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A rare original dramatic offering from cable’s American Movie Channel, the weekly Mad Men TV Show was the story of a major advertising agency operating from New York’s Madison Avenue in 1960. The most successful ad executive at the Sterling Cooper Agency was handsome, indefatigable Don Draper (Jon Hamm), who was not only expert at “playing the game” while servicing accounts ranging from cigarette manufacturers to political candidates, but was also an accomplished ladies’ man, frequently and shamelessly dipping deep into the agency’s all-female secretarial pool. It was crucial for Draper to always be at the top of his professional form: there were scores of hungry young executives who were eager to topple him from his perch and become Sterling Cooper’s new top dog.

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Additionally, there are other featurettes such as production stills of the episode, behind the scene video of the finale, a trivia quiz of what happened in that last week, a Q & A session with Jon Hamm, and a forum for the show’s fans. Beside the features related to the show, there are also perks like ‘Mad Men‘ Avatar maker, which ‘Mad Men’ are you quiz and 1960s cocktail guide. All the links can be found on AMCTV.com.

“Shut the Door. Have a Seat.” saw Don closing the old door and opening a new one. He walked away from Betty and their children and started a new chapter in his career, Sterling Cooper Draper Pryce. The fourth season is not yet given any information from AMC but should it repeat the even season, then it will come around July 2010.

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Unlike many episodes of “Mad Men” in which tone dominates action, tonight’s finale was chock full of action. As such, tonight’s edition focuses less on carefully arranging the pieces and more on razing the whole elaborate construction down to the ground. And thank God Matthew Weiner realized the stale nature of the show long before its audience did: the repetitious, humorous use of “Again?” is describing the second sale of Sterling Cooper metatheatrically emphasized that the show was already going back to that well once again in order to break new ground.

The introduction of Conrad Hilton during this season’s third episode not only injected a real-life titan into the show’s narrative, but proved a useful tool in allowing Don the chance to undercut/sidestep the second sale of the company. Realizing they didn’t have the capital to actually outbid McCann-Erickson, they used Connie’s insider information to hastily construct Sterling Cooper Draper Pryce, an agency born of Don’s desire for freedom from his contract, Roger and Bert’s desire to once again matter, and Lane’s desire to be more than a fussy British stereotype. (If I could compare Lane Pryce’s reaction to getting fired to any other performance in pop culture history, it would be M-O from “Wall-E” giggling maniacally as it stepped off the guided line for the first time. Simply delightful.)

These four men realized they couldn’t actually start up a company on their own, so it was on to hire a skeletal crew to keep them together. In doing so, Don had to repair two fractured relationships. In both cases, he had to eat a heaping help of crow. In terms of Pete Campbell, he had to give the speech that Pete longed to hear from his one-time nemesis and long-time idol. Don correctly and astutely pointed out something many viewers had noticed all year: Pete’s incredibly attuned to the next big thing. His attitudes both technological and ethnic issues were outside the mainstream of both America and Sterling Cooper, but vital for a small company looking for niche markets to nimbly exploit.

As far as Peggy goes…well, let’s face it: Don deserved that verbal smackdown in his office. Taking her for granted in much the same way he’s taken Betty for granted, he sat there stunned, as she venomously spit out everything she’s been holding back all season. “Everyone thinks you do all my work. Even you,” she spews. It’s only later, when he visits her apartment, that he sways her. I’m going to lay the whole speech out for you, since it’s vital to understanding the theme of both this season and the potential groundwork for the next few.

“There are people out there who buy things. Like you and me. Then something happened. Something terrible. And the way that they saw themselves is gone. And nobody understands that. But you do. And that’s very valuable. With or without you, I’m moving on. And I don’t know if I can do it alone. Will you help me?”

Even if Matthew Weiner claims that he did not plan to deal with the JFK assassination in this season, it seems impossible now to think that he did not inject that particular historical moment at that particular time without careful consideration. In Don’s pleas to both Pete and Peggy was this implicit message: “Our time is over. Yours has begun. Help us through it.” While the senior partners might have certain business skills and important relationships, what they lack are the proper personal perspectives by which to navigate the new world they find themselves in. There’s humility as well as empathy wrapped up in Don’s admission, two qualities not usually associated with him.

It’s important to realize that Don had a choice to make in the moments after his meeting with Connie. As a consummate loner constantly surrounded by people, he could have taken the lone wolf approach towards finding a way out of Sterling Cooper’s second sale. He could have taken the approach of his father, who opted out of a farmer’s collective only to have his temple meet a horse’s hoof one stormy night. Rather than die alone, either as a faceless office drone or a divorced man, he’s chosen to fashion a type of modern-day collective that he himself will have a hand in shaping. A mixture of the old, the young, and the Joan, happily reunited with the gang as the glue that will keep the whole operation running out of the Pierre Hotel. (Don’s casual statement of, “Joan. What a good idea!” might be my favorite line ever that didn’t involve the dismembering of a limb via riding lawn mower.)

Of course, while that makeshift family has come together, his honest-to-goodness one has now disintegrated. In the weeks after Kennedy’s death, Don’s been sleeping in Grandpa Gene’s old room, with Baby Gene now sleeping in the master bedroom. Betty decides to go through with the divorce, although the options are less than appealing. (Short of adultery or sucker punching a nun, it seems pretty damn impossible to secure a divorce in New York.) She wants “whatever [she's] entitled to,” in terms of a settlement, but her attitude in her lawyer’s office comes off quite childish in relation to the reality of the situation. That room, much like Henry’s office, does not resemble a fainting couch.

But if Betty acts childish about the divorce, Don acts downright terrifying upon learning about Henry through a drunken Sterling’s slip of the tongue. It’s the type of indignation only hypocrites get to enjoy, as he mixes both righteousness and self-loathing into his drunken prodding and pushing of his wife. When asked why he cares so much about Henry, he angrily replies, “Because you’re good…and everyone else in the world is BAD.” It’s a bit of that Jackie/Marilyn debate all over again, with the virgin clashing with the whore (a word Don managed to call the mother of his three children in this conversation). But as much as he lashes out at her, he’s lashing out at himself, seeing in her relationship with Henry those with which he’s littered the streets: Midge Daniels, Rachel Menken, Bobbie Barrett, Suzanne Farrell.

But that spell gets broken when Baby Gene starts to cry, and the supposed “whore” turns back into the wronged mother of his three children. When we see Don beaming at the familial aspect of his newly formed company in the Pierre Hotel, we’re not meant to see a man content with his life. I defy anyone that’s been through a scene like the one in the Drapers’ living room to come out on the other side OK from that in the near future. (Bobby’s “Why are we in the living room?” was all the more heartbreaking for its irony as Betty ushered her children into the end of their own personal era.) But just as Don realizes his own business shortcomings in this episode, he finally comes to grips with his failures as a father and a husband.

Throughout most of the first three seasons, Don Draper has been in Sterling Cooper while simultaneously outside of it. Sans contract, he could enjoy a corner office with the illusion of freedom. On the domestic front, he could largely enjoy a nominally “good” home life while also conducting affairs on the side. In the latter half of Season 3, however, he was shackled not only by the contract enforced by Connie and Bert, but his increasing disillusion with his home life. Miss Farrell turned into the manifestation of all that he lost on the way from young Dick Whitman into increasingly old Don Draper, a model of purity of purpose that was no longer part of his life. The exposure of his past to Betty could have actually been the balm that saved their marriage, but in the world of President Lyndon B. Johnson, that was simply not an option anymore.

To put his personal life into business terms (as Don would undoubtedly do), he realizes that while he’s good with the creative side, he’s not so good with account management. In other words: he admits he’s not a people person. Bad enough when trying to sustain a multimillion dollar account, but downright deadly when trying to sustain a marriage. While Don knows he knows only certain parts of business, he recognizes that he knows nothing about how to keep his family happy. Providing for them economically has only sent his children into hysterics and his wife into a 6-week sojourn to Reno. So Don, in his much calmer call to Betty before her departure, states that he won’t fight the divorce.

But in the warm smile that follows, it seems that with Don’s fear of losing everything having come to fruition, he’s now freed from that terror’s group and emerged, for the first time in ages, free. Rather than take his father’s path, he embraced those around him at Sterling Cooper while there was still time. His conversations with those in the office were marked with everything he never said to Betty when it would have actually mattered. In confronting them with honest and more than a little humility, he salvaged at least one part of his life.

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In between showing off her engagement ring, presented by Saturday Night Live star Fred Armisen, Moss explained her character’s recent thought process:

“Is [Peggy] supposed to be a mom? Work harder? Work less? Is she supposed to sleep around? One of my favorite lines is when she says to Don, ‘What if this is my time?’”

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A former client returned to Sterling Cooper… and tried to return to Roger’s bed! She was a former flame of the partner, one that actually broke his heart. Showing incredible restraint, along with loyalty to Jane, Roger actually turned down her advances. Out of love for his wife, or bitterness toward this woman, it’s hard to say. But it was certainly a different side to the typically sarcastic Roger Sterling.

He also tried to help Joan find a job, as she called him early in the episode and said Greg was gonna need more time to study to be a psychiatrist and asked Roger for assistance with employment. After turning down his ex-lover, Roger called a friend and asked if he had an opportunity for Joan (another ex-lover, of course).

But, by the end of the episode, it looks as if Joan wouldn’t need this help, after all. Greg told his wife that he had enlisted for the army because it would let him be a surgeon. He’d do a residency in New York and then maybe get shipped off someplace, but maybe not. Greg was excited about this new plan, but Joan was as hesitant about it was any reasonable viewer. Greg joined the army on the heels of Vietnam? This won’t end well for him.

The crux of the episode, however, was all about Don and Betty. They had the talk. Betty confronted him with his shoebox and past as Dick Whitman. It was as gripping as television can get.

Don came clean, telling his wife all about his former life, even the most shameful of details, such as how his half-brother had killed himself because Don turned him away. There were no more lies, no more slick attempts at story-telling. This was Don at his most naked and honest and it resonated with Betty. She didn’t leave him. She actually seemed to finally appreciate some honesty in their lives.

By the end of the house - after Don had ended things with Miss Farrell over the phone - Betty and Don were trick or treating with their kids. They seemed like a happy family. While the symbolism of the kids being dressed like a gypsy and a hobo may have been laying it on a tad too thick, we loved the final line of the episode: a man answered the doorbell with candy in his hand, looked at Don and asked: Who are you supposed to be?

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The episode kicked off with Don lying to Betty about spending the night in the city, due to the Hilton account. Instead, he went to Ms. Farrell’s house. These two are having an intense affair, as she clearly sees herself as more than just a sex buddy.

At the office, Don seems especially happy about the relationship himself, smiling as he bites into a piece of break Ms. Farrell baked. Kinsey is less happy because Peggy sort of showed him up in a presentation, although she really just thought faster on his feet than he did. This would take place again later in the episode, as Peggy used a saying Kinsey had uttered only moments earlier to pitch Don a great tagline for the Western Union account. Even Kinsey was openly impressed with Peggy’s work. (Or angry that she stole the spotlight again.)

In other office news: the firm was planning a major party for its 40th anniversay. Don was set to give a speech and receive an award at it, much to Roger’s chagrin.

Also, the British bosses informed Pryce that Sterling Cooper was up for sale again. They see an opportunity to make money off the changes they made to it, an interesting development for everyone involved. Will this be an impetus for Don to start his own company?

Back to Don’s personal life: he met Ferrell’s brother, a 25-year old with epilepsy. Don offered to help by driving him to a new job in Bedford, MA, but the young man had other plans. He asked Don to drop him on the side of the road because he didn’t wish to be performing menial jobs his whole life. Clearly seeing a chance to help in this case (as he failed to do with his own brother), Don obeyed, but also gave the kid money and his card, telling him to call any time.

While this was taking place, Betty was finding a key in Don’s pants in the laundry. It opened a drawer in his desk. She used it. Inside that drawer, she found piles of cash, as well as a shoebox. Inside the shoebox? Pictures, dog tags and documents: all from Dick Whitman’s life. The main document Betty focused on what a divorce deed between Don Draper and his wife.

She doesn’t know exactly what this means, but she’s understandably pissed off about it. She doesn’t tell Don what she has found yet, however (it looks like she had planned to, but he never came home that night), and attends the big company party with him. The episode ends with Don about to give his speech, and the camera focused on his wife. She’s staring daggers at him.

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But before anything else, here’s a quick recap of what happened last week: Conrad Hilton wants Don to handle Hilton’s three New York City properties and Roger, Cooper, and Lane congratulate Don but warns him that there’s a hitch. Connie’s lawyers want Don under contract to Sterling Cooper to ensure continuity so Lane hands Don a three-year contract. In attempt to convince a reluctant Don, who believes that “no contract means I have all the power,” Roger calls Betty to encourage her husband to sign which eventually leads to an argument between Don and Betty. In the end, though, Don decides to sign the contract.

Peggy, on the other hand, receives an expensive Hermes scarf from Duck but Pete advises to send it back, believing that Duck is trying to use them to get back at Don for ousting him from Sterling Cooper. But when Peggy returns the scarf in Duck’s hotel suite, they end up kissing.

The drama continues as Don tries to convince Betty to go on a business trip with him, while Pete helps a neighbor in his building apartment. Not much has been revealed about the eighth episode of the third season but I guess being ambiguous is a good thing for a show like Mad Men. After all, seeing Betty go with Don for trip and seeing Pete lend a hand to a neighbor have not exactly happened before so it’ll be interesting to see how this pans out.

Meanwhile, we also see Pete offering to take the boys out for a drink since there’s no reason to work late and show off because all the bosses are gone. Check out the clip below!


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