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	<title>Filmmaking Central - The Process of Filmmaking</title>
	
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		<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/FilmmakingCentral" /><feedburner:info uri="filmmakingcentral" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:copyright>Clarity Pictures, LLC 2005</media:copyright><media:thumbnail url="http://www.filmmakingcentral.com/fmclogo_02.jpg" /><media:keywords>movies,independent,film,filmmaking,film,directing,producing,acting,movie,distribution,film,podcast,make,a,movie,how,to,make,a,movie,moviemaking,David,Basulto,Clarity,Pictures,Filmmaking,Central</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">TV &amp; Film</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Technology/Software How-To</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Business/Careers</media:category><itunes:owner><itunes:email>info@filmmakingcentral.com</itunes:email><itunes:name>David Basulto</itunes:name></itunes:owner><itunes:author>David Basulto</itunes:author><itunes:explicit>no</itunes:explicit><itunes:image href="http://www.filmmakingcentral.com/fmclogo_02.jpg" /><itunes:keywords>movies,independent,film,filmmaking,film,directing,producing,acting,movie,distribution,film,podcast,make,a,movie,how,to,make,a,movie,moviemaking,David,Basulto,Clarity,Pictures,Filmmaking,Central</itunes:keywords><itunes:subtitle>The Process of Filmmaking</itunes:subtitle><itunes:summary>Welcome to Filmmaking Central! Producer/Director David Basulto discusses the process and business of filmmaking. Great interviews with top industry players, reviews and tips. Learn the process to help you succeed as a filmmaker.</itunes:summary><itunes:category text="TV &amp; Film" /><itunes:category text="Technology"><itunes:category text="Software How-To" /></itunes:category><itunes:category text="Business"><itunes:category text="Careers" /></itunes:category><geo:lat>34.112958</geo:lat><geo:long>-118.155778</geo:long><creativeCommons:license>http://creativecommons.org/licenses/by-nc-sa/2.0/</creativeCommons:license><image><link>http://www.feedburner.com</link><url>http://www.feedburner.com/fb/images/pub/fb_pwrd.gif</url><title>This Feed Powered by FeedBurner.com</title></image><feedburner:emailServiceId>FilmmakingCentral</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><feedburner:browserFriendly>This is an XML content feed. It is intended to be viewed in a newsreader or syndicated to another site.</feedburner:browserFriendly><item>
		<title>Learn Premiere Elements 10 as an entry into video editing</title>
		<link>http://feedproxy.google.com/~r/FilmmakingCentral/~3/pVKZfRwzpls/</link>
		<comments>http://filmmakingcentral.com/fmc2/2012/02/learn-premiere-elements-10-as-an-entry-into-video-editing/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 02:49:38 +0000</pubDate>
		<dc:creator>info@filmmakingcentral.com (David Basulto)</dc:creator>
				<category><![CDATA[Dave's Blog]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Adobe Elements 10]]></category>
		<category><![CDATA[Adobe Systems]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://filmmakingcentral.com/fmc2/?p=2926</guid>
		<description>I have been asked by several non pros about Elements 10. When Lynda.com asked me to do a course it was a perfect opportunity to shed some light on Adobe's entry level editor. While I say "entry level" there are many great features and workflows that really can get you editing fast even if you have never edited before. Adobe really made a fun and efficient program for those wanting to get editing fast. If you have always wanted to [...]&lt;div class="feedflare"&gt;
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		<item>
		<title>OffScreen at Sundance- The Influence of Technology on Film</title>
		<link>http://feedproxy.google.com/~r/FilmmakingCentral/~3/f-SlKwpsanc/</link>
		<comments>http://filmmakingcentral.com/fmc2/2012/01/offscreen-at-sundance-the-influence-of-technology-on-film/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 06:43:06 +0000</pubDate>
		<dc:creator>info@filmmakingcentral.com (David Basulto)</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Dave's Blog]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[tech]]></category>

		<guid isPermaLink="false">http://filmmakingcentral.com/fmc2/?p=2922</guid>
		<description>By Lisa Pluth Sundance is unique in that it provides almost egalitarian access to every facet of filmmaking. Whether you have come to the festival to rub shoulders with Bruce Willis or because you are an aspiring independent filmmaker, the festival provides something special. This is where independent filmmakers and large filmmakers alike come to recharge their creative juices and talk shop. Want to find out which of the new “amateur” cameras the pros are using? Want to know what [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?i=f-SlKwpsanc:J3e241cuelg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?i=f-SlKwpsanc:J3e241cuelg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:KwTdNBX3Jqk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?i=f-SlKwpsanc:J3e241cuelg:KwTdNBX3Jqk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:l6gmwiTKsz0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?d=l6gmwiTKsz0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?i=f-SlKwpsanc:J3e241cuelg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FilmmakingCentral?a=f-SlKwpsanc:J3e241cuelg:wF9xT3WuBAs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FilmmakingCentral?i=f-SlKwpsanc:J3e241cuelg:wF9xT3WuBAs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/FilmmakingCentral/~4/f-SlKwpsanc" height="1" width="1"/&gt;</description>
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		<item>
		<title>Shadow Dancer: Sundance Review</title>
		<link>http://feedproxy.google.com/~r/FilmmakingCentral/~3/SEu60_QB8DA/</link>
		<comments>http://filmmakingcentral.com/fmc2/2012/01/shadow-dancer-sundance-review/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 02:07:14 +0000</pubDate>
		<dc:creator>info@filmmakingcentral.com (David Basulto)</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Shadow Dancer]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>

		<guid isPermaLink="false">http://filmmakingcentral.com/fmc2/?p=2917</guid>
		<description>Shadow Dancer, the latest film by James Marsh is a moody thriller about the MI5’s infiltration of the IRA in Ireland during the 1980’s and 1990’s. The MI5 “hero” played by heart throb Clive Owen is somewhat dwarfed by the breathtaking performance of young Andrea Riseborough who plays Collette McVeigh. Collette is a Northern Irish woman who is forced to choose between the loyalty she has to the IRA and her brothers and the love she has for her own [...]&lt;div class="feedflare"&gt;
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	<copyright>Clarity Pictures, LLC 2005</copyright><media:credit role="author">David Basulto</media:credit><media:rating>nonadult</media:rating><media:description type="plain">The Process of Filmmaking</media:description></channel>
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