The track is called “Daylight”, and is about taking action and not being wasteful.

Anyway we hope you enjoy it, and we enjoyed hearing your comments last time so please do keep them coming.

Daylight - Exitproject (195) (right-click and choose ’save as’ to download)

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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales License.

And Exitproject said, ‘Let them hear cake.’

Or something.

But the high point of the evening actually came when we were arguing about the chorus.  We were passive aggressively discussing if the piano should be syncopated or straight.  But our heated debate evaporated when we heard some birds tweeting in the background of the vocal track.

GENIUS!  You can just about hear the birds tweeting here:

Birds tweeting in the background 'Daylight' (41)

(it’s right at the end of the clip – you’ll have to crank the volume to hear it.)  It makes me EXTREMELY happy…

The February track is coming along, people!  Feeling the burn a little, but I think that’s part of the reason we’re doing the one song per month thing.  Come rain or come shine, February’s track is just around the corner.

——————————————————————————————–

There is no hiding place where daylight cannot find me, nowhere
Even underground it seeps under my nails and into my hair
Running is wasting in disguise, wasting is tragic in the daylight
Running is wasting in disguise, wasting is tragic in the daylight

Make believe that I am strong
But take away the daylight and I’m gone
Make believe that I’m the one
But take away the daylight and I’m done

Creeping slowly forward swallowing my words, only
Afraid the time it takes to uncover every story
Silent is complacent in their eyes, silence is tragic in the daylight
Silent is complacent in their eyes, silence is tragic in the daylight

Make believe that I am strong
But take away the daylight and I’m gone
Make believe that I’m the one
But take away the daylight and I’m done

——————————————————————————————–

This track kind of carries on from an older song of ours called Modern Times.  It’s about a couple of things – it’s  kind of a self-criticism about not being grateful for the things we have, it’s about not taking action when action is needed, and it’s about a ‘Good’ (with a capital ‘G’) that exists in the world that I think we all rely on (and without which we would crash and burn).

One of these days I’ll write some nice light hearted lyrics about sunshine or a summer’s breeze… or not.

Enter Robin the cellist from Canada!  We’ve had 4 or 5 rehearsals now and it’s shaping up really nicely.  (I’m being reserved while writing this – trying to convey my  actual excitement would involve constantly using all capital letters and setting the page to have the E.T. theme playing in the background… but in the interest of time…)

Now the North Americans out-number the English people in the band… the POWER!  Although the Ninja Butler, with his ninja-butling skills could out-smart us both, I’m sure…

Seriously, though, it’s flippin’ fantastic to have Robin in the band.  Quality musicianship and nationality aside, we all get along really well which is pretty as good as it gets.

Next we’re hunting for a synth / keyboard player to provide the weird noises.  If anyone knows a synth player in Bristol, send ‘em my way.  Otherwise – gumtree, here I come…

But spirits in the camp are high!  Recording has been done, progress has been made, tea has been swigged (and a special ‘thank you’ to Ben and Jill Weaver for supplying the AMAZING Betty’s biscuits for sustenance)

The first thing we realised when we listened to the tune was that it was too slow.  Not great news,  but I think we were relatively brave about it.  I manned the controls while J laid down new acoustic guitar, bass and electric guitar parts.

The aforementioned broken-tuning peg on the Les Paul finally gave up the ghost good-and-proper.  J tuned the offending string with some pliers – rock n’ roll…

Then I did re-did a wheezy rough vocal (I have a sore throat) so J could get down to some serious production-action.

The tune has changed a lot since the last session, but I’m having trouble putting the differences into words.  It’s probably because we’ve been listening to it so intensely – it’s a big fuzz in my head.

J mentioned the other night that we wanted to make a track that sounded really ‘Bristol-y’.  I think that’s probably the best way to describe it…

I think we’re both feeling the ‘holy madness, it’s February 13th’ pinch in terms of launching this track.  But I say ‘meh’ to any of that stress shenanigans – I’m flippin’ LOVING it…

I think saying ‘the heat is on’ is an understatement here, but we like heat.  And all heat aside, we bashed out two verses and a chorus in about an hour so here’s hoping this pace will stick, eh?

Then we *shuffled* right into the studio and recorded scratch guitar and vocal tracks.

And then the Ninja Butler went into producer-mode!  Fast-forward another couple of hours and I just listened to the result so far.  Sha-WING! Another song-crush is born!  But is it just a late-night fling?  Will I have second thoughts in the morning?  Only time will tell, but you bet your bottom dollar that I’m going to stumble back into the studio first thing tomorrow, don some headphones and have another listen

I think the tune is going to be called ‘Daylight’ and so far we think it’s sounding a little influenced by Fink and Beth Orton.  Along, of course, with all the regulars – I’ve been listening to a LOT of Laura Veirs lately, her new album is aaaaaamaaaazing.

Easy - Exitproject (285) (right-click and choose ’save as’ to download)

We dedicate this track to Jake and Eliza and wish them every happiness together

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Generic License.

But J (never the type of Ninja Butler to sit around) just wandered in and confessed to a little late night tweaking…

of the SONG…

Lordy!  You have a filthy mind…

Anyway, J went into the studio with his game face on.  He listened to it a couple of times, made some quick decisions, took out a couple of tracks that were causing a ruckus, and emerged triumphant and grinning.

WOOHOO!!  Mixing awaits!

We just did a little tweakage to some of the drums too.  Drums drums drums.  Drum programming is probably the part of the recording process I struggle with the most – too busy and they’re overwhelming, too sparse and they’re dull, too loud and they’re overpowering, too quiet and they’re lacklustre.  It can be tricky to get electronic drums to sit well with the acoustic instruments.

I’ve been listening to Fink alot recently – and the drums are really cut back but fit the music so well.  The guitar is very rhythmic so that keeps driving the songs forward.  Do give him a listen.