<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss version="2.0">
				<channel>
					<title>FJI - Columns</title>
					<link>http://www.filmjournal.com</link>
					<description>Film Journal International News - Motion Picture Industry Trade Publication - Film Industry News</description>
					<language>en-us</language>
					<copyright />
					<lastBuildDate>Sat, 26 May 2012 02:22:730 EDT</lastBuildDate>
					<category>Columns</category>
					
						
						
						
						
							
						
						
						
						
						
						
						

                         <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/FilmJournalInt-Columns" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="filmjournalint-columns" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item>
							<title>The dark sweet rises: Why movie concession stands should reconsider dark chocolate</title>
							<pubDate>Tue, 15 May 2012 12:56:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3ica02460d36bdaba6c69d37d1c2e3fee3</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3ica02460d36bdaba6c69d37d1c2e3fee3</link>
							<description>Dark chocolate continues to grow in the confectionary world. Some would  say this is thanks to the continued praise of its health benefits and  others would say it is because the palate for dark chocolate has grown.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/K-lx3dA_MKyyn45Gf9qhgw9UEmY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/K-lx3dA_MKyyn45Gf9qhgw9UEmY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/K-lx3dA_MKyyn45Gf9qhgw9UEmY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/K-lx3dA_MKyyn45Gf9qhgw9UEmY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
							
						
						
						
						
						

                         <item>
							<title>'One Day on Earth' has global screenings</title>
							<pubDate>Thu, 10 May 2012 04:36:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i942bd60040ca48138b4e079b943f609d</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i942bd60040ca48138b4e079b943f609d</link>
							<description>With no immediate news to link ShowCanada to this column, let&amp;#8217;s start  this month&amp;#8217;s European column with an update of global proportions.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ZHy2zSXcU_H3AsccGkJVfoFjOlg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZHy2zSXcU_H3AsccGkJVfoFjOlg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ZHy2zSXcU_H3AsccGkJVfoFjOlg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZHy2zSXcU_H3AsccGkJVfoFjOlg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
							
						
						
						
						

                         <item>
							<title>Advertising on the rise at Thai cinemas</title>
							<pubDate>Thu, 10 May 2012 04:33:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i1ebbc1bc009ab064b3119f7e41660202</guid>
							<category>Columns</category>			
							<author>Scott Rosenberg</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i1ebbc1bc009ab064b3119f7e41660202</link>
							<description>Niti Pattanapakdee, general manager at Major CineAd, a subsidiary of  Major Cineplex Group (Thailand's largest cinema chain), reported to &lt;i&gt;The Nation &lt;/i&gt;newspaper  that in-theatre advertising in Thailand will increase at least 15% this  year, based on positive first-quarter earnings.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fhqaYhMmnqSd_cgoOy-lQpPZnl4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fhqaYhMmnqSd_cgoOy-lQpPZnl4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fhqaYhMmnqSd_cgoOy-lQpPZnl4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fhqaYhMmnqSd_cgoOy-lQpPZnl4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
						
							
						
						
						

                         <item>
							<title>Independent Cinemas Association honors digital cinema allies</title>
							<pubDate>Thu, 10 May 2012 04:30:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i091479a222295b4b3e51b83eb961ae2e</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i091479a222295b4b3e51b83eb961ae2e</link>
							<description>The Independent Cinemas Association of Australasia (ICAA) just ended its  annual conference, which this year was held at the Dendy Cinemas in  Sydney.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/EImtWcEJUWaNffA_ZTq5pMQBUrM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EImtWcEJUWaNffA_ZTq5pMQBUrM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/EImtWcEJUWaNffA_ZTq5pMQBUrM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EImtWcEJUWaNffA_ZTq5pMQBUrM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
							
						
						
						
						
						
						
						
						

                         <item>
							<title>Judging high-frame-rate technology</title>
							<pubDate>Thu, 10 May 2012 04:28:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i63c12713cc91d33900da4e23df7113a0</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i63c12713cc91d33900da4e23df7113a0</link>
							<description>Technology is changing so rapidly in the motion picture arena that keeping up with it is nearly a full-time job.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2YqQdpryFz-LK7g6SYwHUyg59mc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2YqQdpryFz-LK7g6SYwHUyg59mc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2YqQdpryFz-LK7g6SYwHUyg59mc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2YqQdpryFz-LK7g6SYwHUyg59mc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
							
						
						
						
						
						
						
						

                         <item>
							<title>The right mix: Product diversity equals shared margins</title>
							<pubDate>Fri, 20 Apr 2012 11:59:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i7979104478feee92200b0aef1df84d11</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i7979104478feee92200b0aef1df84d11</link>
							<description>The cinema industry has greatly expanded its food offering over the past  five years, diversified the product mix, and changed the consumer  experience.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JfHemJ0-sgZgnk2w9DSTEbgdZDQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JfHemJ0-sgZgnk2w9DSTEbgdZDQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/JfHemJ0-sgZgnk2w9DSTEbgdZDQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JfHemJ0-sgZgnk2w9DSTEbgdZDQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
							
						
						
						
						
						
						

                         <item>
							<title>Silent treatment: Non-verbal cues send strong messages</title>
							<pubDate>Fri, 20 Apr 2012 11:54:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/the-people-factor/e3i0e93445a1aa3bad388bf1ea18dc10973</guid>
							<category>Columns</category>			
							<author>Keith Wiedenkeller, Senior VP, Human Resources, AMC Entertainment Inc.</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/the-people-factor/e3i0e93445a1aa3bad388bf1ea18dc10973</link>
							<description>So I&amp;#8217;m watching this year&amp;#8217;s Best Picture (again) and it strikes me that  this film may also deserve an award for &amp;#8220;Best Example of Effective  Non-verbal Communication.&amp;#8221;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/zAc9o_JO6dtPTd-6AFfLIEMFlJI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zAc9o_JO6dtPTd-6AFfLIEMFlJI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/zAc9o_JO6dtPTd-6AFfLIEMFlJI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zAc9o_JO6dtPTd-6AFfLIEMFlJI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
							
						
						
						
						
						

                         <item>
							<title>All eyes on Amsterdam's EYE</title>
							<pubDate>Fri, 13 Apr 2012 05:05:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3ic6a6e6cd412ce94139e29bd86b577c0d</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3ic6a6e6cd412ce94139e29bd86b577c0d</link>
							<description>On April 5, the EYE Film Institute Netherlands celebrated the opening of  its spectacular new quarters within Amsterdam.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LvFJGLk_Vi_7wdtD3Ao3LH6AJhU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LvFJGLk_Vi_7wdtD3Ao3LH6AJhU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LvFJGLk_Vi_7wdtD3Ao3LH6AJhU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LvFJGLk_Vi_7wdtD3Ao3LH6AJhU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
							
						
						
						
						

                         <item>
							<title>MPAA's Chris Dodd addresses Indian conference</title>
							<pubDate>Fri, 13 Apr 2012 04:59:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3idc0c3b149a8e0364c61a05e1ae38c6c5</guid>
							<category>Columns</category>			
							<author>Scott Rosenberg</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3idc0c3b149a8e0364c61a05e1ae38c6c5</link>
							<description>Senator Chris Dodd, chairman and CEO of the Motion Picture Association  of America (MPAA), delivered the keynote address at India&amp;#8217;s 2012 FICCI  Frames (Federation of Indian Chambers of Commerce &amp;amp; Industry) in  Mumbai, India, on March 14.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mIy_dKcMClpczqZIoX5hvt5yslQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mIy_dKcMClpczqZIoX5hvt5yslQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mIy_dKcMClpczqZIoX5hvt5yslQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mIy_dKcMClpczqZIoX5hvt5yslQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
						
							
						
						
						

                         <item>
							<title>Rediscovering a lost 1930 Technicolor gem</title>
							<pubDate>Fri, 13 Apr 2012 04:54:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i497829faf3578625bac0820fb98b4dca</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i497829faf3578625bac0820fb98b4dca</link>
							<description>It often takes international cooperation to get a film made, or restored in the present day.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8hPJWz8ICv25mhLxulqL3o_cROY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8hPJWz8ICv25mhLxulqL3o_cROY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8hPJWz8ICv25mhLxulqL3o_cROY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8hPJWz8ICv25mhLxulqL3o_cROY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
							
						
						
						
						
						
						
						
						

                         <item>
							<title>The kids are back</title>
							<pubDate>Fri, 13 Apr 2012 04:52:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3id5a3a743cd44690b84ecc1956e3b5b08</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3id5a3a743cd44690b84ecc1956e3b5b08</link>
							<description>Just months ago, everyone was questioning the viability of younger audiences showing up at the cinema.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uGxf7rbT4HZdMqrzoq4W9NTK-ok/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uGxf7rbT4HZdMqrzoq4W9NTK-ok/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uGxf7rbT4HZdMqrzoq4W9NTK-ok/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uGxf7rbT4HZdMqrzoq4W9NTK-ok/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
							
						
						
						
						
						
						
						

                         <item>
							<title>Beverage of choice: Wine or cocktails, anyone?</title>
							<pubDate>Thu, 22 Mar 2012 01:36:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i03fbcfb1270045ada0f8a8cae9f73fd5</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i03fbcfb1270045ada0f8a8cae9f73fd5</link>
							<description>The concept of serving alcohol in the movie theatre is not new. The bar  at the Alamo Drafthouse, for example, has been around for ten years.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hdPNKtPYaQaZ3Jfz2_plwNucp5w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hdPNKtPYaQaZ3Jfz2_plwNucp5w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/hdPNKtPYaQaZ3Jfz2_plwNucp5w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hdPNKtPYaQaZ3Jfz2_plwNucp5w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
							
						
						
						
						
						

                         <item>
							<title>Digital dominates Berlin International Film Festival</title>
							<pubDate>Mon, 19 Mar 2012 02:53:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i8adb2c306c03c716247b2761c36beccf</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i8adb2c306c03c716247b2761c36beccf</link>
							<description>The 2012 Berlin International Film Festival presented  a total of 659 screenings in DCP formats, as well as 627 in 35mm film  and some 1,100 in diverse video formats on over 50 different screens  across the city.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QVpOFzUed_97c5EdmBMHYPJubmk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QVpOFzUed_97c5EdmBMHYPJubmk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QVpOFzUed_97c5EdmBMHYPJubmk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QVpOFzUed_97c5EdmBMHYPJubmk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
							
						
						
						
						

                         <item>
							<title>Turkish production on the rise</title>
							<pubDate>Mon, 19 Mar 2012 01:28:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ifd37f399a3c270982566e21269c6cbf0</guid>
							<category>Columns</category>			
							<author>Scott Rosenberg</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ifd37f399a3c270982566e21269c6cbf0</link>
							<description>The new hot spot for shooting TV shows and commercials as well as  feature films is Turkey. In order to stimulate the domestic film  industry, the Turkish government implemented an incentive package in  2004.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8l86q1HddcbE_zaf1U2vKofdNDY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8l86q1HddcbE_zaf1U2vKofdNDY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8l86q1HddcbE_zaf1U2vKofdNDY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8l86q1HddcbE_zaf1U2vKofdNDY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
						
							
						
						
						

                         <item>
							<title>Australia celebrates its Oscar winners</title>
							<pubDate>Mon, 19 Mar 2012 01:23:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i8fe6fd3e28714621be97adb7698f7532</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i8fe6fd3e28714621be97adb7698f7532</link>
							<description>The Academy Award season is almost as big Down Under as in the U.S.  During February, most of the nominated films are showing here and making  full use of the wide media coverage.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_rxX5KAsO0sHhQWGK1vENb294mU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_rxX5KAsO0sHhQWGK1vENb294mU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_rxX5KAsO0sHhQWGK1vENb294mU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_rxX5KAsO0sHhQWGK1vENb294mU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
							
						
						
						
						
						
						
						
						

                         <item>
							<title>Why wait for summer?</title>
							<pubDate>Mon, 19 Mar 2012 01:22:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3id349f342c1bd9c456978a9cb8d7187ba</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3id349f342c1bd9c456978a9cb8d7187ba</link>
							<description>A plethora of films has made Hollywood rethink their release strategies  and move some potential blockbusters to March, and to this point the  strategy has definitely paid off.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/i_ZYiT9JW-6GOtzazHQMeaTQ2Pg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/i_ZYiT9JW-6GOtzazHQMeaTQ2Pg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/i_ZYiT9JW-6GOtzazHQMeaTQ2Pg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/i_ZYiT9JW-6GOtzazHQMeaTQ2Pg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
							
						
						
						
						
						
						
						

                         <item>
							<title>Commodities and cinemas: Oil, corn and sugar prices impact the concession stand</title>
							<pubDate>Fri, 24 Feb 2012 12:07:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3if34ee981037974819a11a6e531a39eec</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3if34ee981037974819a11a6e531a39eec</link>
							<description>At the beginning of every year, I like to look at the consumer price  index forecast to get a feel for what my annual grocery bill is going to  look like.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xbK6KlvZylrtuvdP0moHTCikNYY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xbK6KlvZylrtuvdP0moHTCikNYY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xbK6KlvZylrtuvdP0moHTCikNYY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xbK6KlvZylrtuvdP0moHTCikNYY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
							
						
						
						
						
						

                         <item>
							<title>HHI TimeLab showcases 'ultimate immersive experience'</title>
							<pubDate>Fri, 17 Feb 2012 12:26:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i0a83b6312d85a134abb4e3c0e9df82c8</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i0a83b6312d85a134abb4e3c0e9df82c8</link>
							<description>2020 3D Media invited festivalgoers to &amp;#8220;live the ultimate immersive experience&amp;#8221; of tomorrow...
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/MA9fgMXDqaLzokqfF9pkbNLSEfs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MA9fgMXDqaLzokqfF9pkbNLSEfs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/MA9fgMXDqaLzokqfF9pkbNLSEfs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MA9fgMXDqaLzokqfF9pkbNLSEfs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
							
						
						
						
						

                         <item>
							<title>Thailand's Goldenduck surfaces as major cinema technology company</title>
							<pubDate>Fri, 17 Feb 2012 12:04:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ic01c5322e4e5b77dd6a622f08cd81c4c</guid>
							<category>Columns</category>			
							<author>Scott Rosenberg</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ic01c5322e4e5b77dd6a622f08cd81c4c</link>
							<description>I recently had the opportunity to spend time with Goldenduck&amp;#8217;s Sittiporn Srisanguansakul...
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vZFlrBGxfdJispmmj2YygUffjkY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vZFlrBGxfdJispmmj2YygUffjkY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vZFlrBGxfdJispmmj2YygUffjkY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vZFlrBGxfdJispmmj2YygUffjkY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
						
						
						
						
						
						
						
						
							
						
						
						

                         <item>
							<title>Director Stephan Elliott confronts his critic</title>
							<pubDate>Fri, 17 Feb 2012 11:30:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i7975c5bc334d3e900833880cbd19502d</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i7975c5bc334d3e900833880cbd19502d</link>
							<description>The 2012 Australian Academy film awards will be remembered less for the winner of Best Film (&lt;i&gt;Red Dog&lt;/i&gt;), than for the barb that film director Stephan Elliott delivered to film critic Jim Schembri...
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/L1rfJMqk9T-zS1__GQv2QjgnUYg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/L1rfJMqk9T-zS1__GQv2QjgnUYg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/L1rfJMqk9T-zS1__GQv2QjgnUYg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/L1rfJMqk9T-zS1__GQv2QjgnUYg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description>
						</item>
					
				</channel>
			</rss>

