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					<title>FJI - Columns</title>
					<link>http://www.filmjournal.com</link>
					<description>Film Journal International News - Motion Picture Industry Trade Publication - Film Industry News</description>
					<language>en-us</language>
					<copyright />
					<lastBuildDate>Sat, 18 May 2013 08:50:849 EDT</lastBuildDate>
					<category>Columns</category>
					
						
						
						
						
						
						
							
						
						
						
						
						

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							<title>European Academy supports cultural exception</title>
							<pubDate>Thu, 09 May 2013 11:55:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i0e530ce7df67a91a68d7dc907a020d37</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i0e530ce7df67a91a68d7dc907a020d37</link>
							<description>
								
								
									The board of the European Film Academy () and its current president, Wim  Wenders, declared their support of the petition launched by the French  Association of Film Directors and Producers (ARP) to preserve Europe&amp;#8217;s  cultural exception in the EU/U.S. trade and investment negotiations  staring this June.
								
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							<title>Rehashed ghost story lures Thai audiences</title>
							<pubDate>Thu, 09 May 2013 11:50:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i5eb4c66359a9d192176495cfd0c71259</guid>
							<category>Columns</category>			
							<author>Thomas Schmid</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i5eb4c66359a9d192176495cfd0c71259</link>
							<description>
								
								
									This month&amp;#8217;s column is very much focused on Thailand, but for good  reasons, as a number of interesting developments in the country  superseded the relatively tranquil situation in other regional markets.
								
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							<title>Oz's 'The Rocket' wins acclaim at overseas film fests</title>
							<pubDate>Thu, 09 May 2013 11:45:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i5eb4c66359a9d192706d01c1bf420c3a</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i5eb4c66359a9d192706d01c1bf420c3a</link>
							<description>
								
								
									Many Australasian films choose to go to overseas festivals before  launching Down Under. This can give some films a much higher recognition  factor than a local premiere could ever achieve.
								
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							<title>Making the rounds: Attending trade shows expands your knowledge</title>
							<pubDate>Thu, 09 May 2013 11:43:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i5eb4c66359a9d192601c49b02fdb7658</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i5eb4c66359a9d192601c49b02fdb7658</link>
							<description>
								
								
									Just coming off the high from CinemaCon, I am reminded why we attend  trade shows. Our industry, like others, is always evolving.
								
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							<title>Ratings refresher: MPAA's Check the box</title>
							<pubDate>Thu, 09 May 2013 11:34:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i5eb4c66359a9d192a3c5d817627bf950</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i5eb4c66359a9d192a3c5d817627bf950</link>
							<description>
								
								
									Since 1990, the Motion Picture Association of America has strived to  make its movie ratings more useful to parents by describing the specific  elements of a film that resulted in its rating as PG, PG-13, R or  NC-17.
								
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							<title>3D continues to grow in Russia</title>
							<pubDate>Tue, 30 Apr 2013 01:38:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3id85d5eb706fbd79762b63f820cee3d7e</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3id85d5eb706fbd79762b63f820cee3d7e</link>
							<description>
								
								
									Operating 10 theatres with 62 screens in the Russian Federation, St.  Petersburg-based Mirage Cinema Group joined  forces with RealD to equip up to 60 auditoriums with 3D technology.
								
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							<title>Surprises galore at Asian Film Awards</title>
							<pubDate>Tue, 30 Apr 2013 01:34:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ic1e153f6782b6bf0a031179dc83bdc67</guid>
							<category>Columns</category>			
							<author>Thomas Schmid</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3ic1e153f6782b6bf0a031179dc83bdc67</link>
							<description>
								
								
									The recent seventh Asian Film Awards, which were as usual part of the  Hong Kong International Film Festival and during which 30 movies from  nine countries competed for 14 prizes, yielded at least three big  surprises.
								
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							<title>Aussie directors continue to make Hollywood inroads</title>
							<pubDate>Tue, 30 Apr 2013 01:26:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3ic1e153f6782b6bf0fdaa3903842da12d</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3ic1e153f6782b6bf0fdaa3903842da12d</link>
							<description>
								
								
									Hollywood is the Holy Grail for many an Australasian film industry professionals.
								
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							<title>A tasty new app: Movie Food Maker raises app-etite for concession treats</title>
							<pubDate>Tue, 30 Apr 2013 01:20:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3ic1e153f6782b6bf0bc204c2e3eb443b3</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3ic1e153f6782b6bf0bc204c2e3eb443b3</link>
							<description>
								
								
									The term &amp;#8220;social media&amp;#8221; is a widely cast net that includes many forms of digital interaction between people.
								
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							<title>Felicidades, Alejandro!</title>
							<pubDate>Tue, 30 Apr 2013 01:01:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3ic1e153f6782b6bf0b8e0027d2ee8678a</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3ic1e153f6782b6bf0b8e0027d2ee8678a</link>
							<description>
								
								
									Often, a person or company is singled out for an award or citation  because of the size of their company, the stature of the individual  within his or her industry, or because a charity feels they can raise a  good amount of money by celebrating that person or entity.
								
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							<title>From penguins to prima donnas, alternative content reaches cinemas worldwide</title>
							<pubDate>Tue, 12 Mar 2013 12:00:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i2bfa61ae56d8ad4b37e668642fc17144</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i2bfa61ae56d8ad4b37e668642fc17144</link>
							<description>
								
								
									In line with this edition&amp;#8217;s special focus, we begin this column with  some promising alternative content coming soon to cinemas worldwide.
								
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							<title>Ireland meets Thailand in micro-budget feature 'Running to Standstill'</title>
							<pubDate>Tue, 12 Mar 2013 11:51:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i2bfa61ae56d8ad4b506de747348ec152</guid>
							<category>Columns</category>			
							<author>Thomas Schmid</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i2bfa61ae56d8ad4b506de747348ec152</link>
							<description>
								
								
									Full-length features nowadays must have a multi-million-dollar budget or  never get made at all, or so the mainstream consensus goes. Young Irish  director Fergus Kavanagh won&amp;#8217;t chime in with that chorus, though.
								
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							<title>How's your queue? Single lines and diversions improve the customer experience</title>
							<pubDate>Tue, 12 Mar 2013 11:47:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i2bfa61ae56d8ad4b618561afd07e4c0d</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3i2bfa61ae56d8ad4b618561afd07e4c0d</link>
							<description>
								
								
									Back in November, I attended a theatre manager conference for Reading  Theatres in New York, where several of their vendors gave presentations.
								
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							<title>Domestic box office seeks relief in the Ides of March</title>
							<pubDate>Mon, 11 Mar 2013 12:50:00 EDT</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3ie682a942bf60ba2b3e7d9ff3a41c2f72</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3ie682a942bf60ba2b3e7d9ff3a41c2f72</link>
							<description>
								
								
									As the April edition of &lt;i&gt;FJI &lt;/i&gt;went to press last Friday, March really needed a hit. Last year it was &lt;i&gt;The Hunger Games&lt;/i&gt;, the year before it was &lt;i&gt;Rango&lt;/i&gt;, and the year before that it was &lt;i&gt;Alice in Wonderland&lt;/i&gt;. March hits are kind of like its weather, though&amp;#8212;unpredictable.
								
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							<title>Bringing high-tech to the Berlinale</title>
							<pubDate>Wed, 13 Feb 2013 03:30:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i4207a36892f0ef445f0f790f459443a2</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i4207a36892f0ef445f0f790f459443a2</link>
							<description>
								
								
									The 63rd Berlin International Film Festival will  dominate much of February&amp;#8217;s film conversations. As we await word on the  Golden Bear winner and other standout films, let&amp;#8217;s look at the  technology that enables those screenings.
								
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							<title>Chinese comedy 'Lost in Thailand' breaks records</title>
							<pubDate>Wed, 13 Feb 2013 03:24:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i4207a36892f0ef446ee8b8ff3fa16dd5</guid>
							<category>Columns</category>			
							<author>Thomas Schmid</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/asia-pacific-roundabout/e3i4207a36892f0ef446ee8b8ff3fa16dd5</link>
							<description>
								
								
									A wacky, domestically produced comedy has unexpectedly emerged as the  most commercially successful Chinese movie to date, setting several new  records. Since its opening on Dec. 12,&lt;i&gt; Lost in Thailand&lt;/i&gt; has grossed well over one billion yuan ($160 million).
								
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							<title>Progress and challenges in Chinese film industry</title>
							<pubDate>Wed, 13 Feb 2013 03:08:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i49580dc080e97b84eb524603deb5102a</guid>
							<category>Columns</category>			
							<author />
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/in-focus/e3i49580dc080e97b84eb524603deb5102a</link>
							<description>
								
								
									China&amp;#8217;s movie business continued its rapid growth in 2012 and for the  first time in four years, Hollywood imports accounted for the majority  of the box office.
								
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							<title>Australia and New Zealand enjoy robust box office</title>
							<pubDate>Wed, 13 Feb 2013 03:06:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i49580dc080e97b84b5181eb89f85e0d8</guid>
							<category>Columns</category>			
							<author>David Pearce</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/day-and-date-down-under/e3i49580dc080e97b84b5181eb89f85e0d8</link>
							<description>
								
								
									Australia and New Zealand achieved strong box-office results in 2012.  Each registered increases over the rather lackluster results of 2011,  and each had the second highest box-office total on record. (2010 was  the record year for both countries.)
								
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							<title>A new twist: PretzelHaus Bakery wins raves from exhibs</title>
							<pubDate>Wed, 23 Jan 2013 12:29:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3if460a6e5aa0b4831abec38d0ff5f9452</guid>
							<category>Columns</category>			
							<author>Anita Watts, FJI Concessions Editor</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/snack-corner/e3if460a6e5aa0b4831abec38d0ff5f9452</link>
							<description>
								
								
									Happy 2013! Now that a new year has started, many new ideas will be  tried. Some will work and others will not. But every company will be  looking for ways to improve their operation.
								
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							<title>Cineworld Group trades up</title>
							<pubDate>Wed, 16 Jan 2013 01:02:00 EST</pubDate>
							<guid isPermaLink="true">http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i4a6b1e54c38eff3cab7013f352a6f2f2</guid>
							<category>Columns</category>			
							<author>Andreas Fuchs</author>
							<link>http://www.filmjournal.com/filmjournal/content_display/columns-and-blogs/european-update/e3i4a6b1e54c38eff3cab7013f352a6f2f2</link>
							<description>
								
								
									Prior to the March announcement of 2012 preliminary results, Cineworld  Group provided an operations update, calling its &amp;#8220;profitability in line  with market expectations.&amp;#8221;
								
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