ditch water

Breaking news: Photographer shoots, doesn't kill

noreply@blogger.com (ms. rosa) — Sun, 11 Oct 2009 17:21:00 +0000

Tragic story of an overnight fire reveals precious little details. But this particular line caught my attention:

From the Houston Chronicle on-line:

"Dowdy said there were reports that the man and a news photographer exchanged gunfire. "

Man, I know this town is rough, but daaaaaang...

Films photographers (and kids) love: 'Wait Until Dark'

noreply@blogger.com (ms. rosa) — Tue, 29 Sep 2009 00:58:00 +0000

I rented another childhood favorite for me and my little one today. 'Wait Until Dark' stars Audry Hepburn as the blind photographer's wife who is being stalked by a trio of bad dudes lead by the eee-vil, Jack-Kerouac-sound-alike Mr. Roat (played by Alan Arkin who would later play John Cusack's hilariously nervous - and scene stealing - psychiatrist in Grosse Pointe Blank).

Most of the film takes place in a basement apartment - a perfect place for a darkroom studio. The darkroom itself isn't enclosed, it's just in the middle of the apartment, away from the windows. The windows in the kitchen are light-proofed with metal crank shades. During one point Susy (Hepburn) helps her husband by passing fiber paper from the stop bath through the hypo stage WITH HER BARE HANDS!! (at 8:12 above) Later, she'd outwit her adversary by replacing the flower vase water with a photo chemical. I have to admit, I thought the script should have placed fixer...or better yet! selium toner in the vase. (Take THAT bad guy!) But alas, she temporarily blinds Dr. Evil with hypoclear (slight stinging sensation, at 7:24 below).

I had forgotten about the Henry Mancini soundtrack. Groovy. And about her amazing fall coat collection. And about the child in the film. Gloria is a highlight of the film. My kid especially liked her spunk.

Processing film is so easy a 7 year old can do it

noreply@blogger.com (ms. rosa) — Tue, 15 Sep 2009 18:04:00 +0000

Well...at least mine can!

Since I don't think his little hands are quite ready to feed film onto a plastic reel in the confines of a black bag, I did that part for him. But come to think of it, I'll sacrifice some expired film this weekend just so he can practice.

For this first venture into the world of processing, my kid poured the chemicals in and out of the tank, and kept hawk-like eyes on the stopwatch. We used Diafine since temperature and precision timing aren't critical to this cheap two-part developer, plus we can skip the Stop bath step. He was so elated to see the film be pulled off the reels. "Just like Christmas" I told him.

For next time I'll probably get some rubber gloves since the use of Fixer made me a little nervous. Academic principals reinforced: Focus, counting backwards, following directions, manipulatives. All great practice particularly if your child is ADD/ADHD.

Radio tonight: Shh! I said NO TALKing! Edition...

noreply@blogger.com (ms. rosa) — Thu, 20 Aug 2009 22:34:00 +0000

Yessireebob. Mutant Hardcore Flower Hour at 10pm central time tonight! DJ Paramour will be my sexy guest and we'll hear some tunes from her archives. Other sexiness will include a performance by No Talk (pictured above). Me, 10, Scott, 11, Young Burton, midnight.

www.ktru.org. Give a tug.

Traci and Ashley deserve your respect.

noreply@blogger.com (ms. rosa) — Tue, 18 Aug 2009 17:28:00 +0000

You know what? We are home to a couple of the planet's most criminally underrated photographers. Who just happen to be exhibitionists/voyeurs. And (perhaps inadvertent) maverick feminists. Kiss goodbye to Puritan America, that's for sure.

Meet Traci Matlock and Ashley MacLean. Up until this past June, they served time blogging as "Rose and Olive" on the 'edgy' national cultural website Nerve.

They're a duo of seemingly inseparable photographers who document (and stage) their lifestyle. It's hard to tell their sexual identity apart from their photography identity, but that's not really the point.

Is there a point? There is, and they have themes (how else you gonna get funded?) I'll just let others do the academa-cizing, 'sides the themes are readily apparent. What we have here is snapshots of tawdry, portraits of tawdry, polaroids of Is-that-a-body-part-or-a-piece-of-fruit?, videos that should be pulled, tongue-in-cheek fun (pun intended), completely innocent nakedness, some not so serious, and some deadly.

The medium chosen is whatever is handy, apparently. Polaroid, black and white, medium format, point-and-shoot (hell, yeah) natural light, harsh flash, and always film (I think). Handy and quick gives the photos their un-contrived apeal.The wealth of images is also indicative. Of something, I'm not sure what. Does it matter? Sex is what brings all the visual themes together via woodsy settings, front porches, swimming pools, sand, scars, indentations, fruit, and people many of whom are not 'classically' beautiful (LOVE that).

Here's what else I adore: they explore sexuality without ever questioning or challenging moraes. Traci and Ashley take photos and/or have sex with friends and strangers alike and it's not ever treated as edgy or private. It's perfectly natural. Or it's a celebration. Or a good way to pass the time. Or an act of humility, depending on who is on the receiving end.

Their body of work (and especially the Nerve images from the last year and a half) has a love-the-one-you're-with meets Mae-West-feminism kind of appeal, if you catch my drift. And I adore that they adore one another. Of course it's this kind of no-zone, laissez faire, sexually charged photography that could only be born of Houston. I'm telling you, it's in the water.

I could go on and on about them but just go to their newest blog titled The Ingoing. Trust me, these are NSFW.

And if you're into photography documentaries, go here! This looks like a good one. I'm going to score a copy for sure when it becomes available.

We share a love of Eggleston. And a darkroom. And an interest in the seedier side. As friends, as peers, I'm happy just knowing they're somewhere in my town. I know these things don't last forever, but a toast to the here and now and the one you're with. Cheers!

Her middle name is Marianne

noreply@blogger.com (ms. rosa) — Thu, 13 Aug 2009 19:19:00 +0000

Steve Simels got a flurry of comments regarding his posting of a video clip of Swedish boudoir babe Anita Ekberg on his column on Boxoffice.com. As he says, you can and should...check it out here. That's a nice little film blog. I'm sure he won't take offense that's I say its not the most academic film blog on earth. Very readable and witty...and you don't even have to be terribly film savvy to enjoy it.

In any case, today's post is about the former Ms. Sweden and her, uh, dancing abilities. After watching the clip, I couldn't help but look for images of her. She has the most amazing nose. And of course the rest of her is pretty easy on the eyes as well.

RADIO TONITE: Me, Scott Butt, and three prostitutes

noreply@blogger.com (ms. rosa) — Thu, 06 Aug 2009 19:51:00 +0000

Welcome to the NEW me. Kinda like the old me but less tardy/more, err, lucid. Note that I start at the new happy-hour-proof time of 10pm Texas time.

Here's my press release:

Mutant Hardcore Radio Tonight

when:

where:

time=10pm

time=11pm

time=11:30

time=1:00am

time=last call

for real: i took over the 10pm slot to avoid flaking out/being FACED on air. so no need for you to stay up late to witness a fiasco. sorry, charlies.

xTONITEx!! DJ Radio Flaky Biscuits

noreply@blogger.com (ms. rosa) — Thu, 30 Jul 2009 21:19:00 +0000

HEY! okay, so i goofed and missed the last train to Clarksville last week a/k/a flaked out. SOO me! this week is different than last...in that it's a week later. Yesh. you know you had a good time with YB and SB. And since I never unpacked my bag from last week, the tunes are just as gnarly. Toon in.

Tonight, we'll be spotlighting an upcoming show that commemorates the life of Biscuit and the plight of Peter Case with performances by venerable-yet-humble punk acts AK47 and The Mydolls. IN FACT we'll have 2 AK47's in studio (If it's okay with you Scott; Burton, go back to sleep) to talk about their history and they'll be bringing some of the ol' AK47 45s with them. So if you're a fan of any of the above...don't hit snooze. (I do also believe we'll have other guests who are playing at Double Dave's in a little while. But I'll let that promoter promote.)

MUTANT HARDCORE FLOWER HOWER
with Young Burton, Scott Butt and Old Fart...
91.7fm KTRU.ORG
10pm ~ 1am

10 ~ Young Burton as aprediz de todo...
11 ~ Scott Butt as majordomo comeux...
midnight special ~ Rosa, narcosnarficker...

Quejas a 713.348.ktru

Joey Promahoney: this made me think of you

noreply@blogger.com (ms. rosa) — Sun, 26 Jul 2009 18:29:00 +0000

Hope all is well, friend. Let's get some Vietnamese sandwiches when you come home next.

I'm def gonna try this with color slide film I can't afford to process anytime soon.

Editing is letting go of even some of the good ones.

noreply@blogger.com (ms. rosa) — Sun, 26 Jul 2009 15:33:00 +0000

Separation is strange. I've been with the same, wonderful man since I was 19 years old. At 39 he decided that I needed to stretch my wings for reals.

I'm moving next weekend to a tiny one bedroom apartment in the museum district. I've never known bachelorhood and hoped I never would, but alas, here I am taping up boxes and ruthlessly editing out books I want to keep and books that need to find a new home. Special books I'm giving away. Chicano studies books and liberal political books will go to Sedition Books. Vegetarian cook books to the ex (I'm not a vegetarian, never have been, and god give me strength I never will). The rest to charity since I don't want to waste Half Price Books' time.

What's left are books on: photography, architecture, film, rock and roll, boxing, dictionaries, my Stanislaw Lems, my Borgeses, Treasure of The Sierra Madre and the Jim Thompson book Henderson gave me for Christmas. I'm also toting the Richard Meltzer books my treasured friend and film buff KB lent me including the hilarious little tome he co-authored with Nick Tocshes called Frankie Part I.

Speaking of KB, and-for-the-record, I'd like to correct my last Weegee blog (you knew I had to slip him in, right? Right.) which incorrectly stated that "Naked City" was his only photography book. KB proved me wrong by lending me "Weegee's People", 2nd printing on DaCapo originally put out in 1946. It's novel-thick with low quality images on every single page and short captions that tell a story of a city. I'm quite shocked at how similar my own zine is to it. In fact, first thing I'll do after I move is put out the third edition. If I can get five or ten zines done soon, I'll look for funding to put out a compendium, similar to his.

Analog "vs." Digital

noreply@blogger.com (ms. rosa) — Sat, 25 Jul 2009 00:14:00 +0000

My friend and fellow photographer, RTB, after telling him I was gonna start teaching a darkroom class asked, innocently enough: "How are you going to teach people who have only experience with digital cameras?" My exact response I don't remember but it was something akin to 'well they'll just have to accept that I find digital photography unacceptable' which was not only arrogant and defensive-sounding, but not even something I believe. Not sure why that popped outta my mouth. I don't find digital images unacceptable at all but I do find that they are a whole other animal. Not an entirely different discipline but certainly a different medium. Painting is allowed different mediums - oil, watercolor, even mixed media...And Photography is not so different...35mm, large format, medium format, polaroid manipulation...why not add digital exposure? Shouldn't art be supplemented insteada amended?

Processes: they aren't just different to me, they're downright foreign. Not estranged or divorced but, err, legally separated? I love you but I'm not in love with you.

But first: how are they similar? Lemme think. Both media are experienced visually. Both are two dimensional. When viewed on a computer screen, high res. images are pretty much indistinguishable from one another. Ditto color prints (provided that they are premium quality). Both require hardware-type-equipment that has a lens. No doubt digital camera prototypes were based on 35mm SLRs. Every new medium has to start somewhere, right? But I've never run out of memory, just film.

Experiences are real dissimilar to me. Digital: Compose, shoot, edit, adjust, compose, shoot, edit, adjust, etc. Even ad nauseum, if you ask this girl. Printing a .jpg is certainly optional. Film (documentary/street/punk) is: think, shoot, react, shoot, think, shoot, react, shoot, etc. and not necessarily in that order.

What I mean to say is that digital photography shoots its wad too soon for me...all deed and no foreplay. Which I understand totally if you're into convenience, speed, ease, and economy. True 'nuff, developing film isn't easy or interesting. What films there are left are expensive and endangered. Developing yourself takes a while and can be boring (if you're not in my kitchen playing records). But when I pull that soft, squishy, sensual negative off the reel, my heart starts beating real fast. Then, when I hold it up to the light to see if it came out I feel 1) elation just knowing that there's something there, or 2) my heart breaks when I discover I over/under exposed the damn thing. It's a private moment I don't have to share with anyone else. I need that kind of intimacy with my photography. Public (shooting), private (developing+printing+editing), public (sharing), in that order. When I shoot I'm hoping for the best while expecting the best. Faith and bravura. That's shooting with film.

xxRadioxx tonight: We've come for your children (if that's cool with you)...

noreply@blogger.com (ms. rosa) — Thu, 23 Jul 2009 20:33:00 +0000

TONIGHT! Music for brats by DJs that only a mother could love. So NYAH! if you don't like it!

KTRU 91.7FM www.ktru.org
10pm to 1am just like most of the time

Special guest during Scott's shift will be Left of the Dial writer David Ensminger, who will fill you in on all the details of the AK47 Show he organized for the 1st. And I'll be starting the set off with a rare spinning of the 70s powerpop band The Hounds, fronted by my favorite film critic Steve Simels (formerly the music critic of the magazine formerly known as Stereo Review) who provided me with the disc. Word on the street is that all the boys in the band will be listening which means we might have more than one listener (thanks, ma)!!!. Are you listening Nielsen Ratings?!?!

10pm : On Top of Young Burton all covered with cheese..
11pm : Great big gobs of greasy, grimy, gopher Butts...
Midnight : The old lady who lived in a shoe...

713-348-ktru, ya heard?

Man, hear I go yammering about Weegee again.

noreply@blogger.com (ms. rosa) — Sat, 04 Jul 2009 21:45:00 +0000

Look the man wasn't a genius in terms of IQ points, but Arthur Fellig the photographer-popularly-known-as Weegee paved the way for other low brow photographers like Diane Arbus and Nan Goldin, Cindy Sherman and Nikki Lee. Oh, and punk photography in general. And what I mean by that is he paved the way for low brow photography to be accepted by the grand poo pah of photography: art photography.

Weegee was ugly, poor, and obsessed with the blood and guts of his city. As a photojournalist, he got his hands dirty and wasn't afraid to break the sacred rules of journalism. He'd pose people and rearrange crime scenes for maximum impact. He wrote his own often lengthy captions and was even occasionally given license to write the articles that accompanied his photos in the newspapers he shot for. That was unheard of back then.

I finished up Weegee and Naked City by Lee and Meyer. Its a short book with a few plates but mostly words. The book analyzes the characters and circumstances that paved the way for his only photography book Naked City and his pioneering photo exhibit at the New York Photo League called Murder Is My Business. It's a terrific and easy read with a fresh approach to the man and his work. I was delighted to find out just how self aware he was of what he was doing. He the man himself is imbedded in his photos - sometimes literally - because he WANTED to be famous. He wanted people to know his name and made no qualms about it. A left leaning press was of course going to bring him on as an ally with his everyman appeal. He gave that movement street cred as much as he gave it a visual style. And being no dummy, he used this unique (but earned) respect to further his transparent goals of 1) fame, and 2) legitimacy among the fine art cognicenti. Frakkin' genius.

Weegee may have been opportunistic (how's that a bad thing again?) but he also took complete ownership of his photographs, and I'm not talking about copyrights (who cares?). I mean the man walked the walk and talked the talk. He came from the same mean streets of NY that he shot and is a prime example of the kind of photographers I admire most: those who live their art. Photographs aren't just images - that's a cynical point of view if there ever was one. Photographers are performance artists first and foremost. Self awareness to the point of obsession - 'Look at me looking at you'. We hunt and kill what we eat. Because it's only fair.

And further to the low brow point, he mastered the use of flash like nobody's business. Flash use has always played second fiddle to natural light sources or studio light that mimics natural light. But here's the truth art photography is too precious to embrace: it's HARDER TO MASTER flash. Certainly much more difficult to master than natural diffuse light. Which is secretly why high brow art hates it's use there I said it. I'll even take it a step further and declare flash-lit black and white journalistic/punk/street photography is as American a treasure as jazz or blues or dare she say it? rock and roll.

So hail to you, Weege. You punk.

Rosewater Processing now open for business

noreply@blogger.com (ms. rosa) — Sat, 20 Jun 2009 14:37:00 +0000

Do you have a stash of black and white film sitting around in a shoebox, which you'd like to get processed and/or digitized? Rosewater Processing is now open for business and ready to take your order!

Film processing 35mm* or Holga Medium format: $5 per roll. No extra charge for push processing.

Scanning: I can digitize your film strips and burn them to cd for ~~30 cents per 35mm frame and 50 cents per medium format frame.~~ $5 per roll. I scan in at 2400dpi.

Chemicals used: For Kodak film I use HC110 or D76 and Diafine for push processing. For Ilford films I use Ilford Developer and Stop. If you don't know what any of that means, no worries, I'll be happy to counsel. *I'm sorry I don't process Tmax film.

Payment: Cash or Paypal only.

Turn around time: Weekend processing, so your film will probably be available the following Monday. If you're in a rush we can talk.

Pickup and Delivery: I have a couple of pickup spots in the Midtown and Montrose area. Mailorder is also available.

Contact me at my yahoo address which begins rosa.foto.

If you are looking for professional, museum quality processing for rare negatives, go to AZ Lab who are absolute pros. Rosewater Processing is your chance to experiment with the wonders of analog photography, at low cost, since I hand process in my kitchen sink. Erotic photography is welcome, if privacy is of tantamount concern.

To my knowledge there are only two (at most, not sure if the other is still open) black and white film labs in the city. I'm a film enthusiast and do this out of the love of the medium. In addition to darkroom instruction I received at Glassell School of Art, I'm mentored by some of this city's best. I'm proud to add to the revival of analog photography.

-Rosa Guerrero
June 20, 2009

B&W film photographer Lynn Johnson

noreply@blogger.com (ms. rosa) — Wed, 10 Jun 2009 17:18:00 +0000

I was sitting in the waiting room of Orion's tutor's office aimlessly flipping through a National Geographic, looking at all the National Geographickie photos they are renowned for, and honestly they start to get a little samey-same looking. Beautiful but single image driven. Listen, I appreciate nature photography almost as much I respect sports photography but when you lump all those images together it almost seems like one big show-off party. But that's when I saw a photo essay by Lynn Johnson about the the Zambian bush meat trade.

I'm not going to say much about that as I am under-educated in such complex histories but I'm a little richer having seen Johnson's work. Her color and black and white film photos were joltingly distinguishable from other photos in that particular National Geographic. All her photos were of people who's expressions she captured as well as her heroine Dorothea Lange (note: If you ever decide to dress up like Dorothea Lange for Halloween you're going to have to be doing alot of explaining. Just sayin'...). And I love her chaotic geometries, too - she probably uses a short lens like I do, or rather I should say I use a short lens like she does so you get lots of yummy foreground. Hey I just noticed she uses a Leica M6. Fantastic! If only I could get my hands on one...

And yes I did say "black" and "white" and "film" and "National Geographic" all in the same sentence: "...when people see black and white they understand...there are issues at hand." Aptly put.

Here's a slideshow thingy that she narrates. Check it out...

Ditchwater Records Presents...Friday 05/29

noreply@blogger.com (ms. rosa) — Sat, 23 May 2009 20:27:00 +0000

Record Release show for:
DEAD ROSES
WRONG ONES
FRIDAY MAY 29
RUDYARD'S
$8 or free*

Ditchwater Records presents Dead Roses and The Wrong Ones at Rudyards this Friday, May 29th. Dead Roses will play a split set beginning at 10:30pm and again after The Wrong Ones finish their set. The cover will be $8 which will also get you both 7" singles. *If you'd like to attend the show but you're not interested in buying $8 shitty vinyl coasters, email me on our Myspace page, and we'll gladly put you on the guest list.

Also, Ditchwater Zine #3 will be for sale.

Eric Roy on the Dead Roses single: "Both sides are "A" sides..."
Eric Roy on The Wrong Ones: "Those songs aren't just weird, they're WEEEIIIRRD!"

Mama's Day

noreply@blogger.com (ms. rosa) — Sat, 09 May 2009 20:43:00 +0000

I originally wrote this in August of 2006. Thought I would re-print it here, as a way of saying Happy Mothers Day. The photo-essay's original title was "Just Add Water":

Given my avoidance of all things "geared towards kids" it's no wonder that my idea of a fun day with my kid is one that involves long periods of time where we can laze around and shoot the breeze, undistracted by long lines, entrance fees, whirlwind itineraries, closing times, and just generally people telling us what to do and how to do it. yeah. That kinda shit cramps our style.

My kid is amazingly similar in temperament to me (and I'll describe myself by how my dad describes me): romantic and macho. now "romantic" in spanish (that would be - you got it - romantico) has another meaning other than the Hallmark Greeting Card meaning that we all know. 'Romantico' can also mean someone who is is very, very sensitive but also given to tempestuous behavior. My kid to a tee. I'm trying hard to not let him be macho but i got a little hint of it from him tonight. Again, my dad isn't referring to my machismo in the conventional chauvinist sense. Rather he calls me "macha" because when I'm in physical or emotional pain I have a tendency to grin and bear it. The mexican equivalent of stoicism, i guess.

In any case, last Saturday and Sunday and today Orion and I spent hours outside on the side driveway, under the pecan trees, barefoot and playing with the water hose. Well, playing with the hose was mostly Orion. I was mostly reading and snapping an occasional picture.

Orion was a trooper and "mowed the lawn" with his lawnmower. His lawn mower emits a little cloud of bubbles when he goes just the right speed. I devoured a Cometbus and when we were good and ready, we took off our shoes and turned on the hose.

Sounds ridiculous but it was so nice out. As long as we stayed in the shade and kept our feet wet, it was downright tolerable. Of course it helped that both days last weekend we were visited by our friend the raspa cart vendor.

Real conversation, in Spanish of course:
vendor: Does he speak Spanish?
me: A little. But he understands it very well.
vendor: Is he your grandchild?
me: no. He's my son.
vendor: Oh!
vendor, recovering: Do you have other children?
me, choosing the easy answer: No, just one.
vendor: Oh!

Ha! I could tell by his accent that my vendor is a relatively recent immigrant. His accent still had that pa-rum-pum-pum that native speakers lose after absorb the huge mixture of accents here in the states. Mexico's social norms specify that a woman of my stature (a homeowner) and social status (married) and of course age should have grandchildren (do the math. it is absolutely biologically possible.) It only follows that this traditional Mexican dude would think i would either be babysitting my grandson OR that Orion is the youngest of 10 children. He was just trying to let me save face with his follow up question. No dice, mano.

For three dollars and fifty cents we got a lime flavored raspa (for the life of me i can't remember the name of raspas in english), a quart size bag of chilled jicama, cantaloupe, and cucumber slices, and a big bag of wagon-wheel shaped potato flour fritters.

Man, there is just something about the smell of wet pavement. And saw dust. And corn masa dough that sends me hurling backwards in time to that bewildering/exhilarating place that is early childhood in Texas and Mexico.

Orion, I hope that the time we spend together going absolutely nowhere and doing absolutely nothing in particular, without any particular reason at all leaves its stamp in your memory.

I hope you meant it last Sunday when you said "Mama, this is the best day ever."

cameras used: b/w = film nikon fa silvertop, polaroid onestep, polaroid spectra, and a garage sale "panoramic" film camera that i ripped the film guard out of.

I think Adam speaks for all of us

noreply@blogger.com (ms. rosa) — Sat, 02 May 2009 06:35:00 +0000

(click on image for full effect}

Radio Interview with Weegee

noreply@blogger.com (ms. rosa) — Mon, 20 Apr 2009 03:28:00 +0000

I was poking around looking for information on Speed Graphic cameras, the camera synonymous with one of my fave photographers Weegee. Anyways, I stumbled upon this really great site dedicated to preserving sound interviews with notable Americans, among them a 1945 radio interview with Weegee just after Naked City came out (and unearthed in 2000). The site, called Sound Portrait, is pretty neat in it's scope - I like it's emphasis on the everyperson's document - Weegee is one of the few 'famous' people on there. Most, I like to hear the voices, the accents, the lingo and slang of the era. Seems like no one's got an accent anymore...

Joey's photos

noreply@blogger.com (ms. rosa) — Thu, 09 Apr 2009 21:24:00 +0000

My pal Joey is such a natural as a photographer. Such great stuff. I recently asked him to compose me a photograph and he came up with a few. Here are two of my favorites:

Joey O'Mahoney is originally from Houston, Texas, is based in New Orleans and travels constantly on his trusty skateboard. He is self-taught.

Films Photographers Would Love Part 2: LOVERS AND LOLLIPOPS

noreply@blogger.com (ms. rosa) — Thu, 09 Apr 2009 03:47:00 +0000

I'm so happy I ran across this film tonight on TCM. I was hooked by the ambiance of this film immediately. "Lovers and Lollipops" is a black and white American film made in 1955, which is remarkable in and of itself if you're familiar with New Wave film chronology. I like the film's documentary style and use of natural actors. The plot is, in a nutshell, the adventures of a 7 year old child who doesn't like her mother's new boyfriend. That's basically it ~ 90 minutes of a bratty kid and a courting couple. Beyond the "look" of the film, I love that no less than three different cameras are featured in the film, one of which is the little girl's Brownie camera that she totes around with her snapping pictures without missing a beat.

BUT WAIT THERE'S MORE TO THIS STORY!! Little wonder that this film is made by a married photographer couple: Morris Engel and Ruth Orkin. You'll recognize a few of Orkin's photographs I can assure you. In any case here's a litte bit about them I nabbed from the TCM website.

The filmography of Morris Engel is short – three films in half a dozen years – and that of Ruth Orkin is shorter still, since she collaborated with Engel on only the first two of those movies. Yet the husband-and-wife team made a lasting impact on international cinema with their brief excursion into feature filmmaking during the 1950s. At a time when the major Hollywood studios still dominated most aspects of American production, Engel and Orkin were pioneers of independent filmmaking who made up in energy and creativity what they lacked in substantial budgets and fancy techniques. Lovers and Lollipops (1956) is an excellent example of their distinctive style....

As the eye-catching images of their films testify, Engel and Orkin started out as photographers. Engel studied at the left-wing Photo League cooperative in the 1920s, covered the start of the Normandy invasion in 1944 as a combat photographer, and then became a photojournalist, working for such major magazines as McCall’s and Collier’s. Orkin went to work for MGM in 1942, hoping to become a director, but quit when she realized the obstacles facing a woman in the male-controlled film industry. Turning to photojournalism, she contributed to Life, Look, and other top-flight publications; when cancer cut back her mobility in the late 1950s she stayed active but changed her strategy, taking some of the most highly regarded photos of her career from her apartment windows. She and Engel married while working on their first film, Little Fugitive (1953), and remained so until her death in 1985. Engel went back to commercial photography when Orkin’s illness struck, but continued to dabble in film and video until his death in 2005.

I'm a bad man - I shook up the world!

noreply@blogger.com (ms. rosa) — Thu, 26 Mar 2009 05:47:00 +0000

I keep meaning to write about films that photographers would love - either because they focus on photographers, they feature footage of cameras, or otherwise celebrate film. So let's make this Exhibit A:

In this case, I'm spotlighting "AKA Cassius Clay" which bathes most of its stock footage in an amber filter, giving the film as a whole a uniform glow. Lovers of boxing and film should definitely add this to their Netflix list. I'm both, and lucky for me it was featured this month on "On Demand For Free" on the old cable box...

The Born Liars and Pat Todd and the Rank Outsiders

noreply@blogger.com (ms. rosa) — Thu, 19 Mar 2009 05:01:00 +0000

One of my fave punk bands EV are playing Friday night at Rudyards with lord-save-me punk legend Pat Todd. I can't make it thankyouramonmedinaatsxsw but you should.

Lincoln is the tall dude, in the back...

noreply@blogger.com (ms. rosa) — Tue, 10 Mar 2009 15:02:00 +0000

This is an article about a recently discovered photo of Abraham Lincoln. It's remarkable for a number of reasons not the least of which is that there are only 130 photographs of Lincoln known to exist. The article came out in this morning's wire. I'm adding this book, cited in the article, to my "want" list: "Lincoln in Photographs: An Album of Every Known Pose," by Charles Hamilton and Lloyd Ostendorf. [Aside: I LOVE books about process, the more detail laden the better and this is also a note to myself to post about the Weegee essay book I'm reading...]

My favorite part of the article is this quote by Keya Morgan, photographer and Lincoln geek: "Not knowing who the photographer is is like not knowing who your mother or father is". The photographer of this now famous photograph was named Henry F. Warren, we know because his seal was on the back.

I'm not sure about you but if my photographs leave the house I write my name on the back and put the word "proof" to lay witness to the fact that it's not meant to be the best print I could possibly make. You just never know, you know?

Live from SugarHill Studios

noreply@blogger.com (ms. rosa) — Tue, 03 Mar 2009 03:08:00 +0000

My friends Gina and Dan from SugarHill Studios were kind enough to ask that I be the permanent interviewer/announcer for their flegdling pod/videocast called Live From SugarHill. It happens live (naturally) the first Thursday of the month at 7pm Texas time. You can join the stream at www.ecslive.com - or -if you're really a glutton for punishment, you can view the video on Vimeo at http://vimeo.com/2732034 OR you can subscribe to the podcast on iTunes. Or you can punch in http://www.sugarhillstudios.com/ for all these details and more.

Tune in and watch catch my face-for-radio look as I interview artists I've mostly never heard of and try my best to sound like I know what a microphone is. Think an impish Terry Gross crossed with a daffier-still Martha Quinn and then you'll go "OOOOOhh...right, gotcha..."

Here's the press release muh-jig:

" SugarHill Recording Studios invites you into its legendary Studio A with it's newest radio venture, Live from SugarHill. This program uses web technologies that allow the audience to interact with the show while in progress. The show features live musical performances in the format of a normal recording session in Studio A. The hour-long program includes a short set by two guests and candid interviews with Rosa Guerrero (KTRU's Mutant Hardcore show) and award-winning producer Dan Workman. This 'within the scenes' context is what sets the show apart from other shows that have originated from recording studios. Our special guest and audience of one is Lou Congelio from Only in Houston and STANANDLOU.

Live from SugarHill, Episode III airs on March 5, 2009 at 7p.m. CST. This month's show features performances by Jennifer Grassman and MacAdams. Grassman is a classically-inspired, celtic, goth, singer/songwriter. Her unique style defies description. Jennifer will be performing tracks from her popular "At the Back of the North Wind" and her soon-to-be-released "Serpent Tales and Nightingales."

Prog rock power trio MacAdams will also rock the house with selections from their recently released CD and some new songs from an upcoming project.

The partnership between Zenfilm, Xprescom and SugarHill Recording Studios launched its first episode on December. Since it's inaugural broadcast it's received over 1,000 unique views and downloads.

The show is free and participants are invited to register online at http://www.ecsLIVE.com. It is also available for free download on the Live from SugarHill Vimeo channel here on March 7, or you can subscribe to the free video podcast on iTunes here.

WHAT: Live From SugarHill Episode III featuring Jennifer Grassman and MacAdams

WHEN: Thursday, March 5, 2009 7p.m. to 8p.m. CST. Register online at http://www.ecsLIVE.com. "