<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-2696946831089391100</atom:id><lastBuildDate>Tue, 24 Jan 2012 20:53:29 +0000</lastBuildDate><category>notícia</category><category>delírio</category><category>razzies</category><category>Emmys</category><category>filmes que vi</category><category>Golden Globes</category><category>quim no mei do camim</category><category>olha eu aqui...</category><category>vocação</category><category>bbbglbt10</category><category>dica</category><category>internet</category><category>trailer</category><category>de saco cheio</category><category>Oscar</category><category>Eurovision</category><category>SAG Awards</category><category>tv a cabo</category><category>tv</category><category>peças que assisti</category><category>divulgação</category><title>Eh Phoda</title><description>tv. séries. filmes. novela. livros. música. vídeos. premiações. cotidiano. arte. cinema. cultura. delírios e bobeiras em geral.</description><link>http://eh-phoda.blogspot.com/</link><managingEditor>noreply@blogger.com (A.)</managingEditor><generator>Blogger</generator><openSearch:totalResults>725</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/EhPhoda" /><feedburner:info uri="ehphoda" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-2778838192124108468</guid><pubDate>Tue, 24 Jan 2012 20:53:00 +0000</pubDate><atom:updated>2012-01-24T18:53:29.495-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oscar</category><title>Oscar 2012 – Nominations</title><description>&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11pt; line-height: 115%; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;E para quem não sabe, foram
anunciadas hoje as indicações para os 84th &lt;i style="mso-bidi-font-style: normal;"&gt;Academy
Awards&lt;/i&gt; [clique &lt;a href="http://www.oscars.org/awards/academyawards/84/nominees.html"&gt;&lt;span style="color: blue;"&gt;aqui&lt;/span&gt;&lt;/a&gt;
para lista completa]. E, acho que pela primeira vez, posso falar: wtf?!?! O que
colocaram na água dos membros da Academia? Mais um mistério a ser investigado.
A Academia surpreendeu com algumas indicações, saindo um pouco da fórmula
batida dos anos anteriores e, ouso dizer, se arriscando um pouco mais. Não é
hora ainda de comentar categoria por categoria, mas é impossível deixar de
falar de algumas. &lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;O bom mocismo de George Clooney
lhe rendeu mais uma indicação como melhor ator por &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;. Mas, tirando a chatice de ter que agüentar Clooney
em mais uma premiação, a categoria de melhor ator foi marcada por duas
indicações um tanto surpresas: &lt;span style="mso-bidi-font-weight: bold;"&gt;Demián
Bichir (&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;A Better Life)&lt;/i&gt;, já havia
conseguido uma indicação ao &lt;i style="mso-bidi-font-style: normal;"&gt;SAG Awards&lt;/i&gt;
deste ano e &lt;span style="mso-bidi-font-weight: bold;"&gt;Gary Oldman (&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;Tinker Tailor Soldier Spy&lt;/i&gt;) aparentemente
esquecido pelos americanos e que ainda concorre ao &lt;i style="mso-bidi-font-style: normal;"&gt;Bafta&lt;/i&gt; na mesma catogoria. A esnobada do ano na categoria foi a
Michael Fassbender (&lt;i style="mso-bidi-font-style: normal;"&gt;Shame&lt;/i&gt;) e a
academia demonstra, mais uma vez, que ainda não está tão aberta a filmes que
não se encaixem em seus moldes.&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;Já Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;The Iron Lady&lt;/i&gt;) pode separar um espaço na
estante para guardar a estatueta de melhor atriz. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;A indicação surpresa de &lt;span style="mso-bidi-font-weight: bold;"&gt;Rooney Mara&lt;/span&gt; in (&lt;i style="mso-bidi-font-style: normal;"&gt;The Girl
with the Dragon Tattoo&lt;/i&gt;) afasta uma das favoritas, Tilda Swinton (&lt;i style="mso-bidi-font-style: normal;"&gt;We Need To Talk About Kevin&lt;/i&gt;) deixando a
concorrência nas mãos de Viola Davis (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Help&lt;/i&gt;) e Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week
With Marilyn&lt;/i&gt;). &lt;/span&gt;Pouco provável que Streep perca este ano. Kirsten
Dunst (&lt;i style="mso-bidi-font-style: normal;"&gt;Melancholia&lt;/i&gt;) foi prejudicada
mais uma vez pelo mal estar causado por Lars Von Trier em &lt;i style="mso-bidi-font-style: normal;"&gt;Cannes&lt;/i&gt; e fica fora da lista das melhores do ano [pelos membros da
Academia, ao menos].&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;Entre os coadjuvantes&lt;b&gt;&lt;span style="color: #6d6d6d; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Max von Sydow&lt;/span&gt; (&lt;i style="mso-bidi-font-style: normal;"&gt;Extremely
Loud &amp;amp; Incredibly Close&lt;/i&gt;) entra na disputa. O favoritismo de &lt;span style="mso-bidi-font-weight: bold;"&gt;Christopher Plummer&lt;/span&gt; (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;) pode ser ameaçado por Sydow,
mias um ator maduro, competente e que ainda não foi reconhecido pela Academia.
Torçamos para que isto não ocorra. E, para tristeza de muitos, Andy Serkis (&lt;i style="mso-bidi-font-style: normal;"&gt;Rise of The Planet of The Apes&lt;/i&gt;) mais uma
vez fica de fora, um fato infeliz, para a própria Academia. Já entre as
coadjuvantes, &lt;span style="mso-bidi-font-weight: bold;"&gt;Octavia Spencer (&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;) continua a favorita, mesmo com
a entrada de Melissa McCarthy (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;)
entre as indicadas. McCarthy anda festejada entre a crítica e o meio, com
indicações para o &lt;i style="mso-bidi-font-style: normal;"&gt;SAG Awards&lt;/i&gt; e o &lt;i style="mso-bidi-font-style: normal;"&gt;Bafta&lt;/i&gt;, assim como Spencer, que já ganhou
nos &lt;i style="mso-bidi-font-style: normal;"&gt;Golden Globes&lt;/i&gt;. A disputa vai ser
forte e a indicação de &lt;span style="mso-bidi-font-weight: bold;"&gt;Jessica Chastain&lt;/span&gt;
(&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;) pode prejudicar Spencer
com a divisão de votos. As categorias de coadjuvante normalmente são propícias
a surpresas, vamos ver o que acontece.&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;The Adventures of Tintin&lt;/span&gt;&lt;/i&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt; ficou de fora da categoria de animação,
conseguindo somente uma indicação para melhor trilha sonora, e Spielberg não
conseguiu emplacar uma indicação para melhor diretor por &lt;i style="mso-bidi-font-style: normal;"&gt;War Horse&lt;/i&gt;. Entre os resgates feitos pelos votantes, vale à pena
citar &lt;i style="mso-bidi-font-style: normal;"&gt;The Tree of Life&lt;/i&gt; que rendeu a Terrence
Malick uma indicação a melhor diretor, além de duas outras nas categorias de
melhor filme e melhor fotografia. &lt;i style="mso-bidi-font-style: normal;"&gt;Rio &lt;/i&gt;e
&lt;i style="mso-bidi-font-style: normal;"&gt;The Muppets&lt;/i&gt; foram lembrados apenas na
categoria de melhor canção. E &lt;i style="mso-bidi-font-style: normal;"&gt;A
Separation&lt;/i&gt; confirma seu favoritismo com indicações não apenas a melhor
filme estrangeiro, como também a melhor roteiro original. &lt;i style="mso-bidi-font-style: normal;"&gt;Pina&lt;/i&gt; fica de fora de filme estrangeiro, mas marca presença como
melhor documentário (longa).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Por fim, das 10 vagas a melhor filme, 09 foram preenchidas, deixando de
fora filmes como &lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;
e &lt;i style="mso-bidi-font-style: normal;"&gt;The Iron Lady&lt;/i&gt; e trazendo o já
citado &lt;i style="mso-bidi-font-style: normal;"&gt;The Tree of Life&lt;/i&gt; e &lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;Extremely Loud &amp;amp; Incredibly Close&lt;/i&gt;
junto com os favoritos &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;
e &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;. &lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;No mais, somente em 26 de
fevereiro para se descobrir o que os membros da Academia quiseram com estas
indicações. &lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Times New Roman; font-size: small;"&gt;

&lt;/span&gt;Eh Phoda!!!&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-2778838192124108468?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/hCzNynF46OA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/hCzNynF46OA/oscar-2012-nominations.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/oscar-2012-nominations.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-8255610921571404708</guid><pubDate>Mon, 23 Jan 2012 19:55:00 +0000</pubDate><atom:updated>2012-01-23T21:41:30.987-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oscar</category><title>The 84th Academy Awards</title><description>&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;Então,
amanhã, será divulgada a lista dos indicados ao prêmio máximo do cinema
americano [todo mundo escreve isso... mas soa tão estranho.] &lt;i style="mso-bidi-font-style: normal;"&gt;The Academy Awards&lt;/i&gt; ou simplesmente o
Oscar. Não queria arriscar palpites sobre as possíveis indicações
[especialmente porque todas as minhas indicações são furadas demais]. Sem ter
nada para fazer resolvi pensar um pouco mais no que pode acontecer amanhã.
Claro que não vou me arriscar em todas as categorias [porque ainda não estou
louco a este ponto]. Todos sabem que a academia não é lá muito confiável em
seus reconhecimentos. E diante de uma variedade de possíveis competidores, seus
membros preguiçosos podem vir a esquecer excelentes filmes menores e priorizar
os de sempre. Vejamos, então, o que podemos esperar amanhã.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Para
melhor filme, as regras mudaram, havendo a possibilidade de indicação de até 10
filmes. Em um ano como foi o de 2011, recheado de boas produções, é quase
certeza de que a Academia se valerá de todas as vagas. &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Algumas certezas são &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist, Hugo, War Horse, The Help &lt;/i&gt;e&lt;i style="mso-bidi-font-style: normal;"&gt; My Week With Marilyn&lt;/i&gt;. &lt;i style="mso-bidi-font-style: normal;"&gt;J.
Edgar&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Young Adults, Midnight in
Paris, Moneyball, The Tree of Live, The Adventures of Tintin, The Ides of March&lt;/i&gt;
são possibilidades que certamente serão consideradas. &lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Carnage&lt;/span&gt;&lt;/i&gt;&lt;span class="title-extra1"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Melancholia,
We Need to Talk About Kevin&lt;/i&gt; e A &lt;i style="mso-bidi-font-style: normal;"&gt;Dangerous
Method infelizmente &lt;/i&gt;perderam força duante o ano. Uma surpresa agradável
seria a indicação de &lt;i style="mso-bidi-font-style: normal;"&gt;Pina, &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Jodaeiye
Nader az Simin (A Separation&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;),&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;span class="title-extra1"&gt;&lt;span style="line-height: 115%; mso-ansi-font-size: 12.0pt; mso-bidi-font-size: 12.0pt;"&gt;Beginners,
50/50, Take Shelter, &lt;/span&gt;&lt;/span&gt;Martha Marcy May Marlene&lt;/i&gt; e a comédia &lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt; [ainda muito para o gosto
conservador dos membros da Academia]. E não se assuste se &lt;i style="mso-bidi-font-style: normal;"&gt;Extremely Loud and Incredibly Close &lt;/i&gt;aparecer entre os indicados.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Entre os indicados
para melhor diretor, Alexander Payne (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Descendants&lt;/i&gt;), Steven Spielberg (&lt;i style="mso-bidi-font-style: normal;"&gt;War
Horse&lt;/i&gt;), George Clooney (&lt;i style="mso-bidi-font-style: normal;"&gt;The Ides of
March&lt;/i&gt;), Martin Scorsese (&lt;i style="mso-bidi-font-style: normal;"&gt;Hugo&lt;/i&gt;) e
Michel Hazanavicius (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) são
os favoritos. Roman Polanski (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)
e David Fincher (&lt;i style="mso-bidi-font-style: normal;"&gt;The Girl With The Dragon
Tattoo&lt;/i&gt;) e Woody Allen (&lt;i style="mso-bidi-font-style: normal;"&gt;Midnight in
Paris&lt;/i&gt;) são fortes concorrentes. Taylor Tate (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;), Terrence Malick (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Tree of Life&lt;/i&gt;), David Cronenberg (&lt;i style="mso-bidi-font-style: normal;"&gt;A
Dangerous Method&lt;/i&gt;) e Jason Reitman (&lt;i style="mso-bidi-font-style: normal;"&gt;Young
Adults&lt;/i&gt;) possuem poucas chances. &lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Já
Lars Von Trier (&lt;i style="mso-bidi-font-style: normal;"&gt;Melancholia&lt;/i&gt;), depois
de seu comentário em &lt;i style="mso-bidi-font-style: normal;"&gt;Cannes&lt;/i&gt;, não
possui a menos possibilidade de indicação [mostrando como a Academia sabe
separar a pessoa da obra...]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Entre
os 09 finalistas a melhor filme estrangeiro, &lt;i style="mso-bidi-font-style: normal;"&gt;Pina,&lt;/i&gt; &lt;i style="mso-bidi-font-style: normal;"&gt;Jodaeiye Nader az Simin
(A Separation&lt;/i&gt;) são duas apostas certas. &lt;i&gt;In Darkness &lt;/i&gt;&lt;span style="mso-bidi-font-style: italic;"&gt;é bem próximo do gosto dos membros da
Academia. &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-latin;"&gt;Para completar eu arriscaria &lt;i&gt;Hearat
Shulayim &lt;/i&gt;(&lt;i&gt;Footnote&lt;/i&gt;) e &lt;i&gt;Sàidékè Balái &lt;/i&gt;(&lt;i&gt;Warriors of the
Rainbow: Seediq Bale). &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-latin;"&gt;Estranho foi a ausência de &lt;i&gt;Le gamin au velo&lt;/i&gt;. Não comento sobre &lt;i&gt;La
Piel Que Habito&lt;/i&gt; porque acho um filme fraco de Almodóvar, sendo realmente
desnecessária a indicação.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;George
Clooney (&lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;), Jean
Dujardin (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) são francos
favoritos ao prêmio de melhor ator e por tal, deixam apenas 03 vagas a serem
disputadas, provavelmente, por Leonardo DiCaprio (&lt;i style="mso-bidi-font-style: normal;"&gt;J. Edgar&lt;/i&gt;), Brad Pitt (&lt;i style="mso-bidi-font-style: normal;"&gt;Moneyball&lt;/i&gt;),
Michael Fassbender (&lt;i style="mso-bidi-font-style: normal;"&gt;Shame&lt;/i&gt;) e Demian
Bichir (&lt;i style="mso-bidi-font-style: normal;"&gt;A Better Life&lt;/i&gt;). Seria
interessante uma surpresa tal como a indicação de Gary Oldman (&lt;i style="mso-bidi-font-style: normal;"&gt;Tinker, Tailor, Soldier Spy&lt;/i&gt;), Joseph
Gordon-Levitt (&lt;i style="mso-bidi-font-style: normal;"&gt;50/50&lt;/i&gt;) ou Ewan
McGregor (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;). &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Já
a grande favorita para o prêmio de melhor atriz é Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;The Iron Lady&lt;/i&gt;). &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;) é forte
concorrente. Tilda Swinton (&lt;i style="mso-bidi-font-style: normal;"&gt;We Need To
Talk About Kevin&lt;/i&gt;), Glenn Close (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert
Nobbs&lt;/i&gt;) e Viola Davis (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;)
são ótimas apostas para as vagas restantes. &lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Felicity
Jones (&lt;i style="mso-bidi-font-style: normal;"&gt;Like Crazy&lt;/i&gt;) acabou esquecida e
Rooney Mara (&lt;i style="mso-bidi-font-style: normal;"&gt;The Girl with the Dragon
Tattoo&lt;/i&gt;) seria uma boa surpresa, apesar de que pouco provavelmente
conseguirá uma indicação, assim como Elizabeth Olsen (&lt;em&gt;Martha Marcy May&amp;nbsp;Marline&lt;/em&gt;). Uma esperança é Kate Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;) que rouba a cena e é sempre bem cotada pela Academia.
Infelizmente Kirsten Dunst (&lt;i style="mso-bidi-font-style: normal;"&gt;Melancholia&lt;/i&gt;)
acabou prejudicada por Lars Von Trier e está sendo ignorada, apesar de sua
excelente atuação.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;Entre
os coadjuvantes, Christopher Plummer (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;)
já está com o nome no envelope tanto de indicação quando de premiação.&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: &amp;quot;Lucida Sans Unicode&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; &lt;/span&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"&gt;Armie Hammer (&lt;i style="mso-bidi-font-style: normal;"&gt;J. Edgar&lt;/i&gt;), Albert Brooks (&lt;i style="mso-bidi-font-style: normal;"&gt;Drive&lt;/i&gt;), Kenneth Branagh (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week with Marilyn&lt;/i&gt;) e &lt;span style="mso-bidi-font-weight: bold;"&gt;Jonah Hill (&lt;i style="mso-bidi-font-style: normal;"&gt;Moneyball&lt;/i&gt;) estão entre os prováveis companheiros de Plummer. Viggo
Mortensen (&lt;i style="mso-bidi-font-style: normal;"&gt;A Dangerous Method&lt;/i&gt;) Jim
Broadbent (&lt;i style="mso-bidi-font-style: normal;"&gt;The Iron Lady&lt;/i&gt;) estão
cotados para uma vaga. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"&gt;Nick Nolte (&lt;i style="mso-bidi-font-style: normal;"&gt;Warrior&lt;/i&gt;) pode
ganhar uma indicação e Jeffrey Wright (&lt;i style="mso-bidi-font-style: normal;"&gt;Extremely
Loud and Incredibly Close&lt;/i&gt;) seria uma agradável surpresa. Andy Serkis (&lt;i style="mso-bidi-font-style: normal;"&gt;The Rise of The Planet of The Apes&lt;/i&gt;)
seria a grande virada da academia, em reconhecimento a um trabalho extraordinário.
Chances de isso acontecer? Praticamente nenhuma.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;E, por fim, entre as coadjuvantes, Octavia Spencer (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;) é nome certo para indicação.
Assim como sua colega de filme Jessica Chastain [que também pode conseguir uma
indicação por &lt;i style="mso-bidi-font-style: normal;"&gt;Take Shekter&lt;/i&gt; ou &lt;i style="mso-bidi-font-style: normal;"&gt;The Tree of Life&lt;/i&gt;)]. Shailene Woodley (&lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;) é uma boa aposta assim
como Bérénice Bejo (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) e
Janet McTeer (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert Noob&lt;/i&gt;). Uma
grande [e excelente] surpresa seria a indicação de Melissa McCarthy (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;), que vem crescendo em
reconhecimento. Jodie Foster (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)
tem poucas chances e e não se assuste se Sandra Bullock (&lt;i style="mso-bidi-font-style: normal;"&gt;Extremely Loud and Incredibly Close&lt;/i&gt;) aparecer entre as indicadas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
E é isso. &lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;Não vou além desses palpites, pois não me arrisco em
outras categorias que estas. Para saber mais clique &lt;a href="http://clickfilmes.blogspot.com/2011/07/previsoes-para-o-oscar-2012.html"&gt;aqui&lt;/a&gt;, &lt;a href="http://saladadecinema.com.br/2011/05/26/previsoes-para-o-oscar-2012/" target="_blank"&gt;aqui&lt;/a&gt;, &lt;a href="http://soucinemaniaco.com.br/novo/em-busca-do-ouro-ou-previsoes-do-oscar-2012/" target="_blank"&gt;aqui&lt;/a&gt; ou &lt;a href="http://www3.cinemaemcena.com.br/pv/BlogPablo/post/2012/01/21/Oscar-2012-Previsoes.aspx" target="_blank"&gt;aqui&lt;/a&gt; ou&amp;nbsp;procura no google ou o jeito é esperar amanhã para saber o que se passa na cabeça
dos membros da Academia [e torcer para o melhor...].&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: 12pt; line-height: 115%; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-8255610921571404708?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/Cal-WBjiDW4" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/Cal-WBjiDW4/oscar-2012-orecast.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/oscar-2012-orecast.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-7740492698727320385</guid><pubDate>Mon, 23 Jan 2012 14:18:00 +0000</pubDate><atom:updated>2012-01-23T12:18:00.837-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part XIII</title><description>&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding Performance by a Female Actor in a
Television Movie or Miniseries&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Diane Lane (&lt;i style="mso-bidi-font-style: normal;"&gt;Cinema Verite&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Maggie Smith (&lt;i style="mso-bidi-font-style: normal;"&gt;Downton
Abbey&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Emily Watson (&lt;i style="mso-bidi-font-style: normal;"&gt;Appropriate
Adult&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Betty White (&lt;i style="mso-bidi-font-style: normal;"&gt;Hallmark
Hall of Fame: The Lost Valentine&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Kate
Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Cmoo sempre
faço nestas categorias em que duas palavras resumem minha imparcialidade: Kate
Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-7740492698727320385?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/HB2WmKBisbA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/HB2WmKBisbA/sag-awards-2012-part-xiii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-xiii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-907073603295945910</guid><pubDate>Mon, 23 Jan 2012 14:17:00 +0000</pubDate><atom:updated>2012-01-23T12:17:23.261-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part XII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Male Actor in a Television Movie or Miniseries&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-2043"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Laurence Fishburne (&lt;i style="mso-bidi-font-style: normal;"&gt;Thurgood&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Paul Giamatti (&lt;i style="mso-bidi-font-style: normal;"&gt;Too
Big To Fail&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Greg Kinnear (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Kennedys&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Guy Pearce (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred
Pierce&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;James Woods (&lt;i style="mso-bidi-font-style: normal;"&gt;Too
Big To Fail&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Idris
Elba&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Luther&lt;/i&gt;) ficou de fora,
abrindo espaço para Guy Pearce (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred
Pierce&lt;/i&gt;), já premiado com um Emmy. Surpresas? Sempre podem acontecer, mas
creio ser pouco provável.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-907073603295945910?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/Z4Z4WjZ0Ld8" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/Z4Z4WjZ0Ld8/sag-awards-2012-part-xii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-xii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-7611939978183563552</guid><pubDate>Mon, 23 Jan 2012 14:16:00 +0000</pubDate><atom:updated>2012-01-23T12:16:34.413-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part XI</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Female Actor in a Comedy Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Julie Bowen (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Edie Falco (&lt;i style="mso-bidi-font-style: normal;"&gt;Nurse
Jackie&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Tina Fey (&lt;i style="mso-bidi-font-style: normal;"&gt;30
Rock&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Sofia Vergara (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Betty White (&lt;i style="mso-bidi-font-style: normal;"&gt;Hot
in Cleveland&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Betty White
(&lt;i style="mso-bidi-font-style: normal;"&gt;Hot in Cleveland&lt;/i&gt;) é uma eterna
favorita entre seus pares. Tina Fey (&lt;i style="mso-bidi-font-style: normal;"&gt;30
Rock&lt;/i&gt;) sobrevive e Edie Falco (&lt;i style="mso-bidi-font-style: normal;"&gt;Nurse
Jackie&lt;/i&gt;) volta depois de ter sido sumariamente ignorada pelos &lt;i style="mso-bidi-font-style: normal;"&gt;Golden Globes&lt;/i&gt;. Sofia Vergara e Julie
Bowen, ambas por &lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt; têm o
reconhecimento por segurar a série. Vergara é uma eterna favorita mas Bowen vem
de um Emmy e provavelmente levara a estatueta, se os votantes não confundirem
as coisas e mais uma vez premiarem White pelo carinho que têm por ela.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-7611939978183563552?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/4KRpecErtIQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/4KRpecErtIQ/sag-awards-2012-part-xi.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-xi.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-5592364466261143903</guid><pubDate>Mon, 23 Jan 2012 14:15:00 +0000</pubDate><atom:updated>2012-01-23T12:15:46.836-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part X</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Male Actor in a Comedy Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Alec Baldwin (&lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Ty Burrell (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Steve Carell (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Office&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Jon Cryer (&lt;i style="mso-bidi-font-style: normal;"&gt;Two
and a Half Men&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eric Stonestreet (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;Alec Baldwin (&lt;i style="mso-bidi-font-style: normal;"&gt;30
Rock&lt;/i&gt;) e Steve Carell (&lt;i style="mso-bidi-font-style: normal;"&gt;The Office&lt;/i&gt;)
sobrevivem entre os indicados. Ty Burrell (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;) e Eric Stonestreet (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;) são reconhecidos e Jon Cryer (&lt;i style="mso-bidi-font-style: normal;"&gt;Two
and a Half Men&lt;/i&gt;) surpreende ao ser indicado. &lt;/span&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Mais uma daquelas categorias em que não se sabe o que pensar de tudo. Alec
Baldwin (&lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;) é o eterno
favorito. Ty Burrell (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;)
vem de um Emmy ano passado e a indicação de Jon Cryer (&lt;i style="mso-bidi-font-style: normal;"&gt;Two and a Half Men&lt;/i&gt;) pode ser um sinal de reconhecimento. Se tiver
de arriscar, por mais que goste de Baldwin, o meu favorito para este ano é
Burrell.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-5592364466261143903?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/1X8wJasiuPQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/1X8wJasiuPQ/sag-awards-2012-part-x.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-x.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-7342983934155368146</guid><pubDate>Mon, 23 Jan 2012 14:15:00 +0000</pubDate><atom:updated>2012-01-23T12:15:12.191-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part IX</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Female Actor in a Drama Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Kathy Bates (&lt;i style="mso-bidi-font-style: normal;"&gt;Harry's Law&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Glenn Close (&lt;i style="mso-bidi-font-style: normal;"&gt;Damages&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Jessica Lange (&lt;i style="mso-bidi-font-style: normal;"&gt;American
Horror Story&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Julianna Margulies (&lt;i style="mso-bidi-font-style: normal;"&gt;The Good Wife&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Kyra
Sedgwick (&lt;i style="mso-bidi-font-style: normal;"&gt;The Closer&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Para mim,
uma categoria estranha em que Kyra Sedgwick (&lt;i style="mso-bidi-font-style: normal;"&gt;The Closer&lt;/i&gt;) e Glenn Close (&lt;i style="mso-bidi-font-style: normal;"&gt;Damages&lt;/i&gt;)
permanecem entre as indicadas. Julianna Margulies (&lt;i style="mso-bidi-font-style: normal;"&gt;The Good Wife&lt;/i&gt;) já levou, mas não convence muito. Kathy Bates (&lt;i style="mso-bidi-font-style: normal;"&gt;Harry's Law&lt;/i&gt;) e Jessica Lange (&lt;i style="mso-bidi-font-style: normal;"&gt;American Horror Story&lt;/i&gt;) devem competir
entre si pela estatueta. Apesar de ótima, Bates não deverá ser páreo para Lange
que basicamente interpreta sua história, e apesar de alguns críticos a acharem
exagerada, seu tom se encaixa perfeitamente com &lt;i style="mso-bidi-font-style: normal;"&gt;American Horror Story&lt;/i&gt;, além de ela roubar sempre a cena em cada
episódio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-7342983934155368146?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/11HGrYEzjxI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/11HGrYEzjxI/sag-awards-2012-part-ix.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-ix.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-4969488944744467574</guid><pubDate>Mon, 23 Jan 2012 14:14:00 +0000</pubDate><atom:updated>2012-01-23T12:14:12.174-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part VIII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Male Actor in a Drama Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-2023"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Patrick J. Adams (&lt;i style="mso-bidi-font-style: normal;"&gt;Suits&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Steve Buscemi (&lt;i style="mso-bidi-font-style: normal;"&gt;Boardwalk
Empire&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Kyle Chandler (&lt;i style="mso-bidi-font-style: normal;"&gt;Friday
Night Lights&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Bryan Cranston (&lt;i style="mso-bidi-font-style: normal;"&gt;Breaking
Bad&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Michael C. Hall (&lt;i style="mso-bidi-font-style: normal;"&gt;Dexter&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;O novato
Patrick J. Adams (&lt;i style="mso-bidi-font-style: normal;"&gt;Suits&lt;/i&gt;)deve se dar
por satisfeito com sua indicação. Steve Buscemi (&lt;i style="mso-bidi-font-style: normal;"&gt;Boardwalk Empire&lt;/i&gt;) já levou no ano anterior e Bryan Cranston (&lt;i style="mso-bidi-font-style: normal;"&gt;Breaking Bad&lt;/i&gt;) e Michael C. Hall (&lt;i style="mso-bidi-font-style: normal;"&gt;Dexter&lt;/i&gt;) também já foram premiados. Kyle
Chandler (&lt;i style="mso-bidi-font-style: normal;"&gt;Friday Night Lights&lt;/i&gt;) vem de
um Emmy e pode ser surpreendido com mais um prêmio, apesar da torcida ficar
para Michael C. Hall (&lt;i style="mso-bidi-font-style: normal;"&gt;Dexter&lt;/i&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-4969488944744467574?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/qwoLFnXFbG0" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/qwoLFnXFbG0/sag-awards-2012-part-viii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-viii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-2835358024490721304</guid><pubDate>Mon, 23 Jan 2012 14:13:00 +0000</pubDate><atom:updated>2012-01-23T12:13:39.283-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part VII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by an Ensemble in a Comedy Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-2018"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;30 Rock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Big Bang Theory&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Glee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Modern
Family&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Office&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;A presença
de &lt;i style="mso-bidi-font-style: normal;"&gt;The Big Bang Theory&lt;/i&gt; entre os
indicados não dever alterar a dinâmica da categoria. &lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Glee&lt;/i&gt; e &lt;i style="mso-bidi-font-style: normal;"&gt;The Office&lt;/i&gt; permanecem entre os indicados
mas sem&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;força para bater &lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-2835358024490721304?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/vVoR6dbbr6Q" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/vVoR6dbbr6Q/sag-awards-2012-part-vii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-vii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-6868267990021442689</guid><pubDate>Mon, 23 Jan 2012 14:12:00 +0000</pubDate><atom:updated>2012-01-23T12:12:59.264-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part VI</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by an Ensemble in a Drama Series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;o:p&gt;&lt;span style="font-family: Calibri;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-2013"&gt;&lt;/a&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Boardwalk Empire&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="display: none; mso-hide: all;"&gt;&lt;span style="font-family: Calibri;"&gt;Anatol
Yusef — Meyer Lansky &lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="" name="nominee-2014"&gt;&lt;/a&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Breaking Bad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Dexter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Game of Thrones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Good Wife&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; tab-stops: list 36.0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Ainda conservadora, as indicações ao &lt;i style="mso-bidi-font-style: normal;"&gt;SAG
Awards&lt;/i&gt; ignoraram novas séries como &lt;i style="mso-bidi-font-style: normal;"&gt;Boss&lt;/i&gt;
ou &lt;i style="mso-bidi-font-style: normal;"&gt;Homeland&lt;/i&gt;. &lt;i style="mso-bidi-font-style: normal;"&gt;Boardwalk Empire&lt;/i&gt; e &lt;i style="mso-bidi-font-style: normal;"&gt;The Good
Wife&lt;/i&gt; não me soam como as melhores escolhas. &lt;i style="mso-bidi-font-style: normal;"&gt;Breaking Bad&lt;/i&gt; parece ser bem querida entre os votantes e &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Calibri;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Dexter&lt;/span&gt;&lt;/i&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt; vem de uma
ótima temporada, com um final surpreendente. Por fim, &lt;i style="mso-bidi-font-style: normal;"&gt;Game of Thrones&lt;/i&gt; é, dentre as indicadas, a série mais festejada. Eu
arriscaria Dexter pela temporada e também pela surpresa, mas algo me diz que a
disputa está entre &lt;i style="mso-bidi-font-style: normal;"&gt;Boardwalk Empire&lt;/i&gt; e
&lt;i style="mso-bidi-font-style: normal;"&gt;Game of Thrones&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-6868267990021442689?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/GMQ4yeqHX1o" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/GMQ4yeqHX1o/sag-awards-2012-part-vi.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-vi.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-3912187206606966325</guid><pubDate>Mon, 23 Jan 2012 14:11:00 +0000</pubDate><atom:updated>2012-01-23T12:11:29.390-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part V</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Female Actor in a Supporting Role&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Bérénice Bejo (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Artist&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Jessica Chastain (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Melissa McCarthy (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Janet McTeer (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert
Nobbs&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Octavia
Spencer (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Minha
grande felicidade nesta categoria foi o reconhecimento de Melissa McCarthy (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;). Apesar de não ter chances,
há uma sinalização, pensando-se também em sua indicação ao Bafta, de que McCarthy
deverá conseguir sua primeira indicação ao Oscar. Bérénice Bejo (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) e Janet McTeer (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert Nobbs&lt;/i&gt;) não possuem chances de
surpreender a favorita Octavia Spencer (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Help&lt;/i&gt;). Jessica Chastain (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;)
perde forças por ter sido indicada também por &lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;. Teria mais chances se fosse indicada por &lt;i style="mso-bidi-font-style: normal;"&gt;The Tree of Life &lt;/i&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;ou &lt;i style="mso-bidi-font-style: normal;"&gt;Take
Shelter&lt;/i&gt;, por exemplo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-3912187206606966325?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/l5VC-zO2Qps" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/l5VC-zO2Qps/sag-awards-2012-part-v.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-v.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-3053846218284773248</guid><pubDate>Mon, 23 Jan 2012 14:10:00 +0000</pubDate><atom:updated>2012-01-23T12:10:44.710-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part IV</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Male Actor in a Supporting Role&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-2003"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Kenneth Branagh (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Armie Hammer (&lt;i style="mso-bidi-font-style: normal;"&gt;J.
Edgar&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Jonah Hill (&lt;i style="mso-bidi-font-style: normal;"&gt;Moneyball&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Nick Nolte (&lt;i style="mso-bidi-font-style: normal;"&gt;Warrior&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Christopher Plummer (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Uma
categoria de fácil escolha. Christopher Plummer (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;) está fantastico e dificilmente perderá nas categorias em
que for indicado este ano. E é quase certa sua premiação também pela Academia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-3053846218284773248?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/O_fxtbAgU1o" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/O_fxtbAgU1o/sag-awards-2012-part-iv.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-iv.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-6417424736844412540</guid><pubDate>Mon, 23 Jan 2012 14:09:00 +0000</pubDate><atom:updated>2012-01-23T12:09:58.879-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part III</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Female Actor in a Leading Role&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-1998"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Glenn Close (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert Nobbs&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Viola Davis (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Help&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Iron Lady)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Tilda Swinton (&lt;i style="mso-bidi-font-style: normal;"&gt;We
Need To Talk About Kevin&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Uma
daquelas categorias que você sempre torce para ter e depois se arrepende por não
saber para quem torcer. Glenn Close (&lt;i style="mso-bidi-font-style: normal;"&gt;Albert
Nobbs&lt;/i&gt;) é provavelmente a zebra da categoria [é quando se percebe isso que
se tem noção da dimensão do peso desta categoria]. Tilda Swinton (&lt;i style="mso-bidi-font-style: normal;"&gt;We Need To Talk About Kevin&lt;/i&gt;), apesar de
magnífica, não deve ficar com a estatueta também. Viola Davis (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;) ficou um pouco apagada pelo
desempenho de suas colegas de filme Octavia Spencer e Jessica Chastain e pouco
provavelmente será escolhida. Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;), a sempre festejada &lt;i style="mso-bidi-font-style: normal;"&gt;indie&lt;/i&gt;, pode importalizar um ícone do cinema e tem como grande
concorrente Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;The Iron Lady&lt;/i&gt;)
em mais uma performance inspirada. Queria por seus pares, Streep é aposta fácil
para ficar com o &lt;i style="mso-bidi-font-style: normal;"&gt;actor&lt;/i&gt; do SAG. E já
pensando um pouco a frente, nada é garantido para finalmente Streep levar seu
terceiro Oscar, visto que quanto mais forte a categoria, maior a divisão de
votos e a chance de surpresas. Por enquanto ficamos com Meryl Streep e sua
incorporação de Margaret Thatcher.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-6417424736844412540?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/H6qeaG-t19c" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/H6qeaG-t19c/sag-awards-2012-part-iii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-iii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-5127000976047789857</guid><pubDate>Mon, 23 Jan 2012 14:09:00 +0000</pubDate><atom:updated>2012-01-23T12:09:20.620-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part II</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Male Actor in a Leading Role&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;a href="" name="nominee-1993"&gt;&lt;/a&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Demián Bichir (&lt;i style="mso-bidi-font-style: normal;"&gt;A Better Life&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;George Clooney (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Descendants&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Leonardo DiCaprio (&lt;i style="mso-bidi-font-style: normal;"&gt;J. Edgar&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Jean Dujardin (&lt;i style="mso-bidi-font-style: normal;"&gt;The
Artist&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Brad Pitt (&lt;i style="mso-bidi-font-style: normal;"&gt;Moneyball&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Demián
Bichir (&lt;i style="mso-bidi-font-style: normal;"&gt;A Better Life&lt;/i&gt;) surpreende ao
ficar com a vaga de Michael Fassbender (&lt;i style="mso-bidi-font-style: normal;"&gt;Shame&lt;/i&gt;)
em um filme que tem todo perfil de filme para academia. Esta indicação pode
significar um rearranjo entre os possíveis indicados ao Oscar deste ano.
Contudo, assim como Michael Fassbender, Bichir não possui chances de bater os
favoritos George Clooney (&lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;)
e Jean Dujardin (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;). Leonardo
DiCaprio (&lt;i style="mso-bidi-font-style: normal;"&gt;J. Edgar&lt;/i&gt;) deve ficar feliz
por ter sido lembrado e Brad Pitt (&lt;i style="mso-bidi-font-style: normal;"&gt;Moneyball&lt;/i&gt;)
perderá mais uma vez. Senti falta de Gary Oldman (&lt;i style="mso-bidi-font-style: normal;"&gt;Tinker Tailor Soldier Spy&lt;/i&gt;)e Ryan Gosling (mais provavelmente por &lt;i style="mso-bidi-font-style: normal;"&gt;The Ides of March &lt;/i&gt;que por &lt;i style="mso-bidi-font-style: normal;"&gt;Drive&lt;/i&gt;). Jean Dujardin (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) deve ficar com a estatueta e
se fortalecer cada vez mais para levar o Oscar em fevereiro. Ainda reforço que
a ausência e Ewan McGregor (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;)
é um tanto inexplicavel nesta temporada de premiações.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-5127000976047789857?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/KpPxcmW4OIs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/KpPxcmW4OIs/sag-awards-2012-part-ii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-ii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-3390672936316325490</guid><pubDate>Mon, 23 Jan 2012 14:08:00 +0000</pubDate><atom:updated>2012-01-23T12:08:33.652-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SAG Awards</category><title>SAG Awards 2012 – Part I</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Outstanding
Performance by a Cast in a Motion Picture&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Artist&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="display: none; line-height: normal; margin: 0cm 0cm 0pt; mso-list: l4 level1 lfo1; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"&gt;
&lt;span style="display: none; font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Symbol; mso-hide: all;"&gt;&lt;span style="mso-list: Ignore;"&gt;·&lt;/span&gt;&lt;/span&gt;&lt;span style="display: none; mso-hide: all;"&gt;&lt;span style="font-family: Calibri;"&gt;John
Goodman — Al Zimmer &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Bridesmaids&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Descendants&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;The Help&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Midnight in Paris&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; tab-stops: list 36.0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Teoricamente, a disputa ficaria entre &lt;i style="mso-bidi-font-style: normal;"&gt;The
Descendants &lt;/i&gt;e &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;. O
sindicato pode surpreender e premiar &lt;i style="mso-bidi-font-style: normal;"&gt;The
Help&lt;/i&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Calibri;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;Midnight in Paris&lt;/span&gt;&lt;/i&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt; e &lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;, três filmes fortes graças
aos respectivos elencos. &lt;i style="mso-bidi-font-style: normal;"&gt;Midnight In
Paris&lt;/i&gt; seria meu escolhido, mas creio que &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist &lt;/i&gt;deva ser reconhecido frente a &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-3390672936316325490?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/0dqMnAG-YOU" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/0dqMnAG-YOU/sag-awards-2012-part-i.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/sag-awards-2012-part-i.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-1821710526815674435</guid><pubDate>Tue, 17 Jan 2012 14:30:00 +0000</pubDate><atom:updated>2012-01-17T12:30:22.382-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">notícia</category><category domain="http://www.blogger.com/atom/ns#">internet</category><title>Bafta 2012</title><description>&lt;div style="text-align: justify;"&gt;


&lt;span style="font-family: Calibri;"&gt;E vamos a mais uma premiação. A &lt;i style="mso-bidi-font-style: normal;"&gt;British Academy of Film and Television Arts&lt;/i&gt;
acaba de anunciar seus indicados ao &lt;i style="mso-bidi-font-style: normal;"&gt;Bafta
Film Awards&lt;/i&gt; 2012 [clique &lt;/span&gt;&lt;a href="http://www.bafta.org/film/awards/nominees-winners-2012,2449,BA.html"&gt;&lt;span style="color: blue; font-family: Calibri;"&gt;aqui&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Calibri;"&gt;
para ler a lista completa]. É mais uma dos indicadores sobre os possíveis
indicados ao Oscar este ano, contudo, por ser um prêmio britânico, há surpresas
maiores e reconhecimentos merecidos. Então, vamos lá...&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;


&lt;span style="font-family: Calibri;"&gt;O grande indicado deste ano é &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;. O que é um bom sinal tendo que, até então, seu
concorrente direto é &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;.
Houve duas surpresas nas indicações a melhor filme: &lt;i style="mso-bidi-font-style: normal;"&gt;Drive&lt;/i&gt; e &lt;i style="mso-bidi-font-style: normal;"&gt;Tinker Tailor Soldier
Spy&lt;/i&gt;. O que permite um possível elemento de surpresa para o anúncio da
Academia. O documentário &lt;i style="mso-bidi-font-style: normal;"&gt;Senna&lt;/i&gt; obteve
um reconhecimento bom entre os votantes e &lt;i style="mso-bidi-font-style: normal;"&gt;Pinna&lt;/i&gt;
ficou de fora da categoria documentário, sendo indicado apenas como melhor
filme estrangeiro, juntamente com o favorito &lt;i style="mso-bidi-font-style: normal;"&gt;A Separation&lt;/i&gt; e o badalado &lt;i style="mso-bidi-font-style: normal;"&gt;The
Skin I live In&lt;/i&gt;. &lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;


&lt;span style="font-family: Calibri;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids &lt;/i&gt;consegue
se manter em evidência com a indicação a roteiro original [assim como &lt;i style="mso-bidi-font-style: normal;"&gt;Midnight In Paris]&lt;/i&gt; e a melhor atriz
coadjuvante para Melissa McCarthy [outro bom sinal, especialmente para os fãs
da atriz]. Apesar de a favorita na categoria ser Octavia Spencer (&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;), a indicação de McCarthy traz
um reconhecimento à atriz revelação da comédia americana. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Os favoritos Christopher Plummer (&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;), Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;Iron Lady&lt;/i&gt;), Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;), George Clooney (&lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants&lt;/i&gt;) e Jean Dujardin (&lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;) estão presentes, assim como
os meus favorites Michael Fassbender (&lt;i style="mso-bidi-font-style: normal;"&gt;Shame&lt;/i&gt;)
e Tilda Swinton (&lt;i style="mso-bidi-font-style: normal;"&gt;We Need to Talk About
Kevin&lt;/i&gt;). &lt;/span&gt;E Gary Oldman (&lt;i style="mso-bidi-font-style: normal;"&gt;Tinker
Tailor Soldier Spy&lt;/i&gt;), em um excelente trabalho, surge como uma indicação de
nada está definido quando se trata de premiações.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;


&lt;span style="font-family: Calibri;"&gt;De resto é esperar para ver o que os britânicos
pensam e, quem sabe, eles resolvem surpreender a todos com premiações
inexperadas?!&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;


&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-1821710526815674435?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/f_GzCQs0oeE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/f_GzCQs0oeE/bafta-2012.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/bafta-2012.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-2837354127250183805</guid><pubDate>Mon, 16 Jan 2012 13:58:00 +0000</pubDate><atom:updated>2012-01-16T11:58:37.873-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes 2012 – Comments</title><description>&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Então, ontem, mais uma cerimônia dos &lt;i style="mso-bidi-font-style: normal;"&gt;Golden Globe Awards&lt;/i&gt; foi realizada em
Hollywood [clique &lt;/span&gt;&lt;a href="http://www.goldenglobes.org/nominations/"&gt;&lt;span style="color: blue; font-family: Calibri;"&gt;aqui&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Calibri;"&gt;
para saber todos os premiados]. Nada de novo aconteceu, como sempre, mas vamos
aos comentários... Começando do começo, mais uma transmissão insuportável, e
não me refiro apenas a Ricky Gervais que fez questão de ser mais irritante do
que normalmente já o é. Mais uma vez a cerimônia no Brasil teve como peça chave
Rubens Ewald Filho, que demorou a engrenar nos comentários, mas se manteve
desconexo e deslumbrado como sempre. A opção de áudio original foi uma boa
saída para não ser achincalhado cada vez que abrisse a boca, isto se o receptor
disponibilizasse tal possibilidade...&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Quanto à cerimônia em si, podemos dizer que mais
uma vez foi algo burocrático, não conseguindo encantar nem mesmo com a
cobertura do tapete vermelho [o que normalmente é o melhor de qualquer
premiação]. A premiação seguiu tranqüila, validando novos programas da
televisão americana, como &lt;i style="mso-bidi-font-style: normal;"&gt;Homeland&lt;/i&gt;
que ficou com melhor série dramática e melhor atriz dramática para Claire Danes,
&lt;i style="mso-bidi-font-style: normal;"&gt;Boss&lt;/i&gt; representado por Kelsey Grammer,
&lt;i style="mso-bidi-font-style: normal;"&gt;Enlightened&lt;/i&gt; com o reconhecimento da
grande atuação de Laura Dern, &lt;i style="mso-bidi-font-style: normal;"&gt;Episodes&lt;/i&gt;
trazendo Matt LeBlanc de novo ao mapa de Hollywood e &lt;i style="mso-bidi-font-style: normal;"&gt;American Horror Story&lt;/i&gt; premiando a divertidamente exagerada, em um
jeito distorcido é claro, interpretação de Jessica Lange. Peter Dinklage (&lt;i style="mso-bidi-font-style: normal;"&gt;Game Of Thrones&lt;/i&gt;) segue sendo reconhecido
por seu trabalho e &lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt; se
mantém no topo das melhores comédias. &lt;i style="mso-bidi-font-style: normal;"&gt;Mildred
Pierce&lt;/i&gt; mais uma vez garantiu uma estatueta de melhor atriz em telefilme ou
mini série a Kate Winslet. Para fechar as categorias destinadas à televisão, &lt;i style="mso-bidi-font-style: normal;"&gt;Downton Abbey (Masterpiece) &lt;/i&gt;e Idris
Elba&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Luther&lt;/i&gt;) foram reconhecidos.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;O grande problema se deu nas categorias destinadas
a filmes. O grande primeiro termômetro de como poderá ser a cerimônia da
Academia este ano foi confuso e paternalista. "Masterpiece"&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;W.E.&lt;/i&gt;) soou mais como um prêmio de
consolação para Madonna, já que a indicação em si ficou com a sensação de
tentativa de garantir audiência. &lt;i style="mso-bidi-font-style: normal;"&gt;Midnight
In Paris&lt;/i&gt; de Woody Allen já pode se contentar com indicações sem, contudo,
manter expectativas de ir além do prêmio de roteiro adaptado. &lt;i style="mso-bidi-font-style: normal;"&gt;Hugo&lt;/i&gt; poderá garantir a Martin Scorsese
mais um prêmio de melhor direção já que os americanos não vão se render a
homenagem feita ao cinema por &lt;i style="mso-bidi-font-style: normal;"&gt;The Artist&lt;/i&gt;,
que ficou com melhor trilha sonora (Ludovic Bource), melhor ator comédia (Jean
Dujardin) e melhor filme cômico. Resta saber se a Academia terá coragem de
também reconhecer os méritos do filme. &lt;i style="mso-bidi-font-style: normal;"&gt;The
Adventures Of Tintin &lt;/i&gt;pode ser considerado a desculpa de Spielberg por seu
burocrático &lt;i style="mso-bidi-font-style: normal;"&gt;War Horse&lt;/i&gt; e deve repetir
o prêmio em fevereiro.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;O
premiado &lt;i style="mso-bidi-font-style: normal;"&gt;A Separation&lt;/i&gt; desbancou &lt;i style="mso-bidi-font-style: normal;"&gt;The Skin I Live In&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;In The Land Of Blood And Honey&lt;/i&gt;&amp;nbsp;e meu favorito &lt;i style="mso-bidi-font-style: normal;"&gt;The&lt;/i&gt; &lt;i style="mso-bidi-font-style: normal;"&gt;Kid
With a Bike&lt;/i&gt;, ficando com a estatueta de melhor filme estrangeiro. &lt;/span&gt;Sem
desmerecer o filme em si, percebe-se um tom político na premiação de um filme
iraniano de resistência, por assim dizer. Christopher Plummer&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Beginners&lt;/i&gt;) e Octavia Spencer&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;The Help&lt;/i&gt;) já podem preparar seus
discursos para receberem suas estatuetas em fevereiro. Nem mesmo uma
possibilidade de indicação de Melissa McCarthy (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;) é capaz diminuir as chances de Spencer. Já Plummer não
tem concorrência direta e poderá ser reconhecido, finalmente. Meryl Streep (&lt;i style="mso-bidi-font-style: normal;"&gt;Iron Lady&lt;/i&gt;) deverá ser reconhecida
novamente e dificilmente perderá como melhor atriz este ano. &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;A escolha de Michelle Williams&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;) em uma categoria
cômica soou um pouco estranho assim como a premiação de George Clooney, e seu &lt;i style="mso-bidi-font-style: normal;"&gt;The Descendants,&lt;/i&gt; pareceu-me um pouco
mais camaradagem do que propriamente merecimento.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Longa e tediosa, a cerimônia de entrega dos &lt;i style="mso-bidi-font-style: normal;"&gt;Golden Globes Awards &lt;/i&gt;deixa uma esperança
apenas: normalmente, a Academia costuma divergir de algumas escolhas feitas
pela &lt;i style="mso-bidi-font-style: normal;"&gt;Hollywwod Foreign Press Association
– &lt;/i&gt;HFPA. Resta torcer para que as divergências, este ano, sejam mais
palatáveis que algumas escolhas dos membros da HFPA.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Que venham os &lt;i style="mso-bidi-font-style: normal;"&gt;SAG
Awards&lt;/i&gt;...&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-2837354127250183805?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/y68TZeCLioo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/y68TZeCLioo/golden-globes-2012-comments.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-2012-comments.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-3188738314589541479</guid><pubDate>Fri, 13 Jan 2012 14:01:00 +0000</pubDate><atom:updated>2012-01-13T12:01:38.440-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes – Part XXV</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actress in a
Motion Picture - Comedy Or Musical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Jodie
Foster (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Charlize
Theron (&lt;i style="mso-bidi-font-style: normal;"&gt;Young Adult&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Kristen
Wiig (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Michelle
Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style="font-family: Calibri;"&gt;Kate Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Em uma categoria estranhíssima, três performances
dramáticas [Jodie Foster (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;), Michelle
Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My Week With Marilyn&lt;/i&gt;) e Kate
Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)] concorrem com duas
realmente cômicas [Charlize Theron (&lt;i style="mso-bidi-font-style: normal;"&gt;Young
Adult&lt;/i&gt;) e Kristen Wiig (&lt;i style="mso-bidi-font-style: normal;"&gt;Bridesmaids&lt;/i&gt;)].
Se somente este motivo fosse analisado, apesar de adorar Kristen Wiig, Charlize
Theron teria mais chance de ganhar. Mas como o conjunto que vale, aposto em
Kate Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;) [desculpa aí &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Jodie Foster (&lt;i style="mso-bidi-font-style: normal;"&gt;Carnage&lt;/i&gt;)]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;, mesmo tendo
quase certeza de que Michelle Williams (&lt;i style="mso-bidi-font-style: normal;"&gt;My
Week With Marilyn&lt;/i&gt;) será coroada por sua&amp;nbsp;personificação de um mito!&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-3188738314589541479?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/3Y9QBM3ajsI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/3Y9QBM3ajsI/golden-globes-part-xxv.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xxv.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-964055991913891177</guid><pubDate>Fri, 13 Jan 2012 01:07:00 +0000</pubDate><atom:updated>2012-01-12T23:07:43.504-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes - Part XXIV</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actor in a
Supporting Role in a Series, Mini-Series or Motion Picture Made for Television&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Peter
Dinklage (&lt;i style="mso-bidi-font-style: normal;"&gt;Game Of Thrones&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Paul
Giamatti (&lt;i style="mso-bidi-font-style: normal;"&gt;Too Big To Fail&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Guy
Pearce (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Tim
Robbins (&lt;i style="mso-bidi-font-style: normal;"&gt;Cinema Verite&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Eric
Stonestreet (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Não é muito difícil a escolha. Entre Peter Dinklage
(&lt;i style="mso-bidi-font-style: normal;"&gt;Game Of Thrones&lt;/i&gt;) e Guy Pearce (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;), aposto que o primeiro
continuará sendo premiado. Eric Stonestreet (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;) pode até ser cogitado, mas não sei se para &lt;i style="mso-bidi-font-style: normal;"&gt;Golden Globes&lt;/i&gt; &lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt; ainda tem força para emplacar atores... Paul Giamatti
(&lt;i style="mso-bidi-font-style: normal;"&gt;Too Big To Fail&lt;/i&gt;) e Tim Robbins (&lt;i style="mso-bidi-font-style: normal;"&gt;Cinema Verite&lt;/i&gt;) não têm, aparentemente,&amp;nbsp;força para ir além
de indicação.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-964055991913891177?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/1MB18P2TUpo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/1MB18P2TUpo/golden-globes-part-xxiv.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xxiv.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-7523693346858610189</guid><pubDate>Fri, 13 Jan 2012 01:06:00 +0000</pubDate><atom:updated>2012-01-12T23:06:04.585-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes - Part XXIII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actress in a
Supporting Role in a Series, Mini-Series or Motion Picture Made for Television&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Jessica
Lange (&lt;i style="mso-bidi-font-style: normal;"&gt;American Horror Story&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Kelly
MacDonald (&lt;i style="mso-bidi-font-style: normal;"&gt;Boardwalk Empire&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Maggie
Smith (&lt;i style="mso-bidi-font-style: normal;"&gt;Downton Abbey Masterpiece&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Sofia
Vergara (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern Family&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Evan
Rachel Wood (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Sofia Vergara (&lt;i style="mso-bidi-font-style: normal;"&gt;Modern
Family&lt;/i&gt;) já merce há algum tempo, mas este ano Jessica Lange (&lt;i style="mso-bidi-font-style: normal;"&gt;American Horror Story&lt;/i&gt;) está soberba e
rouba a cena sempre que aparece com sua não tão politicamente correta Constance
Langdon.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-7523693346858610189?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/PL4avhG3puc" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/PL4avhG3puc/golden-globes-part-xxiii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xxiii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-419592225399696126</guid><pubDate>Fri, 13 Jan 2012 01:05:00 +0000</pubDate><atom:updated>2012-01-12T23:05:15.577-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes - Part XXII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actor in a
Mini-Series or Motion Picture Made for Television&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Hugh
Bonneville (&lt;i style="mso-bidi-font-style: normal;"&gt;Downton Abbey Masterpiece&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Idris
Elba (&lt;i style="mso-bidi-font-style: normal;"&gt;Luther&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;William
Hurt (&lt;i style="mso-bidi-font-style: normal;"&gt;Too Big To Fail&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Bill
Nighy (&lt;i style="mso-bidi-font-style: normal;"&gt;Page Eight Masterpiece&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Dominic
West (&lt;i style="mso-bidi-font-style: normal;"&gt;The Hour&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Sem
muito conhecimento, vamos arriscar William Hurt (&lt;i style="mso-bidi-font-style: normal;"&gt;Too Big To Fail&lt;/i&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh
Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-419592225399696126?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/R-LQ9bDKNeY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/R-LQ9bDKNeY/golden-globes-part-xxii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xxii.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-6651580940659668856</guid><pubDate>Fri, 13 Jan 2012 01:04:00 +0000</pubDate><atom:updated>2012-01-12T23:04:10.989-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes - Part XXI</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actress In A
Mini-series or Motion Picture Made for Television&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Romola
Garai (&lt;i style="mso-bidi-font-style: normal;"&gt;The Hour&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Diane
Lane (&lt;i style="mso-bidi-font-style: normal;"&gt;Cinema Verite&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Elizabeth
McGovern (&lt;i style="mso-bidi-font-style: normal;"&gt;Downton Abbey Masterpiece&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Emily
Watson (&lt;i style="mso-bidi-font-style: normal;"&gt;Appropriate Adult&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Kate
Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Completamente
imparcial: Kate Winslet (&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;).
Como sempre...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh
Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-6651580940659668856?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/wrsMj0oChdk" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/wrsMj0oChdk/golden-globes-part-xxi.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xxi.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-4135092550427651302</guid><pubDate>Fri, 13 Jan 2012 01:03:00 +0000</pubDate><atom:updated>2012-01-12T23:03:29.071-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes - Part XX</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Mini-Series Or Motion Picture
Made for Television&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Cinema
Verite (HBO)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Downton
Abbey (Masterpiece) (PBS)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;The
Hour (BBC AMERICA)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Mildred
Pierce (HBO)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Too
Big To Fail (HBO)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Fácil:
&lt;i style="mso-bidi-font-style: normal;"&gt;Mildred Pierce&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Eh
Phoda!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-4135092550427651302?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/n02UGaIejJY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/n02UGaIejJY/golden-globes-part-xx.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xx.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-3597782158357304706</guid><pubDate>Fri, 13 Jan 2012 01:02:00 +0000</pubDate><atom:updated>2012-01-12T23:02:33.674-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes – Part XIX</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actor In A
Television Series - Comedy Or Musical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Alec
Baldwin&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;David
Duchovny&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Californication&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Johnny
Galecki&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;The Big Bang Theory&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Thomas
Jane&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Hung&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Matt
LeBlanc&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Episodes&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Alec Baldwin&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;) se mantem entre os indicados por seu carisma. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;David Duchovny&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Californication&lt;/i&gt;) parece ter seus fãs
tamném. &lt;/span&gt;Johnny Galecki&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;The
Big Bang Theory&lt;/i&gt;) deve ficar feliz com a indicação assim como Thomas
Jane&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Hung&lt;/i&gt;). Matt LeBlanc&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Episodes&lt;/i&gt;) surpreende e pode levar a
estatueta e de quebra provar que há vida pós &lt;i style="mso-bidi-font-style: normal;"&gt;Friends. &lt;/i&gt;Nesta, não me comprometo.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-3597782158357304706?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/7VueqdznCC8" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/7VueqdznCC8/golden-globes-part-xix.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xix.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2696946831089391100.post-1779882872485969861</guid><pubDate>Fri, 13 Jan 2012 01:01:00 +0000</pubDate><atom:updated>2012-01-14T12:33:47.847-02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Golden Globes</category><title>Golden Globes – Part XVIII</title><description>&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Best Performance by an Actress In A
Television Series - Comedy Or Musical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Laura
Dern&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Enlightened&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Zooey
Deschanel&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;New Girl&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Tina
Fey&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;30 Rock&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Laura
Linney&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;The Big C&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-family: Calibri;"&gt;Amy
Poehler&amp;nbsp;(&lt;i style="mso-bidi-font-style: normal;"&gt;Parks And Recreation&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Amy
Poehler segura &lt;i style="mso-bidi-font-style: normal;"&gt;Parks And Recreation&lt;/i&gt;. &lt;/span&gt;Laura
Linney está maravilhosa em &lt;i style="mso-bidi-font-style: normal;"&gt;The Big C&lt;/i&gt;.
Tina Fey resiste por seu carisma assim como Zooey Deschanel que desbancou atrizes como Edie Falco (&lt;em&gt;Nurse Jackie&lt;/em&gt;) e Melissa McCarthy (&lt;em&gt;Mike &amp;amp; Molly)&lt;/em&gt;&amp;nbsp;e conseguiu uma indicação. Laura Dern está soberba como Amy Jellicoe,
na gangorra entre a calmaria e a loucura. Aposta? Reconhecimento de Dern pelos votantes.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; text-align: justify;"&gt;
&lt;span style="font-family: Calibri;"&gt;Eh Phoda!!!&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2696946831089391100-1779882872485969861?l=eh-phoda.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/EhPhoda/~4/TFya3URmKRs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/EhPhoda/~3/TFya3URmKRs/golden-globes-part-xviii.html</link><author>noreply@blogger.com (A.)</author><thr:total>0</thr:total><feedburner:origLink>http://eh-phoda.blogspot.com/2012/01/golden-globes-part-xviii.html</feedburner:origLink></item></channel></rss>

