Virtual Instruments Database

4Front Bass Module

2010-02-22T10:51:00.005-08:00

4Front Bass Moduleis a FREE load & play VSTi software bass synthesizer that "generates a high quality bass sound".

With the proprietary 4Front hybrid synthesis technology, 4Front modules take generally smaller space than the sampled versions of the same quality, and the CPU usage is optimal.

4Front Auxiter

2010-02-22T10:51:00.003-08:00

4Front Auxiter is a high frequency refresher exciter plugin.

It brings clarity to the high end by regenerating high frequency harmonics.

Primary design goals:

Vocal enhancer.
Per/track enhancer.
Master track restoration/refreshment.
Old tracks restoration.

4CLER DVSGM

2010-02-22T10:51:00.001-08:00

4cleris a synthesizer that can produce a wide range of sounds by combining additive and FM synthesis. It can also produce primitive sounds in 8-bit style. Its general concept is based on pixel art and chip-tunes musical composition.

Features:

4 oscillators.
7-waveform selector.
ADSR for each oscillator.
LFO.
PDO.
Filter and Bitcrusher effect.
2x2 matrix for triggering.

3S

2010-02-22T10:50:00.001-08:00

Polyphonic up to 24 voices (CPU dependent)
4 samples loadable simultaneously, of which each can be assigned to its own note, or all to the same note
Mono and stereo sample support, 8 to 32 bit, up to 96 kHz, WAV, Float-WAV and AIFF
Level, tuning and pan adjustment
Samples can be played over the keyboard to create a "Simple Sample Synth"
Supports "velocity splits" and "velocity cross-fades"
"velocity sensitive" trigger pad
Activity light
Sample accurate timing, full VST2 integration
Drops Loops
Contains the latest "LinPlug Audio Engine" So you can count on the quality

3D Panner Studio

2010-02-22T10:48:00.001-08:00

3DPanner Studio features a powerful 3D Positional Audio engine, so that you will be able to place your audio tracks in a 3D space around your head and arrange them within a single window.

Features:

Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects.
Single window for arranging all plugin inserts.
Arrangements. Saving and loading 3D arrangement in a file.
View Sets to ease working with different track insert groups.
Alternative character sets support for naming tracks in a native language.
Skin support to custom graphic design.

3D Panner Motion Effects

2010-02-22T10:42:00.001-08:00

3DPanner Motion Effects allows you to freely place sound in a 3D sound field and automate 3D position to create incredible motion effects.

The plugin shares the same 3D positioning concept as complimentary 3DPanner Studio plugin. Using binaural panning technique based of Hrtf functions it allows to place sound in a 3D soundfield using conventional stereo output. While 3DPanner Studio supports only static positioning, 3DPanner Motion Effects implements motion 3D engine that allows to continuously change 3D position without introducing any sound artifacts to processing signal.

Main Features:

Motion Engine.
Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects for positioning taps in 3D soundfield.
Automation: VST parameter automation, VST 2.0 automation through MIDI, parametric automation through oscillators on X, Y and Elevation.
Tempo control.
Quick paths.
Integration with Steinberg's Nuendo.

3D Delays

2010-02-22T10:39:00.000-08:00

3DDelays is a digital multi-tap dimensional space delay processor.

Main features:

Six 2 second stereo delay lines with independent feedback.
Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects for positioning taps in 3D soundfield.
Free and tempo synced settings of delays including VST master tempo sync option.
Filter for each tap: Seven filter types and four filter routing schemes are available.

3D Chorus

2010-02-20T12:01:00.025-08:00

3DChorus is a digital multi-tap dimensional space modulated delay processor. It provide six independent modulated stereo delay lines that can be freely positioned in 3D sound field using SpinAudio's 3D Positional Audio engine.

3DChorus is a complementary product to 3DDelays. They share the same concept of independent positioning of delay taps in 3D sound field. 3DChorus is designed for creating delay modulation effects like chorus and flanger with short delay times while 3DDelays covers long delay effects like echoes.

Main features:

Six modulated stereo delay lines.
Independent feedback and LFO with stereo phase shift control on each tap.
10 modulation waveforms.
Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects for positioning taps in 3D soundfield.

38911 Bytes

2010-02-20T12:01:00.023-08:00

38911 Bytesis a one oscillator synthesizer based on Commodore 64 software, but it can do a lot more.

It has:

1 oscillator synth with 4 waveforms (Saw, Triangle, Pulse, Pitched Noise), ring modulation waveforms (Saw, Triangle, Pulse), PulseWidth Octaves from -3 to 4.
1 ring modulation oscillator with 3 waveforms (saw, triangle, pulse), PulseWidth, octaves range -3 to 4 and notes C to B.
3 LFOs with 19 waveforms, 16 different BPM rates and FREE rate (manual). They have a low/hi depth option and destinations are pitch oscillator, PW and cutoff. The LFOs can start when hitting a key (GATE) start when you hit play in your sequencer (FIRST) and start at any point (FREE).
4x16 step sequencers: With 11 BPM rates and FREE rate mode (manual) in FREE mode all sequencers have the same rate.
- 1 waveform sequencer you can select the following waveforms (saw, triangle, pulse, pitched noise, RM Triangle, RM saw, RM Pulse).
- 1 octave sequencer range from -3 to 4.
- 1 Octave and notes sequencer notes from C to B and octave range -3 to 4.
- Filter sequencer.
Pitch envelope.
PulseWidth envelope.
Cutoff envelope.
Volume envelope.
A bitcrusher.
Mono/poly mode.
Retrigger on/off.

Stereo Audio/MIDI Gate

2010-02-20T12:01:00.021-08:00

Stereo Audio/MIDI Gateis a plug-in that was created to control MIDI mutes on analogue boards. It can be used as a standard stereo audio gate or as a MIDI trigger gate. Inserted across an audio track in your DAW the plug-in will output note-on messages whenever the audio on that track drops below the threshold and a note-off message above the threshold.

For mixers that have built in MIDI mute that have a note-on value to close them any normal audio to MIDI trigger would close the gate on audio and open it when there is no audio - this works in reverse.

It is intended to be used to automatically turn on mutes when there is no audio so as to keep the inputs to the mixer as quiet as possible.

The filter pots are across the sidechain inputs to the gate.
The filter listen allows you to listen to the filters without the gate triggering.
Attack controls the open speed of the gate.
Hold controls the time the gate will stay open after the input signal has dropped below the threshold.
Rel controls the speed at which the gate fades out.
Audio/MIDI button sets the gate to to act as a normal audio gate or as a MIDI inverse trigger.
Note L/R are the values of the notes you wish to invert trigger. These are simple text entry boxes. Click on a box and type the note value you require.
Ch selects the MIDI channel out.
MIDI out port selects the MIDI device of your system.

The direct MIDI out port selector may or may not work with your system. If this is the case there is the option to use the gate output as a MIDI input on a MIDI track.

Simple Stereo Gate

2010-02-20T12:01:00.019-08:00

Simple Stereo Gateis a fast-reacting stereo gate with the ability to listen to the sidechain filters.

Multiband Expander

2010-02-20T12:01:00.017-08:00

Multiband Expanderis a Multiband expander that is dependent on the program material.

How it works:

The audio signal is split in to five different bands.
Each band has an expander across it.
The expanders increase the input signals of each band depending on the audio level and frequency content of each band. The variable ratio of expansion is set by the expansion controls.
Each of the bands has high and low pass filters. These are not so much for effect but to allow small tweaks in the program material.
The limits on each band are there to just keep the outputs in check as expansion of the signals can be very large.
Auto buttons on each band set the ratio automatically from the program material.
A good input level is useful in this mode.

In effect what you have is a five-band, program dependent dynamic EQ.

Mix Compressor

2010-02-20T12:01:00.015-08:00

Mix Compressoris a stereo mix compressor capable of soft or extreme compression.

2WarpDelay

2010-02-20T12:01:00.013-08:00

2WarpDelaypairs two warped-lattice IIR filters with a pair of delay lines and a bitmap which it scans to extract filter coefficients.

A stereo signal is fed through two delay lines followed by a warped IIR lattice filter. The lattice filter can be of any order from 1 to 80 and uses reflection coefficients extracted from an image. This output is fed through a saturation stage and a ducking / limiting stage before being fed back, again, into the delay lines. The lattice filter is warped, and by adjusting the warping parameter its frequency response can be easily adjusted.

Resonance controls the distance between spectral peaks and spectral valleys in the filter transfer function, and cutoff controls the cutoff of a first-order low pass filter that follows the lattice filter.

2RuleFilter

2010-02-20T12:01:00.011-08:00

2RuleFilteris a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, by LFO, or by an envelope follower. It has a interesting feature called "scrambler" that plays filtered signal randomly depending on the selected beat. The "mix" knob mixes wet and dry signals, The "volume" knob is for setting the output volume level. The"Bit Crusher" produces hard sound. Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output.

Features:

High Pass, Low Pass, Band Pass filter.
Modulation of filter cut-off frequency by LFO (tempo-sync), manually or envelope follower (reversable).
Bit crusher (16bit to 1 bit).
Scrambler that divides one measure to different time interval and plays them randomly.
Mix balance in between dry (input signal) and wet (filtered and bit crushed).
Sensitivity that allows the filter cut-off frequency be changed from roughly to smoothly. This effect is the same of parameter smoothing.

2-2-SiX

2010-02-20T12:01:00.009-08:00

2-2-SiXis a stereo to 5.1 surround upmixer. The 2-2-SiX recalculates existing room information from stereo tracks to 5.1 without adding reverb, delay or phase shifting.

Features:

Front calibration: sets the stereo base of the front channel from narrow to wide.
Rear calibration: sets the stereo base of the rear channel from narrow to wide.
Rear precision: "changes the routines of the rear channel stereo to 5.1-room-information-converter. Lower settings add more room unspecific signals and make the rear sounds warmer and indifferentiate".
Output level for each 5.1 output (+/- 6 dB) plus Master output.
Mute Button for each 5.1 output.

Reverb 2016 Plate

2010-02-20T12:01:00.007-08:00

Plate 2016 is a recreation of the Eventide SP2016 Plate Reverb .

1-Time

2010-02-20T12:01:00.005-08:00

1-Time(one-time) is a free mono tape saturation plug-in. It can smooth out harsh transients, add weight to kicks, and more. There is only one setting and only one knob that adjusts the gain.

1973

2010-02-20T12:01:00.003-08:00

1973is a tribute to theNeve 1073, often considered to be one of the best large-format console channel modules ever made. Punchy, detailed...

VST/DX Loader for Buzz

2010-02-20T12:01:00.001-08:00

Feature List here

Rock Amp Legends

2008-09-16T12:21:00.000-07:00

Rock Amp Legends by Jimmy Crespo is a collaboration between Nomad Factory and guitarist Jimmy Crespo to custom-build the definitive guitar amp simulator plug-in.

Features:

Amp Simulator (impulse response of various British and American Rock Amp Models).
Input (with Low and High level).
Stage Tube Emulation (with X1 and X2).
Tremolo (with Rate and Depth).
Auto-Pan (with Rate and Depth).
Stereo Imager (spatializer).
Chorus (with LFO Speed, Depth, and Mix).
Phaser (with LFO Speed, Depth, and Mix).
Delay (with Time, Feedback, Width and Mix controls).
Compressor (with, Attack, Release, Threshold, Ratio, Pre/Post insert and Makeup Gain).
Noise Gate (with, Attack, Release, Threshold, Hold Pre/Post insert and Range).
EQ (Presence, Treble, Middle and Bass).
Reverb.
Master Volume.
Parametric Equalizer (3 band).
Drive (Overdrive).
44.1/48Khz.
Low CPU requirements.
Authorize Disk (Receiving an authorization License file).
Pace iLok support (Authorizing an iLok key) Sold separately.

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NomadFactory Essential Studio Suite VST v1.0

2008-09-16T12:13:00.000-07:00

ESSENTIAL STUDIO SUITE

E-3B Compressor

E-3B Maximiser

E-Channel

E-Compressor

E-Gate Expander

E-Graphic EQ

E-Maximizer

E-RetroVox

E-TubeTape Warmer

No longer must you suffer with dry, lifeless tracks that lack the creative spark you need to stand out from the crowd. Nomad Factory’s Essential Studio Suite gives you the 9 most important plug-ins

you’ll ever use.

This isn’t just marketing hype. All the necessities for both the studio novice and pro are here, from Multiband Compressor and Loudness Maximizer, to the Essential Channel, Graphic EQ, Gate/Expander and Compressor plug-ins. Come up with interesting effects for vocals and instruments with Tube/Tape Warmer and Retro-Vox. There’s also a Multiband Loudness Maximizer for getting the most volume out of your final mix, and Multiband Compressor for adding compression to the entire mix.

Whether you’re mixing down your multitracks to stereo, or mastering your final stereo mixes for CD replication, the Essential Studio Suite is packed with the kind of plug-ins that have proven essential for today’s music. And they’re easy to use because they were designed by musicians for musicians.

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Blue Tubes Bundle

2008-09-16T12:00:00.000-07:00

The Blue Tubes Bundle is a collection of 15 plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic analog hardware and all 15 plug-ins provide a simple and functional "vintage-style" interface, as well as low CPU consumption.

Blue Tubes Bundle includes:

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FL Studio 8

2008-09-16T11:16:00.000-07:00

FL Studio is a fully featured audio production environment in its own right but it can also function as a VSTi within other VSTi compatible hosts and, as an added bonus it can act as a DXi-VSTi adapter thus enabling DXi use within non DXi compatible hosts.

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Drum samples

2008-03-30T01:46:00.000-07:00

1000 of good drum samples in wave format.

- kiks;

- snares;

- hithats;

- snaps;

-claps;

-percusion.

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