<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3517826206979491943</id><updated>2026-08-01T04:48:44.073-07:00</updated><category term="Art Life"/><category term="creative"/><category term="art"/><category term="book"/><category term="business"/><category term="charging"/><category term="creative writing"/><category term="design"/><category term="e-book"/><category term="ebook"/><category term="fees"/><category term="fiction writing"/><category term="film"/><category term="freelance"/><category term="inspiration"/><category term="love"/><category term="marketing"/><category term="money"/><category term="muse"/><category term="music"/><category term="negotiating"/><category term="novel writing"/><category term="professional"/><category term="publish"/><category term="sales"/><category term="setting"/><category term="subcontract"/><category term="value"/><category term="write"/><category term="writing"/><category term="writing tips"/><title type='text'>Erica Galvin</title><subtitle type='html'>Expert insights on strategic partnership, leadership, deal negotiation, and relationship management across the sports, media, and tech industries.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1901</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-4182420862359645606</id><published>2026-04-23T15:47:20.443-07:00</published><updated>2026-04-23T15:47:20.443-07:00</updated><title type='text'>Making Strategic Decisions for Brand Narrative in a Rapidly Evolving Landscape</title><content type='html'>&lt;h3&gt;Deciding to innovate strategically, not blindly, empowers you to lead with confidence.&lt;/h3&gt;
            &lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100%&quot; style=&quot;max-width: 550px; border: 1px solid #e0e0e0; border-radius: 8px; margin: 16px 0; font-family: sans-serif; background-color: #ffffff;&quot;&gt;
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                        &lt;a href=&quot;https://brandtherapyseries.substack.com/p/making-strategic-decisions-for-brand&quot; target=&quot;_blank&quot; rel=&quot;noopener noreferrer&quot; style=&quot;text-decoration: none; color: inherit; display: block;&quot;&gt;
                            &lt;img src=&quot;https://substackcdn.com/image/fetch/$s_!2WVn!,w_1200,h_675,c_fill,f_jpg,q_auto:good,fl_progressive:steep,g_auto/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cee511f-81f2-4cbc-9f67-870c60e32320_1024x608.png&quot; alt=&quot;Making Strategic Decisions for Brand Narrative in a Rapidly Evolving Landscape&quot; style=&quot;width: 100%; border-top-left-radius: 8px; border-top-right-radius: 8px; display: block; border: 0;&quot;&gt;
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                                &lt;div style=&quot;font-size: 16px; font-weight: bold; color: #1a1a1a; line-height: 1.3;&quot;&gt;Making Strategic Decisions for Brand Narrative in a Rapidly Evolving Landscape&lt;/div&gt;
                                &lt;div style=&quot;font-size: 14px; color: #666666; margin-top: 4px; line-height: 1.5;&quot;&gt;Deciding to innovate strategically, not blindly, empowers you to lead with confidence.&lt;/div&gt;
                                &lt;div style=&quot;font-size: 12px; color: #999999; margin-top: 12px; line-height: 1;&quot;&gt;brandtherapyseries.substack.com&lt;/div&gt;
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        &lt;br&gt;&lt;hr&gt;&lt;p style=&quot;font-size: small; font-style: italic;&quot;&gt;Originally published on Soulwell Publishing Group. &lt;a href=&quot;https://9003-firebase-studio-1776366765692.cluster-tf7blpyuezfoguxzq5gb5zezdk.cloudworkstations.dev/tedbanksmedia/post/making-strategic-decisions-for-brand-narrative-in-a-rapidly-evolving-landscape&quot;&gt;Read the original post&lt;/a&gt;. &lt;a href=&quot;https://9003-firebase-studio-1776366765692.cluster-tf7blpyuezfoguxzq5gb5zezdk.cloudworkstations.dev/tedbanksmedia&quot;&gt;View the original profile&lt;/a&gt;.&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/4182420862359645606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2026/04/making-strategic-decisions-for-brand_0873291224.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4182420862359645606'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4182420862359645606'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2026/04/making-strategic-decisions-for-brand_0873291224.html' title='Making Strategic Decisions for Brand Narrative in a Rapidly Evolving Landscape'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-8585836828791634979</id><published>2026-04-20T22:00:03.586-07:00</published><updated>2026-04-20T22:00:03.586-07:00</updated><title type='text'>Strategic partnerships create long-term business growth</title><content type='html'>&lt;p&gt;Most businesses do not stall because they lack effort.&lt;/p&gt;&lt;p&gt;They stall because they are trying to grow alone.&lt;/p&gt;&lt;p&gt;Strategic partnerships create long-term business growth by giving organizations access to something they may not be able to build quickly on their own:&lt;br&gt;new distribution,&lt;br&gt;new trust pathways,&lt;br&gt;new capabilities,&lt;br&gt;and new markets.&lt;/p&gt;&lt;p&gt;The problem is that many companies treat partnerships like short-term transactions instead of long-term growth infrastructure.&lt;/p&gt;&lt;p&gt;A real strategic partnership is not just about exposure.&lt;br&gt;It is about alignment.&lt;/p&gt;&lt;p&gt;The right partnership can help a brand:&lt;br&gt;expand reach,&lt;br&gt;increase credibility,&lt;br&gt;open qualified opportunities,&lt;br&gt;and create momentum that compounds over time.&lt;/p&gt;&lt;p&gt;Growth gets stronger when it is supported from multiple directions.&lt;/p&gt;&lt;p&gt;That is one of the reasons strategic partnerships matter so much.&lt;/p&gt;&lt;p&gt;#StrategicPartnerships #BusinessGrowth #PartnershipStrategy #Leadership #BrandExpansion&lt;/p&gt;&lt;img src=&quot;https://firebasestorage.googleapis.com/v0/b/studio-1662906000-16dc9.firebasestorage.app/o/post-images%2F1yHc7GJlc2Qko0xvLaIUIF3u2Dn2%2F1776630712012_ChatGPT%20Image%20Apr%2019%2C%202026%2C%2011_47_28%20AM.png?alt=media&amp;amp;token=a1aca439-c5e6-4f2d-90cd-106f67b17331&quot;&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/8585836828791634979/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2026/04/strategic-partnerships-create-long-term_0655355376.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/8585836828791634979'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/8585836828791634979'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2026/04/strategic-partnerships-create-long-term_0655355376.html' title='Strategic partnerships create long-term business growth'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-3097025243191074716</id><published>2022-09-15T19:50:00.001-07:00</published><updated>2022-09-15T19:50:46.566-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>Aperture Foundation Lands a New Headquarters</title><content type='html'>The nonprofit photography organization will relocate in 2024, to offices across from the American Museum of Natural History, with greater visibility.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/3097025243191074716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/aperture-foundation-lands-new.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3097025243191074716'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3097025243191074716'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/aperture-foundation-lands-new.html' title='Aperture Foundation Lands a New Headquarters'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-7474618629273675126</id><published>2022-09-15T10:35:00.005-07:00</published><updated>2022-09-15T10:35:30.915-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>The Eyes Have It in Hew Locke’s Power-Challenging Show</title><content type='html'>Over the entrance to the Met are medallion portraits of white, male art heroes. Enter Hew Locke with a timely and pointed message about “Gilt” (or “Guilt”).&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/7474618629273675126/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/the-eyes-have-it-in-hew-lockes-power.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7474618629273675126'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7474618629273675126'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/the-eyes-have-it-in-hew-lockes-power.html' title='The Eyes Have It in Hew Locke’s Power-Challenging Show'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-5983815696866155144</id><published>2022-09-15T10:35:00.003-07:00</published><updated>2022-09-15T10:35:29.900-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>Bharti Kher’s Multi-Headed Goddess Statue Arrives at Central Park</title><content type='html'>A multi-headed goddess by the sculptor Bharti Kher has arrived at Central Park. Its message is open to interpretation — and comfortable with contradiction.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/5983815696866155144/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/bharti-khers-multi-headed-goddess.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/5983815696866155144'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/5983815696866155144'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/bharti-khers-multi-headed-goddess.html' title='Bharti Kher’s Multi-Headed Goddess Statue Arrives at Central Park'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-4876395859426583319</id><published>2022-09-15T10:35:00.001-07:00</published><updated>2022-09-15T10:35:28.611-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>I Can’t Believe It’s Butter!</title><content type='html'>Elaborate dairy sculptures have graced dining tables since the 1500s. Now chefs and food artists are making them look like Le Corbusier chairs.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/4876395859426583319/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/i-cant-believe-its-butter.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4876395859426583319'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4876395859426583319'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/i-cant-believe-its-butter.html' title='I Can’t Believe It’s Butter!'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2174916067419266729</id><published>2022-09-15T07:00:00.001-07:00</published><updated>2022-09-15T07:00:32.540-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>The Clock That Changed the World: How John Harrison’s Portable Clock Revolutionized Sea Navigation in the 18th Century</title><content type='html'>In the early eighteenth century, a pocket watch could keep reasonably accurate time, give or take a minute per day. This may not sound too bad, given how we now regard even the most advanced technology of that era. But it certainly wasn’t good enough for mari..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2174916067419266729/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/the-clock-that-changed-world-how-john.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2174916067419266729'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2174916067419266729'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/the-clock-that-changed-world-how-john.html' title='The Clock That Changed the World: How John Harrison’s Portable Clock Revolutionized Sea Navigation in the 18th Century'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-3965501071166446485</id><published>2022-09-15T03:20:00.001-07:00</published><updated>2022-09-15T03:20:41.462-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>When Is a Joke “Too Soon”? — Comedians Discuss on Pretty Much Pop: A Culture Podcast #132</title><content type='html'>https://ift.tt/wCpaZ6x To honor the death of Gilbert Gottfried, Pretty Much Pop addresses jokes like the 9-11 one he was pilloried for. Can comedy really be “too soon” in relati..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/3965501071166446485/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/when-is-joke-too-soon-comedians-discuss.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3965501071166446485'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3965501071166446485'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/when-is-joke-too-soon-comedians-discuss.html' title='When Is a Joke “Too Soon”? — Comedians Discuss on Pretty Much Pop: A Culture Podcast #132'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-5490517078825073709</id><published>2022-09-15T03:00:00.001-07:00</published><updated>2022-09-15T03:00:50.918-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>5 to See: London Design Festival 2022</title><content type='html'>Over the last 20 years, society has witnessed an array of landmark design moments. The launch of the iPhone is just one example; in 2007 it transformed how we connect with others, share information and consume content. Today, as we look towards life in the me..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/5490517078825073709/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/5-to-see-london-design-festival-2022.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/5490517078825073709'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/5490517078825073709'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/5-to-see-london-design-festival-2022.html' title='5 to See: London Design Festival 2022'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-3391659528847470524</id><published>2022-09-14T17:50:00.003-07:00</published><updated>2022-09-14T17:50:17.365-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>Lily Renée Phillips, Pioneering Comic Book Artist, Dies at 101</title><content type='html'>A refugee from Nazi-annexed Austria, she started a new life in New York drawing powerful, glamorous heroines and broke barriers in a male-dominated field.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/3391659528847470524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/lily-renee-phillips-pioneering-comic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3391659528847470524'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/3391659528847470524'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/lily-renee-phillips-pioneering-comic.html' title='Lily Renée Phillips, Pioneering Comic Book Artist, Dies at 101'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2443501769033448670</id><published>2022-09-14T17:50:00.001-07:00</published><updated>2022-09-14T17:50:16.190-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>Christie’s and a Baltimore Gallery to Sell Work by Black Artists</title><content type='html'>Later this month, the auction house will sell works chosen by the Black-owned Galerie Myrtis, amid an increased focus on diversity.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2443501769033448670/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/christies-and-baltimore-gallery-to-sell.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2443501769033448670'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2443501769033448670'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/christies-and-baltimore-gallery-to-sell.html' title='Christie’s and a Baltimore Gallery to Sell Work by Black Artists'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-6881317258508016992</id><published>2022-09-14T09:35:00.009-07:00</published><updated>2022-09-14T09:35:35.474-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Tora’s Husband (Rima Das, India) — Platform</title><content type='html'>By Michael Sicinski Set in Das’s hometown of Assam, Tora’s Husband is centred on Jaan (Abhijit Das), a restaurateur who has struggled to make ends meet during the government-mandated COVID lockdown. But as the film continually emphasizes, Jaan did everything h..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/6881317258508016992/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-toras-husband-rima-das-india.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/6881317258508016992'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/6881317258508016992'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-toras-husband-rima-das-india.html' title='TIFF 2022 | Tora’s Husband (Rima Das, India) — Platform'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-495832560093319392</id><published>2022-09-14T09:35:00.007-07:00</published><updated>2022-09-14T09:35:34.357-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | The Banshees of Inisherin (Martin McDonagh, Ireland) — Special Presentations</title><content type='html'>By Clara Miranda Scherffig The Banshees of Inisherin is a pessimistic fable told in the way of a black comedy-drama. In the style of Martin McDonagh’s previous efforts, the film exists as a self-contained, odd universe that aptly plays out on an island, the fi..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/495832560093319392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-banshees-of-inisherin-martin.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/495832560093319392'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/495832560093319392'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-banshees-of-inisherin-martin.html' title='TIFF 2022 | The Banshees of Inisherin (Martin McDonagh, Ireland) — Special Presentations'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2864182672325866398</id><published>2022-09-14T09:35:00.005-07:00</published><updated>2022-09-14T09:35:33.550-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Empire of Light (Sam Mendes, UK/US) — Special Presentations</title><content type='html'>By Meg Shields They said it couldn’t be done. But someone has finally made a boring movie about Olivia Colman being horny. Directed by Sam Mendes, shot by Roger Deakins, and scored by Trent Reznor and Atticus Ross, Empire of Light is a technically proficient b..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2864182672325866398/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-empire-of-light-sam-mendes.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2864182672325866398'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2864182672325866398'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-empire-of-light-sam-mendes.html' title='TIFF 2022 | Empire of Light (Sam Mendes, UK/US) — Special Presentations'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-8660280528019340087</id><published>2022-09-14T09:35:00.003-07:00</published><updated>2022-09-14T09:35:32.597-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Pearl (Ti West, US) — Midnight Madness</title><content type='html'>By Saffron Maeve&amp;nbsp; Much like the maggot-licked suckling pig shrivelling on the front porch in Ti West’s prequel to this year’s porno-slasher X, Pearl is an increasingly meatless and eye-grabbing article, comprising the kind of prepensed exposition that could on..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/8660280528019340087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-pearl-ti-west-us-midnight.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/8660280528019340087'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/8660280528019340087'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-pearl-ti-west-us-midnight.html' title='TIFF 2022 | Pearl (Ti West, US) — Midnight Madness'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-654908084476704703</id><published>2022-09-14T09:35:00.001-07:00</published><updated>2022-09-14T09:35:31.460-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Biosphere (Mel Eslyn, US) — Special Presentations</title><content type='html'>By Ally Oman The greatest disservice that could be done to Biosphere would be to sell it on the grounds of the strange direction its plot takes. Set in a near future in which the only two survivors of a global catastrophe are best friends Ray (Sterling K. Brow..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/654908084476704703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-biosphere-mel-eslyn-us.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/654908084476704703'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/654908084476704703'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-biosphere-mel-eslyn-us.html' title='TIFF 2022 | Biosphere (Mel Eslyn, US) — Special Presentations'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-9180691181271365451</id><published>2022-09-14T06:20:00.001-07:00</published><updated>2022-09-14T06:20:48.566-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>RIP Jean-Luc Godard: Watch the French New Wave Icon Explain His Contrarian Worldview Back in the 1960s</title><content type='html'>For almost forty years, we’ve been losing the French New Wave. François Truffaut and Jacques Demy died young, back in the twentieth century; Henri Colpi, Éric Rohmer, and Claude Chabrol followed in the early years of the twenty-first. The last decade alone sa..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/9180691181271365451/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/rip-jean-luc-godard-watch-french-new.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/9180691181271365451'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/9180691181271365451'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/rip-jean-luc-godard-watch-french-new.html' title='RIP Jean-Luc Godard: Watch the French New Wave Icon Explain His Contrarian Worldview Back in the 1960s'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-7860342397188657258</id><published>2022-09-14T05:50:00.001-07:00</published><updated>2022-09-14T05:50:55.960-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>Breaking from Tradition:Contemporary Istanbul </title><content type='html'>September sees a flurry of major art and culture events in Istanbul. The city has become a hotspot for new talent in recent years, with showcases like Contemporary Istanbul – running 19-22 September – providing a platform for local artists to show work alongs..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/7860342397188657258/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/breaking-from-traditioncontemporary.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7860342397188657258'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7860342397188657258'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/breaking-from-traditioncontemporary.html' title='Breaking from Tradition:Contemporary Istanbul '/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-9057743876315881981</id><published>2022-09-13T13:55:00.001-07:00</published><updated>2022-09-13T13:55:11.654-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>A Utopian Space for Black Artists, Reimagined at MoMA</title><content type='html'>Just Above Midtown, an incubator of some of the most important Black avant-garde art of the 1970s and ’80s, is the subject of a new exhibition.&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/9057743876315881981/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/a-utopian-space-for-black-artists.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/9057743876315881981'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/9057743876315881981'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/a-utopian-space-for-black-artists.html' title='A Utopian Space for Black Artists, Reimagined at MoMA'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-6924299833725229592</id><published>2022-09-13T11:50:00.001-07:00</published><updated>2022-09-13T11:50:53.054-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Maya and the Wave (Stephanie Johnes, US) — TIFF Docs</title><content type='html'>By Madeleine Wall Nazare, Portugal boasts of having the largest waves in the world. Averaging around 50 feet in height, they often end up going up to 80, with 100 as the highest ever recorded. Crowds gather along the shoreline to see these massive behemoths ri..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/6924299833725229592/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-maya-and-wave-stephanie.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/6924299833725229592'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/6924299833725229592'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-maya-and-wave-stephanie.html' title='TIFF 2022 | Maya and the Wave (Stephanie Johnes, US) — TIFF Docs'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2658220557119889637</id><published>2022-09-13T08:02:00.009-07:00</published><updated>2022-09-13T08:02:33.466-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | The Swearing Jar (Lindsay MacKay, Canada) — Contemporary World Cinema</title><content type='html'>By Sofia Majstorovic “I’m gonna tell you this and then I’m gonna go,” says Carey (Adelaide Clemens), the reluctantly wistful protagonist of The Swearing Jar, Lindsay MacKay’s banter-laden follow-up to Wet Bum (2014). Carey’s ding-dong-ditch attitude towards he..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2658220557119889637/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-swearing-jar-lindsay-mackay.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2658220557119889637'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2658220557119889637'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-swearing-jar-lindsay-mackay.html' title='TIFF 2022 | The Swearing Jar (Lindsay MacKay, Canada) — Contemporary World Cinema'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-7115525191589656883</id><published>2022-09-13T08:02:00.007-07:00</published><updated>2022-09-13T08:02:31.538-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Self-Portrait as a Coffee Pot (William Kentridge, South Africa/US) — TIFF Docs</title><content type='html'>By Michael Sicinski Is it possible that some folks were too productive during COVID? It has become a common joke that almost nobody took advantage of the quarantine to write that novel or master a new language. But William Kentridge spent that time making a ni..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/7115525191589656883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-self-portrait-as-coffee-pot.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7115525191589656883'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/7115525191589656883'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-self-portrait-as-coffee-pot.html' title='TIFF 2022 | Self-Portrait as a Coffee Pot (William Kentridge, South Africa/US) — TIFF Docs'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2881200610380092675</id><published>2022-09-13T08:02:00.005-07:00</published><updated>2022-09-13T08:02:30.250-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Runner (Marian Mathias, US) — Discovery</title><content type='html'>By Winnie Wang Amidst stark plains and interiors in rural Missouri, 18-year-old Haas (Hannah Schiller) is faced with an uncertain future after the sudden death of her father Al, an outcast burdened with debt and dubious plans to flip properties along the Missi..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2881200610380092675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-runner-marian-mathias-us.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2881200610380092675'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2881200610380092675'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-runner-marian-mathias-us.html' title='TIFF 2022 | Runner (Marian Mathias, US) — Discovery'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-4796142394444396574</id><published>2022-09-13T08:02:00.003-07:00</published><updated>2022-09-13T08:02:28.850-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | Charcoal (Carolina Markowicz, Brazil/Argentina) — Platform</title><content type='html'>By Angelo Muredda A corrupt deal with a mysterious nurse who brings death rather than life unravels a tightly wound family in Carolina Markowicz’s ambitious and sometimes inscrutable first feature, Charcoal, which is pitched somewhere between a fable, a comedy..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/4796142394444396574/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-charcoal-carolina-markowicz.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4796142394444396574'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/4796142394444396574'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-charcoal-carolina-markowicz.html' title='TIFF 2022 | Charcoal (Carolina Markowicz, Brazil/Argentina) — Platform'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3517826206979491943.post-2306122173795541413</id><published>2022-09-13T08:02:00.001-07:00</published><updated>2022-09-13T08:02:27.431-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art Life"/><title type='text'>TIFF 2022 | A Gaza Weekend (Basil Khalil, Palestine/UK) — Discovery</title><content type='html'>By Adam Nayman “The virus can’t tell the difference between Jews and Arabs,” exclaims a character early on in A Gaza Weekend, giving British-Palestinian director Basil Khalil’s wearyingly zany plague comedy a low-calorie humanistic thesis statement. The idea t..&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://ericagalvin.blogspot.com/feeds/2306122173795541413/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-gaza-weekend-basil-khalil.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2306122173795541413'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3517826206979491943/posts/default/2306122173795541413'/><link rel='alternate' type='text/html' href='https://ericagalvin.blogspot.com/2022/09/tiff-2022-gaza-weekend-basil-khalil.html' title='TIFF 2022 | A Gaza Weekend (Basil Khalil, Palestine/UK) — Discovery'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>