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portfolio"/><category term="online photographers network"/><category term="pablo"/><category term="painters"/><category term="painting by dali"/><category term="painting modern"/><category term="paintings by"/><category term="paintings of the"/><category term="photo community"/><category term="photo competition"/><category term="photo contest"/><category term="photo news"/><category term="photo realistic"/><category term="photography models"/><category term="photography social"/><category term="piet mondrian"/><category term="professional photographers"/><category term="professional photography"/><category term="protein movement"/><category term="public spaces"/><category term="realistic 3d"/><category term="red"/><category term="salvador"/><category term="salvador dali"/><category term="salvador dali from"/><category term="salvadordali"/><category term="sandratorralba"/><category term="share photos"/><category term="share photos free"/><category term="share pictures"/><category term="sleepin"/><category term="somsung"/><category term="sony"/><category term="starry night"/><category term="sticker art"/><category term="street installations"/><category term="street poster art"/><category term="streets"/><category term="tree painting"/><category term="van Gogh"/><category term="venaky science"/><category term="wheatpasting"/><category term="who is salvador dali"/><title type='text'>Surreal . Fine Art . Conceptual Photography/ Arts</title><subtitle type='html'>Visual Articles, links, news about Digital arts Experimental Fine arts abstract surreal expressionism impressionism cubism new op post Conceptual Photography Cinema and Featured Artists and Photographers André Breton Bourgeois Dalí Ernst Giacometti Magritte Ray Miró Picasso Tanguy Tanning David lynch Joseph Beuys Jackson Pollock De Kooning Rothko Georges Braque Léger Marcel Duchamp Max picasso de Maria Paul Klee Manet Monet Degas Pissarro Ernst Ludwig Kirchner edvard munch Kandinsky mondrian</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>87</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-4561497434879585978</id><published>2013-04-05T04:48:00.000-07:00</published><updated>2013-04-05T04:48:11.142-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="25 Mind-Blowing Aerial Photographs Around the World"/><title type='text'>Mind-Blowing Aerial Photographs Around the World</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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25 Mind-Blowing Aerial Photographs Around the&amp;nbsp;World&lt;/h1&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20155&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/rano-kau-volcano-in-rapa-nui-national-park-easter-island-chile.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Rano Kau volcano in Rapa Nui national park, Easter Island, Chile&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Rano Kau volcano in Rapa Nui National Park, Easter Island, Chile – Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;br /&gt;For me, the allure of aerial photography is the unique perspective it gives. The world feels so different when viewed from above. It always gives me a newfound appreciation for this pale blue dot we call home.&lt;/div&gt;
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In my opinion, there is no better aerial photographer than&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;Yann Arthus Bertrand&lt;/a&gt;. His volume of work is incomparable, and he has an incredible eye for the interesting and provocative. I own one of his many coffee table books and it is absolutely mind-blowing. Below you will find information on Bertrand along with a small sample of his amazing work.&lt;br /&gt;&amp;nbsp;&lt;/div&gt;
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2. Islet in the terraced rice fields of Bali, Indonesia&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20161&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/islet-in-the-terraced-rice-fields-of-bali-indonesia.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Islet in the terraced rice fields of Bali, Indonesia&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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3. Djidji waterfalls, Ivindo National Park, Gabon&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20162&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/djidji-waterfalls-ivindo-national-park-ogoouc3a9-ivindo-province-gabon.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Djidji waterfalls, Ivindo National Park, Ogooué-Ivindo province, Gabon&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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4. Mount Everest, Himalayas, Nepal&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20163&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/mount-everest-himalayas-nepal.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Mount Everest, Himalayas, Nepal&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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5. Pink ebony on the Kaw mountain, French Guiana&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20164&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/pink-ebony-on-the-kaw-mountain-french-guiana.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Pink ebony on the Kaw mountain, French Guiana&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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YANN ARTHUS BERTRAND&lt;/h2&gt;
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&lt;br /&gt;Born in Paris, France on March 13, 1946, Yann Arthus-Bertrand is a world-renowned photographer specializing in aerial photography. He didn’t fully realize his talents as a photographer until he was older (early thirties), spending three years in the late 70s, in Kenya living with the Massai tribe and studying the behaviour of a pride of lions. He thus discovered a new passion for photography and the beauty of landscapes when observed from above in hot air balloons. He understood the power of a picture and how to communicate using this means.&lt;/div&gt;
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Upon his return to France, he published in 1981 his first book Lions, first release of a series of 80 books. He also began a career as a reporter-photographer and closely worked with various naturalists including Dian Fossey and her mountain gorillas in Rwanda. His work was published in many internationally known magazines such as Paris Match, Geo, Life or National Geographic. In 1991, Yann created Altitude, the first photo agency specialized in aerial photography.&lt;/div&gt;
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6. Gannet colony, Eldey island, Iceland&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20165&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/gannet-colony-eldey-island-iceland.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Gannet colony, Eldey island, Iceland&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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7. Makoko shanty town, Lagos lagoon, Nigeria&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20166&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/makoko-shanty-town-lagos-lagoon-lagos-state-nigeria.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Makoko shanty town, Lagos lagoon, Lagos state, Nigeria&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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8. Satellite dishes on the roofs of Aleppo, Syria&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20167&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/satellite-dishes-on-the-roofs-of-aleppo-syria.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Satellite dishes on the roofs of Aleppo, Syria&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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9. Moshav (co-operative village) farm at Nahalal, Israel&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20168&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/moshav-co-operative-village-farm-at-nahalal-jezrael-plain-israel.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Moshav (co-operative village) farm at Nahalal, Jezrael plain, Israel&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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10. The Orinoco River near the Esmeralda (Amazon Rain Forest), Venezuela&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20169&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/the-orinoco-river-near-the-esmeralda-amazon-rain-forest-amazonas-region-venezuela.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;The Orinoco River near the Esmeralda (Amazon Rain Forest), Amazonas region, Venezuela&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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YANN ARTHUS-BERTRAND continued…&lt;/h2&gt;
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&lt;br /&gt;In the 90s, under the patronage of UNESCO, Yann embarked upon his most ambitious project: creating an image bank of the Earth seen from above. Yann’s aim was to create a record of the world’s environment for present and future generations. In 1999, his work was published and The Earth from Above, translated in 24 languages, became one of the best selling illustrated books with more than three million copies sold worldwide. The Earth from Above is also an open-air free access exhibition that travels in more than 100 cities around the world and has attracted to this date over 100 million visitors. But it is still a work in progress. Many countries remain to be visited, and geographical coordinates of every shot will allow other photographers and scientists to locate and document the evolution of these sites.&lt;/div&gt;
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In 2005 Yann Arthus-Bertrand created GoodPlanet, a non-profit organization which is dedicated to the promotion of sustainable development, his leitmotiv, through all his different projects. Yann would like to enable each and every one of us to become a custodian of our planet’s future and consequently of our own future. He also directed a series of four, two hour documentaries entitled Earth From Above – which was shown on French television in 2006-2007 –, and started this year the production of a feature length film on the state of the global environment and the challenges we are facing.&lt;/div&gt;
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11. Iguazu waterfalls, Argentina and Brazil&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20170&quot; height=&quot;529&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/iguazu-waterfalls-misiones-province-argentina-and-brazil.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Iguazu waterfalls, Misiones province, Argentina and Brazil&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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12. New Palm oil plantation, Borneo, Indonesia&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20171&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/new-palm-oil-plantation-near-pundu-borneo-indonesia.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;New Palm oil plantation, near Pundu, Borneo, Indonesia&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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13. Bungle Bungle National Park, Kimberley, Australia&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20172&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/bungle-bungle-national-park-halls-creek-kimberley-australia.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Bungle Bungle National Park, Halls Creek, Kimberley, Australia&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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14. Greenhouses in San Augustin near Almería, Andalusia, Spain&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20173&quot; height=&quot;531&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/greenhouses-in-san-augustin-near-almerc3ada-andalusia-spain.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Greenhouses in San Augustin near Almería, Andalusia, Spain&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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15. Humid area near Surgut, Siberia, Russia&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20174&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/humid-area-near-surgut-siberia-russia.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Humid area near Surgut, Siberia, Russia&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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BEAUTY&lt;/h2&gt;
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“For a long time, I was afraid to use that word. Still, it holds a truth and I have made it mine. There is a universal quality about beauty; in front of a vast landscape, we all share the same feeling of wonder. When nature is beautiful, we are all moved by it. While taking a photo ‘for beauty at its best’, I aim at eliciting emotion to provoke thought and the need to know more, to read the caption and learn what is at stake on the image.”&lt;/div&gt;
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FRAMING&lt;/h2&gt;
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“When framing a photograph, one looks with more tension, more professionally; one concentrates, detached. The eye is alert. Emotion comes later. With time, the camera becomes an extension of oneself. I am practically unable to look at the world outside the frame of the camera. I am obsessed with the Large Picture. So much so that I would rather not see certain things than see them without a camera. Naturally, the photos I remember best are those I failed to take.”&lt;/div&gt;
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16. The Maelifell volcano on the edge of the Myrdalsjökull glacier, Iceland&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20175&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/the-maelifell-volcano-on-the-edge-of-the-myrdalsjc3b6kull-glacier-iceland.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;The Maelifell volcano on the edge of the Myrdalsjökull glacier, Iceland&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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17. Windmills of Banning Pass, near Palm Springs, California, United States&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20176&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/windmills-of-banning-pass-near-palm-springs-california-united-states.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Windmills of Banning Pass, near Palm Springs, California, United States&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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18. Lumber yard in Port-Gentil, Ogooué-Maritime Province, Gabon&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20177&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/lumber-yard-in-port-gentil-ogoouc3a9-maritime-province-gabon.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Lumber yard in Port-Gentil, Ogooué-Maritime Province, Gabon&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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19. Palm Jumeirah artificial island, Dubai, United Arab Emirates&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20178&quot; height=&quot;529&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/palm-jumeirah-artificial-island-dubai-united-arab-emirates.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Palm Jumeirah artificial island, Dubai, United Arab Emirates&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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PHOTOGRAPHY&lt;/h2&gt;
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&lt;br /&gt;“For me, photography is a way to share what I have seen. It also allows me to live the kind of life I want to live. I became an animal photographer to stay in Africa and study the lions. In the early stages at least, photography is the profession you embrace to live on the roads and travel; a camera provides an excellent excuse to take off, leaving responsibilities and ties behind.&lt;/div&gt;
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I started out without much of a photographic culture and approached the profession as an entrepreneur: I needed to provide ideas, to be methodical in my projects. Technique has always seemed secondary to me. Nowadays, we are all capable of taking good pictures, particularly since auto-focus and digital cameras. It most certainly makes for demystification.&lt;/div&gt;
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You need talent to ‘see’ – not to press the button. The best shots derive from enlightened amateurism, from the free and open vision of the amateur coupled with careful consideration, for photography demands much distancing. Which takes us back to the old and ongoing debate: is photography a fully-fledged art form, or just a means to testify?”&lt;/div&gt;
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20. Malé Island, North Malé Atoll, Maldives&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20179&quot; height=&quot;530&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/malc3a9-island-north-malc3a9-atoll-maldives.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Malé Island, North Malé Atoll, Maldives&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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21. Village of Koh Panyi, Phang Nga Bay, Thailand&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20180&quot; height=&quot;531&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/village-of-koh-panyi-phang-nga-bay-thailand.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Village of Koh Panyi, Phang Nga Bay, Thailand&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
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22. Louis-Saint-Laurent icebreaker in Resolute Bay, Nunavut Territory, Canada&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20181&quot; height=&quot;534&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/louis-saint-laurent-icebreaker-in-resolute-bay-nunavut-territory-canada.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Louis-Saint-Laurent icebreaker in Resolute Bay, Nunavut Territory, Canada&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; border: 0px; color: #666666; font-family: &#39;Open Sans&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 25px; padding: 0px 0px 10px; vertical-align: baseline;&quot;&gt;
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23. Salmon farm near Mechuque in the Chauques Islands, Chile&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20182&quot; height=&quot;529&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/salmon-farm-near-mechuque-in-the-chauques-islands-chile.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Salmon farm near Mechuque in the Chauques Islands, Chile&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; border: 0px; color: #666666; font-family: &#39;Open Sans&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 25px; padding: 0px 0px 10px; vertical-align: baseline;&quot;&gt;
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24. Center-Pivot irrigation, Ma’an, Jordan&lt;/h2&gt;
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&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20183&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/center-pivot-irrigation-mae28099an-jordan.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;Center-Pivot irrigation, Ma’an, Jordan&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; border: 0px; color: #666666; font-family: &#39;Open Sans&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 25px; padding: 0px 0px 10px; vertical-align: baseline;&quot;&gt;
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&lt;div style=&quot;background-color: white; border: 0px; color: #666666; font-family: &#39;Open Sans&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 25px; padding: 0px 0px 10px; vertical-align: baseline;&quot;&gt;
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&lt;h2 style=&quot;background-color: white; border: 0px; color: #333333; font-family: Bitter, serif; font-size: 2.4em; font-weight: 300; line-height: 1.2; margin: 5px 0px; padding: 0px; vertical-align: baseline;&quot;&gt;
25. The Separation Wall in the West Bank&lt;/h2&gt;
&lt;div style=&quot;background-color: white; border: 0px; color: #666666; font-family: &#39;Open Sans&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 25px; padding: 0px 0px 10px; vertical-align: baseline;&quot;&gt;
&lt;img alt=&quot;&quot; class=&quot;alignnone size-full wp-image-20184&quot; height=&quot;532&quot; src=&quot;http://twistedsifter.files.wordpress.com/2011/03/the-separation-wall-built-by-israel-in-the-west-bank.jpg&quot; style=&quot;border: 0px; display: inline; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; height: auto; line-height: inherit; margin: 10px 0px; max-width: 100%; padding: 0px; vertical-align: baseline;&quot; title=&quot;The Separation Wall built by Israel in the West Bank&quot; width=&quot;800&quot; /&gt;&lt;br /&gt;&lt;strong style=&quot;border: 0px; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Photograph by&amp;nbsp;&lt;a href=&quot;http://www.yannarthusbertrand.org/&quot; style=&quot;-webkit-transition: background 0.25s, color 0.25s; border-bottom-color: rgb(221, 221, 221); border-bottom-style: dotted; border-width: 0px 0px 1px; color: #00a8c6; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;YANN ARTHUS BERTRAND&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/4561497434879585978/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/mind-blowing-aerial-photographs-around.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/4561497434879585978'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/4561497434879585978'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/mind-blowing-aerial-photographs-around.html' title='Mind-Blowing Aerial Photographs Around the World'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-919400840112576835</id><published>2013-04-05T04:43:00.000-07:00</published><updated>2013-04-05T04:43:14.564-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="The International Space Station: Expedition"/><title type='text'>photos, The International Space Station: Expedition 34</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;h1 class=&quot;headline&quot; style=&quot;color: #242b30; font-size: 30px; line-height: 35px; margin: 0px;&quot;&gt;
photos, The International Space Station: Expedition 34&lt;/h1&gt;
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Some of the research goals for Expedition 34 included investigations into the human cardiovascular system in microgravity, the gravity-sensing systems of fish, and the impact of changes in the sun&#39;s electromagnetic radiation on Earth&#39;s climate. The crew of six astronauts from the United States, Russia, and Canada also took hundreds of photographs of life aboard the ISS and the spectacular views from orbit. Collected here are scenes from Expedition 34, and a few from the current mission, Expedition 35.&lt;br /&gt;
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&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img01&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/&quot; style=&quot;color: #00598c; text-decoration: none;&quot;&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i01_34E31059.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 606px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;/a&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
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A photograph taken by a member of Expedition 34, aboard the International Space Station, looking down on the Bahamas from orbit, on January 13, 2013&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i01_34E31059.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img02&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i02_4e005005.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 606px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img02&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;2&lt;/a&gt;&lt;/div&gt;
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The Soyuz TMA-05M spacecraft departs from the International Space Station and heads toward a landing in a remote area outside the town of Arkalyk, Kazakhstan, on November 19, 2012 (Kazakhstan time). NASA astronaut Sunita Williams, Expedition 33 commander; Russian cosmonaut Yuri Malenchenko, Soyuz commander and flight engineer; and Japan Aerospace Exploration Agency astronaut Aki Hoshide, flight engineer, returned from four months onboard the space station where they served as members of the Expedition 32 and 33 crews.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img02&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i02_4e005005.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img03&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i03_4e005039.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 642px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img03&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;3&lt;/a&gt;&lt;/div&gt;
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The Soyuz TMA-05M (descent module) begins to re-enter the Earth&#39;s atmosphere on November 19 (local time, November 18, 2012 U.S. time) leaving a plasma trail as the Expedition 33 crew streaked toward a pre-dawn landing on the steppe of Kazakhstan.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img03&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i03_4e005039.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img04&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i04_48627554.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 621px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img04&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;4&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Recovery vehicles surround the Soyuz TMA-05M spacecraft seen shortly after a successful landing with the ISS crew of Japanese astronaut Aki Hoshide, Russian cosmonaut Yury Malenchenko and U.S. astronaut Sunita Williams near the town of Arkalyk, Kazakhstan, on November 19, 2012.&amp;nbsp;&lt;nobr&gt;(AP Photo/Sergei Remezov)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img04&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i04_48627554.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img05&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i05_RTR3BBGO.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img05&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;5&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A specialist sits next to inflated space suits prepared for the ISS prime and back-up crew members during a training at Baikonur Cosmodrome, on December 7, 2012. Canadian astronaut Chris Hadfield, Russian cosmonaut Roman Romanenko and U.S. astronaut Thomas Marshburn were scheduled to fly to the International Space Station on December 19.&amp;nbsp;&lt;nobr&gt;(Reuters/Sergei Remezov)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img05&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i05_RTR3BBGO.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img06&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i06_4e005644.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 618px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img06&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;6&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
NASA astronaut Kevin Ford, Expedition 34 commander, exercises using the advanced Resistive Exercise Device (aRED) in the Tranquility node of the International Space Station, on December 5, 2012.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img06&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i06_4e005644.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img07&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i07_4e005935.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img07&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;7&lt;/a&gt;&lt;/div&gt;
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A nighttime view of Liege, Belgium, photographed by an Expedition 34 crew member on December 8, 2012. The brightly lit core of the Liege urban area appears to lie at the center of a network of roadways extending outwards into the rural, and relatively dark, Belgium countryside. For a sense of scale the distance from left to right is approximately 70 kilometers. The image was taken using the European Space Agency&#39;s Nodding mechanism, also known as the NightPod. NightPod is an electro-mechanical mount system designed to compensate digital cameras for the motion of the space station relative to Earth. The primary mission goal was to take high-resolution, long exposure digital imagery of Earth from the station&#39;s Cupola, particularly cities at night.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img07&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i07_4e005935.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img08&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i08_034E5480.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 577px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img08&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;8&lt;/a&gt;&lt;/div&gt;
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Ile Saint-Paul, a remote volcanic island in the southern Indian Ocean, part of the French Southern and Antarctic Lands, photographed from the ISS on November 30, 2012.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img08&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i08_034E5480.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img09&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i09_58462913.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 615px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img09&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;9&lt;/a&gt;&lt;/div&gt;
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A Soyuz rocket is rolled out to the launch pad by train at the Baikonur Cosmodrome on December 17, 2012. Launch of the Soyuz rocket sent Expedition 34/35 Flight Engineer Tom Marshburn of NASA, Soyuz Commander Roman Romanenko and Expedition 35 Commander Chris Hadfield of the Canadian Space Agency (CSA) on a five-month mission aboard the International Space Station.&lt;nobr&gt;(Carla Cioffi/NASA via Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img09&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i09_58462913.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img10&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i10_190010hq.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 597px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img10&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;10&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Expedition 34 NASA Flight Engineer Chris Hadfield of the Canadian Space Agency (CSA), top, NASA Flight Engineer Tom Marshburn and Soyuz Commander Roman Romanenko wave farewell from the bottom of the Soyuz rocket at the Baikonur Cosmodrome, on December 19, 2012.&amp;nbsp;&lt;nobr&gt;(NASA/Carla Cioffi)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img10&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i10_190010hq.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img11&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i11_RTR3BQPW.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 605px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img11&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;11&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A Soyuz TMA-07M spacecraft carrying the ISS crew of Thomas Marshburn, Roman Romanenko and Chris Hadfield, blasts off from the Baikonur Cosmodrome, on December 19, 2012.&amp;nbsp;&lt;nobr&gt;(Reuters/Shamil Zhumatov)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img11&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i11_RTR3BQPW.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
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&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img12&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i12_4e009895.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 621px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img12&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;12&lt;/a&gt;&lt;/div&gt;
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As the ISS and Soyuz TMA-07M spacecraft were making their relative approaches on December 21, one of the Expedition 34 crew members on the orbital outpost captured this photo of the Soyuz (upper left) and a gibbous moon (lower right).&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img12&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i12_4e009895.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img13&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i13_4e009700.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 658px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img13&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;13&lt;/a&gt;&lt;/div&gt;
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Newly arrived Expedition 34 Flight Engineer Tom Marshburn uses the Body Mass Measurement Device in the Zvezda service module aboard the ISS, on December 23, 2012.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img13&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i13_4e009700.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img14&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i14_29542736.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 598px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img14&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;14&lt;/a&gt;&lt;/div&gt;
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Typhoon Bopha moves toward the Philippines, observed from the ISS, on December 2, 2012.&amp;nbsp;&lt;nobr&gt;(AP Photo/NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img14&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i14_29542736.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img15&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i15_4e009737.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 659px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img15&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;15&lt;/a&gt;&lt;/div&gt;
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Stockings, hung with care on Christmas Day, 2012 aboard the ISS. The individual names of the six Expedition 34 crew members are inscribed on their respective stockings. The scene is actually in Node 1, called Unity, which was the first U.S.-built element that was launched, and it connects the U.S. and Russian segments of the orbital outpost.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img15&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i15_4e009737.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img16&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i16_4e009799.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 658px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img16&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;16&lt;/a&gt;&lt;/div&gt;
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Canadian Space Agency astronaut Chris Hadfield strums his guitar in the ISS&#39;s Cupola on December 25, 2012. Hadfield, a long-time member of an astronaut band called Max Q, later joined with the other five Expedition 34 crew members in a more spacious location to provide an assortment of Christmas carols for the public.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img16&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i16_4e009799.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img17&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i17_34E34495.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 648px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img17&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;17&lt;/a&gt;&lt;/div&gt;
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Cloud formations above the Kerguelen Islands in the southern Indian Ocean, photographed from the ISS, on December 4, 2012&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img17&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i17_34E34495.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img18&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i18_4e013990.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 690px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img18&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;18&lt;/a&gt;&lt;/div&gt;
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Robonaut 2, in the ISS&#39;s Destiny laboratory, during a round of testing for the first humanoid robot in space, on January 2, 2013. Ground teams put Robonaut through its paces as they remotely commanded it to operate valves on a task board. Robonaut is a testbed for exploring new robotic capabilities in space, and its form and dexterity allow it to use the same tools and control panels as its human counterparts do aboard the station.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img18&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i18_4e013990.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img19&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i19_4e035542.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 651px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img19&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;19&lt;/a&gt;&lt;/div&gt;
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One of the Expedition 34 crew members aboard the ISS, flying approximately 240 miles above Earth, exposed this vertical night image of the Bay Area of California, including parts of San Francisco, San Jose and Oakland, on January 28, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img19&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i19_4e035542.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img20&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i20_RTR3D5KH.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 658px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img20&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;20&lt;/a&gt;&lt;/div&gt;
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NASA astronaut Kevin Ford, Expedition 34 commander, watches a water bubble float freely between him and the camera, showing his image refracted, in the Unity node of the ISS, on January 30, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img20&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i20_RTR3D5KH.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img21&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i21_30561445.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img21&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;21&lt;/a&gt;&lt;/div&gt;
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This January 8, 2013 photo provided by NASA, taken by Astronaut Chris Hadfield from the ISS, shows a view of the wildfire near Burrinjuck Dam in Australia. Look closely and you can see the flames from orbit.&amp;nbsp;&lt;nobr&gt;(AP Photo/NASA, Chris Hadfield)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img21&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i21_30561445.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img22&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i22_4e030218.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 667px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img22&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;22&lt;/a&gt;&lt;/div&gt;
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Amid a tangle of equipment and wires, NASA astronaut Kevin Ford, Expedition 34 commander, installs an Ultra-Sonic Background Noise Test (UBNT) sensor kit behind a rack in the Destiny module of the ISS, on January 16, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img22&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i22_4e030218.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img23&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i23_34E48455.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 1309px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img23&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;23&lt;/a&gt;&lt;/div&gt;
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The coastline of the northeastern U.S., observed from the ISS on February 14, 2013. The Atlantic Ocean, including Cape Cod Bay and Buzzards Bay along the coastlines of the states of Massachusetts and Rhode Island has a burnished, mirror-like appearance in this image. This is due to sunlight reflected off the water surface back towards the astronaut-photographer. The peak reflection point is towards the right side of the image, lending the waters of Long Island Sound (at image center, to the north of Long Island) and the upper Massachusetts coastline an even brighter appearance. Sunglint also illuminates surface waters of Chesapeake Bay (top center) located over 400 km to the southwest of the tip of Long Island. The high viewing angle from the ISS also allows the Earth&#39;s curvature, or limb, to be seen, and blue atmospheric layers gradually fade into the darkness of space across the top part of the image.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img23&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i23_34E48455.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img24&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i24_4e027234.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 658px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img24&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;24&lt;/a&gt;&lt;/div&gt;
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Canadian Space Agency astronaut Chris Hadfield uses a camera to photograph the Earth from a window in the Cupola of the ISS, on January 7, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img24&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i24_4e027234.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img25&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i25_4e045223.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 620px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img25&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;25&lt;/a&gt;&lt;/div&gt;
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One of the Expedition 34 crew members captured this night panorama featuring a display of Northern Lights, and scattered lights in the more highly populated areas in the state of Colorado and possibly the states north of it, on February 10. 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img25&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i25_4e045223.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img26&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i26_4e046383.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 658px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img26&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;26&lt;/a&gt;&lt;/div&gt;
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An unpiloted ISS Progress resupply vehicle approaches the ISS, carrying 1,764 pounds of propellant, 110 pounds of oxygen and air, 926 pounds of water and 3,000 pounds of spare parts, experiment hardware and logistics equipment -- 2.9 tons of supplies in all -- for the Expedition 34 crew members. Progress 50 docked to the station&#39;s Pirs docking compartment on February 11, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img26&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i26_4e046383.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img27&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i27_4e056011.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img27&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;27&lt;/a&gt;&lt;/div&gt;
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One of the Expedition 34 crew members took advantage of clear skies over Indianapolis, Indiana on February 25, 2013, and captured this image of the capital city from a point some 240 miles above Earth.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img27&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i27_4e056011.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img28&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i28_4e060728.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img28&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;28&lt;/a&gt;&lt;/div&gt;
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Expedition 34 Flight Engineer Tom Marshburn inside the ISS&#39;s Cupola, on March 3, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img28&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i28_4e060728.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img29&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i29_RTR3EG88.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 668px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img29&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;29&lt;/a&gt;&lt;/div&gt;
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The SpaceX Falcon 9 rocket with the Dragon capsule, lifts off from the Cape Canveral Air Force Station on a second resupply mission to the International Space Station in Cape Canaveral, Florida, on March 1, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/Scott Audette)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img29&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i29_RTR3EG88.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img30&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i30_4e062087.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 632px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img30&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;30&lt;/a&gt;&lt;/div&gt;
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The hands of Expedition 34 Commander Kevin Ford, opening a bag revealing a highly welcomed shipment of fruit which was sent up from Earth a couple of days earlier and which arrived at the International Space Station on March 3, 2013. It was just a very small portion of all the fresh supplies which arrived aboard the unmanned Space X Dragon spacecraft.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img30&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i30_4e062087.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img31&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i31_0RTXXTP2.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 659px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img31&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;31&lt;/a&gt;&lt;/div&gt;
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A gyre frozen into the ice, in Newfoundland, Canada is pictured in this photo by Col. Chris Hadfield of the Canadian Space Agency, from the ISS, on March 22, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/CSA/Col. Chris Hadfield)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img31&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i31_0RTXXTP2.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img32&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i32_3e017269.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img32&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;32&lt;/a&gt;&lt;/div&gt;
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A Soyuz TMA-06M spacecraft lies on its side, on March 16 after bringing home Expedition 34 Commander Kevin Ford of NASA, Soyuz Commander Oleg Novitskiy and Flight Engineer Evgeny Tarelkin to a landing northeast of Arkalyk, Kazakhstan. The Soyuz initially landed upright before being tilted on its side for servicing after touching down to wrap up 144 days in space and 142 days for Ford, Novitskiy and Tarelkin at the ISS. The three crewmembers were flown by helicopter to Kustanai, Kazakhstan en route to their homes in Houston and Star City, Russia.&amp;nbsp;&lt;nobr&gt;(NASA/Sergey Vigovskiy)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img32&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i32_3e017269.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img33&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i33_5e008904.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 641px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img33&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;33&lt;/a&gt;&lt;/div&gt;
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The release the SpaceX Dragon-2 spacecraft from the International Space Station on March 26, 2013. The spacecraft, filled with experiments and old supplies, is in the grasp of the Space Station Remote Manipulator System&#39;s robot arm or CanadArm2 after it was undocked from the orbital outpost. Forming the backdrop for this image is western Namibia. The Dragon was scheduled to make a landing in the Pacific Ocean, off the coast of California later in the day.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img33&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i33_5e008904.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img34&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i34_32612375.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 645px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img34&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;34&lt;/a&gt;&lt;/div&gt;
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The Dragon capsule uses parachutes to descend to the Pacific Ocean off the coast of Mexico&#39;s Baja Peninsula after leaving the ISS, on March 26, 2013. The vehicle brought back more than 1 ton of science experiments and old station equipment. It&#39;s the only supply ship capable of two-way delivery. NASA is paying SpaceX more than $1 billion for a dozen resupply missions.&amp;nbsp;&lt;nobr&gt;(AP Photo/SpaceX)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img34&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i34_32612375.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img35&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i35_37288247.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 624px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img35&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;35&lt;/a&gt;&lt;/div&gt;
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Journalists take photos through a safety glass of members of the next mission to the ISS, from left: U.S. astronaut Christopher Cassidy, Russian cosmonauts Pavel Vinogradov and Alexander Misurkin, and members of the back crew: U.S. astronaut Michael Hopkins, and Russian cosmonauts Oleg Kotov and Sergey Ryazanskiy during a news conference in Russian leased Baikonur Cosmodrome, Kazakhstan, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Dmitry Lovetsky)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img35&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i35_37288247.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img36&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i36_64276910.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img36&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;36&lt;/a&gt;&lt;/div&gt;
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Russian specialist assemble Russian Soyuz TMA-08M spacecraft for the launch of the next expedition to the ISS in the Russian-leased Baikonur Cosmodrome, on March 22, 2013.&amp;nbsp;&lt;nobr&gt;(-/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img36&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i36_64276910.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img37&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i37_64816131.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img37&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;37&lt;/a&gt;&lt;/div&gt;
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A crew member of the next expedition to the ISS, US astronaut Christopher Cassidy checks his space suit prior to the launch of the the Soyuz TMA-08M spacecraft at the Baikonur Cosmodrome, on March 28, 2013.&amp;nbsp;&lt;nobr&gt;(Ramil Sitdikov/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img37&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i37_64816131.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img38&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i38_43091715.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img38&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;38&lt;/a&gt;&lt;/div&gt;
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A Soyuz-FG rocket booster with the Soyuz TMA-08M space ship carrying a new crew to the ISS, blasts off from the Baikonur Cosmodrome, in Kazakhstan, on March 29, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Dmitry Lovetsky)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img38&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i38_43091715.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img39&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i39_5e010263.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 619px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img39&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;39&lt;/a&gt;&lt;/div&gt;
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Looking down on Kazakhstan, one of the Expedition 35 crew members aboard the ISS took this photo of the launch of the &quot;other half&quot; of the Expedition 35 crew, on March 28, 2013.&amp;nbsp;&lt;nobr&gt;(NASA)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img39&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/i39_5e010263.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img40&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/iss040113/s_i40_32814638.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 549px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/04/the-international-space-station-expedition-34/100484/#img40&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;40&lt;/a&gt;&lt;/div&gt;
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The view from the Soyuz capsule as it approached the ISS, on March 28, 2013. Chris Cassidy of the United States and Russians Pavel Vinogradov and Alexander Misurkin traveled six hours in the capsule before linking up with the space station&#39;s Russian Rassvet research module over the Pacific Ocean, just off Peru. It was the first time a space crew has taken such a direct route to the orbiting lab. Cassidy, Vinogradov and Misurkin are the first crew to reach the station after only four orbits instead of the standard 50-hour flight to reach the station.&amp;nbsp;&lt;nobr&gt;(AP Photo/NASA)&lt;/nobr&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/919400840112576835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/photos-international-space-station.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/919400840112576835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/919400840112576835'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/photos-international-space-station.html' title='photos, The International Space Station: Expedition 34'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-2810235167820559377</id><published>2013-04-03T23:34:00.001-07:00</published><updated>2013-04-03T23:34:10.567-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="about picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="abstract"/><category scheme="http://www.blogger.com/atom/ns#" term="abstract art"/><category scheme="http://www.blogger.com/atom/ns#" term="abstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="abstraction"/><category scheme="http://www.blogger.com/atom/ns#" term="Allan McCollum"/><category scheme="http://www.blogger.com/atom/ns#" term="animation"/><category scheme="http://www.blogger.com/atom/ns#" term="Best art"/><category scheme="http://www.blogger.com/atom/ns#" term="Bourgeois"/><title type='text'>the festival of colors</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;the festival of colors&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/&quot; style=&quot;color: #00598c; text-decoration: none;&quot;&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h01_15781679.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 665px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;/a&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
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An Indian child reacts as colored powder is smeared on her hair during Holi festival in Chennai, India, on March 27, 2013. Holi, the Hindu festival of colors that also marks the advent of spring, is being celebrated across the country Wednesday.&amp;nbsp;&lt;nobr&gt;(AP Photo/Arun Sankar K)&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h01_15781679.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img02&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h02_64227774.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 617px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img02&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;2&lt;/a&gt;&lt;/div&gt;
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Indian Hindu devotees throw colored powder at the Radha Rani temple during the Lathmar Holi festival in Barsana, on March 21, 2013. Lathmar Holi is a local celebration, but it takes place well before the national Holi day on March 27.&lt;nobr&gt;(Sanjay Kanojia/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img02&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h02_64227774.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img03&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h03_83708545.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 647px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img03&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;3&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A Hindu devotee, face smeared with colored powder, leaves the Banke Bihari temple during Holi celebrations in Vrindavan, India, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Altaf Qadri)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img03&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h03_83708545.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img04&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h04_64714162.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 683px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img04&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;4&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Indian revelers spray a man on a motorbike with colored water during Holi festival celebrations in Allahabad, on March 27, 2013.&lt;nobr&gt;(Sanjay Kanojia/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img04&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h04_64714162.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img05&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h05_36752923.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 627px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img05&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;5&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Hindu devotees covered with colored powder chant religious slogans inside Banke Bihari temple during Holi festival celebrations in Vrindavan, India, on March 26, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Altaf Qadri)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img05&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h05_36752923.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img06&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h06_0RTXY0R4.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 617px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img06&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;6&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A man flings a pail of orange colored water towards a group of women during Huranga at the Dauji temple near the northern Indian city of Mathura March 28, 2013. Huranga is a game played between men and women a day after Holi, during which men drench women with liquid colors and women tear off the clothes of the men.&amp;nbsp;&lt;nobr&gt;(Reuters/Vivek Prakash)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img06&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h06_0RTXY0R4.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img07&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h07_64749218.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img07&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;7&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Hindu devotees play with color during Holi celebrations at the Banke Bihari temple on March 27, 2013 in Vrindavan, India.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img07&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h07_64749218.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img08&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h08_64289344.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img08&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;8&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
Hindu men rest during Lathmaar Holi celebrations on March 22, 2013 in the village of Nundgaon near Mathura, India.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img08&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h08_64289344.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img09&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h09_64296034.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img09&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;9&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A transgender Hindu devotee dances during Lathmaar Holi celebrations on March 21, 2013 in Barsana, India.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img09&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h09_64296034.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img10&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h10_0RTXXZCS.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 671px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img10&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;10&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A boy smeared with colors reacts as another boy throws water on him during Holi celebrations in the southern Indian city of Chennai, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/Babu)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img10&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h10_0RTXXZCS.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img11&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h11_72267016.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 653px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img11&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;11&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;imgCap&quot; style=&quot;float: right; padding: 5px 10px 10px 0px; width: 927px;&quot;&gt;
A Hindu woman stands on a floor covered with colored powder as devotees celebrate holi festival inside the Banke Bihari temple in Vrindavan, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Altaf Qadri)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img11&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h11_72267016.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img12&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h12_74513757.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 645px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img12&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;12&lt;/a&gt;&lt;/div&gt;
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Physically disabled children react to camera as they play with colored powder during Holi festival celebrations in Mumbai, on March 26, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Rajanish Kakade)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img12&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h12_74513757.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img13&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h13_21150928.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 653px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img13&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;13&lt;/a&gt;&lt;/div&gt;
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Colored powder is thrown on Hindu men from the village of Nandgaon as they sit on the floor during prayers at the Ladali or Radha temple before the procession for the Lathmar Holi festival, the legendary hometown of Radha, consort of Hindu God Krishna, in Barsana, India, on March 21, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Kevin Frayer)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img13&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h13_21150928.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img14&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h14_52505631.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 642px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img14&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;14&lt;/a&gt;&lt;/div&gt;
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A Bangladeshi Hindu child with his face smeared in colors participates in Holi festival celebrations in Dhaka, Bangladesh, on March 28, 2013.&lt;nobr&gt;(AP Photo/A.M. Ahad, File)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img14&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h14_52505631.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img15&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h15_64749049.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img15&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;15&lt;/a&gt;&lt;/div&gt;
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Hindu devotees play with color during Holi celebrations at the Banke Bihari temple on March 27, 2013 in Vrindavan, India.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img15&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h15_64749049.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img16&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h16_64714558.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 666px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img16&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;16&lt;/a&gt;&lt;/div&gt;
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Indian revelers cover each other with colored powder look on during Holi festival celebrations in Siliguri, on March 27, 2013.&lt;nobr&gt;(Diptendu Dutta/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img16&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h16_64714558.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img17&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h17_64228490.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 691px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img17&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;17&lt;/a&gt;&lt;/div&gt;
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Indian Hindu devotees throw colored water at the Radha Rani temple during the Lathmar Holi festival in Barsana, on March 21, 2013.&lt;nobr&gt;(Sanjay Kanojia/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img17&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h17_64228490.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img18&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h18_64680163.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 590px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img18&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;18&lt;/a&gt;&lt;/div&gt;
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A physically challenged Indian child smeared with gulal-colored powder smiles during Holi celebrations at a special school - Society for the Education of the Crippled, in Mumbai on March 26, 2013.&amp;nbsp;&lt;nobr&gt;(Indranil Mukherjee/AFP/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img18&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h18_64680163.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
&lt;div class=&quot;ifCb&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img19&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h19_93963659.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 695px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img19&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;19&lt;/a&gt;&lt;/div&gt;
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Indian Hindu devotees smeared with colors play at the Nandagram temple during Lathmar Holi festival, in Nandgaon, India, on March 22, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Manish Swarup)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img19&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h19_93963659.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img20&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h20_64231616.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 634px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img20&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;20&lt;/a&gt;&lt;/div&gt;
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A boy looks on as Hindu devotees play with color during Lathmar Holi celebrations on March 21, 2013 in the village of Barsana, India.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img20&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h20_64231616.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img21&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h21_32714915.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 651px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img21&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;21&lt;/a&gt;&lt;/div&gt;
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An Indian, face smeared with colored powder, celebrates Holi festival in Gauhati, India, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Anupam Nath)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img21&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h21_32714915.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img22&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h22_64726681.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img22&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;22&lt;/a&gt;&lt;/div&gt;
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Hindu devotees play with color during Holi celebrations in the back streets close to the Banke Bihari temple, on March 27, 2013 in Vrindavan, India.&amp;nbsp;&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img22&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h22_64726681.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img23&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h23_0RTXY0S7.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 659px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img23&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;23&lt;/a&gt;&lt;/div&gt;
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Two men spray water onto a crowd gathered below during Huranga at the Dauji temple near the northern Indian city of Mathura March 28, 2013. Huranga is a game played between men and women a day after Holi, the festival of colors, during which men drench women with liquid colors and women tear off the clothes of the men.&amp;nbsp;&lt;nobr&gt;(Reuters/Vivek Prakash)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img23&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h23_0RTXY0S7.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img24&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h24_0RTXXZBW.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 627px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img24&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;24&lt;/a&gt;&lt;/div&gt;
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Two men who have been smeared in colored powder and water pose for a picture during Holi celebrations in a lane near the Bankey Bihari temple in Vrindavan, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/Vivek Prakash)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img24&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h24_0RTXXZBW.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img25&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h25_64726691.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 653px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img25&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;25&lt;/a&gt;&lt;/div&gt;
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Hindu devotees play with color during Holi celebrations at the Banke Bihari temple, on March 27, 2013.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img25&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h25_64726691.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img26&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h26_64231617.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 652px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img26&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;26&lt;/a&gt;&lt;/div&gt;
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Hindu devotees play with color during Lathmaar Holi celebrations on March 21, 2013 in the village of Barsana.&lt;nobr&gt;(Daniel Berehulak/Getty Images)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img26&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h26_64231617.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img27&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h27_97435997.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 673px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img27&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;27&lt;/a&gt;&lt;/div&gt;
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Indian Hindu widows throw colored powder during Holi celebrations organized by the NGO Sulabh at the Meera Sahbhagini Ashram in Vrindavan, India, on March 27, 2013. The widows, many of whom at times have lived desperate lives in the streets of the temple town, celebrated the festival for the first time at the century old ashram. After their husband&#39;s deaths the women have been banished by their families to the town where devotees believe Lord Krishna was born, for supposedly bringing bad luck.&amp;nbsp;&lt;nobr&gt;(AP Photo/Kevin Frayer)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img27&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h27_97435997.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;if1024&quot; style=&quot;background-color: white; font-family: Georgia, &#39;times new roman&#39;, times, serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;div class=&quot;ifWrp&quot; style=&quot;clear: both; padding: 0px 0px 40px;&quot;&gt;
&lt;a href=&quot;&quot; name=&quot;img28&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h28_RTR3FA2Q.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 622px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img28&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;28&lt;/a&gt;&lt;/div&gt;
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Hindu devotees throw colored water at each other at a temple during &quot;Lathmar Holi&quot; at the village of Barsana in the northern Indian state of Uttar Pradesh, on March 21, 2013. In a Holi tradition unique to Barsana and Nandgaon villages, men sing provocative songs to gain the attention of women, who then &quot;beat&quot; them with bamboo sticks called &quot;lathis&quot;. Holi, also known as the Festival of Colours, heralds the beginning of spring and is celebrated all over India.&amp;nbsp;&lt;nobr&gt;(Reuters/Vivek Prakash)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img28&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h28_RTR3FA2Q.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img29&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h29_47412367.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 664px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img29&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;29&lt;/a&gt;&lt;/div&gt;
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An intoxicated Indian rickshaw driver has a rest near Banke Bihari temple, dedicated to Lord Krishna, during Holi festival celebrations in Vrindavan, on March 27, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Kevin Frayer)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img29&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h29_47412367.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img30&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h30_90638312.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 659px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img30&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;30&lt;/a&gt;&lt;/div&gt;
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Hindu transsexuals or Eunuchs dance as colored powder is thrown at the Ladali or Radha temple before the procession for the Lathmar Holi festival, the legendary hometown of Radha, consort of Hindu God Krishna, in Barsana, 115 kilometers (71 miles) from New Delhi, India, on March 21, 2013.&amp;nbsp;&lt;nobr&gt;(AP Photo/Kevin Frayer)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img30&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h30_90638312.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img31&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h31_21110608.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 648px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img31&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;31&lt;/a&gt;&lt;/div&gt;
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Indian woman from the village of Barsana hit villagers from Nandgaon with wooden sticks during the Lathmar Holi festival, in Barsana, the legendary hometown of Radha, consort of Hindu God Krishna, on March 21, 2013. During Lathmar Holi the women of Barsana beat the men from Nandgaon, the hometown of Krishna, with wooden sticks in response to their teasing as they depart the town.&lt;nobr&gt;(AP Photo/Manish Swarup)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img31&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h31_21110608.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img32&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h32_87947543.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 659px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
&lt;div class=&quot;ifIdx&quot; style=&quot;float: left; font-family: &#39;Lucida Sans Unicode&#39;, &#39;Lucida Grande&#39;, sans-serif; font-size: 2.5em; letter-spacing: -3px; line-height: 1em; padding: 3px 0px 10px; text-align: center; width: 54px;&quot;&gt;
&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img32&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;32&lt;/a&gt;&lt;/div&gt;
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Indians throw colored powder during Holi festival celebrations in Hyderabad, India, Wednesday, March 27, 2013.&lt;nobr&gt;(AP Photo/Mahesh Kumar A.)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img32&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h32_87947543.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img33&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h33_0RTXXY0L.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 687px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
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&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img33&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;33&lt;/a&gt;&lt;/div&gt;
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Children covered in colored powder play during celebrations of Holi, also known as the festival of colors, at the Society for the Education of the Crippled in Mumbai, on March 26, 2013.&amp;nbsp;&lt;nobr&gt;(Reuters/Danish Siddiqui)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img33&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h33_0RTXXY0L.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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&lt;a href=&quot;&quot; name=&quot;img34&quot; style=&quot;color: #00598c;&quot;&gt;&lt;/a&gt;&lt;img class=&quot;ifImg&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/s_h34_RTR3FA2L.jpg&quot; style=&quot;border-left-color: black; border-left-style: solid; border-right-color: black; border-right-style: solid; border-top-color: black; border-top-style: solid; border-width: 2px 2px 0px; display: block; height: 660px; margin: 0px; padding: 0px; width: 991px;&quot; /&gt;&lt;div class=&quot;ifCap&quot; style=&quot;background-color: #222222; background-position: initial initial; background-repeat: initial initial; color: white; font-family: verdana; overflow: hidden; padding-top: 5px;&quot;&gt;
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&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img34&quot; style=&quot;color: #9999a9; text-decoration: none;&quot;&gt;34&lt;/a&gt;&lt;/div&gt;
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A Hindu devotee in a cloud of colored powder inside a temple during Lathmar Holi in Barsana, India, on March 21, 2013.&lt;nobr&gt;(Reuters/Vivek Prakash)&amp;nbsp;&lt;a href=&quot;http://www.theatlantic.com/infocus/2013/03/holi-2013-the-festival-of-colors/100483/#img34&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot;&gt;#&lt;/a&gt;&amp;nbsp;&lt;a href=&quot;http://cdn.theatlantic.com/static/infocus/holi032913/h34_RTR3FA2L.jpg&quot; style=&quot;color: white; display: inline; font-weight: bold;&quot; target=&quot;_new&quot;&gt;&lt;img class=&quot;popLnk&quot; src=&quot;http://cdn.theatlantic.com/static/infocus/i/lnk.jpg&quot; style=&quot;border: none !important; position: relative; top: 1px;&quot; /&gt;&lt;/a&gt;&lt;/nobr&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/2810235167820559377/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/the-festival-of-colors.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2810235167820559377'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2810235167820559377'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/04/the-festival-of-colors.html' title='the festival of colors'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-445891246665599500</id><published>2013-01-29T11:14:00.002-08:00</published><updated>2013-02-26T21:53:19.414-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="online photo gallery"/><category scheme="http://www.blogger.com/atom/ns#" term="online photographers network"/><category scheme="http://www.blogger.com/atom/ns#" term="photographers"/><category scheme="http://www.blogger.com/atom/ns#" term="photography social"/><category scheme="http://www.blogger.com/atom/ns#" term="photography social network"/><category scheme="http://www.blogger.com/atom/ns#" term="professional photographers"/><category scheme="http://www.blogger.com/atom/ns#" term="share photos free"/><title type='text'>photography social network: professionals</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;Photography social network&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;153&quot; src=&quot;http://www.fotoup.com/images/fotoup%20photo%20social.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;b style=&quot;background-color: white; color: #1a1aa6; font-family: monospace; font-size: medium; text-align: start; white-space: pre-wrap;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;photography social network&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;Fotos&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;upload photo&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;Fotografia&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;Photographers&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;photography&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;online foto&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;online photo gallery&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;online photographers&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;share photo&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;professional photographers&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;photography contest&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;photography magazine&lt;/a&gt;, &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;free photo upload&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Photography social network&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: #3d85c6; font-weight: bold;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;&lt;b&gt;This is about a brand new social network in the field of photo and &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;photography&lt;/a&gt;. A place to Share photos and make professional photography connections.  &lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;Fotoup&lt;/a&gt; connects you to professional photography connections, photography events and your business partners.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span id=&quot;goog_1457310432&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;
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&lt;/span&gt;&lt;span id=&quot;goog_1457310433&quot;&gt;&lt;/span&gt;&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;300&quot; src=&quot;http://www.fotoup.com/images/mag-issu-1web.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;photography magazine cover submit is open by fotoup&lt;/td&gt;&lt;/tr&gt;
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&lt;b&gt;&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;Different benefits of fotoup for photography professionals:&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #6fa8dc;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
fotoup photo sharing:&lt;/div&gt;
&lt;/span&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
you can Share unlimited photos for free and make photography friends. Fotoup is offering you the most professional and free online photo gallery on the internet to share your photos with other friends and professionals.&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
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&lt;span style=&quot;color: #6fa8dc;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
Photographers on fotoup:&lt;/div&gt;
&lt;/span&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
Photographers can make a free online photography portfolio and customize their profiles in fotoup. Fotoup is the best place for photographers around the world to share photos and make their professional photography gallery and profiles all for free.&amp;nbsp;select&amp;nbsp;your&amp;nbsp;expertises&amp;nbsp;and &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;skills in photography&lt;/a&gt; and present yourself as a pro.&lt;/div&gt;
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&lt;span style=&quot;color: #6fa8dc;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Photography community&lt;/a&gt; features in fotoup:&lt;/div&gt;
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&lt;div style=&quot;text-align: left;&quot;&gt;
Fotoup is the most professionally focused social network and community in photography, models ,&amp;nbsp;retouchers&amp;nbsp;and... all able to get connected to their professional partners in photography. It’s free for all related photography professionals to join and enjoy sharing photos and making photography connections.&amp;nbsp;&lt;/div&gt;
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&lt;span style=&quot;color: #6fa8dc;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
fotoup &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Photography website&lt;/a&gt; directories and photographers listings:&lt;/div&gt;
&lt;/span&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
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&lt;div style=&quot;text-align: left;&quot;&gt;
Fotoup is building the most professionally focused photography website listing. Photographers from all over the world share their best photos on fotoup free online photo galleries and include themselves in the lists. Fotoup lists photography websites in its photography website listings.&lt;/div&gt;
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&lt;span style=&quot;color: #6fa8dc;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Free photo upload&lt;/a&gt; in fotoup:&lt;/div&gt;
&lt;/span&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
Sharing and uploading photos in fotoup is free. join and upload your best photos in free photo storage and share it with your friends or public online photo galleries in fotoup. Upload your photos in &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;photo contests&lt;/a&gt; or &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;magazine submissions&lt;/a&gt;.&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;link:&amp;gt;&amp;gt;&amp;gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/&quot;&gt;http://www.fotoup.com/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: xx-small;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;other keyword searches:&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;color: #1a1aa6; font-family: monospace; white-space: pre-wrap;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/&quot; target=&quot;_blank&quot;&gt;photography social network, Fotos, upload photo, Fotografia, Photographers, photography, online foto, online photo gallery, online photographers, share photo, professional photographers, photography contest, photography magazine, free photo upload&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/445891246665599500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/01/Photographysocialnetwork.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/445891246665599500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/445891246665599500'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/01/Photographysocialnetwork.html' title='photography social network: professionals'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-8149716596004074363</id><published>2013-01-18T19:49:00.001-08:00</published><updated>2013-02-26T21:54:54.796-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="International contest photo"/><category scheme="http://www.blogger.com/atom/ns#" term="magazine cover"/><category scheme="http://www.blogger.com/atom/ns#" term="magazine submission"/><category scheme="http://www.blogger.com/atom/ns#" term="photo competition"/><category scheme="http://www.blogger.com/atom/ns#" term="photo contest"/><category scheme="http://www.blogger.com/atom/ns#" term="photo news"/><category scheme="http://www.blogger.com/atom/ns#" term="photography contest"/><category scheme="http://www.blogger.com/atom/ns#" term="photography magazine"/><category scheme="http://www.blogger.com/atom/ns#" term="Photography magazine submit"/><title type='text'>Photo contest Frame magazine cover</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Photo contest&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; line-height: 19px;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/fotocontest&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #333333; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;b style=&quot;font-size: 14px;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Frame magazine&lt;/a&gt; cover &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;photographer&lt;/a&gt;&amp;nbsp;you can Design how your &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;photo&lt;/a&gt; looks on cover too&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: white; color: #333333; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px;&quot; /&gt;
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&lt;div style=&quot;background-color: #f9f9f9; color: #333333; font-family: &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin: 0px 0px 9px; outline: none; padding: 0px;&quot;&gt;
&lt;a href=&quot;http://www.fotoup.com/fotocontest&quot; rel=&quot;nofollow&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;330&quot; src=&quot;http://www.fotoup.com/images/contestbanner/747650f03c9d0b597.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;Theme: Free&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;br /&gt;link:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;a href=&quot;http://www.fotoup.com/fotocontest&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;http://www.fotoup.com/fotocontest&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tips:&lt;br /&gt;&lt;br /&gt;- Be creative and unique&lt;br /&gt;&lt;br /&gt;- Keep the quality as high as you can&lt;br /&gt;&lt;br /&gt;- Be expressive&lt;br /&gt;&lt;br /&gt;- Composition is the key, It does not matter its a landscape or a street photo or any other genre&lt;br /&gt;&lt;br /&gt;- Try more than one photo to increas your chance&lt;br /&gt;&lt;br /&gt;- Performing advanced photography techniques in the best possible way&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;tbo=d&amp;amp;spell=1&amp;amp;q=performing+advanced+photography+techniques+in+the+best+possible+way&amp;amp;sa=X&amp;amp;ei=0RbuUNiLOcrjiwLH6oHYCQ&amp;amp;ved=0CDEQvwUoAA&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;Entry fee: (Free for new Members)&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;40 fotoup credits &amp;gt;&amp;gt;&amp;gt; early submit until 10 Feb&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;br /&gt;60 fotoup credits &amp;gt;&amp;gt;&amp;gt; late entry&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;How to submit your photographs:&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;1. Make an acount in fotoup if your are not already a member&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: Verdana, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&lt;br /&gt;&lt;br /&gt;2. &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;Submit your photos&lt;/a&gt;&amp;nbsp;and make your fotoup profile&lt;br /&gt;&lt;br /&gt;3. Submit your photos to the &lt;a href=&quot;http://www.fotoup.com/fotomagazine&quot; target=&quot;_blank&quot;&gt;frame photo contest&lt;/a&gt; from your profile page with provided links&lt;br /&gt;&lt;br /&gt;4. Make sure to submit the designed cover version on&lt;a href=&quot;https://www.facebook.com/fotoupcom&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;&amp;nbsp;fotoup facebook page&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href=&quot;https://www.facebook.com/fotoupcom&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;&lt;/a&gt;&lt;a href=&quot;https://www.facebook.com/groups/fotoup/&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;fotoup group&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Download the materials Here &amp;gt;&amp;gt;&amp;gt;&amp;nbsp;&lt;a href=&quot;https://docs.google.com/file/d/0B7JH3B8xWJsfYkpIcWZVcU15U28/edit&quot; style=&quot;-webkit-transition: color 0.3s; color: #009eb8; display: inline; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; outline: none; text-decoration: initial;&quot;&gt;Download Link&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/8149716596004074363/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/01/photo-contest-frame-magazine-cover.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/8149716596004074363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/8149716596004074363'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2013/01/photo-contest-frame-magazine-cover.html' title='Photo contest Frame magazine cover'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-6656565287103354308</id><published>2012-11-03T16:40:00.000-07:00</published><updated>2012-11-03T16:44:47.419-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstract"/><category scheme="http://www.blogger.com/atom/ns#" term="abstract art"/><category scheme="http://www.blogger.com/atom/ns#" term="abstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="Art Photograph"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="arts by"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="Best art"/><category scheme="http://www.blogger.com/atom/ns#" term="Juli Jah art"/><title type='text'>Juli Jah art</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;http://julijah.carbonmade.com/&quot; style=&quot;font-family: Verdana, sans-serif; font-size: x-large;&quot; target=&quot;_blank&quot;&gt;Juli Jah&lt;/a&gt;&amp;nbsp;art.....&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;Colour Watercolour&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;img height=&quot;640&quot; src=&quot;http://media.cmcdn.net/13787392/780x1040.webp&quot; width=&quot;480&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Back to colours&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;img src=&quot;http://media.cmcdn.net/17508671/522x720.webp&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Hero in (Jonathan Leder shot&#39;s interpretation)/ 2010&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;img src=&quot;http://media.cmcdn.net/9343651/780x439.webp&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Cos&#39; Alice is from Vilnius / 2009&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Shizzanova/ 2009&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;img src=&quot;http://media.cmcdn.net/17508695/565x720.webp&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/6656565287103354308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/11/juli-jah-art.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6656565287103354308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6656565287103354308'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/11/juli-jah-art.html' title='Juli Jah art'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-6402036127555629088</id><published>2012-10-02T19:44:00.000-07:00</published><updated>2012-10-02T19:44:05.698-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="art by"/><category scheme="http://www.blogger.com/atom/ns#" term="arts by"/><category scheme="http://www.blogger.com/atom/ns#" term="Famous Painters"/><category scheme="http://www.blogger.com/atom/ns#" term="painters"/><category scheme="http://www.blogger.com/atom/ns#" term="Painting"/><category scheme="http://www.blogger.com/atom/ns#" term="painting modern"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings of the"/><title type='text'>Famous Painters</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-large;&quot;&gt;&lt;b&gt;Famous Painters&lt;/b&gt;&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Gustav Klimt&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1862-1918&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Gustav Klimt was born on July 14, 1862, in Baumgarten, Austria, the second seven children,  the son of a poor jewelry engraver,  It is only at the age of fourteen, after he enters the University of Plastic Arts in Vienna, that he begins developing his talent as an artist; he studied at the University until graduating at the age of twenty, at which time he had been commissioned to create several decorative works, making use of his training in modernist craftsmanship.   He then founded the Känstlercompanie (Company of Artists) studio with his brother Ernst, and Franz Matsch, a fellow student.  The three found much success as mural painters, getting contracts from museums, theaters, and other decorative artwork for wealthy patrons.  The company eventually ceased to exist, following the death of Ernst, and a falling out with Franz Matsch.&lt;br /&gt;&lt;br /&gt;During his years as a decorator, Klimt finely honed his personal style, which was a product of his artistic training, and the engraving skills his father had taught him. Klimt&#39;s paintings often included gold and silver paint, metal, and ceramics, and as much attention was given to ornamental details as to their subjects. Very few of Klimt&#39;s paintings were done on canvases, as he preferred to paint murals.  Klimt also found inspiration in Byzantine mosaics, which he discovered while exploring Vienna.&lt;br /&gt;&lt;br /&gt;In 1897,  Gustav Klimt took an interest in politics and rallied other artists to found the Vienna Sezession, a Art Nouveau movement whose goal was to give young, innovative artists a chance to get exposure, and to revolt against the conservative attitudes of the academic art world.  He organized several exhibits, attracting thousands from around the world to view their revolutionary art, and even published &quot;Ver Sacrum&quot;, a monthly magazine about the movement and its artists.  His own personal style came to represent the movement&#39;s aesthetics, and in 1902, he painted the &quot;Beethoven Fries&quot;, a mural for the Sezession building.&lt;br /&gt;&lt;br /&gt;In 1905, following a series of disagreements with other members of the Sezession several others leave the group, and form a new association called theKunstschau (Art Show).  His famous painting, &lt;a href=&quot;http://affiliates.allposters.com/link/redirect.asp?aid=557874&amp;amp;item=152347&quot;&gt;The Kiss&lt;/a&gt;, was created between 1907 and 1908, but it is still associated with the Sezession.  Klimt was a very popular artist, but he was also quite controversial.  He was renowned for his womanizing, and often used prostitutes as models.  Many of his works were considered too sensual for the mores of early 20th Century Vienna, and even his more historical, or mythical works featuring nudes were often criticized for being too erotic.   Fortunately, the scandals only served to heighten Klimt&#39;s international recognition, if not his notoriety.&lt;br /&gt;&lt;br /&gt;In addition to women, Klimt often traveled to the outskirts of Vienna,  and the Italian countryside, finding inspiration in nature, particularly autumnal landscapes, which already showed the rich golden hues of his own decorative designs.  From the opulence of the Viennese Bourgeoisie to the mythological, from eroticism to the simple beauty of nature, Klimt&#39;s artwork always maintained its highly stylized feel, but what remains one of its most fascinating traits is that while concentrating on the superficial, its depth cannot be ignored. &lt;br /&gt;&lt;br /&gt;In 1917, he was made an honorary member the Viennese Academy of Fine Arts.   On January 11th of the following year, at the age of 55, Gustav Klimt suffered a stroke while working in his apartment.  Weakened from the stroke, and suffering from pneumonia, he died less than a month later, on February 6th, 1918.&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Edvard Munch&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1863-1944&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Edvard Munch was born on December 12th, 1863, in Løten, Norway, the son of Christian Munch, a military doctor.  He spent most of his childhood living in Kristiania, which is now better known as Oslo, the Norwegian capital.  Edvard Munch&#39;s mother, his brother, and one of his sisters died of tuberculosis while he was still young, and Edvard was himself a sickly child.  At the age of 17 was tutored in the arts by Christian Krohg, a naturalist painter, who was quite famous in Norway.  Edvard&#39;s talent was evident by his early realist paintings, but the traumatic events that plagued Edvard&#39;s youth had an even deeper impact on his artistic vision than any other artist or artistic movement could have.  &lt;br /&gt;&lt;br /&gt;In 1885, Munch received a grant to study for three weeks in Paris.  A year later, he  began working on &quot;The Sick Child&quot;, which would be his first truly personal piece.  Here was Munch exploring the darkness of his youth, in a painting based on memories of his favorite sister Sophie&#39;s affliction with tuberculosis.  Munch eschewed the naturalistic approach of Krogh, and incorporated expressionist tendencies in his work.   Death, illness and mental anguish were themes that would from then on continue to figure prominently in his paintings.  Although &quot;The Sick Child&quot; wasn&#39;t initially appreciated by critics, it remains one of his most important works, along with &quot;The Day After&quot; and &quot;Puberty&quot;, two other paintings from the same period. Munch had spent considerable time discussing philosophical matters with Norway&#39;s Kristiania bohemians leader Hans Jaeger, and it was at that point that he had decided the impressions of his soul, and not his eyes, were what he wanted to commit to canvas. &lt;br /&gt;&lt;br /&gt;In 1889, at the age of 26, Edvard Munch put on his first retrospective exhibit at The Norwegian Students&#39; Association in Kristiania. The show is a success, no doubt due to the fact that he chooses to present his lighter, less anguished creations, and he is awarded a travel grant which will allow him to return to Paris for the next three years, in order to further his studies.   Munch&#39;s father dies, and he returns to Paris to study, this time with Léon Bonnat, but Munch gains far more artistic direction from his interest in the works of the post-impressionists.   His following show, this time in at the Artists&#39; Association in Berlin.  The show was both successful, and a disaster, as critics denounced his work as that of an anarchist, and closed the exhibit.  Nonetheless, Munch becomes a household name in Germany.  Munch lived and worked in Berlin and Paris for many years, and his works were included in several exhibits.  &lt;br /&gt;&lt;br /&gt;In 1891, Munch begins working on sketches for &lt;a href=&quot;http://www.famouspainter.com/galleries/the_scream.htm&quot;&gt;The Scream&lt;/a&gt;, his most famous piece, and descriptive self-portrait. There were several versions of this work created by munch, from black and white illustrations to several paintings, using several different techniques.  In 1893, he presents some of the paintings from his Frieze of Life series in an exhibit on Unter den Linden, again, darkness is ever present in his work, which is charged with atmosphere and anguished love.  The next year, he continues working on the series, and works such as the &lt;a href=&quot;http://www.famouspainter.com/galleries/madonna.htm&quot;&gt;Madonna&lt;/a&gt; and  Ashes are born.   In 1896, Munch begins experimenting with lithographs, and woodcuts, which he produces in collaboration with printer Auguste Clot.  &lt;br /&gt;&lt;br /&gt;In the early 1900s, Munch continued painting Frieze of Life images, but he felt it was time for him to move on to other things.  In 1902, plagued by sadness over an ill-fated romance and the cumulative traumas of his life, not to mention a growing battle with alcoholism, Munch tries to commit suicide, but fails, wounding his hand instead.  Munch exorcizes his demons by making several paintings which feature representations of his love lost, and even creates works based on less introverted themes such as &lt;a href=&quot;http://128.39.97.19/munchmuseum/palett/en/5.htm&quot;&gt;Bathing Men&lt;/a&gt;, but Munch&#39;s tormented psyche takes over once more, and in 1908, he is admitted to a psychiatric hospital where he spends several months recovering from a nervous breakdown.&lt;br /&gt;&lt;br /&gt;In 1909, Munch returns to Norway where he is commissioned to create murals for the Aula of the University of Kristiania.  Even there, the nature of his work causes quite a stir, and it is only after much debate and controversy that the murals are put up in the Aula.  While he remains in Norway, his works are sought by many galleries world-wide, and in 1912,  he is even given a permanent gallery at the  Sonderbund Internationale Ausstellung in Cologne.  In 1916, Munch purchases the Ekely estate, just outside of Kristiania, where he will remain for the rest of his life. &lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Wassily Kandinsky&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1866-1944&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Wassily Kandinsky was born in Moscow, on December 4th, 1866.  His parents both played piano, so he was encouraged to learn how to read and play music at an early age.  Young Kandinsky played cello and piano, and even though we know him best as a painter, music has always been the main inspiration behind his work. When he was only 5 years old,, his parents divorced, so he moved in with his aunt in Odessa, continuing to play music, and learning to paint; but the gifted young man did not choose to study art or music when he later enrolled at Moscow University, choosing instead the &quot;safer&quot; fields of Economics, Politics, and Law.  During his years at the university, Kandinsky explore spirituality through writing.  He also taught at the Moscow Faculty of Law. For Kandinsky, the arts were no more than a hobby.  &lt;br /&gt;&lt;br /&gt;It wasn&#39;t until 1896 that Kandinsky decided to seriously study art.  The sudden change in his life had been triggered by his interest in the work of &lt;a href=&quot;http://www.famouspainter.com/claude.htm&quot;&gt;Monet&lt;/a&gt;, an artist who&#39;s work has had a profound impact on many others.  Kandinsky was fascinated by the impressionist artist&#39;s style, as he had never before seen paintings which weren&#39;t meant to perfectly imitate reality.  Kandinsky studied in Munich, under Anton Azbé, sketching, anatomy and life drawing.  He then studied under Franz von Stuck, then moved on to found and  the avant-garde Phalanx exhibiting society, and write about art.  His administrative skills served him well as director of the Phalanx exhibiting society, while his writings about spirituality had prepared him for his works about color theory.&lt;br /&gt;&lt;br /&gt;Kandinsky was a synaesthete, meaning that he could see sound as color, and vice versa.  His writings on color theory sometimes bordered on the mystical, as his own interpretations and visual impressions took on almost paranormal qualities.  In 1906, Kandinsky settled in Paris with his mistress, and Gabriele Münter, who was also a talented art student.  A year later, the two were separated, and Kandinsky suffered a nervous breakdown, and relocated to Bavaria, so he could lead a quiet life, and concentrate on his art.  Kandinsky experimented with color and minimal composition, eschewing reality from his work.  Like music, his paintings were renderings of emotional states, and while it is easy to feel sadness when looking at an image of a tragic scene, Kandinsky&#39;s work would communicate the same feelings without incorporating representational elements.&lt;br /&gt;&lt;br /&gt;Kandinsky&#39;s work was shown in galleries across Europe, and while there was never anything in the paintings themselves that would be shocking to the public, the sheer abstract nature of his work would stir controversy.  One could say Kandinsky gave birth to abstract art.&lt;br /&gt;&lt;br /&gt;Kandinsky returned to Munich in 1908, bristling with creative energy.  A year later, he founded the New Artists Association of Munich, and creating many abstract glass paintings based on musical elements.  He also published another book on Spirituality, this time in relation to art, and he wrote several plays and poems.  Along with New Artists Association, Kandinsky was also a member of the Blaue Reiter (a.k.a. Blue Rider), which he founded with fellow artist Franz Marc,  and was also a member of the Bauhaus movement with composer Arnold Schoenberg and Paul Klee .  Kandinsky was involved in many movements, learning and experimenting with words, music, and painting.&lt;br /&gt;&lt;br /&gt;On music, Kandinsky had this to say: &quot;Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key then another to cause vibration in the soul.&quot;&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Georgia O&#39;Keeffe&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1887-1986&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Georgia Totto O&#39;Keeffe was born in Sun Prairie, Wisconsin on November 15, 1887, the second child and first daughter in a family that would eventually include two sons and five daughters.  Her parents were dairy farmers, but Georgia knew she was going to be an artist from early on.  She and her sister were both taught to draw by a grammar school teacher who had been boarding at their home, an taught to paint by Sarah Mann, a local watercolor artist.   Georgia&#39;s parents moved from Wisconsin to Virginia in 1902, hoping to get some relief from the long, cold winters which had claimed the lives of three of her father&#39;s brothers.  By the time she was a teenager, Georgia had several years of artistic training to her credit, and received much encouragement from Elizabeth Willis, her art teacher at the Chatham Episcopal Institute. Georgia graduated in 1905, and  continued her art studies at the School of the Art Institute of Chicago where she received top honors for her first year, but could not return for the second year, due to a serious bout with typhoid fever.  It wasn&#39;t until September 1907, that she was able to resume her studies, this time choosing New York&#39;s Art Student League, where she earned a scholarship for still life in the class of  &lt;a href=&quot;http://www.ibiblio.org/wm/paint/auth/chase/&quot;&gt;William Merritt Chase&lt;/a&gt;.  During her time at the Art Student League, Georgia posed for classmate &lt;a href=&quot;http://www.oxfordgallery.com/Period_Artists/speicher.html&quot;&gt;Eugene Speicher&lt;/a&gt;, who told her she might as well pose for him, as she would no doubt amount to nothing more than a teaching job at a girl&#39;s school. Despite the insulting remark, Georgia did pose for the portrait, and for many others by fellow students afterwards.  In the summer of 1908, on her  scholarship, she attended the Art Student League’s Outdoor School at Lake George, New York.&lt;br /&gt;&lt;br /&gt;Georgia didn&#39;t return to the Art Student League in the fall.  She moved in with her aunt and uncle in Chicago, finding work as a commercial artist.  In 1912, Georgia was struck with Measles, and returns to Virginia to be with her family.  She later took a teaching job, replacing  Elizabeth Willis at the Chatham Episcopal Institute. The following summer, she resumed her studies, this time taking drawing classes at the University of Virginia, in Charlottesville.  That same year, Georgia heard of an available teaching position as drawing supervisor, in Amarillo, Texas, so she applied and was hired for the fall semester.  She stayed in Texas until 1914, making frequent trips to Charlottesville to spend time with her family, and to continue teaching summer classes at the University of Virginia.  She later enrolled at Teachers College, Columbia University, where she stayed until she was offered a teaching position at Columbia College in South Carolina.  After years of teaching and having little time to herself, Georgia decided it was time to start painting again, this time armed with enough knowledge and self-confidence to eschew conventions and create according to her personal vision; the result is a series of abstract charcoal drawings which she says are based on images she has in her head.  She sends the drawings to a friend, Anita Pollitzer, who in turn takes them to Alfred Stieglitz&#39;s 291 gallery in Chicago.  Stieglitz is very impressed, and he decided to show the drawings without first consulting Georgia, which somewhat angered her, so she traveled to New York to have him take down the artwork, but following a brief confrontation, she agreed to let Stieglitz show her work, and thus began a relationship that was to result in her marrying the art curator and photographer.&lt;br /&gt;&lt;br /&gt;Alfred Stieglitz was an important figure in the art world, He had studied engineering and photography in Berlin before returning to the U.S. to open the 291 gallery in 1902.  He is credited has having introduced America to the works of Rodin, Matisse, and Picasso.  For years, he fought to gain the acceptance of photography as an art form, publishing  &quot;Camera Works&quot; magazine.  It wasn&#39;t until 1917 that Stieglitz put on a solo showing of  Georgia O&#39;Keeffe&#39;s watercolors at his 291 gallery, shortly afterwards, 291 closed, but Stieglitz was nonetheless satisfied.  In April, on her way back to Texas from a vacation in Colorado, she stopped by Santa Fe and found great inspiration in New Mexico’s vast skies and alien landscapes.   A few months later, Georgia O&#39;Keeffe became ill with the flu, and had to take a leave of absence from her teaching job, only to resign a short time later.  It was at that time that Stieglitz managed to convince Georgia to move to New York and move into his niece&#39;s unused apartment.  Stieglitz had romantic feelings towards Georgia, and now that she was near him, he decided to pursue them.  He left his wife of many years and moved into his studio.   Stieglitz was 54 years old when Georgia arrived in New York she was 21.  Knowing that she enjoyed working in the great outdoors, Stieglitz took Georgia to a cottage out in the Adirondack Mountains, where she created many paintings, Stieglitz also spent much photographing Georgia, and he ended up showing some of her portraits, including several nudes at a retrospective exhibition at The Anderson Galleries in 1921.&lt;br /&gt;&lt;br /&gt;Stieglitz loved Georgia O&#39;Keeffe, and had admiration for her talent. He more or less became her agent, selling her works to collectors at high prices, earning her the respect she deserved as a gifted artist.  Everybody wanted an O&#39;Keeffe...  In 1923, Stieglitz held a major exhibit of Georgia O&#39;Keeffe&#39;s work at the Anderson Galleries, over 100 paintings in various mediums were shown, in what was to be the first of many annual showings of her work.  When Stieglitz&#39;s wife divorced him in 1924, he asked Georgia to marry him, but it took some effort to finally convince her to do so, since she did not really believe that doing so would bring the two any closer than they already were;  1924 was also the year she made her first painting of a single large flower, which would eventually become her most famous subject.  A year later the couple moved to the Shelton Hotel in New York, where they would remain for 12 years. It was around that time Georgia began painting cityscapes,  no doubt inspired by the spectacular view they had from their 30th floor apartment.  Three years later, Georgia had had enough of the city as a subject, and felt the need to travel again.  She took a trip to New Mexico, the first of many for years to come, where she would paint, inspired by the the mountains and deserts of the region and mysterious aura of the place.   She referred to landscape as &quot;the faraway&quot;, and would travel its dusty roads in a Model A Ford, with the back seat removed so she could stop and set up her canvas to paint.&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Andy Warhol&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1930(?)-1987&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Andy Warhol was born on September 28, 1930 (?),  in Forest City, Pennsylvania, the son of Czechoslovakian immigrants Andrei Warhola and Julia Zavacky Warhola.  Andy grew up in a depressing environment, a Philadelphia neighborhood plagued by poverty and crime.  Andy, the youngest of three sons, was a very shy child who was picked on by bullies at school.  He was afflicted by Sydenham&#39;s Chorea, a rare childhood disorder which is characterized by irregular movements, some varying degrees of psychical disturbance, stemming from acute rheumatic fever., so he spent much time in his mothers care, forming a bond with her that would last for many years to come.  Later on, Andy&#39;s parents were able to afford moving to a better place, so they settled in Oak Land.  Andy spent most of his time with his mother and girl friends,  going to the movies with best friend Margie Girman, with whom he collected autographed photos of stars which were handed out following screenings at the local theater; it was around that time that he developed a passion for drawing, and many of the photos he had collected were later used in the creation of his famous prints.&lt;br /&gt;&lt;br /&gt;Andy also spent much time with his mother, and was known by many of the neighborhood kids as a &quot;mamma&#39;s boy&quot;.  Of course, he was also picked on by kids at school, as it is with any shy withdrawn artistic child.  Although he showed incredible talent at school, he did not partake in any of its artistic clubs or activities because of the fact that he was too shy, and his abilities also superior to the other students&#39;.  In his senior year of high-school, the nightmare soon to be over, Andy applied to both the University of Pittsburgh and the Carnegie Institute of Technology, which is now known as now Carnegie Melon University.  He was accepted to both but ultimately chose to attend Carnegie Tech.  Although he was a gifted artist, Andy did not do well at Carnegie Tech; he found it difficult to deal with the competitive attitudes of the school and its students, and also had a hard time fitting in, even though he was surrounded by others with whom he had much in common.  Andy failed his courses, but since his worked showed true talent, his teachers made him sign up for summer school in order to take remedial classes so he could apply for readmission in the fall..   He was later readmitted to Carnegie Tech based on an impressive collection of sketches he had done during the summer,  his drawings were put on display.  and he awarded the forty-dollar Leisser Prize for his work.&lt;br /&gt;&lt;br /&gt;With graduation on the horizon, Andy had to decide whether he would he would remain close to his mother and take a teaching job, or move away.  After graduation, and much to his mother&#39;s chagrin, he decided to go to New York city, where he moved in with a friend and soon found work as a commercial illustrator, creating artwork for magazines such as Vogue and Harper&#39;s Bazaar.   Still, Andy wasn&#39;t yet a complete success, and he lived through some lean times, moving from one dilapidated apartment to the next.   Andy Warhol was rapidly gaining a solid reputation as a reliable artist with a good work ethic, no doubt based on the fact that he would often burn the midnight oil to present clients with multiple versions for each assignment.  Aside from magazine illustrations, he also designed store displays, and greeting cards.&lt;br /&gt;&lt;br /&gt;Andy&#39;s mother missed her son, and decided to move to New York in order to be closer to him.  It was around that time that he changed his name from Warhola to Warhol, and began wearing his now trademark silver-haired wig.  Andy was soon ready to have his first major showing;  his  &quot;15 Drawings Based on the Writings of Truman Capote&quot;, opened at the Hugo Gallery in New York, and the exhibit was a great success, and the struggling artist would not only earn more praise, but also gain substantial profits from selling his pieces.  A few years later, he was also part of an exhibit at the Museum of Modern Art, where he gained more respect from the critics.  Influenced by his work as a commercial illustrator, Andy began creating series of works based on common brand name items such as&lt;a href=&quot;http://www.famouspainter.com/galleries/old_fashioned_vegetable_soup.htm&quot;&gt; Campbell Soup Cans&lt;/a&gt; and Coke bottles.  Andy soon moved into a larger studio loft, which would later be known as &quot;The Factory&quot;.  Soon thereafter, he created a series of silk-screen images based of the many photographs of pop culture icons he had collected as a teen.&lt;br /&gt;&lt;br /&gt;The Factory attracted many of New York&#39;s artistic misfits and elite.  It seemed everyone from socialites,  models, filmmakers, and starlets such as Edie Sedgwick were becoming part of the scene.  It was then that Andy Warhol met many of his frequent collaborators such as art film director Paul Morrissey, who used The Factory as a studio.  It was during those years that Andy Warhol created his best work, dabbling in almost every medium that could be explored, including film.  Andy did not only create pop art based on commercial products and cultural icons, he also experimented with his darker side, in a series called &quot;Death and Disaster&quot;.  These works did not appeal to his regular fans, and the experiment was soon shelved, only to be revisited during the 1980s.  The next thing he did following the &quot;Death and Disaster&quot;  series was a simple painting based on &lt;a href=&quot;http://www.famouspainter.com/galleries/warhol_flowers.htm&quot;&gt;poppies&lt;/a&gt;.  The piece was a success, and Warhol had regained the admiration of his fans.  The factory wasn&#39;t just a studio and hangout, it was also an opportunity for up-and-comers and wannabes to try and find success through Andy&#39;s generous. was also where he helped up and coming artists find success.  Artists such as Valerie Solanas, a Factory groupie turned feminist radical and founder of SCUM (The Society for Cutting Up Men). &lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Rembrandt van Rijn&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1606-1669&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Rembrandt van Rijn was born on July 15, 1606, in Leiden, the Netherlands. His father was a Miller who wanted his son to get an education and achieve professional success, so Rembrandt was sent to the University of Leiden, where he studied science and anatomy; it was there he gained the knowledge of the human anatomy which would serve him during his artist&#39;s career. Rembrandt wanted to paint more than anything else, so he left University to study painting under Jacob I. van Swanenburch, learning about Italian Renaissance artists such as &lt;a href=&quot;http://www.famouspainter.com/leonardo.htm&quot;&gt;Leonardo da Vinci&lt;/a&gt;, and &lt;a href=&quot;http://www.famouspainter.com/michelangelo.htm&quot;&gt;Michelangelo Buonarroti&lt;/a&gt;, but he was influenced by the work of Michelangelo Merisi Caravaggio, a revolutionary artist known for his unorthodox use of lighting, and the disturbingly erotic manner in he presented his subjects, even biblical figures.&lt;br /&gt;&lt;br /&gt;A while later, Rembrandt studied under Pieter Lastman in Amsterdam, who taught him the chiaroscuro (light and darkness) technique. Shortly thereafter, Rembrandt returns to Leiden to set up his own studio, beginning work on a series of self-portraits. What sets Rembrandt&#39;s style apart from that of Lastman&#39;s is his composition; like in the works of Caravaggio, Rembrandt&#39;s background composition remains dark, while his subject is illuminated in a manner which makes the image appear nearly three dimensional.&lt;br /&gt;&lt;br /&gt;Shortly after the death of his father in 1930, Rembrandt moved to Amsterdam. His reputation as a portraitist had grown, and he was now being commissioned to create portraits for individuals, and groups; it was such a commission from a well known physician that had brought him there in the first place; &lt;a href=&quot;http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/images/084.html&quot;&gt;The Anatomy Lesson of Dr Nicolas Tulp&lt;/a&gt; was to become one of the most important paintings in Rembrandt&#39;s career, showing the artist&#39;s revolutionary vision and mastery of lighting; while most group paintings of the era featured individuals sitting, or standing in line, Rembrandt&#39;s painting offered a narrative, as if a photograph had been taken while its subjects were involved in the action of a moment. Needless to say, the painting cause quite a stir, but in this case a positive one, as Rembrandt&#39;s patrons were very impressed with his work.&lt;br /&gt;&lt;br /&gt;Rembrandt was now an established artist. In 1634, Rembrandt became a member of the Guild of St. Luke, a position which gained him more work, and the money he received from his various commissions for portraits and religious paintings allowed him to live the life of a wealthy man. he met the woman who was to be the love of his life, &lt;a href=&quot;http://www.nga.gov/feature/artnation/rembrandt/theartist_2.htm&quot;&gt;Saskia van Uylenburgh&lt;/a&gt;, who was the daughter of the burgomaster of Leeuwarden in Friesland. The two were married, and moved into their new home on the Nieuwe Doelenstraat, hoping to start a family. Saskia also modeled for several of Rembrandt&#39;s paintings, and the way in which he portrayed her always echoed the love in his heart. &lt;br /&gt;&lt;br /&gt;In February of 1636, the couple&#39;s first born child, Rombartus, who was only a few weeks old, died. The tragedy had a profound effect on Rembrandt, and while he and his wife were still very much in love, there were other troubles, such as many disputes between Saskia and her relatives over financial matters. Two years later, the couple&#39;s newborn daughter Cornelia also dies, merely two weeks old. Another two years pass, and another daughter is born, she too, suffers the same fate as the other children. In 1641, Saskia gives birth to a son, Titus, who survives. But in a cruel twist of fate, it is Saskia herself who dies in 1642, leaving Rembrandt in a hopelessly depressed state. Rembrandt&#39;s life, like his art, is also fraught with contrast; for every bright moment, there seems to be an equally dark opposite, as if the artist were cursed into never living in peace. It was also in 1942 that Rembrandt painted the most important work of his career, The Company of F.B. Cocq, or The Night Watch, as it is more widely known.&lt;br /&gt;&lt;br /&gt;The Night Watch, which had been commissioned by F.B. Coq, is not well received at all because it is too unconventional, and this only serves to add to Rembrandt&#39;s despair. In need of a nurse to take care of his son, he hires Geertge Dircx, who at first helps him take care of the household and his son, but who later stirs trouble when constant quarreling and jealousies arise following the hiring of a second woman, Hendrickje Stoffels, whom he falls in love with and plans to marry. Dircx even took Rembrandt to court, on the grounds that he had promised to marry her, but Hendrickje testifies, and Geertge Dircx is sent to prison for her attempt at defrauding the court. Stoffels later became Rembrandt&#39;s common-law wife, giving birth to their daughter Cornelia, which in light of all recent events signaled the advent of better days.&lt;br /&gt;&lt;br /&gt;Over the years, Rembrandt had become accustomed to living comfortably, if not beyond his means, and the debts had been piling up. Having become a teacher to supplement the household income did not help, and there were fewer requests for his work. In 1556, Rembrandt is forced to obtain a &#39;Cessio Bonorum&#39; from the High Court which allows him to declare bankruptcy, while maintaining his honor. In order to make ends meet, Rembrandt has to sell many of his paintings, some furniture, until eventually, even the house is auctioned off. In 1658, the family move to a smaller home where Hendrickje and Titus decide to protect Rembrandt&#39;s remaining and future canvasses from the creditors by starting their own art dealership, for which Rembrandt is only an employee, therefore not owning the works produced while in the company&#39;s service.&lt;br /&gt;&lt;br /&gt;In 1663, Hendrickje Stoffels dies. Rembrandt, who is no stranger to tragedy and hardship, continues painting. The &lt;a href=&quot;http://www.famouspainter.com/galleries/self_portrait_at_easel.htm&quot;&gt;self portraits&lt;/a&gt; he creates during this dark period in his life only serve to remind us of the sadness and desperation in his heart. Perhaps he wished to transfer his chagrin onto the canvases, as a form of exorcism; or are the portraits only a mirror held up by a man trying to look into his own soul for answers?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Henri Matisse&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1869-1954&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Henri Matisse was born in 1869, at Cateau-Cambresis, France.  He grew up in in Bohain-en-Vermandois, near the Belgian border, the son of a seed merchant.  As opposed to most of the artists covered on this site, Matisse did not begin his artist&#39;s career at a very young age.  In 1889, he studied law to become clerk, but a bad case of appendicitis, and the sojourn in the hospital made him take up painting as a way to occupy his convalescing time, and two years later,  he decided to abandon law, and take up art studies.&lt;br /&gt;&lt;br /&gt;After a brief stint at the Académie Julian, Matisse enrolled at the prestigious École des Beaux Arts in Paris, where he only stayed for two years due to his disillusionment with the curriculum, and artistic differences with the teachers.  After discovering the works of &lt;a href=&quot;http://www.famouspainter.com/van_gogh.htm&quot;&gt;van Gogh&lt;/a&gt;,  &lt;a href=&quot;http://www.famouspainter.com/claude.htm&quot;&gt;Monet&lt;/a&gt; and the impressionists, he decided to make color the central focus of his work.  As opposed to the impressionists, Matisse used bright colors, and seldom painted outside.&lt;br /&gt;&lt;br /&gt;In 1898, Henri Matisse had married Amélie Parayre, who was also to take care of his illegitimate child, a daughter from a previous liaison.  After he left  the École des Beaux Arts, Matisse went on to study with French Symbolist painter Eugène Carrière.  It was there he met André Derain, and the Fauvist movement was born.&lt;br /&gt;&lt;br /&gt;As Monet had become the leader of the Impressionist movement, Matisse would soon take the lead with Fauvism, a style not unlike that of the impressionists, but where vivid colors are substituted for natural ones.  Meanwhile, he and Amélie were going through some financial hardships, so she opened a hat store to make ends meet.  The shop was successful enough to support the family while Henri continued painting. &lt;br /&gt;&lt;br /&gt;During an exhibit at the Salon des Indépendants, where he met another Fauvist visionary, Maurice de Vlaminck.  Monet himself continued exploring his bold use of colors, and in 1904, he had enough canvasses to hold his first solo exhibit at the Galerie Vollard, where none, but the most groundbreaking artists had their works shown.  The exhibit was a success, and the who&#39;s who of art collectors were buying Matisse&#39;s paintings.&lt;br /&gt;&lt;br /&gt;Matisse was not one to rest on his laurels, and he continued studying various styles including primitive art, and the work of painters in other disciplines.  He traveled a lot,  recording images of foreign people and places in his mind for further inspiration.  Matisse spent time in the south of France, where he could work in a peaceful atmosphere.  Matisse not only painted, but he also experimented with sculpture and  lithographs. &lt;br /&gt;&lt;br /&gt;Merely a decade after his first showing, Matisse was now considered one of the most important artists of the new century, and his talent was appreciated worldwide. He had an exhibit with &lt;a href=&quot;http://www.famouspainter.com/pablo.htm&quot;&gt;Pablo Picasso&lt;/a&gt; at the Paul Guillaume Gallery in Paris in 1918; he designed costumes for the presentation of Shostakovich&#39;s Le Rouge et le Noir by the Ballets Russes; he was awarded the Legion d&#39;Honneur In 1925, and he won first prize at the Carnegie International Exhibition in 1927. &lt;br /&gt;&lt;br /&gt;Matisse continued to travel, but focused mainly on shuttling between Paris and the Riviera.  It was also around this time that things were turning sour between he and his wife, and the two were soon separated.  With World war Two on the horizon, and his own personal problem, Henri Matisse&#39;s health took a turn for the worse.  Henri Matisse was diagnosed with duodenal cancer.&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Claude Monet&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1840-1926&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Claude Monet was born on November 14, 1840,  in Paris. A few years later, his family moved the the Normandie harbor town of Le Havre, where his father ran a marine trade supply store.  Monet spent most of his youth in Le Havre, drawing caricatures of the locals, a talent which got him into trouble at school.  Claude was a rebel, and he frequently disobeyed the rules.&lt;br /&gt;&lt;br /&gt;Regardless of her son&#39;s insubordination in school, Louise Monet was very encouraging of her son&#39;s budding talent.  By the age of fifteen, Claude was selling caricatures for as much as 20 francs, which did not please his parents, who were well off from their prosperous business.  Nonetheless, Monet continued drawing caricatures, and wasn&#39;t really interested in painting until he met Eugène Boudin, the man who would become his mentor.  Boudin encouraged the young Monet to go outside and paint nature scenes, playing an important role in the young artist&#39;s development.&lt;br /&gt;&lt;br /&gt;Louise Monet died shortly following her son&#39;s very first showing, but his Aunt, Marie-Jeanne, soon took over the care and support of the gifted teen, who was showing signs of true talent as a painter.&lt;br /&gt;&lt;br /&gt;Claude went on to study at the prestigious École des Beaux-Arts, but being a true rebel as always,  rejected the schools traditional attitudes towards art, and left to study at the Académie Suisse, where he further refined his skills and met with fellow artists Camille Pissarro and Gustave Courbet.&lt;br /&gt;&lt;br /&gt;Following a short stint in the military, Monet returned to Le Havre where he met with another artist, Johan Barthold Jongkind, who also helps shape his style.   Shortly thereafter, Monet joins the studio of Swiss painter Charles Gleyre in Paris, where he meets with other gifted artists such as Pierre-Auguste Renoir, Alfred Sisley, and and Frédéric Bazille, giving birth to the impressionist movement.  It was clear even then that Monet was quickly becoming the leader of this group, instigating debates, and nurturing a rebellious attitude from his peers towards the artistic establishment.&lt;br /&gt;&lt;br /&gt;But it wasn&#39;t until a year later, when Monet discovered the work of Edouard Manet at Martinet&#39;s where his work was being shown, that he would find true inspiration.  Claude Monet then paints &quot;en plein air&quot;, in the forest of Fontainebleau, with his friend Bazille.&lt;br /&gt;&lt;br /&gt;Inspired by Manet, Claude Monet worked on large canvases, and by then, he had become such a perfectionist that he refused to paint unless the light of the sun reflected exactly the way he wanted it. In one instance even had a trench dug, and a large canvas  mounted on ropes and pulleys, so her could work without having to lose his line of sight.&lt;br /&gt;&lt;br /&gt;Although Monet mostly painted nature scenes, he sometimes included human figures in his paintings.  One day, he had his friend Bazille, and a lady named Camille Doncieux pose for a painting of a Picnic (Le Déjeuner sur l&#39;Herbe); little did he know she would one day become his lover, his wife, and the subject of many of his works.  &lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Frida Kahlo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1907-1954&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Frida Kahlo, was born on July 6th, 1907, in Coyoacàn, a part of Mexico City, one of four daughters to Matilde Calderón and Guillermo Kahlo.  However, Frida often claimed to have been born in 1910, the year of the Mexican Revolution.  Frida was of both European, and Mexican heritage.  Frida&#39;s entire life was plagued with suffering,  Stricken with  Polio at the age of six, one of her legs would remain smaller than the other, which of course attracted stares and teasing from other children.  The young Frida, already showing incredible strength of character, decided she was going to be a doctor, which at the time, was not a common profession for women.  But  it was at the age of fifteen that her life-altering tragic accident occurred.  In 1925, as she was returning home from school,  a tram crashed into her bus. She was found barely alive, covered in gold dust, and with a handrail stuck through her body; her spine and pelvis were broken, and so were her right leg, and foot.&lt;br /&gt;&lt;br /&gt;It was while recovering from her extensive injuries in the hospital that Frida began to paint.  Although Frida&#39;s family sacrificed almost all they had in order to get her the best available care, but she never fully recovered, and was forced to used braces and custom made corsets in order to be able to just walk and stand.  Frida&#39;s parents even had a special easel custom made to accommodate her condition.  Frida gave up on becoming a doctor, and decided to continue painting.  Her accident had not only changed the course of her life, it would also prove to be a main source of inspiration for her work, which was mostly comprised of sometimes disturbing self-portraits,  images of death, and suffering.&lt;br /&gt;&lt;br /&gt;In 1929, the 22 year-old Frida marries the 43 year old Diego Rivera, a famous painter of murals who would soon thereafter become her husband.  The two were drawn together on many levels, first off, was art, then Communism, and also their interest in traditional Mexican Indian culture.  The two were part of the Communist party for a short while, but they were ousted because of Diego&#39;s opposition to Joseph Stalin&#39;s crackdown on Trotsky&#39;s Left Opposition.  Although the couple did share intense passion, Frida had been left barren by her accident, so they never had children;  this was also a central theme in her work, and in some of her self-portraits, Frida would include her pet spider monkey as a surrogate child,  looking  like the infant Christ of Religious icons.  Many of her paintings were also quite bloody, and included internal organs shown on the outside, again, comparisons to images of Christ and the &quot;Sacred Heart&quot; can be made, but we would greatly be wrong to think her work was the product of a self-centered individual.&lt;br /&gt;&lt;br /&gt;When she wasn&#39;t too occupied with her involvement in politics and intellectual discussion groups,  Frida also spent time teaching at La Esmeralda art school.  Although Rivera had been instrumental in her success, he considered her an equal, and although he was often unfaithful to Frida, he was never disloyal.  Rivera had mistresses, and Frida had lovers, including some women, and Marxist writer Leon Trotsky, whom the couple had gracefully welcome into their home, offering asylum during dangerous times.  Frida and Diego divorced in 1939, but they remarried in 1940, realizing their passion was stronger than their physical needs, and that their relationship could work if they tried to control their temperaments.&lt;br /&gt;&lt;br /&gt;In addition to Diego&#39;s admiration, Frida also impressed artists and critics worldwide.  French surrealist André Breton played a major part in bringing her work to the attention of Americans.  Although she appreciated Breton&#39;s respect, she was quick to deny claims that she was part of the surrealist movement, simply stating, &quot;I never painted my dreams. I painted my own reality.&quot;   Frida&#39;s reality was a reality of passion,  and of suffering.  In 1953, Frida&#39;s leg was amputated, shortly thereafter, on July 13, 1954, at the age of 47, she died in her sleep, apparently from an embolism.  There is a fair bit of speculation that she took her own life, escaping the pain of her existence.  Frida Kahlo was the first Latin-American woman to sell a painting for a million dollars, and her popularity seems to grow with each passing year; from endorsements by popular artists such as Madonna, to a critically acclaimed bio-pic starring acclaimed actors Salma Hayek, and Alfred Molina.&lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Francisco de Goya&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1746-1828&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Francisco Jose de Goya was born in Fuendetodos, Spain, on March 30th, 1746.  His family later relocated to Saragossa, where Goya came to be under the tutelage of  local artist Jose Luzan.  A few years later, after a sojourn in Italy to study, Goya returned to Saragossa where he received his first commission, painting frescoes in the Cathedral of El Pilar.  Goya got the commission through Francisco Bayeu, a fellow artist also from Aragón, who they say was influential in helping Goya develop his earlier style.   Bayeu was also the brother of Josefa Bayeu, whom Goya married in 1773.   It was also around that time that Goya became involved in the creation of several other frescoes, influenced by the paintings of Velásquez and &lt;a href=&quot;http://www.famouspainter.com/rembrandt.htm&quot;&gt;Rembrandt&lt;/a&gt;.  It is interesting to note that like Rembrandt, Goya and his wife had several children who did not reach adulthood.  Only one of his sons survived.&lt;br /&gt;&lt;br /&gt;In addition to his several frescoes, Goya created designs for a tapestry factory in Madrid, painting scenes of everyday life in Spain. His worked were very sought after, and in 1780 he was elected to the Royal Academy of San Fernando.  Shortly thereafter, he was named painter to  King Charles IV, who was perhaps the most educated of the Spanish Monarchs of the era, and ultimately appointed Goya to the post of court painter.  Goya painted portraits of the social elite, but he also continued making more tapestries.  This was the height of Goya&#39;s artistic career, and he was at this point, considered the most successful, sought after and admired of all Spanish artists.&lt;br /&gt;&lt;br /&gt;Alas, tragedy struck, and Goya was stricken with a mysterious illness that left him completely deaf.  Later, after the death of his friend and brother-in-law Francisco Bayeu, he took over his duties as Director of Painting in the Royal Academy from 1795 to 1797, when he resigned due to ill health.  Two years later, in 1799, he was given the title of  First Spanish court painter.  Being only capable of communicating via sign language or handwriting, Goya became a silent observer of the world around him.  Surprisingly enough, his work took an unexpected twist, and he developed a more caricature-like style with which he created several satirical illustrations based on human weakness and his own whimsical imaginings. The etchings were published under the title &lt;a href=&quot;http://www.famouspainter.com/www.amazon.com/exec/obidos/ASIN/0486223841/aguidetokipaw&quot;&gt;Los Caprichos&lt;/a&gt;, meaning  &quot;the whims.  Goya had broken the barriers imposed by classical training, eschewing the Rococo tradition, and was now opening up new avenues which would ultimately lead to his being referred to as the father of modern art. &lt;br /&gt;&lt;br /&gt;From 1808 to 1814, the time of Napoleon&#39;s occupation of Spain and the war of independence, he served as court painter to the French. His work became a testament to the horror of war;  the Disasters of War, a series of starkly realistic etchings on the atrocities of war, remained hidden for many years, only to be  published in 1863, long after Goya&#39;s death.  When the war was over and the Monarchy was restored, Goya was granted a full pardon for having served the French court, but unfortunately, the new King was not as impressed with Goya as his predecessor had been.  Perhaps Goya&#39;s most controversial paintings, that of &lt;a href=&quot;http://www.famouspainter.com/galleries/naked_maya.htm&quot;&gt;the naked Maya &lt;/a&gt; came under scrutiny by the Spanish Inquisition, who demanded an explanation for the outrageous piece.  Nudes weren&#39;t commonplace in 18th century Spain, and the new regime did not offer a favorable climate for those wishing to work outside of traditional religious art.&lt;br /&gt;&lt;br /&gt;Goya regained some degree of popularity after publishing a series of etchings on Bullfighting called &quot;Tauromaquia&quot;.  In 1819, he moved to a secluded and soon thereafter moved to a private residence outside of Madrid, where he gave free reign to his fevered imaginings.  He covered the walls of his home with his &quot;Black Paintings&quot; Their vivid depictions of witchcraft, the horrific  &lt;a href=&quot;http://www.artchive.com/goya.html&quot;&gt;Saturn Devouring one of his Children&lt;/a&gt; and other dark subject matter were perhaps the artist&#39;s way of thumbing his nose at the inquisition, with images that conveyed the very essence of heresy. But it wasn&#39;t the first time Goya had chosen to take this dark path, his series on the Napoleonic invasion and an etching entitled &lt;a href=&quot;http://www.artchive.com/artchive/G/goya/goya_sleep_of_reason.jpg.html&quot;&gt;The Sleep of Reason Produces Monsters&lt;/a&gt; were perfect examples of the artist being in touch with his dark side.  It was also around that time that Josepha, his wife passed away.  Soon thereafter, Goya took into his home a lady named Leocadia who had a five-year-old daughter Rosalie whom Goya came to love as if she were his own.   A few years later, seeing there would be no return to a liberal regime in Spain, Goya packed his belongings and moved to France, in self-imposed exile.  Goya settled in Bordeaux, where he would continue working, experimenting with techniques such as lithography, which was very popular in France around that time.  On April 16, 1828, Goya suffered a massive stroke, and died at the age of  82.&lt;br /&gt;&lt;br /&gt;Francisco Goya was the Father of Modern Art, his idea that the artist&#39;s personal vision had more importance than his subject opened new ways of thinking which helped art break free from commissioned portraits and religious imagery.  Goya&#39;s artistic career lasted over 60 years, and in that time he showed an incredible evolution from Baroque all the way through his own groundbreaking style.  Artists ranging from Manet to &lt;a href=&quot;http://www.famouspainter.com/pablo.htm&quot;&gt;Pablo Picasso&lt;/a&gt; have cited his work as being influential in their development.  Goya painted for himself, his view of the world, and his candor gave his work resonance that would not only inspire, but also enlighten.&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;René Magritte&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1898-1967&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;René François-Ghislain Magritte was born on November 21st, 1898,  in Lessines, Belgium, the eldest of three boys. Even at an early age, he liked to draw, and was encouraged to do so by his father Léopold.  He later started painting at the age of 12.   Régine Bertinchamp, Magritte&#39;s mother, suffered from depression; one night, while the rest of the family was asleep she fled to go to throw herself over a bridge, into the river Sambre. A few days later, her body is found floating, her face covered by her nightgown; René, who was then only 14, was deeply scarred by the image, which was later going to reappear in some of his works (The Heart of the Matter).&lt;br /&gt;&lt;br /&gt;At the age of 16, Magritte met Georgette Berger, the girl who would be his future wife and creative muse.  A year later, in 1914, he left Georgette behind, and he enrolled at the Academy of Fine Arts in Brussels to learn how to paint with all the &quot;proper&quot; techniques usually attributed to artists who worked in the figurative style, his plan was to master these techniques before breaking free of them.  He would not see his beloved Georgette again until 1920, when by chance he would meet her at an art supply store.&lt;br /&gt;&lt;br /&gt;While studying at the Academy of Fine Arts, Magritte met many artists who would influence his style, amongst them were E.L.T Mesens, Pierre Flouquet, and Piérre Bourgeois. He also showed some interest in the Futurist movement, and Cubism, but it was when he discovered Giorgio De Chirico&#39;s surrealist works that he found true inspiration.  It was from this inspiration that Magritte decided to make each of his painting a visual poem; a quality he found present in De Chirico&#39;s works.&lt;br /&gt;&lt;br /&gt;In the fall of 1923, René Magritte married Georgette Berger, wallpaper artist. At that time, he develops a profound dislike for the decorative arts.  He later would state: &quot;I detest my past, and anyone else&#39;s. I detest resignation, patience, professional heroism and obligatory beautiful feelings. I also detest the decorative arts, folklore, advertising, voices making announcements, aerodynamism, boy scouts, the smell of moth balls, events of the moment, and drunken people.&quot;&lt;br /&gt;&lt;br /&gt;In 1927, Magritte joined André Breton, Paul Eluard, &lt;a href=&quot;http://www.famouspainter.com/salvador.htm&quot;&gt;Salvador Dali&lt;/a&gt;, and other artists and writers who were part of the surrealist  movement in Paris.  Magritte held his first one-man exhibit was in Brussels in 1927, and as it was with his contemporaries, his art drew the ire of the critics and the conservative art crowd.  But what made Magritte&#39;s work so special was his incredible skill at painting realistic objects and figures.  The critics could not deny his talent, nor could they dismiss his work as an exercise in &quot;laisser-faire&quot;.   Like De Chirico, and Dali, he was a true technician, and a technician with soul.  What set him apart from the other surrealists was his technique of juxtaposing ordinary objects in an extraordinary way; while Dali would &quot;melt&quot; a watch, playing with the consistency of an object (amongst other things), Magritte would leave objects intact, but play with their placement in reality, playing with logic. This technique is sometimes called Magic Realism.  Of course, what really upset the critics was that Magritte&#39;s art did not provide answers, but only confusion, and questions as to why...&lt;br /&gt;&lt;br /&gt;In 1929, Magritte and poet Paul Eluard spent some time in Cadaquès, at Salvador Dali&#39;s residence.  Dali is perhaps the only other surrealist who&#39;s work could be compared to Magritte&#39;s.  Both shared impeccable technique, and a great sense of humor.  Another thing which may have angered critics was Magritte&#39;s &quot;parodies&quot; of famous paintings; like other surrealists, his irreverence and contempt for the norm was quite apparent in his work.  It is evident that the humor magazines such as Harvey Kurtzman&#39;s Mad, and comedy troupes such as Monty Python owe much to the surrealists.&lt;/span&gt;&lt;div&gt;
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&lt;br /&gt;&lt;br /&gt;Salvador Dali&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1904-1989&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Salvador Dali is perhaps the best known artist from the surrealist art scene, but he is not just a surrealist; his works have covered many different styles from impressionism to his own take on the classical style, and all reflect his mastery of the medium. &lt;br /&gt;&lt;br /&gt;Dali was  raised in the small farming community of Figueras, Catalogna, Spain, a place which inspired many of the landscapes found in his oeuvre.  Since he was the son of a wealthy notary, Dali also had the luxury of spending time at his family&#39;s summer home, working in a studio his parents had built for him.  Later, he attended the prestigious San Fernando Academy of Fine Arts in Madrid, where he further honed his already impressive skills, albeit in a climate of conflict, brought on by creative differences with his teachers.&lt;br /&gt;&lt;br /&gt;His first solo exhibition took place in Barcelona in 1925.  Three of his painting were later shown in America, at the third annual Carnegie International Exhibition in Pittsburgh in 1928,  bringing him international acclaim at the age of 24.&lt;br /&gt;&lt;br /&gt;Perhaps the most important, and influential figure in Salvador Dali&#39;s life was Gala.  The pair had met  in 1929, at Dali&#39;s Cadaques residence, where she and her then husband, poet Paul Eluard were visiting the artist.  Gala soon became Dali&#39;s mistress, and later, she became his wife, muse, and reason for living; she figures prominently in many of Dali&#39;s most inspired works.&lt;br /&gt;&lt;br /&gt;While living in Paris, Dali joined forces with a group of artists who called themselves the surrealists, then led by former Dadaist André Breton. Other surrealist artists of note were Marcel Duchamp, and &lt;a href=&quot;http://www.famouspainter.com/rene.htm&quot;&gt;René Magritte&lt;/a&gt;.  The group lived their art, and sought to provoke the conservative artistic elite of the day with a series of manifestos, performances, and parodies of classical paintings such as &lt;a href=&quot;http://www.finesite.webart.ru/shocking/lhooq-1.htm&quot;&gt;LHOOQ&lt;/a&gt;, a bearded &lt;a href=&quot;http://www.famouspainter.com/leonardo.htm&quot;&gt;Mona Lisa&lt;/a&gt; painted by Duchamp.  &lt;br /&gt;&lt;br /&gt;One of Dali&#39;s earliest works in the genre, and perhaps one of his most famous, is &lt;a href=&quot;http://www.famouspainter.com/galleries/persistence_of_memory.htm&quot;&gt;The Persistence of Memory&lt;/a&gt;.  Dali soon came to be regarded as the leader of the surrealist movement, but once again, the maverick genius refused to find comfort within a niche, and he would often disagree with his contemporaries, particularly with their strong political views, so he was tried, and expelled from the group in 1934, as the second world war burgeoned across Europe. &lt;br /&gt;&lt;br /&gt;Dali work during the early 1940s showed the artists preoccupation with religion, and science, perhaps, he found much inspiration within it&#39;s conflicting views.  This came to be known as his &quot;classic&quot; period.&lt;br /&gt;&lt;br /&gt;As the war progressed, Dali and Gala had to leave their Europe, and move to America; by then, he had gained international recognition through a series of successful exhibits around the world, so he was welcomed with open arms by Hollywood, where he provided concepts and artwork for a dream sequence in Alfred Hitchcock&#39;s &quot;Spellbound&quot;.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pablo Picasso&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1881-1973&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Pablo Picasso was born in Malaga, Spain, to artist and teacher Jose Ruiz Blasco, and his wife Maria Picasso.  A decade later, young Pablo Picasso learned how to paint from his father, who had been appointed teacher at the Da Guarda art school in La Coruna.  &lt;br /&gt;&lt;br /&gt;Later, when his father was appointed teacher to the La Lonja academy in Barcelona, and just a year later, Pablo was admitted to the drawing class of the academy after having shown tremendous aptitude.&lt;br /&gt;&lt;br /&gt;Pablo Picasso the n took a trip to France where he discovered the work of master artist Toulouse Lautrec, perhaps it was Lautrec&#39;s fascination with the female form, and with street walkers in particular that influenced Picasso to paint Les Demoiselles d&#39;Avignon&quot;, the piece which brought on his first big break.  &lt;br /&gt;&lt;br /&gt;1900 to 1907, saw Picasso&#39;s Blue and Rose Periods, and it was within this timeframe that the artist was fascinated by the dregs of society, he would focus on painting images of prostitutes,  &lt;a href=&quot;http://www.famouspainter.com/galleries/tragedy.htm&quot;&gt;the poor, the unfortunate&lt;/a&gt;, and the street urchins.&lt;br /&gt;&lt;br /&gt;He was working very hard during this time, illustrating magazines, and having his work shown in galleris such as Berthe Weill&#39;s, in Paris.  It was also then that he met Guillaume Apollinaire, Leo and Gertrude Stein, and Henri Matisse, who was to become Picasso&#39;s long time friend.&lt;br /&gt;&lt;br /&gt;Shortly after that, Picasso started the Cubist movement with fellow artists Georges Braque and Joan Miro.  Cubism is best defined as the exact reproduction of an image as seen from different angles simultaneously.  What made Picassos&#39; cubist paintings is the amount of human emotion he would maintain within the multi-faceted figures.&lt;br /&gt;&lt;br /&gt;Pablo Picasso had many women in his life, from Fernande Olivier, and Eva Gouel, to  Olga Koklova, a Russian ballerina whom he had met around the same time he met composer Igor Stravinsky.  Olga gave birth to a son, Paul; but Pablo left her shortly afterwards, and fathered a daughter, Maia, with &lt;a href=&quot;http://www.famouspainter.com/galleries/dream.htm&quot;&gt;Marie-Thérese Walter&lt;/a&gt;, who had also been his model, and was now his muse and mistress.  Marie-Thérèse was also the mother of  his son Claude, and  his daughter Paloma.&lt;br /&gt;&lt;br /&gt;Other Important women in Picasso&#39;s life include Dora Maar, Francoise Gilot, Jacqueline Rocque, whom he married at the age of 80.&lt;br /&gt;&lt;br /&gt;One of Picasso&#39;s least endearing traits was his treatment of women.  Perhaps the result of a life-long search for a soul mate, and his disillusionment at never being able to find a true friend. Picasso himself was quoted as saying: &quot;I have had no true friends, only lovers.&quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vincent van Gogh&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1853-1890&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Vincent van Gogh was born on March 30th, 1853 to Theodorus van Gogh, and Anna Cornelia Carbentus, in Zundert, a village in Brabant, in the Netherlands.  It is important to note that Vincent&#39;s brother Theo was born four years later, as  he would become a prominent figure in Vincent&#39;s life.&lt;br /&gt;&lt;br /&gt;Vincent&#39;s first exposure to the art world was when he worked at the Hague gallery of the French art dealers Goupil &amp;amp; Co., which had been established by his uncle Vincent.  His brother Theo later worked for the same company.  After working for the art dealers, Vincent took the job of assistant teacher, and preacher in a boarding school in England, but this was short lived and his obsession with evangelical Christianity made him want to become a clergyman like his father, so he tried to enroll in a theology school, but was refused admittance.&lt;br /&gt;&lt;br /&gt;Vincent later enrolled in a  missionary school in Belgium, determined to help those in need, and preach to the poor.  He preached and lived amongst the miners in southern Belgium, but his fanatical attitude, and pious lifestyle were such that the church did not renew his appointment fro the following year.  After much though and meditation on the subject, Vincent decided to become an artist, feeling this was his last recourse at doing God&#39;s work.&lt;br /&gt;&lt;br /&gt;Penniless, Vincent worked independently as an artist in Brussels, while his brother Theo supported him by sending him money.  van Gogh later returned to the Hague to take painting lessons from his cousin Anton Mauve.  His talents soon emerged, and in very little time, he had developed his own unique style.&lt;br /&gt;&lt;br /&gt;van Gogh&#39;s bold use of color, and composition were first made evident in a series of  paintings of the Hague, commissioned by his uncle Cornelis.  van Gogh&#39;s fascination with the poor, and the working class were the subject of many of his early works, the first, a series he painted while Drenthe, in the northeastern Netherlands, followed by a series of 40 portraits he painted.&lt;br /&gt;&lt;br /&gt;Theo, who had been helping his brother survive lean months, was also helping him sell his paintings, albeit at a turtle&#39;s pace; this distressed Vincent, and led to conflicts between the two of them.   Later, shortly after his father&#39;s passing, van Gogh finished his first masterwork, The Potato Eaters; he later left the Netherlands, and returned to Belgium, settling in the town of Antwerp. This was a wise move for van Gogh, who was able to find models, supplies, and ideas for his work.&lt;br /&gt;&lt;br /&gt;He enrolled at the École des Beaux-Arts in Antwerp, but quit after two months due to the stifling atmosphere of the school, and their antiquated concepts.  van Gogh had finally become the artist&#39;s artist. &lt;br /&gt;&lt;br /&gt;He later moved in with his brother in Montmartre, France, where he discovered the works of Monet and other French Impressionists, and met with Gauguin, and Henri deToulouse Lautrec,  this would be the turning point in van Gogh&#39;s career, as he enrolled in the highly praised Fernand Cormon workshop where he learned to use light and color in novel ways.&lt;/span&gt;&lt;div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Michelangelo Buonarroti&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1475-1564&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Michelangelo Buonarroti was of noble birth, but was not raised by his parents.  His father had him brought up by a stone carver and his wife, because his own wife was too ill to take care of the child.  While living with his surrogate parents, young Michelangelo learned the skills that would serve him throughout his life., but his father was displeased when his son told him he wanted to be an artist, and it took much convincing for Michelangelo to be permitted to further his apprenticeship.&lt;br /&gt;&lt;br /&gt;Michelangelo went on to study sculpture at Medici gardens, where, like Leonardo da Vinci, his talent was allowed to flourish by Lorenzo de Medici, patron of the arts, and ruler of Florence, who introduced him to the great thinkers of the renaissance.&lt;br /&gt;&lt;br /&gt;Following his sojourn at Medici gardens, Michelangelo went to Bologna, then to Rome, where he saw the impressive marble statues which he would later echo in his own works.  Upon his return, he set out to create his first complete sculpture, as statue of  Mary holding Jesus&#39; lifeless body, known as La Pietà.  His first large scale commissioned work was the statue of Bacchus for a sculpture garden.&lt;br /&gt;&lt;br /&gt;Shortly thereafter, he created one of his most important works, the statue of  David,  a commissioned piece symbolizing the liberation of the republic of Florence.  Michelangelo truly had achieved fame as an artist, and his talent became sought after by Pope Julius II, who asked him to embark on a very demanding artistic journey, a commission to paint the ceiling of the Sistine chapel in the Vatican.&lt;br /&gt;&lt;br /&gt;At first, Michelangelo, who had been busy painting frescos in Pope Julius&#39; tomb, refused his successor&#39;s request, feeling that the undertaking of such a monumental task would take him away from his first love, that of sculpture, but the Pope insisted, and his word prevailed.&lt;br /&gt;&lt;br /&gt;Ironically, Michelangelo&#39;s work on the chapel ceiling far exceeded the original outline of the commission, which called for twelve paintings instead, he covered the entire ceiling with over 300 figures, from &lt;a href=&quot;http://www.famouspainter.com/galleries/adam.htm&quot;&gt;The Creation of Adam&lt;/a&gt; to Noah and the great Deluge.  It is interesting to note that the Pope did not object to the large amount of nude figures in the paintings.  Michelangelo&#39;s portrayal of women has also been the subject of speculation as to his sexual preference, as his depiction of Eve shows her as having very masculine features.&lt;br /&gt;&lt;br /&gt;The next big commission for Michelangelo came when he was asked to paint the altar wall by Pope Clement VII, shortly before his death.  The fresco in question was that of  The Last Judgment, a vivid rendition of the Apocalypse and of Heaven and Hell.  In a comic twist, Biagio da Cesena, the master of ceremonies for the Vatican, who had denounced Michelangelo&#39;s use of nude figures as inappropriate, was cast by Michelangelo as Minos walking through Hell, a serpent biting his genitalia.  Michelangelo himself appears on the fresco as the flayed skin of St-Bartholomew, and in the lower left hand corner, as one of the damned, looking earnestly at the dead, rising from their graves.&lt;br /&gt;&lt;br /&gt;The Sistine chapel was to be the last of Michelangelo&#39;s paintings, with his focus returning to his first love, that of sculpting.  Later, shortly before his death, it was decided that Michelangelo&#39;s nude figures would be censored, their sexes draped in cloth by an extra layer of paint.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&quot;A man paints with his brains and not with his hands.&quot;&lt;br /&gt;Michelangelo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Leonardo da Vinci&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1452-1519&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Leonardo was born in Vinci, Italy on April 15th, 1452, the illegitimate son of a young notary.  Leonardo grew up in an environment rich with scholarly texts and art, provided by his father, who himself taught Leonardo how to paint,  and by his father&#39;s family.  When he was in his late teens, Leonardo was sent to Florence to be an apprentice in the studio of famous renaissance sculptor Andrea del Verrocchio, where he met with other Renaissance artists Botticelli and Ghirlandaio, and continued honing his skills, which were proving to be greater than his teacher&#39;s...&lt;br /&gt;&lt;br /&gt;Leonardo&#39;s first moment in the sun came when Verroccio asked him to help paint an angel in his &quot;Baptism of Christ&quot; piece.  Leonardo so impressed his master that Verrochio himself decided he would never paint again.  Leonardo continued working with Verrochio for a few years, and then the two parted ways.&lt;br /&gt;&lt;br /&gt;Leonardo went on to be in the service of the Duke Ludovico Sforza of Milan, where he remained for 16 years.  Leonardo didn&#39;t only paint for the Duke, but he also designed machinery, weapons, and a fair bit of architecture.  Science and art were merged in an unending output of impressive works and studies.  Leonardo&#39;s designs were so ahead of their time, that they even included plans for various assault vehicles, flying machines, and even a submarine. &lt;br /&gt;&lt;br /&gt;Duke Sforza died shortly after the completion of one of Leonardo&#39;s most famous work, &lt;a href=&quot;http://www.famouspainter.com/galleries/last_supper.htm&quot;&gt;The Last Supper&lt;/a&gt;; Leonardo who had now lost his patron, and decided to leave Milan.  He eventually returned to Florence after having traveled, lived, and worked for various patrons throughout Italy.&lt;br /&gt;&lt;br /&gt;Shortly after his return to Florence, he and Michelangelo were commissioned to paint frescos on the walls of the new city hall.  While he was working on his mural depicting the battle of Anghiari, which had been commissioned in part by Niccolo Machiavelli, Leonardo also painted his most famous work, the&lt;a href=&quot;http://www.famouspainter.com/galleries/mona_lisa.htm&quot;&gt;Mona Lisa&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;A short while later, Leonardo&#39;s father passed away, leaving his family to fight over the distribution of his assets, of which none went to Leonardo.  It was only later and following the death of his uncle that Leonardo would inherit land and money.&lt;br /&gt;&lt;br /&gt;Leonardo later went to Rome, and  was given living quarters in the Vatican by Pope Leo X, so that he could further explore the arts while working on commissioned pieces for the Church. Leonardo did not create many new paintings during this period, concentrating on his drawings instead; it was quite difficult for Leonardo to pursue his studies of scientific subjects and anatomy while in the employ of the Pope, as the Church frowned upon the dissection of human cadavers.&lt;br /&gt;&lt;br /&gt;But Leonardo who had had many patrons ranging from Duke Sforza, to the evil Cesare Borgia, was one who had no trouble adapting to his surroundings, and he did create several drawings including The Deluge,  in which he portrayed the cataclysmic biblical event.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;ul class=&quot;gallery-list&quot; style=&quot;color: #343b40; font-family: arial, sans-serif; font-size: 12px; list-style: none; margin: 0px; padding: 0px;&quot;&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;a&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
a&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/fra-angelico-9185269&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/A/Fra-Angelico-9185269-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/fra-angelico-9185269&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;fra angelico&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1400-1455&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, monk&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-james-audubon-9192248&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/A/John-James-Audubon-9192248-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-james-audubon-9192248&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john james audubon&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1785-1851&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter, scientist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;b&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
b&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/robert-baden-powell-9194817&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Robert-Baden-Powell-9194817-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/robert-baden-powell-9194817&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;robert baden-powell&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1857-1941&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter, military leader, journalist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jean-michel-basquiat-185851&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Jean-Michel-Basquiat-185851-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jean-michel-basquiat-185851&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jean-michel basquiat&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1960-1988&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/fr%C3%A9d%C3%A9ric-bazille-17164118&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Frederic-Bazille-17164118-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/fr%C3%A9d%C3%A9ric-bazille-17164118&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;frédéric bazille&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1841-1870&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/romare-bearden-40540&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Romare-Bearden-40540-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/romare-bearden-40540&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;romare bearden&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1911-1988&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/thomas-hart-benton-9208158&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Thomas-Hart-Benton-9208158-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/thomas-hart-benton-9208158&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;thomas hart benton&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1889-1975&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/hieronymus-bosch-9220497&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Hieronymus-Bosch-9220497-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/hieronymus-bosch-9220497&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;hieronymus bosch&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1450-1516&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/fernando-botero-241190&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Fernando-Botero-241190-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/fernando-botero-241190&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;fernando botero&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1932-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/sandro-botticelli-9220903&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Sandro-Botticelli-9220903-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/sandro-botticelli-9220903&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;sandro botticelli&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1445-1510&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/georges-braque-9224611&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Georges-Braque-9224611-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/georges-braque-9224611&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;georges braque&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1882-1963&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/tim-burton-9542431&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/B/Tim-Burton-9542431-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/tim-burton-9542431&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;tim burton&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1958-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter, director, producer, screenwriter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-butler-yeats-215217&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/Y/John-Butler-Yeats-215217-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-butler-yeats-215217&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john butler yeats&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1839-1922&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;c&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
c&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/canaletto-9236731&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Canaletto-9236731-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/canaletto-9236731&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;canaletto&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1697-1768&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/caravaggio-9237777&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Caravaggio-WC-9237777-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/caravaggio-9237777&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;caravaggio&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1571-1610&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/george-catlin-9241743&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/George-Catlin-9241743-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/george-catlin-9241743&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;george catlin&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1796-1872&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, journalist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/marc-chagall-9243488&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Marc-Chagall-9243488-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/marc-chagall-9243488&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;marc chagall&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1887-1985&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/chuck-close-9251491&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Chuck-Close-9251491-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/chuck-close-9251491&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;chuck close&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1940-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-singleton-copley-9257088&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/John-Singleton-Copley-9257088-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-singleton-copley-9257088&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john singleton copley&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1738-1815&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/camille-corot-9258097&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Camille-Corot-WC-9258097-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/camille-corot-9258097&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;camille corot&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1796-1875&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/gustave-courbet-9259220&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Gustave-Courbet-9259220-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/gustave-courbet-9259220&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;gustave courbet&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1819-1877&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/paul-cezanne-9542036&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Paul-Cezanne-9542036-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/paul-cezanne-9542036&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;paul cezanne&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1839-1906&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;d&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
d&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/louis-jacques-mand%C3%A9-daguerre-40754&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Louis-Daguerre-40754-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/louis-jacques-mand%C3%A9-daguerre-40754&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;louis-jacques-mandé daguerre&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1787-1851&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, inventor, physicist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/salvador-dal%C3%AD-40389&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Salvador-Dali-40389-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/salvador-dal%C3%AD-40389&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;salvador dalí&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1904-1989&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, filmmaker, writer&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jacques-louis-david-9267043&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Jacques-Louis-David-9267043-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jacques-louis-david-9267043&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jacques-louis david&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1748-1825&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/giorgio-de-chirico-9246949&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Giorgio-de-Chirico-9246949-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/giorgio-de-chirico-9246949&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;giorgio de chirico&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1888-1978&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/francisco-de-goya-9317129&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Francisco-de-Goya-WC-9317129-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/francisco-de-goya-9317129&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;francisco de goya&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1746-1828&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/willem-de-kooning-9270057&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Willem-de-Kooning-9270057-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/willem-de-kooning-9270057&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;willem de kooning&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1904-1997&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/georges-de-la-tour-9374449&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/georges-de-la-tour-9374449&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;georges de la tour&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1593-1652&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/henri-de-toulouse-lautrec-9509115&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/Henri-de-Toulouse-Lautrec-9509115-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/henri-de-toulouse-lautrec-9509115&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;henri de toulouse-lautrec&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1864-1901&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/francisco-de-zurbar%C3%A1n-38937&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/Z/Francisco-de-Zurbaran-38937-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/francisco-de-zurbar%C3%A1n-38937&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;francisco de zurbarán&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1598-1664&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/edgar-degas-9269770&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Edgar-Degas-9269770-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/edgar-degas-9269770&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;edgar degas&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1834-1917&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/eug%C3%A8ne-delacroix-40979&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Eugene-Delacroix-40979-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/eug%C3%A8ne-delacroix-40979&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;eugène delacroix&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1798-1863&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/robert-delaunay-9270302&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/robert-delaunay-9270302&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;robert delaunay&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1885-1941&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/andr%C3%A9-derain-38136&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Andre-Derain-38136-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/andr%C3%A9-derain-38136&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;andré derain&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1880-1954&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/aaron-douglas-39794&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Aaron-Douglas-39794-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/aaron-douglas-39794&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;aaron douglas&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1899-1979&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/albrecht-d%C3%BCrer-39421&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/D/Albrecht-Durer-39421-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/albrecht-d%C3%BCrer-39421&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;albrecht dürer&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1471-1528&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;e&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
e&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/thomas-eakins-40363&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/E/Thomas-Eakins-40363-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/thomas-eakins-40363&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;thomas eakins&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1844-1916&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, photographer, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/el-greco-9319123&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/El-Greco-WC-9319123-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/el-greco-9319123&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;el greco&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1541-1614&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
architect, painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/max-ernst-40067&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/E/Max-Ernst-40067-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/max-ernst-40067&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;max ernst&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1891-1976&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor, editor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;g&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
g&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/thomas-gainsborough-9304943&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Thomas-Gainsborough-9304943-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/thomas-gainsborough-9304943&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;thomas gainsborough&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1727-1788&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/paul-gauguin-9307741&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Paul-Gauguin-9307741-3-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/paul-gauguin-9307741&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;paul gauguin&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1848-1903&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/artemisia-gentileschi-9308725&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Artemisia-Gentileschi-9308725-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/artemisia-gentileschi-9308725&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;artemisia gentileschi&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1593-1652&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jean-l%C3%A9on-g%C3%A9r%C3%B4me-38872&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Jean-Leon-Gerome-38872-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jean-l%C3%A9on-g%C3%A9r%C3%B4me-38872&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jean-léon gérôme&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1824-1904&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
academic, painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/domenico-ghirlandaio-9310084&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Domenico-Ghirlandaio-WC-9310084-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/domenico-ghirlandaio-9310084&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;domenico ghirlandaio&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1449-1494&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/giorgione-9312209&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/G/Giorgione-9312209-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/giorgione-9312209&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;giorgione&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1477-1510&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/r-c-gorman-9316305&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/r-c-gorman-9316305&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;r. c. gorman&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1931-2005&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/grandma-moses-9416251&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Grandma-Moses-9416251-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/grandma-moses-9416251&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;grandma moses&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1860-1961&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/leon-golub-507566&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/leon-golub-507566&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;leon golub&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1922-2004&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
anti-war activist, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;h&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
h&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/keith-haring-246006&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Keith-Haring-246006-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/keith-haring-246006&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;keith haring&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1958-1990&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/rembrandt-9455125&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Rembrandt-9455125-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/rembrandt-9455125&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;rembrandt&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1606-1669&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/pj-harvey-507591&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/PJ-Harvey-507591-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/pj-harvey-507591&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;pj harvey&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1969-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor, songwriter, guitarist, pianist, singer&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/al-held-9334131&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/al-held-9334131&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;al held&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1928-2005&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/al-hirschfeld-9339897&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Albert-Hirschfeld-9339897-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/al-hirschfeld-9339897&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;al hirschfeld&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1903-2003&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/damien-hirst-20683781&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Damien-Hirst-20683781-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/damien-hirst-20683781&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;damien hirst&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1965-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/david-hockney-9340738&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/David-Hockney-9340738-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/david-hockney-9340738&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;david hockney&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1937-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, photographer&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/hans-hofmann-9341344&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Hans-Hofmann-9341344-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/hans-hofmann-9341344&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;hans hofmann&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1880-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/william-hogarth-9341526&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/William-Hogarth-9341526-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/william-hogarth-9341526&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;william hogarth&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1697-1764&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/hans-holbein-the-younger-37978&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Hans-Holbein-the-Younger-37978-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/hans-holbein-the-younger-37978&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;hans holbein, the younger&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1497-1543&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/winslow-homer-9342812&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Winslow-Homer-9342812-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/winslow-homer-9342812&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;winslow homer&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1836-1910&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/edward-hopper-9343823&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/H/Edward-Hopper-9343823-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/edward-hopper-9343823&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;edward hopper&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1882-1967&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;i&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
i&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jean-auguste-dominique-ingres-9349429&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/I/Jean-Auguste-Dominique-Ingres-9349429-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jean-auguste-dominique-ingres-9349429&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jean auguste dominique ingres&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1780-1867&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;j&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
j&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jasper-johns-9355664&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/J/Jasper-Johns-9355664-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jasper-johns-9355664&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jasper johns&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1930-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/lois-mailou-jones-38701&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Lois-Mailou-Jones-38701-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/lois-mailou-jones-38701&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;lois mailou jones&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1905-1998&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;k&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
k&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/frida-kahlo-9359496&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Frida-Kahlo-9359496-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/frida-kahlo-9359496&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;frida kahlo&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1907-1954&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/wasily-kandinsky-9359941&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Wasily-Kandinsky-9359941-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/wasily-kandinsky-9359941&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;wasily kandinsky&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1886-1944&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/anselm-kiefer-9364520&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Anselm-Kiefer-9364520-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/anselm-kiefer-9364520&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;anselm kiefer&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1945-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/paul-klee-9366304&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Paul-Klee-9366304-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/paul-klee-9366304&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;paul klee&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1879-1940&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/yves-klein-9366454&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Yves-Klein-9366454-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/yves-klein-9366454&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;yves klein&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1928-1962&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/gustav-klimt-9366571&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Gustav-Klimt-9366571-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/gustav-klimt-9366571&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;gustav klimt&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1862-1918&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/max-klinger-9366671&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Max-Klinger-9366671-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/max-klinger-9366671&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;max klinger&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1857-1920&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/simmie-knox-12816755&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Simmie-Knox-12816755-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/simmie-knox-12816755&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;simmie knox&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1935-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jeff-koons-507550&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Jeff-Koons-507550-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jeff-koons-507550&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jeff koons&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1955-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/lee-krasner-37447&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Lee-Krasner-37447-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/lee-krasner-37447&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;lee krasner&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1908-1984&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/akira-kurosawa-9370236&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/K/Akira-Kurosawa-9370236-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/akira-kurosawa-9370236&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;akira kurosawa&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1910-1998&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, director&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;l&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
l&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jacob-lawrence-9375562&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Jacob-Lawrence-9375562-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jacob-lawrence-9375562&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jacob lawrence&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1917-2000&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
academic, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/ernest-lawson-9375742&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/ernest-lawson-9375742&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;ernest lawson&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1873-1939&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/sol-lewitt-9381460&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Sol-Lewitt-9381460-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/sol-lewitt-9381460&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;sol lewitt&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1928-2007&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/roy-lichtenstein-9381678&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Roy-Lichtenstein-9381678-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/roy-lichtenstein-9381678&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;roy lichtenstein&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1923-1997&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/filippino-lippi-9383117&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Filippino-Lippi-WC-9383117-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/filippino-lippi-9383117&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;filippino lippi&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1457-1504&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/fra-filippo-lippi-9383140&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Fra-Filippo-Lippi-9383140-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/fra-filippo-lippi-9383140&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;fra filippo lippi&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
-1406&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, monk&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/fernand-l%C3%A9ger-39474&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Fernand-Leger-39474-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/fernand-l%C3%A9ger-39474&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;fernand léger&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1881-1955&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;m&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
m&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/ren%C3%A9-magritte-9395363&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Rene-Magritte-9395363-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/ren%C3%A9-magritte-9395363&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;rené magritte&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1898-1967&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/aristide-maillol-9395770&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Aristide-Maillol-9395770-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/aristide-maillol-9395770&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;aristide maillol&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1861-1944&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/edouard-manet-9397188&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Edouard-Manet-9397188-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/edouard-manet-9397188&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;edouard manet&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1832-1883&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/robert-mapplethorpe-9398165&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Robert-Mapplethorpe-9398165-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/robert-mapplethorpe-9398165&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;robert mapplethorpe&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1946-1989&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
activist, painter, photographer, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-marin-9399094&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/John-Marin-9399094-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-marin-9399094&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john marin&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1870-1953&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/mary-cassatt-9240820&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/C/Mary-Cassatt-9240820-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/mary-cassatt-9240820&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;mary cassatt&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1844-1926&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/andr%C3%A9-masson-38681&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Andre-Masson-38681-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/andr%C3%A9-masson-38681&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;andré masson&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1896-1987&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/henri-matisse-9402564&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Henri-Matisse-9402564-3-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/henri-matisse-9402564&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;henri matisse&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1869-1954&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/james-abbott-mcneill-whistler-9529133&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/James-McNeill-Whistler-9529133-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/james-abbott-mcneill-whistler-9529133&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;james abbott mcneill whistler&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1834-1903&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/michelangelo-9407628&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Michelangelo-9407628-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/michelangelo-9407628&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;michelangelo&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1475-1564&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
architect, painter, sculptor, poet&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-everett-millais-9408242&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Sir-John-Everett-Millais-9408242-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-everett-millais-9408242&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john everett millais&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1829-1896&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jean-fran%C3%A7ois-millet-40144&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Jean-Francois-Millet-40144-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jean-fran%C3%A7ois-millet-40144&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jean-françois millet&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1814-1875&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/joan-mir%C3%B3-40565&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Joan-Miro-40565-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/joan-mir%C3%B3-40565&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;joan miró&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1893-1983&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/amedeo-modigliani-9410904&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Amedeo-Modigliani-9410904-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/amedeo-modigliani-9410904&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;amedeo modigliani&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1884-1920&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/l%C3%A1szl%C3%B3-moholy-nagy-9411069&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Laszlo-Moholy-Nagy-9411069-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/l%C3%A1szl%C3%B3-moholy-nagy-9411069&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;lászló moholy-nagy&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1895-1946&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter, photographer, publisher&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/piet-mondrian-9411728&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Piet-Mondrian-9411728-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/piet-mondrian-9411728&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;piet mondrian&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1872-1944&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/claude-monet-9411771&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Claude-Monet-9411771-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/claude-monet-9411771&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;claude monet&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1840-1926&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/berthe-morisot-9414971&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Berthe-Morisot-9414971-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/berthe-morisot-9414971&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;berthe morisot&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1841-1895&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;table border=&quot;0&quot; bordercolor=&quot;#111111&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;border-collapse: collapse; width: 75%px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;50%&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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&lt;blockquote&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;A&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Abstract Expressionism (Jackson Pollock, Willem de Kooning)&lt;br /&gt;Academic Art (Adolphe William Bouguereau)&lt;br /&gt;American Regionalism (Grant Wood, John Rogers Cox)&lt;br /&gt;Art Deco (Tamara de Lempicka, Adolphe Mouron)&lt;br /&gt;Art Nouveau (Gustav Klimt, Aubrey Beardsley)&lt;br /&gt;Arts and Crafts Movement (William Morris)&lt;br /&gt;Ashcan School (George Wesley Bellows, John Sloan)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;B&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Barbizon School (Charles-François Daubigny, Constant Troyon)&lt;br /&gt;Baroque Art ( Rembrandt va Rijn, Caravaggio)&lt;br /&gt;Bauhaus (Ludwig Mies van der Rohe, Laszlo Moholy-Nagy)&lt;br /&gt;Blaue Reiter a.k.a. The Blue Rider (Wassily Kandinsky, Frans Marc)&lt;br /&gt;Brücke a.k.a. The Bridge (Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff)&lt;br /&gt;Byzantine Art (Bonaventura Berlinghieri, Andrei Rublev)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;C&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Classicism (Lord Frederic Leighton, Herbert Draper)&lt;br /&gt;Contemporary Realism (Peter Hurd, Vincent Desiderio)&lt;br /&gt;Cubism (Pablo Picasso, Georges Braque)&lt;br /&gt;Cubist Realism (Charles Demuth, Preston Dickinson)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;D&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Dada (Jean Arp, Marcel Duchamp)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;E&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Expressionism (Franz Marc, Amadeo Modigliani)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;F&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Fauvism (Henri Matisse, Andre Derain)&lt;br /&gt;Futurism (Filippo Tommaso Marinetti, Umberto Boccioni)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;G&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Gothic Art (Jacopo del Casentino, Lorenzo Monaco)&lt;br /&gt;Group Of Seven (Tom Thomson, Emily Carr et al.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;H&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;Harlem Renaissance (Palmer Hayden,Jacob Lawrence)&lt;br /&gt;Hudson River School (Thomas Doughty, Francis A. Silva)&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;/td&gt;&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;50%&quot;&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;blockquote&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;I&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Impressionism (Edouard Manet, Claude Monet)&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;M&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Magic Realism (Ivan Albright, George Tooker)&lt;br /&gt;Mannerism (Michelangelo Buonarroti, Parmigianino)&lt;br /&gt;Minimalism (Barnett Newman, Frank Stella)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;N&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Nabis (Paul Ranson, Edouard Vuillard)&lt;br /&gt;Neoclassicism (Jean-Francois de Troy, Pierre-Paul Prud&#39;hon)&lt;br /&gt;Neo-Plasticism (Piet Mondrian, Ilya Bolotowsky)&lt;br /&gt;Neue Sachlichkeit a.k.a. The New Objectivity (Otto Dix, Max Beckmann)&lt;br /&gt;Northern Renaissance (Jan van Eyck, Rogier van der Weyden)&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;O&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Op Art a.k.a. Optical Art (M.C. Escher, Josef Albers)&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;P&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Photorealism (John Kacere, James Torlakson)&lt;br /&gt;Pointillism (Camille Pissarro, Georges Seurat)&lt;br /&gt;Pop Art (Andy Warhol, Roy Lichtenstein)&lt;br /&gt;Post-Impressionism&amp;nbsp; (Paul Cezanne, Henri Rousseau)&lt;br /&gt;Precisionism (Charles Demuth, Ralston Crawford)&lt;br /&gt;Pre-Raphaelite Brotherhood (William Davis, James Campbell)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;R&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Realism (Peter von Cornelius, Jean-Francois Millet)&lt;br /&gt;Renaissance, Early (Donatello, Sandro Botticelli)&lt;br /&gt;Renaissance, High (Leonardo da Vinci, Raphael)&lt;br /&gt;Renaissance, Northern (Hieronymus Bosch, Pieter Bruegel)&lt;br /&gt;Rococo (Jean-Antoine Watteau, Francisco de Goya)&lt;br /&gt;Romanticism (Thomas Gainsborough, Gustave Dore)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;S&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Social Realism (Frederick Walker, Jack Levine)&lt;br /&gt;Surrealism (Salvador Dali, René Magritte)&lt;br /&gt;Symbolism (George Frederic Watts, Edvard Munch)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;U&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Ukiyo&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;-e (Hishikawa Moronobu, Okumura Masanobu)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;V&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;Victorian Classicism (Sir Edward Poynter, Herbert Draper)&lt;/span&gt;&lt;/blockquote&gt;
&lt;br /&gt;
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&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul class=&quot;gallery-list&quot; style=&quot;color: #343b40; font-family: arial, sans-serif; font-size: 12px; list-style: none; margin: 0px; padding: 0px;&quot;&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;m&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
m&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/robert-motherwell-37602&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/robert-motherwell-37602&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;robert motherwell&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1915-1991&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, academic author&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/edvard-munch-9418033&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Edvard-Munch-9418033-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/edvard-munch-9418033&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;edvard munch&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1863-1944&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/bartolom%C3%A9-esteban-murillo-9418581&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Bartolome-Esteban-Murillo-WC-9418581-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/bartolom%C3%A9-esteban-murillo-9418581&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;bartolomé esteban murillo&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1618-1682&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/miyamoto-musashi-38201&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Miyamoto-Musashi-38201-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/miyamoto-musashi-38201&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;miyamoto musashi&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1584-1645&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, warrior, journalist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/carlos-m%C3%A9rida-38588&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/M/Carlos-Merida-38588-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/carlos-m%C3%A9rida-38588&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;carlos mérida&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1891-1984&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;o&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
o&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/georgia-okeeffe-9427684&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/O/Georgia-OKeeffe-9427684-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/georgia-okeeffe-9427684&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;georgia o&#39;keeffe&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1887-1986&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jos%C3%A9-clemente-orozco-9429586&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/O/Jose-Clemente-Orozco-9429586-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jos%C3%A9-clemente-orozco-9429586&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;josé clemente orozco&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1883-1949&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;p&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
p&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/maxfield-parrish-9433898&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Maxfield-Parrish-9433898-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/maxfield-parrish-9433898&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;maxfield parrish&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1870-1966&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/charles-willson-peale-9435721&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Charles-Willson-Peale-WC-9435721-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/charles-willson-peale-9435721&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;charles willson peale&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1741-1827&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, warrior&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/pablo-picasso-9440021&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Pablo-Picasso-9440021-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/pablo-picasso-9440021&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;pablo picasso&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1881-1973&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/horace-pippin-9441456&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/horace-pippin-9441456&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;horace pippin&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1888-1946&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, warrior&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/camille-pissarro-9441740&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Camille-Pissarro-WC-9441740-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/camille-pissarro-9441740&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;camille pissarro&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1830-1903&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jackson-pollock-9443818&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Jackson-Pollock-9443818-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jackson-pollock-9443818&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jackson pollock&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1912-1956&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/pierre-paul-prudhon-9448032&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/P/Pierre-Paul-Prudhon-9448032-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/pierre-paul-prudhon-9448032&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;pierre paul prud&#39;hon&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1758-1823&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;q&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
q&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/anthony-quinn-9449747&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/Q/Anthony-Quinn-9449747-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/anthony-quinn-9449747&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;anthony quinn&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1915-2001&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
film actor, television actor, painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;r&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
r&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/henry-raeburn-9450510&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Sir-Henry-Raeburn-9450510-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/henry-raeburn-9450510&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;henry raeburn&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1756-1823&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/raphael-41051&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Raphael-41051-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/raphael-41051&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;raphael&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1483-1520&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
architect, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/robert-rauschenberg-9452410&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Robert-Rauschenberg-9452410-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/robert-rauschenberg-9452410&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;robert rauschenberg&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1925-2008&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/man-ray-9452778&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Man-Ray-9452778-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/man-ray-9452778&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;man ray&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1890-1976&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, photographer, filmmaker&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/pierre-auguste-renoir-20693609&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Pierre-Auguste-Renoir-090611-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/pierre-auguste-renoir-20693609&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;pierre-auguste renoir&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1841-1919&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/faith-ringgold-9459066&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Faith-Ringgold-9459066-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/faith-ringgold-9459066&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;faith ringgold&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1930-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, civil rights activist, women&#39;s rights activist, painter, author&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/diego-rivera-9459446&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Diego-Rivera-9459446-2-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/diego-rivera-9459446&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;diego rivera&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1886-1957&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/norman-rockwell-37249&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Norman-Rockwell-37249-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/norman-rockwell-37249&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;norman rockwell&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1894-1978&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/bob-ross-9464216&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/bob-ross-9464216&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;bob ross&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1942-1995&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, television personality&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/georges-rouault-9465254&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/georges-rouault-9465254&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;georges rouault&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1871-1958&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/henri-rousseau-9465420&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Henri-Rousseau-9465420-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/henri-rousseau-9465420&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;henri rousseau&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1844-1910&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/th%C3%A9odore-rousseau-38069&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Theodore-Rousseau-38069-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/th%C3%A9odore-rousseau-38069&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;théodore rousseau&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1812-1867&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/rubens-9466127&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Rubens-9466127-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/rubens-9466127&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;rubens&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1577-1640&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-ruskin-9467267&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/John-Ruskin-9467267-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-ruskin-9467267&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john ruskin&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1819-1900&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, journalist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/albert-ryder-9468343&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/R/Albert-Pinkham-Ryder-9468343-WC-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/albert-ryder-9468343&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;albert ryder&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1847-1917&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;s&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
s&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/john-singer-sargent-9471905&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/John-Singer-Sargent-9471905-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/john-singer-sargent-9471905&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;john singer sargent&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1856-1925&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/egon-schiele-9474064&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Egon-Schiele-9474064-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/egon-schiele-9474064&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;egon schiele&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1890-1918&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/georges-seurat-9479599&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Georges-Seurat-WC-9479599-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/georges-seurat-9479599&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;georges seurat&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1859-1891&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/su-shi-39854&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Su-Shi-39854-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/su-shi-39854&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;su shi&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1037-1101&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, medical professional, political leader, author, poet&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/paul-simonon-20881913&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Paul-Simonon-20881913-1-402_144x144.jpeg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/paul-simonon-20881913&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;paul simonon&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1955-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, bassist&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/david-alfaro-siqueiros-9485144&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/A/David-Alfaro-Siqueiros-9485144-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/david-alfaro-siqueiros-9485144&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;david alfaro siqueiros&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1896-1974&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/alfred-sisley-9485226&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Alfred-Sisley-9485226-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/alfred-sisley-9485226&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;alfred sisley&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1839-1899&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/red-skelton-9485657&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/S/Red-Skelton-9485657-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/red-skelton-9485657&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;red skelton&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1913-1997&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
film actor, television actor, painter, comedian, radio personality, television personality&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;t&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
t&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/rabindranath-tagore-9501212&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/Rabindranath-Tagore-9501212-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/rabindranath-tagore-9501212&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;rabindranath tagore&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;br style=&quot;margin: 0px; padding: 0px;&quot; /&gt;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, author, playwright, poet, screenwriter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/rufino-tamayo-9501667&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/Rufino-Tamayo-9501667-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/rufino-tamayo-9501667&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;rufino tamayo&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1899-1991&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, sculptor&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/henry-ossawa-tanner-9501966&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/Henry-Ossawa-Tanner-9501966-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/henry-ossawa-tanner-9501966&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;henry ossawa tanner&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1859-1937&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/louis-tiffany-9507399&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/Louis-Comfort-Tiffany-9507399-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/louis-tiffany-9507399&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;louis tiffany&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1848-1933&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, entrepreneur&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/j-m-w-turner-40806&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/T/J-M-W-Turner-40806-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/j-m-w-turner-40806&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;j. m. w. turner&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1775-1851&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;u&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
u&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/maurice-utrillo-9514159&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/U/Maurice-Utrillo-9514159-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/maurice-utrillo-9514159&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;maurice utrillo&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1883-1955&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;v&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
v&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jan-van-eyck-9290308&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/V/Jan-vanEyck-9290308-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jan-van-eyck-9290308&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jan van eyck&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1395-1441&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/vincent-van-gogh-9515695&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/V/Vincent-Van-Gogh-9515695-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/vincent-van-gogh-9515695&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;vincent van gogh&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1853-1890&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/diego-vel%C3%A1zquez-38179&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/V/Diego-Velazquez-38179-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/diego-vel%C3%A1zquez-38179&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;diego velázquez&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1599-1660&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/jan-vermeer-9517541&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/V/Jan-Vermeer-9517541-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/jan-vermeer-9517541&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;jan vermeer&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1632-1675&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/elisabeth-vig%C3%A9e-lebrun-37280&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/L/Elisabeth%20Vigee-Lebrun-37280-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/elisabeth-vig%C3%A9e-lebrun-37280&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;elisabeth vigée-lebrun&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1755-1842&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;div class=&quot;big-letter-box&quot; style=&quot;border: 1px solid rgb(217, 217, 217); height: 144px; margin: 0px; padding: 0px; text-align: center; width: 144px;&quot;&gt;
&lt;h4 class=&quot;dot&quot; id=&quot;w&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-75px.png); background-position: 100% 57px; background-repeat: no-repeat no-repeat; display: inline; font-size: 75px; line-height: 144px; margin: 0px; padding: 0px 13px 0px 0px;&quot;&gt;
w&lt;/h4&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/kara-walker-37225&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Kara-Walker-37225-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/kara-walker-37225&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;kara walker&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1969-&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/andy-warhol-9523875&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Andy-Warhol-9523875-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/andy-warhol-9523875&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;andy warhol&lt;/a&gt;&amp;nbsp;&lt;span class=&quot;small-camera-icon&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/common/sprites/brands-logos.png); background-position: 0px -233px; background-repeat: no-repeat no-repeat; display: inline-block; height: 12px; line-height: 12px; margin: 0px; overflow: hidden; padding: 0px 0px 0px 14px; vertical-align: text-top;&quot;&gt;&lt;/span&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1928-1987&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter, filmmaker&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/antoine-watteau-9525301&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Antoine-Watteau-9525301-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/antoine-watteau-9525301&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;antoine watteau&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1684-1721&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/tom-wesselmann-9528169&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Tom-Wesselmann-9528169-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/tom-wesselmann-9528169&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;tom wesselmann&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1931-2004&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
illustrator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/benjamin-west-9528194&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Benjamin-West-WC-9528194-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/benjamin-west-9528194&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;benjamin west&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1783-1820&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/laura-wheeler-waring-38504&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/assets/images/no-image.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/laura-wheeler-waring-38504&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;laura wheeler waring&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1887-1948&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
educator, painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/richard-wilson-9534094&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Richard-Wilson-9534094-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/richard-wilson-9534094&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;richard wilson&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1714-1782&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/grant-wood-9536250&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Grant-Wood-9536250-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/grant-wood-9536250&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;grant wood&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1891-1942&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;div style=&quot;padding: 0px;&quot;&gt;
&lt;/div&gt;
&lt;/li&gt;
&lt;li style=&quot;display: block; float: left; height: 214px; margin: 0px 0px 6px; overflow: hidden; padding: 0px 15px 0px 0px; width: 144px;&quot;&gt;&lt;a href=&quot;http://www.biography.com/people/andrew-wyeth-9538168&quot; style=&quot;border: none; color: #009edd; margin: 0px; outline: none; padding: 0px; text-decoration: none;&quot;&gt;&lt;img src=&quot;http://www.biography.com/imported/rendition/images/Biography/Images/Profiles/W/Andrew-Wyeth-9538168-1-402_144x144.jpg&quot; style=&quot;border: none; display: block; margin: 0px 0px 10px; outline: none; padding: 0px; width: 144px;&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;dot&quot; href=&quot;http://www.biography.com/people/andrew-wyeth-9538168&quot; style=&quot;background-image: url(http://www.biography.com/assets/images/dot-15px.png); background-position: 100% 9px; background-repeat: no-repeat no-repeat; border: none; color: black; display: inline; font-weight: bold; margin: 0px; outline: none; padding: 0px 5px 0px 0px; text-decoration: none; text-transform: lowercase;&quot;&gt;andrew wyeth&lt;/a&gt;&lt;div style=&quot;padding: 0px;&quot;&gt;
1917-2009&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;occupation&quot; style=&quot;color: #999999; height: 32px; margin: 0px; overflow: hidden; padding: 0px; text-transform: lowercase;&quot;&gt;
painter&lt;/div&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;a href=&quot;http://en.wikipedia.org/wiki/Ismail_Acar&quot;&gt;I&lt;/a&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ismail_Acar&quot;&gt;smail Acar&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;http://en.wikipedia.org/wiki/Frank_Auerbach&quot;&gt;Frank Auerbach&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nadir_Afonso&quot;&gt;Nadir Afonso&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Yaacov_Agam&quot;&gt;Yaacov Agam&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Josef_Albers&quot;&gt;Josef Albers&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pierre_Alechinsky&quot;&gt;Pierre Alechinsky&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nathan_Altman&quot;&gt;Nathan Altman&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Irving_Amen&quot;&gt;Irving Amen&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Constantine_Andreou&quot;&gt;Constantine Andreou&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Karel_Appel&quot;&gt;Karel Appel&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/F%C3%A9lix_Arauz&quot;&gt;Félix Arauz&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alexander_Archipenko&quot;&gt;Alexander Archipenko&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mino_Argento&quot;&gt;Mino Argento&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Arman&quot;&gt;Arman&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jean_Arp&quot;&gt;Jean Arp&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/David_Ascalon&quot;&gt;David Ascalon&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Edward_Avedisian&quot;&gt;Edward Avedisian&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Milton_Avery&quot;&gt;Milton Avery&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=2&quot;&gt;edit&lt;/a&gt;]B&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Francis_Bacon_(painter)&quot;&gt;Francis Bacon&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Giacomo_Balla&quot;&gt;Giacomo Balla&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Balthus&quot;&gt;Balthus&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vladimir_Baranoff-Rossine&quot;&gt;Vladimir Baranoff-Rossine&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Romare_Bearden&quot;&gt;Romare Bearden&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Max_Beckmann&quot;&gt;Max Beckmann&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/George_Bellows&quot;&gt;George Bellows&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Thomas_Hart_Benton_(painter)&quot;&gt;Thomas Hart Benton&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jos%C3%A9_Bernal&quot;&gt;José Bernal&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joseph_Beuys&quot;&gt;Joseph Beuys&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ralph_Albert_Blakelock&quot;&gt;Ralph Albert Blakelock&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Norman_Bluhm&quot;&gt;Norman Bluhm&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Umberto_Boccioni&quot;&gt;Umberto Boccioni&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alexander_Bogomazov&quot;&gt;Alexander Bogomazov&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pierre_Bonnard&quot;&gt;Pierre Bonnard&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Fernando_Botero&quot;&gt;Fernando Botero&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Louise_Bourgeois&quot;&gt;Louise Bourgeois&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Constantin_Br%C3%A2ncu%C5%9Fi&quot;&gt;Constantin Brâncuşi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Georges_Braque&quot;&gt;Georges Braque&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Marcel_Broodthaers&quot;&gt;Marcel Broodthaers&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joan_Brown&quot;&gt;Joan Brown&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Daniel_Buren&quot;&gt;Daniel Buren&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/David_Burliuk&quot;&gt;David Burliuk&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wladimir_Burliuk&quot;&gt;Wladimir Burliuk&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=3&quot;&gt;edit&lt;/a&gt;]C&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_Cadmus&quot;&gt;Paul Cadmus&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alexander_Calder&quot;&gt;Alexander Calder&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Josef_%C4%8Capek&quot;&gt;Josef Čapek&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Norman_Carlberg&quot;&gt;Norman Carlberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Emily_Carr&quot;&gt;Emily Carr&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Carlo_Carr%C3%A0&quot;&gt;Carlo Carrà&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Clarence_Holbrook_Carter&quot;&gt;Clarence Holbrook Carter&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mary_Cassatt&quot;&gt;Mary Cassatt&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Carlos_Catasse&quot;&gt;Carlos Catasse&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elizabeth_Catlett&quot;&gt;Elizabeth Catlett&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vija_Celmins&quot;&gt;Vija Celmins&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_C%C3%A9zanne&quot;&gt;Paul Cézanne&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Marc_Chagall&quot;&gt;Marc Chagall&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/John_Chamberlain_(sculptor)&quot;&gt;John Chamberlain&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Giorgio_de_Chirico&quot;&gt;Giorgio de Chirico&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Dan_Christensen&quot;&gt;Dan Christensen&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Charles_Conder&quot;&gt;Charles Conder&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Theo_Constant%C3%A9&quot;&gt;Theo Constanté&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/William_Copley_(artist)&quot;&gt;William Copley&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joseph_Cornell&quot;&gt;Joseph Cornell&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Tony_Cragg&quot;&gt;Tony Cragg&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=4&quot;&gt;edit&lt;/a&gt;]D&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Salvador_Dal%C3%AD&quot;&gt;Salvador Dalí&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gene_Davis_(painter)&quot;&gt;Gene Davis&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ronald_Davis&quot;&gt;Ronald Davis&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Stuart_Davis_(painter)&quot;&gt;Stuart Davis&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Edgar_Degas&quot;&gt;Edgar Degas&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Devajyoti_Ray&quot;&gt;Devajyoti Ray&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jay_DeFeo&quot;&gt;Jay DeFeo&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Delaunay&quot;&gt;Robert Delaunay&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sonia_Delaunay&quot;&gt;Sonia Delaunay&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Charles_Demuth&quot;&gt;Charles Demuth&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Andr%C3%A9_Derain&quot;&gt;André Derain&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Richard_Diebenkorn&quot;&gt;Richard Diebenkorn&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jim_Dine&quot;&gt;Jim Dine&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Otto_Dix&quot;&gt;Otto Dix&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Theo_van_Doesburg&quot;&gt;Theo van Doesburg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jean_Dubuffet&quot;&gt;Jean Dubuffet&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Marcel_Duchamp&quot;&gt;Marcel Duchamp&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elizabeth_Durack&quot;&gt;Elizabeth Durack&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elena_Drobychevskaja&quot;&gt;Elena Drobychevskaja&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Friedel_Dzubas&quot;&gt;Friedel Dzubas&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=5&quot;&gt;edit&lt;/a&gt;]E&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Aleksandra_Ekster&quot;&gt;Aleksandra Ekster&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/James_Ensor&quot;&gt;James Ensor&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Max_Ernst&quot;&gt;Max Ernst&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/M._C._Escher&quot;&gt;M. C. Escher&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=6&quot;&gt;edit&lt;/a&gt;]F&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Demetrios_Farmakopoulos&quot;&gt;Demetrios Farmakopoulos&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_Feeley&quot;&gt;Paul Feeley&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Lyonel_Feininger&quot;&gt;Lyonel Feininger&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pavel_Filonov&quot;&gt;Pavel Filonov&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alen_Floricic&quot;&gt;Alen Floricic&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sam_Francis&quot;&gt;Sam Francis&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jane_Frank&quot;&gt;Jane Frank&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Helen_Frankenthaler&quot;&gt;Helen Frankenthaler&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Lucian_Freud&quot;&gt;Lucian Freud&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=7&quot;&gt;edit&lt;/a&gt;]G&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Naum_Gabo&quot;&gt;Naum Gabo&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joaqu%C3%ADn_Torres_Garc%C3%ADa&quot;&gt;Joaquín Torres García&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_Gauguin&quot;&gt;Paul Gauguin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ilka_Ged%C5%91&quot;&gt;Ilka Gedő&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nina_Genke-Meller&quot;&gt;Nina Genke-Meller&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gunther_Gerzso&quot;&gt;Gunther Gerzso&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alberto_Giacometti&quot;&gt;Alberto Giacometti&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sam_Gilliam&quot;&gt;Sam Gilliam&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/William_Glackens&quot;&gt;William Glackens&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vincent_van_Gogh&quot;&gt;Vincent van Gogh&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elias_Goldberg&quot;&gt;Elias Goldberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Michael_Goldberg&quot;&gt;Michael Goldberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Natalia_Goncharova&quot;&gt;Natalia Goncharova&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Goodnough&quot;&gt;Robert Goodnough&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Arshile_Gorky&quot;&gt;Arshile Gorky&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/J%C3%B3zef_Gos%C5%82awski_(Polish_sculptor)&quot;&gt;Józef Gosławski&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Adolph_Gottlieb&quot;&gt;Adolph Gottlieb&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nancy_Graves&quot;&gt;Nancy Graves&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Cleve_Gray&quot;&gt;Cleve Gray&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Stephen_Greene_(artist)&quot;&gt;Stephen Greene&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Juan_Gris&quot;&gt;Juan Gris&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Red_Grooms&quot;&gt;Red Grooms&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/George_Grosz&quot;&gt;George Grosz&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Oswaldo_Guayasamin&quot;&gt;Oswaldo Guayasamin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/%C4%B0smet_G%C3%BCney&quot;&gt;İsmet Güney&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Philip_Guston&quot;&gt;Philip Guston&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=8&quot;&gt;edit&lt;/a&gt;]H&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elaine_Hamilton-O%27Neal&quot;&gt;Elaine Hamilton&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Richard_Hamilton_(artist)&quot;&gt;Richard Hamilton&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Duane_Hanson&quot;&gt;Duane Hanson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Grace_Hartigan&quot;&gt;Grace Hartigan&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Raoul_Hausmann&quot;&gt;Raoul Hausmann&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Patrick_Hennessy_(painter)&quot;&gt;Patrick Hennessy&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Barbara_Hepworth&quot;&gt;Barbara Hepworth&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Patrick_Heron&quot;&gt;Patrick Heron&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Eva_Hesse&quot;&gt;Eva Hesse&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Hannah_H%C3%B6ch&quot;&gt;Hannah Höch&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/David_Hockney&quot;&gt;David Hockney&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Howard_Hodgkin&quot;&gt;Howard Hodgkin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Frances_Hodgkins&quot;&gt;Frances Hodgkins&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Hans_Hofmann&quot;&gt;Hans Hofmann&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Edward_Hopper&quot;&gt;Edward Hopper&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Istvan_Horkay&quot;&gt;Istvan Horkay&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ralph_Hotere&quot;&gt;Ralph Hotere&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/John_Hoyland&quot;&gt;John Hoyland&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Friedensreich_Hundertwasser&quot;&gt;Friedensreich Hundertwasser&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=9&quot;&gt;edit&lt;/a&gt;]I&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ren%C3%A9_Ich%C3%A9&quot;&gt;René Iché&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Leiko_Ikemura&quot;&gt;Leiko Ikemura&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Indiana&quot;&gt;Robert Indiana&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=10&quot;&gt;edit&lt;/a&gt;]J&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Augustus_John&quot;&gt;Augustus John&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jasper_Johns&quot;&gt;Jasper Johns&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ray_Johnson&quot;&gt;Ray Johnson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Asger_Jorn&quot;&gt;Asger Jorn&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Donald_Judd&quot;&gt;Donald Judd&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=11&quot;&gt;edit&lt;/a&gt;]K&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Frida_Kahlo&quot;&gt;Frida Kahlo&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wolf_Kahn&quot;&gt;Wolf Kahn&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wassily_Kandinsky&quot;&gt;Wassily Kandinsky&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ernst_Ludwig_Kirchner&quot;&gt;Ernst Ludwig Kirchner&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_Klee&quot;&gt;Paul Klee&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gustav_Klimt&quot;&gt;Gustav Klimt&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Yves_Klein&quot;&gt;Yves Klein&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Franz_Kline&quot;&gt;Franz Kline&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ivan_Kliun&quot;&gt;Ivan Kliun&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Oskar_Kokoschka&quot;&gt;Oskar Kokoschka&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Willem_de_Kooning&quot;&gt;Willem de Kooning&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Albert_Kotin&quot;&gt;Albert Kotin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Lee_Krasner&quot;&gt;Lee Krasner&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nicholas_Krushenick&quot;&gt;Nicholas Krushenick&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Franti%C5%A1ek_Kupka&quot;&gt;František Kupka&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Kyung-hee_Hong&quot;&gt;Kyung-hee Hong&lt;/a&gt;&amp;nbsp;(born 1954), sculptor&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=12&quot;&gt;edit&lt;/a&gt;]L&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wifredo_Lam&quot;&gt;Wifredo Lam&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ronnie_Landfield&quot;&gt;Ronnie Landfield&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/John_Latham_(artist)&quot;&gt;John Latham&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jacob_Lawrence&quot;&gt;Jacob Lawrence&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Fernand_L%C3%A9ger&quot;&gt;Fernand Léger&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alfred_Leslie&quot;&gt;Alfred Leslie&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sol_LeWitt&quot;&gt;Sol LeWitt&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Roy_Lichtenstein&quot;&gt;Roy Lichtenstein&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Richard_Lippold&quot;&gt;Richard Lippold&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Charles_Logasa&quot;&gt;Charles Logasa&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Elfriede_Lohse-W%C3%A4chtler&quot;&gt;Elfriede Lohse-Wächtler&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Morris_Louis&quot;&gt;Morris Louis&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=13&quot;&gt;edit&lt;/a&gt;]M&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Stanton_MacDonald-Wright&quot;&gt;Stanton MacDonald-Wright&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/August_Macke&quot;&gt;August Macke&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ren%C3%A9_Magritte&quot;&gt;René Magritte&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Aristide_Maillol&quot;&gt;Aristide Maillol&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Kasimir_Malevich&quot;&gt;Kasimir Malevich&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/%C3%89douard_Manet&quot;&gt;Édouard Manet&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Mangold&quot;&gt;Robert Mangold&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Totte_Mannes&quot;&gt;Totte Mannes&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Piero_Manzoni&quot;&gt;Piero Manzoni&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Franz_Marc&quot;&gt;Franz Marc&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Conrad_Marca-Relli&quot;&gt;Conrad Marca-Relli&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Brice_Marden&quot;&gt;Brice Marden&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/John_Marin&quot;&gt;John Marin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Marino_Marini_(sculptor)&quot;&gt;Marino Marini&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Chris_Marker&quot;&gt;Chris Marker&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Agnes_Martin&quot;&gt;Agnes Martin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Eugene_J._Martin&quot;&gt;Eugene J. Martin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Knox_Martin&quot;&gt;Knox Martin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Andr%C3%A9_Masson&quot;&gt;André Masson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Henri_Matisse&quot;&gt;Henri Matisse&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Roberto_Matta&quot;&gt;Roberto Matta&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gordon_Matta-Clark&quot;&gt;Gordon Matta-Clark&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mikul%C3%A1%C5%A1_Medek&quot;&gt;Mikuláš Medek&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vadim_Meller&quot;&gt;Vadim Meller&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Carlos_M%C3%A9rida&quot;&gt;Carlos Mérida&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mario_Merz&quot;&gt;Mario Merz&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Manolo_Millares&quot;&gt;Manolo Millares&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joan_Mir%C3%B3&quot;&gt;Joan Miró&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joan_Mitchell&quot;&gt;Joan Mitchell&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Stanley_Matthew_Mitruk&quot;&gt;Stanley Matthew Mitruk&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Amedeo_Modigliani&quot;&gt;Amedeo Modigliani&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/L%C3%A1szl%C3%B3_Moholy-Nagy&quot;&gt;László Moholy-Nagy&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Luis_Molinari&quot;&gt;Luis Molinari&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Piet_Mondrian&quot;&gt;Piet Mondrian&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Claude_Monet&quot;&gt;Claude Monet&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Henry_Moore&quot;&gt;Henry Moore&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Giorgio_Morandi&quot;&gt;Giorgio Morandi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gustave_Moreau&quot;&gt;Gustave Moreau&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Motherwell&quot;&gt;Robert Motherwell&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alfons_Mucha&quot;&gt;Alfons Mucha&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Edvard_Munch&quot;&gt;Edvard Munch&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=14&quot;&gt;edit&lt;/a&gt;]N&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Manuel_Neri&quot;&gt;Manuel Neri&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/G._P._Nerli&quot;&gt;G. P. Nerli&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Louise_Nevelson&quot;&gt;Louise Nevelson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Neith_Nevelson&quot;&gt;Neith Nevelson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Roy_Newell&quot;&gt;Roy Newell&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Barnett_Newman&quot;&gt;Barnett Newman&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alexander_Ney&quot;&gt;Alexander Ney&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jan_Nieuwenhuys&quot;&gt;Jan Nieuwenhuys&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Solomon_Nikritin&quot;&gt;Solomon Nikritin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Isamu_Noguchi&quot;&gt;Isamu Noguchi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Kenneth_Noland&quot;&gt;Kenneth Noland&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Emil_Nolde&quot;&gt;Emil Nolde&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=15&quot;&gt;edit&lt;/a&gt;]O&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Brian_O%27Doherty&quot;&gt;Brian O&#39;Doherty&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Georgia_O%27Keeffe&quot;&gt;Georgia O&#39;Keeffe&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Claes_Oldenburg&quot;&gt;Claes Oldenburg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jules_Olitski&quot;&gt;Jules Olitski&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nathan_Oliveira&quot;&gt;Nathan Oliveira&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=16&quot;&gt;edit&lt;/a&gt;]P&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nam_June_Paik&quot;&gt;Nam June Paik&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Niki_de_Saint_Phalle&quot;&gt;Niki de Saint Phalle&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Eduardo_Paolozzi&quot;&gt;Eduardo Paolozzi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/David_Park_(painter)&quot;&gt;David Park&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ray_Parker_(painter)&quot;&gt;Ray Parker&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/George_Passantino&quot;&gt;George Passantino&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Waldo_Peirce&quot;&gt;Waldo Peirce&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/I._Rice_Pereira&quot;&gt;I. Rice Pereira&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Francis_Picabia&quot;&gt;Francis Picabia&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pablo_Picasso&quot;&gt;Pablo Picasso&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jackson_Pollock&quot;&gt;Jackson Pollock&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Larry_Poons&quot;&gt;Larry Poons&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Liubov_Popova&quot;&gt;Liubov Popova&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Fuller_Potter&quot;&gt;Fuller Potter&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=17&quot;&gt;edit&lt;/a&gt;]Q&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=18&quot;&gt;edit&lt;/a&gt;]R&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sughra_Rababi&quot;&gt;Sughra Rababi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Rauschenberg&quot;&gt;Robert Rauschenberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Man_Ray&quot;&gt;Man Ray&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Kliment_Red%27ko&quot;&gt;Kliment Red&#39;ko&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Peter_Reginato&quot;&gt;Peter Reginato&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ad_Reinhardt&quot;&gt;Ad Reinhardt&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Manuel_Rend%C3%B3n&quot;&gt;Manuel Rendón&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pierre-Auguste_Renoir&quot;&gt;Pierre-Auguste Renoir&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Bohuslav_Reynek&quot;&gt;Bohuslav Reynek&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Gerhard_Richter&quot;&gt;Gerhard Richter&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Bridget_Riley&quot;&gt;Bridget Riley&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Diego_Rivera&quot;&gt;Diego Rivera&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alexandr_Rodchenko&quot;&gt;Alexandr Rodchenko&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Auguste_Rodin&quot;&gt;Auguste Rodin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Olga_Rozanova&quot;&gt;Olga Rozanova&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/James_Rosenquist&quot;&gt;James Rosenquist&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mark_Rothko&quot;&gt;Mark Rothko&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Susan_Rothenberg&quot;&gt;Susan Rothenberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Henri_Rousseau&quot;&gt;Henri Rousseau&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Veronica_Ruiz_de_Velasco&quot;&gt;Veronica Ruiz de Velasco&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Edward_Ruscha&quot;&gt;Edward Ruscha&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Albert_Pinkham_Ryder&quot;&gt;Albert Pinkham Ryder&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=19&quot;&gt;edit&lt;/a&gt;]S&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Egon_Schiele&quot;&gt;Egon Schiele&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Oskar_Schlemmer&quot;&gt;Oskar Schlemmer&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Kurt_Schwitters&quot;&gt;Kurt Schwitters&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/George_Segal_(artist)&quot;&gt;George Segal&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Richard_Serra&quot;&gt;Richard Serra&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pablo_Serrano&quot;&gt;Pablo Serrano&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Georges-Pierre_Seurat&quot;&gt;Georges-Pierre Seurat&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ben_Shahn&quot;&gt;Ben Shahn&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Charles_Sheeler&quot;&gt;Charles Sheeler&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Sally_Sheinman&quot;&gt;Sally Sheinman&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Harry_Shoulberg&quot;&gt;Harry Shoulberg&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Paul_Signac&quot;&gt;Paul Signac&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Josef_%C5%A0%C3%ADma&quot;&gt;Josef Šíma&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/David_Smith_(sculptor)&quot;&gt;David Smith&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Tony_Smith_(sculptor)&quot;&gt;Tony Smith&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Robert_Smithson&quot;&gt;Robert Smithson&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joan_Snyder&quot;&gt;Joan Snyder&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Chaim_Soutine&quot;&gt;Chaim Soutine&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/V%C3%A1clav_%C5%A0p%C3%A1la&quot;&gt;Václav Špála&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Austin_Osman_Spare&quot;&gt;Austin Osman Spare&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nicolas_de_Sta%C3%ABl&quot;&gt;Nicolas de Staël&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Theodoros_Stamos&quot;&gt;Theodoros Stamos&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Frank_Stella&quot;&gt;Frank Stella&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Joseph_Stella&quot;&gt;Joseph Stella&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Clyfford_Still&quot;&gt;Clyfford Still&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jind%C5%99ich_%C5%A0tyrsk%C3%BD&quot;&gt;Jindřich Štyrský&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Graham_Sutherland&quot;&gt;Graham Sutherland&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Patrick_Swift&quot;&gt;Patrick Swift&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=20&quot;&gt;edit&lt;/a&gt;]T&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Enrique_T%C3%A1bara&quot;&gt;Enrique Tábara&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Atsuko_Tanaka_(artist)&quot;&gt;Atsuko Tanaka&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Dorothea_Tanning&quot;&gt;Dorothea Tanning&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Antoni_T%C3%A0pies&quot;&gt;Antoni Tàpies&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vladimir_Tatlin&quot;&gt;Vladimir Tatlin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wayne_Thiebaud&quot;&gt;Wayne Thiebaud&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/William_Tillyer&quot;&gt;William Tillyer&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jean_Tinguely&quot;&gt;Jean Tinguely&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Alton_Tobey&quot;&gt;Alton Tobey&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Mark_Tobey&quot;&gt;Mark Tobey&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Bradley_Walker_Tomlin&quot;&gt;Bradley Walker Tomlin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Toyen&quot;&gt;Toyen&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Richard_Tuttle&quot;&gt;Richard Tuttle&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Cy_Twombly&quot;&gt;Cy Twombly&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=21&quot;&gt;edit&lt;/a&gt;]U&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Nadezhda_Udaltsova&quot;&gt;Nadezhda Udaltsova&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Uma%C3%B1a&quot;&gt;Rafael Alfonso Umaña Mendez&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=22&quot;&gt;edit&lt;/a&gt;]V&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Victor_Vasarely&quot;&gt;Victor Vasarely&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Vladim%C3%ADr_Va%C5%A1%C3%AD%C4%8Dek&quot;&gt;Vladimír Vašíček&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/An%C3%ADbal_Villac%C3%ADs&quot;&gt;Aníbal Villacís&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Juan_Villafuerte&quot;&gt;Juan Villafuerte&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Keratza_Vissulceva&quot;&gt;Keratza Vissulceva&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Oswaldo_Viteri&quot;&gt;Oswaldo Viteri&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Maurice_de_Vlaminck&quot;&gt;Maurice de Vlaminck&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/%C3%89douard_Vuillard&quot;&gt;Édouard Vuillard&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Wolf_Vostell&quot;&gt;Wolf Vostell&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=23&quot;&gt;edit&lt;/a&gt;]W&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Andy_Warhol&quot;&gt;Andy Warhol&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Tom_Wesselmann&quot;&gt;Tom Wesselmann&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jan_de_Weryha-Wysoczanski&quot;&gt;Jan de Weryha-Wysoczanski&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/James_Abbott_McNeill_Whistler&quot;&gt;James Abbott McNeill Whistler&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Thornton_Willis&quot;&gt;Thornton Willis&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Isaac_Witkin&quot;&gt;Isaac Witkin&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Grant_Wood&quot;&gt;Grant Wood&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Andrew_Wyeth&quot;&gt;Andrew Wyeth&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=24&quot;&gt;edit&lt;/a&gt;]X&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Xul_Solar&quot;&gt;Xul Solar&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=25&quot;&gt;edit&lt;/a&gt;]Y&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Taro_Yamamoto_(artist)&quot;&gt;Taro Yamamoto&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Peter_Young_(artist)&quot;&gt;Peter Young&lt;/a&gt;&lt;br /&gt;[&lt;a href=&quot;http://en.wikipedia.org/w/index.php?title=List_of_modern_artists&amp;amp;action=edit&amp;amp;section=26&quot;&gt;edit&lt;/a&gt;]Z&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Larry_Zox&quot;&gt;Larry Zox&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Jan_Zrzav%C3%BD&quot;&gt;Jan Zrzavý&lt;/a&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/6402036127555629088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/10/famous-painters.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6402036127555629088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6402036127555629088'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/10/famous-painters.html' title='Famous Painters'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwKqzFPGAj5V7CQcU05O77kCW6oVexsA1QS5WIU3V7JzNS22_1mhAjHVzQEfEnA28hsbF-wYU5kgTRe8t_k1MmjhINVNe4GQLHFBD5VbEh_ejvJEC1IzYdtQcrMXVkB0l6Slhq-loAl-mn/s72-c/guernica.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-2965446850031322457</id><published>2012-09-24T09:44:00.000-07:00</published><updated>2012-09-24T10:05:17.399-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="by pablo picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="pablo"/><category scheme="http://www.blogger.com/atom/ns#" term="Pablo Picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="Picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso and"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso the"/><category scheme="http://www.blogger.com/atom/ns#" term="pictures"/><category scheme="http://www.blogger.com/atom/ns#" term="Spanish painter"/><category scheme="http://www.blogger.com/atom/ns#" term="who was picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="works of picasso"/><title type='text'>Pablo Picasso&#39;s paintings</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdzyeCbCBKkkSzG1lxZewzZo8whOEoGfo-JAOmQNnQRODgjANaGEB__dOjpoVIOz9y6UgH-IfxwXDwjbJkLasdSKEuyE2DEz5p7uGEq0Aj3x4ltIyVoRTeS4Lj3LhZ-XldahWm8rjdeGJP/s1600/picasso1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdzyeCbCBKkkSzG1lxZewzZo8whOEoGfo-JAOmQNnQRODgjANaGEB__dOjpoVIOz9y6UgH-IfxwXDwjbJkLasdSKEuyE2DEz5p7uGEq0Aj3x4ltIyVoRTeS4Lj3LhZ-XldahWm8rjdeGJP/s320/picasso1.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; color: white;&quot;&gt;&lt;b&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label about picasso&quot; style=&quot;border: 0px; cursor: pointer; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;about picasso&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label artist&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;artist&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label by pablo picasso&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;by pablo picasso&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label conceptual arts&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;conceptual arts&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label Pablo Picasso&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;Pablo Picasso&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label paintings&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;paintings&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label paintings by picasso&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;paintings by picasso&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label picasso and&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;picasso and&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label picasso the&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;picasso the&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label pictures&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;pictures&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label Spanish painter&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;Spanish painter&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label who was picasso&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;who was picasso&lt;/a&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label works of picasso&quot; style=&quot;border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-align: -webkit-left; text-decoration: underline; vertical-align: baseline;&quot;&gt;works of picasso&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;
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&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label about picasso&quot; style=&quot;background-color: white; border: 0px; color: white; cursor: pointer; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;about picasso&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label artist&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;artist&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label by pablo picasso&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;by pablo picasso&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label conceptual arts&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;conceptual arts&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label Pablo Picasso&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;Pablo Picasso&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label paintings&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;paintings&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label paintings by picasso&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;paintings by picasso&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label picasso and&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;picasso and&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label picasso the&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;picasso the&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label pictures&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;pictures&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label Spanish painter&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;Spanish painter&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label who was picasso&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;who was picasso&lt;/a&gt;&lt;span style=&quot;background-color: white; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;GM1BAGKBLB&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=1178751845844616450&quot; kind=&quot;label works of picasso&quot; style=&quot;background-color: white; border: 0px; color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-style: italic; margin: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;&quot;&gt;works of picasso&lt;/a&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/2965446850031322457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/pablo-picassos-paintings.html#comment-form' title='18 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2965446850031322457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2965446850031322457'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/pablo-picassos-paintings.html' title='Pablo Picasso&#39;s paintings'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdzyeCbCBKkkSzG1lxZewzZo8whOEoGfo-JAOmQNnQRODgjANaGEB__dOjpoVIOz9y6UgH-IfxwXDwjbJkLasdSKEuyE2DEz5p7uGEq0Aj3x4ltIyVoRTeS4Lj3LhZ-XldahWm8rjdeGJP/s72-c/picasso1.jpg" height="72" width="72"/><thr:total>18</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-1508530546002023358</id><published>2012-09-21T17:10:00.003-07:00</published><updated>2012-09-21T17:10:18.780-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="foto"/><category scheme="http://www.blogger.com/atom/ns#" term="online photo gallery"/><category scheme="http://www.blogger.com/atom/ns#" term="online photo portfolio"/><category scheme="http://www.blogger.com/atom/ns#" term="photo"/><category scheme="http://www.blogger.com/atom/ns#" term="photo community"/><category scheme="http://www.blogger.com/atom/ns#" term="photographers"/><category scheme="http://www.blogger.com/atom/ns#" term="Photography"/><category scheme="http://www.blogger.com/atom/ns#" term="photography models"/><category scheme="http://www.blogger.com/atom/ns#" term="photography social network"/><category scheme="http://www.blogger.com/atom/ns#" term="professional photography"/><category scheme="http://www.blogger.com/atom/ns#" term="share photos"/><category scheme="http://www.blogger.com/atom/ns#" term="share pictures"/><title type='text'>Fotoup the new photography social network</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/1508530546002023358/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/fotoup-new-photography-social-network.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/1508530546002023358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/1508530546002023358'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/fotoup-new-photography-social-network.html' title='Fotoup the new photography social network'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsOWuEc1J0raEYd5EOqmHZwPF4WVK703MTC01nNkxcRUCjurvgZd_mTgg4RMQ6mtLxmpz_2U6uFLqZDXFwuiCPQ1jYBEdVkdM3g8HZ9I_29JtIp_t_zs3VAKyOLGp_EUs7Qp1WirP6Mdpx/s72-c/Capture.JPG" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-5069936095145329378</id><published>2012-09-19T10:42:00.003-07:00</published><updated>2012-09-19T10:42:29.619-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="dega"/><category scheme="http://www.blogger.com/atom/ns#" term="degas"/><category scheme="http://www.blogger.com/atom/ns#" term="edgar"/><category scheme="http://www.blogger.com/atom/ns#" term="Edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="famous paintings by edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="prima ballerina degas"/><category scheme="http://www.blogger.com/atom/ns#" term="sculpture degas"/><category scheme="http://www.blogger.com/atom/ns#" term="the dancer degas"/><category scheme="http://www.blogger.com/atom/ns#" term="work paintings"/><title type='text'>edgar degas paintings, the dancers</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;edgar degas paintings, the dancers&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Edgar Degas, was a 
French artist famous for his work in painting, sculpture, printmaking 
and drawing. He is regarded as one of the founders of Impressionism 
although he rejected the term, and preferred to be called a realist.........&lt;a href=&quot;http://experimentalphotoarts.blogspot.com/2012/09/degas.html&quot;&gt;degas&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/5069936095145329378/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/edgar-degas-paintings-dancers.html#comment-form' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5069936095145329378'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5069936095145329378'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/edgar-degas-paintings-dancers.html' title='edgar degas paintings, the dancers'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL4FMKX6NGl9NMVj0j0zllr7C7ouBpde5stbTeq2mQK9z_EAOKgCsm9_nuN_LuKAi93Hx-smFHkFZIp0pDWYiKMoVgzpO4a0BM-phxf3jmoxMlfF2LyZ-BO6wI6na5Mndvkz8Jh7WbnG8a/s72-c/edgar_degas-1886.jpg" height="72" width="72"/><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-5120979003194587501</id><published>2012-09-14T10:45:00.001-07:00</published><updated>2012-09-16T11:32:06.524-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="degas"/><category scheme="http://www.blogger.com/atom/ns#" term="edgar"/><category scheme="http://www.blogger.com/atom/ns#" term="Edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="famous paintings by edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by edgar degas"/><category scheme="http://www.blogger.com/atom/ns#" term="prima ballerina degas"/><category scheme="http://www.blogger.com/atom/ns#" term="sculpture degas"/><category scheme="http://www.blogger.com/atom/ns#" term="the dancer degas"/><category scheme="http://www.blogger.com/atom/ns#" term="work paintings"/><title type='text'>degas</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;br /&gt;
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&quot; 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&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/imgres?imgurl=http://upload.wikimedia.org/wikipedia/commons/thumb/2/24/Edgar_Degas_(1834-1917).jpg/220px-Edgar_Degas_(1834-1917).jpg&amp;amp;imgrefurl=http://en.wikipedia.org/wiki/Edgar_Degas&amp;amp;h=162&amp;amp;w=162&amp;amp;sz=4&amp;amp;tbnid=8J8ydpphiBbRnM&amp;amp;tbnh=0&amp;amp;tbnw=0&amp;amp;zoom=1&amp;amp;usg=__L2Trxccou3vj8rftdf_ZVvaqSHY=&amp;amp;docid=jXTzMaH8IQj_sM&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CIQBELoT&quot; style=&quot;color: #999999; cursor: pointer; display: inline-block; font-size: 11px; overflow: hidden; text-align: right; text-decoration: none; text-overflow: ellipsis; white-space: nowrap; width: 116px;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;en.wikipedia.org&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;kno-desc kno-fb-ctx&quot; style=&quot;overflow: hidden; padding: 0px 0px 16px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Edgar Degas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist.&amp;nbsp;&lt;a class=&quot;fl q&quot; href=&quot;http://en.wikipedia.org/wiki/Edgar_Degas&quot; style=&quot;color: #999999; cursor: pointer; font-size: 11px; text-decoration: none;&quot;&gt;&lt;span class=&quot;kno-desca&quot; style=&quot;white-space: nowrap;&quot;&gt;Wikipedia&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;kno-ft kno-xs&quot;&gt;
&lt;table class=&quot;kno-fs ts&quot; style=&quot;border-collapse: collapse; margin-bottom: 12px; overflow: hidden; padding-bottom: 16px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;padding: 0px; vertical-align: top; width: 195px;&quot;&gt;&lt;div class=&quot;kno-f kno-fb-ctx&quot; style=&quot;border-top-color: rgb(248, 248, 248); border-top-style: solid; border-top-width: 1px; padding: 4px 0px 3px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span class=&quot;kno-fh &quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edgar+degas+born&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CIcBEOgT&quot; style=&quot;color: black; cursor: pointer; text-decoration: none;&quot;&gt;Born&lt;/a&gt;:&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;kno-fv&quot;&gt;July 19, 1834,&amp;nbsp;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=paris+france&amp;amp;stick=H4sIAAAAAAAAAAEpANb_AHvTx-gAAAAMCAMiCC9tLzA1cXRqBaDELufensoDGCTjKdXg0yLWvjsl-jZ8KQAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CIgBEJsTKAA&quot; style=&quot;color: #1122cc; cursor: pointer; text-decoration: none;&quot;&gt;Paris&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;kno-f kno-fb-ctx&quot; style=&quot;border-top-color: rgb(248, 248, 248); border-top-style: solid; border-top-width: 1px; padding: 4px 0px 3px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span class=&quot;kno-fh &quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edgar+degas+died&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CIoBEOgT&quot; style=&quot;color: black; cursor: pointer; text-decoration: none;&quot;&gt;Died&lt;/a&gt;:&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;kno-fv&quot;&gt;September 27, 1917,&amp;nbsp;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=paris+france&amp;amp;stick=H4sIAAAAAAAAAAEpANb_AHvTx-gAAAAMCAMiCC9tLzA1cXRqBaDELufensoDGCTjKdXg0yLWvjsl-jZ8KQAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CIsBEJsTKAA&quot; style=&quot;color: #1122cc; cursor: pointer; text-decoration: none;&quot;&gt;Paris&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;kno-f kno-fb-ctx&quot; style=&quot;border-top-color: rgb(248, 248, 248); border-top-style: solid; border-top-width: 1px; padding: 4px 0px 3px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span class=&quot;kno-fh &quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edgar+degas+education&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CI0BEOgT&quot; style=&quot;color: black; cursor: pointer; text-decoration: none;&quot;&gt;Education&lt;/a&gt;:&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;kno-fv&quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=lycee+louis+le+grand&amp;amp;stick=H4sIAAAAAAAAAAEqANX_AHvTx-gAAAANCAMiCS9tLzAxd19mdOc__JXLnc9fdaVHORTmkt7Qma5KZ0_idyoAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CI4BEJsTKAA&quot; style=&quot;color: #1122cc; cursor: pointer; text-decoration: none;&quot;&gt;Lycée Louis-le-Grand&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;kno-f kno-fb-ctx&quot; style=&quot;border-top-color: rgb(248, 248, 248); border-top-style: solid; border-top-width: 1px; padding: 4px 0px 3px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span class=&quot;kno-fh &quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edgar+degas+buried&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CJABEOgT&quot; style=&quot;color: black; cursor: pointer; text-decoration: none;&quot;&gt;Buried&lt;/a&gt;:&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;kno-fv&quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=montmartre+cemetery&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDAw8HsxKHfq6-QXp8Sdlfheyj2l_zG67LTJuifzBC35rn0nEAFsuXSikAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CJEBEJsTKAA&quot; style=&quot;color: #1122cc; cursor: pointer; text-decoration: none;&quot;&gt;Montmartre Cemetery&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;kno-f kno-fb-ctx&quot; style=&quot;border-top-color: rgb(248, 248, 248); border-top-style: solid; border-top-width: 1px; padding: 4px 0px 3px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span class=&quot;kno-fh &quot;&gt;&lt;a class=&quot;fl&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edgar+degas+periods&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CJMBEOgT&quot; style=&quot;color: black; cursor: pointer; text-decoration: none;&quot;&gt;Periods&lt;/a&gt;:&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;kno-fv&quot;&gt;Impressionism, Realism&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style=&quot;clear: both;&quot;&gt;
&lt;div class=&quot;kno-fb-ctx&quot;&gt;
&lt;div class=&quot;kno-sb&quot; style=&quot;border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; position: relative; top: 0.75em;&quot;&gt;
&lt;/div&gt;
&lt;span class=&quot;kno-sh ellip&quot; style=&quot;color: black; overflow: hidden; padding-right: 5px; position: relative; text-overflow: ellipsis; white-space: nowrap;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Artwork&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;vrtr&quot; style=&quot;margin-left: -16px; margin-right: -16px; padding: 8px 0px 16px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;vrt kno-fb-ctx&quot; style=&quot;display: inline-block; line-height: 1.1; margin-left: 16px; vertical-align: top; width: 72px;&quot;&gt;
&lt;div style=&quot;height: 72px; overflow: hidden; width: 72px;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=little+dancer+of+fourteen+years&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgwYHsxCHfq6-QXp8TpUSJ4iVYmloUazF71hUkllcEpIPpMvzi7J_ny4q2TvDoKPjq-q0TNcLFq_Sub4AAJo1cmJFAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CJcBELEOMBE&quot; style=&quot;color: #1122cc; cursor: pointer;&quot;&gt;&lt;img alt=&quot;La Petite Danseuse de Quatorze Ans (1881)&quot; border=&quot;0&quot; height=&quot;132&quot; id=&quot;vrthumb18s0&quot; src=&quot;data:image/jpg;base64,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&quot; style=&quot;margin-top: -24px;&quot; title=&quot;La Petite Danseuse de Quatorze Ans (1881)&quot; width=&quot;72&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=little+dancer+of+fourteen+years&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgwYHsxCHfq6-QXp8TpUSJ4iVYmloUazF71hUkllcEpIPpMvzi7J_ny4q2TvDoKPjq-q0TNcLFq_Sub4AAJo1cmJFAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CJYBEMQNMBE&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;La Petite Danseuse de Quatorze Ans (1881)&quot;&gt;La Petite Danseuse de Quat...&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;vrt_m ellip&quot; style=&quot;color: #666666; font-size: x-small; overflow: hidden; padding-top: 2px; text-overflow: ellipsis;&quot; title=&quot;La Petite Danseuse de Quatorze Ans (1881)&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;1881&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;
&lt;div class=&quot;vrt kno-fb-ctx&quot; style=&quot;display: inline-block; line-height: 1.1; margin-left: 16px; vertical-align: top; width: 72px;&quot;&gt;
&lt;div style=&quot;height: 72px; overflow: hidden; width: 72px;&quot;&gt;
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1876&lt;/div&gt;
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1869&lt;/div&gt;
&lt;/div&gt;
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1875&lt;/div&gt;
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1860&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=claude+monet&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGVYkZelxReQWlScnxecmZJanlhZ_H4bf1SYbErqm3-f5lcrCy4obwy5DAC3RtbhQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CKcBELEOMBI&quot; style=&quot;color: #1122cc; cursor: pointer;&quot;&gt;&lt;img alt=&quot;Claude Monet&quot; border=&quot;0&quot; height=&quot;96&quot; id=&quot;vrthumb19s0&quot; src=&quot;data:image/jpg;base64,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&quot; style=&quot;margin-top: -1px;&quot; title=&quot;Claude Monet&quot; width=&quot;72&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=claude+monet&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGVYkZelxReQWlScnxecmZJanlhZ_H4bf1SYbErqm3-f5lcrCy4obwy5DAC3RtbhQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CKYBEMQNMBI&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;Claude Monet&quot;&gt;Claude Monet&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;height: 72px; overflow: hidden; width: 72px;&quot;&gt;
&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=pierre+auguste+renoir&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGVmYmamxReQWlScnxecmZJanlhZvO73vEPHg8sLk2Z0vuT1OOycO8OEDwDzJ4aaQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CKoBELEOMBI&quot; style=&quot;color: #1122cc; cursor: pointer;&quot;&gt;&lt;img alt=&quot;Pierre-Auguste Renoir&quot; border=&quot;0&quot; height=&quot;95&quot; id=&quot;vrthumb19s1&quot; src=&quot;data:image/jpg;base64,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&quot; style=&quot;margin-top: -11px;&quot; title=&quot;Pierre-Auguste Renoir&quot; width=&quot;72&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=pierre+auguste+renoir&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGVmYmamxReQWlScnxecmZJanlhZvO73vEPHg8sLk2Z0vuT1OOycO8OEDwDzJ4aaQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CKkBEMQNMBI&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;Pierre-Auguste Renoir&quot;&gt;Pierre‑Auguste Renoir&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edouard+manet&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGWUm5StxReQWlScnxecmZJanlhZbLb93CkLP5M3f6ZrZLgYflz1Tub5fABOYXaSQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CK0BELEOMBI&quot; style=&quot;color: #1122cc; cursor: pointer;&quot;&gt;&lt;img alt=&quot;Édouard Manet&quot; border=&quot;0&quot; height=&quot;101&quot; id=&quot;vrthumb19s2&quot; src=&quot;data:image/jpg;base64,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&quot; style=&quot;margin-top: -5px;&quot; title=&quot;Édouard Manet&quot; width=&quot;72&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=edouard+manet&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGWUm5StxReQWlScnxecmZJanlhZbLb93CkLP5M3f6ZrZLgYflz1Tub5fABOYXaSQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CKwBEMQNMBI&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;Édouard Manet&quot;&gt;Édouard Manet&lt;/a&gt;&lt;/div&gt;
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&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=vincent+van+gogh&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmGUen2ukxReQWlScnxecmZJanlhZPDV9dXrb08UtLacs_hnOZvt6xTvIEgCV50vcQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CK8BEMQNMBI&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;Vincent van Gogh&quot;&gt;Vincent van Gogh&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=paul+gauguin&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmJVhYVShxReQWlScnxecmZJanlhZzLdd-5vPt-P_PhXt2RK89IFDycPYGAC-GntIQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CLMBELEOMBI&quot; style=&quot;color: #1122cc; cursor: pointer;&quot;&gt;&lt;img alt=&quot;Paul Gauguin&quot; border=&quot;0&quot; height=&quot;86&quot; id=&quot;vrthumb19s4&quot; src=&quot;data:image/jpg;base64,/9j/4AAQSkZJRgABAQAAAQABAAD/2wBDAAkGBwgHBgkIBwgKCgkLDRYPDQwMDRsUFRAWIB0iIiAdHx8kKDQsJCYxJx8fLT0tMTU3Ojo6Iys/RD84QzQ5Ojf/2wBDAQoKCg0MDRoPDxo3JR8lNzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzc3Nzf/wAARCABWAEgDASIAAhEBAxEB/8QAHAAAAgMBAQEBAAAAAAAAAAAAAAYEBQcDAggB/8QANxAAAgEDAwIEAwcDAwUAAAAAAQIDAAQRBRIhMUEGE1FhInGBBxQVIzKCkSRCUjOh4XKSscHx/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/ANWk6GoE5IPJqbLkZpX8YPdNYGO0kAkd1QJvKFhnLHI54Hp16Hg0E6eYIPiYAe5rxDcnbkOGX1BrNYgJ45otUmD2cbs8x52HLfCGPGehyFwDkknoD+idlMBJ0+G1lfZ/Sbtm0AkEkrknttyB05oNOW5+IKX+L0zzXdJ/esX1o3cryNc2trawxyARKgHmvxxuOSv/AM5JqV4c8Q6jY3CebcedASPyfOVgQeMJ6nOOB9BzQbIJfeusTZNL+laxZ6rbCayuFfOd0ZOHQjqGXqCPSre0Y55NBZx0V5iOaKDnccqece9Yx4j8TxHV7lNTDLAY3xBkNKyMVIRsfoBCAlT1DjPQ1sk7AA1i/jXwZquqeJ72+sWh8qchvjfBBAC46eig0FBqfii7E6LEwjt1j8tbbJyo65II4PQZ59sciutrcxXumW8CTfc3c4eYuSwxjhRnjPJBxng+q1b6Z9nYhuUN/MskO0llUYO/sM+nf347Zqxl8CacdOmtYpWSVzkTMNxBySM9MjHH0HfmgVZ0t47aK2gkMkuVaZnP+qd2Dkn6A9hlewqwtpNOk2wK8BhlAjlhxn4uMHttIJwR0PX1ws63pt9oGoeRcOJBnekwztYnII57nuM/WvUmoLNdPdmFUlLFpCGCkDPIKnv/AMdOaBv0+6nsdTiuY2k81DEZCCSJlOFO4Hq2ePUZHQsc6lplylxEssZyrf7H0rKGvUFvcyEgyRwxnJycFicEjrjoxPtVz9mniT71cS2VwCrkl8Fv0nOMf+OndqDWIDmiudswooOOolhDKY2VW2HaX6A44J9qxuD7RLn8HjvZdLeRlfy5njbEe7jGDz1yK2W7YLknoOaUtT0bTpNNuLBbYJBcs8kgUclnOSfnmgVtJ8fQ35U3el3kEJODcRr5sanp8WBkDPHSmpGiuIhLbzLJG4yrowII9jWaaHZajp2u3Oib5lRGLJLkEIp/S43fPnA5OQeKfLC3ltVZZXjdmbJaOPYD7kZPNAheO01CGT7rdRBo5MNHKvSUKfT/ACAJyPqPSlywvCkL20gJUjMLd4pAOPmp5Ug9jxWj/aDapeaE2UkeVDmJUXJLdhis11DSrzSTC14hXeASQOFJ52k+ooJEV8RpYjUBdzbHxjLKqkKp+rMf21L0bUl0nUre7QtPBGQWQqA5XOce5BHGe44wOapPMQxOCmWJyHHGOeQfUEH5gipELWwijZncShjvA6bfX2oPorR/EWk6hLbQ2t9FJNcxedEmSGZe/HqOcjqMUUifZzoOofiNle30Tw2NiJXtIpEZGRpOuc4PRm9eg54AooHvxTeTWemzTwW8twylcxxDLFNw3YHf4c8UjXPjnR7mVoYp5/OyR5f3d9wb0xjrnjFP+rGQROUALbTgHua+b7+PVdG1YSajG0N835x3MCWyTzwfUGg1KK+aYK00JSZPhYdx/wAVOW8YnBGPWkfRte/ErgFh5dwANyqR+Yvr8x/7poRip65BoLVJVbrS94h0aLWbiOOaSYQRks3lFeG7deR37HvVusi7eeDVBrmkHUblpbW6nglePy38uQgOvOMj2yf5oM5vY44LyWGCXzo0YqJP8sd6l6TaRX93HavIImfOGIyDgE7frio99p13psxhuoirAA7l5U/I1YeGbFb/AFq0tZXEYeRXLM23KjkgdCSw44PvQbx4ZkdtKtXlvGu2kjD+eyqu8NyOBx0IorrphVAiIoCqMAYxgelFBJ1KUYOSOKyD7Wo7SWWyuInj++KTEyBhuKdQSOuAc/8AdUDxF481nVmKRMthCRgpAxLH955/gCk+RCxL5JYnLE9Sfc0HW0kntLgOgZHU4Dg4xTjZ62Rab7i4Udm+MZU8daRCz9Nxx86laaSbqIOx27wDgZPJxwO9A/2WsNfYCMyp0LkZH0Per2xhjQHY5cf5GuGl2emPENiJL3PmEMCfl0qXdGC0lF7NJsjRCvlqpO89sAckgBuAO/tQL/iC2utaddM02ElWf+ouyv5cYB6Z7n2FU/jTRoLNLY2wYpbwRxOWx8QBIB+ecZ/6qd5NaQpAtpG0006/BEOCvsR2Pt7Hmk+6vPxO2v5r2N4HmwiKR+gj+0n9oP7uvIoImj+K9d07YsGoO8ajiOZRIPqSN3+9FUluSCKKDzMo5qOwoooOJXJrtbM0MyyISGHIIJH8EdD70UUFrpBWzvLa9sg0ce5IrpCcl0dsHaccZH8HoaufDUkU86wQtLBbgjYiYyVZU/V75549TRRQWc9uyaw0Om3MqPC5KNJ/bkYb58bsAjuPnVddKs8CxWw2idxFHvJyuWGWY5OScgn098AkooF8oi3MsSFiiuVBbqQDjNFFFB//2Q==&quot; style=&quot;margin-top: -6px;&quot; title=&quot;Paul Gauguin&quot; width=&quot;72&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a class=&quot;fl ellip&quot; href=&quot;https://www.google.com/search?hl=en&amp;amp;safe=off&amp;amp;q=paul+gauguin&amp;amp;stick=H4sIAAAAAAAAAGOovnz8BQMDgxoHsxCHfq6-QXp8TpUSmJVhYVShxReQWlScnxecmZJanlhZzLdd-5vPt-P_PhXt2RK89IFDycPYGAC-GntIQwAAAA&amp;amp;sa=X&amp;amp;ei=F2hTUMPOLtC30QG2xIA4&amp;amp;ved=0CLIBEMQNMBI&quot; style=&quot;color: #1122cc; cursor: pointer; display: block; margin-bottom: -1px; overflow: hidden; padding-bottom: 1px; text-decoration: none; text-overflow: ellipsis; width: 72px;&quot; title=&quot;Paul Gauguin&quot;&gt;Paul Gauguin&lt;/a&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas was born in Paris, France, the oldest of five children of Célestine Musson De Gas, a Creole from New Orleans, and Augustin De Gas, a banker. The family was moderately wealthy. Degas&#39; mother died when he was thirteen, after which his father and grandfather were the main influences on his early life. At age eleven, Degas (in adulthood he abandoned the more pretentious spelling of the family name)[4] began his schooling with enrollment in the Lycée Louis-le-Grand, graduating in 1853 with a baccalauréat in literature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas began to paint early in life. By the age of eighteen, he had turned a room in his home into an artist&#39;s studio, and in 1853 he registered as a copyist in the Louvre. His father, however, expected him to go to law school. Degas duly enrolled at the Faculty of Law of the University of Paris in November 1853, but made little effort at his studies. In 1855, Degas met Jean Auguste Dominique Ingres, whom he revered, and whose advice he never forgot: &quot;Draw lines, young man, and still more lines, both from life and from memory, and you will become a good artist.&quot;[5] In April of that same year, Degas received admission to the École des Beaux-Arts, where he studied drawing with Louis Lamothe, under whose guidance he flourished, following the style of Ingres.[6] In July 1856, Degas traveled to Italy, where he would remain for the next three years. In 1858, while staying with his aunt&#39;s family in Naples, he made the first studies for his early masterpiece, The Bellelli Family. He also drew and painted numerous copies afterMichelangelo, Raphael, Titian, and other artists of the Renaissance but, contrary to conventional practice, he usually selected from an altarpiece a detail that had caught his attention—a secondary figure, or a head which he treated as a portrait.[7]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;[edit]Artistic career&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Upon his return to France in 1859, Degas moved into a Paris studio large enough to permit him to begin painting The Bellelli Family—an imposing canvas he intended for exhibition in the Salon, although it remained unfinished until 1867. He also began work on several history paintings: Alexander and Bucephalus and The Daughter of Jephthah in 1859–60; Sémiramis Building Babylon in 1860; and Young Spartans around 1860.[8] In 1861, Degas visited his childhood friend Paul Valpinçon inNormandy, and made the earliest of his many studies of horses. He exhibited at the Salon for the first time in 1865, when the jury accepted his painting Scene of War in the Middle Ages, which attracted little attention.[9] Although he exhibited annually in the Salon during the next five years, he submitted no more history paintings, and his Steeplechase—The Fallen Jockey (Salon of 1866) signaled his growing commitment to contemporary subject matter. The change in his art was influenced primarily by the example of Édouard Manet, whom Degas had met in 1864 (while both were copying the same Velázquez portrait in the Louvre, according to a story that may be apocryphal).[10]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;At the outbreak of the Franco-Prussian War in 1870, Degas enlisted in the National Guard, where his defense of Paris left him little time for painting. During rifle training his eyesight was found to be defective, and for the rest of his life his eye problems were a constant worry to him.[11]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;A Cotton Office in New Orleans, 1873&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;After the war, in 1872, Degas began an extended stay in New Orleans, Louisiana, where his brother René and a number of other relatives lived. Staying at the home of his Creole uncle, Michel Musson, on Esplanade Avenue,[12]Degas produced a number of works, many depicting family members. One of Degas&#39;s New Orleans works, A Cotton Office in New Orleans, garnered favorable attention back in France, and was his only work purchased by a museum (that of Pau) during his lifetime.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas returned to Paris in 1873. The following year his father died, and in the subsequent settling of the estate it was discovered that Degas&#39;s brother René had amassed enormous business debts. To preserve the family name, Degas was forced to sell his house and a collection of art he had inherited. Dependent for the first time in his life on sales of his artwork for income, he produced much of his greatest work during the decade beginning in 1874.[13] By now thoroughly disenchanted with the Salon, Degas joined forces with a group of young artists who were intent upon organizing an independent exhibiting society. The first of their exhibitions, which were quickly dubbed Impressionist Exhibitions, was in 1874. The Impressionists subsequently held seven additional shows, the last in 1886. Degas took a leading role in organizing the exhibitions, and showed his work in all but one of them, despite his persistent conflicts with others in the group. He had little in common with Monet and the other landscape painters, whom he mocked for painting outdoors. Conservative in his social attitudes, he abhorred the scandal created by the exhibitions, as well as the publicity and advertising that his colleagues sought.[1] He bitterly rejected the label Impressionist that the press had created and popularized, and his insistence on including non-Impressionist artists such as Jean-Louis Forain and Jean-François Raffaëlli in their exhibitions created rancor within the group, contributing to their eventual disbanding in 1886.[14]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;As his financial situation improved through sales of his own work, he was able to indulge his passion for collecting works by artists he admired: old masters such as El Greco and such contemporaries as Manet, Pissarro, Cézanne, Gauguin, and Van Gogh. Three artists he idolized, Ingres, Delacroix, and Daumier, were especially well represented in his collection.[15]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;In the late 1880s, Degas also developed a passion for photography.[16] He photographed many of his friends, often by lamplight, as in his double portrait of Renoir andMallarmê. Other photographs, depicting dancers and nudes, were used for reference in some of Degas&#39;s drawings and paintings.[17]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;As the years passed, Degas became isolated, due in part to his belief that a painter could have no personal life.[18] The Dreyfus Affair controversy brought his anti-Semitic leanings to the fore and he broke with all his Jewish friends.[19] His argumentative nature was deplored by Renoir, who said of him: &quot;What a creature he was, that Degas! All his friends had to leave him; I was one of the last to go, but even I couldn&#39;t stay till the end.&quot;[20]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Although he is known to have been working in pastel as late as the end of 1907, and is believed to have continued making sculpture as late as 1910, he apparently ceased working in 1912, when the impending demolition of his longtime residence on the rue Victor Massé forced him to move to quarters on the boulevard de Clichy.[21] He never married and spent the last years of his life, nearly blind, restlessly wandering the streets of Paris before dying in September 1917.[22]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas&#39;s only showing of sculpture during his life took place in 1881 when he exhibited The Little Fourteen Year Old Dancer, only shown again in 1920; the rest of the sculptural works remained private until a posthumous exhibition in 1918. Degas scholars have agreed that the sculptures were not created as aids to painting, although the artist habitually explored ways of linking graphic art and oil painting, drawing and pastel, sculpture and photography. Degas assigned the same significance to sculpture as to drawing: &quot;Drawing is a way of thinking, modelling another&quot;.[29]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;After Degas&#39;s death, his heirs found in his studio 150 wax sculptures, many in disrepair. They consulted foundry owner Adrien Hébrard, who concluded that 74 of the waxes could be cast in bronze. It is assumed that, except for the Little Dancer Aged Fourteen, all Degas bronzes worldwide are cast from surmoulages (i.e., cast from bronze masters). A surmoulage bronze is a bit smaller, and shows less surface detail, than its original bronze mold. The Hébrard Foundry cast the bronzes from 1919–1936, and closed down in 1937, shortly before Hébrard&#39;s death.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;In 2004, a previously unknown cache of 73 plaster casts created from wax originals sculpted by Degas was discovered. Although not previously catalogued, the casts were consistent with the 73 originals that Degas’s heirs gave to Hébrard Foundry in 1918. Art scholars are not in agreement as to what these casts actually are.[41] It appears, from their condition and provenance, that no bronzes were ever cast from these 73 plasters.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;[edit]Personality and politics&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Self-portrait (photograph), c. 1895&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas, who believed that &quot;the artist must live alone, and his private life must remain unknown&quot;,[42] lived an outwardly uneventful life. In company he was known for his wit, which could often be cruel. He was characterized as an &quot;old curmudgeon&quot; by the novelist George Moore,[42] and he deliberately cultivated his reputation as a misanthropic bachelor.[20] Profoundly conservative in his political opinions, he opposed all social reforms and found little to admire in such technological advances as the telephone.[42] He fired a model upon learning she was Protestant.[42] Although Degas painted a number of Jewish subjects from 1865 to 1870, his anti-Semitism became apparent by the mid-1870s. His 1879 painting At The Bourse is widely regarded as strongly anti-Semitic, with the facial features of the banker taken directly from the anti-Semitic cartoons rampant in Paris at the time.[43]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;The Dreyfus Affair, which divided Paris from the 1890s to the early 1900s, further intensified his anti-Semitism. By the mid-1890s, he had broken off relations with all of his Jewish friends,[19] publicly disavowed his previous friendships with Jewish artists, and refused to use models who he believed might be Jewish. He remained an outspoken anti-Semite and member of the anti-Semitic &quot;Anti-Dreyfusards&quot; until his death.[44]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;[edit]Reputation&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;During his life, public reception of Degas&#39;s work ranged from admiration to contempt. As a promising artist in the conventional mode, Degas had a number of paintings accepted in the Salon between 1865 and 1870. These works received praise from Pierre Puvis de Chavannes and the critic, Jules-Antoine Castagnary.[45] He soon joined forces with the Impressionists, however, and rejected the rigid rules, judgements, and elitism of the Salon—just as the Salon and general public initially rejected the experimentalism of the Impressionists.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Degas&#39;s work was controversial, but was generally admired for its draftsmanship. His La Petite Danseuse de Quatorze Ans, or Little Dancer of Fourteen Years, which he displayed at the sixth Impressionist exhibition in 1881, was probably his most controversial piece; some critics decried what they thought its &quot;appalling ugliness&quot; while others saw in it a &quot;blossoming&quot;.[46]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;In part Degas&#39; originality consisted in disregarding the smooth, full surfaces and contours of classical sculpture ... [and] in garnishing his little statue with real hair and clothing made to scale like the accoutrements for a doll. These relatively &quot;real&quot; additions heightened the illusion, but they also posed searching questions, such as what can be referred to as &quot;real&quot; when art is concerned.[47]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;The suite of pastels depicting nudes that Degas exhibited in the eighth Impressionist Exhibition in 1886 produced &quot;the most concentrated body of critical writing on the artist during his lifetime ... The overall reaction was positive and laudatory&quot;.[48]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Recognized as an important artist in his lifetime, Degas is now considered &quot;one of the founders of Impressionism&quot;.[49] Though his work crossed many stylistic boundaries, his involvement with the other major figures of Impressionism and their exhibitions, his dynamic paintings and sketches of everyday life and activities, and his bold color experiments, served to finally tie him to the Impressionist movement as one of its greatest artists.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;His paintings, pastels, drawings, and sculptures are on prominent display in many museums.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 19.200000762939453px;&quot;&gt;Although Degas had no formal pupils, he greatly influenced several important painters, most notably Jean-Louis Forain, Mary Cassatt, and Walter Sickert;[50] his greatest admirer may have been Henri de Toulouse-Lautrec.[51]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/5120979003194587501/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/degas.html#comment-form' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5120979003194587501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5120979003194587501'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/degas.html' title='degas'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPd4_MCfV87ERP6i_m1RJLQTCIlU0O1UM5hHmhG2V2-jgJfm2EGjXikEzXBO67QNLiPDxZcGiA4l_ijoZqnVS8rFtL2Ksh11M2DTgR_4mo2NoAv2hd586Vv9Ay9s33x1uFPk6wfU0w7-EI/s72-c/490.jpg" height="72" width="72"/><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-2950528387724325426</id><published>2012-09-12T19:28:00.000-07:00</published><updated>2012-09-12T19:28:04.265-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstraction"/><category scheme="http://www.blogger.com/atom/ns#" term="Art Photograph"/><category scheme="http://www.blogger.com/atom/ns#" term="Best Photo"/><category scheme="http://www.blogger.com/atom/ns#" term="community"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual"/><category scheme="http://www.blogger.com/atom/ns#" term="creative photography"/><category scheme="http://www.blogger.com/atom/ns#" term="Fine art portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="Photography Manipulation"/><category scheme="http://www.blogger.com/atom/ns#" term="pics"/><category scheme="http://www.blogger.com/atom/ns#" term="picture"/><category scheme="http://www.blogger.com/atom/ns#" term="publish"/><category scheme="http://www.blogger.com/atom/ns#" term="selection"/><category scheme="http://www.blogger.com/atom/ns#" term="Surreal"/><title type='text'>Surreal 3d composite photography by mohsen daemi</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;b&gt;Surreal 3D Composite Photography by Mohsen Daemi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;http://mohsendaemi.com/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;my steps&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;photo series&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;No one can find me&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWf6NWGShryapE4kXsLSSj1V54UHgVAkiFeQE0S5alAupA7DIQRXZvjfWwqLjui5jOrZSd7hRlX6C4BSscv1e84DOKF5zwaCVTGinePjfBVAG9TqPo2zr48KPdrW38iZzxgX_-h5VFz5GA/s1600/302738.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWf6NWGShryapE4kXsLSSj1V54UHgVAkiFeQE0S5alAupA7DIQRXZvjfWwqLjui5jOrZSd7hRlX6C4BSscv1e84DOKF5zwaCVTGinePjfBVAG9TqPo2zr48KPdrW38iZzxgX_-h5VFz5GA/s640/302738.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;The nobody&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHSapGhHa2Hjp5vmOgBNeZnynDR3LzGcfqhtPe0L_Xax-vt9jsdpvOGNujGJrLscjDTL7fkK40gqNTt6nz0Fwu1g1yAmdz6qj4baBbYJ4mutrHhSI2axKt1PmwaqdJE0rUtJGWIs1HHh0D/s1600/303264.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHSapGhHa2Hjp5vmOgBNeZnynDR3LzGcfqhtPe0L_Xax-vt9jsdpvOGNujGJrLscjDTL7fkK40gqNTt6nz0Fwu1g1yAmdz6qj4baBbYJ4mutrHhSI2axKt1PmwaqdJE0rUtJGWIs1HHh0D/s640/303264.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;Death&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5r8qwnaRC_OQrlPNNy4IluacHGoSW4b0GiFqS8ot_qkkKue2XbLuOmeYzvevrxu8iug9_t5RL3iU2kbVTHxWgvzfQm0ScYAUBuORhFwq7NpNlo_5vOfFaIM1BXoxs6sLd0qaBdysA5h_M/s1600/303899.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;496&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5r8qwnaRC_OQrlPNNy4IluacHGoSW4b0GiFqS8ot_qkkKue2XbLuOmeYzvevrxu8iug9_t5RL3iU2kbVTHxWgvzfQm0ScYAUBuORhFwq7NpNlo_5vOfFaIM1BXoxs6sLd0qaBdysA5h_M/s640/303899.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://mohsendaemi.com/&quot; target=&quot;_blank&quot;&gt;mohsendaemi.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/2950528387724325426/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/surreal-3d-composite-photography-by.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2950528387724325426'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2950528387724325426'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/surreal-3d-composite-photography-by.html' title='Surreal 3d composite photography by mohsen daemi'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWf6NWGShryapE4kXsLSSj1V54UHgVAkiFeQE0S5alAupA7DIQRXZvjfWwqLjui5jOrZSd7hRlX6C4BSscv1e84DOKF5zwaCVTGinePjfBVAG9TqPo2zr48KPdrW38iZzxgX_-h5VFz5GA/s72-c/302738.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-1634767539119734263</id><published>2012-09-05T19:52:00.000-07:00</published><updated>2012-09-05T19:52:26.088-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstraction"/><category scheme="http://www.blogger.com/atom/ns#" term="Art Photograph"/><category scheme="http://www.blogger.com/atom/ns#" term="Best Photo"/><category scheme="http://www.blogger.com/atom/ns#" term="community"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual"/><category scheme="http://www.blogger.com/atom/ns#" term="creative photography"/><category scheme="http://www.blogger.com/atom/ns#" term="Fine art portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="Photography Manipulation"/><category scheme="http://www.blogger.com/atom/ns#" term="pics"/><category scheme="http://www.blogger.com/atom/ns#" term="picture"/><category scheme="http://www.blogger.com/atom/ns#" term="publish"/><category scheme="http://www.blogger.com/atom/ns#" term="selection"/><title type='text'>Afghan Girl , 1984 (left) and 2002 (right)  By Steve McCurry</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;Afghan Girl , 1984 (left) and 2002 (right) &amp;nbsp;By Steve McCurry&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://photography.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Photography/Images/POD/a/afghan-girl-before-after-127438-sw.jpg&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpznSNspUs08mrKmlOPoGGfl_75tJRSLP-UxScg-j4b371gLSBWGd0H0kRyMsxvgQTc4t9f4nw_X9srgh_fahNu-2pWLEatkg_PWR__pF-BKu6JoTSCfWUEUjm3C4a63eV0a3Mlkjt0H69/s640/afghan-girl-before-after-127438-sw.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/1634767539119734263/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/afghan-girl-1984-left-and-2002-right-by.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/1634767539119734263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/1634767539119734263'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/afghan-girl-1984-left-and-2002-right-by.html' title='Afghan Girl , 1984 (left) and 2002 (right)  By Steve McCurry'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpznSNspUs08mrKmlOPoGGfl_75tJRSLP-UxScg-j4b371gLSBWGd0H0kRyMsxvgQTc4t9f4nw_X9srgh_fahNu-2pWLEatkg_PWR__pF-BKu6JoTSCfWUEUjm3C4a63eV0a3Mlkjt0H69/s72-c/afghan-girl-before-after-127438-sw.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-72291695722494656</id><published>2012-09-04T17:16:00.001-07:00</published><updated>2012-09-04T17:18:25.279-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Body Code"/><category scheme="http://www.blogger.com/atom/ns#" term="brains"/><category scheme="http://www.blogger.com/atom/ns#" term="colors names"/><category scheme="http://www.blogger.com/atom/ns#" term="crayola-fication"/><category scheme="http://www.blogger.com/atom/ns#" term="dream"/><category scheme="http://www.blogger.com/atom/ns#" term="déjà vu"/><category scheme="http://www.blogger.com/atom/ns#" term="mind"/><category scheme="http://www.blogger.com/atom/ns#" term="neuron"/><category scheme="http://www.blogger.com/atom/ns#" term="Neurotransmitter"/><category scheme="http://www.blogger.com/atom/ns#" term="protein movement"/><category scheme="http://www.blogger.com/atom/ns#" term="Psychology"/><category scheme="http://www.blogger.com/atom/ns#" term="Published"/><category scheme="http://www.blogger.com/atom/ns#" term="Research"/><category scheme="http://www.blogger.com/atom/ns#" term="sleepin"/><category scheme="http://www.blogger.com/atom/ns#" term="venaky science"/><title type='text'>How we gave colors names</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;h2 class=&quot;row_title&quot; style=&quot;background-color: white; color: #82baff; font-family: Arial, Helvetica, sans-serif; font-size: 1.8em; font-weight: normal; margin: 0px 0px 20px; padding: 0px;&quot;&gt;
&lt;a href=&quot;http://www.venaky.com/main/sciencev/how-we-gave-colors-names.html&quot; target=&quot;_blank&quot;&gt;The crayola-fication of the world: How we gave colors names, and it messed with our brains&lt;/a&gt;&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://www.venaky.com/main/sciencev/how-we-gave-colors-names.html&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;352&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlDNWOhGsiTw3VOEyKHpG7yLXHQPUvEySPj-PnchlXDSe0MlujaLR6PmhvtUvF8jDn2m1ypyBq7_3VFHGVs659vghINx8xc4QI_nAnHC-ERhicsXgJuhgTi8zPVZXg2C6X5Z_kCN6IA5Jf/s400/spectral_8602.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;
This is not&amp;nbsp;basically&amp;nbsp;relate to art but its about colors ... and wow&lt;br /&gt;
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&lt;span style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12.727272033691406px;&quot;&gt;In Japan, people often refer to traffic lights as being blue in color. And this is a bit odd, because the traffic signal indicating ‘go’ in Japan is just as green as it is anywhere else in the world. So why is the color getting lost in translation? This visual conundrum has its roots in the history of language.&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12.727272033691406px; margin: 0px; padding: 0px;&quot; /&gt;
&lt;span style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12.727272033691406px;&quot;&gt;Blue and green are similar in hue. They sit next to each other in a rainbow, which means that, to our eyes, light can blend smoothly from blue to green or vice-versa, without going past any other color in between. Before the modern period, Japanese had just one word, Ao, for both blue and green. The wall that divides these colors hadn’t been erected as yet. As the language evolved, in the Heian period around the year 1000, something interesting happened. A new word popped into being – midori – and it described a sort of greenish end of blue. Midori was a shade of ao, it wasn’t really a new color in its own right..........&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12.727272033691406px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: white;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;a href=&quot;http://www.venaky.com/main/sciencev/how-we-gave-colors-names.html&quot; target=&quot;_blank&quot;&gt;&amp;gt;&amp;gt;&amp;gt;read the it here&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/72291695722494656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/how-we-gave-colors-names.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/72291695722494656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/72291695722494656'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/how-we-gave-colors-names.html' title='How we gave colors names'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlDNWOhGsiTw3VOEyKHpG7yLXHQPUvEySPj-PnchlXDSe0MlujaLR6PmhvtUvF8jDn2m1ypyBq7_3VFHGVs659vghINx8xc4QI_nAnHC-ERhicsXgJuhgTi8zPVZXg2C6X5Z_kCN6IA5Jf/s72-c/spectral_8602.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-8730985461912889779</id><published>2012-09-03T16:37:00.001-07:00</published><updated>2012-09-03T16:37:29.066-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="Best Photo"/><category scheme="http://www.blogger.com/atom/ns#" term="cg"/><category scheme="http://www.blogger.com/atom/ns#" term="Collection"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual arts"/><category scheme="http://www.blogger.com/atom/ns#" term="design"/><category scheme="http://www.blogger.com/atom/ns#" term="digital"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Image editing"/><category scheme="http://www.blogger.com/atom/ns#" term="Matte Painting"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="pics"/><category scheme="http://www.blogger.com/atom/ns#" term="pictures"/><category scheme="http://www.blogger.com/atom/ns#" term="Salvador Dalí"/><category scheme="http://www.blogger.com/atom/ns#" term="Surreal"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealist"/><title type='text'>Splendid Examples Of Matte Painting</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-large;&quot;&gt;Splendid Examples Of Matte Painting&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that would otherwise be too expensive or impossible to build or visit. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage. We will now be hopping into a theoretical Delorean and traveling to the past, as well as the future of this prominent genre ofdesign.Today we have collected “30+ Splendid Examples Of Matte Painting” .&lt;a href=&quot;http://www.ozoneeleven.com/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;www.ozoneeleven.com&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9592&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20191&quot; height=&quot;341&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/01-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9589&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20192&quot; height=&quot;221&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/02-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9586&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20193&quot; height=&quot;231&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/03-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9631&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20194&quot; height=&quot;281&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/04-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9603&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20195&quot; height=&quot;498&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/05-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9601&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20196&quot; height=&quot;315&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/06-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9605&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20197&quot; height=&quot;403&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/07-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9580&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20198&quot; height=&quot;220&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/08-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9568&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20199&quot; height=&quot;226&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/09-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9574&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20200&quot; height=&quot;289&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/10-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9577&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20201&quot; height=&quot;243&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/11-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9571&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20202&quot; height=&quot;309&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/12-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9565&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20203&quot; height=&quot;214&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/13-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9559&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20205&quot; height=&quot;309&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/15-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9556&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20206&quot; height=&quot;453&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/16-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
&lt;a href=&quot;http://mattepainting.org/gallery/main.php?g2_itemId=9544&quot; style=&quot;color: #2a2a2a; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Matte Painting&quot; class=&quot;alignnone size-full wp-image-20207&quot; height=&quot;179&quot; src=&quot;http://www.ozoneeleven.com/wp-content/uploads/2012/09/17-Matte-Painting.jpg&quot; style=&quot;border: none; margin: 0px; padding: 0px;&quot; title=&quot;Matte Painting&quot; width=&quot;550&quot; /&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;h3 style=&quot;background-color: white; color: #565656; font-family: Georgia; font-size: 18px; font-weight: normal; margin: 0px; padding: 10px 0px;&quot;&gt;
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&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/8730985461912889779/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/splendid-examples-of-matte-painting.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/8730985461912889779'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/8730985461912889779'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/09/splendid-examples-of-matte-painting.html' title='Splendid Examples Of Matte Painting'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-5280396670141376849</id><published>2012-08-19T14:32:00.000-07:00</published><updated>2012-08-25T03:46:16.293-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="art"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual"/><category scheme="http://www.blogger.com/atom/ns#" term="Crazy Clown Time"/><category scheme="http://www.blogger.com/atom/ns#" term="David Lynch"/><category scheme="http://www.blogger.com/atom/ns#" term="David lynch art"/><category scheme="http://www.blogger.com/atom/ns#" term="David lynch painting"/><category scheme="http://www.blogger.com/atom/ns#" term="exhibition"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Filmmaker"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="movies. films"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="Surreal"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealism"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealist"/><title type='text'>David Lynch</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-large;&quot;&gt;David Lynch&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;art works&amp;nbsp;contributed&amp;nbsp;to&amp;nbsp;David&amp;nbsp;lynch and his works&lt;/span&gt;&lt;/div&gt;

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&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/5280396670141376849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/david-lynch.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5280396670141376849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5280396670141376849'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/david-lynch.html' title='David Lynch'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtL_HP7UxTVqEfNhkWn5Losgg8Ac9w2PjXmXCq4gODNW8A1WcXBRDD0uSGlRJNdS3pZKmJ-h6YF2dQg1BJCNJD-qhdytYsAbDXt8WSdM5SeH6SPOkXNWIOpIg696Rq_1rIPpw8GSG1SNDP/s72-c/Audrey_Horne_by_Frodos.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-9064264115126978151</id><published>2012-08-19T12:26:00.000-07:00</published><updated>2012-08-19T14:40:27.148-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="art"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual"/><category scheme="http://www.blogger.com/atom/ns#" term="Crazy Clown Time"/><category scheme="http://www.blogger.com/atom/ns#" term="David Lynch"/><category scheme="http://www.blogger.com/atom/ns#" term="David lynch art"/><category scheme="http://www.blogger.com/atom/ns#" term="David lynch painting"/><category scheme="http://www.blogger.com/atom/ns#" term="exhibition"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Filmmaker"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="movies. films"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="Surreal"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealism"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealist"/><title type='text'>David Lynch arts and bio</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;David Lynch&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;Date of Birth&lt;/span&gt;&lt;a href=&quot;http://www.imdb.com/search/name?birth_monthday=01-20&amp;amp;refine=birth_monthday&quot; style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot; target=&quot;_blank&quot;&gt;20 January&lt;/a&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://www.imdb.com/search/name?birth_year=1946&quot; style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot; target=&quot;_blank&quot;&gt;1946&lt;/a&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://www.imdb.com/search/name?birth_place=Missoula,%20Montana,%20USA&quot; style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot; target=&quot;_blank&quot;&gt;Missoula, Montana, USA&lt;/a&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;Birth NameDavid Keith Lynch&lt;/span&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;Height5&#39; 11&quot; (1.80 m)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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Mini Biography&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; text-align: left;&quot;&gt;Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/name/nm0528337/&quot; target=&quot;_blank&quot;&gt;Jennifer Chambers Lynch&lt;/a&gt;&amp;nbsp;shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0074486/&quot; target=&quot;_blank&quot;&gt;Eraserhead&lt;/a&gt;&amp;nbsp;(1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/name/nm0054449/&quot; target=&quot;_blank&quot;&gt;Ben Barenholtz&lt;/a&gt;, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/name/nm0000316/&quot; target=&quot;_blank&quot;&gt;Mel Brooks&lt;/a&gt;), though&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0080678/&quot; target=&quot;_blank&quot;&gt;The Elephant Man&lt;/a&gt;&amp;nbsp;(1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot; target=&quot;_blank&quot;&gt;Dune&lt;/a&gt;&amp;nbsp;(1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot; target=&quot;_blank&quot;&gt;Blue Velvet&lt;/a&gt;&amp;nbsp;(1986), his most personal and original work since his&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/search/name?bio=debut&quot; target=&quot;_blank&quot;&gt;debut&lt;/a&gt;. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot; target=&quot;_blank&quot;&gt;Wild at Heart&lt;/a&gt;&amp;nbsp;(1990), and achieved a huge cult following with his surreal TV series&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt;&amp;nbsp;(1990), which he adapted for the big screen, though his comedy series&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/title/tt0103505/&quot; target=&quot;_blank&quot;&gt;&quot;On the Air&quot;&lt;/a&gt;(1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/name/nm0000823/&quot; target=&quot;_blank&quot;&gt;Angelo Badalamenti&lt;/a&gt;. He had a much-publicized affair with&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/name/nm0000618/&quot; target=&quot;_blank&quot;&gt;Isabella Rossellini&lt;/a&gt;&amp;nbsp;in the late 1980s.IMDb Mini Biography By:&amp;nbsp;&lt;a href=&quot;http://www.imdb.com/search/name?bio_author=Michael%20Brooke%20%3Cmichael@everyman.demon.co.uk%3E&amp;amp;view=simple&amp;amp;sort=alpha&quot; target=&quot;_blank&quot;&gt;Michael Brooke &amp;lt;michael@everyman.demon.co.uk&amp;gt;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;Mini Biography&lt;/b&gt;&lt;br /&gt;Born in 1946 in Missoula, Montana, David Lynch was raised early in small town America. After high school, he went to Boston to attend the School of the Museum of Fine Arts. Shortly after that, he planned a 3 year trip to Europe to work on his art, but didn&#39;t take to it and left after 15 days. In 1977, he released his first film &lt;a href=&quot;http://www.imdb.com/title/tt0074486/&quot;&gt;Eraserhead&lt;/a&gt; (1977), which, although not critically acclaimed, was noticed by many people, including&lt;a href=&quot;http://www.imdb.com/name/nm0000338/&quot;&gt;Francis Ford Coppola&lt;/a&gt;, who was rumored to have screenings of it for his cast and crew on the &lt;a href=&quot;http://www.imdb.com/title/tt0078788/&quot;&gt;Apocalypse Now&lt;/a&gt; (1979) set. After a stream of visually stunning films such as &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986), &lt;a href=&quot;http://www.imdb.com/title/tt0116922/&quot;&gt;Lost Highway&lt;/a&gt; (1997) and &lt;a href=&quot;http://www.imdb.com/title/tt0166924/&quot;&gt;Mulholland Dr.&lt;/a&gt; (2001). All these films, and a few more, beginning with &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986), and including his &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990) TV series, feature what has now been added to signature Lynch features, such as vibrant colors, the use of dreams and amazing montage to connect character thought and multiple emotions into one sequence. In addition to that, since &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986), Lynch has gained the reputation of one of the foremost auteurs in the filmmaking industry, and one of the few living auteur&#39;s who continually defies both cinematic convention and the Hollywood curse. His films continually represent his ideal that films; representing life, should be complicated, and, in some cases and sequences, be inexplainable. I&#39;m sure he knows why he puts the scenes and shots and props and cuts and effects and filters and lights and colors and actors and costumes and music in the scenes, but he&#39;ll never tell anyone else. For this reason, and due to the beautiful confusion of his films, he will always be recognized as if not one of the greatest filmmakers, one of the most original. Lynch is a creative master, and even if his films aren&#39;t necessarily realistic, they are real in their representation of what life is: a confusing, irrational series of random events that truly have little purpose, and one makes their own interpretation of every event, giving their life purpose personally. Lynch wants his films to resonate emotionally and instinctively, and for every person to relate and make their own understanding. As he said &quot;Life is very, very confusing, and so films should be allowed to be, too&quot;. David Lynch is original. He has done things in filmmaking that &lt;a href=&quot;http://www.imdb.com/name/nm0000428/&quot;&gt;D.W. Griffith&lt;/a&gt; did in his day. David Lynch will never stop making beauty on the screen.IMDb Mini Biography By: &lt;a href=&quot;http://www.imdb.com/search/name?bio_author=TADAMS&amp;amp;view=simple&amp;amp;sort=alpha&quot;&gt;TADAMS&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Spouse&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/name/nm1281343/&quot;&gt;Emily Stofle&lt;/a&gt; (&lt;a href=&quot;http://www.imdb.com/date/02-26/&quot;&gt;26 February&lt;/a&gt; 2009 - present)&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/name/nm0842156/&quot;&gt;Mary Sweeney&lt;/a&gt; (&lt;a href=&quot;http://www.imdb.com/date/05-10/&quot;&gt;10 May&lt;/a&gt; 2006 - &lt;a href=&quot;http://www.imdb.com/date/02-12/&quot;&gt;12 February&lt;/a&gt; 2007) (divorced) 1 child&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/name/nm0279933/&quot;&gt;Mary Fisk&lt;/a&gt; (&lt;a href=&quot;http://www.imdb.com/date/06-21/&quot;&gt;21 June&lt;/a&gt; 1977 - &lt;a href=&quot;http://www.imdb.com/date/08-29/&quot;&gt;29 August&lt;/a&gt; 1987) (divorced) 1 child&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/name/nm0528424/&quot;&gt;Peggy Lynch&lt;/a&gt; (1967 - 1974) (divorced) (1 child)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Trade Mark&lt;br /&gt;&lt;br /&gt;Has frequently cast &lt;a href=&quot;http://www.imdb.com/name/nm0620756/&quot;&gt;Jack Nance&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0001492/&quot;&gt;Kyle MacLachlan&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0498247/&quot;&gt;Sheryl Lee&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000368/&quot;&gt;Laura Dern&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000618/&quot;&gt;Isabella Rossellini&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000145/&quot;&gt;Sherilyn Fenn&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0001765/&quot;&gt;Harry Dean Stanton&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0027199/&quot;&gt;Michael J. Anderson&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0569239/&quot;&gt;Everett McGill&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0062844/&quot;&gt;Frances Bay&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0001777/&quot;&gt;Dean Stockwell&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0446314/&quot;&gt;David Patrick Kelly&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000374/&quot;&gt;Brad Dourif&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0183466/&quot;&gt;Catherine E. Coulson&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0951471/&quot;&gt;Grace Zabriskie&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0118011/&quot;&gt;Ian Buchanan&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0001860/&quot;&gt;Alicia Witt&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0857620/&quot;&gt;Justin Theroux&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0517512/&quot;&gt;Bellina Logan&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0005009/&quot;&gt;Laura Harring&lt;/a&gt;, and &lt;a href=&quot;http://www.imdb.com/name/nm0915208/&quot;&gt;Naomi Watts&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Finds small-town USA fascinating&lt;br /&gt;&lt;br /&gt;Has a taste for low/middle frequency noise, dark and rotting environments, distorted characters, a polarized world (angels vs demons, Madonnas vs whores), and debilitating damage to the skull or brain.&lt;br /&gt;&lt;br /&gt;Use of slow-motion during key scenes of violence&lt;br /&gt;&lt;br /&gt;Red curtains&lt;br /&gt;&lt;br /&gt;Strobe lights&lt;br /&gt;&lt;br /&gt;Almost always casts a musician for a supporting role: &lt;a href=&quot;http://www.imdb.com/name/nm0001776/&quot;&gt;Sting&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot;&gt;Dune&lt;/a&gt; (1984); &lt;a href=&quot;http://www.imdb.com/name/nm0001389/&quot;&gt;Chris Isaak&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000309/&quot;&gt;David Bowie&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0190023/&quot;&gt;Julee Cruise&lt;/a&gt;, and &#39;Miguel Ferrer&#39; (son and former drummer of &lt;a href=&quot;http://www.imdb.com/name/nm0167041/&quot;&gt;Rosemary Clooney&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0105665/&quot;&gt;Twin Peaks: Fire Walk with Me&lt;/a&gt; (1992); &lt;a href=&quot;http://www.imdb.com/name/nm0001504/&quot;&gt;Marilyn Manson&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0738433/&quot;&gt;Henry Rollins&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0116922/&quot;&gt;Lost Highway&lt;/a&gt; (1997);&lt;a href=&quot;http://www.imdb.com/name/nm0004854/&quot;&gt;Billy Ray Cyrus&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm1058197/&quot;&gt;Rebekah Del Rio&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0000823/&quot;&gt;Angelo Badalamenti&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0166924/&quot;&gt;Mulholland Dr.&lt;/a&gt; (2001). Regular collaborator &lt;a href=&quot;http://www.imdb.com/name/nm0001492/&quot;&gt;Kyle MacLachlan&lt;/a&gt; is also descended from composer &lt;a href=&quot;http://www.imdb.com/name/nm0001925/&quot;&gt;Johann Sebastian Bach&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Uses many references to France, the French language, culture, people, and names.&lt;br /&gt;&lt;br /&gt;Constant references to dreams as a way of connecting the plot and twists in his films.&lt;br /&gt;&lt;br /&gt;Uses &lt;a href=&quot;http://www.imdb.com/name/nm0649413/&quot;&gt;Roy Orbison&lt;/a&gt; songs in his films&lt;br /&gt;&lt;br /&gt;Close up shots of eyes&lt;br /&gt;&lt;br /&gt;His regular casting director is &lt;a href=&quot;http://www.imdb.com/name/nm0712874/&quot;&gt;Johanna Ray&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Quirky, nasally voice&lt;br /&gt;&lt;br /&gt;His hair&lt;br /&gt;&lt;br /&gt;Films are often sexually charged &amp;amp; graphically violent&lt;br /&gt;&lt;br /&gt;Extreme surrealism&lt;br /&gt;&lt;br /&gt;Many of his films examine the dark side of American suburbia.&lt;br /&gt;&lt;br /&gt;Trivia&lt;br /&gt;&lt;br /&gt;Ate lunch at Bob&#39;s Big Boy in Los Angeles, California, nearly every day for almost eight years in a row.&lt;br /&gt;&lt;br /&gt;Is an Eagle Scout.&lt;br /&gt;&lt;br /&gt;His grandfather was Finnish.&lt;br /&gt;&lt;br /&gt;Currently (2002) runs his own personally authorized Web site, www.davidlynch.com and has been rumored to appear in the chat area of the site under a more than obvious name.&lt;br /&gt;&lt;br /&gt;Personally approved DVD releases of his movies do not have any chapter stops. This is done because he believes that films are meant to be viewed from beginning to end.&lt;br /&gt;&lt;br /&gt;He is also an artist working in paint and such dynamic elements as live ants and rotting flesh. He also frequently designs and builds the furniture in his films. These can be seen in the documentary about him, &lt;a href=&quot;http://www.imdb.com/title/tt0192470/&quot;&gt;Pretty as a Picture: The Art of David Lynch&lt;/a&gt; (1997) (TV).&lt;br /&gt;&lt;br /&gt;Projects he has written but to date has not produced include &quot;Ronnie Rocket,&quot; &quot;Up at the Lake,&quot; and &quot;One Saliva Bubble.&quot;&lt;br /&gt;&lt;br /&gt;Producer &lt;a href=&quot;http://www.imdb.com/name/nm0209569/&quot;&gt;Dino De Laurentiis&lt;/a&gt; offered him the chance to direct &quot;Hand-Carved Coffins&quot; based on a &lt;a href=&quot;http://www.imdb.com/name/nm0001986/&quot;&gt;Truman Capote&lt;/a&gt; work, but Lynch turned it down; to date the project has not been produced.&lt;br /&gt;&lt;br /&gt;His favorite band is &lt;a href=&quot;http://www.imdb.com/name/nm1339792/&quot;&gt;Rammstein&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Wrote the Gordon Cole character (from &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990)) with himself in mind.&lt;br /&gt;&lt;br /&gt;After the financial disaster that was &lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot;&gt;Dune&lt;/a&gt; (1984), Lynch and &lt;a href=&quot;http://www.imdb.com/name/nm0209569/&quot;&gt;Dino De Laurentiis&lt;/a&gt; were almost ready to part company but Lynch showed Dino the script for &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986), which he had been working on for some time, and the two combined talents to make the seminal 1986 classic.&lt;br /&gt;&lt;br /&gt;After &lt;a href=&quot;http://www.imdb.com/name/nm0000184/&quot;&gt;George Lucas&lt;/a&gt; saw &lt;a href=&quot;http://www.imdb.com/title/tt0074486/&quot;&gt;Eraserhead&lt;/a&gt; (1977), he offered Lynch the chance to direct &lt;a href=&quot;http://www.imdb.com/title/tt0086190/&quot;&gt;Star Wars: Episode VI - Return of the Jedi&lt;/a&gt; (1983) but Lynch turned him down. Lynch felt the film would be more Lucas&#39;s vision than his own.&lt;br /&gt;&lt;br /&gt;Daughter, Director &lt;a href=&quot;http://www.imdb.com/name/nm0528337/&quot;&gt;Jennifer Chambers Lynch&lt;/a&gt; (b. 1968), with first wife actress &lt;a href=&quot;http://www.imdb.com/name/nm0528424/&quot;&gt;Peggy Lynch&lt;/a&gt;. Son, &lt;a href=&quot;http://www.imdb.com/name/nm1487379/&quot;&gt;Austin Jack Lynch&lt;/a&gt; (b. 1982), with second wife&lt;a href=&quot;http://www.imdb.com/name/nm0279933/&quot;&gt;Mary Fisk&lt;/a&gt;. Son, &lt;a href=&quot;http://www.imdb.com/name/nm2788533/&quot;&gt;Riley Lynch&lt;/a&gt; (b. 1992), with film editor &lt;a href=&quot;http://www.imdb.com/name/nm0842156/&quot;&gt;Mary Sweeney&lt;/a&gt; (she later became his third wife).&lt;br /&gt;&lt;br /&gt;While in college, roomed with &lt;a href=&quot;http://www.imdb.com/name/nm0937900/&quot;&gt;Peter Wolf&lt;/a&gt;, former lead singer with the J. Geils Band. Lynch kicked him out, however, because he thought Wolf was &quot;too weird.&quot;&lt;br /&gt;&lt;br /&gt;His son, &lt;a href=&quot;http://www.imdb.com/name/nm1487379/&quot;&gt;Austin Jack Lynch&lt;/a&gt;, appeared in an episode of &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990) as Pierre Tremond, or the Creamed-Corn Kid. His nephew,&lt;a href=&quot;http://www.imdb.com/name/nm0503372/&quot;&gt;Jonathan J. Leppell&lt;/a&gt;, played Pierre Tremond/Chalfont in the movie &lt;a href=&quot;http://www.imdb.com/title/tt0105665/&quot;&gt;Twin Peaks: Fire Walk with Me&lt;/a&gt; (1992). &lt;a href=&quot;http://www.imdb.com/name/nm0190023/&quot;&gt;Julee Cruise&lt;/a&gt;, who appears in &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990), is his musical protégée. Lynch wrote the lyrics on her first album, some of the lyrics of her second album, and occasionally plays an instrument on her recordings.&lt;br /&gt;&lt;br /&gt;He attended the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia&lt;br /&gt;&lt;br /&gt;Biography in: John Wakeman, editor. &quot;World Film Directors, Volume Two, 1945-1985,&quot; pp. 621-626 (as David K. Lynch). New York: The H.W. Wilson Company, 1988.&lt;br /&gt;&lt;br /&gt;Insisted his name be struck from the 190-minute Extended Cut of &lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot;&gt;Dune&lt;/a&gt; (1984), which was prepared specially for television. That version credits the pseudonymous &quot;Judas Booth&quot; as writer/director. Yet in 2009 - the movie&#39;s 25th anniversary - Lynch (by a fan&#39;s request) actually signed Booth&#39;s name to a vintage &quot;Making of &lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot;&gt;Dune&lt;/a&gt; (1984) paperback at West Hollywood&#39;s famous Book Soup.&lt;br /&gt;&lt;br /&gt;Has cited &lt;a href=&quot;http://www.imdb.com/name/nm0000320/&quot;&gt;Luis Buñuel&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0001348/&quot;&gt;Werner Herzog&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000019/&quot;&gt;Federico Fellini&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000005/&quot;&gt;Ingmar Bergman&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0000040/&quot;&gt;Stanley Kubrick&lt;/a&gt;, and &lt;a href=&quot;http://www.imdb.com/name/nm0000591/&quot;&gt;Roman Polanski&lt;/a&gt; as some of his influences.&lt;br /&gt;&lt;br /&gt;In addition to excluding chapter breaks in his approved DVD releases of his movies, he hasn&#39;t recorded an audio commentary in any of his films. This is because he believes that films speak for themselves.&lt;br /&gt;&lt;br /&gt;Announced at the 2005 Cannes Film Festival that he has been shooting a feature length project on digital video called &quot;Inland Empire&quot; for over a year. He also announced that he was so impressed with digital that he was giving up directing on projects on film.&lt;br /&gt;&lt;br /&gt;He drew and wrote the comic strip, &quot;The Angriest Dog in the World&quot; that ran in the Los Angeles Reader newspaper throughout the 1980s.&lt;br /&gt;&lt;br /&gt;President of the jury at the Cannes Film Festival in 2002.&lt;br /&gt;&lt;br /&gt;Is famous (or infamous) for not saying anything on &lt;a href=&quot;http://www.imdb.com/title/tt0074486/&quot;&gt;Eraserhead&lt;/a&gt; (1977). He lets the viewers decide what it means.&lt;br /&gt;&lt;br /&gt;He was offered the chance to direct &lt;a href=&quot;http://www.imdb.com/title/tt0083929/&quot;&gt;Fast Times at Ridgemont High&lt;/a&gt; (1982), but he turned it down, saying that the script was funny, but it wasn&#39;t his thing.&lt;br /&gt;&lt;br /&gt;Was very good friends with &lt;a href=&quot;http://www.imdb.com/name/nm0620756/&quot;&gt;Jack Nance&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Is friends with &lt;a href=&quot;http://www.imdb.com/name/nm0001492/&quot;&gt;Kyle MacLachlan&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;He was introduced to &lt;a href=&quot;http://www.imdb.com/name/nm0000618/&quot;&gt;Isabella Rossellini&lt;/a&gt; at a restaurant by a mutual friend when he was in the process of casting &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986). Struck by her serene European beauty, he told her, &quot;You could be &lt;a href=&quot;http://www.imdb.com/name/nm0000006/&quot;&gt;Ingrid Bergman&lt;/a&gt;&#39;s daughter.&quot; &#39;You idiot,&#39; my friend said to me,&quot; Lynch recalled, &quot;&#39;she is Ingrid Bergman&#39;s daughter!&#39;&quot;&lt;br /&gt;&lt;br /&gt;His grandmother was German.&lt;br /&gt;&lt;br /&gt;Though on the surface his alliance with &lt;a href=&quot;http://www.imdb.com/name/nm0000316/&quot;&gt;Mel Brooks&lt;/a&gt; on &lt;a href=&quot;http://www.imdb.com/title/tt0080678/&quot;&gt;The Elephant Man&lt;/a&gt; (1980) would seem unlikely to many, a number of Lynch&#39;s films are interpreted as being satirical of traditional Hollywood clichés (&lt;a href=&quot;http://www.imdb.com/title/tt0166924/&quot;&gt;Mulholland Dr.&lt;/a&gt; (2001), &lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot;&gt;Wild at Heart&lt;/a&gt; (1990), _Blue Velvet (1986)_ albeit in a much darker and artistic way than in the films that made Brooks a success (&lt;a href=&quot;http://www.imdb.com/title/tt0072431/&quot;&gt;Young Frankenstein&lt;/a&gt; (1974), &lt;a href=&quot;http://www.imdb.com/title/tt0071230/&quot;&gt;Blazing Saddles&lt;/a&gt; (1974), etc.).&lt;br /&gt;&lt;br /&gt;Was engaged to Italian actress &lt;a href=&quot;http://www.imdb.com/name/nm0000618/&quot;&gt;Isabella Rossellini&lt;/a&gt; from 1986 to 1990.&lt;br /&gt;&lt;br /&gt;Claims one of his favorite films to be &lt;a href=&quot;http://www.imdb.com/title/tt0032138/&quot;&gt;The Wizard of Oz&lt;/a&gt; (1939), and has many references to the classic in his films, the most obvious are in &lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot;&gt;Wild at Heart&lt;/a&gt; (1990). He has also cited &lt;a href=&quot;http://www.imdb.com/title/tt0052357/&quot;&gt;Vertigo&lt;/a&gt; (1958) and &lt;a href=&quot;http://www.imdb.com/title/tt0045826/&quot;&gt;Glen or Glenda&lt;/a&gt; (1953) as his other favorites.&lt;br /&gt;&lt;br /&gt;Is friends with &lt;a href=&quot;http://www.imdb.com/name/nm0000749/&quot;&gt;Mädchen Amick&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Fan of &lt;a href=&quot;http://www.imdb.com/name/nm0000062/&quot;&gt;Elvis Presley&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Is mentioned in German author Patrick Roth&#39;s short story &quot;Lynch for Lunch&quot; (2008).&lt;br /&gt;&lt;br /&gt;Being an avid coffee drinker, he has own line of special organic blends.&lt;br /&gt;&lt;br /&gt;Has practiced Transcendental Meditation for twenty minutes each day since 1973.&lt;br /&gt;&lt;br /&gt;Although having planned to study three years with painter &lt;a href=&quot;http://www.imdb.com/name/nm1786123/&quot;&gt;Oskar Kokoschka&lt;/a&gt; in Austria for three years, he returned to the US after only 15 days.&lt;br /&gt;&lt;br /&gt;Served as an usher at the Presidential Inaugaration of &lt;a href=&quot;http://www.imdb.com/name/nm0448123/&quot;&gt;John F. Kennedy&lt;/a&gt; (20 January 1961).&lt;br /&gt;&lt;br /&gt;Is a Presbyterian.&lt;br /&gt;&lt;br /&gt;Born to Donald Lynch, a research scientist for the U.S. Department of Agriculture, and his wife Sunny, an English language tutor.&lt;br /&gt;&lt;br /&gt;Frequently works with &lt;a href=&quot;http://www.imdb.com/name/nm0000417/&quot;&gt;Crispin Glover&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Some of his favorite films of all time are&lt;/span&gt;&lt;/b&gt;: 8 1/2 (1963), La Strada (1954), Sunset Boulevard (1950), The Apartment (1960), Lolita (1962), Persona (1966), Hour of the Wolf (1968), Mr. Hulot&#39;s Holiday (1953), My Uncle (1958), Rear Window (1954), Vertigo (1958), Stroszek (1977) and The Wizard of Oz (1939).&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/name/nm0000145/&quot;&gt;Sherilyn Fenn&lt;/a&gt;, who worked with him in &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990) and &lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot;&gt;Wild at Heart&lt;/a&gt; (1990), later starred in his daughter &lt;a href=&quot;http://www.imdb.com/name/nm0528337/&quot;&gt;Jennifer Chambers Lynch&lt;/a&gt;&#39;s directorial debut &lt;a href=&quot;http://www.imdb.com/title/tt0106471/&quot;&gt;Boxing Helena&lt;/a&gt; (1993).&lt;br /&gt;&lt;br /&gt;He was so impressed by &lt;a href=&quot;http://www.imdb.com/name/nm0498247/&quot;&gt;Sheryl Lee&lt;/a&gt;&#39;s performance as the dead Laura Palmer in &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990)&#39; pilot episode that he wrote the role of Maddy Ferguson for her, in order to bring her back in the series.&lt;br /&gt;&lt;br /&gt;The car accident scene in &lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot;&gt;Wild at Heart&lt;/a&gt; (1990) came from his impression of actress &lt;a href=&quot;http://www.imdb.com/name/nm0000145/&quot;&gt;Sherilyn Fenn&lt;/a&gt; as a china doll, and from the idea of seeing a porcelain doll breaking. He told her, &quot;I envisioned this broken China doll, all bloody, and ranting and raving, and it was you&quot;.&lt;br /&gt;&lt;br /&gt;Has worked with real-life father-son pair &lt;a href=&quot;http://www.imdb.com/name/nm0001207/&quot;&gt;José Ferrer&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0001208/&quot;&gt;Miguel Ferrer&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0087182/&quot;&gt;Dune&lt;/a&gt; (1984) and &#39;Twin Peaks (1990)(TV)&#39;; and real-life mother-daughter pair &lt;a href=&quot;http://www.imdb.com/name/nm0002663/&quot;&gt;Diane Ladd&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0000368/&quot;&gt;Laura Dern&lt;/a&gt; in &lt;a href=&quot;http://www.imdb.com/title/tt0100935/&quot;&gt;Wild at Heart&lt;/a&gt; (1990) and &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986).&lt;br /&gt;&lt;br /&gt;His ancestry is Finnish.&lt;br /&gt;&lt;br /&gt;Directed 3 actors in Oscar nominated performances: &lt;a href=&quot;http://www.imdb.com/name/nm0000457/&quot;&gt;John Hurt&lt;/a&gt;, &lt;a href=&quot;http://www.imdb.com/name/nm0002663/&quot;&gt;Diane Ladd&lt;/a&gt;, and &lt;a href=&quot;http://www.imdb.com/name/nm0002070/&quot;&gt;Richard Farnsworth&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXpC1cAGAmBqhyNvDE4NFD33Mf7Cp4vdfPYJTEa_VHmlt9DRaRWBV30Bh5haCXR-vL1ZuLG65soqhZcmLFrqa8fTRewQaiYDF3EQaqbODnlUzWqCAIFgx0o6cm2utq6Igjzsx6OQszLea3/s1600/The-Elephant-Man.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;478&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXpC1cAGAmBqhyNvDE4NFD33Mf7Cp4vdfPYJTEa_VHmlt9DRaRWBV30Bh5haCXR-vL1ZuLG65soqhZcmLFrqa8fTRewQaiYDF3EQaqbODnlUzWqCAIFgx0o6cm2utq6Igjzsx6OQszLea3/s640/The-Elephant-Man.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&amp;nbsp;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Personal Quotes&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;It&#39;s better not to know so much about what things mean or how they might be interpreted or you&#39;ll be too afraid to let things keep happening. Psychology destroys the mystery, this kind of magic quality. It can be reduced to certain neuroses or certain things, and since it is now named and defined, it&#39;s lost its mystery and the potential for a vast, infinite experience.&lt;br /&gt;&lt;br /&gt;I sort of go by a duck when I work on a film because if you study a duck, you&#39;ll see certain things. You&#39;ll see a bill, and the bill is a certain texture and a certain length. Then you&#39;ll see a head, and the features on the head are a certain texture and it&#39;s a certain shape and it goes into the neck. The texture of the bill for instance is very smooth and it has quite precise detail in it and it reminds you somewhat of the legs. The legs are a little bit bigger and a little more rubbery but it&#39;s enough so that your eye goes back and forth. Now, the body being so big, it can be softer and the texture is not so detailed, it&#39;s just kind of a cloud. And the key to the whole duck is the eye and where the eye is placed. And it has to be placed in the head and it&#39;s the most detailed, and it&#39;s like a little jewel. And if it was fixed, sitting on the bill, it would be two things that were too busy, battling, they would not do so well. And if it was sitting in the middle of the body, it would get lost. But it&#39;s so perfectly placed to show off a jewel right in the middle of the head like that, next to this S-curve with the bill sitting out in front, but with enough distance so that the eye is very very very well secluded and set out. So when you&#39;re working on a film, a lot of times you can get the bill and the legs and the body and everything, but this eye of the duck is a certain scene, this jewel, that if it&#39;s there, it&#39;s absolutely beautiful. It&#39;s just fantastic.&quot; &quot;Film exists because we can go and have experiences that would be pretty dangerous or strange for us in real life. We can go into a room and walk into a dream. If we didn&#39;t want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things withing a film for the total experience.&lt;br /&gt;&lt;br /&gt;I&#39;m not a real film buff. Unfortunately, I don&#39;t have time. I just don&#39;t go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.&lt;br /&gt;&lt;br /&gt;It makes me uncomfortable to talk about meanings and things. It&#39;s better not to know so much about what things mean. Because the meaning, it&#39;s a very personal thing, and the meaning for me is different than the meaning for somebody else.&lt;br /&gt;&lt;br /&gt;To give a sense of place, to me, is a thrilling thing. And a sense of place is made up of details. And so the details are incredibly important. If they&#39;re wrong, then it throws you out of the mood. And so the sound and music and color and shape and texture, if all those things are correct and a woman looks a certain way with a certain kind of light and says the right word, you&#39;re gone, you&#39;re in heaven. But it&#39;s all the little details.&lt;br /&gt;&lt;br /&gt;In Hollywood, more often than not, they&#39;re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what&#39;s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can&#39;t, you know, put a microphone to somebody at the theatre and say &#39;Did you understand that?&#39; but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that&#39;s magical and that&#39;s the power that film has.&lt;br /&gt;&lt;br /&gt;I think that ideas exist outside of ourselves. I think somewhere, we&#39;re all connected off in some very abstract land. But somewhere between there and here ideas exist. And I think the mind isn&#39;t conscious enough to go all the way to where we&#39;re connected, but it&#39;s conscious of a certain amount of that territory. And when these ideas fly into the conscious part, then you can capture them. But if they&#39;re outside of the conscious part, you don&#39;t even know about them. So you just hope that you can make the conscious part of your mind bigger or that these ideas will fly into your airspace, so you can shoot them down and grab them and take them home. So that&#39;s all you try to do. Sometimes an idea will strike you when you&#39;re sitting in a quiet chair. But sometimes an idea will strike you when you&#39;re standing. Sometimes music will also help you. If I thought I could just sit still in a quiet place and get ideas, I would do that all the time, but sometimes nothing happens. There&#39;s no rhyme or reason to it. But you&#39;ve got to write them down right away. I forget so many things. Then if I forget it and try to remember it, my whole day is ruined because I can&#39;t remember and I feel horrible. And I imagine that it was one of the all time great ideas. And it probably isn&#39;t.&lt;br /&gt;&lt;br /&gt;I&#39;ve said many, many, many unkind things about Philadelphia, and I meant every one.&lt;br /&gt;&lt;br /&gt;[His films] mean different things to different people. Some mean more or less the same things to a large number of people. It&#39;s okay. Just as long as there&#39;s not one message, spoon-fed. That&#39;s what films by committee end up being, and it&#39;s a real bummer to me . . . Life is very, very complicated, and so films should be allowed to be, too.&lt;br /&gt;&lt;br /&gt;I don&#39;t think that people accept the fact that life doesn&#39;t make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.&lt;br /&gt;&lt;br /&gt;[on plans to build 100 transcendental meditation centers to bring an end to crime and war]: &quot;Peace could be on this Earth this year. It would be a whole new world.&quot;&lt;br /&gt;&lt;br /&gt;I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream...allows you to dream in the dark. It&#39;s just a fantastic thing, to get lost inside the world of film.&lt;br /&gt;&lt;br /&gt;I would rather not make a film than make one where I don&#39;t have final cut.&lt;br /&gt;&lt;br /&gt;All my movies are about strange worlds that you can&#39;t go into unless you build them and film them. That&#39;s what&#39;s so important about film to me. I just like going into strange worlds.&lt;br /&gt;&lt;br /&gt;I&#39;m not sure what these people are saying. Is it that if you depicted no graphic violence, the world would calm down and there would be less violence? Or is it that if you sense certain things about violence and then portray those things in a film, does that make the violence go to another level? Or is the violence in films a way to experience something without having to do it in real life?&lt;br /&gt;&lt;br /&gt;Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn&#39;t tap into the mystical aspect of it either in fact, that usually kills it because people don&#39;t want to see sex so much as they want to experience the emotions that go along with it. These things are hard to convey in film because sex is such a mystery.&lt;br /&gt;&lt;br /&gt;I&#39;m convinced we all are voyeurs. It&#39;s part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There&#39;s an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It&#39;s a gaining of some sort of knowledge, I think.&lt;br /&gt;&lt;br /&gt;My mother refused to give me coloring books as a child. She probably saved me, Because when you think about it, what a coloring book does is completely kill creativity.&lt;br /&gt;&lt;br /&gt;There&#39;s something deeply satisfying about directing the flow of water.&lt;br /&gt;&lt;br /&gt;Cigarettes are pretty much my worst vice, and I even stopped smoking for 20 years. I spend most of my free time with my family and working on art.&lt;br /&gt;&lt;br /&gt;Sex was like a world so mysterious to me, I really couldn&#39;t believe there was this fantastic texture to life that I was getting to do...it has all these different levels, from lust and fearful, violent sex to the real spiritual thing at the other end. It&#39;s the key to some fantastic mystery of life.&lt;br /&gt;&lt;br /&gt;I like things to be orderly. For seven years I ate at Bob&#39;s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee--with lots of sugar. And there&#39;s lots of sugar in that chocolate shake. It&#39;s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. All I had to do was remember to bring my pen, but a waitress would give me one if I remembered to return it at the end of my stay. I got a lot of ideas at Bob&#39;s.&lt;br /&gt;&lt;br /&gt;[on actor &lt;a href=&quot;http://www.imdb.com/name/nm0001492/&quot;&gt;Kyle MacLachlan&lt;/a&gt;]: &quot;What do we do together? I have a pretty good cappuccino machine, and anytime he gets the urge, he comes on over. We talk about the problems associated with getting a good cup of coffee.&quot;&lt;br /&gt;&lt;br /&gt;In a large city I realized there was a large amount of fear. Coming from the Northwest, it kind of hits you like a train.&lt;br /&gt;&lt;br /&gt;There was nothing much going on upstairs until the age of nineteen.&lt;br /&gt;&lt;br /&gt;As a teenager, I was really trying to have fun 24 hours a day. I didn&#39;t start thinking until I was 20 or 21. I was doing regular goof-ball stuff.&lt;br /&gt;&lt;br /&gt;My father was a scientist for the Forest Service. He would drive me through the woods in his green Forest Service truck, over dirt roads, through the most beautiful forests where the trees are very tall and shafts of sunlight come down and in the mountain streams the rainbow trout leap out and their little trout sides catch glimpses of light. Then my father would drop me in the woods and go off. It was a weird, comforting feeling being in the woods. There were odd, mysterious things. That&#39;s the kind of world I grew up in.&lt;br /&gt;&lt;br /&gt;[on his 1965 sojourn to Europe to study art] I didn&#39;t take to Europe. I was all the time thinking, &quot;This is where I&#39;m going to be painting&quot;. And there was no inspiration there at all for the kind of work I wanted to do.&lt;br /&gt;&lt;br /&gt;[on his 1965 sojourn to Europe to study art] I intended to stay three years. Instead, I stayed 15 days! I remember lying in an Athens basement with lizards crawling along the walls and contemplating that I was 7,000 miles from McDonalds!&lt;br /&gt;&lt;br /&gt;[on why his officially sanctioned DVDs contain no chapter stops] It is my opinion that a film is not like a book--it should not be broken up. It is a continuum and should be seen as such.&lt;br /&gt;&lt;br /&gt;Absurdity is what I like most in life, and there&#39;s humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.&lt;br /&gt;&lt;br /&gt;I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn&#39;t honest, it stands out like a sore thumb.&lt;br /&gt;&lt;br /&gt;[on &lt;a href=&quot;http://www.imdb.com/name/nm0498247/&quot;&gt;Sheryl Lee&lt;/a&gt; and her performance in &lt;a href=&quot;http://www.imdb.com/title/tt0105665/&quot;&gt;Twin Peaks: Fire Walk with Me&lt;/a&gt; (1992)] It turns out, at least in my opinion, she&#39;s an unbelievable actress and there are things that she&#39;s done in this movie that are truly incredible. I haven&#39;t seen too many people get into a role and give it as much. So, the big news for me was this person was hired to be a dead girl and turns out to be a great actress and a perfect Laura Palmer.&lt;br /&gt;&lt;br /&gt;[on &lt;a href=&quot;http://www.imdb.com/title/tt0105665/&quot;&gt;Twin Peaks: Fire Walk with Me&lt;/a&gt; (1992)] I love that film. I say now that &lt;a href=&quot;http://www.imdb.com/title/tt0166896/&quot;&gt;The Straight Story&lt;/a&gt; (1999) is my most experimental movie, but up until then, &quot;Fire Walk With Me&quot; was my most experimental film, and some of the things, the combos, you know, like, sequences . . . It was a dark film, but like &lt;a href=&quot;http://www.imdb.com/name/nm0005152/&quot;&gt;Peggy Lipton&lt;/a&gt; said in an interview, it was just too much in people&#39;s faces, and it didn&#39;t have the humor of &lt;a href=&quot;http://www.imdb.com/title/tt0098936/&quot;&gt;&quot;Twin Peaks&quot;&lt;/a&gt; (1990). So it was what it was supposed to be, but it wasn&#39;t what people wanted. It was supposed to be stand-alone, but it was also supposed to be the last week of Laura Palmer&#39;s life. And all those things that had been established, they could be pleasant on one level to experience, but unpleasant on another level.&lt;br /&gt;&lt;br /&gt;[remarking about &lt;a href=&quot;http://www.imdb.com/name/nm0000062/&quot;&gt;Elvis Presley&lt;/a&gt;&#39;s reported comment to one of his backup singers that he thought no one would remember him] That&#39;s incredible. Elvis swims in our minds, and in the emotions all through time.&lt;br /&gt;&lt;br /&gt;[on &lt;a href=&quot;http://www.imdb.com/title/tt0120663/&quot;&gt;Eyes Wide Shut&lt;/a&gt; (1999)] I really love Eyes Wide Shut. I just wonder if &lt;a href=&quot;http://www.imdb.com/name/nm0000040/&quot;&gt;Stanley Kubrick&lt;/a&gt; really did finish it the way he wanted to before he died.&lt;br /&gt;&lt;br /&gt;[on actress &lt;a href=&quot;http://www.imdb.com/name/nm0001040/&quot;&gt;Joan Chen&lt;/a&gt;] She&#39;s the best thing from China since pasta - and much more beautiful. (People, May 04, 1992)&lt;br /&gt;&lt;br /&gt;[on actress &lt;a href=&quot;http://www.imdb.com/name/nm0000145/&quot;&gt;Sherilyn Fenn&lt;/a&gt;] She&#39;s a mysterious girl and I think that actresses like her who have a mystery - where there&#39;s something hiding beneath the surface - are the really interesting ones. (Premiere UK, July 1993)&lt;br /&gt;&lt;br /&gt;I was driving through Central Park with &lt;a href=&quot;http://www.imdb.com/name/nm0001492/&quot;&gt;Kyle MacLachlan&lt;/a&gt; and on the radio came Crying by &lt;a href=&quot;http://www.imdb.com/name/nm0649413/&quot;&gt;Roy Orbison&lt;/a&gt;. I started listening to this song and I&#39;m thinking only of &lt;a href=&quot;http://www.imdb.com/title/tt0090756/&quot;&gt;Blue Velvet&lt;/a&gt; (1986) and I&#39;m thinking this song could appear in the film. Once we were filming in Virginia, I ask for Roy Orbison&#39;s Greatest Hits and I hear In Dreams and boom! An explosion goes off in my head. And I think, &quot;This is it.&quot; Dennis [Hopper] was supposed to sing that and &lt;a href=&quot;http://www.imdb.com/name/nm0001777/&quot;&gt;Dean Stockwell&lt;/a&gt; was supposed to listen but Dennis couldn&#39;t remember the lines. And I thought, &quot;Wait a minute, Dean will sing and Dennis will listen.&quot; It was a magical thing.&lt;br /&gt;&lt;br /&gt;People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you&#39;re in love with, but you know she&#39;s not the kind of girl you bring home to your parents, because they sometimes hold some dark and troubling things.&lt;br /&gt;&lt;br /&gt;Salary&lt;br /&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0062653/&quot;&gt;The Alphabet&lt;/a&gt; (1968) $1,000&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Where Are They Now&lt;br /&gt;&lt;br /&gt;(May 2004) Lodz, Poland. Discussing his plans for building post production film studio in an old factory on Targowa street.&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/9064264115126978151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/david-lynch-arts-and-bio.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/9064264115126978151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/9064264115126978151'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/david-lynch-arts-and-bio.html' title='David Lynch arts and bio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikCR0qxvSCCnV17XFlMblO5t-nscSyLaTgU3kCsek8yOaUd4eQkt2jMSBQp9zR77ncrGhhIwWcb6xKOH0AAGZBKQYHbDkSZ9SdACcPRZUMQAcRF8ngu9RT7SnB3O6tNhJQJ-pCdn-vSRfU/s72-c/david+lynch.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-7900814724460676904</id><published>2012-08-19T09:59:00.000-07:00</published><updated>2012-08-19T09:59:08.909-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="Best Photo"/><category scheme="http://www.blogger.com/atom/ns#" term="cg"/><category scheme="http://www.blogger.com/atom/ns#" term="Collection"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual arts"/><category scheme="http://www.blogger.com/atom/ns#" term="creative photography"/><category scheme="http://www.blogger.com/atom/ns#" term="design"/><category scheme="http://www.blogger.com/atom/ns#" term="digital"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Image editing"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="pics"/><category scheme="http://www.blogger.com/atom/ns#" term="pictures"/><category scheme="http://www.blogger.com/atom/ns#" term="Salvador Dalí"/><category scheme="http://www.blogger.com/atom/ns#" term="Surreal"/><category scheme="http://www.blogger.com/atom/ns#" term="Surrealist"/><title type='text'>Surreal Artworks to Express Emotions </title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHq_8DmUSoypZJAfhqNaszVAwetQ4l_b5YAcj3ZjfJT4AkcO6HJ1h1LBwuh-m3reLqMBHMIXe5wEitVCoLY0voA92ZcHGT6m7b2PdUGfB-JSJ2RxYdIeD35nkwTAiysboDRzzF76TPB3Dc/s1600/SebastianEriksson3.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHq_8DmUSoypZJAfhqNaszVAwetQ4l_b5YAcj3ZjfJT4AkcO6HJ1h1LBwuh-m3reLqMBHMIXe5wEitVCoLY0voA92ZcHGT6m7b2PdUGfB-JSJ2RxYdIeD35nkwTAiysboDRzzF76TPB3Dc/s320/SebastianEriksson3.jpeg&quot; width=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Surreal Artworks to Express Emotions&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.mymodernmet.com/profiles/blogs/sebastian-eriksson-surreal-art&quot;&gt;&lt;img height=&quot;640&quot; src=&quot;http://api.ning.com/files/-*xFoA4fGaIb7MEa9WZIO--YeNALsud4rWXER3dB5ZsCQnLAhTeYXO0ZUODxOvdf4s8BCqzHlhpEuf67Vl5*H5G2kn38tRUa/SebastianEriksson3.jpeg&quot; width=&quot;426&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Growing up can be a challenge, especially in the teenage years. Some people use writing or art as a creative outlet for all the emotions they keep inside.&lt;br /&gt;&lt;br /&gt;Sebastian Eriksson is an 18-year-old up-and-coming surrealist artist living in Sweden. Not only is his artwork amazing, it&#39;s extremely thought-provoking as he adds descriptions of how his pieces relate to his life.&lt;br /&gt;&lt;br /&gt;For instance, in the piece above, he states: &quot;This is another paradox that I&#39;ve been working on for a couple of days. It describes a person with psychological problems such as schizophrenia, insanity, depression or other mental problems. His endless screaming makes his own mind eat him up. I have periods in my life where I feel like this. I wanted to make an illustration of my thoughts and my pain within.&quot;&lt;br /&gt;&lt;br /&gt;And for the piece immediately below: &quot;One day I felt like I was lost and I had too much things to think about. Like I was stuck in a maze and couldn&#39;t get out.&quot;&lt;br /&gt;&lt;br /&gt;We&#39;ve all felt like Sebastian, but most of us do not have the talent to draw how we feel. It&#39;s fascinating to look into the mind of a teenager through his or her artwork. It&#39;s also an honor.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/2pgouOHssaMt7D5BxHOMD3Z4jt60FLg3CMGCISpui*BxJQZbMNLZFn45D-4cDMS8OPKylKERLCrlCd5MATlUnGnXJv8gc5t7/SebastianEriksson2.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/ggQ*WpfCuf38v*yLBD3Euc88W-exWDv*wefEMCgKaxm2lbmZwaQ5ibnV3qYD3wJXDBtKGVP7u0Wv1WSOfj9SUV0PHpFahAu9/SebastianEriksson4.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/ja4bnyjg*NOt0imJVRVt-NdjyM7TPoETEU9-qA5rtYntWKMl8Mg00wFOYbIohzYFP8Hx3WjDvSKiebX7fyZwuuW2CnlkSLm3/SebastianEriksson6.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/VOrdvkeMz-gdeBnByrr-8HPrzml69HEFTp4PVGbS-Tfib-32yRqKP2LLFr4jFXE6yQshtjXxW29Z2J4izYJGFZY8Nm8-sW4X/SebastianEriksson9.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/wkS1Zj7jOcE08L89GFTYe*b*k1sa95pQl39k61xJFi30YoOA1E4mjCRazqKGVoPttzbyQJOyUKbvgo89qQd3RT2qmB*B261C/SebastianEriksson7.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/y3Xh2fq7BVAppRPWW6yFqlP3SuPHQrIzXhFS871J8Fw37eMQu1xd1lJcivvK3pOSJBy1II8WwCNWkWhjPeMjKj9j2Nk*FTYZ/SebastianEriksson5.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/lJd9L-Uaf6a-DcqL17Kx4K334qChL3Uhr8maXGmbwAktH-ZqfNwMo8tazLbTR-JG7O2HddkIf44e7S*jMzPtzyCUvnq5xf6K/SebastianEriksson8.jpeg&quot; /&gt;&lt;br /&gt;&lt;img src=&quot;http://api.ning.com/files/PAA*Gm6UawLT0WUz*qsJgr2YCT7u16KU6Ja-1N75kP2FPF7GBlUcv9DZhXVA3OMLb21fxLhg4QzvRQcm4Gf-Q*JwoGYxQQUQ/SebastianEriksson1.jpeg&quot; /&gt;&lt;br /&gt;Self-portrait of the artist&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://sebmaestro.deviantart.com/&quot; target=&quot;_blank&quot;&gt;Sebastian Eriksson&#39;s website&lt;/a&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/7900814724460676904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/surreal-artworks-to-express-emotions.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/7900814724460676904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/7900814724460676904'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/surreal-artworks-to-express-emotions.html' title='Surreal Artworks to Express Emotions '/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHq_8DmUSoypZJAfhqNaszVAwetQ4l_b5YAcj3ZjfJT4AkcO6HJ1h1LBwuh-m3reLqMBHMIXe5wEitVCoLY0voA92ZcHGT6m7b2PdUGfB-JSJ2RxYdIeD35nkwTAiysboDRzzF76TPB3Dc/s72-c/SebastianEriksson3.jpeg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-6972435831285559004</id><published>2012-08-18T06:54:00.001-07:00</published><updated>2012-08-18T06:54:22.467-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="creative"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="natural forms"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="STEVE PAYNE"/><category scheme="http://www.blogger.com/atom/ns#" term="visual art"/><title type='text'>STEVE PAYNE </title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;STEVE PAYNE&lt;/span&gt;&lt;/div&gt;
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In Artists Inspire Artists’s “Artists Series” we single out one amazing artist who’s work could stand alone. Today we have &lt;a href=&quot;http://replaceface.tumblr.com/&quot; target=&quot;_blank&quot;&gt;Steve Payne&lt;/a&gt;, who created the Replaceface series, where Steve took digital copies of George Dawe’s paintings of russian generals and added celebrities faces to the portrait using photoshop. So as always, enjoy &amp;amp; live inspired!&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-1-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-5-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-6-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-7-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-8-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-10-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-11-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-12-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-15-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-17-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-18-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-19-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-20-610x694.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://replaceface.tumblr.com/&quot;&gt;&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-21-610x693.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;img src=&quot;http://artistsinspireartists.com/wp-content/uploads/2012/05/AIA-Artists-Series-Steve-Payne-23-610x685.png&quot; /&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/6972435831285559004/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/steve-payne.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6972435831285559004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6972435831285559004'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/steve-payne.html' title='STEVE PAYNE '/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-3195879359134628468</id><published>2012-08-14T05:48:00.002-07:00</published><updated>2012-08-14T05:48:13.625-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="creative"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="natural forms"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="visual art"/><title type='text'>Alexandra Pacula paintings</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Alexandra Pacula paintings&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.mymodernmet.com/profiles/blogs/painting-intoxicated-at-100&quot;&gt;&lt;img src=&quot;http://api.ning.com/files/0W*FqI3*Lod0REjDhC6SJn-jWe9z4VbgTVYUYekRL055zyfj7ltmG1JAp*AMindghaKG9NYolUJI9j0rXPwoyEbJv3bkMrSl/AlexandraPacula1.jpg&quot; /&gt;&lt;/a&gt;It&#39;s almost as if Alexandra Pacula paints what she sees while driving drunk at 100 mph. &quot;My work investigates a world of visual intoxication; it captures moments of enchantment, which are associated with urban nightlife,&quot; says the New York-based artist born in Poland.&lt;/div&gt;
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&quot;I am fascinated by the ambiance of the city at night and its seductive qualities. The breathtaking turbulence of speeding vehicles and hasty pedestrians evoke feelings of wonder and disorientation. The vibrant lights become a magical landscape with enticing opportunities and promises of fulfillment.&quot;&lt;/div&gt;
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Pacula paints with oil to recreate the feeling of dizziness and confusion. She then lets the paint blur, allowing shapes to dissolve.&lt;/div&gt;
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&quot;I suggest motion in order to slow down the scene and capture the fleeting moments, which tend to be forgotten,&quot; she says. &quot;By interpreting lights in graphic or painterly ways, I create a sense of space, alluding to a hallucinogenic experience. I want the viewer’s eye to travel within my composition and experience a familiar exhilarating event of an actual nightly excursion.&quot;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/NNHJ70ofQTt6AHMcW2P9aCiBU7XapKDuLTBn017CTEOkkon4ZECU3nYXtOpSNlsTq1PbNgSiJoNxyH5Cppy9M*YJYmmDmdod/AlexandraPacula3.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/brYeTWKx3Yx*6Do-vHFisKDG412TuQViTyXee0Ox--FJ2vgAWsN7zchXfNxNQRDaogpN8-wWatP-Bbd*nfsF9E3Qk47kBE1r/AlexandraPacula2.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/GAzWPq2wAMHO2cYJwtMi4jr-hD0pvEJndiQltLA*G-8GXZbp6Ycz9KsEcbfecnSupxG4yjGg4KPbZ2PxWNLHGMmfCvQ6500L/AlexandraPacula4.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/AVNArXwxQrT3JWG*8tTIM8FPEHgOHdzomtZrOKDAF9cCpB7-O4ql*fWu*79SFOVAN5DG*lcsNjmnp031D3hbdL-kjyCZSTed/AlexandraPacula5.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/V33VP3LtT76Acuh6cT0SKMkJwwqad-n32lkZehF7cw*1lUBH6Z-dE14YFL-LsOyr3qJAu00WAxoKXcplWrwsHRw5ckbdHCVz/AlexandraPacula6.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/zJzpLgJ6gDmBuPodGQ2w4YGNYRlI7pDMzU5El*iiFcYTp9ZfKrowaBeZ*xj7OLT61zQj8QF5Ig7epgPTbeRgsDLGgqTlXfxZ/AlexandraPacula7.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/28oquLzR2FDWHeK0c3Zu6aJKbmNt2sVF6V9jMsPxBcgLvW3WTE6oadK8HEjqUBMBB17damhNdpAViAWOFxWMqoKg5vT0GYU8/AlexandraPacula8.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/X1iGwvmnVRlsSg8HBewB2h*P*F1ph39LYxlYw39Rgdi6SPCoeFEsN*ifFEM3RXMOCTiSvyCsmN0*y1yYNFKysVAnCSIfOd-w/AlexandraPacula9.jpg&quot; /&gt;&lt;/div&gt;
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&lt;img src=&quot;http://api.ning.com/files/wOaF8BMIbLXuhh2PkkjfZWD2**4AzL68BhWYMjdyYJQjcEH60LQmwZCxCwDDrYR72yq0M1qXacTDkzk*QFrEa*tlS-vCYQZe/AlexandraPacula10.jpg&quot; /&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/3195879359134628468/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/alexandra-pacula-paintings.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/3195879359134628468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/3195879359134628468'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/alexandra-pacula-paintings.html' title='Alexandra Pacula paintings'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-6003774621453513343</id><published>2012-08-12T06:56:00.001-07:00</published><updated>2012-08-12T07:01:02.365-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="creative"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="natural forms"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="visual art"/><title type='text'>pencil vs. camera</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;pencil vs. camera
&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;img height=&quot;512&quot; src=&quot;http://www.designboom.com/weblog/images/images_2/erica/973/pencil01.jpg&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&#39;pencil vs. camera&#39; by ben heine&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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&#39;pencil vs. camera&#39; by ivory coast-born brussels-based photographer &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt; is a series of images&amp;nbsp;&lt;/div&gt;
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that inject hand-drawn pictures within real-life settings to create a composite effect that is often surreal&amp;nbsp;&lt;/div&gt;
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and highly narrative. manipulating the backdrop to host added elements such as real-life tetris blocks,&lt;/div&gt;
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floating speech bubbles, and an alcoholic panda, the photographs are an exercise in manual photoshop,&amp;nbsp;&lt;/div&gt;
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always including heine&#39;s hand which holds up the sketched piece of paper in the foreground.&amp;nbsp;&lt;/div&gt;
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alarmingly accurate and crisply focused, the series puts great care in the alignment and perspective&lt;/div&gt;
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required to successfully pull off the optical illusion. heine creates seemingly effortless snapshots that&lt;/div&gt;
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are highly imaginative and contextual.&amp;nbsp;&lt;/div&gt;
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&lt;img height=&quot;459&quot; src=&quot;http://www.designboom.com/weblog/images/images_2/erica/973/pencil02.jpg&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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&lt;img height=&quot;640&quot; src=&quot;http://www.designboom.com/weblog/images/images_2/erica/973/pencil03.jpg&quot; width=&quot;451&quot; /&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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&lt;img height=&quot;640&quot; src=&quot;http://www.designboom.com/weblog/images/images_2/erica/973/pencil04.jpg&quot; width=&quot;626&quot; /&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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image © &lt;a href=&quot;http://www.benheine.com/&quot;&gt;ben heine&lt;/a&gt;&lt;/div&gt;
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&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/6003774621453513343/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pencil-vs-camera.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6003774621453513343'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/6003774621453513343'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pencil-vs-camera.html' title='pencil vs. camera'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-7011366921243151826</id><published>2012-08-12T06:53:00.002-07:00</published><updated>2012-08-12T06:53:51.508-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="bstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="creative"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="natural forms"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="Rob Hefferan"/><category scheme="http://www.blogger.com/atom/ns#" term="visual art"/><title type='text'>Ballpoint pen</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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Ballpoint pen&lt;/div&gt;
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Surprisingly, all these detailed, realistic pictures are made by ordinary ballpoint pen. The author – a young artist and photographer Sarah Esteje. It is difficult to imagine how you can draw so cleanly and professionally the first time – because, unlike the pencil drawings, there is nothing to fix fails.&lt;/div&gt;
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&lt;img src=&quot;http://www.todayswhisper.com/img/art/ballpoint_pen_and_nothing_more/ballpoint_pen_9.jpg&quot; /&gt;&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/7011366921243151826/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/ballpoint-pen.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/7011366921243151826'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/7011366921243151826'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/ballpoint-pen.html' title='Ballpoint pen'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-135141487977429864</id><published>2012-08-07T18:03:00.001-07:00</published><updated>2012-09-13T02:23:14.432-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="about picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="by pablo picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Pablo Picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso and"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso the"/><category scheme="http://www.blogger.com/atom/ns#" term="pictures"/><category scheme="http://www.blogger.com/atom/ns#" term="Spanish painter"/><category scheme="http://www.blogger.com/atom/ns#" term="who was picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="works of picasso"/><title type='text'>Pablo Picasso</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: x-large;&quot;&gt;&lt;b&gt;Pablo Picasso&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Text from Thomas Hoving, &quot;Art For Dummies®&quot;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Yet Cubism and Modern art weren&#39;t either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland&#39;s Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso&#39;s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man&#39;s Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;The Rose Period began around 1904 when Picasso&#39;s palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery&#39;s large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein. The other major artist promoted by the Steins during this period was Henri Matisse, who had made a sensation in an exhibition of 1905 for works of a most shocking new style, employing garish and dissonant colors. These pieces would be derided by the critics as &quot;Fauvism,&quot; a French word for &quot;wild beasts.&quot; Picasso was profoundly influenced by Matisse. He was also captivated by the almost cartoon-like works of the self-taught &quot;primitive&quot; French painter Henri &quot;Le Douanier&quot; Rousseau, whom he affectionately called &quot;the last ancient Egyptian painter&quot; because his works have a passing similarity to the flat ancient Egyptian paintings.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;A masterpiece by Rousseau is in the Museum of Modern Art in New York, his world-famous Sleeping Gypsy, with an incredible tiger gazing at the dormant figure with laser-like eyes.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Picasso discovered ancient Iberian sculpture from Spain, African art (for he haunted the African collections in the Musée d&#39;Ethnographie du Trocadéro in Paris), and Gauguin&#39;s sculptures. Slowly, he incorporated the simplified forms he found in these sources into a striking portrait of Gertrude Stein, finished in 1906 and given by her in her will to the Metropolitan Museum. She has a severe masklike face made up of emphatically hewn forms compressed inside a restricted space. (Stein is supposed to have complained, &quot;I don&#39;t look at all like that,&quot; with Picasso replying, &quot;You will, Gertrude, you will.&quot;) This unique portrait comes as a crucial shift from what Picasso saw to what he was thinking and paves the way to Cubism.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Then came the awesome Les Demoiselles d&#39;Avignon of 1907, the shaker of the art world (Museum of Modern Art, New York). Picasso was a little afraid of the painting and didn&#39;t show it except to a small circle of friends until 1916, long after he had completed his early Cubist pictures. Cubism is essentially the fragmenting of three-dimensional forms into flat areas of pattern and color, overlapping and intertwining so that shapes and parts of the human anatomy are seen from the front and back at the same time. The style was created by Picasso in tandem with his great friend Georges Braque, and at times, the works were so alike it was hard for each artist quickly to identify their own. The two were so close for several years that Picasso took to calling Braque, &quot;ma femme&quot; or &quot;my wife,&quot; described the relationship as one of two mountaineers roped together, and in some correspondence they refer to each other as &quot;Orville and Wilbur&quot; for they knew how profound their invention of Cubism was.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Every progressive painter, whether French, German, Belgian, or American, soon took up Cubism, and the style became the dominant one of at least the first half of the 20th century. In 1913, in New York, the new style was introduced at an exhibition at the midtown armory - the famous Armory Show - which caused a sensation. Picasso would create a host of Cubist styles throughout his long career. After painting still-lifes that employed lettering, trompe l&#39;oeil effects, color, and textured paint surfaces, in 1912 Picasso produced Still-Life with Chair-Caning, in the Picasso Museum in Paris, which is an oval picture that is, in effect, a cafe table in perspective surrounded by a rope frame - the first collage, or a work of art that incorporates preexisting materials or objects as part of the ensemble. Elements glued to the surface contrasting with painted versions of the same material provided a sort of sophisticated double take on the part of the observer. A good example of this, dubbed Synthetic Cubism, is in the Picasso Museum, Paris, the witty Geometric Composition: The Guitar (1913). The most accomplished pictures of the fully developed Synthetic Cubist style are two complex and highly colorful works representing musicians (in Philadelphia and the Museum of Modern Art, New York). He produced fascinating theatrical sets and costumes for the Ballet Russe from 1914 on, turned, in the 1920s, to a rich classical style, creating some breathtaking line drawings, dabbled with Surrealism between 1925 and 1935, and returned to Classicism.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;At the outbreak of the Spanish Civil War, Picasso was appointed the director of the Prado. In January, 1937, the Republican government asked him to paint a mural for the Spanish pavilion at the world exposition in Paris. Spurred on by a war atrocity, the total destruction by bombs of the town of Guernica in the Basque country, he painted the renowned oil Guernica in monochrome (now in Madrid&#39;s Museo Nacional Centro de Arte Reina Sofia.) Something of an enigma in details, there&#39;s no doubt that the giant picture (which until the death of Franco was in New York&#39;s Museum of Modern Art) expresses a Goyaesque revulsion over the horrors man can wreak upon fellow man. The center is dominated by a grieving woman and a wounded, screaming horse illuminated, like Goya&#39;s Third of May, 1808 by a harsh light.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&quot;Picasso lived in Paris through the war, producing gloomy paintings in semi-abstract styles, many depicting skulls or flayed animals or a horrifying charnel house. He joined the Communist party after the war and painted two large paintings condemning the United States for its involvement in the Korean War (two frightfully bad paintings about events that never happened - like American participation in germ warfare). [In fact, research has determined that the event depicted by Picasso in &quot;Massacre in Korea&quot; did occur. See this newspaper article written in 1999, after Hoving wrote this piece...although the claim of germ warfare is still unsubstantiated. - ed.]. He turned enthusiastically to sculpture, pottery, and print-making, and, in his later years, preoccupied himself with a series of mistresses and girlfriends, changing his style to express his love for each one, and, finally, making superb evocations of the works of old masters like Diego Velazquez. Whatever Picasso had a hand in turned out to have an unquenchable spark of utter genius.&quot;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;BOOKS ON PICASSO&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Les Demoiselles D&#39;Avignon (Studies in Modern Art, No 3)&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;William Rubin, et al&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Everything you EVER wanted to know about Picasso&#39;s proto-Cubist masterwork. The graphics are of high quality and include every preparatory drawing or sketch as well as related works by other artists that influenced or were influenced by the &quot;Demoiselles&quot;. Rubin is one of the clearest writers on art, and offers an accessible, yet thorough work.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span class=&quot;Apple-tab-span&quot; style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;A Life of Picasso: Volume I, 1881-1906&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;John Richardson, Marilyn McCully&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;The definitive multi-volume biography of the 20th century&#39;s most fascinating artist. Volume I covers the early years, through the Blue and Rose Periods. This paperback version is the smarter buy. Also available: A Life of Picasso: Volume II, 1907-1917, which covers the critical Cubist Period.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span class=&quot;Apple-tab-span&quot; style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;Picasso : The Early Years 1892-1906&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;This is the catalog to the blockbuster show of 1997, featuring the Blue and Rose Periods. The graphics are of exceptional quality, and the accompanying essays are enlightening, focusing on less well-known aspects of this period of Picasso&#39;s career.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span class=&quot;Apple-tab-span&quot; style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;Picasso and Portraiture : Representation and Transformation&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;William Rubin (Editor), Anne Baldassari, Pierre Daix&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;This is the catalog to the blockbuster show of 1996, featuring portraits from the beginning to end of Picasso&#39;s long career. The graphics are again of exceptional quality. Rubin&#39;s essay in particular is critical in art historical writing on the Spanish master.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span class=&quot;Apple-tab-span&quot; style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;Picasso&#39;s Variations on the Masters : Confrontations With the Past&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;Susan Grace Galassi&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;This is an extremely interesting look at Picasso&#39;s series paintings based on masterworks from the past, from Velazquez to Delacroix to Manet. It was as if he could not find sufficient competition among contemporary artists, and looked to outdo the masters of the past in their own works.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/135141487977429864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pablo-picasso_7.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/135141487977429864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/135141487977429864'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pablo-picasso_7.html' title='Pablo Picasso'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtOV1-IHfslHUYHqCZZXa8ZraRaW1CIISiiA1WKZbIVygUMvkkbqP1AzP9DgVeeyxJgf4N0ujLky2sh0b0hk37xaIxwWZA3rN20vdSjGysAUDl6Iq0rf82M81OrFhqRRjFu5SvJkjYX074/s72-c/Pablo-Picasso-art-paining-Portrait-of-the-Artist&#39;s-Mother.JPG" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-2961033836625010277</id><published>2012-08-07T17:57:00.001-07:00</published><updated>2012-09-13T02:23:47.428-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="about picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="by pablo picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="conceptual arts"/><category scheme="http://www.blogger.com/atom/ns#" term="Pablo Picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings by picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso and"/><category scheme="http://www.blogger.com/atom/ns#" term="picasso the"/><category scheme="http://www.blogger.com/atom/ns#" term="pictures"/><category scheme="http://www.blogger.com/atom/ns#" term="Spanish painter"/><category scheme="http://www.blogger.com/atom/ns#" term="who was picasso"/><category scheme="http://www.blogger.com/atom/ns#" term="works of picasso"/><title type='text'>Pablo Picasso&#39;s Confessions</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;img src=&quot;http://www.goodart.org/ppfacet.jpg&quot; /&gt; Pablo Picasso&#39;s Confessions&lt;/span&gt;&lt;/div&gt;
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In many of my discussions with people who defend &quot;modern art&quot;, people express the idea that the artist is by definition right about his evaluation of his own &quot;art&quot; and that nobody else can really decide whether or not it is good or valuable since &quot;It could be that there&#39;s really something deeply important hidden beyond your ability to interpret it.&quot; Though I don&#39;t subscribe to that position myself, it might be instructive for such people to listen to what Pablo Picasso, one of the early proponents of the ugly and meaningless in 20th century painting had to say about his work.&lt;/div&gt;
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This page previously included quotes reportedly taken from an interview with Picasso by Giovanni Papini called &quot;Picasso Confesses&quot;. As it turns out this was a fantasy interview which never took place. As it turns out, Picasso said numerous things at least as bad as what was reported earlier.&lt;/div&gt;
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On Sayings...&quot;If you take my sayings and explode them in the air, they remain only sayings. But if you fit them together in their correct places, you will have the whole story.&quot; (Dor del la Souchere, 1960, p. 13)&lt;/div&gt;
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On The Parthenon...&quot;The Parthenon is really only a farmyard over which someone put a roof; colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves. It is not what the artist does that counts, but what he is. Cezanne would never have interested me a bit if he had lived and thought like Jacques Emile Blanche, even if the apple he painted had been ten times as beautiful. What forces our interest is Cezanne&#39;s anxiety - that&#39;s Cezanne&#39;s lesson; the torments of Van Gogh - that is the actual drama of the man. The rest is a sham.&quot; (Cashiers de Art, Conversation Avec Picasso, 1949)&lt;/div&gt;
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On The Dictatorship of the Painter(s)...&quot;There ought to be an absolute dictatorship...a dictatorship of painters...a dictatorship of one painter...to suppress all those who have betrayed us, to suppress the cheaters, to suppress the tricks, to suppress the mannerisms, to suppress charms, to suppress history, to suppress a heap of other things. But common sense always gets away with it. Above all, let&#39;s have a revolution against that! The true dictator will always be conquered by the dictatorship of common sense...and maybe not!&quot; (Cashiers de Art, Conversation Avec Picasso, 1949)&lt;/div&gt;
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On Guernica and Communism...&quot;I am a communist and my painting is a communist painting. But if I were a shoemaker, Royalist or Communist or anything else, I would not necessarily hammer my shoes in any special way to show my politics.&quot; (Interview with Jerome Seckler, 1945, Picasso Explains)&lt;/div&gt;
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On Truth...&quot;What is truth? Truth cannot exist. ... Truth does not exist. ... Truth is a lie.&quot; (Parmelin, Picasso: The Artist, His Model, and Other Related Works, 1965, p. 110)&lt;/div&gt;
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On How Awful Art Is...&quot;Enough of Art. It&#39;s Art that kills us. People no longer want to do painting: they make art. People want Art. And they are given it. But the less Art there is in painting the more painting there is.&quot; (Parmelin, Picasso Plain, 1964, p. 30)&lt;/div&gt;
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On Truth and Lies...&quot;We all know that art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.&quot; (The Arts, Picasso Speaks, 1923)&lt;/div&gt;
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On The Threat of Artists...&quot;[T]oday we haven&#39;t the heart to expel the painters and poets from society because we refuse to admit to ourselves that there is any danger in keeping them in our midst.&quot; (Cashiers de Art, Conversation Avec Picasso, 1949)&lt;/div&gt;
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On Academic Training...&quot;Academic training in beauty is a sham. We have been so deceived, but so well deceived that we can scarcely get back even a shadow of the truth.&quot; (Cashiers de Art, Conversation Avec Picasso, 1949)&lt;/div&gt;
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On Planning...&quot;I see, for others, that is to say, in order to put on canvas the sudden apparitions which come to me. I don&#39;t know in advance what I am going to put on canvas any more than I decide beforehand what colors I am going to use. While I am working I am not conscious of what I am putting on the canvas. Each time I undertake to paint a picture I have a sensation of leaping into space. I never know whether I shall fall on my feet. It is only later that I begin to estimate more exactly the effect of my work.&quot; (Zervos, Pablo Picasso, 1932, p. xv)&lt;/div&gt;
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On The Virtue of Vagueness...&quot;You have to have an idea of what you are going to do, but it should be a vague idea.&quot; (Kahnweiler, Juan Gris: sa vie, son oeuvre, ses ecrits, 1946, p. 83)&lt;/div&gt;
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On Planning...&quot;One never knows what one is going to do. One starts a painting and then it becomes something quite else. It is remarkable how little the &#39;willing&#39; of the artist intervenes.&quot; (Kahnweiler, Gesprache mit Picasso, 1959, p. 85-98)&lt;/div&gt;
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On Subjects...&quot;...even if the painting is green, well then! the &#39;subject&#39; is the green. There is always a subjet; it&#39;s a joke to suppress the subject, it&#39;s impossible.&quot; (Parmelin, Picasso: The Artist and His Model, and other Recent Works, 1965, p. 43)&lt;/div&gt;
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On Bad Habits...&quot;I paint the way someone bite his fingernails; for me, painting is a bad habit because I don&#39;t know nor can I do anything else.&quot; (Gallego Morell, de Renoir a Picasso, 1958, p. 3)&lt;/div&gt;
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On Imitation...&quot;Imitators? All right! Disciples if your like. But disciples be damned. It&#39;s not interesting. It&#39;s only the masters that matter. Those who create. And they don&#39;t even turn around when you piss on their heels...&quot; (Georges-Michel, de Renoir a Picasso, 1954, p. 94-95)&lt;/div&gt;
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On Imitation...&quot;What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What&#39;s wrong with that? On the contrary, it&#39;s a good idea. You should constantly try to paint like someone else. But the thing is, you can&#39;t! You would like to. You try. But it turns out to be a botch...And at the very moment you make a botch of it that you&#39;re yourself.&quot; (Parmelin, Picasso: The Artist and His Model, and other Recent Works, 1965, p. 43)&lt;/div&gt;
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On Beauty...&quot;&#39;I have never in any museum seen a picture as beautiful as this one.&#39; [Picasso] said to me, pointing to a sheet of tin hanging on the door. &#39;the man who painted this picture was not thinking of his glory.&#39;&quot; (Sabartes, Picasso: portraits et souvenirs, 1946, p. 210-212)&lt;/div&gt;
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On Bad Paintings...&quot;I like all painting. I always look at the paintings - good or bad - in barbershops, furniture stores, provincial hotels...I&#39;m like a drinker who needs wine. As long as it is wine, it doesn&#39;t matter which wine.&quot; (Guttuso, Journals, Quoted in Mario De Micheli, 1964)&lt;/div&gt;
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On Objective Reality...&quot;The goal I proposed myself in making cubism? To paint and nothing more. And to paint seeking a new expression, divested of useless realism, with a method linked only to my thought - without enslaving myself with objective reality. Neither the good nor the true; neither the useful or the useless.&quot; (Del Pomar, Con las Buscadores del Camino, 1932, p. 126)&lt;/div&gt;
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On Beauty, Art, and Research...&quot;I have a horror of people who speak about the beautiful. What is the beautiful? One must speak of problems in painting! Paintings are but research and experiment. I never do a painting as a work of art. All of them are researches.&quot; (Liberman, Picasso, Vogue, November 1, 1956)&lt;/div&gt;
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On Blindness as a Virtue...&quot;[T]hey ought to put out the eyes of painters as they do goldfinches in order that they can sing better.&quot; (Teriade, En causant avec Picasso, Intransigeant, June 15, 1932)&lt;/div&gt;
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On Kiddie Art...When visiting an exhibition of children&#39;s drawings, Piscasso remarked: &quot;When I was their age I could draw like Raphael, but it took me a lifetime to learn to draw like them.&quot; (Penrose, Picasso: His Life and Work, 1958, p. 275)&lt;/div&gt;
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On Imposters...&quot;Museums are just a lot of lies, and the people who make art their business are mostly imposters.&quot; (Zervos, Conversation avec Picasso, 1935)&lt;/div&gt;
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On Symbolism and Communism...&quot;If I paint a hammer and sickle people may think it is a representation of Communism, but for me it is only a hammer and sickle. I just want to reproduce the objects for what they are, not for what they mean.&quot; (Interview with Jerome Seckler, Picasso Explains, 1945)&lt;/div&gt;
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On Re-Education Camps and Art...&quot;If everyone would paint, political re-education would be unnecessary.&quot; (Spender, Keeping a Great City Alive, Vogue, December 1946, p. 194, 224, 226)&lt;/div&gt;
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On Art as a Weapon...&quot;No, painting is not made to decorate apartments, it&#39;s an offensive and defensive weapon against the enemy.&quot; (Tery, Picasso, n&#39;est pas officer dans l&#39;Armee francaise, Les Lettres Francaises, March 24, 1945)&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/2961033836625010277/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pablo-picassos-confessions.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2961033836625010277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/2961033836625010277'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/pablo-picassos-confessions.html' title='Pablo Picasso&#39;s Confessions'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheKxxhMEardao_VYV1N2kriAa8hQ4F-HdfjOR-VC2dS-nbyUsunvHbo4MCMloCoquBoU0SydYqgLYp4-JqW-s_-GNb_-YVDmVn7CTzwsJgQstpby2lheBpQHDVW33IpCdCnbFNoqfMAkGU/s72-c/picasso1.jpg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1178751845844616450.post-5964218562472983202</id><published>2012-08-07T17:37:00.000-07:00</published><updated>2012-08-07T17:40:22.459-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="abstract expressionism"/><category scheme="http://www.blogger.com/atom/ns#" term="artist"/><category scheme="http://www.blogger.com/atom/ns#" term="arts"/><category scheme="http://www.blogger.com/atom/ns#" term="artworks"/><category scheme="http://www.blogger.com/atom/ns#" term="creative"/><category scheme="http://www.blogger.com/atom/ns#" term="fine arts"/><category scheme="http://www.blogger.com/atom/ns#" term="inspires"/><category scheme="http://www.blogger.com/atom/ns#" term="natural forms"/><category scheme="http://www.blogger.com/atom/ns#" term="paintings"/><category scheme="http://www.blogger.com/atom/ns#" term="portrait"/><category scheme="http://www.blogger.com/atom/ns#" term="Rob Hefferan"/><category scheme="http://www.blogger.com/atom/ns#" term="visual art"/><title type='text'>Epic Mickey Concept Art by A.J. Trahan</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKgr20_zAhjhgkrmKf0LHgk6znKimiEcGHrhW0xr8TGdFHGSsG-q1SeLf6aPgHErQVV5Q2pJutGPxnmnzwfC9oGvMHUFptZYXNzxQe2KQDZiMJ4b40Vm6I0zAyc9_pwwxoEsCAYkNCQBr/s1600/Epic_Mickey_by_AJ_Trahan_08a.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;228&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKgr20_zAhjhgkrmKf0LHgk6znKimiEcGHrhW0xr8TGdFHGSsG-q1SeLf6aPgHErQVV5Q2pJutGPxnmnzwfC9oGvMHUFptZYXNzxQe2KQDZiMJ4b40Vm6I0zAyc9_pwwxoEsCAYkNCQBr/s320/Epic_Mickey_by_AJ_Trahan_08a.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;Epic Mickey Concept Art by A.J. Trahan&lt;br /&gt;&lt;br /&gt;Concept artist and illustrator A.J. Trahan has released concept artwork he created for Disney’s Epic Mickey. After working for two and a half years on Epic Mickey, A.J. has now been able to show his work which contains a few concepts he did for the opening cinematic.&lt;br /&gt;&lt;br /&gt;Link: &lt;a href=&quot;http://ajtronart.blogspot.com/&quot; target=&quot;_blank&quot;&gt;ajtronart.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_01a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_02a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_03a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_04a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_10a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_05a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_06a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_09a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_07a.jpg&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://conceptartworld.com/wp-content/uploads/2010/12/Epic_Mickey_by_AJ_Trahan_08a.jpg&quot; /&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://experimentalphotoarts.blogspot.com/feeds/5964218562472983202/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/epic-mickey-concept-art-by-aj-trahan.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5964218562472983202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1178751845844616450/posts/default/5964218562472983202'/><link rel='alternate' type='text/html' href='http://experimentalphotoarts.blogspot.com/2012/08/epic-mickey-concept-art-by-aj-trahan.html' title='Epic Mickey Concept Art by A.J. Trahan'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKgr20_zAhjhgkrmKf0LHgk6znKimiEcGHrhW0xr8TGdFHGSsG-q1SeLf6aPgHErQVV5Q2pJutGPxnmnzwfC9oGvMHUFptZYXNzxQe2KQDZiMJ4b40Vm6I0zAyc9_pwwxoEsCAYkNCQBr/s72-c/Epic_Mickey_by_AJ_Trahan_08a.jpg" height="72" width="72"/><thr:total>1</thr:total></entry></feed>