Elwood Prints Photography

Meadow Love!

2012-05-29T12:22:00.000-07:00

Being a hippie in my youth, I can't help but conjure images of floaty skirts, spinning through golden meadows in dizzying colour, when we get weather like this, of course these days I just blame it on sun stroke! Still, such idealism and beauty prompted the stopping off for this pic just outside Killyleagh, Northern Ireland.

Newtownards Global Rainbow

2012-04-10T09:22:00.000-07:00

NEVER has the mediocre town of Newtownards, with it's mediocre entertainment, mediocre shops and mediocre pub locals ever been so inundated with thronging photographers and fun, oh-this-is-new, families. The mediocre carpark up Scrabo Hill was overflowing and the very, very steep road up to the landmark, historical tower was burgeoning under the weight of cars and their nervous drivers with screaming, burning clutches!

Newtownards is at the peak of the Ards Peninsula in Co. Down Northern Ireland, a great commutor town to Belfast, overlooking the picturesque Strangford Lough and cresting above it is Scrabo Tower built in memorial to Lord Stewart, Marquis of Londonderry and his fair thinking. It is an amazing building, offering grand vistas, the mainland clearly visible on a crisp day.

As part of the upcoming 2012 celebrations, taking in the London Olympics, the 100th Anniversary of the Titanic's fateful maiden voyae and other events and shows, for four nights approaching Saint Patrick's Day a Global Rainbow, designed by Yvette Mattern was projected over the town.

Hard to explain, easier to show:

All images can be ordered from: http://www.elwoodprints.com or email for further details at emma@esikcreations.com

Titanic Light Show Belfast 07/04/2012

2012-04-10T07:07:00.000-07:00

Almost exactly one hundred years after the tragedy of the RMS Titanic, Belfast has evolved a great deal and now embraces the peoples of the world in remembrance, celebration of the ingenuity of the time and mourning for one of the globe’s most prolific and heartbreaking of disasters.

30,000 people, foreign and local, gathered along the newly refurbished River Lagan docks by the original Titanic slipway at Harland and Wolff. The bustling city was thronged by excited families all clamouring for that elusive parking space and queuing for the shuttle buses departing for Chichester Street in anticipation of the hyped Digital Light Show which was to be projected onto the new, strange, angular and chrome, Titanic Building, a free event organised by Belfast City Council.

Thousands walked in high spirits across the pedestrian bridge flagged by the ‘big fish’ monument and the ‘Thanksgiving Beacon’ (fondly termed – the Lady of the Lagoon). The sense of community and kinship was palpable in the twilight of the evening.

Bright yellow and blue wrist bands marked the lucky attendees who managed to score tickets as they gathered, dwarfed by the stature of the iconic build – all triangular ship’s bows in architecture, and surrounded by period clad stilt performers, fire dancers and the continental market.

A hush passed over the awaiting masses as the tall lights were dimmed, a beautiful accompaniment of classical strings stroked the night and spotlights swept over the metallic surface of the edifice like roving lamps of wartime. In the perfect spheres of light silhouettes portraying the history of Belfast’s docks began to weave a story, the towering cranes, Samson and Goliath, followed by the turrets and roundels of the City Hall and the broad, three pointed, wing span of wind towers which are being shipped out in present day.

The display turned industrial with cogs, iron rods and pistons until the large bow of a luxury, cruise ship arose in vivid imagery from the sight of its birth. The chosen graphics were simple and raw but universally understood, the disparate age of steel, hard labour, sweat and toil enlivened again as pyrotechnics of red hissing steam complimented the intense images of blazing furnaces turning the very modern building into a monster of a bleaching machine. An impressive firework display accompanied the music and colours and the crowds applauded as silence settled.

The following display was less well received, many leaving early to beat the crowds retreat as psychedelic ‘magic eye’ creations undulated to more popular beats and the production became more about fancy geometry, spirals, twists and whirls than an historic story arch. Bigger and louder fireworks lit the heavens and the effect was somewhere between a brainwashing scene from a 60s television series and a self-congratulation of technical wizardry.

Still the many onlookers were buoyant to be present at such an iconic occasion and behaved peacefully and with respect and awe as they shuffled on mass back over the lagan to the neon lights and high rises of Belfast’s recent revitalisation.

This was just one of many events and memorials to that ground breaking ship and when one combines this anniversary with the London Olympics, the resurgence of tourism and global notice that Belfast is receiving in the form of the MTV awards last year and the Police and Fire Games of next year, it is clear that the city is surging forward into brighter and better times ahead.

Colour me Tickled Pink!

2011-11-02T18:38:00.000-07:00

Couldn't resist sharing this latest photograph that I happened upon while waiting for a bus on a gloomy Novemeber day! I'm not sure if you can see clearly in this shot but the name place on the door reads: "Ards Development Bureau" and doesn't that just about some up the evil 'recession'! Enjoy!
View more of my pics at http://www.elwoodprints.com/ or read my pain staking articles on photography tips and tricks at http://snaphappy.moonfruit.com/

15 Top Tips for Low Light & Night Photography

2011-10-31T10:52:00.000-07:00

Photography has been a passion of mine for many years now and is growing in popularity and access thanks to the development of compact digital cameras available everywhere from your local petrol station or supermarket to specialised photography wholesalers.

One area of discontent for many a budding enthusiast is low light shots and outdoor night photography. All of us have experienced the frustration and vexation of being moved by the seduction beauty of darkness and trying to capture those moments on camera only to upload the images to our hard drives and find heavily pixellated or out of focus offerings that belong in our recycle bins.

Here’s a few hints and tips that I’ve learn through blood sweat and tears over the years.

1. Get an idea in your head of what you'd like to shot and where.
2. I love playing with light and shadow and especially celestial beings on water so if you want to capture a sunset or rising moon check which direction you need to shot in, you may have to change location and it's also handy to check out the visibility periods e.g. I'm in county down Northern Ireland, tonight the sun sets at 20.49 and the moon rises at 20.09.
3. Normal safety precautions, flashlight, mobile, a seat is always good especially for prolonged exposures and arduous set ups.
4. Use a tripod - if your shutter speed is less that 1/60 you're likely to encounter camera shake. Also if it's windy you'll need a pretty sturdy tripod again to prevent the wind either blowing over your camera or just catching it and shifting it in the gusts.
5. Remote shutter release is very handy if this is possible for your equipment as I find even holding down the button can cause the camera to move.
6. Try to get a tripod with a spirit level or bring one along as often you can't see clearly what you're shooting through the lens and can wind up with weird horizons and lines.
7. Don't use a flash as flash modes are only really effective if your subject is up to 6feet away and they confuse the other settings on your camera especially if you're shooting in automatic mode.
8. The higher the ISO (film speed) the more light reactive it is which allows you to cut down on exposure time or f-stops however I've noticed on my digital camera that low speed ISO's e.g. 1200 or 3200 can leave you with very grainy shots as the higher the speed the smaller the pixelation (I think - that's how it works on film anyway!)
9. Light and shade - light metering - remember if you focus your camera on the setting sun or moon the camera assumes this to be the average light of the whole picture therefore the darker areas that need more exposure will be very dark in your photo. You may have to mess around with settings to find a suitable balance depending of course on what you want to shot and what light contrast you desire.
10. Bracketing your photos is a good idea - find your optimal settings and then take a shot on either side, one slighter lighter and one darker as it's hard to tell what works until you see the finished product.
11. If you can it may be easier to set your lens to manual focus as a lot of cameras have trouble picking up what to focus on in the dark.
12. Use mirror lock if possible as even the internal mechanics of cameras can cause vibrations.
13. Take a lot of pictures and try different settings until you learn what works.
14. If your camera has a histogram function it can help to show you what's under or over exposed.
15. Enjoy and share!!!

More Free Articles at http://snaphappy.moonfruit.com/

Belfast Underground Graffiti

2011-10-13T14:22:00.000-07:00

Another Photo walk in Belfast and this one is definitely getting blamed for the expensive bottle of Cough Mixture that I'm currently chugging down. Seasons are certainly changing but that matters little underground where I took a little diversion down one of Belfast's pedestrain subways and snapped a few of the fab graffiti sketches down there. I find the 'Emerald Isle' green car the most amusing!

Again check out my other photos at http://www.elwoodprints.com/ and Photo Articles and Contests at http://snaphappy.moonfruit.com/

Belfast By Night

2011-10-10T11:03:00.000-07:00

For new shots from a rather chilly stroll along the Lagan. The 'art' captured is a replica of the Titanic and stands next to the boardwalk, behind the Odyssey and at the start of 'The Titanic Quarter', other buildings can be seem such as the Obel Tower with it's picture frame windows, the lighted dome of the Victoria Centre and of course the P&O ferry! I tried out my new 'star' filter that night but found it overwhelming when there is so many points of light. Anyway, I hope you enjoy these...

As usual, these can be bought on my website http://www.elwoodprints.com and please help promote my photographic community project - http://snaphappy.moonfruit.com

Tollymore Forest Park

2011-10-10T10:48:00.000-07:00

Expanding and growing as a Photographer, or at least trying to, I decided to do some long daylight exposures and RAW file manipulation so nothing like a relaxing stroll in the beautiful, multi-hued forage of a forest with it's very own bubbling brook - well river (a few years ago during torrential rain the banks flooded and broke many of the ornate bridges!). Of course living in Northern Ireland this didn't go quite to plan as it rained and blew a gale! Unfortunately this meant that a lot of the photographs were unsalvagable due to motion blur from the rustling trees. I also found that I had to buy a convertion programme to work on my raw files and that shooting in raw removed a lot of the colour saturation and contrast but this is after all a learning curve. So without further ado feast your eyes on Tollymore set int he heart of the Mourne Mountains!

My official website is: http://www.elwoodprints.com were you can view many more examples of my work and order prints online. I also write for and support: http://snaphappy.moonfruit.com a photographic community and contest site with many free articles and courses on photography.

Make the Most of Your Camera This Summer

2011-08-23T09:43:00.000-07:00

How to get the best results from your camera this summer?

Summer is a time of candy floss and cloud gazing, lying on your back and soaking up the rays, exploring and rediscovering your favourite holiday spots and what your own beautiful country has to offer, barbeques and tinny music stereos. It is a time when people smile more, when motivation is so much easier to come by, to get out of bed, go outside and greet the new day. It’s uplifting to the mood and inspiring to the arts. So how do you use this new found enthusiasm as a budding photographer? Here are some handy tips.

1.Summertime means brighter, sunnier days which is a blessing for photographers. Now you can change your camera’s setting to shot at a max. ISO of 200. Decreasing the ‘film speed’ means smaller pixels and more detailed and in focus shots. On bright days you can now shot at fast exposures (set to min: 1/125) so that you don’t have to worry about camera shake outside and can explore the world of motion photography. Being able to shot at shutter speeds of say 1/1000 means that you shutter opens and closes at one thousandths of a second so subjects that are moving fast can now be capturing without blur, for example, sports photography or taking pictures of a bird in flight or dog catching a Frisbee. You can also set your f-stop (aperture opening) to a higher number which means a greater depth of field and more of your image in focus. This is great for those spur of the moment action shots that normally would come out, out of focus or with the focus on the background instead of the foreground and ‘grainy’ so get out there and experiment with what you can capture.

2.Allow bright, sunny days definitely have the fell good factor there are still some things you need to consider as a photographer. The best time of the day to shot is in the morning and early evening as when the sun is at its apex the light can be too strong and powerful and bleach out many a scene. With bright sunshine remember that you now have to consider shadows, also direction – if you shot into the sun you will, at the very least, get sun spots (use your UV filter to help) and at worst get a huge, overexposed sunlight ball with everything else hazy and darkened. By all means do shot into the sun but make sure that you’re taking your light metering readings from the subject that you want to highlight so that the exposure is correct for them.

3.People shots looking smiley and happy are great but if the sun is behind you your subject has to squint into the light which makes for unattractive and uncomfortable poses.

4.With so much natural light available why not use that source by reflecting it onto your subject using reflective umbrellas or discs? This helps you control how your subject is lit for the best finished results. These products are available fairly cheaply now on eBay or Amazon.

5.Although holiday makers love to see clear, blue skies they are no advantageous for photographers. For the best pictures you want detail in your capture and the distinct and shapely clouds of summer add beautiful definition and personality to a picture that can otherwise appear bland with just a bank of solid colour.

6.Take advantage of the longer days to experiment with your sunset shots. Check the time the sun sets and plan in advance an ideal location (in the west!) to act as the foreground of your image. Sometimes the best shots are not of the amber, sinking halo, as metering your image to capture the colour of the sun, without overexposure, darkens everything else, but of the colours in the sky and the hues cast over other objects with beautifully diffused light and shadow. I good tip is to ‘bracken’ your images as it’s very hard to tell if you have the right settings from a small view finder, so mess around until you have your camera set to the best exposure, aperture, ISO and then shift one of these factors down a point and take another photo and then up a point and examine the results at home.

7.The quality of your photographs, given the settings provided by the climate, will be far superior to other shots so, it’s a good idea to think about your favourite shots from the past and revisit these locations to get even better photographs now that the conditions are ideal.

8.Summer is also a great time to develop specific areas of your skill, for example, portraiture, weddings or social photography and stock photography. There are certain activities that are seasonal so don’t miss the opportunity to take advantage of new and different subjects and styles. In summer you can become more comfortable with shooting people and can learn what works for you in portraiture without having to risk spending a lot of money on studios and lighting kits, just to realise that this area doesn’t interest you. Your studio is the great outdoors and your lighting is provided free of charge so develop your patter and professionalism, asking friends to pose for you and helping them feel at ease. There is also a great demand from companies and businesses for travel photography or simply summer stock photography.

Businesses are going to want attractive, positive and colourful images to represent them in magazines, brochures, blogs and websites so the majority of the images that they buy will be taken over the summer not only due to the content but the added quality that can be more easily achieved.

So this summer, stride outside of your comfort zone and rediscover your potential and avenues available as a photographer. Carry your camera everywhere, make the most of the light and enjoy yourself as you try new subjects, compositions and even post editing effects. Practice makes perfect after all and what better way to study than visiting new places and browsing for shots with the sun beating down and cheerful nature dancing and laughing all around you.

Top Ten Wedding Photography Tips

2011-07-31T13:49:00.000-07:00

Top Ten Wedding Photography Tips…

Wedding photography is fun and exciting, an adrenalin rush and don’t forget the free hoer d’ovres but it is also terrifying. The happy couple are entrusting you to document and immortalise the biggest day of their lives and you only get one shot (ignore the pun)! Don’t over sell yourself and know your limitations. Practice at these events is one of the only ways to learn so you should have a dozen or so free shots under your belt to help your confidence, expertise and to avoid unexpected surprises.

Here are a few hints to help you get started:

1.) One of your greatest selling points as a wedding photographer is your own dynamic personality and confidence. Do not be afraid to be assertive, to polite interrupt conversations and to give orders. By all means, try to remain invisible and skulk around like a paparazzi but you’ll get rubbish quality photographs with half cut heads, turned backs and bad lighting and composition. Do take candid photographs as sometimes these can turn out wonderfully but NOT exclusively. In the end of the day the guests will forgive your intrusions where they see the result and the bride and groom will want professional, posed photographs that they can live with for all the years to come. Unfortunately he who shouts loudest sometimes laughs longest so show confidence and get the photos taken with minimal effort and time wastage. Also don’t miss those one-offs, for example ~ make an announcement (or often ask the mother of the bride to boss folk around for you – they like to feel useful) tell the guests not to throw confetti until you have the shot lined up, the bride and groom, not to cut the cask without you and often photographers ask guests not to take photographs during the signing of the registration or other key moments ~ simply say that you’d like to get the official photographs done first and would everyone mind please waiting and you will give them 5 minutes at the end to flash away to their heart’s content.

2.) Many photographers are now asking the bridal couple to meet with them before the wedding day to take some ‘engagement’ shots (or test shots so that you can work out the best filters, functions, light balance etc), these are nice to have and helps you firstly be more prepared and secondly build more of a relationship with the couple so that they feel more comfortable around you and less shy.

3.) If you are doing the photo shot in a location you haven’t visited call ahead to inquire about photographic rules (some churches or civil offices will allow photography during the service, for example, and some won’t) and visit, in person, the gardens or terraces etc to test out the best areas for backgrounds, the lighting and all those little things that can make or break a photo.

4.) Check the weather forecast so you’re prepared for light balance and conditions.

5.) Sometimes the addition of props works very well. For example, I shot a wedding in the snow at Christmas and brought along a clear, black rimmed umbrella that added the perfect touch to the scene. You may also want to bring horseshoes, flowers, ring cushion (though they will probably have all these) but depending on the location, style and even theme you can be creative, I’ve even seen professional wedding shots using a gimmicked ball and chain or holding a ‘Just Married’ sign.

6.) Make a list of poses and moments not to miss. You want a complete start to finish documentation, from (if they want) the early morning preparations ~ these shots can be great because everyone is exciting but more casual, to the wedding car, tank or horse, get detail of the dress including close-up shots and the back view, make sure you have all the important family members represented, exchanging of the rings, walking down the aisle, throwing of the bouquet, confetti, champagne etc

7.) Levels are good, they make things interesting. One way to get everyone looking at you is for you to be at a higher vantage point (though watch for sun position). Saying ‘cheese’ sounds ridiculous but at least shouting something like this tells everyone to be ready and minimised queer looks and shut eyes.

8.) White dresses make colour balance difficult, make sure you’re using the facial tones for focus and watch out for over exposing and bleaching out detail or the opposite and having a perfect dress but everyone looking like they’re wearing body paint!

9.) Watch your depth of field ~ you may need a smaller f-stop to take rows of crowds or even if the groom is standing behind the bride, take close-ups of happy faces, tiaras, hair detail but make sure you don’t chop off the dress in full length shots.

10.) Have fun with it, you don’t have to be conventional. Do a Google search for possible ideas and think about the characters and personalities your shooting; don’t think of them as objects. Try out different angles and heights and some comedy shots will keep the crowd entertained and interested.

http://snaphappy.moonfruit.com/

http://www.elwoodprints.com/

A Crash Course in Photography:~ Basics for Beginners!

2011-07-30T12:31:00.000-07:00

These days with the invention of cheap and easy to use digital cameras and smart phones every second of the day must be being recorded by some person or other in some time and space for a wide variety of motivations. People take pictures because they witness something that they want to remember, that’s a basic as it gets, and therefore every photo has a worth and value which may be personal or global. Photographs can depict beauty or violence, happiness or deep grief; they are moments experienced throughout our world and give an amazing ‘snapshot’ of current culture, desires and psychology. What do your photographs say about you? The great thing is that once you become aware of that camera, that pretty much everyone now has access to in their pockets, it encourages you to really look at things and appreciate aspects of life that you previously sped pass on the fast track of a busy schedule.

Because your subject is usually something that impacts you and speaks to you on some level, you will want to replicate that moment as effectively as possible. Here is some basic know how to help you on your way.

A camera has four basic functions that determine whether your image will be blurred, too bright or poor quality, these are: focus, ISO, Shutter speed and f-stops or aperture

Focus:

In most cameras in our technological times, focus is taken care of automatically for the photographer but you should practice focusing manually for more diverse shots. Focusing is something we do everyday without thought or conscious knowledge. Our eyes work in the same way as a camera. Our pupils dilate or contract to alter the amount of light hitting the sensors at the back of our eyes and automatically bend and flex to form an image.

When we focus using a camera lens we are adjusting the distance of the lens ever so slightly with regard to the subject of our photograph. The light from the scene passes through a lens which refracts and condenses the image onto digital sensors which record the information. If our lens is incorrectly positioned the light focuses at a point in front of or behind the sensors so they don’t receive the direct replication but a blurred facsimile.

When you half depress the shutter release on a SLR digital camera you can hear and see the lens moving until it is in focus and then you take the shot but learning to focus manually is essential as sometimes the subject of your photograph is not the what your camera’s brain perceives as important (the camera tends to focus on the closes point). If you what to take a picture of something in the distance, for example trying to focus on a bird through the branches of a tree when the leaves keep coming out in focus or if you want to highlight something on the edge of your composed picture that the camera is ignoring or even if you are shooting in low light conditions and your camera isn’t picking up enough detail to pick out an object to zoom in on then you have to switch to manual.

The easiest way to focus manually is to pick a spot on your subject and rotate your lens until the image is clear. In film cameras they often came with a broken circle in the middle of the viewfinder and you would find a straight line to concentrate on and turn the lens until the line was unbroken in the two parts of the circle.

Focusing on digital cameras is very delicate as there isn’t much movement in the lens and simply takes practice and trusting your eyes as you’re putting the camera between them and the image and you have to work to focus on what you want to see.

ISO:~

Refers to light sensitivity. The easiest way to explain most of this is with knowledge of film cameras so in a film loaded camera you can buy rolls of different ‘film speeds’ or ISOs. Images form on film by reacting to the silver halides on the negative. A low number and by low I mean 100 or 200 has small film grains that need a large amount of light to pass through the lens in order to react with it, whereas a high ISO (1600, 3200) has bigger grains that require less light to effect them. Now in a digital camera these are pixels (I think!) but if you image it like this. An impressionist painting is made up of thousands of dots so that when you stand back you see the complete image but up close it’s just spots of colour out of context with what shapes these spots form. The smaller the dots the more detailed the picture but the larger the dots the more ‘noisey’ the image, it’s less defined. The lower the ISO the more detail and information is carried on your camera (the image is broken into smaller dots). Will a high ISO your picture will look more grainy, you’ll be able to see more of the manufacture into which distracts from the full image.

So why bother having different film speeds? The ISO affects all the other functions of your camera. In bright conditions more light will pass through the lens then in darker settings and the image forms faster. This is ideal and you can shot at 100 or 200. but if it’s darker and you have your camera set to 100 your f-stop will be very low which cause a shallow depth of field (less aspects of your image are in focus) and the shutter will have to be open for longer to let in the enough light to gather all the information to reproduce your image. That means that moving objects definitely will be blurred and even static scenes are likely to be blurred because your hand has shaken slightly or the wind has blown you etc. In these situations increasing the ISO allows you to use a shorter shutter speed and/or a higher f-stop and will give you the best result you’re going to get without a tripod.

F-stops:~

F-stops refer to the size of the hole (aperture) that the light for your picture is passing through. The more light available the lower the ISO and shorter shutter speed is required BUT it’s like the big and small dots again, the more light coming in the less will be refracted and focused correctly so only the parts of your image that are the same distance away as your focal point will be crisp and clear, the rest blurred (out of focus). This can be advantageous if you are focusing on one aspect in particular like in portraiture photography where the background is unimportant or if you only want say an eye to be in focus and the rest of the face blurred so you have to consider how you want your final photograph to look when adjusting your settings and balance that with the fact that if you let in less light at once your shutter will have to be open for longer and if there isn’t much light to begin with you will have to use a higher ISO or your image will be dark and underexposed.

Shutter Speed:~

Does exactly what it says on the tin – it refers to the speed at which your shutter opens and closes to let in light. Obviously the longer it remains open the more light will be let in but long shutter speeds mean that movement will blur your image. With film cameras I was always taught that you shouldn’t shot at a shutter speed higher than the focal zoom on your camera lens, ie. Shooting with a wide angel of say times 35 magnification (x50 or 50mm is the standard for what your eye takes in directly in front of it) then you can shoot at 1/35seconds comfortably and if it’s a larger zoom lens of say x200 then you shouldn’t go longer than 1/200seconds. With a standard camera you should get clear photographs at around 1/60 or 1/125 or higher (shorter).

I know this all sounds very completed but it really isn’t and you’ll quickly get to learn what settings produce the best results especially now that you can check said results immediately with digital cameras.

Some examples:

Shooting outside on a sunny, regular day (ie not splitting out of the heavens or dark with cloud cover but just moderate)

ISO: 200 F-stop: 8 Shutter speed: 1/125 (approx)

Shooting inside in general will require a high ISO

ISO:800 F-Stop: 4 Shutter Speed: 1/60 (approx)

At night – Use a tripod!!! ISO: 400 F-stop: 8 Shutter speed: 5seconds (ish)

Don’t take these as a rule of thumb, they are just examples as conditions will be different with every photo.

This and other great articles are available at http://snaphappy.moonfruit.com/
My website:~ http://www.elwoodprints.com/

Malin Head Donegal

2011-07-21T18:15:00.000-07:00

Malin Head Donegal is the most Northern Point of Ireland and is mentioned in the shipping forecast. It provides fantastic vistas over much of the landscape and country. The ocean battering against the rugged headland is tumultuous and amazing to behold. Here are a few shots from up at the old Tower, Malin town itself and the 'wee house of malin' which is supposed to have special properties and people visit the shrine and place coins in the ancient stonework.

My Website:~ http://www.elwoodprints.com/ or Where you can email me for a specific print or buy online

Supporter of Snap Happy Photographic Community and Competition Site http://snaphappy.moonfruit.com/

Snap Happy Photographic Community and Competition Site

2011-07-21T17:54:00.000-07:00

Are you a Snap Happy Photographer?

Are you an amateur photographer eager to learn and advance?

Are you preparing for a wedding or event and need advice?

Do you want to promote your art and support the talents of others?

Do you want the opportunity to earn money from photography?

Do you want to test your talents in contests and competitions?

Read on…

With the popularity of social media, the invention of cheap digital products and online photo sharing sites, everyone has a fervent photographer in them just begging to be let loose. Photography is a time honoured, beautiful way to immortalise those special moments and vistas in your life that you don’t want lapsed memory to denigrate. There is a joy in musing over the past and seeing how you have changed in the present and in developing your photographic skills from cutting off heads and underexposing images to the vivid, sensuous captures of a pro.

I have found a newly launched website that is specifically for amateur photographers to help them grow, learn technique, talk with like minded folk and challenge themselves in monthly competitions. It is a website run for the people, for the passion, for the photography.

Snaphappy.moonfruit.com is bright and crisp and a friendly place to share ideas, worries and problems.

Advantages of the site include:

1.)A news blog that shares articles to help enthusiast photographers get a grip on their passions and develop their skills and individual style. (The site has just launched but already there are articles for night shoots and wedding photography and many more insights to come).

2.)An interactive Forum to discuss anything and everything and community spirit to help each other out and progress together.

3.) A live chat box for members for emergency advice and building friendships.

4.) A photo gallery that will display each month’s best shots and promote and advertise the photographer, including their own websites and projects, if desired.

5.) A monthly competition based on a prompt that will challenge and allow photographers some critique and knowledge as to what makes a good photograph.

6.) Monthly prizes for contest winners and the display of their work to visitors.

7.) Easy to navigate.

8.) Open globally to any age, race or climb!

So pop over to snaphappy.moonfruit.com today for more information. It is easy to join and promises to go viral with a little support and encouragement.

Make Snap Happy your new Photographic home but please be patient, it’s only a week old – in less than a month you will see the results!

Irish Pub

2011-07-20T08:20:00.000-07:00

Hey all,

Another pic from our Donegal trip, I think this charismatic pub was in Clonmony? Does that sound right? Anyway the most depressing thing about Donegal was the number of 'Ghost Estates' we saw. Developers picking a plot of land and building a whole new town there but no one has the money to invest so it was just beautiful but empty houses! One thing I loved but don't have a picture of are the Irish phone boxes! I know I'm weird but I'm a Doctor Who fan! Anyway this is 'The High Stool' in Donegal and I just had to share!

Website:~ http://www.elwoodprints.com/ and Supporter of http://snaphappy.moonfruit.com/ Photographic community and contest site

Derilect House at Old Military Quarters Dunree Inishowen Donegal

2011-07-20T06:57:00.000-07:00

One bright, sunny day, a rarity in Ireland, my best mate and I finally took a trip to Donegal, it was a bank holiday but we left REALLY *groan* early and hardly meet a single car. Donegal is like the wilds of some foreign, countryside realm, beautiful vistas and turquoise waters. We stopped at Dunree Fort and did some of the walks and then peered through broken, delapidated windows at the old residences, wondering what stories they ruddy walls held in secret?

We were disappointed that you couldn't actually get to the Lighthouse, private property, and envied the little cottage that it back unto! Here are a few more pics from there, the OLD public conveniences! and the amazing cliff top views.

Website:~ http://www.elwoodprints.com/ and Supports http://snaphappy.moonfruit.com/ Photographic Community and Contest site

Welcome to Elwood Prints Photography!

2011-07-20T06:38:00.000-07:00

Hey all,

I'm starting a new blog for my photography as the other one seemed to get off topic a bit! Sooo, introductions ~ Greetings World,
I am yet another photographer trying to capture the beauty and peace of a moment before it's lost forever and seeking that elusive perfect shot. I'll be sharing some of my favourite photographs with you and would love any tips or advice you may have!
Everyone's online these days trying to share a bit of their soul through writing or photography so please be gentle with mine. My website is http://www.elwoodprints.com/ and any help or support you can give would be most welcome and yes, you can buy any of my photographs there as well as make custom requests.
Welcome to the world through my eyes....