Fine Art Magazine Media Blog

Rose Squared Art Shows Spring 2027 Seasn. Call for Artists. See details below.

2026-11-10T15:19:51.344-05:00

A call to artist is a great way to showcase your art. Dee locations and details below.

JOIN US FOR THE SPRING 2027 ROSE SQUARED SEASON

Original Art. Original Artists. Exceptional Settings.

Whether you've been exhibiting with Rose Squared for years, haven't joined us recently, or are considering your first Rose Squared show, we invite you to take a look at the spring 2027 season.

Come for the show. Become part of the community. Apply Today!

Click on the name of the show to see the ZAPP prospectus.

4th Annual Rose Squared Fine Craft Show Rittenhouse Square

May 7-9, 2027, Philadelphia, PA

40th Annual Rose Squared Verona Park

May 15-16, 2027, Verona, NJ

38th Annual Rose Squared Spring Brookdale Park

June 19-20, 2027, Montclair/Bloomfield, NJ

All shows are free to public, rain or shine.

Why Apply to a Rose Squared Art Show?

More than a booth. More than a weekend. Shows built around artists.

For more than four decades, Rose Squared Art Shows have brought professional fine artists and fine craft artisans together with patrons who come to our shows specifically to discover, collect and buy art.

Our spring shows take place in beautiful parks and city centers in New Jersey and Philadelphia. Each has its own personality, but they share something important: a commitment to original work, thoughtful curation, professional artists and a quality patron experience.

Apply today on ZAPP

Application deadline 1/17/27

For more information

contact Robin Markowitz, Executive Director

rosesquaredartshows@gmail.com

or call 301-755-4599

Visit our website at RoseSquared.com

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Just a Pretty~Galactic Dust SunSet Series #2~ taken November 9, 2026 Jamie Forbes

2026-11-10T13:34:10.227-05:00

Hi I am Jamie Forbes and I am sharing my photos captured last night at sunset.

~ ©allrightsreserved/~GalaticDustSunSet Series~2~11/9/2026/jamieforbes/SunStormartsPubCoInc2026

Concept: Captures exact moments in time during the setting sun, emphasizing the poignant beauty and light illuminating natural landscapes.

Narrative: Documents visual encounters and a personal dialogue between the photographer and the final rays of the day.

Notable Pieces: Includes works like Senix SunSet and selections featured in exhibitions such as the Conversations with Nature show at the Mills Pond Gallery. [1, 2]

https://sunstormfineartmagazine.com/jamie-forbes-photography/

https://sunstormfineartmagazine.com/

©allrightsreserved/~GalaticDustSunSet Series~2~11/9/2026/jamieforbes/SunStormartsPubCoInc2026

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Will Barnet and Harold Weston - Brilliant Artists, Best of Friends

2026-11-10T10:21:57.894-05:00

Interview with Will Barnett, from the artist's studio in Manhattan, first published in Fine Art, January 2009, By Victor Forbes

Will Barnet: I knew Harold Weston very well and worked with him for many years. He was always forming one kind of organization or federation or another. He had a special name for the organization we were in. He put the shows on and tried to help artists a lot. Har-old was a very wonder-ful man, very kind, very considerate and did what he could to help people with their prob-lems in the art world. We put on some shows to exemplify the quality of work being done at the time, one big one at the Riverside Museum, all these things were going on during the height of our relationship, during the 1940s and 1950s. We were very individual artists and never allowed ourselves to be particularly influenced by any movement - we were just ourselves. On the outside you had all these other people doing more bombastic work, who had a lot more publicity. Some of us may have been on the sideline then, but time shows that works done by painters like Weston are more and more appreciated today.
I’ve been in the art world a long time, close to 80 years, so it is hard for me to tell you exactly the period things took place, but I can tell you the art world was always changing. There have been so many movements that I have been part of have that faded away and things are different. I was an early member of the American Abstract Group, that, began in the ’30s and the American Federation of Artists — two very different groups. The Abstracts were more hard-edged, the other was more literal work of subject matter they were interested in. There’s a lot of history but history changes. Then Expressionism and Pop Art came along and they kind of overwhelmed the artists who were not involved in them. Harold was a personal artist who had his own point of view, so on the art scene he became, you might say, less prominent. The situation was that these organizations no longer functioned as vitally as they did in the early years when the movements were not so strong. That’s the way the art world works. Harold was a very energetic person, he liked to put on shows and was very active in the Federation of American Painters, during the late 40s and early 50s, very active. We were on the art scene more, but then of course this thing began to become less prominent as all these other art movements took over. How vital the situation is -- a lot of great shows, exciting paintings, important painters —but they’re all gone so we have history now. Have to do a lot of looking to find out what ore we can gather
The artists of the Federation were all very individual, very different, had their own movement, their own way of seeing things, doing things, but were all bound by the Federation. Harold was very involved in that. I remember him picking up paintings for the show, they would pack 50 or 60 in the back of paick-up truck and drive them down from the Adirondacks. I helped him and all that sort of thing. We all were very individual as artists, there was no such a thing as a singular movement, like expressionism, Pop art --- overwhelming period of movements that were very prominent when you think of Andy Warhol, why should he be so important? He never even painted a picture. It’s a very peculiar thing to discuss what took place. I was there, I saw it all. I took my own individual point of view that was classic, more of a painter’s point of view. Harold was working with imagery, mountains of Northern New York and all that and mine was more the City and people, in terms of subject matter and treatment.
I started out in the Great Depression, 1931, a 20 year-old young guy from New England and I saw everything. It was an entirely different depression than it is now. Bread lines were enormous, soup kitchens were the order of the day. People were literally starving. I was one of the young men who saw everything and documented that in my work (There’s a book coming out by Basilla - sketches early 1930s) …my work was more or less involved with evictions, breadlines and people having a hard time getting by, but I didn’t try to do too much political propaganda in my work. I did it in more of a painting way. I was painting an image of a social scene that was taking place. There were great artists who were very influential then. The most complex Mexican muralist/artist José Clemente Orozco, he was very influencial. He did all these great murals, some at the NEW SCHOOL - MORE Social, what was going on. Thank God we had a great President who brought people out of the Depression by getting jobs for people who had hard times. Roosevelt went for the people, not for the banks or Wall Street. He dismissed banks and Wall Street and went for people. The WPA gave people jobs. I was one of the supervisors in the WPA graphic Department. It was my work during the 1930s, and I was also painting during this and developing myself as an artist. Great murals were done then, chronicling what what was going on in this country. They were fabulous murals. We were building a new society and for the first time artists were getting an income — 24 bucks a week — entirely different than bailing out banks. It’s all nonsense, and shouldn’t be that way. They should reach the common people who are having a hard time. The people around Roosevelt were also great, should be about bailing out common people who were in great trouble.
The 40s were another period when you had a different outlook. In the 1920s, painters became expressionists — there was a personal, splashing of paint — and they looked down upon social painting. Social paintings were thrown to the dust bin and a new group of people coming up some of then are very famous as you are familiar with - Harold was aware of all this but was always ¡his own man, not influenced by provocative things going on in front of the art works, in magazines and newspapers.
The 50s, of course, was another period when you had development of Pop Art and other ideas - My work is very individual and a very humanistic view of a human being, even in abstract - when I was very very young, 12, 14, masters people like Rembrandt, Goya great French cartoonist influential in my work. Harold Weston’s are rich and sensuous paintings. Heloved landscape and the air of light; he did what he wanted to do. He was involved politically, he was in a sense a politician, had some connection with Washington, asking for certain things so the arts got more money. He was beyond the big movements of publicity and celebrity, not an easy picture to be in as that keeps changing from generation to generation and each generation rejects the other generation. Study it very carefully and you’ll find out how generations have antagonism toward another generation, though sometimes they come together.
I'm involved with a show downstairs at the Club done by Academicians from another period, completely overlooked. We should appreciate the value of their work and what they were trying to do - more 18th , 19th century influence. It’s a big picture, complex, but can be simplified, too. Doesn’t have to be that vague. To re-define painting movements, memory is very important, history is very important. The 30s social, 40s self-expression, 50s pop art cartoon art - ended up with Jeff Koons today. (to be continued)

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The Staller Center for the Arts Holiday Season performance dates below.

2026-11-09T08:37:31.998-05:00

It's never too early to plan your holiday fun events. Tickets and details for performances below.

Holiday plans? We've got you covered.

This holiday season, Broadway power couple Kelli Barrett and Jarrod Spector invite you to experience Home (for the holidays), an intimate evening that tells how the two extraordinary performers met and fell in love.

From their unlikely beginnings and Broadway insider stories to the moment Kelli knew Jarrod was the one, Home (for the holidays) is a personal journey that will give you a whole new definition of what it means to come home.

TICKETS & MORE INFORMATION

Celebrate the most wonderful time of the year with our Outreach Ensemble and local musician Jack Licitra!

Featuring seasonal favorites like Sleigh Ride, Feliz Navidad, The Chanukah Overture, and cherished selections from A Charlie Brown Christmas and The Nutcracker, Holiday Pops is a fun introduction to classical music for the whole family. Jack Licitra will conclude the program with a fun, holiday sing-along!

TICKETS & MORE INFORMATION

Questions? Reply to this email or contact boxoffice@stallercenter.com

STALLER CENTER FOR THE ARTS
100 Nicolls Road, Stony Brook, NY

(631) 632-ARTS

Have some virtual fun learning on line with the Pollock Krasner House and Study Center. November 10-12 details below

2026-11-09T08:32:40.145-05:00

Join The Virtual art learning programs. See the registration link below .

___________________________________________________________________________

Virtual Art Programs with

Joyce Raimondo, Education Coordinator

All virtual programs are free!

Tuesday, November 10, 1 -2:00 pm

Hard Edge Painting Workshop

Discover the art of Krasner, Picasso, Leger, Mondrian, and other famous artists who painted hard edge shapes.Then, create your own amazing shapes using tape to create hard edges and optionally for decorative elements.Have paint supplies on hand and optional; painters tape.

Offered by East Hampton Library

click to register with library

___________________________________________________________________

Tuesday, November 10, 2 -3:00 pm

Wild About Watercolor Workshop

Why would an artist sprinkle salt onto a painting or let water drip onto it? In this workshop, we will experiment with a variety of watercolor techniques. Then paint an outdoor scene or abstract art using these techniques. Have on hand watercolor supplies, salt, and oil pastels optional.

Offered by Larchmont Library

click to register with library

_______________________________________________________________

Wednesday, November 11, 12 - 1:00 pm

Virtual Tour with Artist Susan Vecsey

Join East Hampton based artist Susan Vecsey for a virtual tour of the current exhibition at the Pollock-Krasner House and Study Center featuring Vecsey’s paintings. Drawing from the traditions of Color Field painting to create abstractions, Vecsey uses thinned oil paint, carefully poured in a wet on wet process. Following the discussion of Vecsey’s work, Joyce Raimondo virtually guides visitors on a tour of the barn studio of Jackson Pollock and Lee Krasner.

click to register

_______________________________________________________________

Wednesday, November 11, 2 - 3:00 pm

Let Your Feelings Out

How can your feelings be expressed creatively and constructively in art? Discover how Jackson Pollock, Lee Krasner, Pablo Picasso and other modern artists express their emotions in innovative paintings. Virtually tour the barn studio where Krasner and Pollock created their abstract expressionist masterpieces. Then let your feelings out as you create your own abstract artwork. Have paint supplies on hand

Offered by Rush Library

click to register

Above photo Susan Vecsey

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The South Bay Art Association Annual Masque and Ball Exhibition. See details belo for what look like fun!

2026-11-09T08:25:44.560-05:00

POTLUCK SIGN UP

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The Untitled Circle Updated for November Details below featuring artists, exhibitions, communities, and more!

2026-11-09T08:17:34.001-05:00

This is a fun read worth the browsing time to see what up across the board in the world Untitled art, and artists.

Caleb Hahne Quintana, SELF PORTRAIT AS JOHN WAYNE, 2026. Image courtesy of Newchild.

November’s Untitled Circle traces connections across eight cities represented by our community of exhibitors, highlighting the distinct artistic perspectives, local contexts, and compelling voices that shape each place. Discover this month’s highlights from across our international network as we continue the countdown to Miami Beach’s 15th edition next month.

Juan Covelli: Cosmograma en espacio latente

Policroma, Medellín

Through Wednesday, November 11

The exhibition at Policroma engages with the rock art of the Serranía de La Lindosa located in Guaviare, Colombia, not to illustrate it or to interpret it archaeologically in the traditional sense, but to intervene in the frameworks through which it has been read. By confronting three concepts of the gaze, the image becomes a vector, the archive a dataset, and history a probabilistic model. AI serves as a critical tool: drawing on databases of pictograms and scientific depictions of fauna, the artist trains models that do not seek reconstructions, but new iterations that make visible the conflict between cosmology, taxonomy, and probability.

Alexandre Wagner, Fogo-Fátuo, 2026. Image credit to Sergio Guerini, courtesy of Kutlesa.

Alexandre Wagner: Fogo-Fátuo

Kutlesa, New York

Opens Thursday, November 12

Kutlesa’s second solo presentation of Wagner’s work alludes to the Brazilian Portuguese term for will-o’-the-wisp, which describes a fleeting phenomenon in which bluish or greenish flames appear above the ground, produced by gases released as organic matter decomposes. Within this atmosphere of obscurity and transformation, his paintings take shape. Rather than depicting landscape as a stable or identifiable subject, the artist approaches it as a space of emergence.

Yanma Fofana and Fanny Irina: Près d'Elle

The Bridge Gallery, Paris

Through Friday, November 13

The two-artist dialogue, curated by Louise Thurin at The Bridge Gallery, brings together paintings and ceramics around motherhood and filiation. The artists met in 2018 at Beaux-Arts de Paris. What began as a chance encounter between two students became a friendship, and over the years, something closer to family. Près d'elle is the first time their work shares the same walls.

Tancredi di Carcaci: Corpus

Palo Gallery, New York

Opens Friday, November 13

For his second solo exhibition at Palo Gallery, di Carcaci’s latest show brings together works in bronze, porcelain, stoneware, and mixed-media coin panels to examine the relationship between the human body and the objects we create throughout history. In his exploration of this core theme, alluded to in the title, he utilizes tensions between fluidity and weight, precision and chance, and Antiquity and Modernity.

Katie Shapiro, Speck of Gold, 2025. Image courtesy of Hannah Sloan Presents.

Katie Shapiro: The Other Side of the Moon

Hannah Sloan Presents, Los Angeles

Through Saturday, November 14

At Hannah Sloan Presents, Shapiro expands photography into sculptural, immersive form, exploring the invisible dimensions of human experience: personal, historic, and cosmic. By layering her images within glass, mirrors, and obsidian, she evokes what lies beyond perception. Shapiro treats the moon as a mirror of the subconscious and an archetype of the feminine, cyclical time, and rebirth. Pairing lunar imagery with fleeting fragments of her children, she frames motherhood as a cosmic act of excavation and healing.

Liene Bosquê, Miami stadium 70s, 2026. Image courtesy of La Cometa.

Liene Bosquê: Vestigios

La Cometa, Miami

Through Tuesday, November 17

La Cometa offers a profound reflection on the built environment's fragility and the limits of forgetting. Bosquê’s work functions as an exercise in contemporary archaeology, turning the gallery space into a site where remembering and observing go hand in hand—an invitation to pause and question the hidden layers of memory lying beneath the surface of the city we walk every day and, most importantly, the places we envision and how we are going to inhabit them.

Caleb Hahne Quintana: Don’t Get Lost in Heaven

Newchild, Antwerp

Through Thursday, November 19

In his inaugural solo exhibition in Belgium, Mexican-American artist Quintana presents an intimate group of small-scale paintings at Newchild, many executed on copper, that move between portraiture, landscape, still life, and fleeting scenes of everyday life. Drawing from his upbringing in the American Southwest, his Mexican heritage, and his family’s history of migration, the artist explores memory, place, and belonging through images that move fluidly between lived experience and recollection.

James Miles. Image courtesy of Creativity Explored.

Drawn Together

Creativity Explored, San Francisco

Through Saturday, November 21

Guest-curated by Auriel Garza, the exhibition explores ideas of friendship and community in a group show of Creativity Explored’sstudio artists. Throughout the exhibition, communal moments are framed in varied ways: sparsely described, richly patterned, or visually dense environments ranging from the local supermarket to the athletic field, and from the dance floor to the family dining table. Connection often forms through physical touch, coordinated movement, and shared passions and talents.

As the Moonbird flies

1301PE, Los Angeles

Through Saturday, November 21

1301PE presents a group exhibition of Shane Cotton, Simone Griffin and Fiona Pardington. These artists reflect on ancestral legacies and histories that consider the complexities of bicultural identity prevalent across Aotearoa New Zealand and Australia. The works in As the Moonbird flies bring European and Indigenous ways of seeing into conversation. Together, their practices explore how inherited ways of understanding can be carried forward, transformed, and reimagined through contemporary art.

Yosub Koh, Avoid, 2025. Image courtesy of Latitude Gallery.

Yosub Koh and Angela Fang Zirbes: Me & My Plurals

Latitude Gallery, New York

Through Saturday, November 28

Koh and Fang Zirbes push the genre of figure painting beyond its conventional potential for singular, teleological depictions of figures, and instead suggest that everyone is a plurality at Latitude Gallery. This exhibition therefore employs opacity as a method to approach the painted figures, the paintings, and the artists in a poetic and sensual manner that embraces their plurality without generalization, and to provide a moment of repose from the digital society for the audience.

José Fiol installation. Image courtesy of Galeria Reus.

José Fiol: El hombre que sabía demasiado

Galeria Reus, Mallorca

Through Tuesday, December 1

Fiol takes the life of Ivor Montagu as its conceptual framework. A filmmaker, producer, communist activist, founder of the International Table Tennis Federation, and a figure connected to British intelligence through his family, his work blurs the boundaries between historical research, painting, installation, and performance. Galeria Reus’ exhibition invites reflection on how images, narratives, and gestures circulate across disciplines, revealing hidden connections between cinema, diplomacy, espionage, and contemporary art.

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Studio Eric Schmitt at the Twenty First Collectables Design of the Century Closes November 6th

2026-11-07T09:19:00.373-05:00

Last Chance to see the collections displayed. Details Below .

Until November 8

Until November 8, Eric Schmitt is showcasing his work at the Twenty First Gallery booth during The Salon Art + Design.

It is an opportunity to rediscover the Entrelacs collection, which includes a mirror and a console table. In these pieces, Eric Schmitt explores a formal language in which sinuous lines and intertwined curves subtly evoke the aesthetic of Art Nouveau.

His approach is decidedly contemporary, lending his creations a sculptural dimension that exists at the intersection of art and design.

Eric Schmitt, Entrelacs Mirror, 2025.

Courtesy of Twenty First Gallery, New York.

Eric Schmitt, Entrelacs Console, 2025.

Courtesy of Twenty First Gallery, New York.

November 4 - 8, 2026

Park Avenue Armory

643 Park Avenue

New York, NY 10065

Friday, November 6 : 11am to 7pm

Saturday, November 7 : 11am to 7pm

Sunday, November 8 : 11am to 4pm

MORE INFORMATIONS

Eric Schmitt Studio,fineartmagazineblog.blogspot.com sunstormfineartmagazine.com,artfundesign,artfunnew,artfuncollectible,fineartdesign,fineartevents,

ARTE LAGUNA PRIZE Venice announces the over all winners. Details below.

2026-11-07T09:11:21.231-05:00

ARTE LAGUNA PRIZE

Overall Winners Announcement

The Opening Night is finished and the jury has made the decision.
Arte Laguna Prize is proud to present the Overall Winners: for 20th Edition is ELENE TAVADZE and the Overall Winner for 21st Edition is KSENIYA KHAMIANKOVA!

ELENE DARIANI | by Elene Tavadze (Georgia)
Overall Winner for the 20th Edition 2025

JURY'S REASON

We selected the artist for the exceptional materiality of the work, particularly the tactile qualities of puppetry and the meticulous execution of stop-motion animation. The precision and sensitivity of its construction reveal a thoughtful and distinctive artistic vision. The attention and slow time went into the work contrasting beautifully with our technically accelerated contemporary life where attention is always in deficit. Equally compelling is the work’s commitment to resurrecting an overlooked historical figure and bringing a neglected chapter of history into renewed visibility through an imaginative act of reinterpretation. Its narrative-driven approach is both intimate and inviting, distinguished by a warmth and emotional accessibility that offer a meaningful counterpoint to the highly conceptual practices often represented in contemporary art.

In recognizing this work, we also affirm the prize’s commitment to giving attention and time to artists whose practices may not yet have received sufficient visibility, while contributing to an expansion of the field and the forms of artistic expression it embraces.

The animated film reimagines the story of Elene Bakradze, a Georgian woman whose unfulfilled love for the poet Paolo Iashvili gave rise to the mysterious poetic persona of Elene Dariani. Long believed to be a literary mystification created by Iashvili, Elene Dariani is revealed through this story as the expression of a woman's own desires, longing, and emotional life. Through the interplay of reality, dreams, and poetry, the film explores the transformative power of unrequited love, the tension between desire and social convention, and the ways in which suppressed emotions can find expression through art. Ultimately, Elene Dariani becomes both a poetic creation and a metaphor for personal liberation, giving voice to a love that never materialized in life but found a lasting existence in poetry.

"ROUTINE" | by Kseniya Khamiankova (in art theatrical_hunt) (Belarus)
Overall Winner for the 21st Edition 2026

JURY'S REASON

This is a delicate work. We love its fragmentation. There is no direct political message, yet the work appears anthropological and theatrical, obsessed with routine. It has a streak of barbarity: a reflection on the domestic woman who reclaims her own space and takes up all the room. Moreover, the work surprises us with its presentation and its fragments

Would you like to exhibit in the wonderful spaces of the Arsenale of Venice?
Apply to Arte Laguna Prize!

Register here to receive updates >

ARTE LAGUNA PRIZE
Venice, Italy
artelagunaprize.com info@artelagunaprize.com
+39 3477077251 +39 0415937242

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A fun Special A&D Building Holiday Event~THe Makers Market~ See details Below.

2026-11-07T09:06:09.586-05:00

This event features Artists, Artisans and Designers. All goods and services available for holiday purchasing.

The A&D Building will bring together talented artists, makers and designers for a one-of-a-kind shopping experience. For more information about the makers and the products available for purchase, visit ADBuilding.com

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The Martin E. Segal Theatre presents duting National Native American Heritage Month~tah-kōx: Indigenous Stages~

2026-11-06T11:49:17.670-05:00

Tickets available for Thursday November 12 3:00-6:00 pm. See link below.

tah-kōx: Indigenous Stages

Launch of a New Online Journal

Opalanietet | Tammy Hailiʻōpua Baker Pililuaikekaiohilo M. Q. Keala

Ty Defoe | Jon Ray

Thursday, November 12th, 2026

The Martin E. Segal Theatre

2:00 PM | 6:30 PM

Live / In Person | FREE and OPEN to the public

Click here to register for the live event

The Martin E. Segal Theatre Center

The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street

Livestreamed via Howlround

Join us for the launch of tah-kōx: Indigenous Stages, the world’s first interdisciplinary academic journal dedicated primarily to Indigenous authors writing about the theatrical and cultural performance of Indigenous artists and communities around the globe.

Published by the Martin E. Segal Theatre Center at the CUNY Graduate Center, the journal provides a forum for Indigenous scholarship and cultural performance practices, publishing work in English or in Indigenous languages with English translation. Founded by GC CUNY PhD candidate Opalanietet (Ryan Victor Pierce) and co-founder Frank Hentschker, Tahkox: Indigenous Stages will release its inaugural issue in November 2026. The evening will include a conversation with Opalanietet, guest speakers Tammy Hailiʻōpua Baker (Kanaka Maoli) & Pililuaikekaiohilo M. Q. Keala (Kanaka Maoli) (University of Hawaiʻi at Mānoa), Ty Defoe and music from Jon Ray.

AFTERNOON, 2:00 pm

TALK 1: Tammy Hailiʻōpua Baker (Kanaka Maoli)

Title (TBC): About ‘Ahahui Noi‘i No‘eau ‘Ōiwi–Research Institute of Indigenous Performance (ANNO) at at the University of Hawaiʻi at Mānoa

2:30 pm

TALK 2: Pililuaikekaiohilo M. Q. Keala (Kanaka Maoli)

Title (TBC): Kuanaʻike ʻŌiwi Hawaiʻi (Indigenous Hawaiian Worldview) and the educational needs of nā moʻo ʻike kuʻuna ʻōiwi Hawaiʻi

3:00pm

Moderated discussion with Tammy Hailiʻōpua Baker and Pililuaikekaiohilo M. Q. Keala, Q&A. Moderated by Opalanietet.

EVENING, 6:30 pm

6:30pm

Welcome: Frank Hentschker, Opalanietet (Ryan Victor Pierce)

7:00 pm

TALK: Tammy Hailiʻōpua Baker (Kanaka Maoli), Pililuaikekaiohilo M. Q. Keala (Kanaka Maoli), Ty Defoe (Indigiqueer citizen of the Oneida and Anishinaabe Nations)

7:50 pm

MUSIC: Jon Ray

Opalanietet (Ryan Victor Pierce) is a member of the Nanticoke Lenni-Lenape tribal nation of New Jersey. Upon graduating from New York University's Tisch School of the Arts, Opalanietet has performed in workshops and productions at such renown New York theatrical institutions as New Dramatists, LaMaMa E.T.C. and New York City Opera at Lincoln Center. In November of 2020, Opalanietet made history by giving the first-ever Lenape Land Acknowledgement at the Macy’s Thanksgiving Day Parade on NBC. In July of 2021, Opalanietet made history again by delivering the opening performance at Lincoln Center after the pandemic with GALLIM’s performance installation, You Are Here. In 2012, Opalanietet founded Eagle Project, a theater company dedicated to exploring the American identity through the performing arts and our Native American heritage. Through his leadership, Eagle Project has collaborated with and performed at Theatre Row, the Public Theater, and Ashtar Theater in Palestine. In April of 2020, Eagle Project collaborated with the American Indian Community House of New York City and First Nations Theatre Guild to create Native Theatre Thursdays, a virtual reading series of new Native work. Opalanietet is currently studying for his doctorate in Theatre & Performance Studies at the City University of New York (CUNY) Graduate Center, and has been a teacher of Contemporary Indigenous Theatre & Performance at The New School in New York City and SUNY Purchase. His article, “The Natural Landscape of Native Puppetry,” has just been published by the journal, Puppetry International Research (PIR). Opalanietet is the founder and editor INDIGENOUS STAGES, an open access academic journal housed at the Segal Theatre Center.

Tammy Hailiʻōpua Baker (Kanaka Maoli) is a playwright, director, researcher, and educator from Kapaʻa, Kauaʻi whose work is dedicated to the revitalization of Kanaka Maoli moʻolelo (Native Hawaiian history and narratives) through Hawaiian-medium theatre, Hana Keaka. She holds an MFA in Directing from the University of Hawaiʻi at Mānoa (UHM) and a PhD in Māori and Indigenous Studies from the University of Waikato in Aotearoa/New Zealand. Hailiʻōpua oversees the Hawaiian Theatre and Playwriting Programs at UHM where she is a co-director of ‘Ahahui Noi‘i No‘eau ‘Ōiwi–Research Institute of Indigenous Performance (ANNO).

Pililuaikekaiohilo M. Q. Keala (Kanaka Maoli) is from Manaʻe, Molokaʻi but currently resides in Kapālama, Oʻahu with her two daughters and husband. She is currently an Assistant Professor of Hawaiian at Kawaihuelani Center for Hawaiian Language in the Hawaiʻinuiākea School of Hawaiian Knowledge at the University of Hawaiʻi at Mānoa. Pili also serves as the Vice Chair on the ʻAha Hoʻokō (Governing Board) of the ʻAha Kauleo (Hawaiian Language Immersion Statewide Consortium). Prior to her current position she was an Assistant Professor in the College of Education at the University of Hawaiʻi at Mānoa and has been a secondary kumu for over 15 years in Ka Papahana Kaiapuni, Kamehameha Schools, as well as community education. Dr. Keala’s dissertation work focused on discovering the educational needs of nā moʻo ʻike kuʻuna ʻōiwi Hawaiʻi, Native Hawaiian children raised exclusively in ʻōlelo Hawaiʻi through hoʻomana Hawaiʻi with traditional Hawaiian loina and cultural practices. Her research focuses include Kuanaʻike ʻŌiwi Hawaiʻi (Indigenous Hawaiian Worldview), Kaiapuni education, programming and pedagogies, Hawaiian language medium and culture-based education, and traditional Hawaiian pedagogies of learning and teaching.

Ty Defoe (Giizhig) is a proud citizen of the Oneida Nation and the Anishinaabe Tribe who moves through the world as a writer, playwright, interdisciplinary artist, and sovereign storyteller. As a story-trickster, ty conjures worlds where liberation, resilience, and Mother Earth are at the heart of his creative practice. His work glitters with interconnection, braiding ancestral knowledge, futurist imagination, and community-based practices into performances, installations, and story architectures that illuminate Indigenous and decolonial futures. A Grammy Award–winning artist, Ty has received numerous prestigious fellowships, commissions, and honors from the 2026 United States Artist Fellow, Robert Rauschenberg Foundation, MacDowell, Sundance Institute, First Peoples Fund, Perelman Performing Arts Center (PAC NYC), the Binger Center for New Theatre at Yale University, and Pop Culture Collaborative’s Trans Futurist Fellowship for their collective imagination, and world-building. He is the co-founder of Indigenous Direction (with Larissa FastHorse on Native Nation Theater Project at ASU) and a member of All My Relations Collective. Across these endeavors, he advances Indigenous/Native creative innovation, storytelling, and emerging technologies. Ty currently serves as Writer-in-Residence at Pace University and resides in NYC. tydefoe.com | allmyrelations.earth | @tydefoe

Jon Ray, a working DJ in NYC, DC, and Santa Fe, Jon Ray sees his DJing as an extension of his upbringing in the Laguna Pueblo homelands, where people come together through music, dance, and relations. As an artisan, curator, and student of DJ culture, he shares his vinyl collection a few crates at a time.

Photo:

Ondinnok’s Xajoj Tun Rabinal Achi, directed by Yves Sioui Durand at Montreal’s Excentris Art Center.

(Courtesy of Martine Doyon)

Events are FREE and open to the public on a first come, first served basis at The Martin E. Segal Theatre Center, The Graduate Center, City University of New York, 365 Fifth Avenue, at 34th Street.

Subway: Herald Square, lines B/D/F/M/N/Q/R/W

www.theSegalCenter.org Info: 212-817-1860

The Martin E. Segal Center | 365 Fifth Avenue, New York, NY 10016

PhotoSaintGermain Annule Photography Festival, Open through November 28, 2026

2026-11-06T09:05:14.071-05:00

The images below are terrific to see wether youre are a photographer or happy viewer.

PhotoSaintGermain - 15^th edition
Annual Photography Festival

5-28 November, 2026

Held from 5 to 28 November 2026 in the heart of Paris, in the emblematic Saint-Germain-des-Prés district, PhotoSaintGermain is an annual festival dedicated to promoting photographic creation, directed by Aurélia Marcadier. The festival offers a free, open-access exhibition trail across a selection of museums, cultural centres, galleries and bookshops on the Left Bank. Its programme brings together a rich and eclectic selection of exhibitions presented by participating galleries, alongside original exhibitions and new projects conceived and produced by the festival itself. With its diverse photographic programme, PhotoSaintGermain has become one of the highlights of the Parisian cultural calendar in November. Complementing the exhibitions, the festival also offers a programme of events, including talks, screenings, book signings and studio visits, bringing together a wide range of figures from the contemporary photography scene. It welcomes a broad audience, from photography professionals and collectors to gallery- and museum-goers.

Métamorphoses - © Martin Parr

Highlights

Alongside exhibitions presented by partner galleries and institutions, the festival also features exclusive exhibitions and original projects. This year, PhotoSaintGermain presents 12 new productions and co-productions.

Musée d’histoire de la médecine, Université Paris Cité
Michel Butor, portrait ultrasensible
The exhibition explores the poetic and photographic dimensions of the work of Michel Butor, poet, novelist, teacher, essayist and art critic, on the occasion of the centenary of his birth. A selection of his artist's books will be presented in dialogue with the collections of the university libraries and the Musée d’Histoire de la Médecine.

Maison d’Auguste Comte
Pierre‑Jérôme Jehel
The result of a photographic residency by Pierre-Jérôme Jehel at the museum, this exhibition brings contemporary artistic creations into dialogue with the archival collections of the Maison d’Auguste Comte. At the intersection of scientific observation and sensory perception, it explores photography as a space of memory, presence and reflection.

Musée Eugène Delacroix
Karen Knorr
This year, PhotoSaintGermain presents Karen Knorr’s work in an unprecedented dialogue with the pictorial world of Eugène Delacroix. Through photographs of heritage sites inhabited by majestic animal figures, the artist questions the divide between nature and culture while exploring themes of myth and belief.

Musée national Eugène-Delacroix - Karen Knorr, Sikander’s Entrance, Chandra Mahal, Jaipur City Palace, Jaipur, 2013
© Karen Knorr - Courtesy Galerie Les filles du calvaire, Paris

École nationale supérieure d’architecture Paris‐Malaquais – PSL
Benoît Fougeirol
For the latest edition of its partnership with PhotoSaintGermain, ENSA Paris-Malaquais presents students’ work in dialogue with (Zus), a project by Benoît Fougeirol. Bringing together photography, cartography and publishing, the exhibition examines representations of so-called “sensitive” urban territories and questions the boundaries between lived space, perceived space and administrated space.

Hôtel La Louisiane ROOM SERVICE
Guest curator: Martha Kirszenbaum
For its fifth edition, the festival has invited curator Martha Kirszenbaum to develop a carte blanche exploring the theme of counterculture, in keeping with the spirit of Hôtel La Louisiane.

Mairie du 7^e arr. Musée de l’armée — Hôtel national des Invalides
Chloe Sharrock
Curator: Lucie Moriceau‐Chastagner
The exhibition presents work by Chloe Sharrock produced during the third photographic residency organised by the Musée de l’Armée. From traces of war in the forests of Verdun to the ruins of the Maginot Line, the artist develops a graphic and photographic exploration of the imprint of memory. Through a collection of drawings, landscapes, military memorabilia and faces, her work speaks of past and present, and of the many conflicts that run through human history.

Institut nationale des jeunes aveugles
Des aveugles, The INJA Photographic Collection
Curator: Léa Miranda
For this exhibition, the Institut national des jeunes aveugles is exceptionally opening its photographic archives, revisiting more than two centuries of history in the field of accessibility. The project highlights the distinctive role of this pioneering institution in supporting blind and visually impaired people, while questioning the place of photography in the representation of people with visual impairments.
With the support of the Fondation Antoine de Galbert.

Galerie du Crous × Cnap
Curators: Pascal Beausse et Aurélia Marcadier
This new exhibition, organised in partnership with the Centre national des arts plastiques at the Galerie du Crous, presents works by a selection of recipients of the documentary photography grant.

Galerie VU - Park Chan-wook, Face 16, 2023. ©Park Chan-wook

Musée de Minéralogie de l’École des Mines de Paris
Laure Winants
This exhibition brings the photographic research and artistic practice of Laure Winants into dialogue with the museum’s exceptional mineral collections. Through this encounter between art and science, PhotoSaintGermain celebrates emerging artistic practices and builds bridges between disciplines.
With the support of the Fondation Louis Roederer and Tara Océan.

Galerie Le Minotaure
Marek Piasecki, A Friday Person
Curators: Valérie Fougeirol & Rafał Lewandowski
This major exhibition presents the work of Marek Piasecki, a leading Polish Surrealist artist and former member of the Second Krakow Group. It offers an opportunity to discover the strange abstract photograms, dolls and miniatures he created in the seclusion of his studio, whose windows were covered, where he worked at night. These works can be seen as photographic records of his own moods.
In partnership with Un Week-end à l’Est.

Quai de Solférino / Mairie de Paris
Denise Colomb
This exhibition highlights the vision of Denise Colomb (1902–2004). Closely connected to the artistic circles of Saint-Germain-des-Prés, she photographed many of the creative figures of her time. Her portraits and documentary photographs reveal her sensitivity and attentive eye for both people and places.
In partnership with the MPP.

Librairie Polonaise
Carte Blanche à Rust Publishing
At the invitation of PhotoSaintGermain and in partnership with Un Week-end à l’Est, publishing house RUST Publishing presents a selection of its latest books, alongside prints from Tomasz Kawecki’s previously unseen series Flux, shown alongside images by Jakub Szachnowski from the project The Proof.
In partnership with Un Week-end à l’Est.

Quai de Solférino - Denise Colomb, Léonor Fini and Léonora Carrington, 1952. ©Ministère de la Culture – Médiathèque du patrimoine et de la photographie

What's New in the 15^th Edition

New Venues
As every year, this edition introduces new collaborations, with photographic exhibitions and events joining the festival programme:

Musée de Minéralogie de l’École des Mines de Paris
Spirale galerie
Galerie Vu’
Galerie Arnaud Lefebvre
Librairie / Galerie Saint-Michel
Métamorphoses
Galerie Monbrison

Centre tchèque de Paris - Jindřich Štreit, Untitled. Musée d’art d’Olomouc. © Jindřich Štreit

Exhibition Trail

Cultural Centres & Institutions

Académie des beaux‐arts - Marc Ladreit de Lacharrière Prize, Guillaume Herbaut - Ukraine, le mal qui reste
Centre Culturel Irlandais - Portrait of an Irish Collector
Centre tchèque de Paris - FAMU, Y a pas photo ! Jindřich Štreit, Humanity
Institut National des Jeunes Aveugles - Des aveugles, the INJA Photographic Collection
Fondation LAccolade ‐ Institut de France Eugénie Touzé, Le Berceau
Mairie du 7^earr. Salle Béatrice Hodent de Broutelles - in partnership with the Musée de l’Armée - Hôtel national des Invalides - Chloe Sharrock
Maison d’Auguste Comte - Pierre‑Jérôme Jehel, Une doublure d’invisible
Musée d’Histoire de la Médecine - Université Paris Cité - Michel Butor, portrait ultrasensible
Musée de Minéralogie de l’École des Mines de Paris - Laure Winants
Musée national Eugène‐Delacroix - Karen Knorr
Quai de Solférino - Denise Colomb

Galleries

Galerie Arnaud Lefebvre - Natalie Curtis, Tower
Galerie Art Absolument - Françoise Huguier, l’œil voyageur
Galerie Berthet‑Aittouarès - From Mario Giacomelli to Antoine Schneck: 20 Photographers Celebrate the Gallery’s 40th Anniversary
Galerie Documents 15 - Ariane Fruit, Espaces traversés
Galerie du Crous de Paris in collaboration with the Centre national des arts plastiques - Guillaume Bihan and Daria Svertilova, Clément Chapillon, Daphné Nan Le Sergent
Galerie Le Minotaure - Marek Piasecki, A Friday Person
Galerie Madé - Maximiliano Tineo, El Rey Blanco
Galerie Roger‑Viollet - Jean Marquis
Galerie VU’ - Park Chan‐wook, Photographe - Quand l’horloger immobilise le temps
Métamorphoses - Premiers regards. Des livres photo pour les enfants , Les soulèvements de La Commune
Spirale galerie - Zen Lefort , This Wall
Zander Galerie Paris - Tina Barney

Unexpected Venues: Pop-ups & Hotels

Hôtel La Louisiane - 3^rd floor. ROOM SERVICE 5
Shmorévaz - Cammie Tolui
Adagp - Claire Cocano, Rue Désiré Chevalier

Art schools

Atelier de Sèvres - Works by second-year Bachelor Art & Image students
Galerie Callot, l'École d’architecture Paris‑Malaquais - PSL -Benoît Fougeirol, ZUS in dialogue with students’ work
École nationale supérieure des Beaux‑Arts de Paris - Histoires matérielles, an exhibition by students from ENSBA Paris and ENSP Arles

Bookshops

7L - Noémie Ninot
Delpire & co - Rafał Milach, LAST RESORT
Librairie des Alpes - Julien Lacroix, Alpage
Librairie Polonaise - Carte blanche to Rust Publishing

Visit the website

Practical information

PhotoSaintGermain
05 - 28 november, 2026

Opening reception on Thursday, 5 November, 6-9 pm

Saint-Germain-des-Prés
75006 Paris

#photosaintgermain#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunphotography#artfunfrance#artfunnow#artfunparis,

Spectrum Miami & Red Dot Miami staes for Art Miami week 2026. Details belwo.

2026-11-06T08:55:41.864-05:00

A fun spot to vists and enjoy Art Miami Week. See detail and info below

SPECTRUM MIAMI AND RED DOT MIAMI PRESIDES OVER MIAMI ART WEEK 2026

Two fairs under one roof return to Mana Wynwood Convention Center, Dec. 2—6, with the introduction of Jackson Health Foundation as the official nonprofit partner.

Miami, FL – September 8th, 2026: Redwood Art Group, the nation’s leader in exhibitions, event production, media, and marketing for the global fine art community, announces its return to Wynwood Arts District with two of the longest running fairs during Miami Art Week. For 2026, Redwood’s flagship art fairs are pleased to introduce the official nonprofit partner, Jackson Health Foundation, for a series of fundraising initiatives to help support children and families across the region.

Spectrum Miami and Red Dot Miami will return to Mana Wynwood Convention Center, offering “Two Fairs Under One Roof” for both exhibitors and art enthusiasts during this year’s Miami Art Week, taking place December 2^nd to December 6^th at Mana Wynwood, 2217 NW 5th Ave., and NW 22nd St. in Miami. The five-day fairs will cover more than 150,000 square feet of indoor exhibition space, all within walking distance of Wynwood’s coveted restaurants, bars, and retail boutiques. E-tickets can now be purchased in advance by visiting redwoodartgroup.com/spectrum-miami/ and redwoodartgroup.com/red-dot-miami/.

Spectrum Miami and Red Dot Miami have grown to become the ultimate destination for the fine art industry professional and contemporary art enthusiast, with exhibits showcasing today’s elite artists, galleries, dealers, and emerging talents. With more than 40,000 attendees flocking to see the artwork of the 1,000+ artists showcased by over 280 exhibitors, avid art enthusiasts and industry leaders will also return to enjoy Spectrum Miami’s sister fair [SOLO], highlighting established and independent emerging artists.

This year’s fairs will welcome the official 2026 nonprofit partner, Jackson Health Foundation, the private fundraising arm of Jackson Health System, the most comprehensive healthcare provider in South Florida. The partnership will help raise awareness of Jackson’s support for children and families in need by offering access to health care services, regardless of their ability to pay. The fairs will welcome members from the Foundation’s Guardian Angels and Golden Angel Society and will designate Thursday, December 3^rd as “Jackson Health Day.” On this commemorative day, Holtz Children’s Hospital patients, parents, providers, and staff will receive a guided tour of the Mana Wynwood venue and have the opportunity to participate in special programming. For every ticket sold to approximately 75,000 households invited, $10 will be donated to Holtz Children’s Hospital. Attendees will also have the opportunity to make an additional donation to Jackson Health Foundation with their ticket purchase or registration.

“We’re pleased to announce the dates for this year’s Spectrum Miami and Red Dot Miami, and welcome a very special nonprofit partner to the Redwood family,” says Eric Smith, president of Redwood Art Group. “Through our alliance with Jackson Health Foundation, this year’s attendees will have the chance to make a difference in thousands of children’s lives, and we look forward to welcoming members, parents and staff from Guardian Angel, Golden Angel Society and Holtz Children’s Hospital to this year’s fairs.”

Spectrum Miami, an upscale and urban curated contemporary art fair, now in its 16th year, will be located adjacent to its sister fair, Red Dot Miami. Spectrum Miami presents special programs and site-specific exhibitions that showcase the thriving art landscape of the city. Spectrum Miami showcases independent career artists, studios, and younger galleries that are pushing the boundaries in surprising and significant ways.

Spectrum Miami is also where contemporary meets extraordinary, featuring the works of more than 200 exhibiting galleries and artists from the Florida region, the U.S. and around the globe. Known for its urban and upscale works of art, the five-day show attracts more than 40,000 visitors and high-net-worth collectors who interact with the specially curated programming, while celebrating the fine art experience with music, entertainment, and other special events. Within Spectrum Miami, [SOLO] offers established and emerging independent artists the opportunity to showcase their work on an international stage. Over the decades, [SOLO] has become the ultimate venue for independent artists to be discovered—not only by gallery owners and art publishers, but also by collectors and enthusiasts. As part of the interactive schedule of programming, this year’s Spectrum Miami will include Art Labs, featuring specially curated site-specific projects by prominent galleries, art institutions, and art collectives within the fair; Spotlight Program, providing collectors with a focused look at several prominent galleries and artists that will each be creating a site-specific exhibition; and the Discoveries Collection – selections of artwork chosen by the Spectrum Miami curatorial team that make up a group of amazing discoveries throughout the fair, each priced at $3,000 or less.

Red Dot Miami, a curated gallery-only contemporary art fair, now in its 21st year, will be located adjacent to Spectrum Miami as part of the highly anticipated annual presentation of leading galleries and their artists from the U.S. and around the world. Red Dot Miami illuminates the best the contemporary art world has to offer, with its special exhibits and programming that showcases exhibitors, art industry professionals, and select nonprofits and institutions. Red Dot Miami features more than 75 galleries representing over 500 leading contemporary artists from primary and secondary markets throughout the world. The five-day show attracts more than 40,000 visitors and high-net-worth collectors who interact with the specially curated programming, which includes Spotlight Galleries, a focused look at several cutting-edge galleries chosen by the Redwood Art Group selection committee; Art Labs, a series of outstanding projects by leading galleries, art institutions, and art collectives within the show, and the Discoveries Collection – selections of artwork chosen by the Red Dot Miami curatorial team that make up a group of amazing discoveries throughout the fair, each priced at $5,000 or less. The complete Spectrum Miami and Red Dot Miami schedule of programing will be announced in November.

Returning exhibitors for this year’s Spectrum Miami, include Jason Perez Art, Alfano Sculpture, Elidea Art, Mathilda Martin Art, Ferrand Fine Art, MCP2 Art Studio, Re D’Italia Art, and Easton Art Galleries. Returning exhibitors for this year’s Red Dot Miami, include K-Art Projects USA, Artavita/World Wide Art, Gebhardt Gallery, Perseus Gallery, End to End Gallery, The Gallery Steiner, SAB Gallery, and Famespace.

The Opening Night Preview for Spectrum Miami and Red Dot Miami will take place from 6:00 to 9:00 p.m. on Wednesday, Dec. 2nd, featuring libations and musical entertainment. Tickets for the Opening Night Preview are priced at $85 per person and include access to all fair dates. A General Admission 1-day Pass for Spectrum Miami and Red Dot Miami is $50 and includes admission to the Opening Night Preview and one additional fair date when purchased online in advance (available until Nov. 15).

All tickets will be delivered as mobile e-tickets and can be purchased in advance. With digital ticketing, each guest’s mobile phone becomes their ticket, enabling a more streamlined and contactless entry experience. For further information or to purchase tickets, please visit redwoodartgroup.com/spectrum-miami/ and redwoodartgroup.com/red-dot-miami/. For more information on Redwood Art Group, visit redwoodartgroup.com/.

#spectrummiamishow#reddotshow#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunmiami#artfunnow#artfunnew,

Phillips London Design results November 4, 2026 . THe sale exceeded all expectations! details below

2026-11-05T12:31:37.888-05:00

PHILLIPS’ LONDON DESIGN SALE DOUBLES ITS HIGH ESTIMATE, REALISING £4.8 MILLION

Led by Magdalene Odundo’s ‘Untitled’ Which Achieved Over Six Times the Presale Estimate, and a World Auction Record for Umberto Bellotto

London, 4 November 2026

Sale Total: £4,847,369 / $6,535,223 / €5,809,087

Domenico Raimondo, Phillips’ Head of Department, Design, Europe and Senior International Specialist, said,“We are delighted with the results from our Design sale, which realised £4.8 million, doubling the presale high estimate, reflecting the continued strength of the market for exceptional design. The sale was led by Magdalene Odundo’s ‘Untitled’, which achieved £722,400, more than six times its low estimate and the second highest price for the artist. We were thrilled with the result achieved for Diego Giacometti’s 'Berceau' low table, which sold for £387,000, a remarkable work and importantly the first version of the model. Lucie Rie’s pink Footed bowl also attracted significant competition, achieving £322,500, more than six times its low estimate and reaffirming the enduring appeal of her work and British studio pottery. Further highlights included Jean Royère’s Pair of ‘Persane’ wall lights, which achieved £126,420 against an estimate of £30,000, and Umberto Bellotto’s Unique vase, which more than tripled its low estimate to £122,550, setting a new world auction record for the artist. Gabriella Crespi’s rare ‘Puzzle’ table also performed exceptionally well, selling for nearly six times its low estimate. These results reflect the breadth of collector interest across 20th and 21st century design and the enduring appeal of works of exceptional quality and provenance.”

Top Ten Lots

Lot	Description	Estimate	Price Achieved
34 Magdalene Odundo, 'Untitled', 1987 £120,000–180,000 £722,400

14 Diego Giacometti, 'Berceau' low table, first version,

designed circa 1963, executed 1970s £200,000–300,000 £387,000

49 François-Xavier Lalanne, 'Agneau', from the

'Nouveaux Moutons', designed 1996, executed 1997 £220,000–280,000 £361,200

2 Lucie Rie, Footed bowl, circa 1980 £50,000–70,000 £322,500

44 Jean Royère, Pair of 'Persane' wall lights, circa 1954 £30,000–40,000 £126,420

62 Umberto Bellotto, Unique vase, 1923

WORLD AUCTION RECORD £35,000–40,000 £122,550

81 Gabriella Crespi, Rare 'Puzzle' table, from the 'Plurimi',

1973 £18,000–24,000 £105,780

57 Line Vautrin, 'Soleil torsade' mirror, circa 1960 £30,000–50,000 £95,460

51 André Groult, Rare cabinet, circa 1919 £15,000–20,000 £77,400

18 Gino Sarfatti, Rare chandelier, model no. 2109/36,

circa 1962 £35,000–55,000 £77,400

New Auction Records

Lot

Description

Estimate

Price Achieved

62 Umberto Bellotto, Unique vase, 1923 £35,000–40,000 £122,550 *previous record price: 143,750 USD set in 2016

Gino Levi Montalcini and Giuseppe Pagano, Rare

executive desk, from Palazzo Gualino, Turin, circa

£12,000-18,000 £25,155

1929

*previous record price: 19,300 EUR set in 2024

Exchange Rate on 4 November 2026: GBP£1 = US$1.3482, EUR€1.1984, HK$10.5779

As Phillips marks its 230th anniversary in 2026, the house celebrates more than two centuries at the forefront of the global market for Modern & Contemporary Art, Design, and Luxury. Founded in 1796 by the charismatic auctioneer Harry Phillips, the company has, since its earliest days, offered a distinct and forward-looking approach to sales and collecting. Over the centuries, Phillips has delivered record-breaking results and landmark offerings, while also pioneering new modes of collecting via the likes of Dropshop. Through its partnership with Bacs & Russo, Phillips continues to lead the industry in watches, setting new benchmarks for excellence, innovation, and connoisseurship. Today, Phillips remains true to the entrepreneurial spirit of its founder while redefining the role of a 21st century auction house.

ABOUT PHILLIPS

Phillips: where the world’s curious and bold connect with the art, design, and luxury that inspires them. As a leading global platform for buying and selling 20th and 21st century works, Phillips offers dedicated expertise in the areas of Modern and Contemporary Art, Design, Photographs, Editions, Watches, and Jewels. Auctions and exhibitions are primarily held in New York, London, Geneva, and Hong Kong, with representative offices based throughout Europe, the United States, and Asia. Phillips offers a regular selection of live and online auctions, along with items available for immediate purchase. Phillips also offers a range of services and advice on all aspects of collecting, including private sales and assistance with appraisals, valuations, and financial planning.

Visit phillips.com for further information.

*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.

PHILLIPS NEW YORK – 432 Park Avenue, New York, NY 10022

PHILLIPS LONDON – 30 Berkeley Square, London, W1J 6EX

PHILLIPS HONG KONG – G/F, WKCDA Tower, West Kowloon Cultural District, No. 8 Austin Road, West Kowloon

#phillipsauctionlondon#fineartmagazineblog.blogspot.com #unstormfineartmagazine.com#artfunauction#artfunlondon#artfunresults#artfunnow

There's still time to catch Dubai Design Week open through November 8th, 2026. Details below!

2026-11-05T07:20:55.946-05:00

Design is a fresh open look at what's possible reimaging ur living spaces. Details below worth the read .

DUBAI DESIGN WEEK IS NOW OPEN!

Explore a packed programme of exhibitions, large-scale installations, interactive experiences, talks and workshops, alongside Downtown Design, the Middle East’s leading fair for high-quality, contemporary design.

Here are some of this year’s highlights to explore.

Nikken Sekkei x SOBOKUYA

Experience Japanese craftsmanship at CHATAI 2.0, a timber pavilion featuring traditional joinery, communal making, ikebana and tea ceremonies, celebrating Japanese culture and traditions.

Taqleem by Rasha Saffarini

Architect Rasha Saffarini presents Taqleem, a space for prayer, gathering and rest, showcasing the use of discarded palm fronds in contemporary design.

Downtown Design

Downtown Design, the anchor event of Dubai Design Week, opens tomorrow to the public, showcasing leading international design brands, regional talent, pop-up concepts, and a programme of talks.

The Pleated Pavillion

Nordic Office Architects presents The Pleated Pavilion, a sculptural garden retreat featuring a planted interior, shaded seating and filtered natural light, inviting visitors to rest, pause, and reconnect.

The Forum

Hear from leading names in design and architecture at The Forum, featuring over 30 international and regional speakers in thought-provoking conversations throughout the week.

Maker Space

Step inside Maker Space by MillerKnoll, for hands-on activities exploring materials, making techniques and contemporary design processes, inviting visitors to experiment with creativity.

Playing Field by Alter

Experience a life-sized game of ludo at Playing Field by Alter. Made from handcrafted recycled cement tiles, the interactive installation invites up to 16 visitors to connect through play.

Meraas Space

Meraas, the festival’s Creative Living Partner, presents a sensory experience by Duette Studio, inspired by five neighbourhoods within d3’s masterplan, alongside Duette+, a clubhouse hosting creative events.

Curious Studio by IQOS

Experience Oasis Beyond by OUCHHH Collective at Curious Studio by IQOS, alongside creative presentations by regional artists, each offering a distinct perspective on contemporary creativity.

Pinterest presents Inspiring Perspectives, an interactive experience developed with KAV, translating digital inspiration into a physical setting through colour, geometry and material.

#artdubaidesign#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunnow#artfundesign#artfundubai

#artfunnew,

Meet Hunt Slomen at the Charleston Library Society. Two events this November!. See details below.

2026-11-04T14:42:12.491-05:00

Yoshkova Fine art hosts both of Hunts Events at the Library: November 11, 10:30 am, November 12 6-8 pm. See details below. Fine Art Magazine is a big fan of Hunt Slonem!!!!

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Join Hunt Slonem at The Charleston Library Society.

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Join us for two special events celebrating Hunt Slonem, hosted by Toshkova Fine Art and the Charleston Library Society.

November 11 | 10:30 AM

Hunt Slonem Inspired — Meet the artist, explore his latest collection, and celebrate his new book, Blossoms, with Grace Atwood.

November 12 | 6–8 PM

An Exclusive Fine Art Exhibition — Meet Hunt Slonem and enjoy cocktails, conversation, and a specially curated exhibition.

Both events at the Charleston Library Society, 164 King Street, Charleston, SC

RSVP required. Limited spaces and books available. Reserve early!

info@tfa-advisory.com

RSVP

NEW RELEASE: BLOSSOMS

Discover Blossoms, the latest book by Hunt Slonem, showcasing his vibrant and expressive interpretation of the beauty of nature through his signature floral paintings.

Explore the world of Hunt Slonem and order your copy today!

Order Now

FOLLOW HUNT

www.HuntSlonem.com

#huntslonembunnies#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.comartfunbunnies#artfunhunt#artfunbooks#artfunnow

The New York Foundation for the Arts Foundation news update . See below highlights.

2026-11-04T07:38:50.955-05:00

Audley Puglisi is awarded the 2026 Ryan Hudak LGBTQ + Dramatic Writing Award. Details for all programs below

Announcing Audley Puglisi as the 2026 Ryan Hudak LGBTQ+ Dramatic Writing Award Recipient

NYFA has announced Playwright and Poet Audley Puglisi as the 2026 recipient of its Ryan Hudak LGBTQ+ Dramatic Writing Award, an $8,000 cash grant awarded to one (1) New York State-based playwright or screenwriter who identifies as LGBTQ+. NYFA also named five finalists in recognition of their exceptional vision and voice as artists

The annual award honors the life and work of playwright Ryan Hudak, who tragically passed away in May 2022 at age 32 after a long battle with Leukemia.

The Art of Tattooing: Eva Karabudak (Atelier Eva) and Burak Moreno (Fleur Noire) Reflect on the Art Form and Where It’s Headed

With the popularity of tattoos continuing to rise, we polled two of NYC’s most renowned tattoo artists to find out how people come to tattooing, more on the artistry behind tattooing, and how the art form is evolving.

Read More →

How Three Artists are Approaching a Dynamic Fundraising Landscape

We spoke with artists Edu Díaz, Debbie Chinn, and Bonnie Bien–each with a project that is Fiscally Sponsored by NYFA–to get their fundraising advice, learn their tips for making project budgets more approachable, and hear about what they’re most looking forward to in 2027.

Read More →

Advice for Finding Opportunities and Building Community from NYFA Coach LuLu Meng

We asked Taiwan-born, New York-based NYFA Coach and multidisciplinary artist LuLu Meng about finding opportunities, building community, and how to stand out from the crowd in applications.

Read More →

More News

APPLY

November 17 | 2027 Queens Arts Fund Arts Access Grant
This grant supports community-based organizations and collectives in their efforts to produce public arts and cultural programs in all artistic disciplines that bolster the cultural vibrancy of Queens.

Apply →

November 17 | 2027 Queens Arts Fund New Work Grant

This grant supports emerging individual artists and artist collectives of all artistic disciplines in their creation of new work. “New Work” is defined as work that has not been produced or presented to an audience before.

Apply →

November 17 | Rauschenberg Medical Emergency Grants Cycle 39

This national program provides one-time grants of up to $5,000 for recent unexpected medical, dental, and mental health emergencies to artists in financial need.

Apply →

November 30 | NYFA Fiscal Sponsorship

Through fiscal sponsorship, NYFA extends its 501(c)(3) nonprofit status to selected projects, allowing them to raise funds and apply for opportunities that require a fiscal sponsor.

Apply →

December 8 | The Petrides Residency for a Greek Artist in NY

The Petrides Residency will sponsor one Greek artist to attend the The International Studio & Curatorial Program (ISCP) residency and live in NYC from October 1–December 31, 2027.

Apply →

December 8 | Rauschenberg Dancer Emergency Grants Cycle 27

This national program provides one-time grants of up to $3,000 to professional dancers facing dire financial emergencies due to the loss or lack of recent/current live performance work because of circumstances outside of their control.

Apply →

ATTEND

November 5 Online | The Art of the Pitch

NYFA Fiscal Sponsorship and crowdfunding partner Seed&Spark will present FREE online workshop “The Art of the Pitch” on November 5 to connect what you’re pitching for today to the big goal you’re working towards in 2, 3, 5, 10 years.

Attend →

November 12 Online | Artists and the Law: Protecting Your Work in the Age of AI

In this FREE online workshop presented by NYFA and NVLAA, we will delve into the artists’ right of ownership and reproduction of their art; fair use; contracts; and rights of attribution, publicity, and privacy.

Attend →

November 13 in Corning, NY | Arts Admin Meetup

Are you an arts administrator living or working near Corning, NY? Join NYFA and The ARTS Council of the Southern Finger Lakes for a social meet up to develop connections and grow your professional network in the region.

Attend →

November 13 in Corning, NY | Artist Resources and Services Talk

Artists of all disciplines are invited to join us for this free event hosted by NYFA and The ARTS Council of the Southern Finger Lakes. The two artist service organizations will share an overview of resources and services available to support your practice.

Attend →

JOBS

Sponsored

Collections & Exhibitions Manager | AKC Museum of the Dog | Hybrid: New York, NY

Apply →

Program Director | Staten Island Arts | Hybrid: Staten Island, NY

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Client Development Database Manager | Independent | New York, NY

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All Listings

OPPORTUNITIES

Sponsored

FALL $1,800 Innovate Grants for Art + Photo | Innovate Grant | Online/Virtual

Apply →

Sponsored

Artist Spotlight: Featured Interview Opportunity | Pennsylvania Journal of Arts and Sciences | Online/Virtual

Apply →

Sponsored

Open Call: “WOMEN IN ART VOLUME 1: WILD AT HEART” Gallery Exhibition + Hardcover Art Book | The Untitled Space | New York, NY

Apply →

Sponsored

Open Call for Contributions: Exhibition Library | Center for the Study of Gender and Sexuality | New York, NY

Apply →

All Listings

SPACES

Sponsored

Visiting Artists Lodging | Julio Valdez Studio LLC | New York, NY

Details →

Studio Space - in Prime Gowanus/Carroll Gardens | ABRA | Brooklyn, NY

Details →

Very Affordable Rehearsal Space in Midtown with Piano | Access Contemporary Music | New York, NY

Details →

All Listings

How will SAG-AFTRA’s New Agreement Change the Game for Choreographers? | via Dance Magazine

Read More →

Stories, Journeys, and Lineages of Queer Latine and Caribbean Women and Non-binary Folks in Musical Theatre | via HowlRound

Read More →

What Is a Mother Allowed to Write? | via Electric Literature

Read More →

America 250: Rebels, Radicals, and Revolutionaries
The American story is a tangle of aspiration and contradiction, triumph and struggle, liberty and oppression. From the nation’s founding, rebels, radicals, and revolutionaries have shaped the course of American history through acts of courage and innovation as well as challenges to convention and authority. This exhibition, on view at the Everson Museum of Art in Syracuse, NY, until March 28, 2027, presents artists whose works reflect that journey, celebrating moments of courage and progress while also confronting inequity and inaction.

Details →

GET SHAMELE$S: Prepare Your Nervous System to Set Your Rates and Negotiate

This free workshop, taking place on November 19 and presented as part of Creatives Thrive NYC, will help you calculate your ideal and minimum rates, including how to account for benefits and unpaid time; give you tools and language to understand how your relationship with money connects to negotiating and asking for more; create guidelines for how and when to use sliding scale models; and more.

Register →

AWAW Artists Speak Survey

Anonymous Was A Woman (AWAW), in partnership with SMU DataArts and journalist Charlotte Burns, is launching its second Artists Speak survey to see what has changed and what hasn’t since 2024. Women, trans, and non-binary visual artists are encouraged to participate to give a rare picture of their economic and professional realities. Findings will be shared with artists, funders, museums, policymakers, and others who have the power to shape the field. It takes approximately 15–20 minutes to complete. Please plan to complete the survey in one sitting, as your responses will not be saved if you exit before finishing.

Take the Survey →

Beyond the Grant: Investing in Artists After Disaster

This free webinar featuring Ruby Lopez Harper, Executive Director of CERF+, and Mollie Quinlan-Hayes, Program Officer for NYFA Grants, will share insights from the Extended Relief pilot program, which provided 150 North Carolina craft artists with $6,000 in unrestricted funding, distributed in monthly installments of $500 from January-December 2025 following Hurricane Helene. They’ll explore questions including: What becomes possible when support extends beyond an initial disaster relief grant? How does unrestricted, longer-term investment support artists in making decisions about their own lives and practices? What can we learn from artists about how resources are structured, timed, and delivered after a disaster?

Register →

#audleypuglisiwrtier#newyorkfoundationarts#fineartmagazineblog.blogspot.com $sunstormfineartmagazine.com#artfunny#artfundrama#artfunawards#artfunnow#artfunnew

42nd Somi Art Festival (FL). February 20-21,2027/Application deadline:11/13/26

2026-11-04T07:25:32.011-05:00

Don't let the name change throw you off! Somo was formally the South Florida Miami Rotary Art Festival. Looks like a good midwinter destination for showcasing and seeing art.

42nd SOMI Art Fest (FL)

Formerly the South Miami Rotary Art Festival

February 20-21,2027

Application Deadline: 11/13/26

Apply Here

WHAT: 42nd Annual SOMI Art Fest

WHERE: Downtown South Miami on Sunset Drive, Miami, FL

DATES: February 20-21, 2027 | Sat. 10am - 6pm | Sun. 10am - 5pm

NOTEWORTHY:

Estimated attendance over 20,000
Load-in and load-out at booth space
Cash awards of at least $6,000
Automatic acceptance for winners the following year
Complimentary continental breakfast both mornings
Booth sitters available for brief breaks
Complimentary bottled water and snacks
Dedicated & enthusiastic staff will be at your service for continual support
Jury Fee: $35 (Nonrefundable)
Booth Fees: $475 Standard (10'x10'); $535 Corner; $625 Endcap

NOW ACCEPTING APPLICATIONS on ZAPP

Application Deadline: November 13, 2026

Artist Notification: November 25, 2026

Booth Fee Due: December 18, 2026

If you have any questions, please get in touch with our fabulous festival staff at info@somiartfest.org or call 305-769-5977

Visit our website for more information - SOMIArtFest.org

The SOMI Art Fest is a juried Art show that takes place in the heart of downtown South Miami.

The festival’s reputation for museum-caliber art and high-quality fine craft along with its picturesque location and luxurious venue amenities attracts artists from across the country and around the world each year. More than 20,000 festival-goers attend this 2-day event.

Artists can expect a pristine venue with paved walkways leading to tree-shaded booths on the grass; complimentary artist hospitality; easy check-in and set-up; express checkout; convenient free parking; finely appointed on-site restrooms; 24-hour security; and a cultivated attendance by art-enthusiasts, serious buyers and collectors.

SOMI Art Fest has been ranked as one of the Top 200 Best Art Shows in the country by Sunshine Artist. South Miami is located 10 miles from Miami International Airport and is a half-hour drive to Miami Beach.

Art-Linx | PO Box 2141 | Rockville, MD 20847 US

#somiartfest#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#fineartmaimi#artfunmiami#artfunfla#artfunnew#artfunnow,

The Yale Center for British Art New Update for November. Artists Talk bu Richard Long November 4, 5-7 pm.

2026-11-03T11:07:46.851-05:00

Details for all events below!,

Welcome to the Yale Center for British Art monthly newsletter, where we look ahead to an exciting array of events and programs—free to attend and open to all. We hope to see you in November!

Coming Up

ARTIST TALK

Richard Long on Gravity

Wednesday, November 4
5–7 pm

Renowned British artist Richard Long will be on hand to talk about his installation Gravity, a site-specific work conceived for the YCBA’s Entrance Court. He'll be in conversation with James Meyer, curator of modern art at the National Gallery of Art. The talk will run from 5 to 6 pm, with a reception held afterward in the Entrance Court from 6 to 7 pm. Free to attend; no registration required.

Richard Long: Gravity is presented with generous support from the Bukhman Foundation.

Learn More

SYMPOSIUM

Imagining Futurities | In Honor of Hazel Carby

Friday, November 6 – Saturday, November 7

Join scholars, students, and artists for a two-day symposium honoring Hazel Carey’s influential scholarship, which has profoundly shaped the intellectual contours of American studies, Black studies, cultural studies, and studies of colonialism and empire. Through discussion and talks, the symposium considers how we understand the intersections of race, gender, empire, and diaspora. Free to attend; no registration required.

Learn More

MUSIC IN THE GALLERIES

Another Word for Feeling: Music, Memory, and Constable’s English Landscape

Wednesday, November 11
5–6 pm

Graduate students from the Yale School of Music bring the pastoral tradition to life in this exciting musical performance inspired by John Constable’s sweeping landscapes. Free to attend; no registration required.

Learn More

COMMUNITY DAY

The Places We Share: A Free Day of Art, Food, Storytelling, and Hands-on Fun!

Sunday, November 15
11 am – 4 pm

Taste fresh food from Connecticut farms, create your own landscape, build a neighborhood, and discover new ways to see the world around us in this day of adventure and discovery at the museum. All ages welcome! All events, food, and offerings are free of charge.

Learn More

ARTIST TALK

Nicole Eisenman and Craig Zammiello in Conversation

Thursday, November 12
5:30–6:30 pm
Yale University Art Gallery

Distinguished artist-printmaker Nicole Eisenman and master printer Craig Zammiello will discuss their collaboration during the 2009 Print Catalyst Program. This event is supported by the Yale Center for British Art and the Yale University Art Gallery through the Andrew Carnduff Ritchie Fund. Free to attend; no registration required.

Learn More

CONFERENCE

Haiti in the Age of Revolutions: Lafargue Rigaud’s Portraits of Independence

Friday, November 13–Saturday, November 14

MacMillan Center for International and Area Studies

Join scholars and historians for this two-day conference exploring a transformative moment in Haitian and Black New World history through the lens of portraiture. Presented by the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition and supported by the YCBA, Haiti in the Age of Revolutions features panel discussions, tours, lectures, and more. Free to attend.

Learn More

Help Shape the Future of the Museum

We want to learn from you. What do you enjoy most about visiting the museum? What could make your experience more rewarding, meaningful, or fun? Now through the end of the year, YCBA staff are conducting brief surveys in the museum and throughout New Haven—and we would love to hear your thoughts.

If you see our survey team, please consider sharing your insights and ideas. Your feedback is key! Every response provides us with a greater understanding of how we can best serve you, attract new
visitors, and ensure the museum experience is a memorable one for all.

Please stop by and participate in shaping the museum's future!

EXHIBITIONS

John Constable: The Landscape Reimagined

Visit this exploration of Constable’s bold, innovative open-air paintings, which radically transformed the trajectory of European landscape painting. Working against the “picturesque” tradition, in which long-established conventions governed what landscape painting should look like, Constable made the skies, light, seasons, and atmosphere the central subjects of his art.

Learn More

Sightlines: British Landscape Photography, 1840 to Now

What is a landscape, and what can it be? This exhibition invites you to explore the power of British landscape photography, revealing how it has transformed the way we see, perceive, and understand the natural world.

Learn More

CURATOR TOUR

John Constable: The Landscape Reimagined

Wednesday, November 11
4–4:45 pm

Join Edward Town, Associate Curator of Paintings and Sculpture, for this tour highlighting key works in the exhibition. Free to attend; no registration required.

Learn More

GALLERY TALK

Beyond Britain | Kangchenjunga from Darjeeling

Tuesday, November 17
12:30–1 pm

Join PhD candidate Botao Zhao for a closer look at Edward Lear’s Kangchenjunga from Darjeeling. Free to attend; no registration required.

Learn More

MUSEUM TOURS

Explore our exhibitions, galleries, and architecture with tours led by museum docents and Student Guides. Free to attend; no registration required.

Tour Calendar

In a New Light: Five Centuries of British Art

Fridays, November 6, 13, 20 & 27
2–2:45 pm

Saturdays, November 7, 14, 21 & 28
11–11:45 am

Sightlines: British Landscape Photography, 1840 to Now

Saturday, November 21
3–3:45 pm

John Constable: The Landscape Reimagined

Sundays, November 8, 15, 22 & 29
1–1:45 pm

The Architecture of the YCBA

Sundays, November 8, 15, 22 & 29
3–3:45 pm

Collection Spotlight

Saturdays, November 7 & 14
2–2:45 pm

Sundays, November 8 & 15
2–2:45 pm

FAMILY PROGRAMS

Make time for creativity with these hands-on programs designed to inspire imagination, wonder, and fun for the whole family! Free to attend.

Programs Calendar

Story Time

Saturdays, November 7 & 21
10:30–11 am

Exploring Art-ism | A Program for Children with Sensory Processing Differences and Their Families

Saturday, November 14
10:30 am – 12 pm

Registration required.

Make Time! | Photo Paintovers

Saturday, November 28
2–4 pm

Look Ahead

GALLERY TALK

Find Your Story Here: In the Garden | Gardens and Botanicals

Friday, December 4
12:30–1 pm

Learn More

GALLERY TALK

Find Your Story Here: In the Garden | Neeta Madahar’s Flora

Friday, December 11
12:30–1 pm

Learn More

Free and open to all.

Yale Center for British Art
1080 Chapel Street
New Haven, CT 06520-8280

Museum Hours

Sunday: 11 am – 5 pm
Monday: Closed
Tuesday: 10 am – 5 pm
Wednesday: 10 am – 7 pm
Thursday–Saturday: 10 am – 5 pm

britishart.yale.edu

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Image Credits

Event Images:

Richard Long, 2017 © The Artist; Courtesy, Lisson. Photograph by Jack Hems.

John Constable, Dedham Vale, 1802, oil on canvas. Yale Center for British Art, Paul Mellon Collection

Visitors in the Library Court, Yale Center for British Art, photo by Harold Shaprio
©Yale Center for British Art. Photo: Harold Shapiro

Students look on as artist Nicole Eisenman and master printer Craig Zammiello collaborate to create an intaglio print, Print Catalyst Program, 2009. Photo credit: Yale University Art Gallery

Edward Lear, Kangchenjunga from Darjeeling, 1879, oil on canvas. Yale Center for British Art, gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Visitors in the galleries, YCBA, photo by John Hassett

Visitors in the Docent Room, YCBA, photo by John Hassett

YCBA Student Guides in the galleries, photo by Stephanie Anestis

William Henry Fox Talbot, Veronica in Bloom, between 1843 and 1844, salted paper print. Yale Center for British Art, Paul Mellon Fund

Neeta Madahar, Lisa with Primroses, 2009, chromogenic print on photographic paper. Yale Center for British Art, gift of Joy of Giving Something, Inc.

#yaleventerbritish art#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#fineartyale#finearthistory, #artfunyale#fineartbritish#artfunnow,

John Constable: The Landscape Reimagined:

John Constable, Hampstead Heath Looking Towards Harrow, 1821, oil on paper laid on canvas. Yale Center for British Art, Paul Mellon Collection

John Constable, Sir Richard Steele’s Cottage, Hampstead, 1831 to 1832, oil on canvas. Yale Center for British Art, Paul Mellon Collection

John Constable, Hadleigh Castle, The Mouth of the Thames—Morning After a Stormy Night, 1829, oil on canvas. Yale Center for British Art, Paul Mellon Collection

John Constable, Stratford Mill, 1819 to 1820, oil on canvas. Yale Center for British Art, Paul Mellon Collection

Sightlines: British Landscape Photography, 1840 to Now:

Henry Stuart Wortley, Clouds, 1863, albumen print from a wet collodion negative. Yale Center for British Art, gift of Charles Isaacs and Carol Nigro in honor of Scott Wilcox

William May, Long Ships Lighthouse off the Land’s End, Cornwall, 1860s, albumen print from a wet collodion negative. Yale Center for British Art, gift of Dr. and Mrs. Charles T. Isaacs

Roger Fenton, Officers & Men of the 8th Hussars, 1855, printed 1856, salted paper print. Yale Center for British Art, gift of Dr. J. Patrick and Patricia Ann Kennedy

The York Theater in conjunction with Theater WorksUSA present~The Magic School Buss, The Pout Pout Fish, and Click,Clack, Moo~

2026-11-03T10:48:26.851-05:00

The Family production are offered in NY C at the Theater St. Jamie. Ticket details below.

THE YORK THEATRE and TheaterWorksUSA present THE MAGIC SCHOOL BUS, THE POUT-POUT FISH, and CLICK, CLACK, MOO FOR FAMILY AUDIENCES

TheaterWorksUSA is bringing their work to The York’s current home, The Theater at Saint Jean’s

TheaterWorksUSA "Makes outstanding theatre look so easy that one wonders why every company can't achieve it." - New York Times

"Our finest youth theatre. Consistently imaginative and challenging...TheaterWorksUSA is a children’s theatre with a difference – and the difference is its quality." - New York Post

New York, NY (November 3, 2026) – The York Theatre (Joseph Hayward, Producing Artistic Director, Wendy Hall, General Manager) and TheaterWorksUSA (Barbara Pasternack, Producing Artistic Director, Tegan Meyer, Managing Director) are pleased to partner on three unforgettable adventures for young audiences this Spring: THE MAGIC SCHOOL BUS: LOST IN THE SOLAR SYSTEM, THE POUT-POUT FISH and CLICK, CLACK, MOO. TheaterWorksUSA is bringing their work to The York’s current home, The Theater at Saint Jean’s (entrance on 150 East 76^th Street, just east of Lexington Avenue). For more information, please visit www.yorktheatre.org.

Additionally, TheaterWorksUSA (TWUSA) is hosting Cause for Applause NYC, a one-night-only fundraising concert on Monday, December 7 at 7:30 p.m. at The Theatre at Saint Jean’s, bringing together TWUSA alumni, Broadway veterans, and touring performers to support greater access to live theater for New York City children and families. Tickets are available from $38.29 (inclusive of all fees) at TWUSA.ORG/CFANYC26.

First on Saturday, January 16, 2027 at 11:00 am and 2:00 pm, Ms. Frizzle blasts her class into outer space for an epic interplanetary field trip in THE MAGIC SCHOOL BUS: LOST IN THE SOLAR SYSTEM (Music & Lyrics by Matthew Lee Robinson, Book by Marshall Pailet).

On Sunday, May 2, 2027 at 12:00 pm and 3:00 pm, whimsical puppets and live performers dive into a sweeping oceanic quest in THE POUT-POUT FISH (Book by Christopher Anselmo, Jared Corak, Matt Acheson, & Fergus J. Walsh; Music & Lyrics by Christopher Anselmo & Jared Corak).

Finally, on Sunday, May 23, 2027, at 12:00 pm and 3:00 pm, a tech-free farm erupts into delightful chaos when typing cows and striking chickens demand blankets from a stubborn Farmer Brown in CLICK, CLACK, MOO (Book by Billy Aronson, Lyrics by Kevin Del Aguila, Music by Brad Alexander).

Barbara Pasternack, Producing Artistic Director of TheaterWorksUSA, states “ As we celebrate our 60th Anniversary, we are thrilled to be partnering with The York Theatre at St. Jean’s. It has been some time since we’ve had a New York season or home theatre—our previous one being at the Lucille Lortel Theatre—and it feels especially meaningful to return in this way. TheaterWorksUSA and The York Theatre are aligned in mission, committed to developing new musicals and supporting new artists, and we look forward to growing this partnership and building multigenerational audiences of musical theater lovers together.”

TICKETS: from $38.29 (inclusive of all fees) at TWUSA.ORG/CFANYC26 or yorktheatre.org | 212-210-8345

THE YORK THEATRE, “Where Musicals Come to Life,” is the only theatre in New York City—and one of very few in the world—dedicated to developing and fully producing new musicals and preserving notable shows from the past. For over five decades, York’s intimate, imaginative style of producing both original and classic musicals has resulted in critical acclaim and recognition from artists and audiences alike. Since 1997, The York has focused on new musicals in its Mainstage Series—most of them world, American, or New York premieres—by some of the field’s most esteemed creators and has also helped launch the careers of many talented new writers. Over 47 cast recordings from York Theatre productions are now available, including its acclaimed revival of CLOSER THAN EVER (2013 Off-Broadway Alliance Award for Best Revival). Commercial transfers of such York premieres as THE MUSICAL OF MUSICALS (THE MUSICAL!), SOUVENIR (Tony Award Nomination for actress Judy Kaye), and JOLSON & COMPANY, and revivals of PACIFIC OVERTURES and SWEENEY TODD (four Tony Nominations including Best Revival) have all showcased the importance of The York and its programs.

The York is the recipient of an Emmy Nomination, a special Drama Desk Award for “Developing and Producing New Musicals,” and a special Outer Critics Circle Award for “50 Years of Producing New and Classic Musicals.” Most recently, Stephanie Jae Park received a Lortel Nomination for her performance in The York’s Monte Cristo. The York is currently producing at The Theatre at St. Jean’s at 76^th Street and Lexington Avenue.

www.yorktheatre.org | www.facebook.com/yorktheatrecompany

THEATERWORKSUSA (Barbara Pasternack, Producing Artistic Director; Tegan Meyer, Managing Director) has led the Theater for Young and Family Audiences movement in New York City and across North America for over half a century. TWUSA believes that access to art—and theater, in particular—is vital for our youth. Since 1967, the 501(c)3 not-for-profit has captured the imaginations of 100 million new and veteran theatergoers with an award-winning repertoire of over 140 original plays and musicals. Acclaimed alumni include Kristen Anderson-Lopez and Robert Lopez (Disney’s Frozen), Daphne Rubin-Vega (Rent), Jerry Zaks (The Music Man), Benj Pasek and Justin Paul (Dear Evan Hansen), Miguel Cervantes (Hamilton), Kathleen Chalfant (Angels in America), and Chuck Cooper (Tony Award-winning actor, The Life).

WWW.TWUSA.ORG

Last minute reminder: Bonnie Marranca & Daniel Sack ~The Theater of Drawing~ contributions by artist at the Martin E Segal Theater Center, NYC . Free Ticket/registration Details below!

2026-11-02T10:28:16.812-05:00

Live today see & click below for the free link to register.

Book Celebration

BONNIE MARRANCA & DANIEL SACK

(editors)

The Theatre of Drawing

with contributing artists

KELLY COPPER | GYUN HUR | JOAN JONAS

CLIFFORD OWENS | JAY SCHEIB

Monday, November 2nd, 2026

The Martin E. Segal Theatre

6:30 PM

Live / In Person | FREE and OPEN to the public

Livestreamed via Howlround

Click here to register for the live event

The Martin E. Segal Theatre Center

The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street

Join us for an evening celebrating PAJ's newest publication Theatre of Drawing with its editors Bonnie Marranca and Daniel Sack.

Printed in color, this is the first book to present such an expansive theatrical perspective on drawing. Artists drawings and writings featured include Laurie Anderson, Trisha Brown, Jibz Cameron, Judith Malina, Raven Chacon, Gyun Hur, Joan Jonas, Ralph Lemon, Elizabeth LeCompte, Julie Mehretu, Peter Schumann, Meredith Monk, Lucinda Childs, Annie B-Parson, Robert Wilson, Ann Hamilton, and others. Contributors to the volume Kelly Copper, Clifford Owens, Joan Jonas, Gyun Hur, and Jay Scheib along with Bonnie Marranca and Daniel Sack, in conversation with Frank Hentschker.

The new volume marks PAJ Publications’ 50th year of publishing, joining the 160 other titles the press has published since its founding in 1976.

“This is an unexpectedly moving volume, in which visual lightness is anchored by emotional weight. Julie Mehretu’s “mind breath” sketches, Laurie Anderson’s chalky smears, Trisha Brown’s wobbly, fragile lines: these and other drawings disclose the eloquent “hesitations of the thinking body,” as Ann Hamilton calls them. . . Throughout (as Joan Jonas says in a sentence that could apply to this whole, beautiful book), “drawing…does draw you in.” Marc Robinson, Yale University, author of American Performance in 1976

Bonnie Marranca is publisher and editor of the Obie Award-winning PAJ Publications and PAJ: A Journal of Performance and Art which she co-founded in 1976. Her books include Timelines: writings and conversations, Performance Histories, Ecologies of Theatre, Theatrewritings, and Conversations with Meredith Monk. She has also edited several collections of plays, essays, and interviews: Alchemies of Theater: Plays, Performance Scores, Writings by Dick Higgins, The Sun on the Tongue by Etel Adnan (with Klaudia Ruschkowski), Conversations on Art and Performance, New Europe: plays from the continent, Plays for the End of the Century, and The Theatre of Images, a seminal work on American Theatre.

Bonnie Marranca has received the Leverhulme Trust Visiting Professorship (UK), Asian Cultural Council Fellowship (Japan), Fulbright Award (Free University, Berlin), Anschutz Distinguished Fellowship in American Studies (Princeton University), and Guggenheim Fellowship. Her writings have been translated into more than twenty languages. She has lectured and taught widely in American and European universities, including Columbia University, Princeton University, NYU, Duke University, the University of California-San Diego, Free University (Berlin), Autonomous University/Institute for Theatre (Barcelona), and University of Rio de Janeiro (Brazil), and was a Visiting Fellow at Harris Manchester College, Oxford University. She is Professor Emerita of Theatre at The New School/Eugene Lang College of Liberal Arts. Bonnie Marranca resides in New York City.

Daniel Sack is a writer and editor with interests in contemporary theatre and interdisciplinary arts, performance theory, and critical writing as a creative practice. He has published five books, including the monographs Cue Tears: On the Act of Crying (University of Michigan Press, 2024) and After Live: Possibility, Potentiality, and the Future of Performance (University of Michigan Press, 2015). He is the editor of Imagined Theatres: Writing for a Theoretical Stage (Routledge, 2017), a collection of page-long hypothetical performances by close to one hundred artists and theorists of the stage, and the founding editor of the online open-access journal Imagined Theatres, a site for creative critical thinking about performance. His research has been funded with fellowships from the George A. and Eliza Gardner Howard Foundation, the Mellon Foundation, and the Hewlett Foundation. Daniel is a professor in the Commonwealth Honors College and the English Department at the University of Massachusetts Amherst, where his current research includes the intersections of printmaking, drawing, and performance, and collaborative creation with children.

Kelly Copper began collaborating with Pavol Liska in 1997, and together they founded Nature Theater of Oklahoma in 2006. The company is committed to “making the work they don’t know how to make,” an approach yielding new amalgams of opera, dance, theatre, and film, combined with popular culture and humor. Starting out in dirty New York basements working with zero subsidy and cardboard sets, Nature Theater of Oklahoma has, since 2008, been commissioned by theaters and festivals around the world, including Rhurtriennale, Burgtheater Wien, Festival d'Avignon, Kampnagel Hamburg, Wexner Center for the Arts, and Salzburger Festspiele. Copper and Liska have each been recipients of the Nestroy Special Prize in Theater, the Doris Duke Performing Artist Award and the Alpert Award in the Arts, as well as two OBIE Awards for their work on No Dice and Life and Times. Their most recent show, Pizza or A Door In The Dark Does Not Dance will be coming this February 2027 to New York City's Skirball Center.

Gyun Hur is a Brooklyn-based interdisciplinary artist and educator whose work explores grief and the poetics of diaspora. Born in South Korea and raised in Georgia, her practice spans installation, performance, drawing, and writing. Her recent work features hand-blown glass vessels filled with local water, evoking the fluidity of intergenerational memory and community resilience. Hur has received fellowships from the NEA, Arnhold Forum, and AHL Foundation, and has participated in residencies and fellowships at Art Farm, Stove Works, the Bronx Museum, among others. Her work has been featured in BOMB, Hyperallergic, and Art in America. She is an Assistant Professor of Fine Arts at Parsons School of Design.

Joan Jonas is a world-renowned artist whose work encompasses a wide range of media including video, performance, installation, sound, text, and sculpture. Jonas' experiments and productions in the late 1960s and early 1970s continue to be crucial to the development of many contemporary art genres, from performance and video to conceptual art and theatre. Since 1968, her practice has explored ways of seeing, the rhythms of rituals, and the authority of objects and gestures.

Jonas has exhibited and performed extensively around the world. Her notable exhibition history includes Documenta 5, 6, 7, 8, 11, and 13; the 28th São Paulo Biennial; the 5th Kochi-Muziris Biennale; and the 13th Shanghai Biennale. She has recently presented solo exhibitions at the United States Pavilion for the 56th Edition of the Venice Biennial; Tate Modern, London; Museu Serralves, Porto; Pinacoteca de São Paulo; Museo Thyssen-Bornemisza, Madrid; Dia Beacon; Haus der Kunst, Munich; and The Drawing Center, New York. Most recently, the Museum of Modern Art in New York hosted a retrospective of Jonas's work. Jonas is the recipient of many awards including The Whitechapel Gallery Art Icon (2016); the Maya Deren Award given by the American Film Institute (1989); and the Lifetime Achievement Award given by the Solomon R. Guggenheim Museum (2009). In 2024, she was presented the Nam June Paik prize, awarded to artists who have contributed to the development of contemporary art, mutual understanding, and world peace; and in 2018, Jonas was awarded the prestigious Kyoto Prize, given to those individuals who have contributed significantly to the scientific, cultural and spiritual betterment of mankind.

Clifford Owens is a visual artist. His solo museum exhibitions include Anthology at MoMA PS1, Better the Rebel You Know at the former Cornerhouse in Manchester, England, and Perspectives 173: Clifford Owens at the Contemporary Arts Museum Houston. His performance-based projects have been featured at the Museum of Modern Art, Baltimore Museum of Art, and the Brooklyn Academy of Music. Owens’ art is in the collections of the Museum of Modern Art, Whitney Museum of American Art, Baltimore Museum of Art, and the Studio Museum in Harlem. He is a 2020 Guggenheim Fellow. Owens was born in Baltimore, Maryland in 1971. He lives in Brooklyn, New York and works in Jersey City, New Jersey.

Jay Scheib studied theater and comparative literature as well as fine arts/video and performance, later receiving his MFA in Directing at Columbia University, School of the Arts in New York. With a New York-based ensemble, Jay Scheib & Co., Scheib began the development of an approach to contemporary performance which would draw together an improvisation-rich approach to physical performance with a "live cinema," technology-forward stage aesthetic. Scheib’s most recent works include a new staging of Richard Wagner’s Parsifal for the Bayreuther Festspiele in Germany and the world of premiere of Paola Prestini’s opera at the intersection of AI and disability, Sensorium Ex. His past works also include Thomas Adès’ Powder Her Face with New York City Opera; The Medea after Euripides, Müller, and Passolini; Beethoven’s Fidelio; the Montiverdi opera Il ritorno d’Ulisse in patria; as well and many of his own original adaptations including Platonov, or the Disinherited after Chekhov; the Simulated Cities/Simulated Systems trilogy; and two “live cinema” Ingmar Bergman adaptations – the Keeril Makan-composed opera Persona and a theatrical staging of The Silence.

Events are FREE and open to the public on a first come, first served basis at The Martin E. Segal Theatre Center, The Graduate Center, City University of New York, 365 Fifth Avenue, at 34th Street.

Subway: Herald Square, lines B/D/F/M/N/Q/R/W

www.theSegalCenter.org Info: 212-817-1860

The Martin E. Segal Center | 365 Fifth Avenue, New York, NY 10016

The Detroit Institute of Arts reopens their renovated Modern and Contemporary Galleries, November 20, 2026

2026-11-02T09:03:54.471-05:00

Join the art celebration. See Below to register for the member opening party.

Letter from the Director

The long-awaited moment is finally here: the DIA’s newly renovated Modern and Contemporary Galleries reopen on November 15.

For the first time in nearly 20 years, these galleries have undergone a transformation, creating new opportunities to share more art, more voices, and more stories.

A New Chapter for the DIA's Modern and Contemporary Collection

→

The wait is almost over.

Be among the first to experience the DIA’s reimagined Modern and Contemporary Galleries.

See Detroit artists in every Contemporary gallery, more than 250 Modern works, and many pieces on view for the first time. Encounter new ideas and unexpected connections.

Join us for a free community party to celebrate the opening of the museum’s newly renovated and reinstalled Modern and Contemporary Galleries.

Enjoy an evening of music, dancing, and performance with internationally acclaimed DJ Waajeed in Prentis Court, along with films in the Lecture Hall.

Viewing of the Modern and Contemporary Galleries requires advanced registration and is based on capacity.

→

DIA MEMBER EXCLUSIVES

In addition to the opening party, DIA Members have special opportunities to celebrate the arrival of these long-awaited galleries.

Join us for the Member Reception on Thursday, November 19 and a lecture from Associate Curator of Contemporary Art Katie Pfohl on Saturday, November 21.

Registration required.

Reva Stocker Lecture Series

Presents artist Jeffrey A. Gibson

Join acclaimed artist, curator, and convenor Jeffrey Gibson for a lecture exploring his multidisciplinary practice across painting, installation, video, and performance.

This lecture celebrates the DIA’s recent acquisition of Gibson’s YOU DON'T KNOW WHAT YOU'VE GOT 'TIL IT'S GONE (2018) and offers audiences insight into the ideas and processes behind Gibson's expansive body of work.

Lecture is free and open to the public. Registration is required.

Thursday, November 5 @ 6 PM

More Museum Happenings

Make memories at the DIA this November

Celebrate Diwali at the DIA →

Saturday, November 7 | 2 p.m.

Celebrate the Festival of Lights through storytelling, dance, and artmaking. Visitors of all ages can enjoy performances and add flower petals to a collaborative rangoli in Rivera Court.

The Wizard of Oz, with strings attached! →

Saturday, November 28 | 2 p.m.

Join Dorothy, the Scarecrow, Tin Man, and Cowardly Lion for Frisch Marionettes’ fresh take on The Wizard of Oz, featuring handcrafted puppets, expressive choreography, and an original musical score.

Browse Performances

→

Detroit Film Theatre

Enjoy a one-of-a-kind cinematic experience at the Detroit Film Theatre. This month’s lineup spans Detroit stories, international perspectives, documentaries, and acclaimed cinema, with screenings of The Song of Hiawatha, Filipiñana, Once Upon a Time in Harlem, Fatherland, and Raise the Red Lantern.

Visit the DFT site and buy tickets

→

Artmaking

Get Creative with Mobiles →

Wednesday, November 18 | 2–3:30 p.m.

Design and build your own mobile using wire, felt, foam, and more, while drawing inspiration from Alexander Calder and other kinetic sculptures in the DIA collection. Recommended for ages 12 and up; advance registration is required.

Create, Connect & Collaborate →

November 21 & November 22 | 12–4 p.m.

Join Detroit artist Amadeus Roy to transform memories of nature into art. Personalize a wooden piece, then add it to a collaborative installation that brings individual experiences together as one shared work.

Browse Artmaking

→

What's on View

Exhibitions and new galleries you can see in November

Exhibitions and Galleries

Georgia O'Keeffe: Architecture

On view through Jan. 3, 2027

O'Keeffe, a pioneer of modern art, celebrated the beauty and complexity of the built environments she inhabited through architectural paintings created from the 1920s –1960s.

Folk Art

Ongoing

A new gallery in the DIA’s American Wing highlights the unique beauty and complex stories of American folk art.

Reimagine African American Art

Ongoing

This transformative reinstallation traces the development of African American art from the 1800s, when a few African Americans overcame tremendous challenges to become professional artists, to the 1980s.

Guests of Honor: Art of Faith from the Jewish Museum, New York

On view through Jan. 3, 2027

A selection of Jewish ceremonial objects, dating from the 1400s to the early 1900s, installed throughout the Detroit Institute of Arts’ encyclopedic collection.

Guests of Honor: Armor as Fashion

On view through Apr. 25, 2027

Reuniting the spectacular Portrait of Jean de Croÿ, 2nd Count of Solre, by Juan van der Hamen y Léon (1596–1631) with three pieces of the gilded armor worn by Croÿ in the painting.

Most experiences are included with museum admission

which is free for residents of Macomb, Oakland, and Wayne Counties

Plan Your Visit

MUSEUM HOURS

Tuesday - Thursday: 9 a.m.–4 p.m.

Friday: 9 a.m.–9 p.m.

Saturday & Sunday: 10 a.m.–5 p.m.

Monday: Closed

ADMISSION

Adults: $20

Seniors or College Students: $10

Ages 6-17: $8 (Free for 5 and under)

The DIA is always free for all residents of Wayne, Oakland, and Macomb Counties as well as DIA members.

CONTACT

Box Office 313.833.4005

Museum Shop 313.833.7944

General 313.833.7900

QUICK LINKS

Membership | Donate | Parking | Accessibility

Robert S. Duncanson, Ellen’s Isle, Loch Katrine, 1871. Gift of the Estate of Ralzemond D. Parker

#detroitinstituteAarts3fineartmagazineblog.blogspot.com3sunstormfineartmagazine.com#fineartfun#artfuncontemporary#artfundetroit, #artfunnow#artfunartists,

Lehman College Art Gallery Curator's Tour: Does This Taste Funny Wednesday November 11, 2026 2:00-3:00 PM EST

2026-11-02T08:53:38.825-05:00

Lehman College Art Gallery brought it's A+ game presenting Melissa Brown presentation on Humor in Contemporary art!! If your in NYC or vicinity catch it if you have the opportunity. Tickets necessary are free see below details. Jamie Forbes, Publisher FineArtMagazineBlog.blogspot.com, and SunStormFineArtMagazine.com

Have a great Art Day!!!!!

Curator's Tour

FREE TICKETS REQUIRED

CLICK HERE FOR FREE TICKETS

ALL PROGRAMS TAKE PLACE AT LEHMAN COLLEGE ART GALLERY

250 BEDFORD PARK BLVD WEST

BRONX, NY 10463

Lehman College Art Gallery is located in the Fine Arts Building

Enter at Gate 5 on Goulden Ave

Our programs are generously funded by the New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts, with the support of the Office of the Governor and the New York State Legislature; Jarvis and Constance Doctorow Family Foundation; Milton and Sally Avery Foundation; Pierre and Tana Matisse Foundation; Edith and Herbert Lehman Foundation; The Keith Haring Foundation; and New Yankee Stadium Community Benefits Fund.

Website

Lehman College Art Gallery | 250 Bedford Park Blvd. West | Bronx, NY 10468 US

#lehmancollegeart#artfuncontemporary#melissabrownhumor3artfunbronx#artfunnow

The Grand Central Art Center will host and screen ~The Stolen Dove~ & the premiere of ~ Who Killed Alex Odeh?~ November 5, 2026. Details below

2026-11-01T12:50:33.128-05:00

Check for the updates for GCAC's programs below. Going to a screening. See the times Belwo.

HOSTING + SCREENING

THURSDAY, NOVEMBER 5

THE STOLEN DOVE COMMUNITY HOSTING +

SANTA ANA PREMIERE OF WHO KILLED ALEX ODEH?

THURSDAY, NOVEMBER 5, 2026 | SANTA ANA, CA

A Collaborative Evening with Grand Central Art Center & The Frida Cinema

7:00–8:00 PM – Free Community Gathering & The Stolen Dove Hosting

Grand Central Art Center

Free and open to the public; light desserts provided by Knafeh Queens

8:30 PM – Film Screening: Who Killed Alex Odeh?

The Frida Cinema – Tickets required (film tickets not included with dove-hosting event)

Purchase tickets:

https://thefridacinema.org/movies/who-killed-alex-odeh/

Join Grand Central Art Center and The Frida Cinema for an evening that connects art, community, memory, and the pursuit of justice through The Stolen Dove, an ongoing project by artist Jon Rubin, and the Santa Ana premiere of the award-winning documentary Who Killed Alex Odeh?

The evening begins at GCAC with a free public hosting of The Stolen Dove, offering space to gather, share stories, and reflect on the life and legacy of Alex Odeh—a Palestinian American poet, teacher, CSUF alumnus, and civil-rights leader assassinated in Santa Ana in 1985. Developed through GCAC’s Artist-in-Residence program, The Stolen Dove reactivates Odeh’s story through the journey of a dove originally stolen from the monument honoring him outside the Santa Ana Public Library, inviting communities to carry his story forward and reflect on collective memory and justice.

We will then walk together to The Frida Cinema for the 8:30 PM Santa Ana premiere of Who Killed Alex Odeh?, directed by Jason Osder and William Lafi Youmans and produced by Watermelon Pictures. The film revisits Odeh’s assassination and follows renewed efforts to uncover the truth behind a case that remains unsolved. It received the Special Jury Award for Journalistic Excellence at the 2026 Sundance Film Festival.

This evening holds particular significance in Santa Ana, where Alex Odeh’s life was taken. We invite our community to come together around his story, the ongoing pursuit of justice, and the importance of keeping his legacy alive. Additional daily screenings of the film are scheduled at The Frida Cinemathrough November 10.

The Stolen Dove is developed through Grand Central Art Center’s Artist-in-Residence program, supported in part by The Andy Warhol Foundation for the Visual Arts, The Segerstrom Foundation, and Swinerton Foundation in collaboration with the Odeh Family, the City of Santa Ana, and original monument artist Khalil Bendib.

EVENT DETAILS

OPENING RECEPTIONS

SATURDAY, NOVEMBER 7

RENIEL DEL ROSARIO

BAROTOY’S TIKI N’ TRADING POST

November 7, 2026 – February 14, 2027

Opening Reception: Saturday, November 7, 7–10 PM

Los Angeles-based artist Reniel Del Rosario presents Barotoy’s Tiki n’ Trading Post, an installation exploring exotification, conquest, and cultural erasure through the fictional setting of a tiki bar. Combining ceramics, satire, and references to Filipino history and family, Del Rosario examines the legacy of American imperialism in the Pacific and the often-overlooked Filipino contributions to tiki culture. Through an array of ceramic objects, tiki mugs, masks, and works inspired by family photographs, the exhibition challenges romanticized narratives of tropical culture while reclaiming histories at risk of being forgotten.

ABOUT THE ARTIST

Born in Iba, Philippines, Reniel Del Rosario is a multidisciplinary artist whose work uses ceramics, quantity, and satire to explore commodification and value. A 2025 NCECA Emerging Artist, his work has been exhibited internationally and featured in ARTFORUM, Sculpture Magazine, and Bon Appétit.

Curated by Bella Marinos, GCAC Curatorial Associate.

EXHIBITION DETAILS

ALLEGRA HANGEN

AMÉRICA

November 7, 2026 – February 14, 2027

Opening Reception: Saturday, November 7, 7–10 PM

AMÉRICA is a bilingual video by Mexico City–based artist Allegra Hangenthat explores how language, images, and cultural identity shape our understanding of one another. Using poetry translated between English and Spanish, including a reinterpretation of Allen Ginsberg’s America (1956), alongside found archival footage from Mexico and the United States, Hangen examines how meaning shifts across cultures, whose stories are represented, and what gets lost in translation. Accompanied by music from Rob St. John, the work invites viewers to consider how representation, memory, and cultural understanding are continually reshaped.

ABOUT THE ARTIST

Allegra Hangen is a multidisciplinary artist based in Mexico City whose practice spans experimental video, installation, photography, sound, and sculpture. Her work investigates the relationships between images, infrastructure, power, and perception, and has been exhibited internationally, including at the Giardini della Biennale in Venice.

EXHIBITION DETAILS

SATURDAY, NOVEMBER 7

CONTINUING

EXHIBITIONS / PROJECTS

DOWNTOWN SANTA ANA

FIRST SATURDAY ARTWALK

MISTY CHOI

A CUPPYBREAK: A CUP OF MY OWN

ongoing

Misty Choi’s CuppyBreak: A Cup of My Ownn explores how everyday gestures, familiar objects, and moments of disorientation can open new possibilities for connection and adaptation. Through sculpture, performance, books, and installation, Choi embraces failure, material experimentation, and bodily vulnerability as ways of challenging habitual relationships with objects and space. The exhibition will culminate in a participatory café created in collaboration with Artists Village Café, where visitors’ movements and interactions will inform a future performance activation.

SUPPORT

CuppyBreak: A Cup of My Own is supported in part, through Misty Choi’sartist-in-residence at GCAC, by The Segerstrom Foundation and The Andy Warhol Foundation for the Visual Arts.

EXHIBITION DETAILS

ARYANA POLAT

A BOUNDRY MEANT TO SEPERATE

extended through November 15, 2026

A Boundary Meant to Separate transforms the gallery into a contemporary ruin, inspired by Aryana Polat’s research on Cold War infrastructure and how its meanings shift long after its military function has ended. Cast concrete walls, lightened and deliberately weakened through customized material processes, become fragments suspended between preservation and collapse, evoking Los Angeles’s Nike Missile Program—a ring of now-defunct nuclear missile sites scattered throughout the region during the Cold War. Their highly visible placement served as both a material threat to the USSR and a psychological reminder of nuclear danger to American citizens. Many sites have since been demolished and paved over, leaving scars of a once-mythic infrastructure and enduring containers of Cold War politics that resonate with today’s geopolitical entanglements.

Read Sarah Mosqueda's recent review of the exhibition for the LA Times/Daily Pilot/TimesOC.

Curated by Bella Marinos, GCAC Curatorial Associate.

EXHIBITION DETAILS

ANTONIO PALOMO

TAKEN FROM EARTH

GCAC Project Wall

through November 8, 2026

Taken From EARTH reflects on the rocket’s double meaning as one of humanity’s most powerful inventions—once a childhood symbol of wonder and discovery, now complicated by its normalization as a tool of destruction. The installation pairs oversized collaged figures of a family and their dog—built from imagery of everyday interests—with monumental rocket forms to show that technology is inseparable from us, shaped by our values, desires, fears, and choices. Here, the rocket becomes both promise and warning: it can propel imagination and exploration beyond Earth, yet also erode compassion through war and violence, with larger rockets evoking an imagined future and smaller ones pointing to present realities. Ultimately, the work is not a rejection of progress but a call to question what we are beginning to accept as normal, and to consider whether, as we reach for other worlds, we are leaving behind the humanity that gives that journey meaning.

EXHIBITION DETAILS

PABLO HELGUERA

THE ESPERANTO PROJECT

ongoing

Artist Pablo Helguera's The Esperanto Project consists of typographic posters featuring short aphorisms written by Helguera and translated into Esperanto, presented under the first series heading “Auxiliary Criticism.”Rather than proposing Esperanto as a universal language, the project uses it as a metaphor for multilingual criticism and cultural understanding—asking how meaning shifts as ideas move between local and international contexts.

PROJECT DETAILS THROUGH PABLO'S WRITING

JON RUBIN

THE STOLEN DOVE

hosted convenings throughout the community

It’s a dove that was once stolen off the only monument of an Arab American in the United States — let me tell you the story.

Located in front of the Santa Ana Public Library in California is a sculpture to Palestinian American poet, teacher and civil-rights leader Alex Odeh (CSUF MA - PoliSci). Alex was assassinated in 1985, and the sculpture—created by Khalil Bendib and supported through a fund-raising effort led by radio personality Casey Kasem—remains the only public monument of an Arab American in the U.S.

Read Matt Stromberg’s recent review of the project in Hyperallergic.

EXPLORE THE STOLEN DOVE PROJECT WEBSITE

SATURDAY, NOVEMBER 7

NOCHE DE ALTARES

ORGANIZED BY

EL CENTRO CULTURAL de MEXICO

NOCHE DE ALTARES

Saturday, November 7 | Noon–10PM

Historic Calle Cuatro / Fourth Street

between Ross Street and Broadway, Downtown Santa Ana.

organized by El Centro Cultural de México

Grand Central Art Center holds deep respect for El Centro Cultural de México and its extraordinary work bringing community together through Noche de Altares, one of Santa Ana’s most meaningful cultural traditions. We wholeheartedly encourage everyone to experience this beautiful, community-led Día de Muertos celebration, featuring altars honoring loved ones. Join in celebrating the power of remembrance and community!

EVENT DETAIL

NOVEMBER 6 & 7

BLADING CUP

ORGANIZED BY

JON JULIO - THEM SKATES

BLADING CUP | NOVEMBER 6–7, 2026

Make a day of it in Downtown Santa Ana! Returning November 6–7, Blading Cup has grown since its 2011 debut from a small local skate event into an internationally recognized celebration of rollerblading, attracting competitors and spectators from more than 20 countries. Founded and organized by renowned skater, designer, and THEM SKATES owner Jon Julio, the Blading Cup brings together the global skating community for high-energy competitions, skate brand vendors, product showcases, demonstrations, and community events throughout downtown.

It’s another great reason to spend the day exploring all that Santa Ana has to offer on Saturday, November 7, then join us at Grand Central Art Center that evening for our First Saturday opening receptions from 7–10 PM!

EVENT SCHEDULE

THE STOLEN DOVE

OCTOBER HOSTINGS

HOST

Asuka Hisa

Los Angeles, CA

Gathered around a shared dinner in Los Angeles, Asuka Hisa welcomed family and friends into her home to host The Stolen Dove, sharing the story of the project and reflecting on the life and enduring legacy of Alex Odeh. Over a thoughtfully prepared meal by Mid East Eats chef Summer Durkee, guests came together to share conversation, learn about the project, and consider the importance of keeping Alex’s memory alive.

We extend our sincere gratitude to Asuka for opening her home and bringing family and friends together for this meaningful gathering. We also thank Summer of Mid East Eats, who also generously prepared the meal for The Stolen Dove hosting at Clockshop earlier this year, for once again helping make the evening a warm and welcoming celebration of remembrance, community, and hope.

HOSTS

Diana Kalaji and Amy Muwalla

Irvine, CA

In Irvine, Diana Kalaji and her mother, Amy Muwalla, welcomed friends into their home for an intimate hosting of The Stolen Dove,. Among those gathered were friends deeply engaged in their local community, sharing a dinner lovingly prepared in its entirety by Amy.

Throughout the evening, Diana shared readings from her own writing alongside selections from Alex’s work, creating a personal and moving connection between their voices. She also led guests in folding paper cranes, a symbolic gesture of peace, hope, and solidarity that offered another way to reflect on the project’s enduring message.

In a particularly poignant moment, Amy revealed that she had attended Alex’s funeral as a young person. Through a youth group she belonged to, she had attended a gathering where Casey Kasem was also present. Kasem encouraged the young people to attend Alex’s funeral and honor his life and legacy. Decades later, Amy’s personal recollection brought a powerful, firsthand connection to the story the gathering sought to remember.

We extend our heartfelt thanks to Diana Kalaji and Amy Muwalla for opening their home and creating such a meaningful evening.

HOSTS

Professor Dany Doueri, Director of the Center for the Study of Muslim & Arab Worlds

Nicole Scalissi, Associate Professor of Art History and Global Cultures

Deanna Kashani, Lecturer in Art History

CSUSB, San Bernardino, CA

Faculty and students gathered at California State University, San Bernardino, to share the story of The Stolen Dove and reflect on the life and enduring legacy of Alex Odeh, a Palestinian American poet, teacher, and civil rights leader. Joining the gathering via Zoom from Pittsburgh, artist Jon Rubin shared insights into his artistic practice, how it led to The Stolen Dove, and the project's ongoing journey of remembrance, connection, and dialogue. Participants also read from the booklet created for the project, featuring selections from Alex Odeh's poetic writings, Little Thoughts, offering a meaningful opportunity to connect with Alex's words and legacy.

Over coffee, tea, and delicious desserts generously provided by Knafeh Queens, faculty and students came together in conversation, sharing space to remember Alex and consider the ongoing importance of his story.

Together, these acts of hospitality and participation help The Stolen Dovecontinue its journey as a living symbol of remembrance, connection, and hope.

We extend our sincere gratitude to Professor Dany Doueri, Nicole Scalissi, and Deanna Kashani for welcoming The Stolen Dove to CSUSB and creating such a thoughtful and meaningful gathering for their faculty and students.

The Stolen Dove is supported in part, through Jon Rubin's artist-in-residence at GCAC, by The Segerstrom Foundation and The Andy Warhol Foundation for the Visual Arts.

FOLLOW THE STOLEN DOVE JOURNEY

RYMAN ARTS

AT GCAC

RYMAN ARTS AT GCAC: CREATIVITY IN ACTION!

Grand Central Art Center is thrilled to once again host Ryman Arts for a series of drawing workshops that began earlier this month, bringing free, high-quality arts education directly to students in the Santa Ana community. Led by Ryman Arts team members and artists Patricia Esquivel and Eduardo Aispuro, these workshops help students strengthen foundational drawing skills, learn to draw from observation, and build confidence as young artists. GCAC is especially proud of its longstanding relationship with Ryman Arts, having played an instrumental role in bringing the organization’s full program to the Cal State Fullerton campus in 2013. Today, that program continues to provide talented high school students with free, college-level drawing and painting instruction, mentorship, and pathways to future creative opportunities. We absolutely love hosting these workshops and supporting Ryman Arts in making meaningful arts education more accessible to the next generation of artists!

RYMAN ARTS PROGRAM

THANK YOU FOR

JOINING US!

THANK YOU FOR JOINING US

MIRANDA LASH CURATOR TALK

Thank you to everyone who braved the threat of rain to joined us on October 22 for an engaging and insightful conversation with Miranda Lash, Ellen Bruss Chief Curator at the Museum of Contemporary Art Denver. Miranda generously shared her journey from her early experiences in New Orleans and the beginnings of her curatorial career to her current work at MCA Denver and with the Joan Mitchell Foundation. She also offered a fascinating look into her curatorial process and her experience co-curating The Future Is Present, the Harbinger Is Home, the sixth edition of Prospect New Orleans (2024–2025), alongside artist and curator Ebony G. Patterson.

We are grateful to Miranda for sharing her experiences, perspectives, and thoughtful reflections on the evolving role of curators in contemporary art. Special thanks to the Orange County Center for Contemporary Art (OCCCA) for its continued collaboration and for helping make our ongoing Curatorial Lecture Series possible. Through these conversations, we bring together leading voices from across the field to share their research, creative processes, and insights into the exhibitions and projects shaping contemporary art today.

We look forward to continuing the conversation through future programs in the series!

SCHEDULE YOUR GROUP

TOUR TODAY!

OCSA INTEGRATED ARTS - CREATIVE WRITERS STUDENTS

VISIT GCAC

We welcomed students from the Orange County School of the Arts’ Integrated Arts Creative Writing class for an afternoon of exploration and inspiration at Grand Central Art Center! After curator-led tours of our current exhibitions and an introduction to the story behind The Stolen Dove, the students set off on their own to develop creative writing projects inspired by the artists, ideas, and stories unfolding throughout GCAC.

It was wonderful to see our current projects spark new perspectives and creative possibilities. Thank you to OCSA teacher Shannon Brady and her students for bringing their curiosity and imaginations into our space!

Interested in bringing a class to GCAC? Call 714-567-7233 or email grandcentral@fullerton.edu to arrange a group engagement.

OUR CROWDFUNDING CAMPAIGN

ENDS SOON - DONATE TODAY!

FUEL CREATIVITY, INSPIRE COMMUNITY

Support Artist Residencies at GCAC

Our month-long crowdfunding campaign is still active.

Thanks to your incredible generosity, we’ve already reached our initial goal. Every dollar beyond that goal continues to directly support artist residencies, community-engaged projects, and student learning at Grand Central Art Center.

As we head into the final days of the campaign, two quick updates:

Scheduled Website Downtime – Thursday, October 29

Our crowdfunding site will be temporarily unavailable on October 29 from approximately 7 a.m. to 1 p.m. Pacific Time due to scheduled maintenance by Encoura ScaleFunder. During this window, visitors won’t be able to access campaign pages or make gifts, but the site will be back online shortly after.

Crowdfunding Extended Through November 2

Good news: the campaign has been extended through Monday, November 2, at 11:59 p.m. Pacific Time. This gives you a few extra days to make your gift and deepen the impact of our work.

If GCAC has ever surprised you, challenged you, or made you curious about what might happen next, please consider making a gift—of any amount—before November 2. Every contribution helps us continue creating space for artists to experiment, communities to connect, and new ideas to take shape.

Thank you for helping make what happens next possible.

CONTRIBUTE TODAY!

GCAC's current exhibition season and artists-in-residence are supported in part through the generosity of the following:

Cal State Fullerton's Grand Central Art Center is dedicated to fostering innovative artistic practice and meaningful community engagement. Through interdisciplinary collaborations, artist residencies, and dynamic exhibitions, GCAC serves as a catalyst for cultural dialogue and creative exploration. By amplifying deverse voices and embracing experimental approaches, the center seeks to inspire, educate, and connect communities within and beyond Southern California.

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Congratulations to Gallery Onetwentyeight on their 40th Anniversary Opening celebration November 7. 5:00-7:00-22, 2026. Details Below!

2026-11-01T09:26:28.912-05:00

Gallery Onetwentyeight's anniversary exhibition featuring artists Kazuko Miyamoto runs Nov. 7-22,2026

Welcome to the Neighborhood: Forty Years of Gallery Onetwentyeight

A group exhibition celebrating the gallery's 40th anniversary.

November 7 - 22, 2026

Friday - Sunday, 1:00 PM - 6:00 PM

Welcome to the Neighborhood: Forty Years of Gallery Onetwentyeight brings together more than forty artists who have had long relationships with the gallery and its founder, artist Kazuko Miyamoto. An opening celebration will be held on Saturday, November 7, from 5-7 pm. Miyamoto established the lower east side gallery before the building was modernized. At the time, the space still had beautiful ceramic tile floors and tin ceiling tiles. Miyamoto learned of its availability in 1986 through her old friend Richard Armijo, proprietor of a bookstore next door.

More than simply a static place to exhibit art, Gallery Onetwentyeight was a hub and a touchstone for Kazuko’s broader connectivity with art and artists. She and some artists built Sol LeWitt sculptures there. They walked from Rivington Street to Soho galleries to install or repair LeWitt works. Kazuko packed up gallery artworks, including her own, and took them to Europe for exchange exhibitions. At times Kazuko used the space as her studio. Always, it was a locus for creation, thought, gathering and conversation. Her natural inclination was toward inclusivity. Everyone was welcome and she gave innumerable artists an opportunity to show their work.

After forty years, it is difficult to separate Gallery Onetwentyeight from Kazuko’s life as an artist. It was her lifelong project: a space that has continued to evolve through art, friendship, work, travel, and community.

The exhibition features works by Angela Valeria, April Vollmer, Akemi Takeda, Amir Bay, Ayakoh Furukawa-Leonart, Carol Salmanson, Chris Craig, Chris Passehl, Christopher Knowles, Cristián Pietrapiana, David Higginbotham, Eiji Matsukubo, Eric Ginsburg, Fumio Yamaguchi, Gerald Jackson, Haruko Mochimaru, Howard McCalebb, Hugh Burckhardt, Ilona Pachler, Jacek Maczynski, Janet Passehl, Jefre Harwoods, John Hogan, Joan Criswell, Kaitlin Martin, Katsumi Suzuki, Kazuko Hyakuda, Kikunobu Ozaki, Kotatsu Iwata, Leela Ramotar, Maxwell Stevens, Mieko Mitachi, Nancy Linn, Olivia Beens, Orestes Gonzalez, Orin Buck, Paul Fischnaller, Ptah Miller, Richard Armijo, Sanae M Buck, Sante Scardillo, Sol LeWitt, Sylvia Netzer, Sumayyah Samaha, Taku Arita, Todd Ayoung, Toki Ozaki, Toyo Tsuchiya, Vernita Nemec, Yoshiko Chuma, and Kazuko Miyamoto.

Kazuko Miyamoto was born in Tokyo in 1942 and moved to New York City in 1968. That same year, she moved into her first studio at 117 Hester Street on the Lower East Side, a building also occupied by Adrian Piper and Sol LeWitt. Miyamoto and LeWitt met during a fire-alarm in the neighborhood one night. They soon became collaborators, with Miyamoto fabricating LeWitt's early Open Cube Structures and executing his early Wall Drawings, including those exhibited at the Guggenheim Museum in 1971. In 1972, Miyamoto became an early member of New York’s A.I.R. Gallery, the first nonprofit all-women artist collective in the United States. She held five solo exhibitions there and co-curated two group shows. In 1986 she founded Gallery Onetwentyeight at 128 Rivington Street, the longest continuously operating gallery on the Lower East Side. Miyamoto’s art is included in the collections of the Metropolitan Museum of Art (New York), the Museum of Modern Art (New York), Princeton University Art Museum (Princeton), National Museum of Modern Art (Kyoto) ,Smithsonian American Art Museum (Washington D. C.), Yale University Art Gallery (New Haven), and the Daimler Art Collection (Berlin), among others.

Gallery Onetwentyeight
128 Rivington Street
(between Essex and Norfolk)
New York, NY 10002
galleryonetwentyeight.org

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Fine Art Magazine Media Blog

Rose Squared Art Shows Spring 2027 Seasn. Call for Artists. See details below.

Why Apply to a Rose Squared Art Show?

Just a Pretty~Galactic Dust SunSet Series #2~ taken November 9, 2026 Jamie Forbes

Will Barnet and Harold Weston - Brilliant Artists, Best of Friends

The Staller Center for the Arts Holiday Season performance dates below.

Have some virtual fun learning on line with the Pollock Krasner House and Study Center. November 10-12 details below

The South Bay Art Association Annual Masque and Ball Exhibition. See details belo for what look like fun!

The Untitled Circle Updated for November Details below featuring artists, exhibitions, communities, and more!

Studio Eric Schmitt at the Twenty First Collectables Design of the Century Closes November 6th

ARTE LAGUNA PRIZE Venice announces the over all winners. Details below.

A fun Special A&D Building Holiday Event~THe Makers Market~ See details Below.

The Martin E. Segal Theatre presents duting National Native American Heritage Month~tah-kōx: Indigenous Stages~

Opalanietet | Tammy Hailiʻōpua Baker Pililuaikekaiohilo M. Q. Keala

Ty Defoe | Jon Ray

PhotoSaintGermain Annule Photography Festival, Open through November 28, 2026

Spectrum Miami & Red Dot Miami staes for Art Miami week 2026. Details belwo.

Phillips London Design results November 4, 2026 . THe sale exceeded all expectations! details below

There's still time to catch Dubai Design Week open through November 8th, 2026. Details below!

Meet Hunt Slomen at the Charleston Library Society. Two events this November!. See details below.

The New York Foundation for the Arts Foundation news update . See below highlights.

Announcing Audley Puglisi as the 2026 Ryan Hudak LGBTQ+ Dramatic Writing Award Recipient

APPLY

ATTEND

JOBS

OPPORTUNITIES

SPACES

42nd Somi Art Festival (FL). February 20-21,2027/Application deadline:11/13/26

The Yale Center for British Art New Update for November. Artists Talk bu Richard Long November 4, 5-7 pm.

ARTIST TALK

Richard Long on Gravity

Wednesday, November 45–7 pm

SYMPOSIUM

Imagining Futurities | In Honor of Hazel Carby

Friday, November 6 – Saturday, November 7

MUSIC IN THE GALLERIES

Another Word for Feeling: Music, Memory, and Constable’s English Landscape

Wednesday, November 115–6 pm

COMMUNITY DAY

The Places We Share: A Free Day of Art, Food, Storytelling, and Hands-on Fun!

Sunday, November 1511 am – 4 pm

ARTIST TALK

Nicole Eisenman and Craig Zammiello in Conversation

Thursday, November 125:30–6:30 pmYale University Art Gallery

CONFERENCE

Haiti in the Age of Revolutions: Lafargue Rigaud’s Portraits of Independence

Friday, November 13–Saturday, November 14

MacMillan Center for International and Area Studies

Help Shape the Future of the Museum

EXHIBITIONS

John Constable: The Landscape Reimagined

Sightlines: British Landscape Photography, 1840 to Now

CURATOR TOUR

John Constable: The Landscape Reimagined

Wednesday, November 114–4:45 pm

GALLERY TALK

Beyond Britain | Kangchenjunga from Darjeeling

Tuesday, November 1712:30–1 pm

MUSEUM TOURS

Fridays, November 6, 13, 20 & 272–2:45 pmSaturdays, November 7, 14, 21 & 2811–11:45 am

Saturday, November 213–3:45 pm

Sundays, November 8, 15, 22 & 291–1:45 pm

Sundays, November 8, 15, 22 & 293–3:45 pm

Saturdays, November 7 & 142–2:45 pmSundays, November 8 & 152–2:45 pm

FAMILY PROGRAMS

Saturdays, November 7 & 2110:30–11 am

Saturday, November 1410:30 am – 12 pm

Saturday, November 282–4 pm

Look Ahead

GALLERY TALK

Find Your Story Here: In the Garden | Gardens and Botanicals

Friday, December 412:30–1 pm

GALLERY TALK

Find Your Story Here: In the Garden | Neeta Madahar’s Flora

Friday, December 1112:30–1 pm

Image Credits

The York Theater in conjunction with Theater WorksUSA present~The Magic School Buss, The Pout Pout Fish, and Click,Clack, Moo~

TheaterWorksUSA is bringing their work to The York’s current home, The Theater at Saint Jean’s

Last minute reminder: Bonnie Marranca & Daniel Sack ~The Theater of Drawing~ contributions by artist at the Martin E Segal Theater Center, NYC . Free Ticket/registration Details below!

The Detroit Institute of Arts reopens their renovated Modern and Contemporary Galleries, November 20, 2026

Wednesday, November 4
5–7 pm

Wednesday, November 11
5–6 pm

Sunday, November 15
11 am – 4 pm

Thursday, November 12
5:30–6:30 pm
Yale University Art Gallery

Wednesday, November 11
4–4:45 pm

Tuesday, November 17
12:30–1 pm

Fridays, November 6, 13, 20 & 27
2–2:45 pm

Saturdays, November 7, 14, 21 & 28
11–11:45 am

Saturday, November 21
3–3:45 pm

Sundays, November 8, 15, 22 & 29
1–1:45 pm

Sundays, November 8, 15, 22 & 29
3–3:45 pm

Saturdays, November 7 & 14
2–2:45 pm

Sundays, November 8 & 15
2–2:45 pm

Saturdays, November 7 & 21
10:30–11 am

Saturday, November 14
10:30 am – 12 pm

Saturday, November 28
2–4 pm

Friday, December 4
12:30–1 pm

Friday, December 11
12:30–1 pm