<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>FILMCASTLive!</title><description>The video blog and webcast dedicated to the craft of Cinematography and Motion Picture Camera Operation</description><managingEditor>noreply@blogger.com (Unknown)</managingEditor><pubDate>Thu, 24 Apr 2025 19:44:32 -0700</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">338</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>https://filmcastentertainment.blogspot.com/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><copyright>All rights 2013 filmcastentertainment</copyright><itunes:image href="http://bp2.blogger.com/_B__9otQYOio/SB4_a59PKkI/AAAAAAAAALo/x5Bx3m2ZZ90/S1600-R/FILMCBlog.jpg"/><itunes:keywords>filmcastlive,filmcast,live,cinematography,camera,operator,cinematographer,director,of,photography,film,filmmaker,high,definition,video,lighting,panavision,arri,arriflex,aaton,viper,sony,panasonic,24P,phantom,red,camera,lens,lenses</itunes:keywords><itunes:summary>A video podcast and webcast dedicated to the craft of Cinematography and Motion Picture Camera Operation </itunes:summary><itunes:subtitle>FILMCAST Live!</itunes:subtitle><itunes:category text="TV &amp; Film"/><itunes:category text="Technology"><itunes:category text="Podcasting"/></itunes:category><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><itunes:author>filmcast entertainment</itunes:author><itunes:owner><itunes:email>filmcastlive@gmail.com</itunes:email><itunes:name>filmcast entertainment</itunes:name></itunes:owner><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><item><title>CREATING IMMERSIVE ENVIRONMENTS WITH LED VOLUME WALLS</title><link>https://filmcastentertainment.blogspot.com/2025/04/creating-immersive-environments-with.html</link><category>green screen</category><category>immersive environment</category><category>LED light fixture</category><category>LED Volumes</category><category>LED Wall</category><category>unreal engine</category><category>virtual cinematography</category><category>virtual lighting</category><category>virtual production</category><pubDate>Wed, 23 Apr 2025 11:29:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-2882504166565198818</guid><description>Virtual Production environments encompassing LED volumes are an exciting, revolutionary addition to the background capture techniques used in video and motion picture production. A successor to established techniques like green screen and front and rear projection, this latest technology means that your surroundings are limited only by your background content.&amp;nbsp;WHAT IS VIRTUAL PRODUCTION?&amp;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxKqn_9Z4ak5hEH4vSqWzYYbZVl8ZMUAPqnii9dgbztwdPMuPzXnHJD2Cp9mT_0LrvT9-FOGNOWx47pH-6FDvbNl2h4klc4UNNm8O6cSOrEOlW3h5IBBTHBtaj9OTykynBkm1lZZipiOWMv6xCe5vHHl5q016KM8Xqe4UY5O-xngcfP8PF7vQCvDwpgGE/s72-w640-h360-c/CTV-2816-Top-Shot-Orbital-Studios-Hero-w-Logo.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>ALL YOU NEED TO KNOW ABOUT VIRTUAL PRODUCTION</title><link>https://filmcastentertainment.blogspot.com/2025/04/all-you-need-to-know-about-virtual.html</link><category>CGI</category><category>LED Wall</category><category>previsualization</category><category>unreal engine</category><category>VFX</category><category>virtual cinematography</category><category>virtual lighting</category><category>virtual production</category><pubDate>Fri, 18 Apr 2025 14:49:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-7823054564947183022</guid><description>&amp;nbsp;WHAT’S VIRTUAL PRODUCTION?Over the last few years, a wave of new production tools and workflows has been increasingly changing the face of storymaking across the media and entertainment industry, from live-action film and television, through animated content, and on to broadcast and live events.Blending traditional techniques with digital innovations that leverage real-time game engines, </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJTTLtriUuD0ytILCudD_cql76DJh9qKHQcqbRO1HwenJh0BYhGk8y9UG1Fz6oUvuUp0pdZ6fyowsbzGLWKU0Z7za7IYqgm3jT3WJtwwoRe1iXEl7YTo4MYr-9Bg_HqJh_Eq74Kt0XKlHrZzXlhnjMIcF72_uewWt48D5hqvXNAAwVJ5Z7VRs6jZGb6II/s72-w640-h432-c/IMG_0396.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author><enclosure length="5890133" type="application/pdf" url="https://cdn2.unrealengine.com/Unreal+Engine%2Fperformance-capture-whitepaper%2FLPC_Whitepaper_final-7f4163190d9926a15142eafcca15e8da5f4d0701.pdf"/><itunes:explicit>no</itunes:explicit><itunes:subtitle>&amp;nbsp;WHAT’S VIRTUAL PRODUCTION?Over the last few years, a wave of new production tools and workflows has been increasingly changing the face of storymaking across the media and entertainment industry, from live-action film and television, through animated content, and on to broadcast and live events.Blending traditional techniques with digital innovations that leverage real-time game engines,</itunes:subtitle><itunes:author>filmcast entertainment</itunes:author><itunes:summary>&amp;nbsp;WHAT’S VIRTUAL PRODUCTION?Over the last few years, a wave of new production tools and workflows has been increasingly changing the face of storymaking across the media and entertainment industry, from live-action film and television, through animated content, and on to broadcast and live events.Blending traditional techniques with digital innovations that leverage real-time game engines,</itunes:summary><itunes:keywords>filmcastlive,filmcast,live,cinematography,camera,operator,cinematographer,director,of,photography,film,filmmaker,high,definition,video,lighting,panavision,arri,arriflex,aaton,viper,sony,panasonic,24P,phantom,red,camera,lens,lenses</itunes:keywords></item><item><title>APUTURE RELEASED STORM XT52 AT NABSHOW 2025.VIDEO</title><link>https://filmcastentertainment.blogspot.com/2025/04/aputure-released-storm-xt52-at-nabshow.html</link><category>Aputure</category><category>LED light fixture</category><category>NABSHOW 2025</category><category>STORM XT52</category><category>video</category><pubDate>Mon, 14 Apr 2025 12:37:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-4821734025427375892</guid><description>Aputure released&amp;nbsp;its new flagship in their line of STORM lights and the brightest tunable white point source LED in the industry at NAB this past week: the STORM XT52.&amp;nbsp;More powerful than a 6K HMI while&amp;nbsp;weighing just 27.7kg.&amp;nbsp;Aputure STORM is the future of point source lighting. Thanks to the breakthrough BLAIR and BLAIR-CG light engines, these lights output higher quality </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDpvH9jp4y1ZDiS-tV9_nJErGi_b7nXSt3OI7zxQIJPw7CH6cBZw1sFnbAkWYdglN2PVeCpARvw_fRnZN3lvNbEg4WpqLstFX4kyj03ju_I2up52IGIfYEMtY3qz2nQfhc2Uy2SFpIASUTKwrE0mMwwehQtwOF3o3a7vm04tReA7g_bxHOfSU_lZGVLw0/s72-w640-h394-c/IMG_0276.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Las Vegas, NV, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">36.171563 -115.1391009</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">7.8613291638211535 -150.29535090000002 64.481796836178845 -79.9828509</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>CANON INTRODUCES NEW EOS C400/EOS C80 AT NABSHOW 2025</title><link>https://filmcastentertainment.blogspot.com/2025/04/canon-introduces-new-eos-c400eos-c80-at.html</link><category>canon</category><category>Canon C400</category><category>Canon C80</category><category>canon cine lens</category><category>canon EOS</category><category>Canon PTZ</category><category>NABSHOW</category><category>video</category><pubDate>Wed, 9 Apr 2025 12:50:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-5136351593796606135</guid><description>Canon USA, a leader in digital imaging solutions is showcasing its latest innovations, including a new optical unit that can be integrated into UHD-DIGISUPER 122 and UHD-DIGISUPER 111 field box lenses to help create captivating images, what it calls a “Novel Look" with a shallow depth of field.Throughout its expanded booth (N2103), Canon provides attendees with exclusive opportunities to explore </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3UKdwr3n55aKITV6t3g5sCTO7x6ct22vCdFyvByslgFd3TamCtLL9Aq_kdFPB6pTsaNW4U0-jQ7eD0Hjst0dtPMmRQ7SQqRkLqAkUnwwEFYvNumZydoG9bh1yUGnoyFEsdPMgw9g-iLhSh1FHRuUnMsexwz3ESkVP7L7Dy0TbESqq4XKR_4DWjzsDVo/s72-w640-h338-c/IMG_0075.webp" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Las Vegas, NV, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">36.171563 -115.1391009</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">7.8613291638211535 -150.29535090000002 64.481796836178845 -79.9828509</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>WHAT’S NEW AT SONY ELECTRONICS IN NABSHOW 2025</title><link>https://filmcastentertainment.blogspot.com/2025/04/whats-new-at-sony-electronics-in.html</link><category>NAB show</category><category>NABSHOW 2025</category><category>Sony</category><category>Sony Cine Alta</category><category>Sony Digital Cinematography Camera</category><category>video</category><pubDate>Tue, 8 Apr 2025 11:44:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-8530379889274793224</guid><description>Sony Electronics is exhibiting at booth N439, showcasing cutting-edge innovations, workflows, and expertise across four key areas: live production solutions, news and production workflows, imaging solutions, and virtual production. With a robust ecosystem of tools, Sony fosters creativity and connectivity while streamlining processes for both individual creators and large-scale enterprise </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC7IYLtY2m6OEgSLiFmv4Tjaijwr0Bjq5F6zGyuD8woMH9lL7ONpoqCpkDHeHGA85NMuUyCd3K78KdXy9DfSu59uAMPINtUZdtMf6XZJfE14DBp-44jE65E0mMlre4P0tUmDRgy0Efjbus8hfzmm0thDawEWDs1RoZeEhYYEjqfqKE1CUqUjUts7cKKwc/s72-w640-h332-c/IMG_0021.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Las Vegas, NV, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">36.171563 -115.1391009</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">8.3825092772839049 -150.29535090000002 63.9606167227161 -79.9828509</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>NABSHOW 2025 OPENS TODAY </title><link>https://filmcastentertainment.blogspot.com/2025/04/nabshow-2025-opens-today.html</link><category>artificial intelligence</category><category>broadcasting</category><category>cinematography</category><category>las vegas</category><category>NAB show</category><category>NABSHOW</category><category>sport summit</category><category>technology</category><pubDate>Sun, 6 Apr 2025 15:30:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-7037124562130419105</guid><description>Since 1991, the NABShow has once again opened its doors, welcoming industry professionals yesterday and the general public today. This year’s event showcases the latest advancements in radio and television broadcasting, entertainment, audio, streaming, volumetric capture, virtual production, filmmaking technologies and services, lighting and grip, content development, workflow asset distribution,</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKH0Y0N24bvKX9JHeJNzJ98O1iaJ24tHdLQLsX-cRGI1U9bHzEMxiZkTODPCYmPwpQ7qGOKpPR_LeBVdRvKD13ukL930ILSJSMElDceUo46bQYAowJEs4lLUZAI3UhNY6dav9asOiatLW92nmJKwJ67dQIxVDwEyFeNcegDHS9DIj2D4OP67xv_yZ3snw/s72-w640-h394-c/IMG_1268.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Las Vegas, NV, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">36.171563 -115.1391009</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">10.72925337519202 -150.29535090000002 61.613872624807982 -79.9828509</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>THE NEW VERSATILE SONY VENICE EXTENSION SYSTEM MINI</title><link>https://filmcastentertainment.blogspot.com/2025/03/the-new-versatile-sony-venice-extension.html</link><category>8.6K digital camera</category><category>best cinematography</category><category>motion picture</category><category>Sony</category><category>Sony Cine Alta</category><category>Sony Venice</category><category>Venice extension system mini</category><category>video</category><pubDate>Sat, 29 Mar 2025 18:46:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-1186628123657986042</guid><description>Sony Electronics introduces the VENICE Extension System Mini (CBK-3621XS), an ultra-compact accessory for the award-winning VENICE 2 digital cinema camera. This latest addition to the CineAlta lineup will debut at NAB Show 2025 in Las Vegas, opening on April 6.&amp;nbsp;The VENICE 2 builds upon its predecessor with a compact design, internal recording, and the choice between a newly developed 8.6K </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin0c5D0MNRLekdamERAOwFrc-UiQ58ux9UYrRr8yfJXcC86BQTCEW6loJczPGERMi__3GseZa1_NYYioWcAXEPQ03dMv60rHPu_1R3nC8LsDz3r4CPpY56nmm2iUU6J2DNZVqLak1s-2u69EydJTLpFCVeItQdmbIxKU7YwMQu20wBfR8qFfqRBzk852E/s72-w640-h214-c/IMG_9392.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Las Vegas, NV, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">36.171563 -115.1391009</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">7.8613291638211535 -150.29535090000002 64.481796836178845 -79.9828509</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>THE FORMIDABLE &amp; AFFORDABLE ARRI ALEXA 35 BASE MODEL</title><link>https://filmcastentertainment.blogspot.com/2025/03/the-formidable-affordable-arri-alexa-35.html</link><category>4.6K digital camera</category><category>Alexa 35</category><category>arri</category><category>Arri Alexa</category><category>ARRI Alexa Base Model</category><category>Arriflex</category><category>cinematography</category><category>digital cinematography</category><category>video</category><pubDate>Fri, 21 Mar 2025 22:17:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-1475102417739658219</guid><description>The ARRI ALEXA 35, a 4.6K Super 35 camera, is renowned for its exceptional image quality, extensive dynamic range, and versatile capabilities, making it a top choice for high-end film productions. Now, ARRI has introduced a more affordable “Base Model,” which retains the same powerful hardware as the premium version while lowering the cost of entry. Featuring a 4.6K ALEV 4 sensor, 17 stops of </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy1Z62UexdqBnuOlT-JrIhj3eJVn5ommEKUVulYIuPr-M3LOyg0AytS8G4R4KQOwReDGg4a0pnRg3wBhaMbvZPUp7nUkve1NP5WFbu69foD_wZ3a4qMsYkJE4Qc88QZlaTY7WLHyAgPsKhj9ekEMx_QfaDwzf8qi6jcgHl-pmCwiaWT2BN1WjTG2VXvno/s72-w640-h486-c/IMG_8911.png" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>TERADEK RT+CTRL.5 LENS CONTROL REDEFINED </title><link>https://filmcastentertainment.blogspot.com/2025/03/teradek-rtctrl5-lens-control-redefined.html</link><category>focus</category><category>focus pull</category><category>focus puller</category><category>follow focus</category><category>lens control</category><category>TERADEK</category><category>video</category><pubDate>Thu, 6 Mar 2025 14:12:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-1068231538792229577</guid><description>TERADEK RT+CTRL.5 LENS CONTROL REDEFINED. A DREAM FOR FOCUS PULLERSThe RT System, an infinitely-customizable wireless lens-control platform, now features&amp;nbsp;CTRL.5 + CTRL.OS, an evolution of SmallHD’s award-winning PageOS software. Pull focus, view&amp;nbsp;critical lens data overlays, calibrate lenses to pre-marked focus rings, access real-time data from&amp;nbsp;multiple on-set devices, and more.CTRL</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghoomB_jbpQ-57UKHkp_bwc4HK_lNrIf8s1umWfBcblE4vRRnOvoYqdBSY0jCLM1hQUHf8LhCwRhaUQvRYzm6dq-M8cJIg7EeFFAXpBuyHeJYhJQPw6Y3mJ5iqpSndMazzK8dZ6HeHw88q7jm5MlW8n1lmA9oE7KqDD-YCMqYuBkXbL6MYGIo3TnnM3yI/s72-w472-h599-c/IMG_8529.png" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>97TH ACADEMY AWARDS BEST CINEMATOGRAPHY AND BEST PICTURE WINNERS </title><link>https://filmcastentertainment.blogspot.com/2025/03/97th-academy-awards-best-cinematography.html</link><category>97TH Academy awards</category><category>best cinematography</category><category>best director</category><category>best picture</category><category>oscars</category><category>video</category><pubDate>Sun, 2 Mar 2025 20:50:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-1751541146595975135</guid><description>The Best Cinematography nominees by the Academy of Motion Picture Arts &amp;amp; Sciences (AMPAS) for the 97th edition of the Oscars Awards, are “The Brutalist” (Lol Crawley, BSC), “Dune: Part Two” (Greig Fraser, ASC BSC), “Emilia Pérez” (Paul Guilhaume), “Maria” (Ed Lachman, ASC) and “Nosferatu” (Jarin&amp;nbsp;Blaschke).BEST COSTUME: Wicked&amp;nbsp;BEST LEADING ACTOR: Adrian Brody. The Brutalist&amp;nbsp;BEST</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSRSVkysVHTxVqfqw5iU3UTfjavTRg5Q-XWEH56ZA56n1aqid5pLaeEBRBgKqPaAmVNrjXlUQz3vD0NGzTPgKQ5ZqM_1mOrzjAzTX8lEsy4U-W_q8Kfsfu-Edg3Dc8-5LjOsjO3g_MGUbT4hgDm9faxozmOiVWSixy-xF6o4HPs3bcyV1AQUq9uiDPSXI/s72-w640-h640-c/IMG_8335.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>ZEISS  UNVEILS NEW OTUS ML LENSES FOR UNPARALLELED PHOTOGRAPHY </title><link>https://filmcastentertainment.blogspot.com/2025/02/zeiss-unveils-new-otus-ml-lenses-for.html</link><category>carl zeiss lenses</category><category>photography</category><category>video</category><category>zeiss</category><category>zeiss Otus ML lenses</category><pubDate>Wed, 26 Feb 2025 10:58:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-6544768850735942540</guid><description>ZEISS returns to the forefront of photography with the&amp;nbsp;brand-new Otus ML lens family. Inspired by the legendary Otus series, these next-generation masterpieces are designed exclusively for mirrorless mounts (Sony E, Canon RF, Nikon Z).&amp;nbsp;With optical excellence for the finest details, utterly precise mechanics for full control over the image, and the highest craftsmanship for an </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsElquhgALoYL00P4Vs8Z5rhyphenhyphenGmPY1myzndkm_Ksid2F__6qrc3KaPn947L7fKToEnSDfqIPE8WuGe_WiDk_60O53xG8rJ0gtk5tuRG2-YyFby4xO_BzsGPZFYIF1ZfwYNQAvq4R9i11loOaZ2Y-XO5FH2zqE_AbE0JrL-snsAICKtVr5DRVolO1svhMs/s72-w640-h350-c/IMG_8167.png" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>EDWARD LACHMAN WINS ASC OUTSTANDING ACHIEVEMENT AWARD FOR MARIA</title><link>https://filmcastentertainment.blogspot.com/2025/02/edward-lachman-wins-asc-outstanding.html</link><category>39th ASC Awards</category><category>american society of cinematographers</category><category>ASC 39th Award</category><category>best cinematography</category><category>Ed Lachman</category><category>video</category><pubDate>Mon, 24 Feb 2025 12:04:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-7200112288864372193</guid><description>The&amp;nbsp;American Society of Cinematographers (ASC).&amp;nbsp;Edward Lachman, ASC earned the 2025 theatrical feature film award for “Maria.” The 39th ASC Outstanding Achievement Awards, was held&amp;nbsp;&amp;nbsp;at the Beverly Hilton, also recognized Jomo Fray for “Nickel Boys” in the Spotlight Award category, and Michael Dweck and Gregory Kershaw for the documentary “Gaucho Gaucho.” Winners in the </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjy1xa4GBNyfT5pgnKTuvIqdJqp1FZyF3-1yU9d619LDCw4IoKpgvsuRszLrbGgac8xT_V7RpDgozSf-cGLtUoBs9Vinn0GyIIVQMcJPuXKJmx8B1ZJ7iRXtHtpLNILkjSpDAsp8pQ5c-BWwsOtKQx6Q_bU5lMnV4fSXt7jNw8Hoob1OV_v9X0f79bIWY/s72-w640-h440-c/photo-output.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Beverly Hills, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0736204 -118.4003563</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7633865638211574 -153.5566063 62.383854236178848 -83.2441063</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>BSC EXPO 2025. PANELS &amp; SEMINARS</title><link>https://filmcastentertainment.blogspot.com/2025/02/bsc-expo-2025-panels-seminars.html</link><category>British cinematographer</category><category>British society of cinematographers</category><category>BSC</category><category>BSC Expo</category><category>video</category><pubDate>Wed, 12 Feb 2025 20:01:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-888252458821444785</guid><description>The BSC Expo is the dedicated film and TV production show and is now a recognised fixture in the industry calendar. The BSC Expo is a great opportunity to test all of the latest equipment and technologies in a relaxed industry environment.
In addition to a huge line up of Exhibitors showcasing the latest kit available the Expo also hosts two full days of presentations and panel discussions </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc4IMk4fZH9t10HJM8jkUOyGZ9N0BQ_1n_vieRrpzM4fTLHBPZGl6utR1dAwVp2vmfB-abq5ONMKWj8VlO5iJi2w2UnitzowvLuDEXWZAzrucM3shPIGl3NkQErqD14Illv1MdMIM8_FXNrwDURbYPG9qXe7Y0trPQ1zmj2WB7vQW2oVcC1nIRfTsFlbU/s72-w640-h274-c/IMG_7453.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">London, UK</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">51.5072178 -0.1275862</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">23.196983963821154 -35.2838362 79.817451636178845 35.0286638</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>BEST CINEMATOGRAPHY NOMINEES: 97TH ACADEMY AWARDS</title><link>https://filmcastentertainment.blogspot.com/2025/02/best-cinematography-nominees-97th.html</link><category>97TH Academy awards</category><category>best cinematography</category><category>Dune Part 2</category><category>Emilia Perez</category><category>Maria</category><category>Nosferatu</category><category>Oscars 2025</category><category>The Brutalist</category><pubDate>Tue, 11 Feb 2025 15:07:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-2397588857125342856</guid><description>The Best Cinematography nominees by the Academy of Motion Picture Arts &amp;amp; Sciences (AMPAS) for the 97th edition of the Oscars Awards, are “The Brutalist” (Lol Crawley, BSC), “Dune: Part Two” (Greig Fraser, ASC BSC), “Emilia Pérez” (Paul Guilhaume), “Maria” (Ed Lachman, ASC) and “Nosferatu” (Jarin&amp;nbsp;Blaschke).The cameras used to shoot 2025 Oscar-nominated films include Arricam, Alexa, Sony </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw8W0v2GSBYmjn0GXNer1SkQFwlPMFWxau_MCzedTz11lktyXwkWQ8rr8pZFb7osJ3Fr_jVxP2sTI9sIXt0_ONsM3MZVA26j0CQCgikqPqbAau60tqmsGdkHN-pMY6_mpUIE_F5y1ETLAim-74P602DnwEcOlpAfbMlf1dzYhl3SrztOdVL75COBJz62c/s72-w640-h372-c/IMG_7407.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>25 CINEMATOGRAPHY TIPS BY ROGER DEAKINS REVISITED </title><link>https://filmcastentertainment.blogspot.com/2013/07/25-cinematography-tips-by-roger-deakins.html</link><category>Alexa 35</category><category>arri</category><category>camera operation</category><category>cinematography</category><category>Coen Brothers</category><category>roger deakins</category><category>skyfall</category><category>video</category><pubDate>Mon, 10 Feb 2025 18:48:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-6789007539735512953</guid><description>25 CINEMATOGRAPHY TIPS BY ROGER DEAKINS ASC,BSC




Read below 25 tips on cinematography by Roger Deakins, ASC, BSC.

&amp;nbsp; 

1. Don’t Get Distracted with Technique

“Operating the wheels needs to become second nature as it can be a disaster if the technique of operating distracts from the relationship that an operator has with the subject. When I was starting I practiced doing figures of eight </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Fi5YD6Rxy240cfmuk_1ngOQBmYCIPzQbVldts1IjqB-DDijDQLjmcNz5ppJJ80LUVyU5Hh-rpVTyAsdqlRm-aXyet5O6sLKK37BjBrxK3lj0F_geJastBKIIsplqjMlBiDUK6DyAD5o/s72-w476-h640-c/Roger+Deakins,+filmcastlive.jpg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>REVISITING LOS ANGELES DISASTROUS FIRES: ACROSS THE POND</title><link>https://filmcastentertainment.blogspot.com/2025/02/revisiting-los-angeles-disastrous-fires.html</link><category>across the pond</category><category>British cinematographer</category><category>Los Angeles fires</category><pubDate>Thu, 6 Feb 2025 10:04:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-4806237875379200407</guid><description>&amp;nbsp;As wildfires increasingly devastate the planet, filmmakers Nova Ami and Velcrow Ripper’s &amp;nbsp;Incandescence&amp;nbsp;captures the global spread of “mega-fires,” exploring the chaos of the ‘Pyrocene’ era, writes Mark London Williams.“The planet is entering what some are calling the ‘Pyrocene’—the age of fire, thanks to the climate emergency, thanks to a heating planet. We began thinking about </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx1BrouOm3FImt9L49Yd_rGZATmzI8pBytRY8xVrgul6YzbaAU3St_2tpoEcmu60EK7Q0sd-40ihBXcr9bPd0g6KoqXuQx81tRLRsecdD_8IeU7dyaIHg54tDIotic7ntfB0TQqYcPx0RmhjRvleOy5TFadI_erNgGpmuG5cRVerkZFwJMKLJr0FVlsMA/s72-w653-h416-c/IMG_7256.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0549076 -118.242643</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7446737638211545 -153.398893 62.365141436178845 -83.086393</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>ON THE ROAD TO THE OSCARS. FYC: DUNE PART II</title><link>https://filmcastentertainment.blogspot.com/2025/02/on-road-to-oscars-fyc-dune-part-ii.html</link><category>best cinematography</category><category>Dune II</category><category>Greig Fraser</category><category>oscar awards</category><category>video</category><pubDate>Tue, 4 Feb 2025 14:39:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-6670681413372228859</guid><description>&amp;nbsp;On the Road to the Oscars. Dune Part II. Click image for information about special photoExhibition at the Leica Gallery in Los Angeles.

Click image above for an interview with Dennis Villeneuve and Greig Fraser, ASC BSC&amp;nbsp;about the making of Dune II.</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZbEpLzXRL856l65IsLAXxJO87bBRVaZpJ7TPEq5ja0BuZmDobY0LvITMeF_0Hi-VlV-vkoUOwOO1Dww5lNs9EdEw4eGrTqP_FDJ1RacDhZIbxYKvnqmDk9ZBoUJvsahDu9xgKwVDH0R5XVIDs-NJL7YFzJ4lsDSGXtwzWUZYFbtRqEY7PxUjVpBCxEAE/s72-w370-h640-c/IMG_7234.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">10.502498096424144 -153.4828646 57.678964903575846 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>BSC 69TH AWARDS 2025</title><link>https://filmcastentertainment.blogspot.com/2025/02/bsc-69th-awards-2025.html</link><category>bristh academy of film and television arts</category><category>British society of cinematographers</category><category>BSC</category><category>BSC Expo</category><category>cine</category><category>video</category><pubDate>Sat, 1 Feb 2025 13:46:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-7966959409695294817</guid><description>
BSC John Alcott Memorial AwardFranz Kraus presents the BSC John Alcott Memorial Award to Milan Krsjljanin

Seamus &amp;nbsp;McGarvey, ASC BSC presented the Best CinematographyIn a Feature Film to Lol Crawle, BSC for The Brutalist&amp;nbsp;Mike Leigh presented the posthumous Lifetime Achievement&amp;nbsp;Award to Dick Pope, BSC.</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/jcxQKlkZAsk/default.jpg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">London, UK</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">51.5072178 -0.1275862</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">23.196983963821154 -35.2838362 79.817451636178845 35.0286638</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>CANON UNVEILS EOS C400, A 6K FULL FRAME CINEMA CAMERA</title><link>https://filmcastentertainment.blogspot.com/2024/06/canon-unveils-eos-c400-6k-full-frame.html</link><category>6K digital camera</category><category>canon</category><category>Canon C400</category><category>Digital Cinema Camera</category><category>full frame</category><category>video</category><pubDate>Thu, 6 Jun 2024 12:10:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-3996101714029745573</guid><description>New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema CamerasMELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back-illuminated stacked CMOS sensor, designed with </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/I0u9GyA75Wg/default.jpg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Melville, NY, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">40.7934322 -73.41512139999999</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">12.483198363821153 -108.57137139999999 69.103666036178851 -38.25887139999999</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>NEW ADDITIONS TO THE IB/E OPTICS RAPTOR LENS FAMILY </title><link>https://filmcastentertainment.blogspot.com/2024/05/new-additions-to-ibe-optics-raptor-lens.html</link><category>best cinematography</category><category>cinema lenses</category><category>cinematographer</category><category>full frame</category><category>full frame lens</category><category>IB/E Raptor</category><category>macro lens</category><category>Raptor Lens</category><category>super 35</category><pubDate>Mon, 20 May 2024 12:23:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-6645068208264330660</guid><description>Coming soon: New Focal Lengths (FF and S35)The IBE Raptor Macro Cinema Lens Series is a popular choice among filmmakers, offering a versatile selection of macro lenses optimized for digital cinema and large-format film cameras. Available in focal lengths from 50mm to 300mm, these lenses provide magnification capabilities from 1:1 to 2:1, producing stunning detail and organic bokeh effects with an</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKXH7S81Kxanunji6RHhXxcpoVIGwy6zDRwLDa8E8DAbK6-y0BH2BpzxayoGBEbTcRgTv4eRCir6njqHLBQSUObZFZeS9TlfbOO68y485PvMWfus1FpiN1W_e_VLcXySL9b8DbXh7Co54CShZ-2nlkrMB5mLW8I_FGh1NuWtVqjUDj74KFoalUd0yuETE/s72-w538-h640-c/IMG_5549.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Munich, Germany</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">48.1351253 11.5819806</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">19.824891463821153 -23.5742694 76.445359136178837 46.7382306</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>CANON R1 MIRRORLESS CAMERA COMING SOON</title><link>https://filmcastentertainment.blogspot.com/2024/05/canon-r1-mirrorless-camera-coming-soon.html</link><category>canon</category><category>canon R1</category><category>canon R1 mirrorless</category><category>digital camera</category><category>full frame</category><pubDate>Wed, 15 May 2024 09:10:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-2006491869956388206</guid><description>&amp;nbsp;Canon Develops EOS R1 As First Flagship Model for EOS R SystemNew Image Processing System Further Improves AF and Image QualityMELVILLE, N.Y., May 15, 2024 - Canon U.S.A., Inc. today announced that its parent company, Canon Inc. announced today that it is currently developing the EOS R1, a full-frame mirrorless camera, as the first flagship model for the EOS R SYSTEM equipped with an RF </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg02xPpTDCxM2Bgt0wMIB24qrHqYB53hazWy64QYciThznagSpLaBd0bCBpnZGMkYXzs9DJLQ3GEFq9_nxBHQ-gKzI6ZotYucNyjBR5bgmTInEkg-H7Ib20VrgBc3d8HVAtTcCQoAik0k5-9i8eP82mwAEmdfV247RWDV8yhUQKTc6CmI8v_qVTlAsTR5U/s72-w640-h616-c/IMG_4978.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">New York, NY, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">40.7127753 -74.0059728</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">12.402541463821152 -109.1622228 69.023009136178842 -38.849722799999995</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>FUJINON DUVO SERIES LENSES</title><link>https://filmcastentertainment.blogspot.com/2024/05/fujinon-duvo-series-lenses.html</link><category>broadcast lens</category><category>cinema lenses</category><category>cinematography</category><category>FUJIFILM</category><category>Fujinon Duvo</category><category>zoom lens</category><pubDate>Thu, 9 May 2024 18:45:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-8036565273256056932</guid><description>Fujifilm has added a second lens to FUJINON DuvoTM Series.&amp;nbsp;&amp;nbsp;DuvoTM 24-300mm optimizes professional broadcast and cinema workflows.After many years of delivering quality lens options for the broadcast and cinema industries, Fujifilm launched a new lineup – FUJINON DuvoTM Series – with&amp;nbsp;DuvoTM HZK25-1000mmF2.8-F5.0 PL Mount Cinema Box Lens. Now, a second lens has been introduced to </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq4Iy-GooqGxoPANRuDX7DDE6fYS3TQhKIf8KopUFtrHeODWeLpXvwz0E4EXEENjDClB_uQRjOhJiS3AwkBCW9zvjtzdZNu4svNSzpnJKUZojxvO-gx80XWZHhFTJeCauB8yL8hiPXNOE-Et3fyzhWtiOX5eRhCHaNAkOw0XJlOU-KWrs2-iNQbnfAsEk/s72-w634-h640-c/IMG_3073.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>GEORGE LUCAS, HONORARY PALME D’OR AT 77TH FESTIVAL DE CANNES</title><link>https://filmcastentertainment.blogspot.com/2024/05/george-lucas-honorary-palme-dor-at-77th.html</link><category>77Festival de Cannes</category><category>American Graffiti</category><category>best cinematography</category><category>best director</category><category>filmmaker</category><category>george lucas</category><category>Indiana Jones</category><category>Lucasfilms</category><category>Palme d’Or</category><category>stars wars</category><pubDate>Sat, 4 May 2024 15:40:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-5187013595548878964</guid><description>GEORGE LUCAS TO RECEIVE HONORARY PALME D’OR AT 77TH FESTIVAL DE CANNESA Hollywood legend, the director, screenwriter and producer George Lucas will receive the Honorary Palme d'or on Saturday, May 25, at the Closing Ceremony of the 77th Festival de Cannes, to be broadcast live on French TV channel France 2. &amp;nbsp;At the mere mention of his name, a whole section of the Seventh Art lights up, and </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANBH1hGK3QDbqtO_o4P4flG2FsiQbnvIlWe8FI4qDMiu93RERL-mW9BnrfX4CLukyXccIKLNghT70eNq2TEIUdbRfuXF6Ds9JpbdHCTwFN_Q5e0d4NW238xkjYQcbY83ELNWJw_McjUwT9AGxZoaHP0XBRX7eOX2P4MPIadNOf37lgb-ko8B_LugwvXk/s72-w200-h110-c/IMG_2473.png" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Cannes, France</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">43.5539499 7.0170217</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">35.452166102406764 -28.139228300000028 51.655733697593234 42.173271700000029</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>STATE OF PLAY. CINEMATOGRAPHY. ACROSS THE POND. BSC</title><link>https://filmcastentertainment.blogspot.com/2024/05/state-of-play-cinematography-across.html</link><category>across the pond</category><category>best cinematography</category><category>British society of cinematographers</category><category>BSC</category><category>cinematographer</category><pubDate>Thu, 2 May 2024 15:08:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-2651415586168086271</guid><description>Courtesy British Cinematographer Magazine.&amp;nbsp;&amp;nbsp;Across the Pond by&amp;nbsp;Mark London Williams. April 2024BY: MARK LONDON WILLIAMS&amp;nbsp;Some prayer books, the stretch that comes after the celebrations of Easter is referred to as “ordinary time” – a return to more regular days, after the fervency of carnival, and the spring holidays.In Hollywood, of course, that fervency generally coincides </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyQtPTTunxRNYlpRoUppJclvGs53Mr5pwSm0-Nn1DGtRU0qsRASgtUrUHMNQMAZ1fKnknkXQWPfENoO2UmfeXQA-7-46L8GLv9JBfY-cTl9jRJtGSmLX1Xwpwnfr5sXaYhPi7Lk1_iY9e6h6wpCbkDYrNnFmJgy9POIp4b2FiUDp0-yEy4qJbL_bV6mlQ/s72-w400-h286-c/IMG_2219.jpeg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">5.7804976638211514 -153.4828646 62.400965336178842 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item><item><title>ON THE ROAD TO THE 95TH ACADEMY AWARDS</title><link>https://filmcastentertainment.blogspot.com/2023/03/on-road-to-95th-academy-awards.html</link><category>95th Academy Awards</category><category>best cinematography</category><category>best director</category><category>best picture</category><category>oscar awards</category><category>oscar nomination</category><category>oscars</category><category>oscars awards nominees</category><category>video</category><pubDate>Mon, 6 Mar 2023 14:31:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-3073710444646725636.post-3422915756359588106</guid><description>Everything Everywhere All at Once garnered the most Oscars nominations, leading the pack with 11 nominations, and The Banshees of Inisherin and All Quiet on the Western Front followed with nine a piece.Peer through the lenses of this year's Oscar-nominated cinematographers— James Friend ('All Quiet on the Western Front), Darius Khondji ('Bardo, False Chronicle of a Handful of Truths'),&amp;nbsp;&amp;nbsp</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPBZ1ib56w4hvO7PDTlodEbogj_876K-NXwXOODBZNJsLiycTn_hNxEr_4GKD8f2P3ttk4vGwy6MSaFP3nW7ZsspTJBD8VFCV6Z75amPaVvfrVQjikPWY4kXQ2YsIfIHslXAXe0yGGH-YFmnYXwOdPGJULsuLGLXS1qn9riMb4ewtEpRCa5pK5LgvC/s72-w640-h360-c/1678140801587.jpg" width="72"/><georss:featurename xmlns:georss="http://www.georss.org/georss">Hollywood, Los Angeles, CA, USA</georss:featurename><georss:point xmlns:georss="http://www.georss.org/georss">34.0907315 -118.3266146</georss:point><georss:box xmlns:georss="http://www.georss.org/georss">8.8688356274633335 -153.4828646 59.31262737253666 -83.1703646</georss:box><author>filmcastlive@gmail.com (filmcast entertainment)</author></item></channel></rss>