Eclectic Sound Bytes

Photo Highlights From Live @ The Marquee Cork 2015.

2016-06-06T19:21:00.001+01:00

Throughout 2015 I certainly attended more concerts than I documented on this blog.

Obviously there should be a particular reason for not updating about the shows I went to but I have to admit that I will have to blame it on my own disorganisation.
However I always bring the camera and photos aplenty were taken at the many shows I attended and I will be posting more of these later.
I was fortunate enough to get to 5 gigs at The Marquee, Cork in 2015, obviously a diverse selection but all very memorable and thoroughly enjoyable.

Beck @ The Marquee Cork
June 16th 2015.

Mike Scott
The Waterboys @The Marquee Cork
June 28th 2015.

Nile Rodgers@ The Marquee Cork
July 10th 2015

Status Quo @ The Marquee Cork.
July 12th 2015.

ZZ Topp @ The Marquee Cork
June 22nd 2015.

New Album From Richard Thompson.

2015-05-29T23:54:00.001+01:00

I'm really looking forward to the new album by the ever brilliant Richard Thompson, set for release June 23rd next. This will be no less his 42nd release in as many years and will coincide with a tour including a Dublin date (Vicar Street on September 1st.).
Jeff Tweedy is the producer on this album entitled 'Still' which if this single 'Beatnik Walking' is anything to go by will be one of the most anticipated collections of the year,

Freestyle Dancing To The Smiths.

2014-12-16T21:40:00.000+00:00

This is one of the best things I have seen on YouTube for a long time and I think very worthy of a mention. Mylia Noir a student from Berlin has recently posted some freestyle dancing videos to songs of The Smiths and Morrissey. Hopefully there will be more to come if the demand increases. A new generation of Smiths and Morrissey fans are certainly out there and I think this will help carry the torch.
This is her video for 'What Difference Does It Make' also check out her YouTube channel to see her dance routine to 'Still Ill' and 'November Spawned A Monster' all equally brilliant.

The Frank And Walters 25th Anniversary Concert At Cork's Opera House. October 25th 2014.

2014-10-27T21:56:00.000+00:00

Paul Linehan lead vocals and bass.

One of Ireland's truly greatest bands The Frank And Walters were celebrating in style last Saturday night at home in their native Cork city. It was the band's 25th anniversary and the venue was a packed, sold out show in The Opera House located in the heart of town.

Preceding their performance tonight all four band members along with several hundred fans assembled at Grand Parade and marched to the concert venue to the sound of The Barrack Street Band. Support onstage came from The Minutes and Rubyhorse but it was clear that everyone there just wanted to see their heroes The Franks.

Twenty five years is a long time in one's life and for many including myself there are a lot of great memories of The Frank And Walters music. I was lucky enough back in the 1990's to get promo cassette tapes of bands from record labels such as Setanta Records. I remember one time in particular receiving a floppy vinyl promo of the band back in the very early days. I also remember seeing them play support to The Wedding Present in Limerick's Savoy Theater over 20 years ago.

Tonight was more of a reassurance of their brilliance than a trip through nostalgia as they kicked off their set with 'Tony Corcoran' and delighted the crowd again and again by playing almost everything important from their back catalogue. 'After All', 'Fashion Crisis Hit's New York', 'Colours', 'Michael', 'How Can I Exist' were just some of the highlights. Between each song the chanting from the crowd 'we are, we are the frank and walters......' could be heard throughout the venue.

It was evident tonight that there is a huge loyal following to The Frank And Walters and probably most people assembled there have been fans from the beginning. Their music has an honesty and as much relevance to me and many others of our generation as The Smiths or The Cure or Joy Division ever had. This is a band who has survived and that's what is the most important, they never sold out to become obnoxiously overpaid rockstars but they have provided many of us with the soundtrack of our lives. May they continue to do so and we will look forward to their next album which will be a welcome release in 2015. It was a delight to see them being appreciated and celebrated in such a fine way last weekend and I will stand by my opinion that they are Ireland's greatest band.

Neil Young And Crazy Horse Live At The Marquee Cork 10/07/2014.

2014-10-09T00:07:00.000+01:00

Neil Young and Crazy Horse

It has been a very busy few months indeed on the concert scene, so much so I have attended more shows than I have had time to blog about. One of the stand out gigs of the summer was seeing Neil Young and Crazy Horse last July, this time at the Marquee in Cork. Bass player Billy Talbot and founding member of Crazy Horse unfortunately could not attend this current European tour due to health issues. Rick Rosas however, who many times toured with Neil Young on previous outings was a well chosen replacement and Dorene Carter and YaDonna Wes were another addition on backing vocals. Ralph Molina (drums) and Frank "Poncho" Sampredo (lead guitar) completed tonight's line up.

Drawing from an incredibly long career, the set kicked off with a rousing version of 'Love And Only Love' from the album 'Ragged Glory' released back in 1990. I often consider that album as one of their greatest moments for it's rawness and originality and one that has certainly stood the test of time. 'Days That Used To Be' another stand out song from 'Ragged Glory' was also on the set list tonight, I had not checked up previous set lists from this tour because I wanted it all to be a surprise.

Despite some negative reviews of last year's performance at the RDS in Dublin, due to sound difficulties and set list choices, Neil Young and Crazy Horse could not have disappointed even the harshest of critics this night in Cork. A pin could be heard drop during Young's solo rendition of 'Heart Of Gold' or 'Only Love Can Break Your Heart', the sound quality impeccable.

Also a new song called 'Who's Gonna Stand Up And Save The Earth' was debuted on this tour hinting at yet more new recorded material on it's way very soon,

During a killer version of 'Rockin' In The Free World', many people in the crowd showing solidarity for Palestine held up banners with 'Please Don't Play Apartheid Israel' written clearly for the band to see. Neil Young and Crazy Horse were due to play Tel Aviv on July 17th ( just a week after this Irish date) however it was thankfully cancelled very shortly beforehand. One would like to think that Neil Young spotted these banners in Cork that night and rightfully changed his mind.

That beautiful balmy summers night last July will stay in my mind forever, Neil Young, long may you run.....

The Cambridge Folk Festival 2014. July 31st- August 1st. The first 2 days.

2014-08-26T20:59:00.000+01:00

Earlier this month I had the great privilege of finally getting to one of the oldest and most renowned festivals in Britain, The Cambridge Folk Festival. This year saw the celebration of 50 years of the event which made it even all the more special. Located at Cherry Hinton Hall, this festival offers more than just music, it's a whole concept of summer celebration, family outing and appreciation of true English culture at its finest. The 14,000 strong crowd consisted of literally every age group from infants to senior citizens, just one of the unique attributes to this fest, no one is considered too young or too old to attend.

Pokey LaFarge

Thursday evening's entertainment kicked off steadily despite the heavy rain that poured down for a short period earlier. As we entered Cherry Hinton it was as if the spirit of the crowd had pushed away the ominous clouds overhead. Pretty soon the sun was shining down again and the place was officially in festival mode. The highlight of the evening was Pokey LaFarge's performance at stage 2, his brand of old style Americana certainly lifting the spirits inside the crammed to the brim tent. He and his band would again perform on the main stage the following day to even more enthusiasm. In fact the record store at the festival completely sold out of his albums over the weekend, such was his success. I must also mention that it was a pleasure to see such a great array of CD's and Vinyl available there for sale. I of course couldn't resist buying a bunch of albums as a memento of this mighty weekend.

Friday and the second day of the festival was a beautiful sunny day, encouraging much of the crowd to file out in their deckchairs for a long run of wonderful music. My choice of refreshment for the day was the official festival ale which flowed beautifully by the pint.
Our first band experience this day was seeing Hazmat Modine on stage 1, a group I had not heard of before but proved to be a worthwhile choice. Based in New York, their brand of music is a mix of world fusion, jazz and reggae. 'Bahamut' their 2006 released album is a very worthwhile listen to get a feel of what this band are about, I would highly recommend it.

Hazmat Modine

Fisherman's Friends from Cornwall by now a favourite choice of this festival, lined out later in the evening on stage 1 to great applause. Essentially an a cappella group, their humorous sea shanties and tales of drinking and carousing had smiles going all around, a perfect addition to the day.

Fisherman's Friends

Richard Thompson is a man I have waited for a very long time to see play live and today was the day. A true British songwriting legend of our time, his entirely solo acoustic set was a fine pick of some of his greatest moments from his long career. 'Down Where The Drunkards Roll', 'I Want To See The Bright Lights Tonight', and '1952 Vincent Black Lightning' to my joy were some of the choices. Thompson's 12 string acoustic skills had a packed out audience enthralled into silence from the minute he hit the stage. On retrospect his performance was probably my favourite of the weekend.

Richard Thompson

Sinead O Connor would be second last this evening to play at the main stage, again a highly anticipated choice by many people attending. Her voice was in perfect pitch throughout, the set included such songs from the vaults as 'Nothing Compares 2 U' and 'The Emperor's New Clothes' along with the new material.

Recently I have found a new respect for Sinead since her refusal to perform in apartheid Israel despite being offered 10 times her usual fee.

Sinead O Connor

Afro Celt Sound System

Afro Celt Sound System closed the night's proceedings on the main stage with a dynamically theatrical presence. Their fusion of traditional Irish with African rhythms was concieved over 20 years ago from an idea by guitarist Simon Emmerson. Their debut album 'Volume 1 Sound Magic' was released in 1996 to huge acclaim on Peter Gabriel's Real World record label. Visually their stage show is nothing short of stunning with traditional African costume and instruments. With an imaginative merging of music cultures combined, the Afro Celt's have created something certainly original. If I were to have one criticism of the band however it would be of their sometimes over use of electronic instruments. All in all though I was very pleased to have finally seen them on stage as they have been on my list for a long time.

The first 2 days of this festival had already exceeded expectations, there were 2 more days to go and it was getting better....

The Pixies Live At The Marquee Cork. 30/6/2014.

2014-07-13T12:57:00.000+01:00

Frank Black

Boston favourites, The Pixies, a band I have waited 25 years to see play live, finally came to play in my neck of the woods last Monday night. I was naturally apprehensive at first as to would they still cut it as a live band after all these years.

The big surprise on the night was the presence of a mostly younger audience, which I did not expect, many who would not have even been born in the late eighties or early 1990's.

Too much alcohol and teenage angst was not something I was somehow expecting to witness at a Pixies gig these days, however it seems there is a new resurgence of interest in this bands music today.

The original line up is the same today, except for the absence of bassist Kim Deal, replaced now by Paz Lenchantin.

Just after 9pm the band entered the stage to a rousing version of 'Debaser', by now standing near the front of the stage proved somewhat unbearable because of the recklessness of some of the crowd's juvenile antics.

Beer spilling,pushing and shoving and blatant smoking (despite a smoking ban) was not what I signed up for, so I pushed well back from the front position I was holding to appreciate the music with less obstructions.

Joey Santiago

The band were in flying form as they thralled through a fine set of all the songs any fan would have wanted to hear from their back catalogue. Highlights included greats such as 'Cactus', 'Wave Of Mutilation', 'Where Is My Mind', 'Tame', the list goes on and on, in fact they played a total of 27 songs throughout the 90 minutes onstage. Frank Black's lead vocals as familiar as ever, crashed through incredible guitar work by Joey Santiago. At one point Santiago toyed with no less than 3 guitars demonstrating his skills at playing different riffs on all instruments.

Paz Lenchantin

Argentinian born Paz Lenchantin fits the band perfectly as the latest replacement bassist. New to the line up as the second replacement after Kim Deal's departure. Her CV to date has included work with Silver Jews, Queen's Of The Stone Age and Jenny Lewis. David Lovering, magnificent on drumming duties also did some fine backing vocals on 'La La Love You'.

David Lovering

Despite some media criticism about The Pixies last album 'Indie Cindy' released last year after several years of a break, the band certainly are still dynamite as a live act . New creativity might no longer be their greatest point but their legacy from the 80's and 90's has stood the test of time as I witnessed at this Cork show. The Pixies were one of those bands that gave us fresh hope during a time when MTV and daytime radio dominated the airwaves with continuous dross. Listening again to such albums as 'Surfer Rosa' and 'Doolittle' today I am reminded of their greatness, this night I realised my taste in music thankfully hasn't changed much at all since my childhood.

Robert Plant And The Sensational Space Shifters Live At The Marquee Cork. 25/6/2014.

2014-06-29T13:07:00.000+01:00

Robert Plant Live At The Marquee Cork.

Last Wednesday evening Robert Plant and his latest offering of musicians known as The Sensational Space Shifters rolled into Cork as part of the long line of gigs held at the annual Marquee festival.
After publicly making it clear that Led Zeppelin would never again tour as a band, Plant has taken his own direction several times, notably with his solo career and his collaboration with Alison Krauss.
Zeppelin fans however will not be disappointed with what is to offer with the latest live shows.
To my delight and I think everybody else's, the first choice of song was 'Baby I'm Going To Leave You' a track from the first Zeppelin long player all of 45 years ago.
Despite the huge time span since the hey days of Zeppelin in the late 60's and 70's the former frontman seemed as energetic and dynamic as ever. There is a certain spine tingling chill that you get watching such a legend of rock a few meters before your eyes.
The voice with perhaps a few octaves lower is still outstandingly powerful and never faltered throughout the set. Lead guitarist Justin Adams an accomplished producer and all round multifaceted musician was mind blowing at times with his range of abilities. The familiar riff of 'Whole Lotta Love' rang through from his guitar sending the crowd into a frenzy as the show got better and better. 'Black Dog' was given a more tamed down makeover, laced with hints of African influences thanks to Juldeh Camara and his skills with an instrument called a Ritti which is a one stringed traditional violin.
A beautiful rendition of 'Going To California' was another stand out moment, at times it was hard not to wonder was this all a dream. This night for me diminished any notions that Plant could have taken the wrong road by not continuing to tour with Led Zeppelin after the 2007 reunion concert in London.
Instead I think me has moved on graciously while remolding his career wisely, his latest band couldn't have been selected more perfectly. This was a night we will remember for a long, long time.

'lullaby and....The Ceaseless Roar' is the title of the forthcoming album which will be released in September, also there is a return trip to Ireland and the U.K in November for more live dates. 'Rainbow' is one of the tracks from the new album.

Frank Fairfied Live At The Grand Social Dublin 18/01/2014.

2014-02-11T00:08:00.000+00:00

The first gig I attended this year was at Dublin's Grand Social, located on lower Liffey Street to see the great American folk artist Frank Fairfield last month.

I've mentioned this Californian man before on a few occasions on this blog since discovering his music on an Uncut magazine promo CD over 3 years ago. I was also lucky enough to see his performance at The End Of The Road Festival in Dorset in 2012 which I must add was a bona fida highlight of that weekend.

If you listen to Fairfield's self titled debut album from 2009, you will be hard pushed to find a more stripped back or raw recording from this century . It comes as no surprise that this man is an avid collector of vintage 78rpm records, he seems to live and breathe and play in a style from a bygone era.

His latest release 'Duncan and Brady' is a 7" vinyl available through Jack White's label Third Man Records.

Taking in Kilkenny and Dundalk on a short stopover of a European tour, Frank completed his 3rd Irish date in the capital city upstairs in The Loft venue of The Grand Social.

Something extraordinary happens when this man takes the stage because despite his sometimes conspicuous shyness, he soon becomes enraptured in the music that flows from his guitar, fiddle or banjo.

The crowd tonight were a mix of age groups, some perhaps were just curious to check this guy out without knowing much of his work while many more were well familiar with him.

It was clear that Fairfield was enjoying his time in Ireland, mentioning that he had met 'so many sweet people along the way'. 15 minutes of so into his set tonight left few punters unable to keep their feet from tapping against the wooden floor. At one point while tuning his fiddle, one of his bow strings broke, he politely excused himself and walked backstage to retrieve a spare one from a box much to his and everyone else's amusement.

There was time too for requests, most notable, 'Old Paint' a beautiful cowboy ballad that someone from the crowd wisely suggested him to play. Holding the fiddle down low to his breast, while singing in that distinctively raspy American voice, Fairfield seemed like a character from an 1800's gold rush era film.

Clearly he had won over an amount of new followers tonight as almost everyone stood up from their seats to applaud loudly as his time on stage came to a close.

Afterwards he kindly waited around to chat with the people there and stand for photos and sign some Cd's.

I got to shake his hand and shyly mumble some words of appreciation on his return to Ireland, I hope he understood that I was so glad to be there tonight.

I was fortunate enough to get him to autograph a copy of 'Turn Me Loose' a CD compilation curated by himself of some of his favourite 78 rpm's, a unique collection of Anglo-American vernacular pieces selected from the gramophone era. You will find this collection on the Tompkins Square record label along with his debut album and his follow up 'Out On The Open West'.

The Waterboys Live At The INEC Killarney 21-December-2013.

2014-01-25T00:35:00.001+00:00

So another new year unfolds and already there are high expectations for the upcoming gigs throughout 2014 across Ireland. The annual marquee concerts in Cork city for example promises to be something special this year with such big names as Robert Plant, Neil Young and The Pixies duly confirmed to play.

No doubt in the coming months , there will be an array of many more gigs announced to satisfy a plenitude of ticket buyers. The festivals too, like The Electric Picnic should no doubt do justice to their tremendous reputation by announcing yet another stellar line up this time around.

Looking back, 2013 was quite a year of exceptional gigs, most of the ones I attended have been mentioned in this blog in one form or other.

Perhaps it feels a little late to mention the last gig I was lucky enough to get to at the close of 2013, but better late than never I guess.

The by now legendary Waterboys did a short tour of Ireland during December to celebrate the 25th anniversary of the release of the 'Fisherman's Blues' album.

This coincided with a release of a remarkable 6 CD box set compilation of songs from the 'Fisherman's Blues' sessions aptly titled 'Fisherman's Box'. Surely one of the most expansive celebrations of a single record ,it could be more wisely viewed as a companion piece to that period of where the band were musically during that time.

Every recording from those sessions are finally available on this fine collection, including remasters and alternative versions of songs, along with covers of influential songs that inspired the creativity of such a record.

December 21st was the Killarney date and despite the awful weather, it was more than a worthwhile trip that night to one of the most picturesque towns in Ireland.

If there was to be a downside to the night, it has to mentioned that unfortunately due to somewhat unknown reasons the gig was announced as a 'sit down' performance. This news came just hours before the show, despite a number of standing tickets been previously sold.

This certainly became a subject of discussion among long time fans in the adjacent bar as to how the gig would unfold. Many people there had clearly remembered more rousing times at Waterboy's concerts some years earlier without such restrictions as being told to stay seated.

In retrospect, sitting down didn't upset too many in the end as Mike Scott and co dazzled with a most inspiring set. Highlights were aplenty throughout, like their take on the Hank William's penned 'I'm So Lonesome...' or the gorgeous reworking of Bob Dylan's 'Girl From The North Country'.

Steve Wickham's fiddle playing was majestic in moments, confirming his importance to this raggle taggle union that defined The Waterboys sound during the 'Fisherman's Blues' period.

This is a band who have been unafraid to take different directions throughout their long path, but in my opinion 'Fisherman's Blues' was their finest moment. It was an album that incorporated Irish trad with British folk music, a rediscovery of roots combined with beautiful, mystical songwriting.

25 years later, to hear these songs played live was more than just a great reassurance of a fine album, it was a confirmation that it had stood the test of time.

Mike Scott's presence onstage that night had me transfixed especially, clearly he is a lyrical craftsman first and foremost but is committed to delivering a faultlessly tight rendition of every song.

At one point while introducing a song with a very heartfelt recollection of how the 'Fisherman's Blues' sessions came about, he was abruptly interrupted by a call from the crowd to play some randomly chosen request. His prompt response was something on the lines of 'shut the fuck up, I am trying to tell a story here', to the hearty amusement of the other 99 per cent looking on. Moments like this can sometimes be boundlessly funny to witness adding to the spontaneity of what a live show has to offer over listening to a recording. By the time the celebrated album's title track was rolled out, there were few people able to sit sensibly in their seats anymore, with many making a rush towards the front of the stage. The band who were by now evidently caught up in the moment, subsequently embraced the enthusiasm played out before them.

Renditions of 'We Will Not Be Lovers' 'Sweet Thing' 'When Will We Be Married' could not have been performed more beautifully, there were two encores also which included the all too familiar hit 'The Whole Of The Moon'. Without any hurry to leave the stage Mike Scott and his ensemble lined out in appreciated pose, providing plenty of photo opportunities for anyone there. The album cover of 'Fisherman's Blues' came to mind as they sat there in that reconstructed position, this was 25 years later and that music was very much still alive, a magical moment. Of course The Waterboys, have disbanded, regrouped and changed members on several occasions since 1988, however that particular chapter in time was unquestionably there greatest.

To be in Killarney this night reliving such a memory was something very special, a reminder perhaps that we are a staggering quarter of a century further into time but we are still appreciating that same fine music today.

This was a remarkable gig in many respects, Scott's voice has not altered even slightly, the entire line up have aged gracefully and they have perfected their playing even further.I have dusted off my copy of 'Fisherman's Blues' since that night and it has been spinning on repeat pretty much every day since.

Electric Picnic Festival Sunday 1st Of September 2013.

2013-09-16T00:06:00.000+01:00

Johnny Marr at the Electric Picnic 1/09/2013.

It seemed that the most coveted admission ticket this year was for undoubtedly Ireland's greatest showcase of music and arts, the Electric Picnic festival in Stradbally County Laois. Cheaper than usual early bird tickets that came available months before were quickly snapped up and later as time went on there became an ever increasing interest. This was the 10th anniversary of the festival and perhaps that combined with an excellent line up and proper summer weather it was eventually to become a completely sold out event. Luckily I was fortunate enough to get my hands on a last minute Sunday ticket which I can now safely say became a most memorable day from start to finish.

For years I had waited to see Johnny Marr as a solo performer, so too on today's bill was another hero of mine, David Byrne who would be sharing the stage with St. Vincent. That alone was enough to satisfy any interest in the day for me, but as anyone knows who has made the trip to the Electric Picnic before, there is always so much more going on.

The Mindfield area which incorporates poetry, drama, debate, discussion and music was tastefully dedicated to the very recently deceased Seamus Heaney.

The Comedy Stage, The Hot Press Chatroom, Body and Soul, Trenchtown and numerous merchandise and gourmet food stalls are just some of the fare to be enjoyed each year and there is so much to experience all in just one weekend.

As per usual by tradition on Sunday The Dublin Gospel Choir kicked off proceedings on the main stage in the early afternoon. It was a beautiful autumnal day with a hint of sunshine peering through the clouds. The big crowds had not yet descended in from the campsites, it felt almost like the calm before the storm.

At 12.30 Scottish songstress Nina Nesbitt was playing at the Electric Arena stage, her pleasant pop tunes like 'Stay Out' set the tone for a happy vibe that was to last throughout the day. This girl and her music was certainly news to me but catching some of her performance was all very worthwhile.

Nina Nesbitt

The Strypes

At 4:15 the County Cavan foursome know as The Strypes took the stage, these very young lads (all still just teenagers) are certainly turning heads with their blend of vintage rhythm and blues.

Music magazine NME has already heaped admiration upon The Strypes, so too has the likes of Paul Weller and Jeff Beck, that is no surprise actually when you see them perform. Complete with mop tops and early 1960's regalia, there is little doubt that behind the perhaps tongue in cheek image, there is a defining commitment to being a great band. Josh McLorey's guitar playing at times was astonishingly impressive on songs like 'Blue Collar Jane' and 'You Can't Judge A Book By The Cover', while singer Ross Farrelly who seems to constantly wear shades carried the front man position with conviction. Not to be written off as another 60's tribute band, these boys would be better described as revivalists of music from that era. Already with plenty of festival playing experience accomplished this summer including a slot at the John Peel Stage at Glastonbury, they seem to be doing everything right. Their debut album 'Snapshot' has just been released this month, this is one of the standout songs you will find on it.

Johnny Marr did play at the Electric Picnic once before, a few years previously along with Modest Mouse. I did see some of that set but unfortunately due to being so far back in the crowd away from the stage it was a less that memorable experience. Today would be different as we had the more fortunate position of being right near the front as the man himself kicked off at 5.30pm. The opening song was 'The Right Thing Right' from his latest album 'The Messenger' released earlier this year to huge acclaim. I don't use the word 'legend' lightly but as any fan of The Smiths would attest to, Johnny Marr does fit the phrase without difficulty. Holding firmly to his signature Fender Jaguar guitar, Marr displayed the presence of a master of his art with this hour long set. Four Smiths songs were rolled out among the song list today 'Stop Me If You Think You've Heard This One Before', 'Bigmouth Strikes Again, 'There Is A Light That Never Goes Out' and probably the song with the most defining riff he has ever written 'How Soon Is Now'. It's hypnotic jangle hollowed around the packed arena sounding as potent now as it ever did almost 30 years ago. Let's face it, we will never see a reunion of The Smiths but this was a a more than satisfying compensation. There was also a grinding version of the Sonny Curtis song 'I Fought The Law' and 'Getting Away With It' a late '80's single taken from his collaboration project with Bernard Sumner Electronic. Finally seeing Johnny Marr perform was a monumental memory from attending this festival many times, if it ended there I would have gone home more than gratified, but there was more great music to come later in the evening.

Here is an interview Marr did for RTE 2fm at The Electric Picnic.

Los Angeles all girl indie rockers Warpaint were next to play on the same stage at 7 pm debuting some new material from their forthcoming second album. They had the previous day also performed at the excellent End Of The Road festival in England. Among their set list this evening was the rather excellent 'Undertow' from the 2010 release entitled 'The Fool'. I saw this band play at the Picnic back in 2011 and most memorably because it was the first act I got a glimpse of after arriving and pitching a fairly unsteady tent.

The new songs were perhaps a bit too fresh to the ears to make a full judgement, however they do sound very promising. There was a call from the crowd to play this one which they thankfully obliged to, it can be found on the Exquisite Corpse EP, it's called 'Elephants'.

The ever eccentric David Byrne's latest project involves an unlikely collaboration with Annie Erin Clark, aka St. Vincent, their album released last year called 'Love This Giant' was yet another turning point in his long and varied career. Just as Johnny Marr was, David Byrne had been on my list of must sees for many years and let's face it, his performances in Ireland have been few and far between. Since the days of fronting the art-rock outfit Talking Heads and later as a solo artist, Byrne has always been creating essentially interesting music.

Onstage tonight, he was a dynamic presence, his craftsmanship as a performer was clearly complemented by St. Vincent and a fine array of enthusiastic brass based musicians. There was some crazy dance moves from all involved on the sometimes crowded stage making this set all the more enthralling to watch.

Among the song list tonight were more than a few unexpected delights, one being 'Lazy', a song Byrne recorded with British dance duo X Press 2 more than a dozen years ago.

'Cruel' from St. Vincent's song canon was equally appreciated along with 'Cheerleader' 'Northern Lights' and 'Marrow'. There was plenty too for Talking Heads aficionados to drool over with a wonderful version of 'This Must Be The Place' with Byrne miming out an hilarious robotic dance routine. Turns were taken between songs with guitar duties from either David or Annie, both clearly enjoying the pace.

This was so great, I did not want it to end, in fact it was beyond all expectations, getting better with each song, it was a live party with a torrent of beautiful noise. French horns, trumpets and saxophones provided that something extra to the songs, the perfect backing for example on 'Burning Down The House'.

They were not going to get away tonight without returning for an encore, such was the rapturous demand from the sardine like packed arena. The final song choice was another Talking Heads favourite 'Road To Nowhere', ending what was undoubtedly one of the greatest performances of this festival since it began 10 years ago.

David Byrne and St. Vincent.

Minneapolis based band Polica played at the Cosby Stage at 10 pm, this relatively new group has the unique distinction of having no less than 2 drummers.

About to release their second album next month called 'Shulamith', they have certainly been making a name for themselves Stateside with huge praise from the likes of Bon Iver and National Public Radio.

Mike Noyce from Bon Iver adds guest vocals on two tracks from their album 'Give You The Ghost', released last year.

"Polica makes moody music that will stick to your bones, this band is going to be huge", is what The Huffington Post said of them after they played the SXSW festival in Texas last year.

Channy Leaneagh's vocals sound all the more haunting with the looping effects that run through many of their songs.

Tonight at the Cosby Stage, the turn out was small due to the huge interest in the Arctic Monkeys appearing on the main stage. I didn't mind being here, it felt like the perfect chill out place to be after a very long, fulfilling day. Songs like 'Wandering Star' and 'Amongster' played out like a soothing soundtrack to an increasingly chilled air night. The discovery of new music has always been an important part of the Electric Picnic for me, Polica fulfilled that curiousity this time around.

Channy Leaneagh and Chris Bierdan from Polica.

Finally I did get to see 45 minutes or so of the Artic Monkey's performance on the main stage, it seemed that most revelers had descended down to this spot now for the finale of an unforgettable weekend of music.

Although I appreciate their debut album which was released in 2005, the Arctic Monkeys haven't impressed me much since then. As a live act they have clearly progressed and their ambitious notions have come to fruition as the fan adoration was huge tonight. Frontman Alex Turner at one point made a comment that this was the most exciting crowd that they had played to on their whole tour. The new album 'AM' is currently number 1 in the Irish charts.

The time had come to make the long trek home tonight, another Electric Picnic festival was coming to a close, welcome news was heard this week that this amazing show has been contracted to run for a further 10 years. Who knows what else is in store for this incredible show for the future, besides being the the most impressive music event Ireland or indeed Europe has on offer. I came away with only one regret this time that I didn't have a full weekend ticket. I will not be making the same mistake next year.

Midlake Live In Dolan's Warehouse Limerick 14/08/2013.

2013-08-19T22:30:00.000+01:00

Midlake live in Dolan's Warehouse Limerick.

Currently on a tour of the U.K. and Ireland,Texan group Midlake stopped off at Dolan's Warehouse Limerick this week much to my delight. My first knowledge of this band started off back in 2006 when I heard a song called 'Young Bride' on one of the free promo Cd's that goes along with Uncut magazine each month. Subsequently it led me to go out and buy their album 'The Trials Of Van Occupanther' and without much effort I was soon sold on this unexpectedly gem of a record. Their blend of psyche rock and folk is reminiscent of early Fleetwood Mac and Jethro Tull with a modern twist that could also be compared with the likes of Fleet Foxes. Incidentally 'Young Bride' was the first song of choice on the set list at Dolan's tonight setting the tone for what was to be an overall very satisfying gig. Lead vocalist Tim Smith who had been with the band since they formed back in 1999 departed a few months ago to form a new project called Harp. Midlake had been in the middle of creating their fourth album when this occurred thus obviously throwing the band's future into disarray. However guitarist Eric Pulido decided to take the reins as front man and if his new found position at this show is anything to go by, he is the perfect choice.The vocal difference is slightly obvious but the commitment to the songs is deep yet humbling, as Pulido delivered a fine performance throughout this 90 minute set. Needless to say reactions to such favourites as 'Roscoe' and 'Van Occupanther' were ecstatic, the appreciation was clearly approved by all 6 band members.

The new material, seem like quite a departure from the last album, which was released in 2010 called 'The Courage Of Others'.
Incidentally I bought 'The Courage Of Others' when it came out and after one listen I wasn't very impressed. A year later I gave it another try and slowly became hooked to it's downbeat beauty, it's an album that I would now highly recommend.

The reaction to the songs from the forthcoming album 'Anthipon' played tonight was very positive as is the feedback from fans commenting on Internet forums.
Midlake have taken direction changes with all the three previous albums to date, this time it's a more upbeat psychedelic fuelled rock sound.
The title track is the sound of a band evolving further again, despite dramatic line up changes. I think this will be a defining turning point to their career and one of the most anticipated album releases of 2013.

Just a year ago I saw Midlake play at The End Of The Road Festival in Dorset England, little did I know that they would play in my home city so soon. It was a very satisfying way to spend a mid week evening, afterwards the band signed albums and chatted with anyone who had time to wait around , intimate gigs don't get much better than this.

Bruce Springsteen and The E Street Band live in Nowlan Park Kilkenny 28/07/2013.

2013-08-05T01:06:00.000+01:00

Bruce Springsteen Kilkenny 28/07/2013

Last weekend the beautiful medieval town of Kilkenny played host to the final 2 gigs of Bruce Springsteen and The E Street Band's Wrecking Ball Tour. Billed as the 'Wrecking Ball Weekender, it certainly drew huge interest and tickets were announced as sold out within days of release months ago. Being a huge Springsteen fan I could not pass up the opportunity of seeing him a second time on his latest trip to Ireland. The Limerick concert just 12 days previous already had me hooked, so I figured I just had to attend his final date which was on the Sunday. A ticket was sought out and I was on my way early that morning to what would be a wonderfully memorable day.

An early arrival at Nowlan Park secured a good chance of getting a much coveted wristband that would allow access to the pit area close to the stage. Around 3000 of these were made available and my friends and I at first thought our chances were dimmed when we saw that many other people had already gotten through. One steward soundly advised us where to perhaps try a bit harder and low and behold he was correct in his observation. A bunch of a dozen or so revellers were spotted receiving the final round of wristbands and we rushed to get ours before the word spread too fast. A few minutes later we were chilling out with a beer and safe in the knowledge that no matter what, we would now be close to the action near the stage. The light rain that we experienced as we walked down to the venue earlier was beginning to abate, the sun began to shine through. The day was unfolding into a very enjoyable, relaxing experience, everyone seemed to be in jovial mood hanging around the food stalls and bars.

Dublin based band The Delorentos were the opening act of the day, kicking off after 2pm before LAPD and Imelda May, varied choices yet perfect fillers for a long anticipated Springsteen show.

The word from the previous night was that Bruce and the band had performed the entire 'Born In The U.S.A album along with such treats as a duet with Glen Hansard on 'Drive All Night'. My friends and I discussed about what tonight's set list would be. There was an agreement all around that our wish would be to hear the 'Darkness On The Edge Of Town' album in it's entirety, but that's just the thing, you never know what to expect. After all, this was the final night of the European tour, it was going to be special, that was an undeniable certainty.

At 7.30pm Bruce and his legendary band hit the stage and broke straight into the gospel inspired 'This Little Light Of Mine' with an intense urgency. The 35,000 or so strong crowd went ecstatic, this was the closest I had ever come to the stage in all of my 6 Springsteen concert experiences and it was an incredible feeling. In comparison to the Limerick show, there was less interaction with the crowd for the first few songs, the music did the talking. 'My Love Will Not Let You Down', 'Badlands', 'We Take Care Of Our Own' and 'Adam Raised A Cain' followed respectively with equal explosive delivery. 'Adam Raised A Cain' would have been my banner request of choice if I had taken the time to create a cardboard sign, needless to say I was more that overjoyed when I heard the opening chords.
Speaking of cardboard sign requests, one man finally got his wish with his choice, apparently he had been to several Springsteen concerts never giving up on encouraging Bruce to sing 'Wild Billy's Circus Story'. He kept making the same sign each time crossing off each venue that the song wasn't performed in, but tonight his dream would come through. As the camera panned down to the front row of the crowd and onto this guy, it was clear that he was filled with emotion. This was the only time that this song was played on the Wrecking Ball tour.

A girl holding a banner which read 'I died my hair blue to Irish dance with Bruce' had her Courtney Cox moment realised as she was plucked from the crowd to swing around with the Boss during 'Dancing In The Dark'. A young boy who can't have been more than 10 years old was spotted in the crowd with his parents. His banner read 'Bruce can I play guitar with you?', a simple gesture that anyone among the huge crowd would secretly only dream about. The star struck boy was called up onstage and given an acoustic guitar to strum along with the band. Then the most amazingly kind gesture occurred, Bruce allowed him to keep the guitar to take home. The boy looked astonished as he got down from the stage, holding onto the instrument, one can only imagine that this six string will forever more be a prized possession of the young man and his family.

However a huge honour it must feel to have a request played for you live by Springsteen and the E Street band it must have been extraordinary for Jimmy Iovine, who was apparently backstage tonight. The complete 'Born To Run' album which he helped produce back in 1975 was played in dedication to him once 'a skinny little Italian kid' as Bruce described him back in the day. Again I did not expect to hear this album performed in full after the Limerick concert but I could not have wished for more. 'She's The One', 'Thunder Road' 'Tenth Avenue Freeze Out' were particularly affecting but in fact the whole album was played out from start to finish with such perfection that I would fail to single out one track with preference.
Much of the complete set list was in fact similar to the Limerick show and comparisons could be made, however there was I thought a feeling of a different vibe from this show.
After all, this was the final night of a very long European tour that took in 140 shows, it was heavy with emotion and obviously had drained a lot of energy from everyone involved.
The respect between band members was even more noticeable than ever before, old friends who had stayed together through thick and thin for decades creating, playing and performing were inspiring to watch. At one point Max Weinberg's daughter joined the group onstage to play the accordion, the rumour was also out that many of Bruce and the band's family members were here in Kilkenny for tonight's special finale.

After yet another marathon performance came to a close, clocking in at a few minutes short of 3 and a half hours the E Street Band slowly left the stage one by one. Clearly they were overwhelmed by the reaction in the stadium tonight, the crowd participation, the eagerness to hear the music and the adoration. Each final minute was heavy with emotion, Bruce remained on, he would play one more song this time with just acoustic guitar and harmonica. 'I've been doing this for almost 50 years' he smiled, 'hopefully I will keep going another 50'.....the cheering grew thunderous around Nowlan Park.
The final song of choice was a beautifully raw version of 'This Hard Land', an exhausted Bruce sang out each line with pride in every breath. Stripped to his t-shirt and drenched with sweat, only a few lights above the stage were remaining now. 'Take care of yourselves' he called out as he finished and walked to the back stage area. A light rain was dribbling from the dark sky above and the night air felt warm and still. I would not want to have been anywhere else but here tonight at this show, I felt blessed to have been there.

The Set List.

1.This Little Light 2.My Love Will Not Let You Down 3.Badlands 4.We Take Care Of Our Own 5. Adam Raised A Cain 6.Death To My Hometown 7. American Skin (41 Shots) 8. The Promised Land 9.Wrecking Ball 10. Spirit In The Night 11.The River 12. Wild Billy's Circus Story 13.Man At The Top 14.When You Walk In The Room.

Born To Run

15.Thunder Road 16.Tenth Avenue Freeze Out 17.Night 18.Backstreets 19.Born To Run 20.She's The One 21.Meeting Across The River 22.Jungleland

23.The Rising 24.Land Of Hope And Dreams 25.Born In The U.S.A 26.Bobby Jean 27.Seven Nights To Rock 28.Dancing In The Dark 29.American Land 30.Shout 31.This Little Light Of Mine 32.This Hard Land.

Bruce Springsteen & The E Street Band Live in Thomond Park Limerick 16/07/2013

2013-07-26T22:59:00.000+01:00

Bruce's early appearance onstage in Limerick's Thomond Park.

Last Tuesday evening, Bruce Springsteen & The E Street Band rolled into Limerick, my home city for the first of 5 Irish shows this month.

It would be a vast understatement to say that this was a dream come true for me along with thousands of Springsteen fans in our part of the country. His many appearances previously in Ireland had been confined to Dublin or Belfast with the exception of his by now legendary 1985 performance at Slane castle in Co. Meath.

The first time I went to a live performance by Springsteen was back in 1993 at the RDS Dublin.

For years before I had spent a lot of time listening to his early studio albums and of course the 1975 to 1985 box set of live recordings. Incidentally I had that box set on cassette tape format and I remember how one of the tapes actually snapped because I had played it so many times.

I joined the tape with some sticky sellotape thus somewhat repairing it, however when it reached Bruce's introduction to the song 'The River' I had to wind it forward with a pencil over the lumpy joining in order for it to continue.

I remember a few things about the 1993 concert, the ticket for one thing had a glorious photo of the Boss on the front. This is something we don't see anymore, I guess it's a cost cutting measure today just to have text on a concert ticket. I also remember how Bruce just walked onto the stage with an acoustic guitar to belt out a very raw version of 'Seeds' and 'Adam Raised A Cain' before being joined by the band. It was a thrilling experience to be there finally hearing and seeing this guy in the flesh after years of wishing. I must also mention that another great memory from that 1993 show was when Bruce was joined onstage by none other than 'the killer' himself, Mr. Jerry Lee Lewis for a rendition of 'Whole Lot Of Shakin Goin On' and 'Great Balls Of Fire'. It was an incredible show to say the least but that was then, this is now, the summer of 2013. We are in the middle of a mini heat wave, 35,000 or so fans were about to be treated to a gig of a lifetime in Thomond Park. This was Limerick's night, our turn to welcome one of the greatest rock performers of all time to our county.

Nils, Bruce and Steve at Thomond Park.

The stadium was filling up as soon as the gates opened at 5pm, many had camped outside days in advance, the enthusiasm was huge among all age groups. While the food stalls and bars were busy trading their wares and revellers were mingling, what seemed like a sound check started from the stage area. It was just 5.30pm, one and a half hours before the scheduled kick off time for the concert, when almost in disbelief there was a rush of people towards the sound of a strumming acoustic guitar. Suddenly there was a familiar voice, Springsteen was onstage ready to play some songs as a warm up. I must admit I along with most people there never expected this 3 song solo acoustic treat before The E Street Band were ever to appear. The songs of choice were certainly from the vaults 'Does This Bus Stop At 82nd Street' and 'For You' from his 1973 debut album 'Greetings From Ashbury Park'. A rarely performed song which can be found on the 'Tracks' box set compilation called 'Hearts Of Stone' completed this short set that opened up the atmosphere for an unforgettable evening.

It was two hours later that Springsteen returned, this time with an extended E Street Band complete with brass section and backing singers. 'This Little Light Of Mine' was the introductory song of choice tonight, an unlikely choice I thought, but I didn't research too deeply into the recent tour set lists. I wanted this concert to unfold without too many predictions. In the past 20 years I have attended a few Springsteen concerts and they have never failed to be full of surprises. 'American Land' was next, I did expect such a choice due to geographical and historical reasons. What I did not expect and I will always hold this as the greatest memory from the Limerick concert was the playing of the entire 'Born To Run' album. This is my favourite of all his records and I never dreamed for one minute that I would one day hear it all played in sequence from start to finish live.

From the harmonica introduction to 'Thunder Road' to the final notes of 'Jungleland' this collection epitomises everything about the creative genius of Springsteen and his long standing band.

Released in 1975, it's incredible to listen to how fresh it still sounds today, what was even more incredible was to be there tonight in an audience thirty eight years later to witness it played out in full.

Sweat drenched just minutes into the first few songs, Springsteen never left the stage once during this marathon performance that included countless delightful moments. Notably there were a few hilarious incidents too, someone from the densely populated front rows handed him a pint of beer, which he duly drank down in just a few gulps. At one point a young boy called Ross, who was holding a sign that read 'Ross with the boss on my 12th birthday' was hoisted up on to the stage to duet with his hero on 'Waiting On A Sunny Day'.

On a more serious note 'American Skin (41Shots) was selected as a tribute to murdered victim Trayvon Martin, while there was also a special mention for the recently injured Limerick jockey J. T McNamra with which he dedicated the song 'My Hometown' to.

Patti Scialfa was absent tonight from The E Street line up but it was a joy as always to watch Steve Van Zant on guitar, forever such a prominent member of the band. Nils Lofgren , Gary Tallent, Max Weinberg and Roy Bitten also from the original line up added the magic touches to what seems like an ageless union.

Multi instrumentalist Soozie Tyrell a few years now a permanent addition, provides something special to the group, while Jake Clemons on saxophone is simply impeccable throughout.

I don't think there could be a single soul leaving Thomond Park this night disappointed, from the die hard long term Springsteen fanatics to the new fans just now discovering the music, all were obviously overwhelmed.

On a week that Limerick were celebrating a Munster hurling win and when the weather had reached Mediterranean temperatures for the first time in years, Bruce Springsteen and The E Street Band came and played the concert of a lifetime. History was in the making tonight, positivity seemed to be everywhere around the city and county, it's something I among many will never ever forget.

Pre concert solo acoustic set; 1.Does This Bus Stop At 82nd Street, 2.For You 3.Hearts Of Stone.

1. This Little Light Of Mine, 2. American Land 3. Badlands 4. Death To My Hometown 5. Hungry Heart. 6. Spirit In The Night 7. Ain't Too Proud To Beg 8. American Skin (41 Shots) 9. The Promised Land 10. Wrecking Ball, 11.We Take Care Of Our Own, 12. Jack Of All Trades, 13. The River.

Sallie Ford And The Sound Outside-Untamed Beast.

2013-04-30T22:50:00.000+01:00

Untamed Heart is the second long player release from Sallie Ford And The Sound Outside, a four piece based in Portland Oregon. Sallie Ford provides vocals and guitar duties alongside Jeff Munger (Guitar),Tyler Tornfelt (Bass, Piano, Organ) and Ford Tennis (Drums) for this fine union.

Their sound is immediately likeable with their blend of rockabilly and boogie, often delivered with no shortage of angst. Standout features on Untamed Heart are songs like 'Bad Boys', with it's surf guitar inspired riff, rolling behind Ford's punky vocals. 'Rockability' is another track delivered with a 100 mile an hour verosity that will make it very difficult for you not to love this band.

My personal favourite has to be 'Devil' as it was the first track that made me sit up and notice what a refreshing stripped down sound they have. Here they are playing that track at the Bing Lounge last February....

You will find 'Untamed Beast' available through Partisan Records.

Martin Hayes and Dennis Cahill, Tiny Desk Concert.

2013-04-08T23:45:00.000+01:00

There can be no praise high enough for the music choices that can be explored on the NPR website.
Much to my delight was the addition of this session filmed for it's Tiny Desk concert series recently.
Martin Hayes, arguably one of Ireland's greatest living traditional musicians along with his long term
musical partner, guitarist Dennis Cahill stepped in to display their fine work last month.
Admittedly traditional Irish music can sometimes border into stereo typical kitch, but with these two extraordinary players, the record is set straight every time with each performance.
This set list includes

The Mountain Lark/Tom Doherty's Reel,
P. Joe's Reel/The Obama Reel,
O'Carolan's Farewell To Music.

Beach House - Forever Still.

2013-02-27T22:41:00.000+00:00

Baltimore favourites Beach House have recently released this wonderful short film entitled 'Forever Still'. It contains 4 songs from their fourth studio album 'Bloom' released last year on the Bella Union record label.
Filmed entirely around El Paso and Tornillo, Texas where the album was recorded it's theme begins at sunset and ends at sunrise. Irish fans will be pleased to know that Beachouse have just announced a Dublin date to their current tour, they play The Iveagh Gardens on Saturday 20th of July next. Certainly this will be one of the best gigs of the summer guaranteed.

Hamell On Trial-Jinx Lennon-Theme Tune Boy Live @ Bourke's Bar Limerick. 21/2/2013

2013-02-25T00:31:00.000+00:00

Jinx Lennon Live @ Bourke's Bar

Last Thursday night for less than the price of a cinema ticket Seoda Shows hosted a triple bill of live music at Bourke's Bar Limerick that could banish any winter blues away into oblivion.

Limerick's own Theme Tune Boy and formally from the group The Hitchers kicked off proceedings, setting the tone for a hard core acoustic session for the evening.
Later Dundalk man Jinx Lennon, brought his own unique blend of dark humour and uplifting loops and manic guitar strumming to the stage. Jinx is an extraordinary performer that I have seen many times play live and ironically the first time I saw him play was again when he played support to Hamell On Trial in Limerick back in 2001.
For those of you who have not seen Jinx Lennon play live, you do not know what you are missing, the songs are a mix of social comment and observations delivered sometimes with hilarious and often outlandish lyrics.
Going to a Jinx Lennon gig is always a revelation and chances are you will be humoured, uplifted and gobsmacked all in one by the energy he exudes onstage with songs like this one which was on the set list on Thursday night.

Jinx also has a great website that is well worth checking out, get the link here for the latest news for live dates and releases.

Ed Hamell- Live @ Bourke's Bar

At 10.30pm it was time for New Yorker Ed Hamell aka Hamell On Trial to take the stage.Armed with a beat up Gibson guitar dating back to 1937, heavily amplified, he almost shook this small venue down.

Drawing on songs from his canon of albums, notably his best collections in my opinion like 'Coochtown' and 'Tough Love' he also had plenty of stories and jokes in between, clearly illustrating his ability as an all round entertainer. His banter was as fast and furious as his guitar playing, it was obvious he was enjoying every minute of the night as much as everyone there to see him was.
Recently signed to New West Records, Hamell's latest recording is titled 'The Happiest Man In The World' an 8 track mini-album, he is also currently working on a one man show called 'Eddie's Bar' which will get a run later in the year in the U.S.
He promises a return visit to Ireland and the U.K again in May, something certainly to look forward to.

Here is an interview and session he did last month for BBC Radio 6 while visiting the U.K....

Many thanks to Shane Serrano for allowing me to share this clip that he filmed at Bourke's Bar on the night..

Johnny Marr - Upstarts.

2013-02-19T23:06:00.001+00:00

February 25th next sees the release of 'The Messenger,' the first solo outing by Johnny Marr, one of the most dynamic guitarists to ever come out of Britain. The man who first gave us some of the most memorable riffs during the 1980's as a member of The Smiths has had over the later years a very varied career. Credits include his work as sideman or collaborator to a host of adventures with Modest Mouse, The Cribs, Electronica and The The to name but a few.

The Observer newspaper has described this album as 'a shimmering debut' while the Guardian notes that the songs are like 'epic romantic soundscapes'.

Recorded between Berlin and Manchester 'The Messenger' was mastered at Abbey Road by Frank Artwright who recently collaborated with Marr on the remastering work of 'Complete', the ultimate box set of all The Smiths albums.

Extensive touring begins next month which includes a Dublin date set for The Academy on March 27th, this is the single release entitled 'Upstarts'.

Ballake Sissoko - At Peace.

2013-02-14T00:16:00.001+00:00

Ballake Sissoko

Amid the recent political turmoil that has attempted to stagnate Malian society and culture, comes a beautifully dreamy album by Ballake Sissako called 'For Peace'.

French cellist Vincent Segal who collaborated with Sissako two years ago on an album called 'Chamber Music' takes on the role of producer for this album, however he does play on a handful of tracks here too.
A master of the complex native African string instrument the kora, Ballake Sissako blends his playing elegantly with the accompaniment of 12 string guitar, cello and balafon (a wooden percussion instrument).
This track entitled 'N'tomikorobougou' is one of the stand out pieces of this collection, recorded in the courtyard of his home in Bamako, Mali's capital in January 2011.
'At Peace' is available now on Six Degrees Records.

Valerie June.

2013-02-08T23:52:00.000+00:00

Valerie June

Without question when you stumble across a musical discovery as good as this one, you automatically want to share it with the world and this is no exception.

Hailing from a small town called Humboldt, Tennessee that sits between Memphis and Nashville, it seemed only natural that Valerie June should be influenced by a whole melting pot of roots music.
Her stunning fusion of soul-jazz, blues and gospel is compellingly arresting and it is no surprise that her love for old records comes through in her singing and her string playing.
Valerie June's debut album 'Pushing Against A Stone' is on it's way for release along with an extensive U.K tour beginning on February 12th.
There is an Irish date too thankfully, on May 3rd she will play The Sugar Club in Dublin which will be a date to mark in the diaries.
This is one of her stand out songs entitled 'Workin' Woman Blues'...

Ratking.

2013-02-08T00:04:00.000+00:00

Ratking.

It's always a pleasure to discover something new and exciting in music and I will be posting more in the future about what new music is inspiring me these days.

There is so much out there of course and the choices are incredibly vast, although I must admit that this group impressed me greatly with what they have on offer.

New York foursome Ratking are something to look out for this year as their hardcore underground sound is beginning to turn heads.
This young hip hop group consists of Patrick ‘Wiki’ Morales a lyrisist with Puerto Rican and Irish blood and 2 producers who go by the names of Sporting Life and Ramon.. Hak completes this union which currently have an EP on release called Wiki 93 available on the cutting edge XL label.
This is 'WikiSpeaks' from the 7 track collection that seeps dedication and heart from 4 kids who are a voice for the urban nation and in particular for their native Harlem.

Nick Cave & The Bad Seeds- Jubilee Street Video.

2013-02-04T22:14:00.000+00:00

Nick Cave & The Bad Seeds reveal their latest video, "Jubilee Street," the second track taken from the band's fifteenth studio album 'Push The Sky Away,' to be released February 18th on Bad Seed Ltd.

David Byrne and St. Vincent Live in Concert.

2013-02-03T01:28:00.000+00:00

One of the most unlikely music collaborations came about last year with the release of 'Love This Giant' an album by former Talking Heads front man David Byrne and Canadian rocker Annie Clarke aka St. Vincent.
'Love This Giant' is a lively fusion between two very diverse artists creating something new and dynamic.
This is some fine footage of a concert filmed at Strathmore Music Hall in Maryland recently complete with a brass section adding even more rhythm to the setlist.

Stranded Horse - Transmission.

2013-01-13T22:59:00.000+00:00

I have always been of the opinion that a cover version of a song should be completely taken over by the artiste in question, remodelling it into something all of their own.

Jimi Hendrix's version of Bob Dylan's 'All Along The Watchtower' comes to mind as somewhat a prime example. Incidentally Dylan was so impressed with Hendrick's more geared up electrifying adaptation of his song, he was later to emulate it in his live shows.
A much more recent example of an extraordinary take of a song would have to be this one.
Who would have thought that one day we would hear a version of a 1980's post-punk song played on West African string instruments. The latest 7" offering from Yann Tambour aka Stranded Horse includes let's say a rather original version of Joy Division's 'Transmission'.
Available on Talitres Records it also includes a self penned track called 'A Faint Light'.Tambour is accompanied on both tracks by Boubacar Cissokho, Poulo K and Bakoutoubo Dambakhate from Senegal where this recording was made. News of a forthcoming album release will be available later in the year.

Eclectic Sound Bytes

Photo Highlights From Live @ The Marquee Cork 2015.

New Album From Richard Thompson.

Freestyle Dancing To The Smiths.

The Frank And Walters 25th Anniversary Concert At Cork's Opera House. October 25th 2014.

Neil Young And Crazy Horse Live At The Marquee Cork 10/07/2014.

The Cambridge Folk Festival 2014. July 31st- August 1st. The first 2 days.

The Pixies Live At The Marquee Cork. 30/6/2014.

Robert Plant And The Sensational Space Shifters Live At The Marquee Cork. 25/6/2014.

Frank Fairfied Live At The Grand Social Dublin 18/01/2014.

The Waterboys Live At The INEC Killarney 21-December-2013.

Electric Picnic Festival Sunday 1st Of September 2013.

Midlake Live In Dolan's Warehouse Limerick 14/08/2013.

Bruce Springsteen and The E Street Band live in Nowlan Park Kilkenny 28/07/2013.

The Set List.

Born To Run

Bruce Springsteen & The E Street Band Live in Thomond Park Limerick 16/07/2013

The complete set list.

Born To Run

Sallie Ford And The Sound Outside-Untamed Beast.

Martin Hayes and Dennis Cahill, Tiny Desk Concert.

Beach House - Forever Still.

Hamell On Trial-Jinx Lennon-Theme Tune Boy Live @ Bourke's Bar Limerick. 21/2/2013

Johnny Marr - Upstarts.

Ballake Sissoko - At Peace.

Valerie June.

Ratking.

Nick Cave & The Bad Seeds- Jubilee Street Video.

David Byrne and St. Vincent Live in Concert.

Stranded Horse - Transmission.