was hit with a pop of color as We saw bright reds, royal blues, shimmering golds and multi-colored fabrics.

We saw pieces that reminded us of the vintage era. Each design hugged feminine curves and accentuated the female silhouette.

Our favorite looks from the night are pictured below. Coverage sponsored by Guardian Printing:

For the full line, see our slide show:

All photos by Markus Biegel for Disarray Magazine

For more information on Melissa Velia visit:

http://melissavelia.com/
https://www.facebook.com/DesignerMelissaVelia
http://www.twitter.com/melissavelia

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Live Review: Danielle Pettee Fall 2012 Collection at Project Ethos

2012-03-18T23:21:00.000-07:00

Daniella Pette showcased her classic inspired Fall 2012 collection at Project Ethos during Los Angeles Fashion Week this past Tuesday. Models graced the catwalk wearing dresses, rompers and designs reminiscent of the 50s and 60s era. We saw floral prints, polka dots, checkers and feminine silhouettes sure to make females of any size feel sexy.

Pettee is known for designing dresses from recycled fabrics, hand dyed garments, and pockets in dresses.

Our favorite looks from the night are pictured below:

For the full line, see our slide show:

For more information on Danielle Pettee visit:
http://www.daniellethedressmaker.com

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Live Review: Boditecture Fall 2012 Collection at Project Ethos

2012-03-18T19:29:00.000-07:00

Shaking up the catwalk during Los Angeles Fashion Week's Project Ethos event, Wen Guo's Boditecture showcased innovative, versatile and convertible designs. Boditecture's debut at Project Ethos was the perfect platform for the collection as Project Ethos is known to introduce the hottest trendsetters and tastemakers in music, fashion and art.

We saw designs that were fit for empowered, sensual women who want an easy way to transform their daytime looks into no-fuss, nighttime outfits. We saw dresses fit for any corporate environment, which could be easily unbuttoned to create a glamorous evening gown.

Standout looks from the night are photographed below:

For the full line, see our slide show:

For more information on Boditecture, visit:
http://boditecture.com
http://www.facebook.com/boditecture
http://www.twitter.com/boditecture

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L.A. Fashion Week Exclusive: Interview with LUICA Fashion Designers

2012-03-18T18:44:00.002-07:00

Luis Mendoza and Yesica Medina debuted their Luica Fall 2012 Collection during Los Angeles Fashion Week this past Tuesday. Creating looks for both men and women, we wanted to catch up with the two designers to learn about their fashion goals, their line and the lessons they've learned being in the industry.

What inspires you and Yesica and what makes Luica so unique?

We take a lot of things into consideration when designing for Luica. Both Yesica and I are truly inspired by vintage finds. Some of our favorite decades are the 50's 60's & 70's. Although we love bygone eras, we also make sure that all of our pieces look fresh and new in today's contemporary market. Our silhouettes and fabrics are most certainly up to date and trend right.

What is the best piece of advice someone has given to you?

(Luis) Someone once told me that everyone's worst enemy is themselves. Any obstacle that is put in your way can be overcome in order to reach your goals. I have found that to be very true. This business is fun and at times glamorous but definitely tough as well. There will be many times when people will not believe in you or your craft, but that should not be looked at as a deterrent. Perseverance is key, your talent will do the rest.

Do you have any advice for designers just starting out?

Experience will definitely help you. We have been designing for other companies for about 8-years now and it has truly shaped us into the designers we are today.

What is the toughest experience you've ever had to overcome?

(Luis) Moving to Los Angeles and arriving with only $70.00 to my name had to be one of the hardest situations I have ever faced. I didn't know anyone and had to figure out my employment & living situation by myself. Luckily everything seemed to fall into place within a couple of days! Someone must have been looking over me!

What's your ultimate fashion goal and what have you learned while trying to accomplish your goal?

We would love to see Luica become a leading go-to fashion house for those individuals that really want to make a statement through fashion. Showcasing our line at L.A. Fashion Week made us realize that all the hard work we put into each garment really did make a difference and we're extremely proud of the outcome.
Ultimately, we want Luica to alter the landscape in fashion. We want women and men to fall in love with fashion all over again. Unique garments with unexpected details and the merging of woman's wear and men's wear across our collection is sure to set any individual apart.

Is there anyone you wish to work with?

There is so much great talent out there that it would be hard to choose! We've however have had it in mind to work with a great artist to create beautiful one of a kind prints that would compliment our line. So if there are any creative minds out there let us know!!

What's your favorite look that is simple to create, budget-friendly and always fashionable? (For women and how about for men?)

For women, the LBD (little black dress) should always be your best friend. This look has been tried and true for decades! Theres so many ways to make this look "new & now." Pair it with some bright tights, your favorite heels and some funky accessories and "voila" you're set!

For men, you can never go wrong with a dapper look. Choose a great blazer in a bright color, pair it with some dark great fitting cuffed trousers and some great slip on loafers. You'll be looking polished with not much effort.

Who has influenced you the most in your life?

(Luis) My mother has greatly been a big part of why I chose fashion for a career. As a child, I remembered her showing me photographs of herself in 70's floral bell bottoms and chunky platforms. That moment made me realize that I could express myself through fashion and it really did catapult my obsession with the fashion industry.

How has your Los Angeles Fashion Week experience been so far?

Truly amazing! We were ecstatic to see the major positive feedback we received from buyers, fashion bloggers and various media sources at the event. We look forward to participating in more events like this one.

Are you working on any projects and where can we expect to see your line next?

We have been busy expanding our Fall 2012 collection and cannot wait to showcase it in the near future. We will be attending the next "Focus" event at the Cal-Mart in order to have our line available for customers throughout California & other states.

Where can we find your designs? Stores or online?

Our line will be available for sale online at luica-la.com at the end of March. We have also been in talk with a few local retailers to have our line in their shops. We will announce any boutiques carrying our collection on our site. Also, make sure to follow us on Facebook: facebook.com/luicafashion, Twitter: @luicafashion for up to date news and info on everything Luica!

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Live Review: JaJo Couture Fall 2012 Collection at Project Ethos

2012-03-18T12:50:00.001-07:00

Janean Johnson debuted her JaJo Couture Fall 2012 Collection at Project Ethos during Los Angeles Fashion Week at the Avalon in Hollywood, CA. JaJo Couture has been a recurring featured designer at Project Ethos, the event known to showcase up and coming trends in music, fashion and art. Johnson's Fall designs this time around were without a doubt edgier and more colorful than those we've seen in the past.

The JaJo Couture collection consisted of women's wear in bold prints, pleated skirts, feminine yet dominant layers and designs that were sure to create futuristic silhouettes.

Stand out designs include the following below:

For the full line, see our slide show:

All photos by Markus Biegel for Disarray Magazine

For more information on Luica Fashion, visit:

http://jajocouture.com/

http://www.facebook.com/pages/JaJo-Couture

http://www.twitter.com/jajocouture

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Live Review: Luica Fall 2012 Collection at Project Ethos

2012-03-18T11:33:00.000-07:00

Luis Mendoza and Yesica Medina debuted their Luica Fall 2012 Collection at Project Ethos this past Los Angeles Fashion Week at the Avalon in Hollywood. For those unaware, Project Ethos is known to showcase up and coming trends in music, fashion and art. This year, the event launched ProjectEthos.tv and for the first time since we've seen, Luica designs.

The Luica Fashion collection consisted of men and women's wear in bold colors including nightfall, ultramarine, royal purple, crimson, azure and magenta. We saw designs for women ranging from short to long dresses, plunging necklines, sequin, see-through lace and even an outfit that reminded us of a wide-flare power suit, ideal for any corporate female.

We also saw two looks for men including an innovative take on a vest reminiscent of a toga design and a bright royal purple top paired with a sheer vest and pants fit for any rock star.

Stand out designs include the following below:

For the full line, see our slide show:

For more information on Luica Fashion, visit:
http://luica-la.com/
http://twitter.com/luicafashion

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Live Review: Ermelinda Manos' Fall 2012 Collection at Project Ethos

2012-03-18T10:38:00.002-07:00

Ermelinda Manos debuted her Fall 2012 Collection at Project Ethos this past week at the Avalon in Hollywood, CA. Kicking off the event, which prides itself on dictating the up and coming trends in music, fashion and art, Ermelinda Manos' collection consisted of dark colors and sexy bold designs. We saw sexy sheer dresses, sophisticated sparkling sequence, body hugging leather and even feathers that created a light, feminine touch. The last dress to hit the runway (pictured above), was the definite show-stopping eye opener of the evening. Every dress and design was handmade by Manos and accentuated feminine curves to create a sexy, daring look that was sure to make heads turn.

Stand out designs from the collection include the following below:

All photos by Markus Alexander for Disarray Magazine

For the full line, see our slide show:

For more information on Ermelinda Manos, visit:
http://www.ermelindadesigns.com/
http://www.facebook.com/ermelindadesigns
http://www.twitter.com/#!/ErmelindaManos

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Live Review: Styling the Modern Man: Pre-Oscar Gala at Siren Studios

2012-02-29T23:04:00.002-08:00

Hollywood's Siren Studios was home to the Pre-Oscar Gala dubbed, "Styling the Modern Man" - The Gentlemen's Closet, presented by Chivas, Barefoot Wines and Ekquality Style Hause on Saturday. The crowd consisted of fashionable men and women who celebrated the one year anniversary of Ekquality Style Hause. Attendees enjoyed complimentary massages and stylists provided grooming tips as well as on the spot haircuts. Party goers sipped on Chivas and Barefoot wines as they browsed the latest in men's fashion from Tallia, Gemelli, Luka Prado shoes, Pocket Change clothing and Naked Suits, among others.

Upon arrival, we headed straight for Luka Prado's table who had colorful, edgy shoes on display. Prado explained that he started creating studded guitar straps two years ago and then evolved into designing shoes. Musicians Nelly Furtado and Nicki Minaj have been spotted wearing Prado's line. The humble and shy designer reminisced about his days working at a restaurant and how all of a sudden his love of design took off and celebrities are knocking.

Luka Prado

For more information about Luka Prado shoes, visit: http://launch.lukaprado.com/

As we made our rounds, we visited the Gemelli display consisting of a variety of blazers paired with button up shirts merchandised on racks and chests. We were also given a bag containing a complimentary tie. For more information, visit: http://www.gemelli.ca/style.html

Next to the Gemelli display was a section for massages. Stressed-out attendees were able to unwind from the Oscar madness.

As we continued making our rounds, we ended up at Naked Suits by Albert Ming. Ming's suits consist of stain repellent wool that have been hand-tailored for a slim cut. Celebrities wearing Naked Suits include Chuck D, Perez Hilton, Tim Urban and DJ Mike Relm. For more information and to purchase Naked Suits, visit: http://www.albertming.com/

Naked Suits

Next to the Naked Suits display, we saw Pocket Change clothing consisting of skateboarding apparel and button-up shirts. However, Pocket Change is not just about clothing as they embrace fundraising, community charity and inspire America's youth to follow their dreams through the "Live Different" campaign. Learn more about Pocket Change Revive and visit: http://www.pocketchangeapparel.com

As we migrated to the style lounge, we saw models get prepped for the on the spot photo shoot for Naked Suits.

We also spotted Niabella Perfumed Wax. Every candle is made with their signature 100% Natural Shea wax blend, and can be rubbed onto the skin as perfume, body oil or massage wax when heated.

For more information, visit: http://www.niabella.com

Niabella Candles

Tallia suits were also on display inside the styling lounge showcasing sharp men's suits.

In case you missed the event, don't fret. See our favorite photos from the night:

All photos by Markus Alexander

Overall, the event was well attended and those at Siren Studios mingled, posed on the red carpet and even walked away looking better thanks to the on the spot style lounge. A few lucky attendees walked away with free products including Gemelli ties.

Were you at the event? Let us know in the comments section! Don't forget to LIKE us on Facebook to tag yourself in our photos.

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Live Review: 84th Academy Awards Celebrates 2011 Documentary Nominees

2012-02-24T18:04:00.000-08:00

Documentary lovers gathered at the Samuel Goldwyn Theater in Beverly Hills on Wednesday to celebrate the Academy Award 2011 Documentary nominees for feature and short subjects. Michael Moore, know for Bowling for Columbine and Fahrenheit 9/11, hosted the panel after each screening. Directors and producers discussed their creative process, goals and even the hardships faced when dealing with their topics. The documentary clips evoked a wide array of emotion including feelings of sadness, laughter, fear and even utter disgust.

Excerpts from Documentary Short Subjects:

The first film we saw was The Barber of Birmingham: Foot Soldier of the Civil Rights Movement, by Robin Fryday (director-producer) and Gail Dolgin (director-producer). We watched the story of 85-year-old Mr. Armstrong reflect on history and the possibility of Barack Obama becoming president. During the panel, we learned how Mr. Armstrong became the focus and learned a bit about his history in Alabama. We also learned that Dolgin passed away of Breast Cancer and how the film was important to her.

During God Is the Bigger Elvis, by Rebecca Cammisa (director-producer) and Julie Anderson (producer), we were intrigued when we watched former actress Dolores Hart speak about what it was like to co-star in a movie with Elvis, then leave Hollywood to become a Benedictine nun. Anderson and Cammisa discussed how they found Hart, the types of interview questions they asked her surrounding abortion, sex and stated that she very modern although she was a nun.

The next film was shocking, informative and enlightened us about the rampant acid attacks in India. On screen, we gasped and sympathized when we saw female Pakistani burn victims inflicted by their angry husbands in Saving Face, by Daniel Junge (director-producer) and Sharmen Obaid-Chinoy (director-producer).

The next film took us on an emotional roller coaster where we fought back tears while watching The Tsunami and the Cherry Blossom. Tsunami victims recalled the horror of seeing loved ones die right in front of their very eyes. They had to cope with the idea of relatives who've gone missing. Watching the wreckage was heart-wrenching. During hte panel, Lucy Walker (director-producer) and Kira Carstensen (producer) discussed the adventure of capturing the story and deciding to make the documentary on a whim. Walker and Carstensen shared what it was like facing radiation in Japan, dealing with 7.0 aftershocks, surviving without basic amenities and interviewing victims.

Incident in New Baghdad, by James Spione (director-producer), gave us a bitter taste of what it was like in the middle of the Iraq War, witnessing children injured only to find it was at the hands of the American army. We cringed at the gruesome descriptions of how badly kids were hurt and how the soldier reflected on the incidents and thought about his own children of the same age. During the panel, Spione discussed the Wiki Leaks and how it played a part in making the film.

Documentary Feature directors and producers

Excerpts from Documentary Features:

In Hell and Back Again, we were concerned when we watched a war veteran suffering from post traumatic stress disorder, contemplating suicide and pointing a gun at his girlfriend.

During Undefeated, we were rooting for an inner-city coach who went above and beyond his job description. TJ Martin directed along with Dan Lindsay (director-producer) and Rich Middemas (producer).

In Paradise Lost 3: Purgatory, we learned about a Damien Nichols who's been in prison for 18 years and discusses how his life stopped the minute he stepped into the confinement. We watched as Nichols described the changes he's noticed while living in prison, including getting older. During the panel, Joe Berlinger (director-producer) and Bruce Sinofsky (director) told the audience that because of their films, three individuals have been released from prison after evidence emerged and one of the freed inmates will attend the Oscar Awards show.

The next film definitely got a reaction from the crowd. When If a Tree Falls: A Story of the Earth Liberation Front was shown, the entire theater gasped as police officers in Oregon pepper sprayed peaceful protesters. The documentary follows former environmentalist Daniel McGowan. Marshall Curry (director-producer) and Bruce Sinofsky (director) discussed the film and the craziness of the era during the panel.

The last film we saw was a clip from Pina, a 3D documentary surrounding the beauty of interpretive dance by Pina Bausch. Wim Wenders and Gian-Piero Ringle produced and directed the film. We learned why the film was created and how the art of dance was a language that Wenders did not understand, therefore he felt the need to make the film to share the beauty with viewers of his documentary.

During the panel, the audience was told that "there's something about sitting in a dark theater alongside strangers watching films that garner emotion," Moore said. "People are social creatures." Theaters will never go away as long as long as people want to get out of their homes," Moore continued.

We hope he's right.

For more information, visit:

Oscar Week Events

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Academy Shorts! Screening Celebrates Nominees for Oscar Week

2012-02-22T17:35:00.000-08:00

Film lovers celebrated day 1 of "Oscar Week" at the Academy of Motion Pictures and Sciences by viewing 10 nominated shorts (animated and live action films), this past Tuesday. Academy Governor Jon Bloom, kicked off the event and expressed that it was his 11th year presenting the event. Then Brad Bird, Academy Award winner for The Incredibles and Ratatouille, moderated the panels after the screenings. Directors and producers shared their inspirations, goals and and gave us their behind the scenes perspective.

If you missed it, check out the nominees below:

2011 Animated Shorts - Oscar Nominees

The Fantastic Flying Books of Mr. Morris Lessmore

William Joyce (director) and Brandon Oldenburg(director)

A man devoted to books discovers books that return the favor.

Watch the Moonbot Studios' reaction of their Oscar nomination:

During the panel, Joyce and Oldenburg told the audience that the film was inspired by Hurricane Katrina and that they wanted to experiment with a variety of animation formats. Joyce even joked about how he got involved in the project and how Oldenburg called him out of the blue sounding like a "kid" who could barely give him directions to their offices in Texas.

Dimanche/Sunday
Patrick Doyon (director)
On an ordinary Sunday, a young boy encounters the extraordinary.

During the panel, Doyan said he was inspired to create the film to help illustrate how children keep themselves entertained around adults.

La Luna
Enrico Casarosa (director)
A boy accompanies his father and grandfather to work, unaware of their unusual occupation.

Enrico Casarosa

Casarosa explained to the audience that he wanted to execute the film as a fable and experimented with various textures.

A Morning Stroll
Grant Orchard (director) and Sue Goffe (producer)
A New Yorker and a chicken cross paths on a morning stroll. What we didn't expect to see in this film were zombies.

Grant Orchard and Sue Goffe

When asked how the story came about, Orchard responded by saying they took a simple story (chicken walking down the street in New York), and imagined a probable set of future events surrounding the plot. Orchard said he asked himself, "Where is that chicken going and why is it walking down the street? Who trained it to open doors?" The audience laughed in response to Orchard's creative process.

We were surprised by the ending and guarantee it's something you would've never expected.

Wild Life

Amanda Forbis (director) and Wendy Tilby (director)
An English gentlemen tries his hand at ranching in the vast prairies of the Canadian West.

Brad Bird teased Forbis and Tilby asking if they came up with the story idea based on the fact that there's nothing to do in Canada. The audience laughed in response and the team began describing what it's like working with the National Film Board of Canada. The NFB sets such a high standard in film making that they felt the need to work harder, said Forbis and Tilby.

The second half of the event featured Live Action Short films, which took us on an emotional journey ranging from laughter to worry and stress.

The Shore
Terry George (director-producer) and Oorlagh George (producer)
Two boyhood friends from Northern Ireland reunite after 25 years. Trailer:

Oorlagh George, daughter of Terry (Hotel Rwanda, In the Name of the Father), told the audience that the film was like a real life home video since her aunt was in charge of the wardrobe and the on-screen ensemble consisted of uncles and aunts. The home featured in the film is currently owned by her relatives.

Tuba Atlantic
Hallvar Witzo (director)
With only six days to live, 70 year-old Oskar wants to reconcile with his brother across the Atlantic. Reaction:

Witzo,the charismatic director, described why he made the film and joked that in Norway, "When the king says make a film, you make a film." Tuba Atlantic is based on the story of brotherly love, long distance and acceptance.

Time Freak
Andrew Bowler (director) and Gigi Causey (producer)
A neurotic inventor builds a time machine, then gets lost trying to correct his past mistakes. Trailer:

Without a doubt, this short film had the entire theater laughing. Bowler and Causey described how they had a choice to buy an apartment in NYC, but decided to take their funds and create the short film instead. We learned what it was like for Bowler to create the character and how he had to think like a neurotic man. He also described the dinner he had with his cast before filming and how they would not stop asking time travel questions, so many that he Bowler jokingly told them they were no longer allowed to question him about quantum physics.

Pentecost
Peter McDonald (director) and Eimear O'Kane (producer)
An altar boy weighs his performance at Mass against his love of football. Trailer:

O'Kane was on hand to talk about how Pentecost was created when Director Peter Mcdonald compared his alter boy experience to that of a major performance, like a high stakes championship sports game or concert.

Raju
Max Zahle (director) and Stefan Gieren (producer)
A German couple adopts an Indian orphan in Calcutta.

Zahle and Gieren discussed their choice of using film instead of digital media cards to help give their documentary style a gritty feel. For their thesis, they researched adoption and missing children in order to bring the film to life and film Raju.

Don't miss out on Oscar week! We'll deliver recaps of all Academy screenings.

For more information, visit:
http://www.oscars.org/events-exhibitions/events/index.html

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