<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3468397257777556601</atom:id><lastBuildDate>Fri, 01 Nov 2024 11:17:55 +0000</lastBuildDate><category>English</category><category>Interview</category><category>Entertaining</category><category>Powerful</category><category>Eng. 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Title</category><category>Abduction</category><category>Aliens</category><category>Animation</category><category>Archaeology</category><category>Assasiantion</category><category>B.W.D.</category><category>Banned</category><category>Channel 4</category><category>Czech</category><category>Discussion</category><category>Environment</category><category>Experiments</category><category>Finnish</category><category>Fraud</category><category>Gambling</category><category>Hebrew</category><category>Horizon</category><category>Incident</category><category>Paranormal</category><category>Polish</category><category>Portuguese</category><category>Provocative</category><category>Rare</category><category>Romanian</category><category>Ross McElwee</category><category>School</category><category>Skinhead</category><category>Study</category><category>Technology</category><category>Thai</category><category>Wiktor Grodecki</category><category>Witchcraft</category><category>Zoophilia</category><title>Documentary Reality</title><description>Documentary film is a unique form of artwork which only the true film enthusiasts understand. Here you will find many documentaries that claim exactly this.</description><link>http://documentary-reality.blogspot.com/</link><managingEditor>noreply@blogger.com (HEAVY)</managingEditor><generator>Blogger</generator><openSearch:totalResults>501</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-3832718617447128953</guid><pubDate>Thu, 06 Jun 2013 08:57:00 +0000</pubDate><atom:updated>2013-06-06T10:57:10.300+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">News</category><title>The MAJOR revamp of links on blog.</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUIouFNLtcsGb3ynxz3o0aoEb8tYA7r67ZZzj_uRc94KR5uMapsdXhVdC9zOdizPSe8nLk8zbeEO9zwqUuHHDYfUau2YYU6ZfOZa20Os8xyWDi2hYqNF8A7RO1SuEI0eN-_jlJ7OrswD0/s1600/Tool_Grey__s_Lateralus_Eye_by_KidMed.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUIouFNLtcsGb3ynxz3o0aoEb8tYA7r67ZZzj_uRc94KR5uMapsdXhVdC9zOdizPSe8nLk8zbeEO9zwqUuHHDYfUau2YYU6ZfOZa20Os8xyWDi2hYqNF8A7RO1SuEI0eN-_jlJ7OrswD0/s400/Tool_Grey__s_Lateralus_Eye_by_KidMed.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
So after some while I am back and I have decided to do a MAJOR revamp of all the docs. Of course I&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
am talking about the links. I have received a large quantity of comments and emails concerning this and&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
as of next week I will do my best to revive as much as I can.&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
I still have to see which file hosting service I will use (probably Hotfile or Mediafire) as my Rapidshare&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
account has been suspended and thus all the links dead with it. I will go through some re-link service such&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
as Adf.ly in order to avoid direct connection to my blog as it maybe blacklisted or something.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
Please post which docs you want me first to re-upload and I will see &#39;ya soon.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
Cheers&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Heavy&lt;/div&gt;
&lt;/div&gt;
</description><link>http://documentary-reality.blogspot.com/2013/06/the-major-revamp-of-links-on-blog.html</link><author>noreply@blogger.com (HEAVY)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUIouFNLtcsGb3ynxz3o0aoEb8tYA7r67ZZzj_uRc94KR5uMapsdXhVdC9zOdizPSe8nLk8zbeEO9zwqUuHHDYfUau2YYU6ZfOZa20Os8xyWDi2hYqNF8A7RO1SuEI0eN-_jlJ7OrswD0/s72-c/Tool_Grey__s_Lateralus_Eye_by_KidMed.jpg" height="72" width="72"/><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-5622132047861614429</guid><pubDate>Sat, 18 May 2013 14:51:00 +0000</pubDate><atom:updated>2013-05-18T16:51:59.177+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Disaster</category><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">Japanese</category><title>The Tsunami and the Cherry Blossom (2011)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa34.casimages.com/img/2013/05/18/13051803331371908.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa34.casimages.com/img/2013/05/18/13051803331371908.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Lucy Walker&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt2028578/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Survivors in the areas hardest hit by Japan&#39;s recent tsunami find the courage to revive and rebuild as cherry blossom season begins.&lt;br /&gt;
&lt;br /&gt;
&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/2d1a1ded1f&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/2d1a1ded1f&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/05/the-tsunami-and-cherry-blossom-2011.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-8266751583826884341</guid><pubDate>Sun, 12 May 2013 20:05:00 +0000</pubDate><atom:updated>2013-05-12T22:05:26.713+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><title>Only the Young (2012)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa33.casimages.com/img/2013/05/12/130512100425860221.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa33.casimages.com/img/2013/05/12/130512100425860221.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Elizabeth Mims, Jason Tippet &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt2085888/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Filmmakers Jason Tippet and Elizabeth Mims profile three gently rebellious teens from a depressed So Cal desert town where life seems to have come to a standstill. Kevin and Garrison are two friends who live to skate. They dream of building a half-pipe where the local kids can escape the prying eyes of their parents, but remain heavily involved in a youth-oriented skateboarding group sponsored by their local church. As Kevin and Garrison both develop an adolescent crush on their mutual friend Skye, all three contend with unexpected developments that could lead them down separate paths, and out of their dead-end existence.&lt;br /&gt;
&lt;br /&gt;
&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/2cf8d38235&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/2cf8d38235&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/05/only-young-2012.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-4785817232633699548</guid><pubDate>Wed, 24 Apr 2013 06:34:00 +0000</pubDate><atom:updated>2013-04-25T22:06:33.542+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Immigration</category><title>Well-Founded Fear (2000)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa34.casimages.com/img/2013/04/24/13042407461680539.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa34.casimages.com/img/2013/04/24/13042407461680539.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Michael Camerini, Shari Robertson&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0241051/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Originally shown as part of the &quot;POV&quot; series on PBS, &lt;i&gt;Well-Founded Fear&lt;/i&gt; examines the United States&#39; system for granting political asylum and the refugees caught within it. Following several pending cases at the U.S. Immigration Office, Camarinie and Robertson give a behind-the-scenes view of how immigration lawyers determine who will receive political asylum. What the documentary reveals is a system fraught with contradictions and impossibilities. Faced with the unenviable task of separating truth from fiction in their applicant&#39;s stories, the officials fall back on guesswork and suspicion. On the other side, viewers see the debilitating fear of the applicants, afraid that a simple slip of the tongue will condemn them to deportation. Slowly the immigrants realize that their asylum is based less on proving a &quot;well-founded fear of persecution&quot; and more on blind luck. One asylum seeker justly calls it &quot;asylum-officer roulette.&quot; There are no easy answers here but there is an unflinching look at democratic principles at work, for better or worse.&lt;br /&gt;
&lt;br /&gt;
&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/d715af2f0e&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/d715af2f0e&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/04/well-founded-fear-2001.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-4132127032598459843</guid><pubDate>Fri, 12 Apr 2013 17:36:00 +0000</pubDate><atom:updated>2013-04-12T19:36:47.287+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><title>Planet of Snail (2011)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNjFmgIOQOlqkd_fhBNplkJqEn5u7y4iYoZO9MYfm3mFjBTtFDh2lT-AemkzOlO5m72rne-s0OvhnK2d3Zmg10Bso9hR15j_sVOBrpP7wxEqRyfK_55PjVq9FHdqmmqwNqNXs-8HflAU/s1600/planet+of+snail.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNjFmgIOQOlqkd_fhBNplkJqEn5u7y4iYoZO9MYfm3mFjBTtFDh2lT-AemkzOlO5m72rne-s0OvhnK2d3Zmg10Bso9hR15j_sVOBrpP7wxEqRyfK_55PjVq9FHdqmmqwNqNXs-8HflAU/s1600/planet+of+snail.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Yi Seung-jun&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt2057455/&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;
&lt;/a&gt; &lt;a href=&quot;http://www.imdb.com/title/tt2057455/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Filmmaker Yi Seung-Jun invites viewers into the lives of a remarkable couple whose extraordinary relationship hinges on all of their senses. Robbed of his vision and hearing, Young-Chan experiences the world in a different way than most, and uses his poetry to express his unique outlook on life. Meanwhile, his wife Soon-Ho contends with a major spinal disability. Young-Chan and Soon-Ho communicate through finger Braille, an innovative form of communicative touch. As the devoted couple&#39;s relationship deepens, we experience the world through their unique perspective, and discover just how rich their world truly is.&lt;br /&gt;
&lt;br /&gt;
&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/4c8249aa74&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/4c8249aa74&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/04/planet-of-snail-2011.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNjFmgIOQOlqkd_fhBNplkJqEn5u7y4iYoZO9MYfm3mFjBTtFDh2lT-AemkzOlO5m72rne-s0OvhnK2d3Zmg10Bso9hR15j_sVOBrpP7wxEqRyfK_55PjVq9FHdqmmqwNqNXs-8HflAU/s72-c/planet+of+snail.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-673251524310937180</guid><pubDate>Tue, 12 Mar 2013 10:59:00 +0000</pubDate><atom:updated>2013-03-12T11:59:56.984+01:00</atom:updated><title>The Beatles In Hamburg</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://i48.tinypic.com/347fj11.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;210&quot; src=&quot;http://i48.tinypic.com/347fj11.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
So I got an email from people involved in this project and to be honest I am quite eager to see what will come of it. I can imagine there are a lot of fans of Beatles in here so this is for you.&lt;br /&gt;
&lt;br /&gt;
&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;iframe allowfullscreen=&#39;allowfullscreen&#39; webkitallowfullscreen=&#39;webkitallowfullscreen&#39; mozallowfullscreen=&#39;mozallowfullscreen&#39; width=&#39;320&#39; height=&#39;266&#39; src=&#39;https://www.youtube.com/embed/smt8GgREW9o?feature=player_embedded&#39; frameborder=&#39;0&#39;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;http://www.indiegogo.com/projects/the-beatles-young-and-reckless-in-hamburg-documentary&quot;&gt;More info&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
&lt;span class=&quot;s1&quot;&gt;We plan to make a documentary film over the next year, following the early stages of&amp;nbsp;&lt;strong&gt;The Beatles&lt;/strong&gt;&amp;nbsp;career spent in&amp;nbsp;&lt;strong&gt;Hamburg&lt;/strong&gt;, 1960-1962, these were the formative years of The Beatles, and are poorly documented so far.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
&lt;span class=&quot;s1&quot;&gt;As well as The Beatles, our Documentary will also be following various other bands, all part of&amp;nbsp;the Hamburg scene revolving around The Beatles in&amp;nbsp;the early 60s (some say this was the birth place of European Rock n Roll).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
&lt;span class=&quot;s1&quot;&gt;The film will also portray the true work ethic of musicians, and how The Beatles really did put in the time and effort in Hamburg to achieve their lasting world fame. As well as being rich in content, it is also a top priority of ours to produce a film which is&amp;nbsp;&lt;em&gt;accurate&lt;/em&gt;, one which represents the Rock n Roll scene of Hamburg with faithful authenticity.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
&lt;span class=&quot;s1&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
&lt;span class=&quot;s1&quot;&gt;For the past 6 months we have been recruiting Beatles experts from across the globe to assist us in this, and of course s&lt;/span&gt;uch a project could not come about without support from the vast Beatles community out there.&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
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&lt;div class=&quot;p1&quot; style=&quot;background-color: white; color: #222222; font-family: sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;
We’ve been gathering stories and experiences from Beatles fans/experts, compiling this archive of Hamburg Beatles info and, slowly but surely, separating fact from fiction. The response we’ve had has been extremely positive and exciting so far, but now we’re planning on taking this project to the next level,&amp;nbsp;&lt;strong&gt;and we need your help&lt;/strong&gt;.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
</description><link>http://documentary-reality.blogspot.com/2013/03/the-beatles-in-hamburg.html</link><author>noreply@blogger.com (HEAVY)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://i48.tinypic.com/347fj11_th.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-5530383856043663248</guid><pubDate>Sat, 26 Jan 2013 17:02:00 +0000</pubDate><atom:updated>2013-01-26T18:05:27.221+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">Spanish</category><title>In the Pit (2006)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa32.casimages.com/img/2013/01/26/130126055547947076.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa32.casimages.com/img/2013/01/26/130126055547947076.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Juan Carlos Rulfo&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0492464/&quot; target=&quot;_blank&quot;&gt;IMDB&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
The hardships of a Mexico City construction crew struggling to complete a second deck atop the massive Periférico Freeway are explored in director Juan Carlos Rulfo&#39;s studied look at the modern work ethic. As countless drivers zoom past the enormous worksite day after day, the anonymous workers toil away in a relentless drive to finish construction on the massive freeway addition by the scheduled completion date of December 2005. Despite the long hours and sometimes harsh working conditions, workers such as &quot;Shorty&quot; and &quot;EL Grande&quot; look past the sub-standard safety conditions to focus on the task at hand. Though both men know that when the project is finally completed they will likely receive little to no recognition for their monumental feat, the differing attitudes that they take towards their jobs offers a compelling look at the divisive opinions that many Mexicans hold in regards to both themselves and their country.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/028e50131c&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/028e50131c&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/01/in-pit-2006_26.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-3670630541232776625</guid><pubDate>Sun, 20 Jan 2013 20:35:00 +0000</pubDate><atom:updated>2013-01-21T00:00:15.046+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Biography</category><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Genocide</category><category domain="http://www.blogger.com/atom/ns#">Religion</category><title>The Redemption of General Butt Naked (2011) </title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh44py-aVLyQQsEAWbq0p1gn1mZBJIONZiMdGENVD1g1TWXUEJ7guvC_Xn7iyBLACSYri8vex_wzs0sunhOix3HY6N0s_cVhbSZw4rnocbz5qqze79qQH4emXYbZMWD8heNBh-H3cygBuM/s1600/The+Redemption+of+General+Butt+Naked+%282011%29+480.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh44py-aVLyQQsEAWbq0p1gn1mZBJIONZiMdGENVD1g1TWXUEJ7guvC_Xn7iyBLACSYri8vex_wzs0sunhOix3HY6N0s_cVhbSZw4rnocbz5qqze79qQH4emXYbZMWD8heNBh-H3cygBuM/s1600/The+Redemption+of+General+Butt+Naked+%282011%29+480.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Daniele Anastasion, Eric Strauss&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt1733679/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Between 1989 and 2003, the African nation of Liberia was caught up in civil war, and one of the most feared insurgent leaders during the war was Joshua Milton Blahyi. A tribal priest in his younger days, Blahyi became a warlord known as &quot;General Butt Naked&quot; for his habit of going into battle nude except for boots and a rifle or sword, convinced his naked body would give him a cloak of invincibility while striking fear into his enemies. Leading an army largely consisting of kidnapped child soldiers, Blahyi claims to have be responsible for the death of 20,000 men, women and children, and says he practiced devil worship and committed human and animal sacrifices before taking the battlefield. With Liberia still struggling with the scars of war, Blahyi has renounced his violent past and returned to the pulpit, preaching the word of God and attempting to atone for his monstrous deeds. But while some support Blahyi&#39;s new crusade, others question the sincerity of his new guise as a man of peace. Filmmaker Eric Strauss studies the past and present of a man of tremendous contrasts in the documentary &lt;i&gt;The Redemption of General Butt Naked&lt;/i&gt;, which was an official selection at the 2011 Sundance Film Festival.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/ccb12926a2&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/ccb12926a2&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;PDTV Rip.&lt;/i&gt;</description><link>http://documentary-reality.blogspot.com/2013/01/the-redemption-of-general-butt-naked.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh44py-aVLyQQsEAWbq0p1gn1mZBJIONZiMdGENVD1g1TWXUEJ7guvC_Xn7iyBLACSYri8vex_wzs0sunhOix3HY6N0s_cVhbSZw4rnocbz5qqze79qQH4emXYbZMWD8heNBh-H3cygBuM/s72-c/The+Redemption+of+General+Butt+Naked+%282011%29+480.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-4021868472856367514</guid><pubDate>Fri, 11 Jan 2013 02:06:00 +0000</pubDate><atom:updated>2013-01-20T21:41:41.550+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">Japanese</category><category domain="http://www.blogger.com/atom/ns#">Prostitution</category><title>The Great Happiness Space: Tale of an Osaka Love Thief (2006)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa29.casimages.com/img/2013/01/11/13011103022476219.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2013/01/11/13011103022476219.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Jake Clennell&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0493420/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
With his nonfiction film &lt;i&gt;The Great Happiness Space: Tale of an Osaka Love Thief&lt;/i&gt;, neophyte documentarist Jake Clennell probes the contemporary phenomenon of Japanese &quot;host bars&quot; - or upper-crust clubs where wealthy female clients buy the affections of handsome, twentysomething male escorts. As an illustration of this concept, Clennell devotes the entire running time of the film to an exploration of Café Rakkyo, the most lucrative such club in Osaka Japan. The visit yields dispiriting glimpses of self-perpetuated delusions - such as the female client who insists that she can keep spending increasingly exorbitant amounts of money until she &quot;buys&quot; the lifelong love of her favorite host, and the male entertainers who succeed at their job by forcing themselves to take full advantage of a woman&#39;s innocence, gullibility and naïveté. Clennell also underscores, with great poignancy, the extreme emotional turmoil taken by this profession on both employees and patrons. Clennell&#39;s greatest observed irony is simply the fact that most of the women are, themselves, prostitutes. In the grand tradition of cinema direct Clennell relegates himself to pure observation, carefully refraining from intrusive value judgements or intervention of any kind, and allowing viewers to draw their own conclusions about the participants&#39; onscreen lifestyles.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
&lt;a href=&quot;https://safelinking.net/p/e05ba74287&quot; target=&quot;_blank&quot;&gt;https://safelinking.net/p/e05ba74287&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2013/01/the-great-happiness-space-tale-of-osaka.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-7221221365262749385</guid><pubDate>Tue, 18 Dec 2012 05:29:00 +0000</pubDate><atom:updated>2013-01-01T19:08:45.657+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><title>The Corporation (2003)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa32.casimages.com/img/2012/12/13/121213100831669407.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa32.casimages.com/img/2012/12/13/121213100831669407.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Jennifer Abbott, Mark Achbar&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0379225/%20&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
In the mid-1800s, corporations began to be recognized as individuals by U.S. courts, granting them unprecedented rights. The Corporation, a documentary by filmmakers Mark Achbar and Jennifer Abbott and author Joel Bakan, delves into that legal standard, essentially asking: if corporations were people, what kind of people would they be? Applying psychiatric principles and FBI forensic techniques, and through a series of case studies, the film determines that this entity, the corporation, which has an increasing power over the day-to-day existence of nearly every living creature on earth, would be a psychopath. The case studies include a story about how two reporters were fired from Fox News for refusing to soft-pedal a story about the dangers of a Monsanto product given to dairy cows, and another about Bolivian workers who banded together to defend their rights to their own water supply. The pervasiveness of corporate influence on our lives is explored through an examination of efforts to influence behavior, including that of children. The filmmakers interview leftist figures like Michael Moore, Howard Zinn, Naomi Klein, and Noam Chomsky, and give representatives from companies Burson Marsteller, Disney, Pfizer, and Initiative Media a chance to relay their own points-of-view. &lt;i&gt;The Corporation&lt;/i&gt; won the Best Documentary World Cinema Audience Award at the 2004 Sundance Film Festival.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/d58b329dd3&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/12/the-corporation-2003.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-4016252566016562242</guid><pubDate>Thu, 15 Nov 2012 18:01:00 +0000</pubDate><atom:updated>2012-11-21T05:29:51.219+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Activist</category><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Environment</category><title>If a Tree Falls (2011)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa32.casimages.com/img/2012/11/15/121115052927790217.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa32.casimages.com/img/2012/11/15/121115052927790217.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Marshall Curry, Sam Cullman&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt1787725/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Filmmaker Marshall Curry explores the inner workings of the Earth Liberation Front, a revolutionary movement devoted to crippling facilities involved in deforestation, while simultaneously offering a profile of Oregon ELF member Daniel McGowan, who was brought up on terrorism charges for his involvement with the radical group.&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/45fa0b4ec4&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/11/if-tree-falls-2011.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-262908814385146</guid><pubDate>Thu, 15 Nov 2012 15:24:00 +0000</pubDate><atom:updated>2012-11-15T19:02:31.133+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Disaster</category><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Poverty</category><title>Dətropia (2012)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa31.casimages.com/img/2012/11/15/121115041748977097.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa31.casimages.com/img/2012/11/15/121115041748977097.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Həidi Ewing, Rachəl Grady&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;http://www.imdb.com/title/tt2125490/&quot; target=&quot;_blank&quot;&gt;IMDB&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
In 1930, Dətroit was the fastest growing city in the world as the booming auto industry made it one of America&#39;s key manufacturing centers and people flocked to Michigan looking for steady jobs and a chance to live out the American dream. In the 21st Century, as American car makers struggle to compete and production has moved either overseas or to &quot;right to work&quot; states, unemployment in Detroit has been estimated at close to 50 percent, while the city&#39;s population has shrunk from 1.8 million in 1950 to less than 714,000 in 2010. Filmmakers Həidi Ewing and Rachəl Grady present a look at life in contemporary Detroit in the documentary &lt;i&gt;Dətropia&lt;/i&gt;, which focuses on the people who are struggling to keep a great American city alive in the wake of serious economic and political woes. &lt;i&gt;Dətropia&lt;/i&gt; also offers troubling facts on the circumstances that led to Detroit&#39;s economic collapse, and how the city&#39;s problems may be coming to a town near you. &lt;i&gt;Dətropia&lt;/i&gt; was an official selection at the 2012 Sundance Film Festival, where it received honors for best documentary editing.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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https://safelinking.net/p/03b3798a58&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/11/dtropia.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-3596506917089654444</guid><pubDate>Wed, 26 Sep 2012 03:46:00 +0000</pubDate><atom:updated>2012-09-26T05:46:34.413+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Israel</category><title>Another Road Home (2004)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa29.casimages.com/img/2012/09/26/120926055628186649.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2012/09/26/120926055628186649.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Danae Elon&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0457277/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
In 1967, not long after the Israeli Six Day War, noted author Amos Elon had moved into a new home in West Jerusalem, and he and his wife decided to hire someone to help watch over their one-year-old daughter, Danae. Mahmoud \&quot;Musa\&quot; Obeidallah, a Palestinian, applied for the job and got it, and so in the midst of bitter conflict, Danae grew up being taken care of and tutored by a man who was supposed to be a political rival of her family. In her early twenties, Danae lost contact with Musa, but recalled hearing that his children had relocated to New Jersey so they would be able to avoid the violence that had overrun his homeland. Years later, after the terrorist attacks of September 11, 2001, Danae saw a news report stating that Patterson, NJ, was believed to have been home to an enclave of Arab terrorists, and Danae became both curious and concerned about the fate of Musa and his family. She decided to find Musa, and made a film about her search; &lt;i&gt;Another Road Home&lt;/i&gt; was the result, and explores the odd contradictions of their relationship, as well as the deep affection that still exists between Danae and Musa.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
http://safelinking.net/p/6badb82651&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/09/another-road-home-2004.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-2072254245199775612</guid><pubDate>Tue, 11 Sep 2012 20:59:00 +0000</pubDate><atom:updated>2012-09-13T19:13:17.880+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Corruption</category><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><title>Power Trip (2003)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/09/11/12091111165539663.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/09/11/12091111165539663.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Paul Devlin&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0358647/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
In 1999, the major American utility company AES Corporation spent over 30 million dollars to purchase the former Soviet Republic of Georgia&#39;s electrical distributing company, Telasi, in a bid to expand the American company&#39;s international market share. In his 2003 documentary entitled &lt;i&gt;Power Trip&lt;/i&gt;, filmmaker Paul Devlin examined the actions of the Georgian citizenry and governmental officials, as well as those taken by the AES management team. What looked good on paper turned into a series of major business setbacks, as the Republic of Georgia had been beset with constant domestic turmoil since the collapse of the U.S.S.R. Quite nearly from the beginning of the Telasi buy-out, the AES upper management team was presented with numerous seemingly unpredictable and insurmountable obstacles which included the extremely low incomes of the vast majority of the population and pervasive governmental corruption. As the American company struggled to single-handedly update a nearly Third World economy, the Georgian populace was merely struggling to exist. &lt;i&gt;Power Trip&lt;/i&gt; was a included in the program for the 2003 Berlin International Film Festival.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
http://safelinking.net/p/77d2608b14&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/09/power-trip-2003.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-231558974474695644</guid><pubDate>Tue, 28 Aug 2012 00:35:00 +0000</pubDate><atom:updated>2012-08-28T02:35:00.555+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Holocaust</category><title>Secret Lives: Hidden Children and Their Rescuers During WWII (2002)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa29.casimages.com/img/2012/08/28/120828024454880181.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2012/08/28/120828024454880181.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Aviva Slesin&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0356014/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
As an infant at the dawn of World War II, director Aviva Slesin was handed off by her Jewish parents to a Lithuanian family, for safekeeping from the Nazis. Now, Slesin seeks out the stories of other &quot;adoptees&quot; and their families in the documentary &lt;i&gt;Secret Lives: Hidden Children &amp;amp; Their Rescuers During WWII&lt;/i&gt;. Over the course of interviews with over five dozen children who escaped the Holocaust, Slesin learns of the struggles, hardships, and love experienced by these displaced sons and daughters, and about their faint memories of their birth parents. By the same token, Slesin finds out the rationales of the families who took them in -- whether due to goodwill, loyalty, or, in some cases, economic gain -- and even examines the resentment felt by some of them toward their &quot;new&quot; brothers and sisters. Featuring a score by avant-garde composer John Zorn, &lt;i&gt;Secret Lives&lt;/i&gt; made the festival rounds in 2002, winning an award at the Hamptons Film Festival before its theatrical release in 2003.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
http://safelinking.net/p/cabca55897&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/08/secret-lives-hidden-children-and-their.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-8522663175756461737</guid><pubDate>Tue, 21 Aug 2012 18:22:00 +0000</pubDate><atom:updated>2013-03-20T00:37:03.621+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">BBC</category><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Human Behavior</category><category domain="http://www.blogger.com/atom/ns#">Political</category><title>The Trap: What Happened to Our Dream of Freedom (2007)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/08/21/120821083351511389.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/08/21/120821083351511389.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Adam Curtis&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0979263/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
The many ways in which Western notions of personal and political freedom are changing in the 21st Century are explored in this three-part documentary from writer and filmmaker Adam Curtis. Part one, titled &quot;F--k You, Buddy,&quot; explores how the widely held belief formulated by economist Friedrich von Hayek that the free market system would create a wealthier and more responsible society is giving way to John Nash&#39;s principle that individuals will almost always do what is in their own best interest, even if its at the expense of others. Part Two, &quot;The Lonely Robot,&quot; focuses on how governments often act in their own interest at the expense of their citizens, and the malaise that&#39;s a by product of growing cynicism by ordinary people towards their leaders. And the conclusion, &quot;We Will Force You To Be Free,&quot; investigates the theories of British thinker Isaiah Berlin and his twin principles of &quot;positive liberty&quot; (in which the people take direct and active control of their destiny) and &quot;negative liberty&quot; (freedom that inherited with no active effort towards any specific goal). Featuring interviews with John Nash, James Buchanan, Robert Reich, Tom Peters, Thomas Frank, Sir Anthony Jay and many others, &lt;i&gt;The Trap: What Happened To Our Dream Of Freedom&lt;/i&gt; was originally produced for British television, but later received theatrical screenings at a number of film festivals.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/04306ce983&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/08/the-trap-what-happened-to-our-dream-of.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-5174439703872411582</guid><pubDate>Wed, 15 Aug 2012 23:29:00 +0000</pubDate><atom:updated>2012-08-16T01:33:26.194+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">English</category><title>Mule Skinner Blues (2001)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://nsa30.casimages.com/img/2012/08/12/120812082442662960.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/08/12/120812082442662960.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Stephen Earnhart&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0290010/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Set in Florida&#39;s beach community, &lt;i&gt;Mule Skinner Blues&lt;/i&gt; chronicles a group of locals who crave self-expression in the midst of their Southern Gothic lifestyles. Chief among the figures is Beanie Andrew, a fifty-something former alcoholic who acts, sings, dances, writes, and lives in a trailer park outside Jacksonville and who finds work as an extra in a music video. He then presents Stephen with a series of home videos displaying his and his friends&#39; talents. Most of them are out-of-work shrimpers, such as Steve Walker, a Vietnam veteran and troubadour; Ricky Lix, an ill-tempered blues guitarist; Miss Jeannie, a country singer who also has a penchant for yodeling; and Annabelle Lea, an art school grad and costume designer who keeps her departed bulldog&#39;s dead body in a backyard freezer. After the music video shoot, Stephen returns to Florida to find the group beginning work on an ambitious horror film called &quot;Turnabout Is Fair Play,&quot; which has no completed script; still, the team tries to pull together to make the picture. The subject matter is very similar to Chris Smith&#39;s award-winning documentary &lt;i&gt;American Movie&lt;/i&gt;, which also followed a struggling group of filmmakers through their production of a very low-budget genre piece.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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https://safelinking.net/p/145b1cd0e3&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/08/mule-skinner-blues-2001.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-6023538364328459309</guid><pubDate>Sat, 11 Aug 2012 22:39:00 +0000</pubDate><atom:updated>2013-03-15T17:58:54.355+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Religion</category><category domain="http://www.blogger.com/atom/ns#">Way of Life</category><title>Devil&#39;s Playground (2002)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/08/12/120812124533536216.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/08/12/120812124533536216.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Lucy Walker&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0293088/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Lucy Walker directed this documentary about a little-known facet of Amish life. Although the Amish live in traditionally conservative enclaves, shunning modern conveniences and electricity while favoring a strict code of conduct and dress, they do have a moment in their lives known as &quot;rumspringa.&quot; When an Amish child turns 16, they are allowed to interact with and take part in life away from their upbringing. This film follows a handful of teenagers as they break from their past and experiment with drinking, drugs, and driving (possibly for the only time in their lives). &lt;i&gt;Devil&#39;s Playground&lt;/i&gt; was screened at the 2002 Sundance Film Festival.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/31e71b3a80&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/08/devils-playground-2002.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-8760928506102190958</guid><pubDate>Fri, 10 Aug 2012 23:42:00 +0000</pubDate><atom:updated>2013-02-26T18:13:02.982+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Homosexual</category><category domain="http://www.blogger.com/atom/ns#">Sundance Winner</category><title>Paris Is Burning (1990)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/08/11/120811015242642762.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/08/11/120811015242642762.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Jennie Livingston&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0100332/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Poignant, well-received documentary that reveals the community of New York&#39;s minority drag queens, gay black and Latino men who cross dress as women and invent the dance style of &quot;voguing,&quot; imitating the fashion poses on the covers of the magazine Vogue. As director Jennie Livingston discovers, her subjects band together into family-like &quot;houses&quot; for protection, taking the same last names and competing in drag balls where awards are given out for authenticity or &quot;realness,&quot; as well as other categories like &quot;evening wear&quot; and &quot;executive wear.&quot; Both an embracing and a refutation of the world of high fashion, the balls become the social locus of this underclass, underground society of outcasts defiantly refusing to be ignored by a world that scorns them. &lt;i&gt;Paris Is Burning&lt;/i&gt; was one of several critically acclaimed documentaries of the late 1980s and early 1990s excluded from Academy Award nominations, eventually leading to a reappraisal of the Academy&#39;s stodgy selection process.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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https://safelinking.net/p/79645dc4f0&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/08/paris-is-burning-1990.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-4447017595303055935</guid><pubDate>Tue, 31 Jul 2012 15:29:00 +0000</pubDate><atom:updated>2013-03-20T00:35:25.523+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Court</category><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Homosexual</category><category domain="http://www.blogger.com/atom/ns#">Racist</category><title>Flag Wars (2003)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/07/31/120731053736613316.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/07/31/120731053736613316.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Directors:&lt;/b&gt;&lt;br /&gt;
Linda Goode Bryant, Laura Poitras&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0359281/&quot; target=&quot;_blank&quot;&gt;IMDB&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Socio-economic status, minority rights, and housing codes all come into dramatic conflict in co-directors Linda Goode Bryant and Laura Poitras&#39; 2003 documentary &lt;i&gt;Flag War&lt;/i&gt;s. Set in a historic district in Columbus, OH, named Olde Towne East, Bryant and Poitras discover the serenity of the primarily African-American neighborhood is in jeopardy. Gay professionals are moving into the neighborhood with the intentions of buying inexpensive property, and as they improve upon their acquisitions, the new residents stand accused of using underhanded -- yet legal -- tactics in order to force the longtime residents to either refurbish their properties or move out of the district altogether. Yet the two minority groups are not as far removed from one another as it would initially appear, as certain conservative elements within the greater Columbus community seem interested in using the conflict to further their own agendas. &lt;i&gt;Flag Wars&lt;/i&gt; was a competing film at the 2003 South by Southwest Film Festival, where it was awarded the Jury Documentary Prize.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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https://safelinking.net/p/2892e28298&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/07/flag-wars-2003.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-8160167481295206422</guid><pubDate>Wed, 25 Jul 2012 04:45:00 +0000</pubDate><atom:updated>2013-04-06T20:38:33.531+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><category domain="http://www.blogger.com/atom/ns#">Music</category><category domain="http://www.blogger.com/atom/ns#">Music History</category><title>Festival Express (2003)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa29.casimages.com/img/2012/07/25/120725065630881087.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2012/07/25/120725065630881087.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Bob Smeaton&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0372279/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
In 1970, with seemingly every North American city of any size holding a rock festival after the success of Woodstock, Ken Walker and Thor Eaton, a pair of Canadian entrepreneurs and music buffs, had an idea: instead of setting up one massive show with a bunch of top-name acts, why not stage a series of them across the country? With this in mind, Walker (then only 22 years old) and Eaton (whose family owned one of Canada&#39;s most successful department store chains) signed up Janis Joplin, the Grateful Dead, the Band, Buddy Guy, the Flying Burrito Brothers, and several others and hired out a private train that would carry the musicians in high style for a string of five shows from Toronto to Calgary. The jaunt was called &quot;The Festival Express,&quot; and a camera crew tagged along to capture the shows on film, as well as the constant party that took place en route. The tour proved to be a financial bust and, as a result, the footage sat on the shelf for over thirty years until director Bob Smeaton recut the material into &lt;i&gt;Festival Express&lt;/i&gt;, which not only documents the glorious folly of the tour, but offers a hindsight look at the events from some of the surviving participants.&lt;br /&gt;
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&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/9100a79e4f&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/07/festival-express-2003.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-1808557623184108649</guid><pubDate>Sun, 22 Jul 2012 03:51:00 +0000</pubDate><atom:updated>2013-03-28T15:48:41.976+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">Government</category><title>Up the Yangtze (2007)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/07/22/120722054038946425.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/07/22/120722054038946425.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Yung Chang&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt1114277/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Director Yung Chang uses the construction of China&#39;s massive Three Gorges Dam as a springboard to better understanding the social hierarchies and changing times in his homeland in this documentary focusing on the luxury cruise ship that carries predominately Western tourists down the Yangtze River. Constructed as a symbol of modern progress in China, the Three Gorges Dam has forced millions of common people out of their ancestral homes, and will soon swallow up numerous nearby towns and villages. Despite the fact that the government has funded alterative housing for the dislocated families, however, many citizens make their way to higher ground feeling as if they have been duped by the powers that be. In order to truly understand how this affects the people, Chang focuses on telling the stories of middle-class scion Chen Bo Yu (renamed &quot;Jerry&quot; by the cruise line) and Yu Shui (who answers to the call of &quot;Cindy&quot; while on duty). As the ship sets sail, this hard-working pair do their best to familiarize themselves with Western social cues, striving to perform to the best of their abilities, and ponder the prospects of a brighter future.&lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/1fb37e71d2&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/07/up-yangtze-2007.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-7729449808274544592</guid><pubDate>Fri, 13 Jul 2012 21:26:00 +0000</pubDate><atom:updated>2013-02-15T17:10:47.773+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Biography</category><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">Japanese</category><title>Jiro Dreams of Sushi (2011)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa29.casimages.com/img/2012/07/13/120713112649460973.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2012/07/13/120713112649460973.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
David Gelb&lt;br /&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt1772925/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Jiro Ono is one of the most-respected and acclaimed sushi chefs in Japan. At the age of 85, he operates an exclusive sushi restaurant, Sukiyabashi Jiro, with a long waiting list for reservations (the restaurant has a mere ten tables and a typical meal costs $300) and a prized three-star rating from the Michelin restaurant guide. Perfecting the art of sushi has been one of Ono&#39;s obsessions since he was a young man, and filmmaker David Gelb offers a delicious look into his life and work in the documentary &lt;i&gt;Jiro Dreams of Sushi&lt;/i&gt;. In the film, Ono discusses his unhappy childhood, his early days in the restaurant game, and his techniques and philosophies about his chosen dish; he also interacts with fish dealers and his two sons, both gifted chefs who live and work in their father&#39;s shadow. &lt;i&gt;Jiro Dreams of Sushi&lt;/i&gt; was an official selection at the 2011 Tribeca Film Festival.&lt;br /&gt;
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https://safelinking.net/p/a5df96b64a&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/07/jiro-dreams-of-sushi-2011.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-5368200816525898230</guid><pubDate>Fri, 29 Jun 2012 15:11:00 +0000</pubDate><atom:updated>2013-03-28T15:47:22.863+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">English</category><title>Billy the Kid (2007)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa30.casimages.com/img/2012/06/29/120629044338915237.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa30.casimages.com/img/2012/06/29/120629044338915237.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Jennifer Venditti&lt;br /&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0971160/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Filmmaker Jennifer Venditti crafts a &lt;i&gt;cinéma vérité&lt;/i&gt;-style coming-of-age story with this portrait of a small-town teen from Maine who struggles to embrace his outsider status while still being shaped by the tragic events of his childhood. It was while casting the Carter Smith film &lt;i&gt;Bugcrush&lt;/i&gt; that Venditti first encountered the boy named Billy -- his eccentric wisdom leaving an immediate and lasting impression on the filmmaker. Later, after casting Billy in the film and preparing to craft a documentary about everyday heroes, Venditti and her crew returned to Maine to spend five days with the troubled young boy who had commanded her attention. Shunned by his classmates and categorized as a &quot;special needs&quot; student by his teachers, Billy boldly refuses to be victimized by his individuality in an environment obsessed with labels and conformity.&lt;br /&gt;
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https://safelinking.net/p/5426d9f79b&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/06/billy-kid-2007.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3468397257777556601.post-83135479736515778</guid><pubDate>Sat, 16 Jun 2012 23:09:00 +0000</pubDate><atom:updated>2013-03-28T15:48:03.419+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eng. Subtitle</category><category domain="http://www.blogger.com/atom/ns#">French</category><title>The Gleaners &amp; I (2000)</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;http://nsa29.casimages.com/img/2012/06/16/120616110133733316.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://nsa29.casimages.com/img/2012/06/16/120616110133733316.jpg&quot; width=&quot;350&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Director:&lt;/b&gt;&lt;br /&gt;
Agnès Varda&lt;br /&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0247380/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;IMDB&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;b&gt;Synopsis:&lt;/b&gt;&lt;br /&gt;
Legendary filmmaker Agnes Varda takes digital camcorder in hand and roams about the French countryside in search of &quot;gleaners.&quot; An age-old practice, as depicted in Millet&#39;s famous painting, performed traditionally by peasant women, gleaners scavenged the remains of a crop after the harvest. Varda finds their modern-day equivalent collecting rejected potatoes outside of Lyon, fallen apples in Provence, and refuse in the markets of Paris. Along the way, she talks to a man sporting yellow rubber boots who has lived on trash for ten years, a gourmet chef who gleans for his restaurant, a homeless doctorate in biology who teaches literacy courses to immigrants for free, a couple of artists who use trash in their work, and the grandson of early cinema innovator Étienne-Jules Marey. Along the way, Varda discusses heart-shaped potatoes, big trucks on the highway, the waste of consumerism, and the ravages of time. This film was screened at the 2000 Cannes and Toronto Film Festivals. &lt;br /&gt;
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&lt;b&gt;Download:&lt;/b&gt;&lt;br /&gt;
https://safelinking.net/p/9f5c8a8657&lt;br /&gt;
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&lt;b&gt;Password:&lt;/b&gt; mkvtony</description><link>http://documentary-reality.blogspot.com/2012/06/gleaners-i-2000.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item></channel></rss>