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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" gd:etag="W/&quot;DEUESHk9cSp7ImA9WhRUFkU.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738</id><updated>2012-01-27T09:43:29.769-08:00</updated><category term="instalações" /><category term="Reiki em Equinos" /><category term="Cronologia da equoterapia" /><category term="exercicios" /><category term="Os Princípios Básicos da Equitação Centrada" /><category term="dia nacional" /><category term="transição das embocaduras" /><category term="feria equestres" /><category term="objetivos da equoterapia" /><category term="Habronemose Cutânea" /><category term="Sal 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Revista Horse" /><category term="2011" /><category term="condicionamento equestre" /><category term="Grisone" /><category term="Morfologia" /><category term="Amplitude" /><category term="Mieloencefalomielite Equina" /><category term="calculo de peso" /><category term="equilibrio" /><category term="freio e bridão" /><category term="Comunicado ANDE Brasil" /><category term="psicologia" /><category term="trainamento equestre" /><category term="guloseimas atrapalham o treino" /><category term="regulamento FEI" /><category term="Siga-nos no Twitter" /><category term="zooterapia" /><category term="guia longa" /><category term="La Gueriniere" /><category term="acupuntura" /><category term="Classificação de Equinos" /><category term="espadua a dentro" /><category term="O Blog Numero 1" /><category term="Trote Levantado" /><category term="puro sangue Lusitano" /><category term="cavalo" /><category term="Pluvinel" /><category term="Dieta de Proteina" /><category term="Equitação Cientifica" /><category term="apromoramento da equoterapia" /><category term="educação" /><category term="Exaustão Equina" /><category term="publicação ANDE-BRASIL;condução do cavalo de equoterapia" /><category term="inclusão social" /><category term="descontração" /><category term="rancho gg" /><category term="equitação especial" /><category term="11000" /><category term="Hiperparatireoidismo Nutricional Secundário" /><category term="indices ideais" /><category term="atrelagem" /><category term="Enduro Equestre" /><category term="video stacy westfall's" /><title>Equoterapia &amp; Equitação Especial</title><subtitle type="html">Nossa meta  é divulgar a equitação , seus objetivos , suas finalidades , a sua ciência enquanto arte e suas características terapêuticas através  da Equitação Especial e do Método Equoterapia . 
Divulgar a equitação especial como forma de desenvolvimento biopsiquicosocial , a equitação especial como instrumento de inclusão social através da prática esportiva paraequestre , a equitação especial como terapia de rabilitação através da Equoterapia.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://equitacaoespecial.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>281</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/EquitaoEquitaoEspecial" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="equitaoequitaoespecial" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">EquitaoEquitaoEspecial</feedburner:emailServiceId><feedburner:feedburnerHostname xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://feedburner.google.com</feedburner:feedburnerHostname><entry gd:etag="W/&quot;DEUESHc7eSp7ImA9WhRUFkU.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-7238740243675138725</id><published>2012-01-27T09:40:00.000-08:00</published><updated>2012-01-27T09:43:29.901-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-27T09:43:29.901-08:00</app:edited><title>Cavalos Cuidadores</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/mPGYyd1Jvso" width="420"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;/div&gt;&lt;h1 id="watch-headline-title" style="font-family: Verdana,sans-serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="" dir="ltr" id="eow-title" title="O Balanço dos Passos"&gt;O Balanço dos Passos   &lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Informações sobre o Vídeo em "Mais Informações"&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Foto Documentário sobre a equoterapia, realizado para TIDIR II, do curso de Cinema e Audiovisual, da faculdade Unimonte.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;DIREÇÃO  - Fernanda Simonsen &amp;amp; Gabriella Drummond;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;PRODUÇÃO - Thomaz  Vissotto; FOTOGRAFIA - Rafael Roncarati;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;SOM - Mateus Mattara; ARTE -  Rafael Roncarati;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;ENTREVISTADOS - Daniela Perri Hortale, Luciana Pereira  de Oliveira. Fernando Farah Torres.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-7238740243675138725?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/7238740243675138725?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/7238740243675138725?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2012/01/cavalos-cuidadores.html" title="Cavalos Cuidadores" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/mPGYyd1Jvso/default.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;DE8GSXo5cSp7ImA9WhRUFUQ.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-3392827375931219421</id><published>2012-01-26T08:52:00.000-08:00</published><updated>2012-01-26T08:53:48.429-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T08:53:48.429-08:00</app:edited><title>Cólica : causas e tratamento</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-h5-rB7IYH2s/TyGE0ZETttI/AAAAAAAABjY/Q7veR7rK7Q0/s1600/colic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/-h5-rB7IYH2s/TyGE0ZETttI/AAAAAAAABjY/Q7veR7rK7Q0/s400/colic.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Cólica é uma manifestação de dor visceral abdominal considerada como um dos principais problemas na clínica equina. A causa para a dor abdominal, em sua maioria, é proveniente de distúrbios digestivos, e outra pequena parte ocasionada por distúrbios em outros órgãos, tais como ovário, fígado, baço, etc, que desencadeiam a síndrome da cólica. As dores que aparecem de maneira geral são devidas a um aumento de pressão na luz intestinal, de alteração de posicionamento das alças ( que podem levar a um aumento de pressão secundária ou trações), contrações espásticas ou de alterações inflamatórias do tubo digestivo. Essas situações anormais podem, do ponto de vista patogênico, ser causadas por uma inibição da passagem (obstruções) ou fermentações indesejadas (gases, ácido ou toxinas).&amp;nbsp; A cólica equina normalmente leva a um quadro de insuficiência circulatória aguda, denominada choque, secundária à isquemia intestinal e endotoxemia. Numa classificação mais simples, o abdome agudo pode ser nomeado topográficamente em gástrico ou intestinal. Leia em "Mais Informações "&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O estômago do cavalo ocupa apenas 8% de todo o trato digestivo, com capacidade para 10 a 15 litros, ou seja, ele está anatomicamente preparado para receber poucas quantidades de alimento várias vezes ao dia, não esquecendo que trata-se de um herbívoro que precisa de alimentação rica em fibras de boa digestão.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Além do mais, o duodeno do equino é aderido ao cólon maior, o que atrapalha um pouco o trânsito intestinal. Com o aparecimento do homem na vida dele, muita coisa mudou, principalmente seu hábito alimentar, e essas são as principais causas de cólicas : o manejo e a anatomia equina.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Normalmente em hípicas e jockeys, a ração é oferecida ao cavalo 3x ao dia ou ainda, 2x ao dia numa quantidade de aproximadamente 12 litros de ração, no restante do dia ele não recebe mais nada e fica fechado em uma cocheira de 4 x 5 m. Isso faz com que alguns animais tenham uma certa ansiedade e comam de uma maneira muito rápida, neste caso o piloro se abre quando o estômago está repleto e o alimento mal digerido caminha para o intestino, podendo desencadear cólica por impactação e até mesmo haver formação de enterólitos.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Também a falta de exercícios é outro fator que leva o animal a um quadro de cólica. Torções e intussucepções ocorrem devido a uma desarmonização na fisiologia normal do intestino.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Basicamente as causas de cólicas são: Distensão de alça com gás, fluido ou ingesta (Timpanismo); Tração da raiz mesentérica (Trombo embolia) ; Isquemia ou infarto ( Torções ou enterólitos que causam obstrução); Úlceras profundas no estômago ou intestino.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Observação muito importante deve ser feita no que diz respeito à distensão de alça intestinal: quando ocorre tal distensão, a alça comprime a bexiga e o animal assume uma postura de urinar, erroneamente, práticos diagnosticam como cólica de rim e desastrosamente administram furosemida, isso poderá ter um triste fim se o cavalo tiver um enterólito e precisar ir para cirurgia. O líquido eliminado com o lasix é de extrema importância para o caval&lt;/span&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;o.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;A cólica pode ser classificada quanto à dor em : aguda ; crônica, quando existem dores persistentes que incomodam o cavalo e ocorre a cólica ; e recorrente, onde a dor não é constante, vai e volta até que em um dado momento surge a cólica, como exemplo, o encarceramento nefro esplênico.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Outra classificação é quanto ao tipo de cólica, e pode ser descrita desta maneira:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;a) Obstrução simples : enterólitos, impactações, parasitas&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;b) Obstrução estrangulante: torções, vôlvulos, intussucepções&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;c) Infartos não estrangulantes : êmbolos&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;d) Infecções ou enterites : peritonite, duodeno jejunite proximal&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;e) Timpânicas: fermentações gástricas&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;f) Ulcerativas : úlceras gástricas ou intestinais&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; O Tratamento &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O manejo médico da cólica baseia -se em cinco princípios fundamentais : analgesia ; restauração da hidratação ; balanço eletrolítico e ácido básico ; tratamento da endotoxemia e septicemia ; regulação da motilidade e trânsito gastrointestinal. A analgesia varia de acordo com a gravidade da cólica, com a simples descompressão, passando uma sonda, pode se aliviar a dor de um animal com cólica por fermentação gástrica, ou caminhar com o animal ajuda a evitar que ele se machuque rolando de dor ou mesmo que provoque torções intestinais. Alguns acreditam que colocando o animal em um trailer e o “sacudindo” possa proporcionar um certo conforto abdominal.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Enfim, algumas drogas são utilizadas com a finalidade de diminuir a dor do animal, são elas: AINE’s, SEDATIVOS, a 2 AGONISTA, ANALGÉSICOS OPIÓIDES, ESPASMOLÍTICOS.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;b&gt;AINEs &lt;/b&gt;( bloqueiam a Cox) :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Flunixim meglumine: Bloqueia a produção de prostaglandina por 8 a 12 horas, é um potente analgésico e tem ação no combate a endotoxemia, mas possui a desvantagem de manter o fluxo sanguíneo normal para a alça obstruída e estabelecer o retorno da motilidade, ou seja, mascara o raciocínio clínico. Sua dosagem varia de 0,25 a 1,1 mg / kg IV ou IM ; é aconselhável em casos de cólicas de origem inflamatória (enterite anterior, peritonite)&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Fenilbutazona: Não é um analgésico tão forte como o flunixim meglumine, porém não atua sobre a motilidade intestinal. É contra indicada em cólicas ulcerativas. A dose recomendada é de 2,2 a 4,4 mg / kg IV&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Dipirona : É um excelente anti térmico, também possui efeito anti espasmódico, mas sua analgesia dura no máximo 30 minutos. A dose é de 10 mg / kg IV ou IM.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Dentre os AINEs é recomendado por precaução que se administre sempre de início a droga com menor atuação analgésica, para que os parâmetros não fiquem mascarados e levem o clínico a ter uma falsa posição de normalidade fisiológica. É melhor que seja avaliada progressivamente a evolução do caso, do que se tirar totalmente a dor do animal.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;SEDATIVOS&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Xilazina : Possui um efeito potente sobre a motilidade intestinal dura cerca de 2 horas e a dose varia de 0,2 a 1,1 mg / kg. A desvantagem de se usar esta droga é que além de alterar os sinais clínicos, possui efeito prejudicial em animais chocados, assim como a romifidina;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Acepran : também tem efeito sobre a motilidade intestinal e fazem hipotensão.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;OPIÓIDES&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Butorfanol: é bem aceito pois não altera a motilidade intestinal, isso evita confusões no raciocínio clínico. Seu efeito cessa a cólica por um curto período e nào afeta o sistema cardiovascular, por este motivo é considerada uma boa droga pré-operatória. A dose recomendada é de 0,02 a 0,1 mg / kg.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Morfina: É deletéria, pode ser associada à xilazina &lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;CÓLICAS ESPASMÓDICAS&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Outro tipo de cólica que possui uma fisiologia diferente das demais e consequentemente um tratamento diferente, é a cólica espasmódica, ou seja cólica por aumento da motilidade intestinal. Neste caso a analgesia deve ser feita através da diminuição dos espasmos , com drogas como : Buscopan, Atropina (pára a movimentação intestinal, Diazepan em casos de potros, na dose de 0,05 a 0,1 mg / kg.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;SONDAGEM NASOGÁSTRICA&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;A sondagem tem a função não somente de retirada de conteúdo gástrico, mas também terapêtica, no sentido de administrar medicamentos através dela. É muito importante levar em consideração que só se deve fazer tal manobra quando houver motilidade intestinal. Os medicamentos utilizados são os seguintes : &lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Ruminol, 400 a 600 ml , em casos de fermentação gástrica;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Vaselina ou óleo mineral, 4 litros, protege a mucosa e ajuda a acelerar o trânsito intestinal;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Sal amargo, 0,5 a 1 kg, é catárgico e aumenta a osmolaridadae para a luz intestinal. Puxa água e aumenta o peristaltismo. É usado em casos de compactação, sendo necessária a hidratação endovenosa;&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;DSS ( dimetil sulfosuccinato de sódio), 20 comprimidos pela sonda, é um produto da linha humana com a propriedade de puxar água para a luz intestinal, também é necessária a hidratação.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-3392827375931219421?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3392827375931219421?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3392827375931219421?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2012/01/colica-causas-e-tratamento.html" title="Cólica : causas e tratamento" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-h5-rB7IYH2s/TyGE0ZETttI/AAAAAAAABjY/Q7veR7rK7Q0/s72-c/colic.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;DEUDQnc6fSp7ImA9WhRUFU0.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5986405420334654831</id><published>2012-01-25T07:44:00.000-08:00</published><updated>2012-01-25T07:44:33.915-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T07:44:33.915-08:00</app:edited><title>NET - Núcleo de Equitação Terapêutica</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Opur3BE4Okw/TyAjHHyccMI/AAAAAAAABjQ/xNStJZALmEc/s1600/imagem+NET.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="288" src="http://1.bp.blogspot.com/-Opur3BE4Okw/TyAjHHyccMI/AAAAAAAABjQ/xNStJZALmEc/s400/imagem+NET.JPG" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.equoterapianet.com.br/index.htm"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Visitem o Novo Site&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5986405420334654831?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5986405420334654831?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5986405420334654831?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2012/01/net-nucleo-de-equitacao-terapeutica.html" title="NET - Núcleo de Equitação Terapêutica" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Opur3BE4Okw/TyAjHHyccMI/AAAAAAAABjQ/xNStJZALmEc/s72-c/imagem+NET.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;CkMHQH85eyp7ImA9WhRUEUQ.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8343897338076816389</id><published>2012-01-21T15:59:00.000-08:00</published><updated>2012-01-21T16:00:31.123-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-21T16:00:31.123-08:00</app:edited><title>A Dor na Coluna</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-MIDP4tyk1xI/TxtRVco6snI/AAAAAAAABjI/SZzrd5IqOtU/s1600/dor+nas+costa+I.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-MIDP4tyk1xI/TxtRVco6snI/AAAAAAAABjI/SZzrd5IqOtU/s400/dor+nas+costa+I.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Uma grande porcentagem do nosso trabalho em cavalos tem a ver com as "costas" do cavalo.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;As chamadas dores na zona dorsal ou lombar do cavalo podem ser um sintoma secundário ex. compensação de uma lesão dos membros ou podem ser resultado de uma lesão primária ou até de uma sela que não sirva a um animal específico. Leia em " Mais Informações"&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Os músculos principais nessa zona são o Longíssimus dorsi (que alonga ou encurta a atitude e que se encontra na zona de contacto com a sela) e o Trapezius na zona do garrote e pescoço. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O cavalo manifesta-se de várias maneiras para indicar desconforto: orelhas para trás, ranger os dentes, arquear o dorso quando é montado ou a cilha é apertada. À medida que os problemas se agravam a sintomatologia exacerba-se: Empinar-se, recusa de saltos de obstáculos, tensão nervosa no trabalho, torcer a cabeça para um dos lados, dificuldade em encurvar-se para um dos lados, dificuldade nos movimentos laterais, tentar fugir ao controlo do cavaleiro na recepção dos&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;saltos, reagir à palpação da área afectada.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Dor no músculo Trapezius (não detectada na maioria dos casos) é normalmente causada por uma sela muito estreita à frente ou por uma sela muito larga que assenta no garrote. Se esta área estiver muito sensível o cavalo mostra-se desconfortável quando o comprimimos. Se o Trapezius estiver muito afectado notamos uma restrição no movimento dos anteriores pois debaixo deste músculo está o Triceps que coordena o movimento destes.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Uma sela muito pequena ou muito grande inflige dor no Longíssimus dorsi e na própria coluna não permitindo o arredondamento do dorso. Por outro lado se a sela está encavalitada em cima do garrote ou escorrega para trás, o peso do cavaleiro e o centro de gravidade são deslocados para trás criando uma pressão anormal nas últimas vértebras torácicas e nas primeiras lombares.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Por vezes os motivos não têm nada a ver com selas, têm a ver com um cavalo mal equilibrado ou mal ferrado que pode fazer com que o peso do cavaleiro seja desviado para um dos lados aumentando a pressão nos músculos do animal nesse mesmo lado.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Só há duas áreas na coluna vertebral do cavalo onde se consegue avaliar a funcionalidade do dorso e lombo:&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Entre o crânio e o atlas (a primeira vértebra cervical) e na articulação sacro-ilíaca. Se houver uma restrição nestas áreas, os músculos adjacentes estarão em espasmo causando a tão conhecida inflexibilidade do dorso e lombo. A massagem, a manipulação dos tecidos moles combinados com a utilização de aparelhos específicos é então essencial na recuperação da&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;funcionalidade.&lt;/span&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Uma sela que "sirva" correctamente ao cavalo é a chave da prevenção da maioria das afecções das "costas" dos cavalos. Tudo o resto vem por acréscimo.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/--zXokfyjypc/TxtRPR88BHI/AAAAAAAABjA/yMtyu2OATKU/s1600/dor+nas+costa+II.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://1.bp.blogspot.com/--zXokfyjypc/TxtRPR88BHI/AAAAAAAABjA/yMtyu2OATKU/s400/dor+nas+costa+II.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;br /&gt;
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&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Texto: Dr. Carlos Rosa Santos (MV)&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.equisport.pt/pt/artigos/maneio-tecnica/dores-nas-costas" style="font-family: Verdana,sans-serif;"&gt;Fonte ; equisport &lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8343897338076816389?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8343897338076816389?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8343897338076816389?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2012/01/dor-na-coluna.html" title="A Dor na Coluna" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-MIDP4tyk1xI/TxtRVco6snI/AAAAAAAABjI/SZzrd5IqOtU/s72-c/dor+nas+costa+I.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;C0QERHY7eyp7ImA9WhRVFU0.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-6550790947248789392</id><published>2012-01-13T16:34:00.000-08:00</published><updated>2012-01-13T16:35:05.803-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-13T16:35:05.803-08:00</app:edited><title>Capim para Equinos</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Id3e5U4XLcQ/TxDNlQ0EpSI/AAAAAAAABi4/Ncs1remQVjA/s1600/JO1ND00Z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-Id3e5U4XLcQ/TxDNlQ0EpSI/AAAAAAAABi4/Ncs1remQVjA/s400/JO1ND00Z.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-RK9OEm5qg9M/TxDNgV2PxoI/AAAAAAAABiw/LLlwME0zmic/s1600/Parque_Cotia-par_Mai_2007_7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt; &lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;A pergunta que todos sempre fazem e que não é tão simples de se responder é qual o melhor capim para os eqüinos.&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Os eqüinos são, pela sua natureza e evolução animais herbívoros, isto é, têm como alimentação fundamental volumoso, que pode ser de origem de gramíneas ou leguminosas.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Esse volumoso deve ser fornecido relativamente à vontade, deve ser de boa qualidade e adequado às necessidades da categoria a que o animal pertença, quer seja manutenção, crescimento, reprodução ou trabalho. Leia em "mais informações" ...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Os eqüinos têm uma alta capacidade adaptativa às mais diversas variedades e tipos de volumosos.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Cavalos que evoluíram em regiões com pouca qualidade e variedade de volumosos podem se adaptar à ingestão de alimentos lenhosos, de baixa qualidade nutritiva. Da mesma forma, os cavalos Pantaneiros se adaptaram à ingestão de ervas submersas, tendo a capacidade de capturar e aproveitar os alimentos que ficam boa parte do ano embaixo d’água, assim como os cavalos Lavradeiro de Roraima, criados a campo em uma região com grandes alternâncias climáticas, que em determinadas épocas do ano têm sua alimentação rarefeita.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Podemos oferecer ao cavalo uma grande variedade de alimento volumoso que ele, se adaptado, irá aproveitar bem os nutrientes. Essa adaptação dá-se através de gerações de animais vivendo na mesma região e que, para sobreviver, devem se alimentar do que está disponível.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Entretanto, essas formas de alimentação não são as mais comuns à grande maioria dos eqüinos do Brasil.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Além disso, as exigências das criações eqüinas nos dias de hoje, quando se valoriza animais de grande porte, onde se deseja um potro com crescimento diferenciado, grande massa muscular, com elevado potencial para salto, resistência, beleza, etc., obriga-nos a oferecer ao cavalo alimentos de qualidade superior, pois somente assim nossas exigências serão cumpridas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Claro que se ofertarmos ao cavalo alimentos “comuns”, sem grandes diferenciais, ele irá sobreviver, a égua irá gerar potros, porém esses potros serão de padrão de estatura e desenvolvimento inferior se ele tivesse recebido um alimento diferenciado, assim como o cavalo de esporte poderá realizar a prova, porém dificilmente terá destaque entre outros que sejam alimentados adequadamente.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Desta forma, não podemos alimentar, os cavalos de qualquer forma, mas sim procurar oferecer-lhe alimento volumoso de qualidade superior.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O Brasil é um país dito continental, isto é, possui dimensões de tal forma que mais parece um continente que um país. Isso gera diversidades geográficas, climáticas, populacionais, etc. o que faz com que as ofertas e necessidades de determinada região sejam diferentes de outras regiões em outro extremo.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Por exemplo, animais criados na região Sul do país, com clima temperado, aonde chega a nevar em algumas épocas do ano, possuem necessidades diferentes de animais criados na região Nordeste, com clima tipicamente tropical, onde 23 graus de temperatura é considerado frio.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Da mesma forma, culturas cultivadas em clima temperado, com solo de ótima qualidade, índice pluviométrico constante são diferentes de culturas cultivadas em clima tropical, com solo de baixa qualidade nutritiva para a planta e com índice pluviométrico que oscila entre a seca por alguns meses e chuvas intensas em outros, como ocorre no Sul e Nordeste, respectivamente.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Criadores e proprietários de cavalos constantemente questionam qual o melhor capim para cavalo, independente da região onde se cria. Não se pode responder a essa questão dizendo que o melhor capim é esse ou aquele.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O melhor capim para cavalo começa com aquele que seja bem adaptado às condições climáticas da região. Que seja resistente à seca e pouco exigente em solo para a região Nordeste. Que seja resistente à geada e ao frio e tolerante a solo úmido, para grande parte da região Sul. Dificilmente o mesmo capim tolera esses extremos.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Desta forma, devemos buscar o auxilio de um técnico local, um agrônomo da Casa da Agricultura, da CATI, EMATER ou órgãos semelhantes que possa auxiliar na escolha do melhor alimento para cavalos.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Claro que existem alguns requisitos básicos para a escolha deste capim. Deve possuir excelente palatabilidade para os eqüinos, tolerar pisoteio se for para pastagem, ou tolerar cortes freqüentes se for para capineira ou campo de feno; deve possuir teor adequado de proteína, entre 8 e 11% e possuir valores de fibras adequados para o bom trânsito intestinal nos eqüinos.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;O cavalo possui necessidades mínimas em fibra para garantir a integridade física e psicológica. Integridade Física para suprir as necessidades mínimas do cavalo que lhe garantam um aporte de nutrientes suficientes para desempenhar as funções a que se destinam. Integridade Psicológica por garantir um tempo de ocupação mínimo, próximo ao que o animal tem quando em liberdade, entre 13 e 16 horas. Essas fibras são compostas de fibras solúveis, que fornecem nutrientes essenciais ao animal e fibras insolúveis, essenciais para o bom trânsito do alimento no aparelho digestivo e para a boa formação das cíbalas (fezes do cavalo). Porém o teor de fibras insolúveis não deve ser superior a 18% da dieta, pois isso pode acarretar problemas aos animais, desde baixo aproveitamento do alimento até cólicas. O teor de fibras também está relacionado ao manejo do capim, isto é, o momento em que se disponibiliza esse ao animal. Se for muito novo, possui pouco teor de fibra, se velho, a qualidade da fibra é ruim.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Desta forma, os alimentos volumosos para eqüinos devem também levar em consideração o ponto de corte ideal, quer seja para o pastejo, quer seja para o corte propriamente dito, para fenação ou capineira.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;A escolha do capim então deve ser feita baseada nesses fatores: adaptabilidade geo-climática, palatabilidade, teor de proteína, teor de fibra total e teor de fibra insolúvel.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Além disso, outra condição fundamental para o plantio e manejo de uma pastagem ou capineira para eqüinos é lembrar que “Pasto é Cultura”, isto é, possui exigências de solo, adubação e água como qualquer cultura; para ser de boa qualidade, deve ser implantada após a adequada correção do solo, adubação especifica para cada variedade e na época correta, com índice pluviométrico adequado para a boa implantação no solo.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Abaixo alguns exemplos de capins preferenciais para eqüinos, mas que devem ser avaliados conforme adaptabilidade regional.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Coast-cross: de excelente palatabilidade, adaptabilidade em diversas condições, valores adequados de proteína e fibra. De fácil manejo tanto para pastejo, como para campo de corte. É de implantação mais complicada por ser o plantio apenas por mudas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Tifton: Variação do Coast-cross, com excelente palatabilidade, adaptabilidade em diversas condições, valores adequados de proteína e fibra. O manejo deve ser mais atento, pois passa do ponto de corte com mais facilidade que o coast-cross. É de implantação mais complicada por ser o plantio apenas por mudas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Jiggs: Variação dos anteriores, com excelente palatabilidade, adaptabilidade em diversas condições, valores adequados de proteína e fibra. De fácil manejo, pois possui menos talo, sendo mais difícil passar do ponto de corte. Produz menos massa por área. É de implantação mais complicada por ser o plantio apenas por mudas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Rhodes: Possui ótima palatabilidade, adaptabilidade variável, bons valores de fibra e proteína. De fácil manejo e implantação, pois o plantio é por sementes.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Colonião: Variedade mais conhecida dos capins tipo Panicum, com boa aceitação pelos animais, com proteína mediana. De fácil manejo e implantação, sendo o plantio por sementes ou mudas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Aruana: Variedade de menor porte dos capins tipo Panicum (como Colonião), com ótima aceitação pelos animais, bons valores nutritivos, com proteína mediana. De fácil manejo e implantação, sendo o plantio por sementes.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Tanzânia: Variedade de menor porte dos capins tipo Panicum (como Colonião), porém maior que o aruana, com ótima aceitação pelos animais, bons valores nutritivos, com proteína mediana. De fácil manejo e implantação, sendo o plantio por sementes.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;•&amp;nbsp;&amp;nbsp;&amp;nbsp; Capim Elefante: Nome genérico dos capins de grande porte, tendo como variedades o napier e cameroum, entre outros. São ótimas opções como capineira, sendo restrito o uso como pastejo pelo seu porte elevado. Possuem bons níveis nutritivos, se cortados no ponto certo, entre 1,60 e 2,50 m de altura. Se a planta estiver com menos de 1,60m de altura, possui teores muito baixo de fibra, podendo causar diarréia. Se estiver com mais de 2,50m de altura, possui teores muito elevados de fibra insolúvel, com baixo aproveitamento dos nutrientes, podendo ainda causar cólicas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Muitos outros tipos e variedades de capins ainda podem ser utilizados, como Pangola, Capim Gordura, Jaraguá, Transvala, Ramirez, etc., porém deve-se sempre levar em consideração a adaptabilidade à região, palatabilidade para eqüinos e seu valor nutritivo antes de sua escolha.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;André Galvão Cintra&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;MV, Prof. Esp.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Presidente ABCC Bretão&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;andre@vongold.com.br&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;www.vongold.com.br&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-6550790947248789392?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/6550790947248789392?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/6550790947248789392?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2012/01/capim-para-equinos.html" title="Capim para Equinos" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Id3e5U4XLcQ/TxDNlQ0EpSI/AAAAAAAABi4/Ncs1remQVjA/s72-c/JO1ND00Z.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;C0QFQ309eyp7ImA9WhRWE0s.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-4111152282701300784</id><published>2011-12-31T11:55:00.000-08:00</published><updated>2011-12-31T11:55:12.363-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-31T11:55:12.363-08:00</app:edited><title /><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-9Auq8O_CQaI/Tv9n6grDanI/AAAAAAAABio/2CsElZlxrJ0/s1600/imagem+2012.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-9Auq8O_CQaI/Tv9n6grDanI/AAAAAAAABio/2CsElZlxrJ0/s400/imagem+2012.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Agradecemos a todos os visitantes, colaboradores, parceiros e demais amigos por esse ano maravilhoso .Para o próximo ano traremos mais novidades e um blog reformulado para todos.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Um abraço !&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Eduardo Colamarino&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-4111152282701300784?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/4111152282701300784?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/4111152282701300784?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/12/agradecemos-todos-os-visitantes.html" title="" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-9Auq8O_CQaI/Tv9n6grDanI/AAAAAAAABio/2CsElZlxrJ0/s72-c/imagem+2012.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;DUEHSH88fip7ImA9WhRSFEg.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8916846415357708874</id><published>2011-11-16T07:33:00.001-08:00</published><updated>2011-11-16T07:33:59.176-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-16T07:33:59.176-08:00</app:edited><title>1 entre 3 Milhões</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-MIp1TcaCus8/TsPXzxwnZEI/AAAAAAAABic/dUORAO2Ss3k/s1600/imagem+6.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="343" src="http://1.bp.blogspot.com/-MIp1TcaCus8/TsPXzxwnZEI/AAAAAAAABic/dUORAO2Ss3k/s400/imagem+6.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8916846415357708874?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8916846415357708874?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8916846415357708874?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/1-entre-3-milhoes.html" title="1 entre 3 Milhões" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-MIp1TcaCus8/TsPXzxwnZEI/AAAAAAAABic/dUORAO2Ss3k/s72-c/imagem+6.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;DEAFQHg6fSp7ImA9WhRSFEg.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-3908566107991451403</id><published>2011-11-16T07:18:00.001-08:00</published><updated>2011-11-16T07:18:31.615-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-16T07:18:31.615-08:00</app:edited><title>38 Mil Visitas</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-F1Ws2Q52mqs/TsPUM_2tmzI/AAAAAAAABiU/YCN1tVJ6YII/s1600/imagem.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-F1Ws2Q52mqs/TsPUM_2tmzI/AAAAAAAABiU/YCN1tVJ6YII/s400/imagem.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-3908566107991451403?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3908566107991451403?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3908566107991451403?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/38-mil-visitas.html" title="38 Mil Visitas" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-F1Ws2Q52mqs/TsPUM_2tmzI/AAAAAAAABiU/YCN1tVJ6YII/s72-c/imagem.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;C0YNQ3Y8eSp7ImA9WhRSE00.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5926670587952680763</id><published>2011-11-14T12:04:00.000-08:00</published><updated>2011-11-14T12:06:32.871-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-14T12:06:32.871-08:00</app:edited><title>Cuidados com o Calor</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-UjLx4d2SRSU/TsF0OwDskvI/AAAAAAAABiM/YaJItKPieMw/s1600/horse_swimming.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-UjLx4d2SRSU/TsF0OwDskvI/AAAAAAAABiM/YaJItKPieMw/s400/horse_swimming.jpg" width="265" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Há dois fenômenos na natureza que norteiam o destino de todos os outros: A produção e a transferência de calor. Os estudos de medicina esportiva já concluíram que o grande diferencial da marcante superioridade dos atletas africanos em provas de fundo é a maior eficiência na produção de energia com menor geração e maior perda de calor.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Simultaneamente biólogos ambientalistas concluem que guepardos - maiores velocistas da natureza, que chegam a alcançar 110Km/hr com um torque de 74Km/hr em cerca de 3 segundos, são também excelentes meio-fundistas pois conseguem manter essa velocidade por até 350 metros na perseguição à sua presa, não havendo nenhum motivo para pararem a não ser quando produzem mais calor do que possam dissipar, principalmente o calor dentro da cabeça o que os fariam delirar e virar comida de abutre.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No nosso universo de competições hípicas não ficamos livres disso. A principal doença dos cavalos de corrida nas estações quentes é a Anidrose ( a incapacidade de suar devido à uma disfunção do sistema termorregulador ). Leia em "Mais Informações" :&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Nos enduros eqüestres o principal ponto vulnerável dos grandes cavalos são os dias quentes e úmidos, que fazem com que o sistema cardio-respiratório trabalhe em dobro para dissipar calor – com eficiência máxima em favor do cavalo mas contra os índices de batimentos cardíacos classificatórios da prova.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Nas provas de marcha, cavalos trabalham em movimentos contínuos por quase uma hora à uma velocidade desfavorável à perda de calor por evaporação. Com calor retido principalmente em sua cabeças e articulações, deliram, tropeçam ou se descoordenam.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O Polo Eqüestre limita seu jogo em quatro tempos de 7 minutos, e as equipes que alcançam grandes resultados nunca colocam o mesmo cavalo em tempos consecutivos. Quando podem usam um cavalo a cada tempo. Fisiologicamente o valor dessa estratégia se estabelece em dois pontos: atender à perda de calor e a invariável formação de microcristais de urato nas articulações após o resfriamento destas.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Não é à toa que existe um ditado milenar : "não deixe o sangue lhe subir a cabeça ". Porque junto com ele vai o calor. Cavalo morre de medo de calor pois na sua memória de mecanismo de sobrevivência pensa que vai virar churrasco de Leões e Guepardos.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Mas não esquente a sua cabeça pois há recursos disponíveis em favor da economia de energia e da perda de calor.:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;a href="http://www.gustavobraune.vet.br/" target="new"&gt;Dr. Gustavo Braune&lt;/a&gt;&lt;br /&gt;
&lt;/u&gt;Médico Veterinário&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Fonte : Saúde Animal &lt;/span&gt;&lt;span style="font-family: Verdana,Arial,Helvetica,sans-serif;"&gt;&lt;a href="http://www.saudeanimal.com.br%20%20/"&gt;- http://www.saudeanimal.com.br&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5926670587952680763?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5926670587952680763?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5926670587952680763?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/cuidados-com-o-calor.html" title="Cuidados com o Calor" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-UjLx4d2SRSU/TsF0OwDskvI/AAAAAAAABiM/YaJItKPieMw/s72-c/horse_swimming.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;C04CRHY5fip7ImA9WhRSEko.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5610366846572782267</id><published>2011-11-14T03:58:00.000-08:00</published><updated>2011-11-14T03:59:25.826-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-14T03:59:25.826-08:00</app:edited><title>Monty Roberts segue nosso blog</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-oszG-kNit3s/TsEBw_7P7dI/AAAAAAAABh8/ObOqAbka7gc/s1600/monty-roberts1.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-oszG-kNit3s/TsEBw_7P7dI/AAAAAAAABh8/ObOqAbka7gc/s400/monty-roberts1.gif" width="396" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;Para se ter uma relação com o cavalo é necessário compreender o melhor possível sua linguagem corporal. Assim, podemos criar um vínculo de confiança com o animal que como se sabe, é fundamental para a segurança de ambos.Monty Roberts é considerado símbolo deste tipo de relação sem nenhum tipo de violência, provando que ela é desnecessária em qualquer relação com este animal.&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;Monty Roberts é seguidor do nosso blog . Siga-nos também pelo twitter em @equusblog .&amp;nbsp; &lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-8v_x-5N7wf4/TsECQ6v5-GI/AAAAAAAABiE/XY5q8WIAn6g/s1600/imagem.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="206" src="http://4.bp.blogspot.com/-8v_x-5N7wf4/TsECQ6v5-GI/AAAAAAAABiE/XY5q8WIAn6g/s400/imagem.bmp" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5610366846572782267?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5610366846572782267?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5610366846572782267?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/normal-0-21-false-false-false-pt-br-x.html" title="Monty Roberts segue nosso blog" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-oszG-kNit3s/TsEBw_7P7dI/AAAAAAAABh8/ObOqAbka7gc/s72-c/monty-roberts1.gif" height="72" width="72" /></entry><entry gd:etag="W/&quot;CkAGSHozcSp7ImA9WhRSEko.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8049909599538470033</id><published>2011-11-14T03:38:00.000-08:00</published><updated>2011-11-14T03:38:49.489-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-14T03:38:49.489-08:00</app:edited><title>Equoterapia pelo Sistema Único de Saúde - SUS</title><content type="html">&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-MLVUhTMZe9M/TsD9ndH1j1I/AAAAAAAABh0/LXsDR2GVgiQ/s1600/sus.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="170" src="http://4.bp.blogspot.com/-MLVUhTMZe9M/TsD9ndH1j1I/AAAAAAAABh0/LXsDR2GVgiQ/s400/sus.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: black; font-size: small;"&gt;A Comissão de Constituição e Justiça e de &lt;span style="color: black; text-decoration: none;"&gt;Cidadania&lt;/span&gt; (CCJ) aprovou o Projeto de Lei 5499/05&amp;nbsp; , do Senado Federal, que inclui a equoterapia entre os &lt;span style="color: black; text-decoration: none;"&gt;serviços&lt;/span&gt;&amp;nbsp;&lt;span style="color: black; text-decoration: none;"&gt; especializados&lt;/span&gt; oferecidos pelo Sistema Único de Saúde (SUS).&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="color: black; font-size: small;"&gt;O Senador Flávio Arns afirma que " com as condições físicas e apoio de profissionais qualificados para o desenvolvimento do atendimento da metodologia aplicada na equoterapia não há nenhum impedimento legal que faça o SUS negar o custeio" e &amp;nbsp;“atualmente, a equoterapia pode ser oferecida pelo SUS, pois se trata de uma metodologia utilizada no tratamento fisioterapêutico. Para isso, é preciso que estados e municípios estruturem a oferta do serviço, o que &lt;b&gt;depende da vontade dos gestores&lt;/b&gt;.” &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8049909599538470033?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8049909599538470033?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8049909599538470033?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/equoterapia-pelo-sistema-unico-de-saude.html" title="Equoterapia pelo Sistema Único de Saúde - SUS" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-MLVUhTMZe9M/TsD9ndH1j1I/AAAAAAAABh0/LXsDR2GVgiQ/s72-c/sus.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;CEMFQ30-fCp7ImA9WhRTFkQ.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-1358646664125888484</id><published>2011-11-07T10:58:00.000-08:00</published><updated>2011-11-07T11:00:12.354-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-07T11:00:12.354-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Redeas Longas" /><title>Rédeas Longas</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gHnE1MmDdbQ/TrgqUE1MfyI/AAAAAAAABhg/itJzXpUS2Ww/s1600/red_02%255B1%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-gHnE1MmDdbQ/TrgqUE1MfyI/AAAAAAAABhg/itJzXpUS2Ww/s400/red_02%255B1%255D.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;As rédeas longas podem-se empregadas em cavalos novos como em cavalos feitos que precisam ser corrigidos. Todos os movimentos básicos podem ser executados nas rédeas longas assim os de alta escola. O treinador pode trabalhar o cavalo sem que este tenha que arcar com o peso do cavaleiro no dorso. Pode se ver o que se passa com o cavalo do chão, desenvolvendo um entendimento mental maior entre cavalo e treinador. Leia em "Mais Informações"...&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O equipamento necessário é um par de rédeas longas, de mais ou menos sete metros e meio de comprimento, fitas de lona ou náilon, como o último metro e meio perto do bridão de couro roliço para que passem facilmente pelas argolas. Um bom mosquete é essencial.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Um cilhão, que deve ser muito bem forrado com seis argolas ao todo, sendo que são três jogos: alto, médio e baixo. Normalmente, os mais altos são empregados em cavalos mais adestrados, os médios para os cavalos novos que portam as cabeças mais baixas e as argolas mais baixas para cavalos com problemas. Um chicote de guia é necessário. O bridão é a embocadura mais indicada embora se possam usar rédeas longas com qualquer embocadura, conquanto o treinador tenha conhecimento e capacidade para tal.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Rédeas longas é o passo seguinte à guia no ensinamento de um cavalo novo.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A posição do treinador, em relação ao cavalo, no círculo é de suma importância.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Colocado o cabeção ou bridão, é colocada a guia de maneira usual, colocando, a seguir a segunda rédea, que deve passar na argola do meio. Permita o cavalo andar tranquilamente, até que se acostume com a segunda rédea.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Nunca passe as duas rédeas pelas argolas até que o cavalo esteja completamente calmo. A mudança de rédea deve ser ensinada com a ajuda de um assistente andando à cabeça do cavalo caso este se assuste.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A posição do treinador é de suma importância ao uso correto das rédeas longas. Deve observar os posteriores do cavalo e trabalhar com as rédeas conforme o ritmo. Uma&amp;nbsp; mão firme, mas não fixa, com contato leve e constante, é o ideal. Ritmo é muito importante. As mãos devem manter sempre tensas as rédeas, mas jamais puxar&amp;nbsp; para trás ou ficar um peso morto nas rédeas.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O treinador deve ficar um pouco atrás da anca interior para encorajar o movimento para frente, aproximando-se de espádua á media que desejar&amp;nbsp; que o cavalo diminua o movimento. A rédea de fora dá flexão. Quanto mais perto do cavalo se ande, mais controle se tem, mais o ideal para obter a leveza almejada é de três a cinco metros.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Círculos grandes de dez metros são os mais indicados para cavalos novos. Sentindo a de dentro o treinador pode obter e manter alto. Em todos os movimentos, o emprego da voz ajuda muito o cavalo a obedecer ás ajudas.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Rédeas longas podem ser empregadas com sucesso em fazendas de criação quando é desejado amansar e trabalhar os potros sem lhes colocar peso no dorso, nos cavalos de adestramento para mantê-los trabalhado e flexionados, descansando-lhes o dorso .&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Veja as quatro principais variantes européias:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Método francês&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Em&amp;nbsp; Saumur, rédeas são freqüentemente usadas para o adestramento básico de cavalos novos. O método deles difere dos anteriores em que, além do cilhão, o cavalo usa, também, uma coleira que serve para evitar que o animal abaixe demais a cabeça.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Método dinamarquês&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Este método, que parece ser derivado do napolitano, foi desenvolvido pelo cel. Egede Lund e foi adotado mais tarde, com grande sucesso, por E. Schmidt Jensen.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;É colocado no cavalo um&amp;nbsp; cilhão guia com seis argolas para passar as rédeas longas antes de serem colocadas no bridão. As rédeas vão diretamente da mão do treinador ao cilhão, não passam atrás dos jarretes do cavalo, mas, sim, atravessam o dorso. Desta forma o cavalo pode ser adestrado a um alto grau com contato levíssimo na boca.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Método inglês&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;É colocado no cavalo um cilhão de guia ou, mais provavelmente, uma sela cujos estribos são amarrados embaixo da barriga do cavalo por meio de um&amp;nbsp; couro e as rédeas são passadas pelos estribos, passando á mão do treinador pelos jarretes do cavalo. Este método pode ser usado para fazer a boca e controlar um cavalo novo, mas, devido à posição baixa das rédeas, há uma tendência do cavalo a encapotar.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;b&gt;Método austríaco&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Este método difere dos três anteriores, pois é empregado para apresentar um cavalo de alta escola, ao passo que o método dinamarquês é empregado para adestrar um cavalo a um grau elevado, o método inglês sendo usado quase que exclusivamente em cavalos novos. Em Viena, os mestres ficam junto à garupa do cavalo empregando duas rédeas longas presas à cabeçada mas sem cilhão ou argolas.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O treinador Leôncio Dias de Maria, quando esteve no Centro Hipico Itaembú, onde iniciou o fabuloso campeão Amigo, que foi um dos animais merecedores do titulo de Cavalo do ano da revista Hippus, também se manifestou sobre o uso das rédeas longas, em entrevista naquela ocasião:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;A grande maioria dos cavalos competindo no Brasil não possui o menor preparo básico, razão, pela qual, ao receber treinamento especifico, não são obtidos bons resultados.&lt;/i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Seja no hipismo tradicional, no hipismo rural, no pólo e - sobre tudo - nos hipódromos, os cavalos que se revelam excepcionais pertencem&amp;nbsp; a um dos poucos desportistas que entendem do assunto, ou são animais tão fora de série que se destacam apesar da incompetência com que foram preparados.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Antes de um cavalo ser obrigado a saltar ou a correr ele precisa aprender a ser portar, a conduzir a cabeça, a não tropeçar nos próprios posteriores, como vemos nos centros hípicos e nos torneios de forma crescente, resultado da atual procura de animais, que são utilizados sem a menor condição de competir.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Todo cavalo, para salto, pólo ou turfe, precisa passar por um redeamento antes de ser lançado sobre obstáculos, usado para taquear ou dar suas primeiras partidas.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A função do redeamento é dupla: a de desenvolver a postura da frente do animal - o pescoço - e a de dar desenvoltura aos posteriores - as pernas.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O redeamento é feito pelo emprego das rédeas longas e do trabalho na guia dupla. Há várias escolas de utilização de rédeas longas, sendo o chamado método inglês o mais indicado para a formação de cavalos de salto para o hipismo rural.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A vantagem deste método reside em fazer a boca do cavalo e em encapotar seu&amp;nbsp; pescoço, abrindo a ganacha do animal, como se diz no meio. Fazer a boca é acostumar o cavalo a obedecer a comandos leves das rédeas e encapotar significar ensinar o animal a curvar o pescoço com naturalidade, fortalecendo seus músculos e usando-os para&amp;nbsp; estabelecer seu próprio equilíbrio, alem de dar sustentação aos membros dianteiros na elevação.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Uma boca sensível é vital, não apenas pela razão óbvia de obediência aos desejos do cavaleiro: quando são empregados bridões mais severos para poder-se dominar o animal de forma punitiva, perde-se a faculdade de oferecer maior apoio mantendo um contato mais firme com a sua boca, pois a embocadura estará punindo o animal e fazendo-o o lutar contra a pressão.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Rédeas longas são rédeas de uns 7m 50 de comprimento, empregadas com um bridão. O treinador, a pé, maneja o animal segurando as rédeas uma em cada mão como faria se estivesse montado.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No método francês e dinamarquês se usa um cilhão, uma espécie de cinta de couro com argolas, por onde passam as rédeas. No método inglês as rédeas passam por dentro dos estribos, tornando a posição das rédeas mais baixa.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O treinador trabalha o animal, sobretudo em círculos. Se o animal estiver girando no sentido contrário aos dos ponteiros de um relógio o treinador segura a rédea esquerda na sua mão esquerda. A rédea parte do lado esquerdo da boca do animal, passa pelo estribo esquerdo e vem à mão do treinador.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;A rédea direita parte do lado direito da boca do cavalo, passa pelo estribo direito da sela (ou de uma argola num cilhão a altura onde estaria o estribo) e, contornando o cavalo rente à parte inferior de sua traseira, vai à mão direita do treinador.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Assim, embora o animal esteja movimentando-se da direita para a esquerda do treinador, em círculos, se o treinador puxar na rédea de sua mão direita, o animal tenderá a mover a cabaça para o lado direito, ou seja, em sentido contrário ao que se estaria movimentando.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;A rédea de fora dá equilíbrio ao animal, enquanto a de dentro dá flexão. O treinador, alem dos círculos, deve fazer o animal trabalhar cada vez mais perto, até o treinador estar quase encostado à anca interna (lado de dentro do círculo traçado pelo animal) com controle tanto maior quanto mais próximo estiver do cavalo.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Este controle é feito a passo, gradualmente fazendo a boca do animal arqueando o seu pescoço e ensinando-o a fazer voltas cruzando a pernas posteriores em evoluções mais fechadas até poder realizá-las ao trote. O que mais se observa em cavalos que que são obrigados a treinar para salto sem antes haverem sido redeados são ferimentos nos boletos (articulação logo acima dos cascos).&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Os animas, ao serem forçados a realizar curvas para cumprir os percursos das provas de salto, ou a contornar barricas e balizas, fazem-no de pernas duras, tropeçando sobre si mesmos e ferindo-se nos boletos com os cascos. Então, o dono compra um par de boleteiras e acha que está resolvido tudo...&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O trabalho na guia é recomendado a todos os cavalos para exercitá-los. O usual é o dono ou um picador ficar no centro de um círculo de uns 20 metros de diâmetro fazendo o animal girar a passo, trote ou galope, em torno de si, segurando uma só rédea que é afixada na embocadura ou no cabresto.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Para mero exercício de um animal que de outra forma ficariam inativos (como os cavalos que cujos donos só montam em fins de semana) este trabalho é válido.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Mas, em termos de animais para competição o uso de uma só rédea é inadmissível? Além de não ser possível&amp;nbsp; dar ao animal condições de aprender a usar os seus posteriores, para não tropeçar nas próprias pernas, ainda se destrói o seu equilíbrio natural nos anteriores, fazendo-o girar com a cabeça sendo entortada para o centro do círculo, puxada pela única rédea.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O pescoço torna-se alongado e torto, sem equilíbrio e sem a sustentação adequada. A movimentação dos membros anteriores reflete o desequilíbrio e a falta de sustentação para a elevação.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O uso correto de duas rédeas para trabalho na guia obriga o uso de um cilhão como o utilizado no método&amp;nbsp; dinamarquês de rédeas longas, ou seja, com argolas na parte superior do cilhão. O treinador segura a rédea esquerda na mão esquerda, vindo diretamente do lado esquerdo da boca do cavalo, e segura a rédea direita na mão direita, depois de fazê-la passar pela argola na parte superior do cilhão.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Em resumo: no emprego das rédeas longas, a rédea direita parte da boca do animal e passa por trás dele para chegar à mão direita do treinador. No uso da guia dupla, a rédea direita parte da boca do animal e passa por cima dele, por dentro da argola.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Este tipo de treinamento deve&amp;nbsp; ser utilizado durante dois ou três meses, diariamente, antes de se pretender atirar um cavalo sobre os paus. Obviamente, mesmo sem este treinamento, o cavalo salta: raros são os cavalos que não saltam até um metro de altura, ou mais, se castigados. Mas nunca serão animais com perfeito desempenho atlético nas provas.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Ezrik_e-HwM/TrgqOldVU5I/AAAAAAAABhY/A0ZiKqMjbEU/s1600/redeas_longas.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="157" src="http://3.bp.blogspot.com/-Ezrik_e-HwM/TrgqOldVU5I/AAAAAAAABhY/A0ZiKqMjbEU/s320/redeas_longas.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://www.decavalaria.com/index.php?option=com_content&amp;amp;task=view&amp;amp;id=119&amp;amp;Itemid=399"&gt;Fonte&amp;nbsp; &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-1358646664125888484?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1358646664125888484?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1358646664125888484?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/11/redeas-longas.html" title="Rédeas Longas" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-gHnE1MmDdbQ/TrgqUE1MfyI/AAAAAAAABhg/itJzXpUS2Ww/s72-c/red_02%255B1%255D.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;CkUMQn8_cCp7ImA9WhRTEEQ.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8478336954124926746</id><published>2011-10-31T12:44:00.000-07:00</published><updated>2011-10-31T12:44:43.148-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-31T12:44:43.148-07:00</app:edited><title>Cólica : passo a passo</title><content type="html">&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;   &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;   &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;   &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;   &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
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   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;   &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;   &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;   &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
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   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:"Tabela normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-qformat:yes;
 mso-style-parent:"";
 mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
 mso-para-margin-top:0cm;
 mso-para-margin-right:0cm;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0cm;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:"Calibri","sans-serif";
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-fareast-font-family:"Times New Roman";
 mso-fareast-theme-font:minor-fareast;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;}
&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UZcUzCqWlMk/Tq76oNDdejI/AAAAAAAABhQ/GInkwqB1o-Y/s1600/cavalo-01-300x225.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://4.bp.blogspot.com/-UZcUzCqWlMk/Tq76oNDdejI/AAAAAAAABhQ/GInkwqB1o-Y/s320/cavalo-01-300x225.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Devido ao reduzido tamanho do estômago do cavalo, na maior parte das vezes, a origem da cólica está&amp;nbsp;em uma alimentação errônea, como, alimentação má&amp;nbsp;distribuída, alimentos muito triturados, alimentação antes da &lt;span style="color: black; text-decoration: none;"&gt;realização &lt;/span&gt;de trabalhos, ração desbalanceada. Cólica é uma combinação de sinais para indicar que o cavalo sofre dores abdominais. A cólica pode variar de leve a aguda, mas nunca deve ser ignorada.&lt;/span&gt;Identificar os sinais da cólica é um dos principais problemas que um dono de cavalo pode ter. Os sinais podem variar de cavalo para cavalo e podem depender da severidade da dor. Entretanto, os sinais mais comuns são: Leia em "Mais Informações" ...&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
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&lt;/style&gt; &lt;![endif]--&gt;  &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Virar a cabeça na direção do flanco.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Bater das patas.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Chutes ou mordidas na altura do abdome.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Animal se posiciona para urinar, mas não o faz.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Animal se levanta e deita repetidamente.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Animal rola violentamente.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Animal senta como se fosse cachorro ou deita sobre as costas.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Falta de apetite (anorexia).&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Baixar da cabeça para beber água sem fazê-lo.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Ausência de movimento visceral tendo como evidência o baixo número de montes de estrume&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Ausência ou redução de sons digestivos.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Suadeira&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Respiração ofegante e/ou narinas queimadas&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Batimento cardíaco elevado (Acima de 52 batimentos por minuto)&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Depressão&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Enrolar dos lábios (reação Flehmen)&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Extremidades frias&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;   &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;   &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;   &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;   &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;   &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;   &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;   &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;   &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;   &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;   &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:"Tabela normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-qformat:yes;
 mso-style-parent:"";
 mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
 mso-para-margin-top:0cm;
 mso-para-margin-right:0cm;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0cm;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:"Calibri","sans-serif";
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-fareast-font-family:"Times New Roman";
 mso-fareast-theme-font:minor-fareast;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;}
&lt;/style&gt; &lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;  &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Agindo Imediatamente&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O tempo é, quem sabe, o fator mais crítico para que a cólica seja tratada com sucesso. Enquanto um grande número de casos se resolvem sem intervenção médica, uma porcentagem significativa requer cuidado médico com prontidão, inclusive emergência cirúrgica. Se houver suspeita de que seu cavalo sofra de cólica o seguinte plano de ação é sugerido.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;1. Remova toda a água e comida.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;2. Avise seu veterinário imediatamente.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;3. Esteja preparado para providenciar as seguintes informações específicas:&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Batimento cardíaco&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Respiração&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Temperatura retal&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Cor das membranas mucosas&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Tempo de enchimento dos vasos capilares (testado apertando a gengiva adjacente aos dentes, soltando e contando quantos segundos leva voltar à cor normal.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Sinais de comportamento, como dar coice, chutar, rolar depressão, etc.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Barulhos digestivos ou a ausência deles&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Movimentos viscerais incluindo cor, consistência e freqüência&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Qualquer mudança recente em cuidados, alimentação ou exercícios&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Histórico médico incluindo verminose e qualquer acontecimento envolvendo dor abdominal.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Histórico de procriação e condição da gravidez caso seja uma égua, e histórico recente de procriação caso seja um garanhão&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Situação do seguro e valor do cavalo (NOTA: o portador do seguro deve ser avisado caso se considere cirurgia ou eutanasia.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Mantenha o animal o mais calmo possível. Permita que ele deite se estiver descansando e não estiver correndo risco de se machucar.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;4. Se o cavalo estiver rolando ou com comportamento violento, tente fazê-lo andar devagar.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;5. Não dê drogas a não ser que for assim instruído pelo seu veterinário. Drogas podem camuflar problemas ou interferir na precisão do diagnóstico.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;6. Siga à risca os conselhos de seu veterinário e aguarde a sua chegada.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;
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 {mso-style-name:"Tabela normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-qformat:yes;
 mso-style-parent:"";
 mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
 mso-para-margin-top:0cm;
 mso-para-margin-right:0cm;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0cm;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:"Calibri","sans-serif";
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-fareast-font-family:"Times New Roman";
 mso-fareast-theme-font:minor-fareast;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;}
&lt;/style&gt; &lt;![endif]--&gt;  &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Diagnosticando a Causa&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Seu veterinário estabelecerá a severidade da cólica e identificará sua causa. Sua avaliação e/ou tratamento poderá incluir os seguintes procedimento.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Observação de sinais como suadeira, distensão abdominal, respiração ofegante, narinas queimadas, comportamento anormal&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Obtenção de histórico preciso&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Passagem de um tubo no estômago para determinar a presença excessiva de gases, fluidos e&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Monitoramento de sinais vitais como temperatura, batimento cardíaco, respiração, cor das membranas mucosas, e tempo de enchimento dos vasos capilares&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Apalpar do reto em busca de evidência de bloqueio intestinal, distensões, ou outras anormalidades.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Exame de sangue para contagem de células brancas e outras informações.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Tapa abdominal para avaliar nível protéico e tipo celular no fluído peritônial&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Analgésicos ou sedativos para aliviar a dor&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Laxantes para ajudar a estabelecer novamente um funcionamento intestinal normal&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Observação contínua para determinar reação ao tratamento&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Transporte&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Cirurgia&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;   &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;   &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;   &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;   &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;   &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;   &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;   &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;   &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;   &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;   &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
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   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;
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 mso-ascii-font-family:Calibri;
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&lt;/style&gt; &lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;  &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Classificando a cólica&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Os passos exatos que seu veterinário seguirá dependerão de seus achados. Por exemplo, algumas cólicas só podem ser curadas cirurgicamente. Apesar de existirem inúmeras causas, a maioria das cólicas se encaixa em um desses três grupo.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Disfunção Intestinal. Essa é a categoria mais comum e simplesmente significa que os intestinos do cavalo não estão funcionando adequadamente. Inclui dilatação de gases, choques, convulsões e paralisia.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;I – Acidentes Intestinas. Esses ocorrem com menor freqüência e incluem deslocamentos, torções, e hérnias, por meio das quais partes do intestino ficam presas ou espremidas em cavidades do corpo. Alguns cavalos parecem ser anatomicamente predispostos a esses problemas. Acidentes intestinais quase sempre requerem cirurgia urgente.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;II – Enterites ou Ulcerações. Essas cólicas são relacionadas a inflamações, infecções e lesões no aparelho digestivo. Poder ser causadas por inúmeros fatores, incluindo o estresse, doenças, salmonelas e parasitas.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; &lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
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&lt;/style&gt; &lt;![endif]--&gt;  &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Prevenindo a cólica&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Enquanto cavalos parecem ser predispostos à cólica devido a anatomia e função de seus aparelhos digestivos, o cuidado pode ter um papel importante na prevenção. Ainda que nem todos os casos sejam evitáveis, o guia seguinte pode maximizar a saúde do cavalo e reduzir o risco de cólica:&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Estabeleça uma rotina diária incluindo horário de alimentação e exercícios e siga-a.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Dê uma dieta de alta qualidade&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Evite excesso de grãos e de suplementos densos em energia. (Pelo menos metade da energia requerida pelo cavalo deve ser suprida por meio de feno ou forragem&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Divida diariamente as rações concentradas em duas ou mais refeições menores em vez de uma grande para evitar que haja sobrecarga do aparelho digestivo do cavalo. O feno é a escolha melhor e mais barata de alimentação.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Crie um programa regular de controle de parasitas com a ajuda de seu veterinário. Utilize amostras fecais para determinar sua eficácia.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Providencie exercícios diários&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Mude gradualmente a intensidade/duração dos exercícios&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Providencie água limpa e fresca a toda hora. (A única exceção é quando o cavalo estiver excessivamente quente. Nesse caso deve-se dar a ele pequenos goles de água morna até que se recupere.)&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Evite medicamentos, a não ser que tenham sido receitados pelo seu veterinário, especialmente analgésicos, que podem causar úlceras.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Cheque o feno, a cocheira, o pasto e o ambiente para ver se há substâncias potencialmente tóxicas, como besouros, ervas daninhas, e outros materiais estranhos ingeríveis.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Evite por a alimentação no chão, especialmente em solos arenosos.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Faça mudanças na dieta e em outros cuidados o mais gradualmente possível.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Reduza o estresse. Cavalos passando por mudanças ambientais ou cargas de trabalho têm alto risco de ter uma disfunção intestinal.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;• Dê atenção especial aos animais quando estiverem sendo transportados ou quando seu meio for mudado, como em eventos.&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Pesquisador do assunto: Luiz Cesar Branco (&lt;a href="http://www.chasquedoconhaque.com.br/chasque/?p=100"&gt;fonte&lt;/a&gt;)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8478336954124926746?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8478336954124926746?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8478336954124926746?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/10/colica-passo-passo.html" title="Cólica : passo a passo" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UZcUzCqWlMk/Tq76oNDdejI/AAAAAAAABhQ/GInkwqB1o-Y/s72-c/cavalo-01-300x225.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;A0MFRnk8eSp7ImA9WhRTEEU.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-1455715750817929659</id><published>2011-10-31T12:29:00.000-07:00</published><updated>2011-10-31T12:30:17.771-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-31T12:30:17.771-07:00</app:edited><title>Conservação dos Alimentos para Eqüinos</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-kZ64gmFmaY4/Tq72-gBSzcI/AAAAAAAABhI/nLNEDPu8AiI/s1600/image_397.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-kZ64gmFmaY4/Tq72-gBSzcI/AAAAAAAABhI/nLNEDPu8AiI/s320/image_397.jpg" width="289" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Toda vez em que se depara com um cavalo pode-se ter a falsa impressão de um animal forte, rústico e capaz de suportar vários desafios. No decorrer da história da humanidade, o cavalo sempre foi uma ferramenta importante. Assumiu diversas funções, dentre as quais inicialmente pode-se destacar sua utilização como meio de transporte e como força motriz para a agricultura. Entendendo melhor estas afirmações, o homem utilizou o cavalo para produzir alimentos, além transportá-lo entre longas jornadas. Nos tempos antigos, os cavalos costumavam viver em grupo, percorriam campos à procura de alimentos. Quando as pastagens locais se esgotavam, a tropa rumava em busca de novas planícies ou vales férteis. Leia em "Mais Informações"...&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;  Atualmente após muitos anos de evolução de nossa espécie, os hábitos  dos eqüinos mudaram muito. A própria formação das raças e o melhoramento  genético dentro de cada raça, objetivando&amp;nbsp; reunir características  desejáveis para que cada animal, pertencente à determinada raça, fosse  capaz de exercer sua função com maior competência, como por exemplo,  cavalos de corrida passaram a correr mais rápido ou por distâncias  maiores. Em contrapartida, outras características genéticas desejáveis e  até essenciais como resistência a infecções, rusticidade do sistema  digestivo, dentre outras, foram deixadas de lado na maioria dos  programas de melhoramento genético. &lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Isso faz com que sejam despendidos cuidados especiais com os alimentos  que são oferecidos, principalmente aos cavalos de raça pura. &lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  Por serem herbívoros, o principal alimento sempre será o volumoso, que  pode ser oferecido “in natura” ou na forma de feno. Este último, como é  de domínio de todos, é o capim verde desidratado. O processo de fenação  exige cuidados especiais e um dos principais é saber o ponto certo de  desidratação. Durante a época das águas o capim pode ser fenado com  excesso de umidade, predispondo-o ao desenvolvimento de fungos.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A ração e produzida a partir de grãos. Por esse motivo, é também  denominado alimentos concentrados, cuja função é fornecer todos os  nutrientes que não estão presentes no capim. Hoje existem no mercado  rações classificadas como “Super-Premiun” que são destinadas ao objetivo  específico de cada animal, seja ele lazer ou pratica desportiva de  “Alta Performance”.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Idealmente as rações devem ser produzidas com ingredientes nobres,  pré-selecionados por análises de laboratório rigorosas. As rações para  cavalos devem passar por controle de qualidade antes de serem enviadas  aos consumidores.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Uma vez que a ração se encontra nos Haras, Fazendas ou Hípicas, nas  mãos das pessoas que vão alimentar os cavalos, existem umas series de  cuidados necessários para manter o produto em bom estado de conservação.  &lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Os depósitos de armazenagem devem ser secos, bem ventilados com boa  entrada de luminosidade e preferencialmente com pé direito alto. Os  sacos devem ser armazenados sobre “pallets” de madeira que tenham pelo  menos 20cm de altura em relação ao chão, devem ficar afastados  aproximadamente 50cm das paredes dos depósitos. O telhado de ser  monitorado constantemente. Em dias de chuva, deve se ter cuidado para  que a embalagem não entre em contato com água antes de adentrar no  depósito. A recomendação do fabricante é sempre manter a ração dentro da  embalagem que ela foi produzida, por isso deve-se ter cuidado especial  com a preservação da mesma.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Uma vez que o saco “molha”, ou recebe grande carga de umidade durante a  armazenagem, há grande chance do desenvolvimento de fungos ou bolores,  que podem ser observados nas paredes dos “pellets” (nos grãos da ração)&amp;nbsp;  de ração de várias cores, mais comumente tonalidades de verde ou mesmo  branco. É importante que a ração deteriorada não seja fornecida aos  eqüinos, pois podem causar cólicas de gravidade variada, de acordo com a  sensibilidade de cada animal, podendo levar ao óbito. &lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Recomendamos atenção especial á todos os alimentos que são oferecidos  aos cavalos. Uma boa dica é olhar bem em ambientes com luz solar, além  de utilizarmos nosso olfato e principalmente o bom senso.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;Artigo realizado pelo Dr. Marcelo Silva, Gerente de Produtos da Royal Horse e Especialista em Nutrição Eqüina.(&lt;a href="http://www.clubedohipismo.com.br/index.php/dicas-veterinariasx/400"&gt;fonte&lt;/a&gt;)&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-1455715750817929659?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1455715750817929659?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1455715750817929659?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/10/conservacao-dos-alimentos-para-equinos.html" title="Conservação dos Alimentos para Eqüinos" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-kZ64gmFmaY4/Tq72-gBSzcI/AAAAAAAABhI/nLNEDPu8AiI/s72-c/image_397.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;AkQDQ3c7cCp7ImA9WhdaEkw.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5074593784966308880</id><published>2011-10-21T10:32:00.001-07:00</published><updated>2011-10-21T10:32:52.908-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-21T10:32:52.908-07:00</app:edited><title>Para uma Reflexão</title><content type="html">&lt;iframe width="420" height="315" src="http://www.youtube.com/embed/Tza7HB7NQYI" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5074593784966308880?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5074593784966308880?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5074593784966308880?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/10/para-uma-reflexao.html" title="Para uma Reflexão" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/Tza7HB7NQYI/default.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;CUAHQ3c-cCp7ImA9WhdSGEo.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-3149831564763425392</id><published>2011-07-28T10:22:00.000-07:00</published><updated>2011-07-28T10:22:12.958-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-28T10:22:12.958-07:00</app:edited><title>XIV Congress of Therapeutic Horse Riding</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.frdi-athens2012.gr/"&gt;&lt;img border="0" height="316" src="http://1.bp.blogspot.com/-X-OlMvOsDxA/TjGasHGKNyI/AAAAAAAABhE/UxZpi3rDMvo/s320/0011+magem.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-3149831564763425392?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3149831564763425392?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3149831564763425392?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/xiv-congress-of-therapeutic-horse.html" title="XIV Congress of Therapeutic Horse Riding" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-X-OlMvOsDxA/TjGasHGKNyI/AAAAAAAABhE/UxZpi3rDMvo/s72-c/0011+magem.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;CUQDQH09cSp7ImA9WhdSGEo.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8041438588164229355</id><published>2011-07-28T10:16:00.000-07:00</published><updated>2011-07-28T10:16:11.369-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-28T10:16:11.369-07:00</app:edited><title>V Congresso Brasileiro de Equoterapia</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.equoterapia.org.br/congresso/index.html"&gt;&lt;img border="0" height="140" src="http://4.bp.blogspot.com/-6_xCBgZe16k/TjGZKWml5pI/AAAAAAAABhA/a5pTuSJpbKo/s400/congresso_pb1.jpg" width="400" /&gt;&lt;span id="goog_990864983"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span id="goog_990864984"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8041438588164229355?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8041438588164229355?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8041438588164229355?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/v-congresso-brasileiro-de-equoterapia.html" title="V Congresso Brasileiro de Equoterapia" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-6_xCBgZe16k/TjGZKWml5pI/AAAAAAAABhA/a5pTuSJpbKo/s72-c/congresso_pb1.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;A0MBSXg8fSp7ImA9WhRTEEU.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5848101683788747756</id><published>2011-07-18T16:25:00.000-07:00</published><updated>2011-10-31T12:30:58.675-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-31T12:30:58.675-07:00</app:edited><title>O Desengajar e sua Importância</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KQ8Erxn6ZuM/TiTA1kXeryI/AAAAAAAABg8/VPvT_dUAZSM/s1600/arabian-horse8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-KQ8Erxn6ZuM/TiTA1kXeryI/AAAAAAAABg8/VPvT_dUAZSM/s400/arabian-horse8.jpg" width="375" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Todas as vezes que houver  algum problema de resistência, excitação, nervosismo ou mesmo rebeldia  entre mim e o meu cavalo, quero poder criar uma situação onde possa  parar tudo e recomeçar novamente. No meu entender, essa é a importância  de estarmos ensinando o nosso potro a desengajar desde a sua Iniciação.   Costumo dizer aos meus alunos que desengajar é como pisar na  embreagem ou jogar a alavanca do câmbio no neutro. Independente da  velocidade, o carro perde a impulsão. Na maioria das manobras que o  cavalo usa para nos enfrentar, assim como disparar, corcovear, empinar  etc... os posteriores estão engajados e o lombo reto. Leia em "Mais Informações ..."&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br style="font-family: Verdana,sans-serif;" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt; O mais  importante é compreender que quando desengajamos a garupa, estamos  desengajando a mente, isto é, estamos limpando resistências mentais,  porque físico, mente e emoção estão vinculados de maneira tal que um  influencia o outro. Essa é a razão pela qual o desengajar é a primeira  manobra que o cavalo deve aprender. E, com certeza, o seu amadurecimento  e refinamento vão nos ajudar a prevenir muitos enganos e acidentes  futuros. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Para que as flexões possam acontecer é preciso que haja  descontração. Por isso, se o cavalo estiver com a auto-preservação  aflorada, não existe freios ou ajudas artificiais que consigam ensiná-lo  a desengajar. Um cavalo consegue dobrar o pescoço até que o seu focinho  encoste na perna do cavaleiro e, ainda assim, manter a nuca reta e  dura, enrijecendo o lombo, mostrando uma enorme resistência mental. E  quando ele se coloca na defensiva, o posterior estará engajado para  poder resistir, empurrando para frente e, principalmente, procurando uma  brecha para escapar. &lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Nessa situação, a paleta pode cair para dentro  ou para fora; nos dois casos estamos numa posição perigosa. O cavalo  estará se empurrando para frente com um dos posteriores, se estendendo  muito mais que o normal. Como conseqüência, vai colocar mais peso nos  anteriores, principalmente no de fora. Essa é uma situação em que o  cavalo fica completamente desequilibrado.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Dessa maneira, é muito difícil  que ele consiga recuperar o equilíbrio, porque as outras três patas  estarão ocupadas procurando pelo centro de gravidade. &lt;br /&gt;
Quando  conseguimos perceber que lombo, nuca e mente trabalham simultaneamente, é  como ter três diferentes parâmetros para um mesmo fim. Se conseguirmos  ler um, os outros dois terão a mesma leitura. &lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Para ensinar o meu  cavalo desengajar é preciso que ele esteja usando bridão, que é a  embocadura de mais fácil compreensão, tanto para o cavalo quanto para o  cavaleiro. Começo tirando a barriga de uma das rédeas e posicionando o  seu focinho naquela direção, isto é, flexionando suavemente a nuca.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt; Quando um cavalo flexiona a nuca, apontando o focinho em algum grau para  a esquerda, por exemplo, o seu posterior direito vai dar um passo para  fora (direita). Quando ele consegue executar essa manobra com  consistência e com algum grau de confiança, o posterior esquerdo entrará  por baixo na frente do direito, na direção da barrigueira da frente; o  anterior de dentro vai andar menos ou  vai fazer um pivô, enquanto as  outras três patas mantêm o movimento para frente, assegurando-lhe o  equilíbrio.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt; &lt;br /&gt;
Quero que o meu cavalo esteja bem ciente dessa manobra,  porque ela é a minha segurança para quando sair do redondel ou em  qualquer eventualidade fora dele. É isso que vai me ajudar a não perder o  controle e, muito mais importante, é isso que vai nos manter, “cavalo e  cavaleiro”, fora de perigo.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Muita gente se engana pensando que está  desengajando um cavalo que se movimenta devagar em linha reta e, quando  dobrado, ele pára os anteriores e dá um passo para o lado com o pé de  fora. Isso não beneficia em nada o desengajar, porque, na verdade, ele  precisa saber como dar um passo com o pé para fora da linha em  que está  seguindo e continuar com os anteriores para que possa se manter  equilibrado em qualquer velocidade. &lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Quando um cavalo sabe como  desengajar os posteriores, conseguimos prevenir corcovos, empinadas,  disparadas ou qualquer falta de controle que eventualmente possa  acontecer.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Eduardo Borba, &lt;br /&gt;
Inspirado em Martin Black&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Verdana; font-size: small;"&gt;Publicado em &lt;a href="http://www.blogger.com/goog_1416178432"&gt;Link &amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Verdana; font-size: 11px;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.doma.com.br/cronicas_lista.asp?codigo=33" style="font-family: Verdana,sans-serif;"&gt; &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5848101683788747756?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5848101683788747756?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5848101683788747756?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/o-desengajar-e-sua-importancia.html" title="O Desengajar e sua Importância" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-KQ8Erxn6ZuM/TiTA1kXeryI/AAAAAAAABg8/VPvT_dUAZSM/s72-c/arabian-horse8.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;CU4EQHgzfip7ImA9WhdTGUs.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-6468616890171528169</id><published>2011-07-17T21:37:00.000-07:00</published><updated>2011-07-17T21:38:21.686-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-17T21:38:21.686-07:00</app:edited><title>Equipe Paraequestre brasileira está mais próxima de Londres 2012</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-i5NDnxbNbvY/TiO4nk1mgMI/AAAAAAAABg4/2XtVrrCLJ78/s1600/imagem.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-i5NDnxbNbvY/TiO4nk1mgMI/AAAAAAAABg4/2XtVrrCLJ78/s320/imagem.JPG" width="274" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A equipe brasileira venceu o Campeonato Aberto de Adestramento  Paraequestre, no último final de semana, de 1 a 3/7, na cidade de  Casorate Sempione, Itália. Com total de 423,120 pontos, o Brasil ficou à  frente da Itália, com 416,758 pontos, e da França com 413,166, e está  próximo da qualificação para os Jogos Paraolímpicos Londres 2012. Leia em "Mais Informações "&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt; “Nossa estratégia de qualificação para 2012 se baseia no ranking por  equipes. Com o resultado na Itália, passamos a liderar o ranking,  estamos numa ótima posição, mas temos mais competições até o final do  ano e as posições podem mudar. Temos que manter a estratégia e o foco do  trabalho”, diz Marcela Parsons, diretora Paraequestre da Confederação  Brasileira de Hipismo (CBH) e chefe da equipe brasileira em Casorate  Sempione.&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;As três equipes melhores colocadas no Campeonato Mundial 201, já  carimbaram o passaporte para Londres e estão fora do ranking por  equipes, que, neste momento tem o Brasil como primeiro colocado, seguido  de Holanda, Bélgica e Itália.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Os resultados da equipe brasileira foram conquistados pela soma dos  excelentes resultados individuais dos quatro cavaleiros na competição.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
Na sexta-feira, na prova conhecida como Team Test, os cavaleiros Vera  Lúcia Mazzilli e Sérgio Fróes Oliva conquistaram mais uma vez uma  dobradinha para o Brasil em um Campeonato Aberto Internacional, na  categpria Grau 1a (maior nível de comprometimento).&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Montando o cavalo  Locomotion, Vera Lúcia garantiu o ouro com o percentual de 70,588%.  Enquanto Sérgio Fróes Oliva ficou com a prata, ao cravar 69,706%,  montando Igloo de Mons.&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Pela manhã do mesmo dia, Marcos Fernandes Alves, o Joca, já havia  conquistado um bronze na categoria Grau 1b, montando o cavalo Luthenay  de Vernay, com o percentual de 69,242%. Os três cavaleiros formam a  equipe brasileira, junto com a amazona Elisa Melaranci, que na categoria  Grau 2 obteve o resultado de 64,365%, com o cavalo Paradoxe Gravolette,  ficando com a sexta colocação.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No sábado, no Individual Championship, Vera Lúcia Mazzilli voltou ao  topo do pódio em sua categoria, com percentual de 72,750%. Desta vez,  Sérgio Fróes Oliva ficou com o bronze, com o percentual de 69,167%. O  italiano Andrea Vigon conquistou a prata com 70,250%.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt; Já no Grau 1b, Joca repetiu o bronze do dia anterior, com percentual de  71,667%. Mais uma vez, o austríaco Puch Pepo garantiu o ouro, com  75,145%.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No Grau 2, Elisa Melaranci obteve a sétima colocação com  63,175%, na prova vencida pela anfitriã Silvia Veratti, com 72,778%.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No último dia de competição, na prova de Estilo Livre com Música, todos  os brasileiros conquistaram medalhas em suas respectivas categorias.  Elisa Melaranci garantiu um inédito bronze no Grau 2 com 65,333%,  enquanto Joca repetiu o bronze dos dias anteriores com 71,583% no Grau  1b. No Grau 1a, Vera Mazzilli desta vez ficou com a prata com 71,583% e  Sérgio Fróes Oliva com o bronze ao marcar 68,917%.&lt;/span&gt; &lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;“Temos um time muito forte. Nossos quatro cavaleiros conquistaram dez  medalhas individuais para o Brasil, além do título por equipes. Estão  todos de parabéns. Além de qualificar uma equipe completa para os Jogos,  nosso objetivo é preparar um grupo forte de atletas para brilhar em  Londres. Esse Aberto da Itália mostra que estamos no caminho certo”,  completa Marcela Parsons.&amp;nbsp;&amp;nbsp;&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;Fonte Site CBH -&lt;a href="http://www.cbh.org.br/site/noticia/internacional/equipe-paraequestre-brasileira-vence-aberto-na-italia-e-esta-mais-proxima-de-londres-2012/723/3"&gt; link&amp;nbsp; &lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-6468616890171528169?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/6468616890171528169?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/6468616890171528169?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/equipe-paraequestre-brasileira-sta-mais.html" title="Equipe Paraequestre brasileira está mais próxima de Londres 2012" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-i5NDnxbNbvY/TiO4nk1mgMI/AAAAAAAABg4/2XtVrrCLJ78/s72-c/imagem.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;D0MAQn05fip7ImA9WhdTF00.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5739984994223245077</id><published>2011-07-14T21:50:00.000-07:00</published><updated>2011-07-14T21:50:43.326-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-14T21:50:43.326-07:00</app:edited><title>Conheça : La Senda Del Pegaso</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-tDJac8y5Jos/Th_G7mXPN_I/AAAAAAAABgo/MaZJtlRKtSw/s1600/narezka_03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="348" src="http://4.bp.blogspot.com/-tDJac8y5Jos/Th_G7mXPN_I/AAAAAAAABgo/MaZJtlRKtSw/s400/narezka_03.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Um amigo costumava chamar-lhe Epona e hoje, é apenas por                esse nome que quer ser tratada. Trocou uma carreira empresarial                pelos cavalos a quem se dedica a 100%, a praticar o que chama de                equitação alternativa. Numa Herdade, perto de Évora,                onde está instalada há cerca de dois meses, fomos                conhecer esta francesa, que fez do seu sonho, um modo de vida. Leia em "Mais Informações"&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;             &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt; &lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;             &lt;/span&gt;&lt;/span&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Epona, significa “Deusa dos Cavalos” e está associada                a mitologia Celta como uma entidade protectora dos equinos. A Epona                com quem falámos não é divina, é de                pele e osso e até teve uma educação bem terrestre.                Aprendeu a montar aos 8 anos, prosseguindo a sua formação                equestre em Clube Hípicos em Franc,a até aos 28. Estudou                Engenharia Mecánica como o pai quis e trabalhou como assessora                de direcção. Há muito que não se sentia                realizada. Um acidente enquanto esquiava, em que fracturou o joelho,                foi literalmente o ponto de ruptura. “Estava a trabalhar no                mundo das empresas internacionais, que defendem o capitalismo, rentabilidade,                proveito, etc. &lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O cavalo é um espelho do nosso estado emocional e da nossa                maneira de comunicar. Ensina-nos como: encontrar a paz interior,                desconectar a mente, conectar com a natureza e respeitá-la,                melhorar as nossas relações (como pedir algo a alguém).                Reflecte quem somos realmente… Combino a minha experiéncia                como psicoterapeuta corporal com a espiritualidade das culturas                ameríndias.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Que deixemos de nos comportar como depredadores com todo o que vive neste          planeta, que tomemos consciéncia que apenas pertençamos          a natureza, que não temos o dereito de usar e abusar de todo o          que existe no nosso planeta, nossa Mae Terra. Que aprendamos de ela, desenvolvindo          a nossa capacidada de conectar, de observar e de receber mensagems.&lt;/span&gt;       &lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black; font-family: Verdana,sans-serif;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt; &lt;span style="font-size: small;"&gt;La Senda del Pegaso é uma escola de vida,          para os que procuram Harmonia com o cavalo, com a natureza, consigo mesmo          e com os demais seres humanos…&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;Texto: Ana Filipe&lt;/div&gt;&lt;div style="color: black; font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Visite o Site &lt;a href="http://www.lasendadelpegaso.com/"&gt;Aqui &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5739984994223245077?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5739984994223245077?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5739984994223245077?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/conheca-la-senda-del-pegaso.html" title="Conheça : La Senda Del Pegaso" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-tDJac8y5Jos/Th_G7mXPN_I/AAAAAAAABgo/MaZJtlRKtSw/s72-c/narezka_03.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;AkAERXo8fSp7ImA9WhdTFUo.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-7619210923555803496</id><published>2011-07-13T10:38:00.000-07:00</published><updated>2011-07-13T10:38:24.475-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-13T10:38:24.475-07:00</app:edited><title>Equitação e Área Psicomotora</title><content type="html">&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-IDn701JoMBA/Th3YBwGyocI/AAAAAAAABgk/pX13kHQ_LYI/s1600/Reining-horse-portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-IDn701JoMBA/Th3YBwGyocI/AAAAAAAABgk/pX13kHQ_LYI/s400/Reining-horse-portrait.jpg" width="337" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Imaginemos um cavaleiro executando, juntamente com sua montada, a passagem sobre um obstáculo e as complexas ações mentais que lhe dão condições de coordenar seus conjuntos musculares com os do animal, controlando velocidade, passada e postura.Na realidade, a base dessas operações mentais é ensinada durante a primeira fase do aprendizado – na Equitação Elementar –momento no qual se busca despertar no aluno a motivação e o gosto pelo cavalo.Leia em "Mais Informações"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;A pesquisadora Elisabeth Simpson classificou as habilidades nos seguintes níveis de domínios psicomotores: percepção: primeiro passo para executar uma ação motora; pré disposição: prontidão para um tipo particular de ação;&lt;br /&gt;
&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong style="font-weight: normal;"&gt;Resposta Orientada:&lt;/strong&gt; passo inicial de habilidade, sob orientação de instrutor;&lt;br /&gt;
&lt;strong style="font-weight: normal;"&gt;Resposta mecânica:&lt;/strong&gt; a resposta passa a ser habitual;&lt;br /&gt;
&lt;strong style="font-weight: normal;"&gt;Resposta Complexa Evidente:&lt;/strong&gt; desempenho de um ato motor complexo.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Imaginemos um cavaleiro executando, juntamente com sua montada, a passagem sobre um obstáculo e as complexas ações mentais que lhe dão condições de coordenar seus conjuntos musculares com os do animal, controlando velocidade, passada e postura.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Na realidade, a base dessas operações mentais é ensinada durante a primeira fase do aprendizado – na Equitação Elementar –momento no qual se busca despertar no aluno a motivação e o gosto pelo cavalo. Nela, o futuro cavaleiro torna-se capaz de tratar seu animal, aprende a empregar os meios de que dispõe (ajudas) e, principalmente, constrói sólidos alicerces que permitirão seu prosseguimento nas Equitações Secundária e Superior.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;No início, o aluno tem dificuldade para manter um bom equilíbrio físico sobre o cavalo. O instrutor corrige sua posição, visando obter a descontração de sua musculatura conforme as andaduras que estiver explorando (passo, trote ou galope). Sabe-se que a falta de flexibilidade irá prejudicar a ação futura do cavaleiro sobre o animal.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;O Coronel Lélio de Castro Cirillo, fundador da Associação Nacional de Equoterapia/ANDE, sugere que o instrutor de equitação deve, ao planejar sua aula, escolher e agrupar exercícios que permitam ao aluno obter descontração geral, flexibilidade das articulações e possibilitem o trabalho muscular que resulte em independência física.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;  &lt;/div&gt;&lt;h2 style="font-family: Verdana,sans-serif; font-weight: normal; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div style="text-align: justify;"&gt;  &lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Sugere-se que os exercícios sejam executados inicialmente com o cavalo parado, depois em círculo, em volta do instrutor, posteriormente ao passo, em seguida ao trote curto e finalmente nas três andaduras. Além disso, é fundamental que sejam realizados respeitando o ritmo de aprendizado de cada aluno.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Conheça os exercícios mais consagrados entre os instrutores e professores de equitação, todos executados montados, constantes dos manuais da ANDE e do Exército Brasileiro e sua relação com o desenvolvimento psicomotor:&lt;br /&gt;
&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;Movimento de braço:&lt;/strong&gt; ao executar rotações com os braços, flexão dos braços, rotação alternada dos braços e exercícios assimétricos (rotação de um braço e flexão de outro) o aluno estará trabalhando seu equilíbrio físico e sua coordenação motora.&lt;br /&gt;
&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;Flexão da região renal:&lt;/strong&gt; um exercício muito praticado pelos iniciantes é executar o comando de “Abraçar o cavalo”, que permite a flexão do tronco para frente. A flexão do tronco para trás é obtida através da execução do comando “Deitar na garupa”. Existe a opção de executar a variação “Acariciar o flanco esquerdo com a mão direita”. Esses exercícios trabalham a lateralidade e orientação espacial dos executantes.&lt;br /&gt;
&lt;strong&gt;Movimento das coxas:&lt;/strong&gt; por intermédio da elevação de joelhos, elevam-se as coxas de forma alternada, aproximando e afastando os joelhos do cepilho, inicialmente um e depois o outro, sem alterar o assento. Este é um exemplo de como incentivar o desenvolvimento do domínio corporal e do relaxamento do aluno.&lt;br /&gt;
&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;Rotação dos pés:&lt;/strong&gt; fazendo movimentos lentos e uniformes, descrevendo um círculo de baixo para cima e de fora para dentro, sem alterar a posição das pernas, este movimento possibilita trabalhar o equilíbrio e a flexibilidade.&lt;br /&gt;
&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;Condução sem o uso do estribo&lt;/strong&gt;: com esse exercício, o aluno fará grande utilização de seu equilíbrio e flexibilidade. A força física também pode ser trabalhada através de exercícios específicos. Sabe-se que quando o cavaleiro está fazendo muita força alguma coisa deve estar errada.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Assim, podemos concluir que os benefícios da equitação na área psicomotora são muitos. Os exemplos apresentados, embora simples e consagrados, permitem refletir que um simples abraço no animal traduz uma ação planejada por parte dos profissionais de equitação, trazendo um benefício na área psicomotora. Além disso, professores de equitação têm trabalhado, cada vez mais, em conjunto com profissionais de outras áreas buscando alcançar o desenvolvimento progressivo de seus alunos.&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.mundoequestre.com.br/equitacao-e-area-psicomotora/"&gt;Fonte&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-7619210923555803496?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/7619210923555803496?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/7619210923555803496?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/equitacao-e-area-psicomotora.html" title="Equitação e Área Psicomotora" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-IDn701JoMBA/Th3YBwGyocI/AAAAAAAABgk/pX13kHQ_LYI/s72-c/Reining-horse-portrait.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;AkcGR3c6eSp7ImA9WhdTFUo.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-3190595438677212357</id><published>2011-07-13T10:27:00.000-07:00</published><updated>2011-07-13T10:27:06.911-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-13T10:27:06.911-07:00</app:edited><title>A Essência da Equitação Clássica</title><content type="html">&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="--"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-oBor7Jas-9k/Th3VXnj5gXI/AAAAAAAABgg/dUVSmFkNVxk/s1600/Cedar-Mills.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-oBor7Jas-9k/Th3VXnj5gXI/AAAAAAAABgg/dUVSmFkNVxk/s400/Cedar-Mills.jpg" width="332" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Tenho pena de não ter tido com quem partilhar algumas destas preciosas descobertas equestres. Tive no entanto a sorte de fazer dos cavalos a minha profissão e de viver em Portugal numa altura em que a tradição da arte equestre ainda se impunha. Também pude usufruir do acesso a uma das grandes bibliotecas e livrarias da Inglaterra, a de Grey Way em Newmarket e a de J.A.Allen em Londres, a quem devo muito, particularmente na pesquisa para o meu livro "Dressage, The Art of Classical Riding".&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;  &lt;span style="color: black; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-themecolor: text1;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Na Europa todos temos a sorte de ter acesso a uma rica herança de conhecimentos e filosofia equestres. O cavalo influenciou todos os aspectos da vida desde o início das civilizações até ao início do nosso século. É freqüente esquecermo-nos que só nas últimas décadas é que a equitação se tornou um desporto ou um ‘hobby’, em vez de uma forma de vida. Desde que o montar a cavalo deixou de ser só uma forma de sobrevivência, divulgando-se como arte em países como a Grécia Antiga e mais recentemente em Itália, Áustria, França e Portugal, muito tem sido escrito por pessoas cuja única ocupação na vida era a cultura dessa arte. Leia Em "Mais Informações "&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Como é hoje diferente a situação! Existem pouquíssimas pessoas cuja vida depende ou gira em volta do cavalo. O cavaleiro de hoje passa num mês o mesmo tempo a cavalo que os nossos antepassados passavam numa manhã!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Apesar desta verdade óbvia, existe entre os cavaleiros de hoje uma tendencia alarmante para fazerem troça da tradição e até da palavra escrita. No entanto, nenhum estudante de música, de arquitectura ou até de culinária sonharia em aprofundar a sua disciplina escolhida sem recorrer à teoria, fazendo-o até com reverência.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Para se perceberem certas leis e princípios essenciais à boa equitação é necessário recorrer-se também à teoria. É uma realidade que de tempo a tempo aparecem cavaleiros/as tão dotados que podem, virtualmente, atirar com a teoria aos quatro ventos, mas, a maioria de nós tem que trabalhar um pouco mais se quiser montar em verdadeira harmonia. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;É necessário que haja um verdadeiro entendimento das forças de gravidade que influenciam a posição do cavaleiro no arreio, assim como dum conhecimento crucial da anatomia e reflexos do cavalo propriamente dito para que ele possa ser treinado correcta e humanamente.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Só com encorajamento e elogios é que o cavalo pode adquirir verdadeira confiança no seu cavaleiro, de forma a poder sobrepor-se às suas&lt;span&gt;&amp;nbsp; &lt;/span&gt;inibições naturais em relação a objectos, sons e odores pouco familiares. &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Os autores antigos eram muito versados na teoria da equitação por ela ser uma ciência viva, transmitida de pais para filhos e de mestre para aprendiz, durante muitos séculos. É óbvio que existiam diferenças culturais - tal como em qualquer ciência - mas a maioria concordava firmemente com os mesmos princípios. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Os grandes mestres deixaram estes princípios escritos para a posteridade e não tinham só amplos conhecimentos dados pela experiência e filosofia dos seus antepassados, como viviam no meio dos cavalos, montando e treinando do nascer ao pôr do sol. Houve um mestre português do Séc.XVIII, o Marquês de Marialva, que era conhecido por montar 12 cavalos por dia quando tinha 70 anos! &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Estes cavaleiros tinham tal prática que desenvolviam a arte enquanto trabalhavam em conjunto, preocupando-se em partilhar e discutir as suas experiências, o que levava a uma uniformidade de ideias que parece faltar nos tempos modernos. O facto dos autores modernos terem podido herdar esta riqueza de conhecimentos e de os poderem pôr em linguagem corrente para aqueles que não têm tempo ou acesso a livros do passado, deve ser apoiado.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Também é de encorajar os que passaram por experiências obtidas sob o ensino de grandes mestres como Nuno de Oliveira, e Alois Podhajsky. Hoje quanto mais simples for a linguagem, melhor uma vez que a falta de tempo para estudar e de oportunidades para montar vários cavalos por dia é cada vez maior.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;É bastante óbvio que vários autores adquiriram verdadeira experiência ao longo dos anos, com uma variedade de cavalos e um mundo de situações. Os seus livros têm lógica, com uma abordagem cheio de bom senso; As explicações claras como o&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;cristal. O trabalho dos ‘entendidos’ de cadeirão é geralmente imperfeito nos pontos mais importantes. Deve evitar-se tudo o que sobressaia pelas suas ideias pouco claras e conflituosas, por mais enfáticas que sejam. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Creio que ensinar ou escrever equitação deve ser uma coisa viva - é demasiadamente fácil acreditar na memória esquecendo o que se sente ao conseguir um movimento bem executado. Não sou a primeira autora a admitir que quando se sente confusa sobre qualquer aspecto do ensino, escuta o cavalo, que iluminará o caminho a seguir. Sem esta interacção contínua entre a prática e a teoria, o retractar da teoria pode tornar-se facilmente enganosa e falsa.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Nesta matéria concordo com o autor inglês J.G.Peters, que escreveu no seu "Teatrise of Equitation on The Art of Horsemanship in London 1835": ‘para os que têm estado a montar sob a instrução de mestres conceituados e que se consideram também mestres, é necessário salientar para os que querem tornar-se mestres ou ganhar a sua vida como cavaleiros, que deveriam montar pelo menos 3 a 4 horas por dia sob a instrução directa de um instrutor capaz. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Esta experiência e prática será a única forma de se conseguirem formar e ter conhecimentos sobre esta elegante arte.’ Infelizmente poucos são os que podem fazer isto hoje em dia, mas quantas mais horas se passam no arreio mais consciente se fica das complexidades da boa equitação.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Recentemente, ao participar num estágio de dressage tive que montar 18 cavalos num dia. Quando enfiei as minhas pernas doridas na banheira de água quente, resmunguei - mas, mais tarde apercebi-me de como tinha sido privilegiada. Todos os cavalos nos ensinam qualquer coisa. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Na continuação deste artigo seleccionarei e explicarei excertos preferidos de livros de muitos autores que espero chamem a&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;atenção dos leitores. Compreender a equitação é como percorrer um longo caminho que pode ser escuro, cansativo e enganoso, a menos que se&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;abram portas no seu percurso. A partir do momento em que as résteas de luz se transformam em fachos é muito mais fácil seguir em frente com certeza e confiança.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;span style="color: black;"&gt;‘O cavalo é muito dócil e afectuoso, capaz de ser ensinado e não esquecendo qualquer impressão que tenha gravado na memória. É mais atento do que qualquer outro animal, aguentando o trabalho com a maior das fomes. É naturalmente dado a muita limpeza, tendo excelente olfacto. Nada o ofende mais que os maus cheiros.’ (Gervase Markham, The Complete Horseman).&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Amor é uma palavra pouco utilizada em equitação. Muitos consideram-na ‘lamechas’ e sentimental demonstrar amor pelos cavalos. No entanto, aqui, um militar que competiu nos Jogos Olímpicos exprimiu a necessidade dele sem reservas. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Mais adiante, no mesmo parágrafo a linguagem torna-se um pouco mais densa (provavelmente devido a dificuldades de tradução) ao explicar um aspecto muito importante do treino que é muitas vezes esquecido: ‘&lt;i&gt;O cavalo foi capaz de avaliar a bondade do cavaleiro pelo facto deste estar atento à mais leve indicação de resposta às suas ajudas, para encontrar uma oportunidade para o recompensar e da sua magnanimidade ao esquecer-se de o castigar quando o erro se devia a trapalhice ou falta de compreensão?&lt;/i&gt;’ (Waldermar Seunig, Horsemanship).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Supõe-se que vivemos em tempos iluminados, no entanto ainda é habitual culpar-se o cavalo pelos erros cometidos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Quantas vezes vemos cavaleiros de ‘primeira’ recusarem-se a encontrar uma oportunidade para afagar, concentrando-se nas imperfeições? Quantos vezes são os cavalos castigados através da embocadura, das esporas etc., em todas as pistas de aquecimento deste país? É frequente estes castigos, acompanhados duma atitude descontente e rancorosa, destruírem toda a confiança natural e alegria do animal. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Uma vez não demonstrado o amor suficiente as nossas competições apresentam-se demasiadamente cheias de cavalos que trabalham como máquinas, com os seus caracteres e sentimentos destruídos para sempre.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Aprendamos com os grandes autores. Segundo as palavras do Coronel A. Podhajsky, aceitemos que os nossos cavalos sejam os nossos professores.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;O seu livro "Os Meus cavalos, Meus Professores" trará lágrimas aos vossos olhos. Vale a pena fixarmo-nos sobre esta máxima: ‘Um bom carácter é uma condição absolutamente necessária para que homem e animal consigam um objectivo elevado. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Uma antiga lei equestre diz-nos que os erros de conformação são mais fáceis de corrigir do que os de carácter. A equitação é essencialmente uma questão de carácter sendo o valor educativo deste desporto conhecido e sublinhado através dos séculos. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Mas só quando existe o bom carácter inicialmente em ambos é que ele se pode tornar mais nobre pela cooperação bem sucedida entre cavalo e cavaleiro. Não é possível transformar latão em ouro.’&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Antes de tentarmos melhorar os cavalos devemos procurar melhorar a nossa atitude e cáracter. Só assim poderemos começar a compreender a psicologia dos nossos cavalos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;span style="color: black;"&gt;Autora : Sylvia Loch&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.equisport.pt/pt/artigos/dressage/a-essencia-da-equitacao-classica"&gt;Fonte&amp;nbsp;&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;span style="color: black;"&gt;&lt;b&gt;Visite o site &lt;a href="http://www.equisport.pt/"&gt;Equisport&lt;/a&gt; (Portugal)&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; line-height: normal; margin-bottom: 0.0001pt; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;span style="color: black;"&gt;&lt;b&gt;um dos melhores sites sobre Equitação do Mundo&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-3190595438677212357?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3190595438677212357?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/3190595438677212357?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/essencia-da-equitacao-classica.html" title="A Essência da Equitação Clássica" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-oBor7Jas-9k/Th3VXnj5gXI/AAAAAAAABgg/dUVSmFkNVxk/s72-c/Cedar-Mills.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;DUIESHY6eSp7ImA9WhdTFUo.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-1126065872780971020</id><published>2011-07-13T10:17:00.000-07:00</published><updated>2011-07-13T10:18:29.811-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-07-13T10:18:29.811-07:00</app:edited><title>Equitação – arte ou ciência?</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-AOJ2EoVH7bc/Th3THxqCdfI/AAAAAAAABgc/scxv71Rq_xg/s1600/Horse-Wallpaper-horses-1899102-1600-1200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://4.bp.blogspot.com/-AOJ2EoVH7bc/Th3THxqCdfI/AAAAAAAABgc/scxv71Rq_xg/s400/Horse-Wallpaper-horses-1899102-1600-1200.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="color: black;"&gt;&lt;span style="font-weight: normal;"&gt;Para muitos, montar a cavalo é o simples ato de sentar a sela e sair cavalgando. Mas, na realidade, a equitação é a ciência que estuda os movimentos, as ações e reações e o equilíbrio do conjunto cavalo-cavaleiro. Ou também pode ser a arte de dirigir, conduzir, exercitar, utilizar o cavalo em todos os seus aspectos .&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Pode-se definir equitação como a arte de bem montar, dirigir, conduzir, exercitar, utilizar o cavalo em todos os seus aspectos. Afirma-se, também, ser a ciência que estuda os movimentos, as ações, as reações, o equilíbrio do conjunto cavalo e cavaleiro. Então, equitação é arte ou ciência? Leia em "Mais Informações"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Há séculos, os grandes mestres vêm discutindo, apaixonadamente, a esse respeito, e, afinal, chegaram a um consenso. De maneira alguma a equitação é uma ciência exata. Quando nos dirigimos a um ser dotado de vontade própria, as teorias mais sábias, as técnicas mais perfeitas, ficam sujeitas ao sucesso ou ao fracasso de forma imprevisível.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;A transformação das forças do cavalo por aquelas transmitidas do cavaleiro corresponde, todavia, mais a um toque “genial”; quer dizer, a arte do mestre sobrepõe à ciência, mas é através da ciência, do estudo da equitação, dos conhecimentos teóricos e práticos que o cavaleiro há de elevar-se à maestria. Assim, todo conhecimento científico adquire seu maior valor.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;A equitação vem sendo estudada desde a mais remota antiguidade. Pode-se entender que, no principio, foi instintiva e empírica, e não há dúvidas de que foram inúmeros os ginetes que alcançaram assim suas vitórias. Mas toda a equitação instintiva tem seus limites e não se pode pretender alcançar as glórias desta arte, acessível tão somente àqueles que, acima de seu dom pessoal, possuem uma técnica enriquecida, constantemente, pela reflexão, estudo e prática.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;Em resumo, conclui-se que a equitação é primeiro instintiva, logo depois, regularizada pelos conhecimentos teóricos, reforçados pela prática, para, então, culminar em uma síntese de ciência e arte, patrimônio dos cavaleiros que a ela se dedicam.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;Wilson Ricciuca Jr. (Ito)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: black;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;a href="http://www.revistaveterinaria.com.br/2011/06/29/equitacao-%E2%80%93-arte-ou-ciencia/"&gt;Fonte&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-1126065872780971020?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1126065872780971020?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/1126065872780971020?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/07/equitacao-arte-ou-ciencia.html" title="Equitação – arte ou ciência?" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-AOJ2EoVH7bc/Th3THxqCdfI/AAAAAAAABgc/scxv71Rq_xg/s72-c/Horse-Wallpaper-horses-1899102-1600-1200.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;D0MHSH09fSp7ImA9WhZaFEk.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-8237721944980236479</id><published>2011-06-30T07:50:00.001-07:00</published><updated>2011-06-30T07:50:39.365-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-06-30T07:50:39.365-07:00</app:edited><title>Trinta Mil Visitas</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-saYIluoSum0/TgyNMXubCWI/AAAAAAAABgY/n5KOneGFMYg/s1600/imagem.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="370" src="http://3.bp.blogspot.com/-saYIluoSum0/TgyNMXubCWI/AAAAAAAABgY/n5KOneGFMYg/s400/imagem.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-8237721944980236479?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8237721944980236479?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/8237721944980236479?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/06/trinta-mil-visitas.html" title="Trinta Mil Visitas" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-saYIluoSum0/TgyNMXubCWI/AAAAAAAABgY/n5KOneGFMYg/s72-c/imagem.JPG" height="72" width="72" /></entry><entry gd:etag="W/&quot;C0YFSHc9cCp7ImA9WhZaE0s.&quot;"><id>tag:blogger.com,1999:blog-4353304475229521738.post-5767850295735882034</id><published>2011-06-29T08:18:00.000-07:00</published><updated>2011-06-29T08:25:19.968-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-06-29T08:25:19.968-07:00</app:edited><title>I Copa de Equitação Terapêutica</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-XavakxBNe2k/TgtDyP90VwI/AAAAAAAABgU/LSez9MkL64w/s1600/Santa+Terezinha.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-XavakxBNe2k/TgtDyP90VwI/AAAAAAAABgU/LSez9MkL64w/s400/Santa+Terezinha.bmp" width="391" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;No dia 19 de junho, a&amp;nbsp; Hípica Santa Terezinha sob coordenação de Eliane Cristina Baatsch representou Carapicuíba e região na I Copa de Equitação Terapêutica que aconteceu no Clube Hípico Santo Amaro em São Paulo.Leia em "Mais Informações" . &lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Participaram cerca de 70 praticantes de equoterapia e equitação terapêutica nas provas de adestramento: em montaria individual ao passo e trote; em montaria individual ao passo; e em montaria dupla ao passo. Foram avaliados os itens de regularidade e fluência da andadura, execução dos movimentos da reprise, e a atitude do cavaleiro.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A Hípica Santa Terezinha representou com os seus praticantes a cidade de Carapicuíba, Embu, Caieiras, São Paulo, Osasco, Barueri, Itapevi, Aldeia da Serra, Jandira, entre outras localidades.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Victor Gamito (Carapicuíba), Rafael Victor dos Santos (Embu), Gabriela Salmeron Zanetti (Osasco), Bianca Batista Campos de Oliveira (Osasco), e Beatriz Pereira de Araújo (Carapicuíba) realizaram a prova conduzindo individualmente o cavalo Pégasus no picadeiro de adestramento.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Matheus Campanha, Beatriz Ortiz, Fabrício da Silva, realizaram a prova com montaria individual e auxílio na condução do cavalo Pégasus.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Cláudia Bueno, Daniel Racz, Amanda de Carvalho, Enzo de Arruda, Flávia Groothedde, Giovanna Vitória Baatsch, Fernanda Nakano, Julia Braga, Vitória Lopes, Luiz Henrique Barta, realizaram a prova em montaria dupla com a égua Babi.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;O evento foi organizado pelo Clube Hípico Santo Amaro que recebeu os Centros de Equoterapia para a realização das provas e a confraternização dos pacientes.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;Por Eliane Cristina Baastch - &lt;/span&gt;&lt;a href="http://www.equoterapianet.com.br/" style="font-family: Verdana,sans-serif;" target="_blank"&gt;www.equoterapianet.com.br&lt;/a&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4353304475229521738-5767850295735882034?l=equitacaoespecial.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5767850295735882034?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4353304475229521738/posts/default/5767850295735882034?v=2" /><link rel="alternate" type="text/html" href="http://equitacaoespecial.blogspot.com/2011/06/i-copa-de-equitacao-terapeutica.html" title="I Copa de Equitação Terapêutica" /><author><name>EQUITAÇÃO ESPECIAL</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="21" src="http://1.bp.blogspot.com/_KEWX93qxjh0/S4FBt0sG-HI/AAAAAAAAA4o/V5NfEENI7Ak/S220/logotipo+Equita%C3%A7%C3%A3o+Especial+1.bmp" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-XavakxBNe2k/TgtDyP90VwI/AAAAAAAABgU/LSez9MkL64w/s72-c/Santa+Terezinha.bmp" height="72" width="72" /></entry></feed>

