Domino Rally - the Johnny Domino mp3 blog

operation grand slam

2008-09-02T15:44:00.001+01:00

Again you find me sitting at home suffering from some dreaded lurgy or other. Ah well, at least I have another round of free downloads from eMusic with which to entertain myself.

Pussy Galore - Dick Johnson
Pussy Galore - NYC:1999

These tracks are really making me feel quite a bit better today! Rancorous, scuzzy, skronk-rock from back in the day when 'Alternative Music' actually seemed to mean something. No way would these guys end up on an advert for a mobile-phone or some lifestyle-enhancing people-carrier - complete with a special holster for yr iPod.

The only things PG could promote would be food stamps or methadone. Or they could present a TV show about ways to scavenge for food in the inner city, like a gritty, drug-soaked urban-netherworld Ray Mears.

Dick Johnson comes from an album that was originally slated to be called Make Them All Eat Sh*t Slowly. Thankfully the record label intervened and the title was changed to the much more Woolworth's-friendly Dial M for Motherf**ker.

Visit - Pussy Galore (wiki)
Buy - Pussy Galore from eMusic
Buy - Pussy Galore CDs from Amazon

new standards

2008-08-18T20:59:00.000+01:00

Being in Italy last month meant that I missed the broadcast on Radio 3 of a recent live set and interview from The Bad Plus on BBC Radio 3. I have spoken of my love for TBP on more than one occasion so I was really chuffed when a friend managed to record the broadcast and burn me a copy, which I now share with you. I've decided not to pick and choose individual tracks as the broadcast seems to build up its own head of steam. The running order is as follows:

The Bad Plus - Live at the Jazz Cafe London, June 2008 (plus interview)
(1hr, 54 MB)

[1] Dirty Blonde (Reid Anderson)
[2] Giant (Reid Anderson)
[3] Metal (Gyorgy Ligeti)
[4] And Here We Test Our Powers Of Observation (Reid Anderson)
[5] Flim (Richard D James)
[6] Have You Met Miss Jones (Rogers & Hart)
[7] Physical Cities (Reid Anderson)
plus interview

Earlier this year me and Mrs Domino finally made it over to New York - totally by chance our visit coincided with The Bad Plus' weeklong residency at the Blue Note, which is where I took the above image. It was great to go into that legendary club (smaller than you'd think) and see what is still one of my absolute favourite bands.

Even better was being in Greenwich Village the day before our visit to the Blue Note, queueing outside the Magnolia Bakery, when who should join the queue directly behind us but the mighty Dave King, mental drumming powerhouse of TBP. I'm rubbish at talking to people who I really admire but I couldn't let this past - I like to think I didn't embarrass Dave in front of his kids!

Here's a track from last year's Prog album, an interpretation of "Tom Sawyer" by Rush. Read Dave King's comments about Neil Peart here.

The Bad Plus - Tom Sawyer (Rush)

I don't have the original (whither Marc-o?) but I did find this great video. See also, Rush playing Tom Sawyer on 'Rock Band'.

Visit - The Bad Plus
Visit - Do The Math (TBP blog)
Buy - Prog

let's go fishing for the question

2008-08-12T20:20:00.001+01:00

The tape this track came from is lost to the winds of time (or to my lovely brother). Whatever, this track's for Oxbow, 'cos if he hasn't got it he will love it.

This tape was made for me by Darius, ex guitar mangler and chief-Oasis-botherer with Derby music legends Cable - we went through a phase of going 'round each others houses for tea and rifling through our respective record collections. Not very rock 'n' roll, I know, but some good tapes were made - well, I did OK out of the deal anyway.

As I say, this tape has long since left my possession but this track has stayed in my head for about 10 years, frequently popping up on my internal shuffle.

Kramer - I'm Your Fan

I've always thought this was a fantastic track and age has not withered it - f*cked-up chipmunk vocals, lazy strumming, tappy-tappy percussion, paint-the-sky solo and all.

Darius had the triple-LP box set of Kramer's The Guilt Trip - I can't remember if he had the album before Cable recorded their second album with Kramer in New York, or if it was a gift from the man himself.

Looking at his wiki page, I'm very interested to hear the results of Kramer's "Brill Building" project on John Zorn's Tzadik label.

All my mates work with Kramer, btw - not just Cable but Manchester's fabulous Night Jars, too. When do I get a go? Harumph.

Buy - The Guilt Trip and other CDs direct from Kramer
Visit - Kramer

illness as art

2008-07-29T11:54:00.001+01:00

I recently took advantage of one of eMusic's many, many introductory offers. I must have been feeling particularly nostalgic on that day as I used a lot of my allowance to mop up some tracks that I heard on compilation tapes that various friends had given me years and years ago. Most of these tapes haven't been played for a long time but the tracks that I downloaded were all ones that had stayed with me over the decades.

The tracks in this post came from a tape called 'Illness as Art', done for me in September 1989 by a friend of mine called Nicola. I can't remember how I first got talking to her but she'd recently spent a couple of years at school in America so she seemed terribly exotic to the 16 year old me.

Her tape introduced me to lots of interesting stuff including the Dandelion Adventure, whose Puppy Shrine album I bought soon after getting the tape. However, the tracks that really stayed with me betrayed her time at school in the US, consisting of what used to be called 'College Rock'.

Camper Van Beethoven - The Day That Lassie Went To The Moon

Camper Van Beethoven - Opie Rides Again/Club Med Sucks*
* if i was being true to Nicola's compilation I'd have removed 'Opie Rides Again' as this was edited off my tape.

CVB were one of those touchstones of US alternative music in the late 80s, like Violent Femmes - for example, I'd heard of 'Take The Skinheads Bowling' long before I ever heard it.

The Feelies - It's Only Life

This was the other stand-out track from this tape (via Shallyboy's music, not available on eMusic). That's a heck of a Lou Reed affectation on the vocal - the influence further underlined on the rollicking cover of "What Goes On" later on in the album. On the whole they're like a US Echo & The Bunnymen - Marc-o, if you're out there, is this the Paisley Underground?

Visit - Camper Van Beethoven
Visit - The Feelies
Buy - Popular Songs Of Great Enduring Strength And Beauty by CVB
Buy - Only Life by The Feelies (pricey import)

Image from here

drop me in for the badda-das

2008-07-25T11:36:00.000+01:00

Bad News was the spoof New Wave of British Heavy Metal band featured in the first series of The Comic Strip Presents... This metal spoof was in production at the same time as This Is Spinal Tap.

Obviously Tap has had more long-term success but Bad News put a quintessentially English-toilet-circuit spin onto the pretensions of musicians, heavy metal or otherwise. Sometimes they overdid the 'we can't play our instruments' jokes but anyone who has ever been in a band (especially one that has been in a recording studio) will wince in recognition at some of the studio dialogue here.

The lines 'drop me in for the badda-das' and 'I've never had to move my arm up and down so many times in my life' definitely passed into Johnny Domino lexicon.

Bad News - Excalibur
Bad News - Warriors Of Genghis Khan
Bad News - Hey Mr Bassman

The characters were in the main extensions of the Young Ones archetypes - Ade Edmondson's Vim Fuego had the same barely-controlled rage as Vyv (just slightly more coherent), Rik Mayall's Colin Grigson was self-important, effete and pretentious in the same way as Rick, and Nigel Planer is just as dopey being Den Dennis as he was as Neil.

It's pretty clear that the Bad News boys had been listening to the infamous, hilarious Trogg Tapes. For more band-based shenanigans see also Father Ted's A Song for Europe - "play the f**king note!"

Buy - Bad News
Visit - Bad News

yah dude!

2008-06-27T09:24:00.001+01:00

The world is a funny old place and as A Tribe Called Quest said, "things go in cycles".

I have been on at dear brother Ox for absolutely AGES to do a post about The Stupids - or lend me his vinyl of "Peruvian Vacation" so I could do one. I've finally got round to doing it. And what do I see in today's Guardian? A review of the same album's swanky new deluxe edition CD...

I have to say, I'm really chuffed that a band like Les Stupides is getting the reissue treatment. As the review says they were a strange band - perrenial Peel-faves who often popped up on the pages of Smash Hits.

And, as the kids would say, they certainly did shred... make no mistake.

The Stupids - Virgin Bombshell Fucker / It's Fun To You

This is the opening one-two punch that opens Peruvian Vacation and for me it will always be the sound of hay fever.

To explain: there is a really cold room in our parents' house where me and Ox would go to get some respite from streaming noses and sneezing during the summer holidays. Days were spent playing records and eating ice lollies, and Peruvian Vacation was one of our favourite albums to play, representing a level of energy and enthusiasm that we could never hope to acheive post-sneezing fit. Good times.

It also makes me think of my old skateboarding school friends, Batesy and Fletch - do people still wear Vision Streetwear?

Buy - Peruvian Vacation
Visit - The Stupids (myspace)
Visit - The Stupids (wiki)

knucklehead

2008-06-22T12:57:00.001+01:00

With apologies for the extended period of radio silence - I hope this will make up for it. Just right for the second day of British summer time - looking out my window at some increasingly mouldy garden furniture.

But who needs to feel down when there are footstomping party-bangers like this?

Bar-Kays - Knucklehead

Taken from "Soul Finger" which my dear brother Ox gave me for my recent birthday. Vinyl is always appreciated, and this track fair took my face off when I first played it.

Buy - Soul Finger
Visit - Bar-Kays (home page)
Visit - Bar-Kays (wiki)

gary shandling

2008-05-18T17:51:00.001+01:00

I've been thinking about posting some Butthole Surfers stuff for a while but the announcement that the (kind-of *) classic line-up is reforming for some US and European dates seems like the perfect opportunity.

(* By the way, the "kind-of" is because Paul Leary's involvement seems pretty much minimal. Wonder if Ta-Da the Shit Lady will be coming along for the ride...)

Anyhoo, the Buttholes album I've listened to the most is piouhgd. Not - admittedly - the coolest choice but for a long time this was the only album of theirs that we actually owned (who else misses tapes?).

I recently got hold of the Latino Buggerveil reissue which also includes the Widowermaker EP. We had this track on tape off an old Peel show for years and it was great to hear it again.

Butthole Surfers - The Colored F.B.I. Guy

Funnily enough, I was convinced it had a somewhat less contentious song title back then (a series of numbers, something like "1408" - any ideas?). Whatever, it just goes to show that maybe Gibby really did want to be in REM after all (from Double Live).

piouhgd has apparently been disowned by Gibby and Leary but one of the reasons I really like it is the weird way in which it has been recorded. All of the drums sound exactly like the default settings on an Alesis HR-16 drum machine - and I do mean EXACTLY, even down to the stereo positioning and the fact that, unless you change the levels, the hi-hats and cymbals are way too loud.

Did they have a complicated technological set-up that enabled King Coffey to play the sounds live? or most likely, did they programme the whole album onto a drum machine in this configuration? Whatever, it's quite odd for a band who had previously had two drummers to drop live drum sounds.

Similarly, it's an odd decision for a band so closely aligned to the 1988 Melody Maker Arsequake scene that it sounds clearly like the guitars weren't recorded going into amplifiers but were stuck directly into the mixing console - that's why the distortion is so very fuzzy and hissy. The whole album is pretty tinny sounding - whatever, a band called the Butthole Surfers were never going to be Steely Dan, were they?

Yes, there are some crappy stoner humour tracks (and possibly a few too many versions of Lonesome Bulldog) but the opening double whammy of both "Revolution"'s is still one of my favourite Buttholes moments. I've stuck both the tracks together for your improved listening pleasure. Enjoy!

Butthole Surfers - Revolution Part 1 / Revolution Part 2

If you're wondering, Gary Shandling is "just one of those people who haunt me", according to Gibby.

By way of aural demonstration of the recording style, there's an old Johnny Domino song that we recorded with the exact same sounds. It's part of The Best of the Shithouse Masters download available here. Lead guitar and distorted bass straight into the 4-track and more-or-less default settings on the HR-16 that we used on all of our "proper" recordings. It's the Scorpions/Euro-rock pastiche called Reachin' For a Reason (and that's still the most righteous guitar bit I ever played, even if it was a joke).

piouhgd was released in 1991 and - along with albums by The Jackofficers and Leary's History of Dogs - was one of the reasons that Rough Trade filed for bankruptcy in the same year. Quite the legacy!

Buy - pioughd/Widowermaker
Download - pioughd/Widowermaker from iTunes
Visit - Butthole Surfers
Buy - Michael Azerrad's Our Band Could Be Your Life - the chapter about the Buttholes is worth the price alone

i feel sorry for the elephants

2008-04-30T17:11:00.000+01:00

Being 10 years old at the time, The Young Ones TV show came about at completely the right time for me and my mates at school. So when they rose from the dead to record the first Comic Relief charity single, I couldn't have been happier.

Little did we know that this would eventually lead to The Stonk by Hale & Pace.

As Vyv says, "Completely ready when you are, Shaky!"

Cliff Richard and The Young Ones - Living Doll

Watch the video here.

The Young Ones - (All The Little Flowers Are) Happy

This is the B-side to the single, the kind of fly-on-the-wall-in-the-studio scrapping that Messrs Mayall, Planer and Edmondson would perfect with Bad News. But that, my friends will have to wait until a later time...

Visit - Comic Relief
Visit - The Young Ones
Visit - The Young Ones at the BBC
Visit - Cliff Richard

memory lane

2008-04-27T16:10:00.000+01:00

A quickie featuring some recently requested re-posts. If there's owt you want to hear again, drop us a line and we'll try to oblige. Thanks to Bokura no Poppopo~!, Katman and our old friend Anonymous for stopping by!

The Muppets - Halfway Down The Stairs

read the Original Post

Van Dyke Parks - The Eagle And Me

read the Original Post

The Ink Spots - I Don't Want To Set The World On Fire

read the Original Post

Rabbinical School Dropouts - Cosmic Tree

read the Original Post

On a similar tip, I've put together a quick MuxTape of some of my favourite DominoRally moments - have a listen!

old tige

2008-04-01T21:35:00.002+01:00

I've recently been trawling for humorous songs from the darkest corners of my collection. Obviously, if you're going to do anything at all about comedy in music, you have to feature Half Man Half Biscuit. They're kind of the blueprint for how you can do this kind of thing well and for a long time - you just need to have a bit of intelligence.

I remember an article in an old copy of Smash Hits that looked at the finances of contemporary (mid 80s) musicians and the only act to make any kind of profit was HMHB. Wish I could remember who else was featured, but I do know they all had massive major label advances up the wazoo.

Half Man Half Biscuit - Old Tige

This was from their first Peel Session and was always one of my favourite recordings of theirs. Musically it's a pretty faithful talky-song until 1.29 when Nigel obviously gets bored and drops the cheesy American accent. At the end it all dissolves into some quite chilling Muttley-esque laughs (see note at the end of this post).

Jim Reeves - Old Tige

The other week I was going through some of my late Grandad's old records when I found this, the original version of Old Tige. I still like the Half Man Half Biscuit version, but I really like the Jim Reeves version now as it shamelessly tugs at my heart strings.

The Biscuits didn't change any of the words in their version but even though I've heard them mercilessly ripping this song to shreds for years, I'm not ashamed to say that this is one of the saddest things I've ever heard - especially when the ghostly chorus cranks up in the dying seconds of the track.

If this doesn't get you, you either have a heart of stone or have never owned a dog.

Or you never had a Grandad who had a dog and who loved soppy country music.

EDIT - just doing a bit of housekeeping and noticed that Burning World recently posted pretty much the complete HMHB Peel Sessions - so go and see if they still have 'em!

Visit - Half Man Half Biscuit
Visit - Jim Reeves
Buy - Gentleman Jim - Definitive Collection (*doesn't have "Old Tige" but I can't find it anywhere. any ideas?)

fab fm

2008-03-07T11:21:00.002Z

As far as novelty records go, acts like the previously covered Barron Knights were your hardcore committed act. I mean, they weren't playing at this stuff, this was their job and what they did.

But amongst the many regular dabblers in novelty, none strikes the fear of God into right-thinking listeners more than the Radio DJ. Endlessly enamoured of the sound of their own voice, the many hours DJs have to empty their brain-pan into a microphone just aren't enough for them. So they decide to release a novelty single and the world cries itself to sleep.

Kenny Everett - Snot Rap

Kenny Everett was always my favourite comedian when I was a kid - he was just so stupid and inventive and definitely ahead of the game in the modern short-attention-span stakes. But this is pretty bad stuff.

In his defence, five years later some people were still making the mistake that rappers were tone-deaf morons who just talked over backing tracks. I'm thinking in particular of Prince's Dead On It from 1988's Black Album.

What follows is one of the darkest corners in my record collection. For Christmas 1982, my Grandmother bought me 3 singles: Our House by Madness, Musical Youth's Youth Of Today and this.

Young Steve & The Afternoon Boys - I'm Alright

Steve Wright was the mainstay of Radio 1's afternoon programming. Pop Hits, a host of wacky characters and lots of catchphrase comedy. The kind of thing to get you through an afternoon at work and lead you up to your journey home. I don't know if he came up with the masterstroke that was "Alright?" before Michael Barrymore, but as far as catchphrases go, it ain't much is it?

Steve is still on the radio, having shifted over to Radio 2 to play inappropriate tracks on Sunday Love Songs. Typical phone-in request:

"This weekend my beautiful daughter is marrying her wonderful partner and all of the family are so proud of her. Can you tell her that I love her very much and play Back To Black by Amy Winehouse? Thanks Steve, love the show."

It's also worth catching to here some truly terrifying letters from people wanting to make contact with lost loves from many years ago. I'm sure I've heard listeners aged 50 and over trying to get in touch with people they haven't seen since they were eleven. Spooky.

Damien & The Social Workers - Damien

Damien the Social Worker was one of Steve's characters. Basically he was a bit of a hippy, a bit wishy-washy and he was (to 1982 eyes) unnecessarily concerned about the environment and the crap that people put into their bodies. It's almost as though Steve was inventing Gillian McKeith.

Visit - Kenny Everett
Visit - Steve Wright fan page (with audio clips)
Buy - something good, for Christ's sake

trouble man (repost)

2008-02-08T10:27:00.000Z

This is a repost to tie in with the fact that Marvin Gaye's Here, My Dear has been reissued in an expanded set just in time for Valentine's Day - a nice bit of marketing for Marvin's "divorce album". I haven't got the expanded set yet but I will be doing asap as it's still a fascinating and soulful album from a truly tortured genius.

If any of you have been with us for a while, you'll be pleased to note that I've added an extra track to the original selection

My favourite Marvin Gaye album is also his most misunderstood, his 1978 divorce settlement release, Here, My Dear. When Marvin divorced Anna Gordy in 1976 he was so hard up that his lawyers came up with a solution whereby Anna would receive Marvin's advances for his next album and recoup the royalties until an agreed amount was reached. Marvin initially didn't want to put much effort into the album, as his ex-wife would get all the money. But he gradually became obsessed with the project, viewing it as a way to finally rid himself of Anna.

The misconception is that Here, My Dear is Marvin pouring his heart into the microphone, exemplified by the album's keystone, "When Did You Stop Loving Me, When Did I Stop Loving You". But I think the truth is more revealing, twisted and way more interesting!

Throughout most of the album, Marvin is keen to portray himself as the hard-done-by divorcee, chewed up and spat out by a wife who had been evil and unfaithful. Bear in mind this is the man who had (in 1973) performed the whole "Let's Get It On" album as a love letter to Janis Hunter, then aged 16 (one key track on that album was co-written with Anna Gordy!). By the time the divorce came through 3 years later Marvin and Janis were living together with two children.

Marvin Gaye - You Can Leave, But It's Going To Cost You

The album as a whole is an extreme example of someone telling their side of the story - they didn't have Heat in those days, I guess... But knowing that most of the accusations Marvin makes (that Anna stopped him from seeing their child, amongst other tasty tit-bits) are either made up, wildly embroidered or told from the exaggerated viewpoint of "the wronged man", far from making the album ridiculous, actually makes it a fascinating peek into... well, I guess you have to call it quintessentially male self-pity.

Marvin Gaye - Time To Get It Together

Just to add to the complicated texture of this album, this deliciously funky groove crops up early on in the album, which seems to be one of the few tracks where Marvin takes at least some responsibility for the state of his life. Chillingly as the song ends, it's as though he's predicting his early death - "racing against time, trying my best to find my way... getting in and out my clothes, fooling round with midnight ho's, but that's just how my life goes", until it ends with, "From the day you're born 'til the day you're in the ground". Cod psychologists can have a field day.

From stuff I've read, Marvin appears self-obsessed and deeply troubled. By this time, most of his money had gone up his nose (hence the bizarre divorce settlement). Marvin was perpetually plagued by performance anxiety (both public and private), which made it even harder for him to live up to his role of "lover of all ladies". He added the "e" to his surname in an effort to distance himself from his father, a sexually ambiguous cross-dressing preacher.

Marvin Gaye - Everybody Needs Love

The complex nature of his relationship with his father makes for one of the most beautiful and revealing musical moments on the whole album, during 'Everybody Needs Love'. At 40 seconds, he sings the line "And my Father, he needs love" - all the lines before this (flowers, bluebirds, babies, all god's children need love) are sung straight, almost whispered. But when he gets to his father, the harmony takes a brief detour and he hits one of his beautiful high notes - it's like he can't sing it straight because their relationship was so complicated. I don't know - maybe just a coincidence, but then there are no coincidences, right? This track also features the only example I know of an "aural wink-to-camera" at 1.40 ("... even a superstar *cymbal crash*"). Cocky bastard!

Marvin Gaye - A Funky Space Reincarnation

It's not all bitter recriminations and one-upmanship - there's even this bizarre bit of psychodrama. Here, Marvin imagines sometime in the future, getting stoned on Venus-ian drugs at a party and getting it on with someone he feels like he's met before. But it's not Janis, it's Anna. The subtext seems to be that, despite their divorce, they're destined to always be together in some way. And also (perhaps more sinisterly) Anna will always be his and that that he can have her any time that he wants her. Creepy.

This album is very strange and incredibly one-sided but in a sense it's his most honest - "Here, My Dear" is all Marvin, all his arrogance, all his pettiness and all his insecurities. And it would be nothing if it wasn't as funky as anything and a showcase for Marvin's beautiful mutli-layered vocals. Weird and utterly essential.

Buy - Here, My Dear (expanded edition)
Visit - Marvin on Wikipedia

live in trouble

2008-01-23T08:25:00.000Z

Growing up in England in the 1970s and 80s, you couldn't move for variety acts (like family-friendly singing artistes The Dooleys and funnyman Mike Yarwood) popping up on every page of your TV Times. To put this into some kind of context for the benefit of our overseas viewers, Mike Yarwood was a comedy impressionist who started all of his characters with, "Hello, I'm (insert name of person being impersonated, invariably Deputy Dawg, Frank Spencer or Bob Monkhouse)". Never a good sign.

If any younger readers want to complain about how they have it tough, I urge them to listen to these tracks by The Barron Knights. These guys were my Sex Pistols, the best that we could hope for in our Saturday afternoon TV schedule, with their stoopid versions of hit songs.

The Barron Knights - Live in Trouble Part 1
(please note this vinyl is very old, hence the jump in the middle - the missing line is "They flew right off the end / And landed in the Thames / Hand in hand")

To be fair , The BK's had chops, chucking out fairly faithful versions of such popular faves as Leo Sayer's You Make Me Feel Like Dancing, Brotherhood of Man's Angelo and Float On by The Floaters. This was a time when Irish people were thick and homosexuals were intrinsically hilarious ("What?! He doesn't like girls? The very idea!"). Also if you wanted to do an impression of (at the time, very dangerous, foul-mouthed comedian) Billy Connolly, all you had to do was put on a hyper-exaggerated Scottish accent. And shout.

The Barron Knights - Live In Trouble Part 2

This was one of the records I remember playing on repeat as a child alongside The Muppet Show Album and Regatta de Blanc by The Police. Sure, it's all very dated, but the last track (Kenny Rogers' Lucille), genuinely made me laugh out loud when I played it for the first time in years the other day. It's just what people do - re-write the words to popular songs to make your mates laugh.

The Barron Knights will be celebrating 50 years in showbiz next year.

Visit - The Barron Knights
Buy - Funny in the Head: The Best of the Barron Knights

there's more of us than them

2008-01-09T09:59:00.000Z

Happy New Year - I hope you can understand me through all of the gunk in my head from this cold which is keeping me home from work today.

Remember that Domino Rally was originally started as a blog for the band Johnny Domino (currently residing in the 'where-are-they-now' file)? Well, back in the day when we first started the band, we had a connection with a tiny French indie label, Candy Cherié. This was the days before the internet and electric light so we communicated by letter and frequent tape compilations. Laurent and Virginie's tapes left both myself and brother Ox with a long-standing love of lyrics written and sung by artists whose first language is not necessarily English.

Now don't get me wrong - we weren't laughing at the funny foreigners with their quaint pronunciation (all the time). It was more that, in a way, it was easier for them to make connections with words that shouldn't strictly go together but that sound great when sung, which is similar to what Black Francis, Captain Beefheart, Tom Waits, et al do.

This linguistic distance is why I love (amongst others) Phoenix, the recent Travelling - French Actors Crossing Borders album and this track, which arrived in the inbox of music bloggers the world over the other day.

Goodtimes Goodtimes - Sea Shanty

I love this track. Goodtimes Goodtimes is the solo project of one Franc Cinelli, an Italian raised in London, who has a really distinctive delivery which is what reminded me of those old French pop compilations.

Musically it makes me think of someone like Langhorne Slim (and what's he doing now?) especially the picked intro. Hope you like it.

Goodtimes Goodtimes play a couple of UK/London dates over the next week or so - check his MySpace for details.

Almost exactly a year ago I featured another submission to the Rally by The Swimmers - maybe it's something about the New Year that makes me more receptive to new music. Anyway, I'm pleased to report that The Swimmers' Fighting Trees will finally be released in March this year on Mad Dragon/Ryko. This album is one that's still in fairly regular rotation at Domino towers so I'm glad to see if get a wider release at last!

Visit - Goodtimes Goodtimes and buy Glue for a mere fiver!

yoyo zebra

2007-12-02T14:55:00.000Z

I've been listening to a lot of Neil Young recently. But any fool knows that if you don't have Decade (err... why?) and you want some Neil Young action, you should get yourself over to the peerless Aquarium Drunkard which regularly cover all things Young-ian amongst loads of other good stuff.

So I'm going to represent the letter 'y' with a cover of Neil Young's Heart of Gold by a rubbish German disco band from the 1970s.

Boney M - Heart of Gold (Neil Young cover)

Sorry.

Visit - Boney M
Buy - Night Flight to Venus

Richard Cook, co-author of the Penguin Guide to Jazz, sadly passed away earlier this year. That book (along with a stint in the jazz department at a local record shop), really led me to a lot of my favourite music ever. With Brian Morton, Cook wrote eloquently and simply. Best of all, he was nearly always right.

One artist that he led me to explore further was American polymorph John Zorn. My first exposure to his music came from the 1989 South Bank Show special about the New York music scene, featuring Zorn and Sonic Youth - I wish now we'd taped the whole programme, not just the SY section!

Over the course of hundreds of albums Zorn has covered a lot of ground so a guide like the Penguin Guide is pretty indispensable - unless you or a close friend has a completist bent and a lot of money.

The Guide rightly points to his breakthrough album The Big Gundown, featuring radical re-workings of Ennio Morricone's music, as an essential release. I think this is pretty much an extension of Zorn's earlier 'game' approach to music, where rules and signals govern the music, rather than a conventional score - for example, he gets legendary jazz harmonica player in to whistle the harmonica theme to Once Upon a Time in America. Most pieces are musical representations of the films they originally scored; in particular the theme to Once Upon a Time in the West pits two howling guitars against each other to represent the final duel. MP3 representations do these tracks no favours at all, so if you're interested, see the link below and buy it, friend!

Because of his love of hardcore (and in particular the mighty Napalm Death), Zorn formed Naked City in 1988, with Bill Frisell (guitars), Fred Frith (bass), Wayne Horvitz (keyboards), Joey Baron (drums), and occasional vocals from Yamatsuka Eye and Mike Patton.

There really isn't a huge amount you can say about this - it's ferocious and utterly visceral and your response is physical rather than intellectual. It mostly makes me nod my head with wide eyes and an open mouth. It's not all ear-bleeding stuff but mostly it's like cleaning your ears out with a switchblade. Mmm-mmm-good.

John Zorn/Naked City - Hammerhead
John Zorn/Naked City - You Will Be Shot
John Zorn/Naked City - Punk China Doll
John Zorn/Naked City - Reanimator

Another great album is the first Masada album, Alef. Masada was an attempt to create a radical new Jewish music - as Zorn said, the idea was to put "Ornette Coleman and the Jewish scales together".

I bought this after borrowing it from Ilkeston library - anyone who has any knowledge of South East Derbyshire will understand how truly bizarre this is.

John Zorn/Masada - Tzofeh

This song is so funky and really gives the lie to the idea that Zorn is just an avant-garde squawker. There are some beautiful lines and some great interplay with Dave Douglas on trumpet. Plus at 3.47 it has one of the best drum solos ever.

Visit - John Zorn / Tzadik
Buy - The Big Gundown
Buy - Naked City
Buy - Masada Alef (expensive import)

got my lucky harpoon

2007-11-01T21:42:00.000Z

Cover star: The #1 Google Image result for Italian Disco

Clubhouse - Do It Again / Billie Jean (Steely Dan / Michael Jackson)

Truly horrendous Europop, all the way back from 1983. Is this one of the very first mash-ups?

From the sleevenotes to my copy of Chart Hits 83 (K-Tel - who else?!):

A strong contender for the most ingenious single of the year. The superb meshing of two songs - the traditional Do It Again (performed here a la Steely Dan) and the monster hit Billie Jean (originally by Michael Jackson of course). Another European single, this one made in Italy, but it kept the disco floors warm all over Europe.

(Actually I'd forgotten one of the worst things about this album - the sleeve is a truly eye-f**king shade of hot pink, which completely messes with your vision. As a child, I'd purposefully read the cover then put my hand on top of it and marvel at the shade of green that it had turned...)

Anyway, why am I sharing this? Because filming has begun on Episode 11 of the mighty Yacht Rock! Praise be. I cannot wait! If you don't know what that means, (a) I envy you, and (b) go and watch all 10 previous episodes immediately.

How come the concept of a mash-up is so... five-minutes ago? This next track is one of my absolute favourites. Long-time friends of The Rally will understand immediately why I like this so much...

DJ Shadow - Six Days (Soulwax Mix)

Visit - Yacht Rock
Read - The Blog of the Ghost of Koko Goldstein
Buy - DJ Shadow The Private Repress (import)

pandemonium

2007-10-10T23:38:00.000+01:00

Well, it's been very quiet 'round these parts - work-life balance an' all that. And in our absence Radiohead have killed off the music industry. Ker-azy.

So let's party while Rome burns, dig?

Def Jef - Droppin' Rhymes on Drums
Def Jef - God Made Me Funky
The Pharcyde - Pandemonium

These tracks are the result of some recent crate digging, mostly involving digging through my brother's old stuff.

The Def Jef tracks were the source of much amusement to us back in the day. For a start, his name is DEF JEF. Then on the back of the 12" he gives a credit to his hairdresser, which passed into Johnny Domino legend as "Hair by Watusi". On going back to the source, I find that it's actually "Hair by Wasifu".

And there we were thinking his hairdresser had a silly name. Hush our collective mouths.

These hilarious observations aside, these are two pretty banging tracks. Jeffers can certainly flow and Etta James' vocals don't hurt matters. Of the two, "God Made Me Funky" probably has the edge for me - love it from 3.01 when Jeff clears his throat then censors himself ("I ain't effing around..."). Plus the playout from 3.34 will have you in serious danger of snapping yr head off.

Long-time friends of the Rally will now how much we love The Pharcyde (like so). "Pandemonium" is from the soundtrack album to Street Fighter, which Ox got from a clearout at an old McJob he had. I'd forgotten how much I loved this track, at a time when I was severely disappointed by Labcabincalifornia. Still sounds cool to these ears. And the stereo effect at 1.57 just scared the shit out of me.

Buy - Def Jef Droppin' Rhymes on Drums (vinyl)
Buy - Def Jef Just a Poet With Soul (has both tracks on it)
Buy - The Pharcyde Sold My Soul: the Remix and Rarity Collection (includes "Pandemonium")
Buy - Street Fighter OST... but I wouldn't advise it

ADVERTISEMENT FEATURE

In other news, I have to tell you that you should really, really consider getting the "All My Friends" EP by LCD Soundsystem. EMI aren't too keen on bloggers posting tracks (so I won't be) but this is the best thing I've heard in ages.

"All My Friends" wasn't my favourite track from Sounds Of Silver, but listening to the three versions here shows what a fantastic track it is. The John Cale version was always going to be interesting and not even Franz Ferdinand can hurt this song! And the LCD version of "No Love Lost" is frickin' brilliant.

I got it from iTunes (you can get it as iTunes Plus album, which means you can bang it on a CD), but you can get it on CD (minus Cale and "No Love Lost"!) here.

vase watch x-ray

2007-09-02T14:55:00.000+01:00

I'll do you a deal - a couple each for V and W cos I'm buggered if I can think of anything to post for X - thankfully my 4AD obsession never got as far as Clan Of Xymox.

Violent Femmes - Add It Up [demo]

Back in the mid-to-late 1980s we used to go to Nottingham's Selectadisc record shop at least once a week and spend hours and pounds browsing and buying music. On the wall of the shop people would pin 'band-members-wanted'-type notices. They would invariably need a bass player. And they would always have a long list of required influences which would ALWAYS include Violent Femmes.

I think they were included as a wild card, to wrongfoot people who might assume the bands in question were Blast First obsessives and Sonic Youth soundalikes (which I'm sure they invariably were).

It took me a few years to finally hear Violent Femmes but pleasingly they sounded like no-one else and their classic first album still sounds bloody great and utterly unique. OBVIOUSLY you've already got that so this is a demo version included on the recent Rhino "deluxe" version - Gano rushes the acapella intro but when the band kicks in, it'll take yr face off.

Buy - Violent Femmes (Deluxe Edition)
Visit - Violent Femmes

Velvet Underground - Foggy Notion

I know we've already featured the Velvet Underground way back when but this is for Brother Oxbow, who reminded me of this track the other week. Not the cool thing to say, but I much prefer the VU after Cale left and jobbing worker-bee Doug Yule took his place. Velvet Underground and Loaded are in much heavier rotation at Domino towers than ... & Nico and White Light (come on, don't you agree? I won't tell...)

Foggy Notion is from the sessions for the VU's missing 4th album, which all signs point to it being a bit of a belter. I love Mo Tucker's demented and precise drumming (over 6 minutes and she never lets up) and it's great to hear Sterling Morrison letting rip throughout. Plus even Lou Reed sounds like he's having fun! "I've got my calomine lotion", indeed.

Cheers for the reminder, Ox.

Buy - Peel Slowly & See
Visit - The Velvet Underground

DJ Vadim - Till Suns In Your Eye (feat Motion Man)

I can't pretend to know anything about DJ Vadim - I bought this album after hearing a track on a CD given away with Wire magazine. It made me laugh, which is a bit of a rarity for anything connected with Wire, let's face it - the usually required response is a look of intense and intelligent appreciation.

I like the stoner-pleasing voiceover and kazoo but it's the seemingly random drop-outs that make this track worthy of your further investigation. Try dancing to it.

Buy - DJ Vadim's U.S.S.R.: The Art Of Listening
Visit - DJ Vadim

Hank Williams - I Saw The Light
Hank Williams with "Little" Jimmie Dickens - The Old Country Church

I think the reason that Hank Williams' music speaks to so many people is due to his personality - it oozes out of the speakers on every one of his recordings. His voice is kind of cranky and croaky and worn - it's like he's singing down his nose with a comb and paper in the back of his throat. But if ever a voice had lived it was Hank's. And people loved him because he spoke to them about stuff that mattered.

This is another case where I find myself to drawn to the religious songs - I know the hip thing to do is to talk about Hank's women troubles and drinking ("There's a Tear in My Beer", anyone?) but as important as those were to Hank (and his audience), so was religion. There's a real passion and belief on these recordings... which makes me a little envious.

Buy - The Complete Collection
Visit - Hank Williams

M. Ward - Vincent O'Brien

Back in the day, after we'd been to Selectadisc, we'd invariably go to nearby Way Ahead which was run by Tom. Tom currently runs Derby's Reveal Records, which was the Music Awards Independent Retailer of 2005. He also heads up the accompanying record label, home to Joan As Police Woman, Poppy & The Jezebels and others.

A couple of years back, I was going through a fairly turbulent time - mourning the death of a family member, ending a relationship, selling a house, moving back into the family home and starting a new relationship with the future Mrs. Domino. It was a bit mad but everybody deals with this kind of stuff, don't they?

I found myself in Reveal one lunchtime and as was frequently the case, Tom was recommending good music to me. Actually, looking back, he practically forced me to buy M. Ward's Transfiguration of Vincent, which went on to become the soundtrack for my 30th and most important summer. I also bought at least 3 further copies to give to various people. Cheers, Tom.

This is M.Ward's best album in my opinion, a gloriously ramshackle collection of lo-fi homespun majesty and beautiful guitar playing, that was inspired by the death of a close friend. But it's one of those great albums that, despite (because of?) the subject matter, remains totally joyous and life-affirming throughout. If you haven't heard any of Matt Ward's stuff, I'd urge you to start here.

Buy - The Transfiguration of Vincent from Reveal Records
Visit - M. Ward

just don't mention the flintstones (reprise)

2007-08-14T14:56:00.000+01:00

* This is a reprise of an old post in answer to a request from fred' - cheers for stopping by. Remember, if there's anything from the archives that you want to hear again, have a scour through the pages in the right hand column and get in touch.*

Following a vinyl excavation that led to the SCARILY popular Muppets post, I delved into my B-52's back catalogue to give you some nuggets a bit further off the beaten track.

The B-52's - There's A Moon In The Sky (called the moon)

For some reason this never appears on "best-of"s, but it's one of my favourite tracks from their self-titled debut. Great title, bonkers lyrics, fantastic vocals and, as always, the brilliant scratchy guitar playing of Ricky Wilson. See also...

The B-52's - Running Around (instrumental version)

... which crops up on the b-side of the first Island pressing of the "Rock Lobster" 7-inch. It's an instrumental version of a track that would later appear on "Wild Planet", but this (unfinished?) backing track sounds better to my ears than the later version. Lord knows what guitar tuning Ricky was using (I think he only used 5 strings??) but it's SUCH a great sound - all gnarly and rusted and chunky!

The B-52's - Cake

This is from the "Mesopotamia" album, which I think gets a bad press. The album was produced by David Byrne, who brought in a lot of additional players from the Talking Heads live band of the time to fill the sound out. It's a more serious album on the whole and it features two extended groove-fests, opener "Loveland" and "Cake", which is great, despite featuring one of THE most half-arsed talkie-bits ever recorded.

If you're looking for a B-52's introduction, you could do a lot worse than Rhino's "Nude On The Moon" double CD, which features all of the "Cosmic Thing" album, bar this track, which is my favourite.

The B-52's - Topaz

Yes, the lyrics might be a bit new-age-y, but oh lord can those ladies sing. Beautiful harmonies - and if I remember rightly, that's Nile Rodgers on guitar.

SPECIAL B-52's BONUS!!
... because we love you!

The B-52's - Rock Lobster (DB Records version)
The B-52's - 52 Girls (DB Records version

These are the 8-track versions that were released as a 7-inch in 1978 by DB Records before the band got signed. Neither version will drastically change the way you feel about the widely released tracks but if you're a fan, I'm sure you'll be interested to hear these early takes if you've never been able to track down a copy yourself. Enjoy!

Visit - B-52's.com
Read - The B-52's Wikipedia entry
Buy - B-52's albums.
Buy - Nude on the Moon: the B-52's Anthology [US Import]