We’re looking for HUGE fans from Southern California. If this is you, please shoot an email to producer Brian Updyke (brian.updyke@gmail.com) with your name, age, location, a recent photo, and a brief paragraph explaining why you’re the ultimate Ozzy superfan and deserve to meet your idol.

(Via www.hardrockhideout.com.)

Guns N’ Roses has sold an estimated 100 million albums worldwide, including over 42 million in the United States. The band’s 1987 major label debut album Appetite for Destruction has sold in excess of 28 million copies and reached number one on the United States Billboard 200. In addition, the album charted three Top 10 hits on the Billboard Hot 100, including “Sweet Child O’ Mine” which reached number one. The 1991 albums Use Your Illusion I and Use Your Illusion II debuted on the two highest spots on the Billboard 200 and have sold a combined 14 million copies in the United States alone. After over a decade of work, the band released their follow-up album, Chinese Democracy, in 2008.

Although the band was formed by guitarist Jay Jay French in December 1972, all of their songs were written by Dee Snider from 1976 onward. Snider remarked to Johnny Carson that the proposed name for the band was “This” but was rejected for fear of fans saying “this sucks”. He describes Twisted Sister as “Slade meets Sex Pistols”. Twisted Sister’s most well-known hits include “We’re Not Gonna Take It” and “I Wanna Rock”, both popularized by regular airplay on MTV in the 1980s. Many of the band’s songs explore themes of parent vs. child conflicts and criticisms of the educational system.

History of Twisted Sister

Pre-Dee period (1972–1976)

Twisted Sister was formed in December 1972 by guitarist Jay Jay French. In 1975, Eddie “Fingers” Ojeda, a former high school friend of French, joined as co-lead singer and second guitarist. He had previously recorded with a New York City band called SPV. Kevin John Grace replaced Mel “Starr” Anderson on drums. Bass guitarist Kenny Neill (Kenneth Harrisson-Neill) completed the lineup. The band followed a glam rock direction, influenced by David Bowie, Slade, Mott the Hoople, Humble Pie, and New York Dolls. It played at local clubs without much success until 1976.

Club days (1976–1982)

In early 1976, Dee Snider joined the band as lead vocalist and principal songwriter. After replacing drummer Grace with Tony Petri, the group took a heavier musical direction, influenced by Motörhead, Black Sabbath, and Alice Cooper, but without abandoning its glam image.

! Although glam was out of fashion in those days, Snider’s phenomenal abilities as frontman propelled the band to considerable local success. It broke attendance records at large halls in the Tri-State Region and its growing fan base began to take the name “S.M.F.F.O.T.S.”, for Sick Motherfucking Friends Of Twisted Sister. Later shortened to “S.M.F.” for “Sick Mother Fuckers.” No record label was interested in signing the band, so in 1979 it released the single “I’ll Never Grow Up Now” / “Under the Blade” on their own label, Twisted Sister Records, followed in 1980 by “Bad Boys (Of Rock & Roll)” / “Lady’s Boy”.Eddie Kramer produced both singles.

In this period, the group’s membership changed. On October 31, 1978, Neill left the band, the band’s roadie and friend, Mark “The Very Scary Animal” Mendoza, formerly bassist for The Dictators, replaced him. In December 1980, Petri also left for the Plasmatics and was replaced briefly by Ritchie Teeter. Teeter, also formerly of The Dictators, was replaced in that band by Mel Anderson. In April 1981, Teeter was replaced by “Fast” Joey Brighton, who was in turn replaced by A.J. Pero from Cities, another unsigned band with local fame.

This lineup—Dee Snider, Jay Jay French, Eddie Ojeda, Mark Mendoza and A.J. Pero recorded four studio albums and perform numerous live shows around the world.

Upon the suggestion of two reporters from Sounds and Kerrang! magazines, Twisted Sister left New York to find a label in the UK. There, in April 1982, it was finally signed by Secret Records, a small British label that was mainly a punk outlet.

Pre-MTV period (1982–1984)

In June 1982, the group released its first EP, Ruff Cuts, on the Secret Records label. This was followed shortly by their first studio album, Under the Blade, produced by Pete Way of UFO. Despite rather low production quality, the album was a surprise[weasel words] underground hit in the UK, providing the band with sufficient name recognition to open for such metal acts as Motörhead. The album had an overall raw metal sound and included “Tear It Loose”, a very fast speed metal song featuring a guitar solo by “Fast” Eddie Clarke of Motörhead. Another single, the future hit “We’re Not Gonna Take It”, was planned for release, but Secret Records went out of business before Snider was able to complete the lyrics. “We’re Not Gonna Take It” later became one of its top singles.

Somewhere around this time, Twisted Sister updated its feminized image with a more grotesque look that distinguished them from other glam metal bands of the era. The group was now regarded more as a weird-looking heavy metal band because its look and music, although still reminiscent of pop/glam styles, were growing closer to heavy metal’s leather and chains image.

After an appearance on the music TV program The Tube, Atlantic Records approached the band and signed them. Atlantic was one of the labels that had turned Twisted Sister down in the Club Days period. Their first LP under Atlantic, You Can’t Stop Rock ‘n’ Roll, produced by Stuart Epps, was released in 1983 and included the UK #19 hit “I Am (I’m Me)”. From a production standpoint, the album sounded better than its predecessor, and it was every bit as heavy. Upon the success of the album the company decided to promote the band more heavily. A music video was made for the title track of You Can’t Stop Rock’n'Roll, which was to become the first of a series of comedic videos that popularized the band.

MTV videos (1984–1985)

International fame came for Twisted Sister when the band’s third LP, Stay Hungry, hit the stores on May 10, 1984. The album was a little more commercial-sounding than the first two, owing to Tom Werman’s production, but it still included heavy songs such as the title track and “Burn in Hell”. During a very successful tour, a young Metallica supported the band. Stay Hungry sold more than two million copies by the summer of 1985, and went on to sell more than three million in subsequent years. It remains the band’s biggest success and is considered a classic among heavy metal fans.

Videos of hit singles “We’re Not Gonna Take It” (a #21 hit in the US) and “I Wanna Rock” (US #68) ran almost constantly on MTV. Their pervasive slapstick comedy proved a change of pace for the genre and gave the band a distinctive appeal. The acclaimed surreal comedy film, Pee-wee’s Big Adventure took this further with the band having an appearance making a fictional video for “Burn In Hell” on the Warner Bros. back lot only to be interrupted by Pee-wee Herman passing through. Despite being comedic in nature, the videos featured violence against parents and teachers, which placed the band under heavy criticism by conservative organizations. They were singled out by the PMRC in 1985. Twisted Sister songs “Under the Blade” and “We’re Not Gonna Take It” were specifically mentioned in the associated Senate hearings. Snider was one of the few musicians to testify before a Senate committee in these hearings on September 19, 1985. (He was addressed formally by the committee counsel as “Mr. Sister”.)

Decline and fall (1985–1987)

On November 9, 1985, the band released its fourth studio album, Come Out and Play, produced by Dieter Dierks. It was not nearly as successful as its predecessor, although it did earn the band a gold album for sales of 500,000 copies. Some speculate that the failure was partly due to MTV banning the video for “Be Chrool to Your Scuel” on the grounds that it was offensive. The song featured such guests as Alice Cooper (who also appeared in the video), Brian Setzer, Clarence Clemons and Billy Joel. The tour supporting the album was a near fiasco, with low attendance and many cancelled dates. Not even Atlantic’s re-release of a remixed Under the Blade helped the band recover its popularity. “Come Out and Play” was one of the first CDs to go out of print.

After the tour, Pero left to rejoin Cities. He was replaced by ex-Good Rats drummer Joey “Seven” Franco. The nickname “Seven” comes from his being the band’s seventh drummer.

In 1987, Snider embarked on a solo project, reportedly approaching future Iron Maiden guitarist Janick Gers, but this did not work out. He then recorded an album with Franco programming the drum machine and featuring several session musicians such as Reb Beach on guitar, Kip Winger (just before he formed Winger) and Steve Whiteman of Kix. Atlantic Records refused to release it unless it was labeled as a Twisted Sister album. So, on August 13, 1987 Love Is for Suckers made its debut. Although the band had not played in the recording sessions, it was mentioned on the album cover as if they had, and they did play some of the songs in subsequent shows. Beau Hill’s production gave the album a very polished pop metal sound. The band’s members had also removed the makeup that they had been wearing since their early days. Commercially, the album was a complete failure and many of their metal fans were disappointed with the pop sound.

On October 12, 1987, almost two months after the release of Love Is For Suckers, Snider left the band, the record label canceled its contract and Twisted Sister broke up. The public announcement of the band’s demise came in January 1988.

Separation period (1987–1997)

After the band’s break-up, former members were involved in different projects:

• Dee Snider formed Desperado, Widowmaker, and SMFs. He also wrote, directed and starred in the movie Strangeland. A sequel, Strangeland 2, is planned.
• Eddie Ojeda went on to join Scarecrow and then formed Prisoners of War. Both projects were unsuccessful. He also worked as a session guitarist and guitar instructor.
• Jay Jay French stopped performing except for some guest appearances. He formed French Management and managed the alternative metal band Sevendust.
• Mark Mendoza briefly joined Blackfoot. Then he worked as a producer and manager. He also occasionally pursued solo projects.
• A.J. Pero was involved in several projects and subsequently toured with Snider’s SMFs.
• Joey Franco worked as a session drummer and played with Snider’s Widowmaker.

In 1992, Atlantic Records released a “best of” compilation Big Hits and Nasty Cuts that also featured some live performances from the Under The Blade period. A live album from the Stay Hungry era named Live At Hammersmith was released in 1994 by CMC International.

Reunions and reissues (1997–present)

In 1998, the band recorded a song for the soundtrack of Snider’s movie Strangeland.

In 1999, Spitfire Records re-issued the group’s back catalog, supplemented with previously unreleased tracks. This was followed by Club Daze Volume 1: The Studio Sessions, an album containing demo recordings from the pre-Under the Blade era, and Club Daze Volume 2: Live In The Bars, a live counterpart.

In 2001, Koch Records released a tribute album under the name Twisted Forever: A Tribute To The Legendary Twisted Sister. The album featured a wide range of artists and bands who had been influenced by Twisted Sister, including Lit, Motörhead, Chuck D, Anthrax, Overkill, Cradle of Filth, Joan Jett, Sebastian Bach, and Hammerfall. Oddly for a tribute album, Twisted Sister was also present with a cover of AC/DC’s “Sin City”.

In November 2001, the reunited Twisted Sister joined fellow New York metal artists Anthrax, Overkill, Sebastian Bach, and Ace Frehley to headline a benefit concert for NYPD and FDNY Widows and Orphans Fund in the wake of the September 11, 2001 attacks on the World Trade Center. New York Steel raised over $100,000 for the charity, and the reaction to the first Twisted Sister set in 14 years was overwhelming. The demand for more live dates was immediate, and the band took the first steps toward returning to the concert stage.

In 2002, a remastered “best of” compilation named Essentials was released. Fans generally consider this to be a better compilation than the one previously issued by Atlantic.

Twisted Sister, this time including Mark Mendoza, reunited again for the Sweden Rock Festival in June 2003. They also appeared in August of that same year at the Wacken Open Air festival. Footage from that show was filmed for a DVD release[8], which featured former Violent Apathy and Spite member, Tom Fuller.

In March 2004, they entered the studio to completely re-record their Stay Hungry album for Demolition Records. They reported that they were not happy with the original album’s production, so this time they produced it themselves. The re-recording was released under the name Still Hungry and contained seven bonus tracks.

In July 2005, the group played a free concert in Edmonton for the Klondike Days festival. In late 2005, Snider appeared on Numbers from the Beast: An All-Star Tribute to Iron Maiden, performing vocals for the Maiden classic “Wasted Years”. Snider was joined by his contemporaries and peers George Lynch, formerly of Dokken, and Bob Kulick.

Also in 2005, the band released the 2003 Wacken show on CD and DVD simply titled Live And Wacken. It also went on tour with Alice Cooper, acting as the support band but delivering a set similar to a headliner’s.

In 2006, Snider and French worked with Lordi to produce and play on a few tracks on their new album Arockalypse. Snider was featured on the first track, “SCG3 Special Report”, as the voice of Lordi warning of the upcoming Arockalypse. French guest starred on the song “Chainsaw Buffet”.

In June 2006, the band announced that they had signed with the American record label Razor and Tie to release a final CD, of heavy metal Christmas music called A Twisted Christmas. The CD was released on October 17, 2006, and was a commercial success.

On July 8, 2006, Twisted Sister played in front of 80,000 people in Quebec City, Canada. The show also featured Scorpions as the headliner. It also played a small concert at the Wolverhampton Civic Center. The concert was a success, with many fans hailing it as just the same as Twisted Sister at their prime.

The group is still together and occasionally makes small tours around the world, in full makeup. Before each of these mini-tours, it performs as Bent Brother, practising its set and appearing without makeup, usually at reduced ticket prices, although Snider and French have both voiced the opinion that they do not enjoy playing as Twisted Sister.

Twisted Sister was inducted into the Long Island Music Hall of Fame on Oct 15, 2006.

On December 13, 2006, Twisted Sister made an appearance on The Tonight Show with Jay Leno. The group performed their rock version of “O Come All Ye Faithful” which is arranged in the style of “We’re Not Gonna Take It”.

On December 22, 2006, Twisted Sister appeared on CBS’s The Late Late Show with Craig Ferguson, performing its rock version of “O Come All Ye Faithful”.

On a recent episode of Dee Snider’s syndicated radio program “The House of Hair”, Dee stated that due to the success of the Christmas album and also due to the response to the tour promoting the album that Twisted Sister might not retire, and the band’s future was being discussed.

C.C. Banana interviewed Jay Jay French stating that TS will continue. The band is currently working on a DVD.

On July 15, 2007, Twisted Sister performed at glam metal festival “Rocklahoma.”

Twisted Sister’s famous “I Wanna Rock” was featured in the game Guitar Hero Encore: Rocks the 80s as a playable song (instead of being a cover like several songs featured in the game, it was the version from the 2004 remake of their classic album Stay Hungry, titled Still Hungry, ).

2008 – Dee Snider appeared on the CMT television show “Gone Country”.

On February 25, 2008 Twisted Sister performed at “Aftermath – The Station Fire 5 years later” in Providence, RI.

On May 10, 2008 Twisted Sister performed a free concert at the Bulgarian town Lovech.

On July 13, 2008 Twisted Sister performed at Snatch Rock n Roll Lounge, in Calgary, AB.

On September 1, 2008 Twisted Sister performed at the Rock The Bayou Festival in Houston, Texas.

Even though they said a Twisted Christmas was their last album they are releasing a new album in 2009. The songs on this album will feature in the Twisted Christmas the musical, the musical will also feature their greatest hits and the twisted christmas songs. The musical will feature on broadway next year in 2009

Current members

• Dee Snider – lead vocals (1976–present)
• Eddie Ojeda – lead guitars (1975–present)
• Jay Jay French – rhythm guitars, backing vocals (1972–present)
• Mark Mendoza – bass, backing vocals (1978–present)
• A. J. Pero – drums, percussion (1982–1986, 1997–present)

Metallica’s early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the “big four” of the thrash metal subgenre alongside Slayer, Megadeth, and Anthrax. The band earned a growing fan base in the underground music community and critical acclaim, with the 1986 release Master of Puppets described as one of the most influential and “heavy” thrash metal albums. The band achieved substantial commercial success with its self-titled 1991 album, which debuted at number one on the Billboard 200. With this release the band expanded its musical direction resulting in an album that appealed to a more mainstream audience.

In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band’s copyright-protected material for free without the band members’ consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger alienated many fans with the exclusion of guitar solos and the “steel-sounding” snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger.

Metallica has released nine studio albums, two live albums, two EPs, twenty-two music videos, and forty-three singles. The band has won seven Grammy Awards, and has had five consecutive albums debut at number one on the Billboard 200, making Metallica the only band ever to do so.[2] The band’s 1991 album, Metallica, has sold over 15 million copies in the United States, and 22 million copies worldwide, which makes it the 25th-highest-selling album in the country. The band has sold an estimated 100 million records worldwide as of the release of their latest album Death Magnetic. As of September 2008, Metallica is the fifth-highest-selling music artist since the SoundScan era began tracking sales on May 25, 1991, selling a total of 50,111,000 albums in the United States alone.

History

Early days (1981–1983)

Metallica was formed in Los Angeles, California, in early 1981 when drummer Lars Ulrich placed an advertisement in a Los Angeles newspaper—The Recycler—which read “Drummer looking for other metal musicians to jam with Tygers of Pan Tang, Diamond Head and Iron Maiden.” Guitarists James Hetfield and Hugh Tanner of Leather Charm answered the advertisement. Although he had not formed a band, Ulrich asked Metal Blade Records founder Brian Slagel if he could record a song for the label’s upcoming compilation Metal Massacre. Slagel accepted, and Ulrich recruited Hetfield to sing and play rhythm guitar.

Ulrich talked to his friend Ron Quintana, who was brainstorming names for a fanzine. Quintana had proposed the names Metal Mania and Metallica. Ulrich used Metallica for the name of his band. A second advertisement was placed in The Recycler for a position as lead guitarist. Dave Mustaine answered, and, after seeing his expensive guitar equipment, Ulrich and Hetfield recruited him. In early 1982, Metallica recorded its first original song “Hit the Lights” for the Metal Massacre I compilation. Hetfield played bass on the song and Lloyd Grant was credited with a guitar solo. Released on June 14, 1982, early pressings of Metal Massacre I listed the band incorrectly as “Mettallica”. Although angered by the error, Metallica managed to create enough “buzz” with the song and the band played its first live show on March 14, 1982, at Radio City in Anaheim, California with newly recruited bassist Ron McGovney. Metallica recorded its first demo, Power Metal, a name inspired by Quintana’s early business cards in early 1982. In the fall of 1982, Ulrich and Hetfield attended a show at the nightclub Whisky a Go Go which featured bassist Cliff Burton in a band called Trauma. The two were “blown away” by Burton’s use of a wah-wah pedal and asked him to join Metallica. Hetfield and Mustaine wanted McGovney out as they thought that he “didn’t contribute anything, he just followed.” Although Burton initially declined the offer, by the end of the year he accepted on the condition the band move to San Francisco. Metallica’s first live performance with Burton was at the nightclub The Stone in March 1983, and the first recording to feature Burton was the 1983 Megaforce demo.

Metallica was ready to record its debut album, but when Metal Blade was unable to cover the additional cost, the band began looking for other options. Concert promoter Johnny “Z” Zazula, who had heard the 1982 No Life ’til Leather demo, offered to broker a record deal with Metallica and New York City-based record labels. After receiving no interest from various record labels, Zazula borrowed the money to cover the record’s recording budget and signed Metallica to his own label, Megaforce Records. Band members decided to kick Mustaine out of the band due to drug and alcohol abuse, and violent behavior. Exodus guitarist Kirk Hammett flew in to replace Mustaine the same afternoon. Metallica’s first show with Hammett was on April 16, 1983, at the nightclub The Showplace in Dover, New Jersey.

Mustaine has expressed his dislike for Hammett in interviews. He said Hammett “stole my job, but at least I got to bang his girlfriend before he took my job — how do I taste, Kirk?” Mustaine was “pissed off” because he believes Hammett became popular by playing the guitar leads that Mustaine wrote. In a 1985 interview with Metal Forces, Mustaine slammed Hammett saying, “it’s real funny how Kirk Hammett ripped off every lead break I’d played on that No Life ’til Leather tape and got voted No. 1 guitarist in your magazine.” On Megadeth’s 1985 debut album Killing Is My Business… and Business Is Good!, Mustaine included the song “Mechanix”, which Metallica renamed as “The Four Horsemen” on Kill ‘Em All. Mustaine said he did this to “straighten Metallica up”, as Metallica referred to Mustaine as a drunk and said he could not play guitar.

Kill ‘Em All and Ride the Lightning (1983–1984)

In 1983, Metallica traveled to Rochester, New York to record its first album, Metal up Your Ass, with production duties handled by Paul Curcio. Due to conflicts with the band’s record label and the distributors’ refusal to release an album with that name, it was renamed Kill ‘Em All. Released on Megaforce Records in the United States and Music for Nations in Europe, the album peaked on the Billboard 200 at number 120, and although the album was not initially a financial success, it earned Metallica a growing fan base in the underground metal scene. The band embarked on the Kill ‘Em All For One tour with Raven to support the release. In February 1984, Metallica supported Venom on the Seven Dates of Hell tour, where they performed in front of 7,000 people at the Aardschok Festival in Zwolle, Netherlands.

Metallica recorded its second studio album, Ride the Lightning, at Sweet Silence Studios in Copenhagen, Denmark. Released in August 1984, the album peaked at number 100 on the Billboard 200. A French printing press mistakenly printed green covers for the album, which are now considered collectors’ items. Other songs on the album include “For Whom the Bell Tolls”, “Creeping Death” (which tells the biblical story of the Hebrews’ exodus from slavery in Egypt, focusing on the various plagues that were visited on the Egyptians), and the instrumental “The Call of Ktulu”. Mustaine received a writing credit for “Ride the Lightning” and “The Call of Ktulu”.

Master of Puppets (1984–1986)

Elektra Records A&R director Michael Alago, and co-founder of Q-Prime Management Cliff Burnstein, attended a September 1984 Metallica concert. Impressed with what they saw, they signed Metallica to Elektra Records and made the band a client of Q-Prime Management. Metallica’s burgeoning success was such that the band’s British label Music for Nations issued a limited edition Creeping Death EP, which sold 40,000 copies as an import in the U.S. Two of the three songs on the record (cover versions of Diamond Head’s “Am I Evil?”, and Blitzkrieg’s “Blitzkrieg”) appeared on the 1989 Elektra reissue of Kill ‘Em All. Metallica embarked on its first major European tour with Tank to an average crowd of 1,300. Returning to the U.S. marked a tour co-headlining with W.A.S.P. and Armored Saint supporting. Metallica played its largest show at the Monsters of Rock festival on August 17, 1985, with Bon Jovi and Ratt at Donington Park in England, playing in front of 70,000 people. A show in Oakland, California, at the Day on the Green festival saw the band play in front of a crowd of 60,000.

Burton’s death and Garage Days Re-Revisited (1986–1987)

On September 27, 1986, during the European leg of Metallica’s Damage Inc. tour, members drew cards to see which bunk of the tour bus they would sleep in. Burton won and chose to sleep in Hammett’s bunk. Around dawn near Dörarp, Sweden, the bus driver lost control and skidded, which caused the bus to flip several times. Ulrich, Hammett, and Hetfield sustained no serious injuries; however, bassist Burton was pinned under the bus and was killed. Hetfield recalls, “I saw the bus lying right on him. I saw his legs sticking out. I freaked. The bus driver, I recall, was trying to yank the blanket out from under him to use for other people. I just went, ‘Don’t fucking do that!’ I already wanted to kill the guy.” Burton’s death left Metallica’s future in doubt. The three remaining members decided that Burton would want them to carry on, and with the Burton family’s blessings, the band sought a replacement.

Roughly 40 people tried out for auditions including Hammett’s childhood friend Les Claypool of Primus, Troy Gregory of Prong, and Jason Newsted, formerly of Flotsam and Jetsam. Newsted learned Metallica’s entire setlist, and after the audition Metallica invited him to Tommy’s Joynt in San Francisco. Hetfield, Ulrich, and Hammett decided that Newsted was the one to replace Burton, and Newsted’s first live performance with Metallica was at the Country Club in Reseda, California. The members took it on themselves to “initiate” Newsted by tricking him into eating a ball of wasabi.

In March 1987, Hetfield broke his wrist a second time skateboarding. Guitar technician Marshall returned playing rhythm guitar, but the injury forced the band to cancel a Saturday Night Live appearance. Metallica finished its tour in the early months of 1987, and in August 1987 an all-covers EP titled The $5.98 E.P.: Garage Days Re-Revisited was released. The EP was recorded in an effort to utilize the band’s newly constructed recording studio, test out the talents of Newsted, and to relieve grief and stress following the death of Burton. A video titled Cliff ‘Em All was released in 1987 commemorating Burton’s three years in Metallica. Footage included bass solos, home videos, and pictures.

…And Justice for All (1988–1990)

…And Justice for All, the group’s first studio album since Burton’s death, was released in 1988. The album was a commercial success, peaking at number six on the Billboard 200, the band’s first album to enter the top 10. The album was certified platinum nine weeks after its release. Newsted’s bass was purposely turned down on the album as a part of the continuous “hazing” he received, and his musical ideas were ignored (However, he did receive a writing credit on track one, “Blackened”). There were complaints with the production; namely, Steve Huey of Allmusic noted Ulrich’s drums were clicking more than thudding, and the guitars “buzz thinly”. The Damaged Justice tour followed to promote the album.

In 1989, Metallica received its first Grammy Award nomination for …And Justice for All, in the new Best Hard Rock/Metal Performance Vocal or Instrument category. Metallica was the favorite to win; however, the award was given to Jethro Tull for the album Crest of a Knave. The result generated controversy among fans and the press, as Metallica was standing off-stage waiting to receive the award after performing the song “One”. Jethro Tull had been advised by its manager not to attend the ceremony as he was expecting Metallica to win. The award was named in Entertainment Weekly’s “Grammy’s 10 Biggest Upsets”. Three years later, Ulrich referred to the award when accepting a Grammy for “Enter Sandman” stating “We gotta thank Jethro Tull for not putting out an album this year.”

Following the release of …And Justice for All, Metallica released its debut music video for the song “One”. The band performed the song in an abandoned warehouse, and footage was remixed with the film, Johnny Got His Gun. Rather than organize an ongoing licensing deal, Metallica purchased the rights to the film. The remixed video was submitted to MTV, with the alternate performance-only version held back in the event that MTV banned the remix version. MTV accepted the remix version, and the video was viewers’ first exposure to Metallica. It was voted number 38 in 1999 when MTV aired its “Top 100 Videos of All Time” countdown, and was featured in the network’s 25th Anniversary edition of ADD Video, which showcased the most popular videos on MTV in the last 25 years.

Metallica (1990–1993)

In October 1990, Metallica entered One on One studio in North Hollywood to record its next album. Bob Rock, who had worked with the bands The Cult, Bon Jovi, and Mötley Crüe, was hired as producer. Metallica (also known as “The Black Album”) was remixed three times, cost $1 million, and ended three marriages. Although the release was stalled until 1991, Metallica debuted at number one on the Billboard 200 with shipments exceeding 650,000 units in its first week. The album was responsible for bringing Metallica to the attention of the mainstream and has been certified 15 times platinum in the United States, which makes it the 25th highest-selling album in the country. The making of Metallica and the following tour was documented in A Year and a Half in the Life of Metallica. Dubbed the Wherever We May Roam Tour, it lasted 14 months and included dates in the United States, Japan, and England.

On August 8, 1992, during the co-headlining GNR-Metallica Stadium Tour with Guns N’ Roses, Hetfield suffered second and third degree burns to his arms, face, hands, and legs. There was confusion with the new pyrotechnics setup, which resulted with Hetfield walking into a 12-foot (3.7 m) flame during “Fade to Black”. Newsted recalls Hetfield’s skin was “bubbling like on The Toxic Avenger”. Guitar technician John Marshall, who had previously filled in on rhythm guitar and was now playing in Metal Church, replaced Hetfield for the remainder of the tour as Hetfield was unable to play guitar, although he was able to sing. The band’s first box set was released in November 1993 called Live Shit: Binge & Purge. The collection contained three live CDs, three home videos, and a book filled with riders and letters.

Load, ReLoad, Garage Inc., and S&M (1994–1999)

After almost three years of touring to support Metallica, including a headlining performance at Woodstock ‘94, Metallica returned to the studio to write and record its sixth studio album. The band took a break in the summer of 1995 and played three outdoor shows which included headlining Donington Park in the United Kingdom, supported by Slayer, Skid Row, Slash’s Snakepit, Therapy?, and Corrosion of Conformity. The short tour was titled Escape From The Studio ‘95. The band spent roughly one year writing and recording new songs, resulting in the release of Load in 1996, which entered the Billboard 200 and ARIA Charts at number one, marking the band’s second number one. The cover of Load was created by Andres Serrano, and was called Blood and Semen III. Serrano pressed a mixture of his own semen and bovine blood between sheets of plexiglass. The release marked a change in musical direction for the band and a new look with band members receiving haircuts. Metallica headlined the alternative rock festival Lollapalooza in the summer of 1996.

During early production of the album, the band had produced enough material for a double album. It was decided that half of the songs were to be released, and the band would continue to work on the remaining songs and release them the following year. This resulted in the follow-up album, ReLoad. The cover was created by Serrano, this time using a mixture of blood and urine. ReLoad peaked at number one on the Billboard 200, and number two on the Top Canadian Album chart. Hetfield noted in the 2004 documentary film Some Kind of Monster that the songs on these albums were initially thought by the band to be of average quality, and were “polished and reworked” until judged to be releasable. To promote ReLoad, Metallica performed on NBC’s Saturday Night Live in December 1997, performing “Fuel” and “The Memory Remains” with Marianne Faithfull.

In 1998, Metallica compiled a double album of cover songs titled Garage Inc.. The first disc contained newly recorded covers by bands such as Diamond Head, Killing Joke, The Misfits, Thin Lizzy, Mercyful Fate, and Black Sabbath. The second disc featured the original The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors’ item. The album entered the Billboard 200 at number two.

On April 21 and April 22, 1999, Metallica recorded two performances with the San Francisco Symphony Orchestra conducted by Michael Kamen. Kamen, who had previously worked with producer Rock on “Nothing Else Matters”, approached the band in 1991 with the idea of pairing Metallica’s music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, “No Leaf Clover” and “-Human”. The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two, and the Australian ARIA charts and Top Internet Albums chart at number one.

Napster controversy (2000–2001)

In 2000, Metallica discovered that a demo of its song “I Disappear”, which was supposed to be released in combination with the Mission: Impossible II soundtrack, was receiving radio airplay. Tracing the source of the leak, the band found the file on the Napster peer-to-peer file-sharing network, and also found that the band’s entire catalogue was freely available. Legal action was initiated against Napster with Metallica filing a lawsuit at the U.S. District Court, Central District of California, alleging that Napster violated three areas of the law: copyright infringement, unlawful use of digital audio interface device, and the Racketeer Influenced and Corrupt Organizations Act.

Though the lawsuit named three universities for copyright infringement, the University of Southern California, Yale University, and Indiana University, no individuals were named. Yale and Indiana complied and blocked the service from its campuses, and Metallica withdrew the universities’ inclusion in the lawsuit. Southern California, however, had a meeting with students to figure out what was going to happen with Napster. School administrators wanted it banned as it used 40% of the bandwidth, which was not for educational purposes.

Metallica hired online consulting firm NetPD to monitor the Napster service for a weekend. A list of 335,435 Napster users who were believed to be sharing Metallica’s music was compiled, and the 60,000 page document was delivered to Napster’s office as Metallica requested the users be banned from the service. The users were banned, and rap artist Dr. Dre joined the lawsuit against Napster, which resulted in an additional 230,142 Napster users banned.

Ulrich provided a statement to the Senate Judiciary Committee regarding copyright infringement on July 11, 2000. Federal Judge Marilyn Hall Patel ordered the site place a filter on the program in 72 hours or be shut down. A settlement was reached between Metallica and Napster when German media conglomerate Bertelsmann AG BMG showed interest to purchase the rights to Napster for $94 million. Under the terms of settlement, Napster agreed to block users who shared music by artists who do not want their music shared. However, on June 3, 2002 Napster filed for Chapter 11 protection under U.S. bankruptcy laws. On September 3, 2002, an American bankruptcy judge blocked the sale to Bertelsmann and forced Napster to liquidate its assets according to Chapter 7 of the U.S. bankruptcy laws.

At the 2000 MTV Video Music Awards, Ulrich appeared in a skit with host Marlon Wayans that blasted the idea of using Napster to share music. Marlon played a college student sitting in his dorm room listening to Metallica’s “I Disappear”. Ulrich walked in and asked for an explanation. On receiving Wayans’ excuse that using Napster was just “sharing”, Lars retorted that Marlon’s idea of sharing was “borrowing things that were not yours without asking.” He called in the Metallica road crew, who proceeded to confiscate all of Wayans’ belongings, leaving him almost nude in an empty room. Napster creator Shawn Fanning responded later in the ceremony by presenting an award wearing a Metallica shirt, saying, “I borrowed this shirt from a friend. Maybe, if I like it, I’ll buy one of my own.” In 2007, Metallica was named #17 on Blender magazine’s list of “biggest wusses in rock” for its “anti-Napster crusade”.

Newsted’s departure and St. Anger (2001–2005)

As plans were being made to enter the recording studio, Newsted left the band on January 17, 2001. His statement revealed his departure was based on “private and personal reasons, and the physical damage I have done to myself over the years while playing the music that I love.” During a Playboy interview with Metallica, Newsted revealed intentions he wanted to release an album with his side project, Echobrain. Hetfield was against the idea and said, “When someone does a side project, it takes away from the strength of Metallica” and a side project is “like cheating on your wife in a way”. Newsted countered his statement by saying Hetfield recorded vocals for a song in the South Park movie, and appears on two Corrosion of Conformity albums. Hetfield replied, “My name isn’t on those records. And I’m not out trying to sell them”, and pondered questions such as, “Where would it end? Does he start touring with it? Does he sell shirts? Is it his band?”

In April 2001, filmmakers Joe Berlinger and Bruce Sinofsky began following Metallica to document the recording process of the next studio album. Over two years, more than 1,000 hours of footage was recorded. On July 19, 2001, before preparations to enter the recording studio, Hetfield entered rehab due to “alcoholism and other addictions”. All recording plans were put on hiatus and the band’s future was in doubt. However, when Hetfield returned on December 4, 2001, the band returned to the recording studio and Hetfield was required to work four hours a day, noon to 4 PM, and spend the rest of his time with his family. The footage recorded by Berlinger and Sinofsky was compiled into the documentary, Some Kind of Monster, which premiered at the Sundance film festival. In the documentary, Newsted described his former bandmates’ decision to hire a therapist to help solve their problems as “really fucking lame and weak”.

Metallica held auditions for Newsted’s permanent replacement in early 2003, after St Anger ’s completion, for which Bob Rock recorded bass. Bassists that auditioned included Pepper Keenan, Jeordie White, Scott Reeder, Eric Avery, Danny Lohner, and Chris Wyse. Following three months of auditions, Robert Trujillo, formerly of Suicidal Tendencies and Ozzy Osbourne’s band, was chosen as the new bassist. As Metallica moved on, Newsted joined Canadian thrash metal band Voivod in 2002, and was Trujillo’s replacement in Osbourne’s band during the 2003 Ozzfest tour, which included Voivod as part of the touring bill.

In June 2003, Metallica’s eighth studio album, St. Anger, debuted at number one on the Billboard 200, and drew mixed reaction from critics. Ulrich’s “steely” sounding snare drum, and the absence of guitar solos received particular criticism. Kevin Forest Moreau of Shakingthrough.net commented that “the guitars stumble in a monotone of mid-level, processed rattle; the drums don’t propel as much as struggle to disguise an all-too-turgid pace; and the rage is both unfocused and leavened with too much narcissistic navel-gazing”, and Brent DiCrescenzo of Pitchfork Media described it as “an utter mess”. However, Blender magazine called it the “grimiest and grimmest of the band’s Bob Rock productions”, and New York Magazine called it “utterly raw and rocking”. The title track, “St. Anger”, won the Grammy Award for Best Metal Performance in 2004, and was used as the official theme song for WWE’s SummerSlam 2003.

Before the band’s set at the 2004 Download Festival in England, Ulrich was rushed to hospital with a mysterious illness, and was unable to perform. Hetfield searched for volunteers at the last minute to replace Ulrich. Slayer drummer Dave Lombardo, and Slipknot drummer Joey Jordison volunteered. Lombardo performed the songs “Battery” and “The Four Horsemen”, Ulrich’s drum technician Flemming Larsen performed “Fade to Black”, with Jordison performing the remainder of the set. Having toured for two years in support of St. Anger on the Summer Sanitarium Tour 2003 and the Madly in Anger with the World tour, with multi-platinum rockers Godsmack in support, Metallica took a break from performing and spent most of 2005 with friends and family. However, for two shows on November 13, 2005, and November 15, 2005, Metallica opened for The Rolling Stones at the AT&T Park in San Francisco.

Death Magnetic (2006–present)

In December 2006, Metallica released a DVD containing all the music videos from 1989 to 2004. The DVD, titled The Videos 1989–2004, sold 28,000 copies in its first week, and entered the Billboard Top Videos chart at number three. Metallica recorded a cover of Ennio Morricone’s “The Ecstasy of Gold” for a tribute album titled We All Love Ennio Morricone, released in February 2007. The cover received a Grammy nomination at the 50th Grammy Awards for the category “Best Rock Instrumental Performance”. A recording of “The Ecstasy of Gold” has been played as the introduction for Metallica performances since the 1980s. However, this new version features the band itself performing the piece, giving a new guitar-based interpretation to the music.

In 2006, Metallica announced on its official website that after 15 years, long-time producer Bob Rock was stepping down and would not be producing Metallica’s next studio album. Metallica chose to work with producer Rick Rubin, who has produced albums for the bands Danzig, Slayer, Slipknot and System of a Down. Metallica set the release date for the album Death Magnetic as September 12, 2008, and they filmed a music video for the first single “The Day That Never Comes”.

In early 2008 Metallica collaborated in a tribute to Iron Maiden called “Maiden Heaven” sponsored by Kerrang! Magazine with a cover version of the classic 80’s theme “Remember Tomorrow”.

On September 2, 2008, a French record store began selling copies of Death Magnetic nearly two weeks ahead of its scheduled worldwide release date, which resulted in the album being made available on peer-to-peer clients. This prompted the band’s United Kingdom distributor, Vertigo Records, to officially release the album two days ahead of schedule, on September 10, 2008. It is currently unconfirmed whether Metallica or Warner Bros. will be taking any action against the retailer, though drummer Lars Ulrich who has made such responses to the leak as, “…We’re ten days from release. I mean, from here, we’re golden. If this thing leaks all over the world today or tomorrow, happy days. Happy days. Trust me,” and, “By 2008 standards, that’s a victory. If you’d told me six months ago that our record wouldn’t leak until 10 days out, I would have signed up for that.”

Death Magnetic debuted at number one in several countries to make it top the Australian, Canadian, Mexican and European album chart. Selling 490,000 units in the United States to debut at number one, Metallica became the first band to have five consecutive studio albums debut at number one in the history of the Billboard 200. After a week of its release, Death Magnetic remained at number one on the Billboard 200, the European album chart, and became the fastest selling album in Australia for 2008.

Death Magnetic stayed at number one on the Billboard 200 album chart for three consecutive weeks. Metallica became the only artist, aside from Jack Johnson with the release of the album Sleep Through the Static, to remain on the Billboard 200 for three consecutive weeks at number one this year. Death Magnetic had also remained at number one on Billboard’s Hard Rock, Modern Rock/Alternative and Rock album charts for five consecutive weeks. Internationally, the album peaked at number one in 32 countries including the United Kingdom, Canada, and Australia.

Since this album’s success, MTV Europe nominated Metallica in two categories (Rock Out and Headliner) of their Music Awards edition and also MTV Latin America invited them to perform in their Music Awards edition. Metallica performed “The Day That Never Comes.” On October 21, 2008, Metallica started their World Magnetic Tour.

Metallica have most recently been linked to playing a concert at Knebworth House, England in July 2009 as part of their World Magnetic Tour. In interview, Lars Ulrich announced that the band would be staying on tour until early 2010.

In November 2008, Metallica came to the end of their record deal with Warner Bros., the band is considering their options for the future and according to drummer Lars Ulrich, one of their options is to release their next album through the internet.

Band members

List of Metallica band members

• James Hetfield – lead vocals, rhythm guitar (1981–present)
• Lars Ulrich – drums, percussion (1981–present)
• Kirk Hammett – lead guitar, backing vocals (1983–present)
• Robert Trujillo – bass guitar, backing vocals (2003–present)

Former members

• Ron McGovney – bass guitar, backing vocals (1981-1982)
• Dave Mustaine – lead guitar, backing vocals (1981–1983)
• Cliff Burton – bass guitar, backing vocals (1982–1986)
• Jason Newsted – bass guitar, backing vocals (1986–2001)

Session musicians

• Lloyd Grant – lead guitar (”Hit the Lights”, 1981)
• Bob Rock – bass guitar (St. Anger, 2003)

Happy holidays to our fans around the world, from all of us in Y&T! We loved spending our busiest year so far this decade with those of you who came to the 2008 shows, talked with us in person, and communicated with us online through our forum. We care what you have to say and love hearing from you. We never forget or take for granted that the success of the shows we do each year are in large part made possible because of the dedication of you great fans who come out to see our shows every year. As long as you keep coming, we’ll keep playing.

We want to give a very special thanks to those who work so hard for us in front of and behind the scenes each and every year. Our great crew–Tom, Chrys, Rolf, and our amazing manager Jill. You keep us moving forward and running smoothly, ensuring we always come across the best we can. We’re blessed with your hard work, dedication, great talents, class, and most of all–your friendship.

And now we look ahead to 2009, which is to be a banner year for Y&T. Not only will it be our 35th year anniversary as a band, but we will be starting the year out by immediately getting into the studio to write for the first new original material Y&T record in over a decade. And depending on our tour schedule, and with any luck, we will be shooting for a late 2009 release.

We look forward to kicking some serious ass and sharing this upcoming monumental year with as many of you as we can, as we head back out to tour around the world again.

Thanks, again, for an amazing year!
Dave, Phil, John, Mike

Y&T live dates:
December 31 – Redwood City, CA – Little Fox Theatre
March 19 – San Diego, CA – Brick By Brick
March 20 – San Juan Capistrano, CA – Coach House
March 21 – Redondo Beach, CA – BriXton
April 17 – New York, NY – BB King Blues Club
April 18 – Springfield, VA – JAXX
April 19 – Virginia Beach, VA – Steppin’ Out
June 26/27 – Balingen, Germany – Bang Your Head!!! Festival

Courtesy of www.meniketti.com

(Via Everyone’s Blog Posts – Hair Metal Mansion.)

Bon Jovi formed in 1983 with lead singer Jon Bon Jovi, guitarist Richie Sambora, keyboardist David Bryan, bassist Alec John Such, and drummer Tico Torres. Other than the departure of Alec John Such in 1994 (which pared the lineup down to a quartet), the lineup has remained the same for the past 25 years. After two moderately successful albums in 1984 and 1985, the band scored big with Slippery When Wet (1986) and New Jersey (1988), which sold a combined 19 million copies in the U.S. alone, charted eight Top Ten hits (including four number one hits), and launched the band into global super stardom. After non-stop touring, the band went on hiatus after the New Jersey Tour in 1990, during which time Jon Bon Jovi and Richie Sambora both released successful solo albums. In 1992, the band returned with the double platinum Keep the Faith and has since created a string of platinum albums throughout the 1990s and 2000s.

In 2006, the band won a Grammy for best Country Collaboration for “Who Says You Can’t Go Home” with Jennifer Nettles from Sugarland and also became the first rock band to reach #1 on the Hot Country Songs chart with the same song. The band has also received multiple Grammy nominations for music from the albums Crush, Bounce, and Lost Highway.

Throughout their career, the band has released ten studio albums, of which nine have gone platinum in US. They also have seven #1 albums in Australia, six #1 albums in Europe and Canada, five #1 albums in UK, four #1 albums in Japan, and three #1 albums on US Billboard charts. In addition, the band has charted 19 singles to the Top 40 of the Billboard Hot 100, five of which reached #1 (”You Give Love a Bad Name”, “Livin’ on a Prayer”, “Bad Medicine”, and “I’ll Be There for You”) including Jon Bon Jovi’s solo hit “Blaze of Glory”. The band also holds the record for the most weeks for a hard rock album at #1 on the Billboard 200 with Slippery When Wet, as well as the most Top 10 singles from a hard rock album, with New Jersey, which charted five such singles.

Formation

Founding member Jon Bon and Nathan Shaw Jovi began to play piano and guitar at thirteen with his first band, called Raze. He was enrolled in an all-boys Catholic school, St. Joseph High School in Metuchen, New Jersey, but left to attend public school at Sayreville War Memorial High School.[3] At sixteen, Bon Jovi met David Bryan (born David Bryan Rashbaum) and formed a 12-piece cover band named Atlantic City Expressway after the New Jersey highway. They played at New Jersey clubs, even though they were minors. Still in his teens, Bon Jovi played in the band John Bongiovi and the Wild Ones, playing local clubs like “The Fast Lane” and opening for known acts in the area.

By mid-1982, out of school and working part-time in a women’s shoe store, Bon Jovi took a job at the Power Station Studios, a Manhattan recording facility where his cousin, Tony Bongiovi, was a co-owner. Bon Jovi made several demos (including one produced by Billy Squier) and sent them out to many record companies, but failed to make an impact.

In 1983, Bon Jovi visited the local radio station WAPP 103.5FM “The Apple” in Lake Success, New York. He spoke directly to the D.J., Chip Hobart, who suggested Bon Jovi let WAPP include the song “Runaway” on a compilation album of local homegrown talent. Bon Jovi was reluctant but eventually gave them the song on which Bon Jovi had used studio musicians to play on the track “Runaway” (originally written in 1980). The studio musicians who helped record “Runaway” were known as The All Star Review. They were: guitarists Dave Sabo and Tim Pierce, keyboardist Roy Bittan, drummer Frankie LaRocka and bassist Hugh McDonald.

The song began to get airplay in the New York area, then other sister stations in major markets picked up the song. In March 1983 Bon Jovi called David Bryan, who in turn called bassist Alec John Such and an experienced drummer named Tico Torres.

Tapped to play lead guitar was Bon Jovi’s neighbor, Dave Sabo (a.k.a. The Snake), who later formed the group Skid Row. Sabo was eventually replaced by Richie Sambora. Before joining the group, Sambora had toured with Joe Cocker, played with a group called Mercy and had been called up to audition for Kiss. He also played on the album Lessons with the band Message, which was re-released on CD through Long Island Records in 1995. Message was originally signed to Led Zeppelin’s Swan Song Records label, although the album was never released.

Tico Torres was also an experienced musician, having recorded and played live with Phantom’s Opera, The Marvelettes, and Chuck Berry. He appeared on 26 records and had recently recorded with Franke and the Knockouts, a Jersey band with hit singles during the early 1980s.

David Bryan had quit the band he and Bon Jovi founded in order to study medicine. While in college, he realized he wanted to pursue music full-time and was accepted to Juilliard School, the New York music school. When Bon Jovi called his friend and said he was putting together a band and a record deal looked likely, Bryan followed Bon Jovi’s lead and gave up his studies.

The Bon Jovi lineup, which remained stable for a decade, was:

• Jon Bon Jovi (lead vocals, rhythm guitar)
• Richie Sambora (lead guitar, backing vocals)
• David Bryan (keyboard, backing vocals)
• Tico Torres (drums, percussion)
• Alec John Such (bass guitar, backing vocals)

1980s

Once the band began playing showcases and opening for local talent, they caught the attention of record executive Derek Shulman, who signed them to Mercury Records, part of the PolyGram company. Because Jon Bon Jovi wanted a group name, Jerry Jaffe, head of A&R at PolyGram, came up with Bon Jovi.

With the help of their new manager Doc McGhee, the band’s debut album, Bon Jovi, was released on January 21, 1984. The album went Gold in the U.S and was also released in the UK. The single “Runaway” was the band’s first Top 40 hit, reaching #39 on the Billboard Hot 100 in 1984. The group found themselves opening for ZZ Top at Madison Square Garden (before their first album had been released), and for Scorpions and Kiss in Europe. They also made an appearance on the popular television program American Bandstand.

In 1985, Bon Jovi’s second album 7800° Fahrenheit was released. While embarking on a tour opening up for Ratt, the album received a poor response by critics. The leading British metal magazine Kerrang!, which had been very positive about the debut record, called the album “a pale imitation of the Bon Jovi we have got to know and learned to love.” Jon Bon Jovi himself later said it could have and should have been better.

In April of 1986, Bon Jovi packed up and moved to Vancouver, British Columbia to record their third album. Six months of decadent living and non-stop studio work resulted in Slippery When Wet. The album, produced by Bruce Fairbairn and recorded and mixed by Bob Rock, was released in August of 1986 and was destined to represent what would become the trademark Bon Jovi sound. The first single, “You Give Love a Bad Name”, became the band’s first Number One single on the Billboard charts. The follow-up single, “Livin’ On A Prayer” hit Number One as well, spending four weeks at the top position. The album’s third single, “Wanted Dead or Alive” peaked at #7 on the Billboard charts but emerged, and still remains to this day, the Bon Jovi “National Anthem” – the band’s most recognizable hit.

When Slippery When Wet was released in August of 1986, Bon Jovi was the support act for 38 SPECIAL. By the end of 1986, Bon Jovi were well into six months of headline dates in arenas across America (including a sold-out New Year’s Eve concert at their hometown venue, New Jersey’s Brendan Byrne Arena.) With the overwhelming success of Slippery When Wet (it spent 94 weeks on the Billboard charts and eight of those weeks at #1,) Bon Jovi were bona fide superstars.

In 1987, the band headlined England’s “Monsters of Rock” festival with Dio, Metallica, W.A.S.P., Anthrax, and Cinderella. The tour took its toll on singer Jon Bon Jovi when he began having vocal difficulties. The extremely high notes and unrelenting schedule threatened to damage his voice permanently. With the help of a vocal coach, he made it through the tour. Bon Jovi has tended to sing slightly lower pitches since then.

The next album was 1988’s New Jersey. The album was recorded shortly after the tour for Slippery When Wet. The resulting album was a commercial success, with hit songs “Bad Medicine”, “Lay Your Hands on Me” and “I’ll Be There for You”, which are still in their live repertoire. New Jersey was a commercial hit and became the first hard rock album to spawn five Top Ten singles on Billboard Hot 100 singles chart . “Bad Medicine” and “I’ll Be There for You” both hit number one, and “Born to Be My Baby” (#3), “Lay Your Hands on Me” (#7), and “Living in Sin” (#9) rounded out the list.

Bon Jovi mounted another huge worldwide tour that continued throughout 1989 and 1990. They visited more than 22 countries and performed more than 232 shows before it was all over. The personal highpoint for the band was their June 11, 1989 sell-out homecoming at Giants Stadium in New Jersey. In August of 1989, the band headed to Russia for the Moscow Music Peace Festival, a 2-day rock concert staged at the Lenin Olympic Stadium to promote two goals: 1) raise awareness about and provide treatment for drug and alcohol abuse among Russian teens and 2) introduce Russia to rock ‘n’ roll American style. Bon Jovi were the first band officially sanctioned by the Russian government to perform in Russia and New Jersey was released on the state-owned record label, Melodiya, a privilege no Western artist had ever been granted before.

Perhaps, Jon Bon Jovi and Richie Sambora’s most influential performance was on the 1989 Mtv Video Music Awards. Armed only with acoustic guitars, They performed “Wanted Dead Or Alive” and “Livin On A Prayer.” To Jon Bon Jovi and Richie Sambora, it wasn’t much of a big deal; the songs were written on two acoustic guitars and, therefore, stripping them down to their basic form was a natural thing to do. However, the response from those who witnessed the performance, both live at the awards and at home on television, was instantaneous and enthusiastic. This performance has generally been acknowledged as the inspirational spark that led to the MTV UnPlugged series and the catalyst for the subsequent popularity of the unplugged movement in popular music.

New Jersey was supported by video releases such as New Jersey: The Videos and Access All Areas, as well as a massive 18-month tour, originally billed as The Jersey Syndicate Tour.

1990s

Between 1990 and 1992, the band members went their separate ways. The exhaustion of recording both Slippery When Wet and New Jersey back to back with highly paced world tours after each album took its toll on the band. The band have since stated that there were few if any goodbyes between them at the end of the New Jersey tour. During the time they took off from the scene, the band retreated to their own interests and showed no desire for making another album.

Jon Bon Jovi recorded a solo album, a soundtrack to the movie Young Guns II, more commonly known as Blaze of Glory, (in which he had an extremely brief cameo). Released in 1990, the album featured high profile guests such as Elton John, Little Richard, and Jeff Beck. The album fared well commercially, received positive reviews and quickly achieved platinum status. The title track, “Blaze of Glory”, hit number one on the Billboard Hot 100 and earned Jon an Academy Award nomination for Best Song. “Blaze of Glory” was awarded a Golden Globe.

Sambora, with the help of Tico Torres and David Bryan, released a solo album entitled Stranger In This Town, in 1991. The album featured Eric Clapton on the song “Mr. Bluesman”. David Bryan recorded a soundtrack for the horror movie The Netherworld, which was the brighter part of that year after he was hospitalized with an illness caused by a South American parasite.

In 1992, the band met together and managed to resolve their differences by allowing each member to speak about his feelings without interruption from another. Upon resolving their issues, the band returned with the album Keep the Faith.Album was released in November of 1992 to the most critical acclaim the band had ever received.Produced by Bob Rock, the album signified an ending to their early Glam Metal roots in previous albums, introduced a more “rock n roll” driven groove to the album. Much more complex, lyrically and musically, the album proved Bon Jovi could still be a viable band in 1992, despite the decline of the late ’80s pop metal genre into which the band had been lumped and despite the industry’s and audience’s growing affinity for Grunge. As Bon Jovi’s sound morphed itself to work in the 90’s music scene, their image changed as well. Gone were the excessive rock ‘n’ roll trappings of spandex and hairspray and hair.Singles “Bed of Roses” which was a huge Top 10 hit, “Keep the Faith” and “In These Arms”, all hit the Top 40 in the U.S. Other songs on the album were released as singles internationally, mainly “Dry County”, “I Believe”, and “I’ll Sleep When I’m Dead.”

In 1994, Bon Jovi released a greatest hits album titled Cross Road, with two new tracks: the hit singles “Always” and “Someday I’ll Be Saturday Night”. The video for “Always” featured Carla Gugino, an actress known for her roles in several TV shows’ and films such as Son In Law and actor Jack Noseworthy, best known for his role in the 2000 film U-571. “Always” spent thirty-two weeks on the Billboard Hot 100 and became Bon Jovi’s biggest hit. The song peaked at #4 on the US charts and at #1 in countries across Europe, Asia and in Australia. The single sold very well, going platinum in the U.S.Album sales soared all over the world and Bon Jovi’s popularity grew exponentially on an international level.

That same year, bassist Alec John Such left the band, the first lineup change since Bon Jovi began. Hugh McDonald, who was the bassist on “Runaway”, unofficially replaced Such as bassist, with rumors that he had also recorded bass on previous albums. Jon Bon Jovi said, regarding the departure of Such: “Of course it hurts. But I learned to accept and respect it. The fact that I’m a workaholic, studio in, studio out, stage on, stage off, want to be dealing with music day and night, doesn’t mean everyone else has to adjust to that pace. Alec wanted to quit for a while now, so it didn’t come as a complete surprise.”

Faced with the first change in their line-up since the band’s inception and Cross Road lingering on the charts as a massive hit, Bon Jovi had to decide what to do about their next album, which was finished and just about ready to be released.

With Hugh McDonald called in to handle bass duties, Bon Jovi opted to tour heavily in support of Cross Road and, while out on tour, These Days was released in June of 1995.”This Ain’t a Love Song” was the first single off the album and with an exotic video filmed in Malaysia, the ballad emerged as another worldwide hit for the band. Critics responded to These Days much as they had to Keep The Faith, noting that the band had continued to mature lyrically and explore different styles of music, while keeping the music undeniably Bon Jovi.

The band’s popularity continued to grow by leaps and bounds internationally and the summer of 1995 saw Bon Jovi merging their Cross Road tour into the These Days tour. The tour that kicked off in India took the band though Asia, Europe and the Americas before the band’s first-ever shows in South Africa. A career highpoint came in June 1995 when Bon Jovi sold out three-nights at London’s historical Wembley Stadium in London, England. With film crews in tow, the concerts were documented for Bon Jovi: Live Form London, a Grammy-nominated video of their record-breaking appearance.

Following the overwhelming global success of the These Days album and tour, the members of Bon Jovi went their separate ways. But unlike the period following the New Jersey tour, tainted with uncertainty, this hiatus was a conscious group decision. The members of Bon Jovi agreed to a self-imposed two-year sabbatical from the band.

Tico Torres used the opportunity further pursue his painting while David Bryan started writing and composing various musicals. In 1998, Richie Sambora released his second solo outing called Undiscovered Soul.

Jon Bon Jovi had also been bitten by the acting bug. He landed lead roles in movies Little City and The Leading Man, and supporting roles in Moonlight and Valentino, Homegrown, and U-571, among others. While he was free between filming different movies, Jon wrote what would become his second solo album, 1997’s Destination Anywhere. The album received positive reviews and was a success across Europe. A short movie of the same name was recorded around the record’s release, based entirely on the songs from the record and starring Jon Bon Jovi, Demi Moore, Kevin Bacon and Whoopi Goldberg. Dave Stewart of Eurythmics played guitar on the record, and produced some of the tracks.

Bon Jovi reunited in 1999 to record the song “Real Life” for the movie EdTV. David Bryan didn’t make it to the filming of the video for the song because of a hand injury sustained in a home improvement mishap, so the band used a cardboard cutout of him for the shoot.

2000s

After a nearly three-year hiatus, during which several band members worked on independent projects, Bon Jovi regrouped in 1999 to begin work on their next studio album. Their 2000 release, Crush, enjoyed success both in the U.S. and overseas, thanks in part to the smash-hit single “It’s My Life”.Crush, which also produced such hits as “Say It Isn’t So” and “Thank You For Loving Me”, soon became the band’s most successful studio album since Keep the Faith, and helped introduce them to a new, younger fan base.

The Crush Tour, which began that summer, originally encompassed only 60 or so shows and was extended because of demand, with the band remaining on tour through mid-2001. While on tour, Bon Jovi released a collection of live performances from throughout their career in an album entitled, One Wild Night: Live 1985-2001. The Crush tour was notable in that the European 2000 leg included the band headlining two nights at Wembley Stadium. These were the final shows at the venue before it was demolished. Shortly after the September 11, 2001 attacks, the band performed as part of the star-studded The Concert for New York City benefit for victims and their families. They performed an acoustic medley of “Livin’ on a Prayer” and “Wanted Dead or Alive” with a stirring finale of “It’s My Life”.

In late 2002, Bounce hit stores. It produced hit single “Everyday”. The band went on the U.S. Bounce Tour for this album, during which they made history as the last band to play Veterans Stadium in Philadelphia before it was torn down. The band also released a promotional album through Target, featuring eight demo and live tracks.

Following the end of the Bounce Tour in August 2003, Bon Jovi embarked on a project; originally intending to produce an album consisting of live acoustic performances, the band ended up rewriting, re-recording and reinventing 12 of their biggest hits in a new and much different light. This Left Feels Right was released in November 2003.

The following year the band released a box set entitled 100,000,000 Bon Jovi Fans Can’t Be Wrong, the title being an homage to Elvis Presley’s 50,000,000 Elvis Fans Can’t Be Wrong. The set consisted of four CDs packed with 38 unreleased and 12 rare tracks, as well as a DVD. The box set marked the sales of 100 million Bon Jovi albums and also commemorated the 20th anniversary of the release of the band’s first record in 1984.

In November 2004, Bon Jovi was honored with the Award for Merit at the American Music Awards, where they performed a sneak preview of an unfinished song, “Have a Nice Day”. Bon Jovi also participated in Live 8 on July 2, 2005, where they debuted the full, final version of “Have a Nice Day”, alongside “Livin’ on a Prayer” and “It’s My Life”. On August 20, 2005, the band headlined Miller Brewing Co.’s Big Brew-Ha, celebrating its 150th anniversary. The free stadium concert at Miller Park in Milwaukee included one preview song from the band’s forthcoming album.

Bon Jovi’s ninth studio album, Have a Nice Day, was released in September 2005. The album topped the charts around the world, giving Bon Jovi its career-best first week sales of over 202,000 albums. “Have A Nice Day” was the first single off the new album, and debuted at radio worldwide on July 18, 2005. The second single, “Who Says You Can’t Go Home”, was released in the U.S. in early 2006, although internationally it was the third single release after “Welcome to Wherever You Are”. In the U.S. a duet version of “Who Says You Can’t Go Home” with country singer Jennifer Nettles of the band Sugarland was released, and in May 2006, Bon Jovi became the first Rock & Roll Band to have a #1 hit on Billboard’s Hot Country Chart.On February 11, 2007, Bon Jovi also won the Grammy Award, for “Best Country Collaboration with Vocals” for “Who Says You Can’t Go Home”.

Soon after the release of Have A Nice Day, the band started gearing up for the new 2005-2006 worldwide Have A Nice Day Tour. This tour, being shorter than previous ones with only seventy-five shows originally planned, took the band to numerous stages and arenas throughout the world. During the tour, Bon Jovi performed as the headlining act at Nascar’s Daytona 500 on February 19, 2006. Originally it was planned for them to be the first act to perform at the new Wembley Stadium in London, but the stadium’s rebuilding project was delayed until 2007. The concerts were therefore moved to the Milton Keynes National Bowl and Hull, KC Stadium with the same performance dates. Following dates in Japan and Europe, Bon Jovi extended the tour and returned to the U.S. in 2006 for a few stadium shows, including 3 sold-out shows in the band’s native New Jersey at Giants Stadium. On February 7, 2006, a promotional album, Live from the Have a Nice Day Tour, was released through Wal-Mart, which contained six live tracks recorded in December 2005 in Boston. Three of these tracks were released in the U.K. in June 2006 as B-sides on the single “Who Says You Can’t Go Home”.

On November 14, 2006, Bon Jovi were inducted into the UK Music Hall of Fame alongside James Brown and Led Zeppelin, joining music legends such as The Beatles, The Rolling Stones, U2, Madonna and Elvis Presley. They will not be eligible for the U.S. equivalent until 2009.

With the end of the Have A Nice Day Tour, Bon Jovi began to throw around ideas for their next project. Among the potential offerings were going to Nashville to record with country stars (following the success of “Who Says You Can’t Go Home”), a second greatest hits CD, a new studio album, and even new movies.

In June 2007, Bon Jovi released their tenth studio album, Lost Highway. The album debuted at number #1 on the Billboard charts, the first time that Bon Jovi have had a number one album on the U.S. charts since the release of New Jersey in 1988. The album sold 292,000 copies in its first week on sale in the U.S., and became Bon Jovi’s third US number one album. The first single from the new album was “(You Want to) Make a Memory”, which debuted (and peaked) at #27 in the Billboard Hot 100, Bon Jovi’s highest ever debut in the U.S. charts. The album reached Number #1 in Japan, Canada, Australia and Europe, and reached number #2 in the UK.

To promote the new album, Bon Jovi made several television appearances, including the 6th annual CMT Awards in Nashville, American Idol, and MTV Unplugged, as well as playing at the Live Earth concert at Giants Stadium. They also performed ten promotional gigs in the U.S., Canada, the UK and Japan. As part of the ‘tour’, Bon Jovi were the first group to perform at London’s new O2 Arena (formerly the Millennium Dome) when it opened to the public on June 24, 2007. The 23,000-seater stadium sold out within 30 minutes of tickets being released.

On June 6, 2007, Richie Sambora checked himself into a rehabilitation facility. This meant that he missed a concert in Puerto Rico as well as several television appearances, with backup guitarist Bobby Bandiera taking his place. He checked out on June 13, and was present for Bon Jovi’s remaining summer concerts.

When questioned on American Idol, Jon Bon Jovi stated that the band would embark on a tour beginning in January, after playing ten dates in New Jersey in the fall. The band were criticised due to the perceived excessive ticket prices charged for the shows, tickets for which were priced as high as $337 according to one report[8] and $1000 according to another. According to Richie Sambora this tour would be a greatest hits tour, so it would not be in direct support of Lost Highway. However, in October 2007 the band announced the Lost Highway Tour. Starting with the New Jersey gigs, the band are touring Canada, Japan, Australia, New Zealand, the U.S. and then Europe, finishing in the summer. In early December 2007 the band took time off from their Canadian tour to become the first ever American band to headline the Royal Variety Performance in Liverpool, England, performing in front of the Queen herself. The U.S. leg of the tour began February 18, 2008 in Omaha, Nebraska.

Next Bon Jovi Album

With $240 million in ticket sales alone from the hugely successful Lost Highway Tour, the band are looking to move on from the Country Rock theme of Lost Highway. When asked by Billboard.com whether they will release another country album, Lead Guitarist, Richie Sambora said, “No, we have to change. We have to do something different. I don’t know what that’s going to be. As we get into the writing process and continue on, we’ll see what that’s going to look like. I think it comes to stylistically what songs you’re writing. What kind of music is coming out of you, and what’s the mood of those songs. You have to color those little drawings with the right production value and the right music.”

Sambora also recently stated in the same interview with Billboard.com “We’ve been filming a documentary and are in the process of mixing a live DVD of last year’s Lost Highway concert tour”, he continued, “Also, I think we’re looking at doing a greatest hits album next year. Jon and I are writing some new songs for it and to just load up for the next Bon Jovi record.”

Band members

Current members

• Jon Bon Jovi – vocals, guitar, percussion, harmonica (1983-present)
• Richie Sambora – guitar, backing vocals (1983-present)
• David Bryan – keyboards, backing vocals (1983-present)
• Tico Torres – drums, percussion (1983-present)

Additional musician

• Hugh McDonald – bass guitar, backing vocals (1994-present)

Former members

• Alec John Such – bass guitar, backing vocals (1983-1994)
• Dave “The Snake” Sabo – guitar (1983)

Yesterday Simmons gave a keynote address today at the fifth annual Billboard Touring Conference, held at the Roosevelt Hotel in New York.

During the address, Simmons stressed the duties of being a live performer.

Simmons also intimated that Kiss might go on the road with Queen next year – which we here at the Clog reckon would be a killer combination.

‘I don’t care if you’re Axl Rose, forgot to tie your shoelaces or your father molested you when you were three – you’re a bitch if you don’t show up on stage when it says nine o’clock,’ he said, drawing loud applause from the audience.

‘You need to have the integrity and self-respect to respect the promoter who paid you the money in advance, the hall and the people who makes all our lives possible,’ Simmons continued.

Referring to Kiss as the ‘juggernaut of all rock’n'roll brands,’ Simmons said the band are currently working out future tour details.

‘We’ve been talking with [manager Doc McGhee] about Europe and then doing a year-long tour maybe this coming summer, but we’ll see,’ Simmons said.

‘Kiss and Queen, that would be a smash. That would kill. So far [it's] 50/50.’

Read more at Billboard.com here.

Meanwhile, returning to the subject of Axl for a sec, Guns N’ Roses’ hyper-delayed new album Chinese Democracy is available for streaming on GN’R’s MySpace page here.

At the time of writing this post, the title track alone had been played a total of 745,880 times…

STOP PRESS: Chinese Democracy has broken all records after being streamed on MySpace.

The album received around 25 listens a second up until today (November 21) after being streamed in full on the site yesterday (November 20).

Up until 4pm (GMT) today the title track had been played over 826,000 times, with the total amount of plays all the album tracks have received adding up to over 3 million.

”

(Via Classic Rock.)

The original lineup of Paul Stanley (vocals and rhythm guitar), Gene Simmons (vocals and bass guitar), Ace Frehley (lead guitar and vocals), and Peter Criss (drums, percussion and vocals) is the most successful and identifiable. With their makeup and costumes, they took on the personae of comic book-style characters: The Demon (Simmons), Starchild (Stanley), Spaceman (Frehley), and Catman (Criss). The band explains that the fans were the ones who ultimately chose their makeup designs. The “Demon” makeup reflected Gene’s cynicism and dark elements, as well as his love for comic books. Paul Stanley became the “Starchild” due to his tendency to be referred to as the “starry-eyed lover” and “hopeless romantic.” Ace Frehley’s “Spaceman” makeup was a reflection of him wanting to go for a ride in a space ship and supposedly being from another planet. Peter Criss’ “Catman” makeup was in accordance with the belief that Peter had nine lives due to his rough childhood in Brooklyn. Due to creative differences, both Criss and Frehley were out of the group by 1982. The band’s commercial fortunes had also waned considerably by that point.

In 1983, Kiss abandoned its makeup and enjoyed a commercial resurgence throughout the rest of the decade. Buoyed by a wave of Kiss nostalgia in the 1990s, the band announced a reunion of the original lineup (with makeup) in 1996. The resulting Kiss Alive/Worldwide/Lost Cities/Reunion Tour was the top-grossing act of 1996 and 1997. Criss and Frehley have since left Kiss again and have been replaced by Eric Singer and Tommy Thayer, respectively. The band continues to perform with makeup, while Stanley and Simmons have remained the only two constant members.

History

Early years and struggles (1971-1975)

Kiss traces its roots to Wicked Lester, a New York City-based rock and roll band led by co-founders Gene Simmons (born Chaim Witz in Haifa, Israel on August 25, 1949) and Paul Stanley (born Stanley Harvey Eisen in Queens, New York City on January 20, 1952). Wicked Lester, with their eclectic mixture of musical styles, never achieved any success. They recorded one album, which was shelved by Epic Records, and played a handful of live shows. Simmons and Stanley, feeling that a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group.

In late 1972, Gene Simmons and Paul Stanley came across an ad in Rolling Stone placed by Peter Criss, a veteran drummer from the New York club scene, who was previously in bands called “Lips” and “Chelsea”. Criss (born George Peter John Criscuola on December 20, 1945 in Brooklyn, New York City) auditioned for and joined the new version of Wicked Lester. The trio focused on a much harder style of rock than Wicked Lester played. Inspired by the theatrics of Slade and the New York Dolls, they also began experimenting with their image by wearing makeup and various outfits. In November 1972, the trio played a showcase for Epic Records A&R director Don Ellis, in an effort to secure a record deal. Although the performance went well, Ellis hated the group’s image and music. On top of that, as he was leaving, he was vomited on by Criss’s brother.

In December 1972, the group added lead guitarist Ace Frehley (born as Paul Frehley on April 27, 1951 in the Bronx, New York City). According to the book Kiss & Tell by Ace Frehley’s former best-friends, Gordon G.G. Gebert and Bob McAdams (who accompanied Ace Frehley to the audition) the eccentric Frehley impressed the group with his first audition, although he showed up wearing two different sneakers (one red and one orange) and began warming up on his guitar while another guitarist was being auditioned by the band. A few weeks after Frehley joined, the Wicked Lester name was dropped and the band became Kiss.

Stanley came up with the name; as he, Simmons, and Criss were driving around New York City. Criss mentioned that he was in a band called Lips, so Stanley said what about KISS (Reminisced by Simmons on the KISS video Exposed). Frehley created the now-iconic logo (making the “SS” look like lightning bolts) when he went to write the new band name over Wicked Lester on a poster outside the club where they were going to play. The runic letters happened to look similar to the insignia of the Nazi SS, a symbol that is now illegal to display in Germany. Therefore to avoid controversy, after 1979 most of the band’s album covers and merchandise in Germany have used a modified version of the logo, in which the “SS” looks like a backwards “ZZ”. Frehley, Simmons, and Stanley are all of Jewish origin. The band’s name has been rumored to have many hidden meanings, among them an acronym for Knights In Satan’s Service or Keep It Simple Stupid. None of these rumors have any basis in fact, and the band has consistently denied them.

The first Kiss performance was on January 30, 1973, for an audience of three at the Popcorn Club (renamed Coventry shortly afterward) in Queens. In March of that year, the band recorded a five-song demo tape with producer Eddie Kramer. Former TV director Bill Aucoin, who had seen the group at a handful of showcase concerts in the summer of 1973, offered to become the band’s manager in mid-October. Kiss agreed, with the condition that Aucoin get them signed to a recording contract within two weeks. On November 1, 1973, Kiss became the first act signed to former teen pop singer and Buddha Records executive Neil Bogart’s new label, Emerald City Records (which was shortly afterward renamed Casablanca Records).

The band entered Bell Sound Studios in New York City on October 10, 1973 to begin recording their first album. On December 31 the band had their official industry premier at the Academy of Music in New York City, opening for Blue Öyster Cult. It was at this concert that Simmons accidentally set his hair (which was coated in hairspray) ablaze for the first of many times while performing his inaugural firebreathing stunt.

Kiss’s first tour started on February 5, 1974 in Edmonton, Alberta, Canada, at the Northern Alberta Jubilee Auditorium. The band’s self-titled debut album, Kiss, was released on February 18. Casablanca and Kiss promoted the album heavily throughout the spring and summer of 1974. On February 19, the band performed “Nothin’ to Lose,” “Firehouse,” and “Black Diamond” for what would become their first national television appearance, on ABC’s Dick Clark’s In Concert (aired March 29). On April 29, the band performed “Firehouse” on The Mike Douglas Show. This broadcast included Simmons’s first televised interview, a conversation with Douglas in which Simmons declared himself “evil incarnate,” eliciting titters from an uncomfortable and largely confused studio audience. Fellow guest Totie Fields, remarked that it would be humorous if, beneath all the make-up, Simmons was “just a nice Jewish boy.” Simmons deftly parried this remark with neither a confirmation nor denial, by saying simply, “You should only know.” To which she responded, “I do. You can’t hide the hook,” a sly reference to Simmons’s nose.

Despite the publicity and constant touring, Kiss initially sold just 75,000 copies. Meanwhile, the group and Casablanca Records were losing money quickly. The band flew to Los Angeles in August 1974 to begin recording their second album, Hotter Than Hell, which was released in on October 22, 1974. The only single, “Let Me Go, Rock ‘n’ Roll,” failed to chart and the album stalled at #100.

With Hotter Than Hell quickly dropping off the charts, Kiss was pulled from their tour to quickly record a new album. Casablanca head Neil Bogart stepped in to produce the next album, trading in the murky, distorted sound of Hotter Than Hell for a cleaner and slightly poppier sound. Dressed To Kill, released on March 19, 1975, fared slightly better commercially than Hotter Than Hell. It also contained what would later become the band’s trademark song, “Rock and Roll All Nite”.

Although Kiss albums had not proved to be big sellers, the band was quickly gaining a reputation as a top-flight live act. Kiss concerts featured things such as Simmons spitting “blood” (primarily yogurt and food coloring) or “breathing fire” (spitting flammable liquid at a torch); Frehley soloing as his guitar burst into flames (light and smoke bombs placed inside the guitar); Criss’s elevating drum riser that emitted sparks; Stanley’s Townshend-style guitar smashing; and pyrotechnics throughout the show.

By late 1975, Casablanca was nearly bankrupt and Kiss was in danger of losing their record contract. Both parties desperately needed a commercial breakthrough if they were to survive. That breakthrough came in an unlikely form – a double live album.

Rise to Prominence (1975–1978)

Kiss wanted to express the excitement felt at their concerts (which their studio albums had so far failed to do), with their first live album. Released on September 10, 1975, Alive!, achieved Gold status, and spawned Kiss’s first top 40 single, a live version of “Rock And Roll All Nite.” It was the first version of “Rock and Roll All Nite” with a guitar solo, and this recording has come to represent the definitive version of the song; supplanting the studio original. In recent years the band admitted that additional audience noise had been added to the album, not to deceive fans, but to add more “excitement and realism” to the show.

The success of Alive! not only brought Kiss the breakthrough they had been seeking, but arguably saved Casablanca, which was close to bankruptcy. Following this success, Kiss partnered with producer Bob Ezrin, who had previously worked with Alice Cooper. The result was Destroyer (released March 15, 1976), Kiss’s most musically ambitious studio album to date. Destroyer, with its rather intricate production (utilizing an orchestra, choir, and numerous tape effects), was a departure from the raw sound of the first three studio albums. While the album sold well initially and became the group’s second gold album, it quickly dropped down the charts. Only when the ballad “Beth” was released as a single did the album’s sales rebound. “Beth” was a #7 hit for the band, and its success revived both the album (which achieved platinum status by the end of 1976) and ticket sales for Kiss.

In October 1976, Kiss appeared on the The Paul Lynde Halloween Special, lip-synching “Detroit Rock City,” “Beth,” and “King of the Night Time World.” For many teenagers, this was their first exposure to Kiss’s dramatic appearance. The show was co-produced by Bill Aucoin. In addition to the three performances, Kiss was the subject of a brief comedic “interview” conducted by Paul Lynde himself. This included Lynde noting, when hearing the member’s first names, “Oh, I love a good religious group.”

Two more highly successful studio albums were released in less than a year—Rock and Roll Over (November 11, 1976) and Love Gun (June 30, 1977). A second live album, Alive II, was released on October 14, 1977. All three albums were certified platinum upon or soon after their release. Between 1976 and 1978, Kiss earned $17.7 million from record royalties and music publishing.[16] A 1977 Gallup poll named Kiss the most popular band in America. In Japan, Kiss performed five sold-out shows at Budokan Hall, breaking the previous record of four held by The Beatles.

The first of what is now many Kiss greatest hits albums, Double Platinum, was issued on April 2, 1978. This double album included many remixed versions of their hits, as well as “Strutter ‘78,” a re-recorded version of one of the group’s signature songs. At Neil Bogart’s request, the song was played in a style similar to the then-popular disco music.

During this period, Kiss merchandise became a substantial source of income for the group. Some of the products released included a pair of comic books issued by Marvel (the first one of which contained ink mixed with actual blood donated by the group), a pinball machine, Kiss dolls, “Kiss Your Face Makeup” kits, Halloween masks, Pez dispensers, board games, and many other pieces of memorabilia. Membership in the Kiss Army, the band’s fan club, was in the six figures. Between 1977 and 1979, worldwide merchandise sales (in-store and on tour) reached an estimated $100 million.

Going solo (1978)

Kiss were at their commercial peak by 1978—Alive II was the band’s fourth platinum album in just under two years, and the ensuing tour had the highest average attendance (13,550) in the group’s history. In addition, Kiss’s gross income for 1977 was US$10.2 million. The group, along with creative manager Bill Aucoin, sought to take the band to the next level of popularity. To that end, an ambitious, two-pronged strategy was devised for 1978.

The first part involved the simultaneous release of four solo albums from the members of Kiss. Although Kiss has claimed that the solo albums were intended to ease rising tensions within the band, their 1976 record contract did in fact call for four solo records, with each of them counting as half an album toward the group’s five-record commitment. While each album was very much a solo effort (none of the group appeared on another’s album), they were all released and marketed as Kiss albums (with similar cover art and poster inserts). It was the first time that all current members of a rock band had released solo albums on the same day.

For the band members, it was a chance to showcase their individual musical styles and tastes outside of Kiss, and in some cases to collaborate with contemporary artists (Simmons’s album featured appearances by the likes of Aerosmith’s Joe Perry, Cheap Trick’s Rick Nielsen, disco diva Donna Summer, Bob Seger, and then-girlfriend Cher). Stanley’s and Frehley’s albums stuck pretty closely to the successful hard rock style that Kiss had utilized, while Criss’s album featured an R&B style and was loaded with ballads. Simmons’s was the most eclectic of the four—it featured hard rock, ballads, Beatles-influenced pop, and ended with a straight cover of “When You Wish upon a Star” (from the movie Pinocchio).

The Kiss solo albums were released on September 18, 1978. The marketing blitz behind the albums was unprecedented—Casablanca announced it was shipping five million total copies of the albums (guaranteeing instant platinum status), and they spent US$2.5 million marketing them.[22] Despite all four solo albums making it into the Top 50 of the Billboard album chart, the massive preorder for these albums was soon followed by an equally enormous attempt to ship them back to the record company, followed by the subsequent discounting of these albums once sales had (very quickly) peaked. The albums were also the first Kiss albums to be seen in the “bargain bins” of many record stores, and it was the first clear harbinger of Kiss’s waning popularity. All four solo albums combined sold about as many copies as Love Gun alone. Of the four, Frehley’s album was the most successful (although not by a huge margin) and spawned the only radio top 20 hit (Russ Ballard’s composition “New York Groove”, originally performed by Hello).

The second part of Kiss’s and Aucoin’s plan called for the band to appear in a movie that would cement their image as larger than life superheroes. Filming for the movie commenced in the spring of 1978. Although the project was proposed to the band as a cross between A Hard Day’s Night and Star Wars, the final results fell far short of those expectations. The script underwent numerous rewrites, and the band (particularly Criss and Frehley) grew increasingly frustrated with the film making process. Criss refused to take part in post-production, and so his entire voice track was completely over-dubbed by another actor.

Kiss Meets the Phantom of the Park, produced by Hanna-Barbera, aired on NBC on October 28, 1978. Despite scathing reviews, it was one of the highest-rated TV movies of the year, and saw theatrical release outside the U.S. in 1979 under the title Attack of the Phantoms. While later interviews with band members would have them talk about their movie making experience with a mix of humorous embarrassment and regret as to the finished product, their unhappiness with the final product was well-known to those around them. They felt that the movie ended up portraying them more as clowns than superheroes. The artistic failure of the movie led to a rift between the band and Aucoin, on whom they laid the blame.

Late makeup years and decline (1979–1983)

The band’s first album of new material in two years, Dynasty (May 22, 1979), continued their platinum streak. The album contained what would become the biggest single in the history of the band, “I Was Made For Lovin’ You.” The song, which combined elements of hard rock with disco, was a top ten hit throughout the world (peaking at #11 in the U.S.). Dynasty was recorded using session drummer Anton Fig, at the request of producer Vini Poncia, who felt that Criss’s drumming skills were not adequate. The only contribution made by the increasingly discontented Criss to Dynasty was “Dirty Livin’,” which he co-wrote and sang.

Billed as “The Return of Kiss,” the Dynasty Tour was expected by Kiss and their management to build on the success of previous tours. Plans were drawn up for a Kiss-themed traveling amusement park, called Kiss World, but were abandoned due to the immense costs involved. Rather than being the band’s biggest and most successful tour, “The Return of Kiss” saw a marked decline in attendance.

One very public indication of the heightened friction within the group was an infamous October 31, 1979 interview on Tom Snyder’s late-night The Tomorrow Show. During the episode, a visibly irritated Simmons and Stanley try to contain the bombastic (and inebriated) Frehley, whose non-stop laughter and joking overshadowed the content and conversation that takes place between Snyder and the rest of the band. Criss made repeated references to his large gun collection, to the chagrin of Simmons.

By the conclusion of the Dynasty tour in December 1979, tensions between Criss and the rest of the band were at an all-time high. His drumming skills had noticeably eroded, and he even intentionally slowed down or stopped playing altogether during some concerts. The final show of the tour (December 16, 1979) was the last time Criss performed with the group, although he remained an official member for nearly six more months.

Yet the disagreements were hardly noticed by Kiss’s new fan base. The crowds were very much younger than previous audiences had been, with many pre-adolescent children in Kiss makeup with their mothers and fathers (who were sometimes wearing the makeup themselves) in tow at most concerts. Kiss themselves did little to dissuade this new fan base, donning colorful costumes that reinforced a cartoonish image for these younger fans.

With Criss’ involvement in Kiss at an end, the group recorded the followup to Dynasty in early 1980. As with Dynasty, this album was recorded with session drummer Anton Fig, although at the time his performance was uncredited. Showcasing a slick, contemporary pop sound, Unmasked (May 20, 1980) had the dubious distinction of being the first Kiss album since Dressed to Kill to fail to achieve platinum sales. Soon after the album’s release, Criss’ departure was officially announced, as was the announcement that the band would be auditioning his replacement.

Kiss’s first-ever replacement member, Eric Carr (born Paul Caravello on July 12, 1950 in Brooklyn, New York City) was announced in late July 1980. He debuted with the group on July 25 at New York’s now-defunct Palladium Theatre. Due to disappointing domestic sales of Unmasked, this was Kiss’s only U.S. show in support of the album. The band’s 1980 tour of Australia and New Zealand, on the other hand, was one of the biggest in their history, as they played to sold-out crowds and received overwhelmingly positive press coverage.

For their next album, the band once again approached Bob Ezrin, with whom Kiss had found success on Destroyer. Early press reports indicated that the new album would be a return to the hard rock style that had originally brought the band success. What was released instead was 1981’s Music from “The Elder”, a concept album featuring medieval horns, strings, harps, and synthesizers.

The album was presented as a soundtrack to a film that was never made, making it difficult (if not impossible) to follow the storyline. To make matters worse, having received negative feedback following their record company’s preview of the album, Kiss altered the record’s track sequence in most countries to emphasize potential singles “The Oath” and “A World Without Heroes,” which all but guaranteed the inability of listeners to understand the already muddled storyline. Once released, fan reaction to The Elder was harsh; it failed to achieve gold status and peaked at #75 on the Billboard Album Chart.

The commercial failure of Music from “The Elder” forced Kiss to forgo a supporting tour completely. The band made only two appearances for the album, both in January 1982. One was a performance on the ABC late-night variety program Fridays, while the second was a lip-synched performance that was broadcast via satellite during Italy’s Sanremo Festival.[40] Kiss also performed “I”, and “A World Without Heroes” on Solid Gold.

Absent from the second performance was Frehley, who had become increasingly frustrated with Kiss’s new musical direction. Upset with the band’s decision to record a concept album (Music from “The Elder”), he did not actively participate in the album’s creation, only providing lead vocals to one track, “Dark Light”. He recorded his guitar parts at his home studio in Wilton, Connecticut and mailed them to Ezrin. Another source of frustration for Frehley was that with the departure of Criss, and with Carr not being an equal partner in the band, he was often outvoted 2-to-1 on group decisions. In June 1982, Frehley’s departure from the band was negotiated, although he did not officially leave until December. In Gene Simmons autobiography Kiss and Make-Up, Simmons states that Eddie Van Halen, of the hard rock band Van Halen wanted to fill Frehley’s spot after he was officially out of the band, due to rising tensions with lead singer David Lee Roth. Simmons also states that he convinced Eddie to remain with Van Halen.

Soon after, Kiss made major changes to their business dealings – chief among them was severing ties with their manager of nine years, Bill Aucoin, and cutting back on their unwieldy organizational tree. Although Frehley had already decided to leave the band, Simmons and Stanley needed for their record company to believe that Frehley was still in Kiss in order for the band to keep its newly renegotiated contract. So to keep up appearances, Frehley was pictured on the covers of 1982’s Killers and Creatures of the Night, although he did not participate in the recording of either album.

Creatures of the Night (October 13, 1982) was Kiss’s heaviest album to date, and although it fared better than Music from “The Elder”, it peaked at #45 on the charts and was not certified gold until 1994. In Frehley’s absence, Kiss utilized a number of guitarists for the recording of the album, including Vinnie Vincent (born Vincent John Cusano on August 6, 1952). Vincent officially replaced Frehley as lead guitarist in December 1982, as the band embarked on its 10th Anniversary Tour.

Vincent was brought in as an uncredited studio replacement for Ace Frehley, who later went on to form Frehley’s Comet, during recording for Creatures of the Night. He contributed to a few songs on the album including, “I Love It Loud” and “I Still Love You”. Vincent was subsequently chosen to replace Frehley permanently.

Vincent originally wanted to use his birth name in the band but this was vetoed by Gene Simmons on the grounds that it sounded “too ethnic” being that Vinnie is Italian. Vincent then suggested the name “Mick Fury” but this was also disallowed. Simmons later suggested the name change to Vinnie Vincent. Vincent started actively pushing to join KISS as a full member. Despite misgivings Simmons and Paul Stanley harbored about his personality, Vincent was taken into the band and Stanley designed an “Ankh Warrior” persona and make-up for Vincent.

From 1982-1983, the new lineup of KISS became Simmons (the Demon), Stanley (the Starchild), Eric Carr (the Fox), and Vincent (the Ankh Warrior). This incarnation of KISS was to be the last incarnation of the original make-up era. At the end of the Creatures Of The Night tour, the band removed their make-up.

Aside from songwriting credits under his birth name, Vincent’s involvement with the recording of Creatures Of The Night was not widely-publicized for several years. Simmons and Stanley were not sure they wanted to let fans know that Ace Frehley had left the band. For this reason, Frehley still appeared on the cover of the original album artwork as well as in the music video for I Love It Loud. When the album was re-mixed and re-released in 1985 with a non-makeup cover and a slightly different song order, to reflect the band’s roster change and abandonment of their make-up and costuming, Vincent was again absent from the album cover as then-current lead guitarist, Bruce Kulick, appeared there instead. The liner notes accompanying the re-mixed LP, however, have credited both Ace Frehley and Vinnie Vincent with lead guitar performances on the Creatures of the Night album.

Lick It Up is the only instance of Vincent appearing on a KISS album by actual image. It is also the only KISS album where Vincent receives unambiguous and exclusive lead guitar credit. Except for “Fits Like A Glove” and “Dance All Over Your Face”, written solely by Simmons, Vincent was co-writer in 8 of the 10 songs on the album for “Lick It Up”. It is rumored that Vincent recorded every lead for the album’s songs in their entirety and that Simmons went on to choose the parts of those leads that he liked best to fit the songs shortening Vincent’s creative abilities. Apparently, Simmons wanted more of a melodic sound and feel which KISS fans had always heard and were accustomed to in Frehley’s guitar solos. Additionally, Vincent would get “cut off” during his guitar solos live because both Stanley and Simmons felt that Vincent’s leads went on too long.

Vincent’s personality did not mesh well with either Stanley or Simmons and he was dismissed from KISS at the end of the Creatures tour. He was re-hired before recording started for Lick It Up because Simmons and Stanley could not find a new lead guitarist on such short notice. Personality issues arose once again and Vincent was fired following the Lick It Up tour and was replaced by Mark St. John (birth name Mark Norton). Vincent’s work on Creatures of the Night continued to not be officially recognized until the album was remastered in 1997.

Vincent was later utilized by KISS as a songwriter on the 1992 album Revenge, contributing to the songs “Unholy”, “Heart Of Chrome” and “I Just Wanna”. Before long however, Vincent, Simmons and Stanley fell out with each other for a third time permanently severing their musical ties.

Persistent rumors have circulated for years amongst KISS fan circles regarding the true reason (or reasons) for Vincent’s dismissals from KISS with at least one band member refusing to comment except to say that legally it wasn’t up for discussion. Simmons stated in an interview several years later that Vincent’s firing was for “unethical behavior” but he did not elaborate by going into any great detail.

“I named Vincent Cusano, “Vinnie Vincent.” That’s the only gift he’s allowed. It’s interesting that Vinnie hasn’t changed his name back to Vinnie Cusano. Vinnie, for the record, was fired for unethical behavior, not because of lack of talent. The guy is very talented. He was unethical. He was fired.” -Gene Simmons

Unmasking and rebound (1983–1995)

Sensing it was time for a change, Kiss made the decision to abandon their trademark makeup and costumes. They officially appeared in public without makeup for the first time on a September 18, 1983 appearance on MTV, which coincided with the release of the band’s new album, Lick It Up. The tour showing off the new album and the unmasked band members started off at Lisbon, Portugal, on the 11th of October, 1983, at Pavilhão de Cascais, their first concert ever without makeup.

Lick It Up became Kiss’s first gold record in three years, but the tour was even more sparsely attended than the one for Creatures of the Night. Due to quickly rising tensions between Vincent and the rest of Kiss (particularly Simmons and Stanley), Vincent was fired at the conclusion of the tour in March 1984 – he was never even made an official member of Kiss to begin with, as a contract making his employment official was never signed. His replacement was Mark St. John (born Mark Norton on February 7, 1956 in Hollywood, California), a session player and guitar tutor.

With St. John on board, Kiss released Animalize on September 13, 1984. Animalize followed the success of Lick It Up, and with the video for Heaven’s on Fire being played often on MTV, Animalize was the band’s best-selling record in America, during the decade. With the success of the album and subsequent tour, Kiss had recaptured some of their earlier glory (though not to the level of their ’70s heyday). St. John, however, was soon taken ill with Reactive arthritis during tour rehearsals, and only performed at a handful of shows. He was fired from Kiss in December 1984 and replaced by Bruce Kulick (born December 12, 1953 in Brooklyn), making him Kiss’s fourth lead guitarist in three years.[48] One of the first concerts Bruce played was in Detroit, Michigan’s Cobo Hall. It was filmed for the MTV special Animalize Live. This was later released as the band’s first home video (Animalize Live: Uncensored).

The lineup of Stanley, Simmons, Carr, and Kulick turned out to be the most stable since the original, and for the rest of the 1980s Kiss released a series of platinum albums—1985’s Asylum, 1987’s Crazy Nights and the 1988 greatest hits compilation Smashes, Thrashes & Hits. Crazy Nights, in particular, was one of Kiss’s most successful albums overseas. The single “Crazy, Crazy Nights”  reached #4 on the singles chart in Britain, the highest showing to date for a Kiss song.

Kiss ended the ’80s with the 1989 release Hot in the Shade. Although the album failed to achieve platinum status, it spawned the early 1990 hit ballad “Forever,” co-written by Michael Bolton. Peaking at #8, it was the group’s highest-charting single since “Beth” and was the band’s second Top 10 single.

During these non-makeup years, Kiss struggled with their identity and fan base. Simmons, arguably the dominating force in Kiss during the ’70s, became less involved with the group in the ’80s as he pursued outside interests; most notably, a film career. After the band’s unmasking, he struggled with the loss of the Demon persona. During this time, Stanley became the driving force in Kiss, as well as their most prominent member.

The band decided to once again enlist Bob Ezrin to produce their first album of the 1990s. Before recording could begin in earnest, however, tragedy struck. In March 1991, it was discovered that Eric Carr had a tumor on his heart. It was successfully removed in an April surgery, but more tumors were soon discovered in his lungs. Carr received chemotherapy and was pronounced cancer-free in July. In September, he was hospitalized after suffering the first of two cerebral hemorrhages. He died on November 24, 1991 at the age of 41 (the same day as Freddie Mercury).

Though devastated, Kiss continued, bringing in former Black Sabbath, Gary Moore, Lita Ford, and Alice Cooper drummer Eric Singer (born Eric Mensinger on May 12, 1958 in Cleveland, Ohio). Singer has a connection with the group, having played in Paul Stanley’s backing band during his 1989 club tour.

Kiss released Revenge on May 19, 1992. It featured a leaner, harder-edged sound, as indicated by the first single, “Unholy”. In a surprise move, Kiss enlisted the aid of Vinnie Vincent for songwriting duties. The album debuted in the Top 10 and went gold. Kiss embarked on a brief club tour of the U.S. in the spring of 1992, before beginning an American arena tour in September 1992. Kiss followed with the release of Alive III (May 14, 1993), which was recorded during the Revenge tour. Four days later, KISS was inducted into the RockWalk of Fame in Hollywood.

During this period, Kiss nostalgia started to pick up steam. June 1994 saw the release of Kiss My Ass: Classic Kiss Regrooved, a compilation album featuring popular artists of the era putting their own spin on Kiss songs. The result was an eclectic mix, featuring Lenny Kravitz’s funky version of “Deuce” (with Stevie Wonder on harmonica), a ska punk version of “Detroit Rock City” by the Mighty Mighty Bosstones, and Garth Brooks’ straightforward take on “Hard Luck Woman,” with Kiss as his backup band. In 1995, the group released Kisstory, a 440-page, nine-pound, detailed chronicling of the group’s history to that point. That same year, the band embarked on a unique and well-received Worldwide Kiss Convention Tour. The conventions were all-day events, featuring displays of vintage Kiss stage outfits, instruments, and memorabilia, performances by Kiss cover bands, and dealers selling Kiss merchandise from every stage of the band’s career. Kiss appeared live at the conventions, conducted question and answer sessions, signed autographs and performed a two-hour acoustic set composed mostly of spontaneous fan requests. On the first U.S. date (June 17, 1995) Peter Criss appeared onstage with Kiss to sing “Hard Luck Woman” and “Nothin’ to Lose.” It was the first time Criss had performed publicly with the band in nearly 16 years.

On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set–”Beth,” “2000 Man,” “Nothin’ to Lose,” and “Rock and Roll All Nite.” The Unplugged appearance set off months of speculation that a possible reunion of the original Kiss lineup was in the works. In the weeks following the Unplugged concert, however, the band (with Kulick and Singer), returned to the studio for the first time in three years to record a followup to Revenge. Carnival of Souls: The Final Sessions was completed in February 1996, but its release was delayed for almost two years. Bootleg copies of the album circulated widely among fans.

While Kiss continued to exist publicly as Simmons, Stanley, Kulick, and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since their 1983 unmasking on MTV.

Reunion (1996–2000)

With that statement on February 28, 1996, Tupac Shakur introduced the original Kiss lineup (in full makeup and Love Gun-era stage outfits), to a rousing ovation at the 38th Annual Grammy Awards.[59] On April 16, the band held a press conference aboard the USS Intrepid in New York, where they announced their plans for a full-fledged reunion tour, with the help of new manager Doc McGhee. The conference, emceed by Conan O’Brien, was simulcast to 58 countries. On April 20, nearly 40,000 tickets for the tour’s first show sold out in 47 minutes.

The first public concert featuring the newly reunited Kiss was an hour-long warm up show on June 15 for the annual KROQ Weenie Roast in Irvine, CA, during which the band nearly ignited the stage of the Irvine Meadows Amphitheater.[61] On June 28, the Kiss Alive/Worldwide Tour began at Tiger Stadium in Detroit, Michigan in front of a sold-out crowd of 39,867 fans. The tour lasted for 192 shows over eleven months and earned $147.6 million, making Kiss the top-drawing concert act of 1996. The average attendance of 13,737 is the highest in the group’s history.

In September 1998, the reunited group issued Psycho Circus. Despite its appearance as the first album with the original lineup since 1980’s Unmasked (even though Criss didn’t play on the album), the contributions of Frehley and Criss were minimal. While the images of Frehley and Criss are featured prominently on the album, most of the lead guitar work was later revealed to have been performed by future band member Tommy Thayer and former member Bruce Kulick. Most drum duties were handled by session musician Kevin Valentine. Despite the controversy, the album achieved a #3 chart debut, the highest ever position for a Kiss album. The title track received a Grammy nomination for Best Hard Rock Performance.[64] The Psycho Circus Tour opened at Dodger Stadium in Los Angeles, California on Halloween night 1998, and was simulcast on FM radio across the U.S. It proved to be another success, and was historic for being the first to ever incorporate 3-D visuals into a stage show.

On August 11, 1999, Kiss was inducted into the Hollywood Walk of Fame, in the “Recording Industry” category. August 13 saw the nationwide premiere of a Kiss-themed motion picture, titled Detroit Rock City. The movie takes place in 1978, and focuses on four teenagers (featuring Edward Furlong) willing to do anything to score tickets for a sold-out Kiss show in Detroit.

The next month, the group worked in collaboration with World Championship Wrestling to produce a Kiss-themed wrestler known as The Kiss Demon whose face was painted to resemble Simmons. The group performed “God of Thunder” live on WCW Monday Nitro to debut the character. The band got $500,000 for the one-night, one-song performance. The character was short-lived, as all ties to Kiss were cut by WCW when its head, Eric Bischoff was relieved of his duties in September of that year.

Kiss announced in early 2000 that they would be launching a U.S. Farewell Tour in the summer, which was to be the band’s last; the tour kicked off on March 12, 2000. The group quickly added dates to the tour, which ran through April 2001. 2001 also saw the release of a computer game, Kiss: Psycho Circus: The Nightmare Child.

Post-reunion (2001–present)

On the eve of the Japanese and Australian leg of the Farewell tour on January 31, 2001, Criss suddenly left the band once again, reportedly unhappy with his salary. Taking his place was previous Kiss drummer Eric Singer who, in a controversial move among longtime fans, assumed Criss’ Cat Man persona as the Farewell Tour continued. Simmons and Stanley own Criss’ makeup designs (as well as Frehley’s), so there was no way for Criss to prevent this.

With the band scheduled to call it a day supposedly by early 2001, a career-encompassing collection entitled The Box Set (94 tracks on five CDs) was released in November of that year, while the summer saw perhaps the most outrageous item of Kiss merchandise yet – the Kiss Kasket. In introducing the Kiss Kasket, Simmons quipped, “I love livin’, but this makes the alternative look pretty damn good.”

On December 4, 2001, KISS was one of the honorees at the National Academy of Recording Arts and Sciences(”The Recording Academy”) Heroes Award ceremony, at the NARAS New York Chapter. NARAS has 12 chapters throughout the United States, hence 12 ceremonies throughout the year, with the honorees each being honored by the chapter closest to their residence. By receiving this honor, which NARAS has renamed the “Recording Academy Honors,” KISS effectively received NARAS’ second-highest career honor, right behind the Lifetime Achievement Grammy Award.

Kiss was relatively quiet through the rest of the year, but 2002 started with some controversy as Simmons took part in a controversial interview on National Public Radio, where he criticized NPR and berated host Terry Gross with sexual comments and condescending answers.[citation needed] In February 2002, Kiss (with Singer on drums and Frehley on lead guitar) performed during the Closing Ceremonies of the 2002 Winter Olympics in Salt Lake City, Utah. This was Frehley’s last performance with Kiss to date.

On March 6, 2002, Kiss performed a private concert at a resort in Trelawny, Jamaica. Frehley, who was no longer under contract, did not play with the group. He was replaced by Tommy Thayer, who donned Frehley’s Spaceman makeup and costume for his first live appearance with Kiss. That month, the band (with Thayer) taped an appearance on the American sitcom That ’70s Show. The episode, “That ’70s Kiss Show,” aired in August 2002. Thayer again performed with the group in April 2002, when Kiss performed “Detroit Rock City” (with pre-recorded music and live vocals) for an appearance on Dick Clark’s American Bandstand 50th Anniversary show, which aired on May 3.

In February 2003, Kiss traveled to Australia and recorded Kiss Symphony: Alive IV with the Melbourne Symphony Orchestra at the Telstra Dome in Melbourne. Thayer once again replaced Frehley, while Peter Criss returned to the group. This album was the first released on Sanctuary Records, which has since been sold to Universal Music Group – owners of the rest of Kiss’s catalog.

Despite claims made prior to the Farewell Tour that it would be the group’s last, Kiss announced a co-headlining tour with Aerosmith in 2003. Frehley announced that his departure from the band was permanent, stating that he believed the Farewell Tour would be Kiss’s last, and that he did not want to open for Aerosmith, a band who in the past had opened for Kiss. He was permanently replaced by Thayer. On this tour the group introduced the “Platinum” tickets package, with the most expensive packages costing USD $1,000. This package included a seat in the first five rows, a meet-and-greet with Kiss after their performance, and a photograph with the band. The tour earned more than US$64 million in 2003, which ranked #7 for the year.

Simmons and Stanley did not renew Criss’s contract when it expired in March 2004. Criss, on his website, stated that “No one, again no one has called me, or my attorney about an extension for future touring. As a founding member I find this to be disrespectful to me, and to the fans that have made us one of the biggest bands in the world.” Criss stated in a radio interview in 2004 with Eddie Trunk that Simmons and Stanley were going to start a new Kiss, and thought he was getting too old to play for two hours (even though Criss is only 4 years older than Simmons),Criss was replaced for the second time by Singer.

During the summer of 2004, Kiss headlined the Rock the Nation 2004 World Tour, with Poison as the opening act. The tour ended in August with a sold-out show in Mexico City. Selected dates on the tour were filmed for the Rock the Nation Live! concert DVD, released on December 13, 2005. Stanley, who had been experiencing increasing difficulty with his hip, had his mobility limited during the tour. He has already had two hip surgeries performed, with more likely in the future.

Since the conclusion of the Rock the Nation Tour, Kiss has performed only sporadically. The group played two shows in 2005, and another six in 2006. Four of the 2006 shows were July concerts in Japan, including two dates (July 22 and 23) as a headlining act at the 2006 Udo Music Festival. More recently, Kiss performed four July 2007 concerts, three of which were dubbed the Hit ‘N Run Tour. Prior to the final show on July 27, Stanley was hospitalized with an extremely rapid heartbeat. In his absence, Kiss performed in concert as a trio for the first time ever. It is the first Kiss concert Stanley has missed during his 33-year tenure with the group.

Despite the relative lack of concert activity since 2004, the group has remained visible. Kiss (along with Queen, Def Leppard, and Judas Priest) were honored at the first annual “VH1 Rock Honors” event, held May 25, 2006 in Las Vegas. On April 9, 2006, the Associated Press announced the event by saying “the Rock and Roll Hall of Fame looks to be getting some competition.” A tribute band, consisting of Rob Zombie (vocals), Slash (guitar), Scott Ian (bass), and Supernova bandmates Tommy Lee (drums) and Gilby Clarke (guitar), performed “God of Thunder” with Ace Frehley.

In June 2006, Gene Simmons and Paul Stanley attended the opening of the Kiss Coffeehouse in Myrtle Beach, South Carolina. On October 15, 2006, Simmons, Stanley, and Criss were inaugural inductees into the Long Island Music Hall of Fame, along with performers such as Neil Diamond, Billy Joel, Louis Armstrong, The Ramones and Tony Bennett. Stanley released a solo album, Live to Win, on October 24 and undertook a brief solo tour in support. On October 31, the group released Kissology Volume One: 1974–1977, the first of ten possible DVD sets featuring concert footage, interviews, and never-before-seen clips.[86] As of January 2007, the set is certified quintuple platinum in the United States. A second volume was released on August 14, 2007. On October 24, Kissology Volume Two: 1978–1991 was certified 6X Platinum by the R.I.A.A. Kissology Volume Three: 1992–2000 was released on December 18, 2007.

In April 2007, tragedy struck KISS again. Their former guitarist, Mark St. John, died from an apparent cerebral hemorrhage at age 51.[88] After being fired from Kiss in 1984, St. John formed the short-lived glam metal group White Tiger. In 1990 he briefly collaborated with Peter Criss in a band called The Keep, which only performed once and released no recordings. St. John largely dropped out of public view in later years, but did make occasional appearances at Kiss fan conventions.

Though Kiss has been eligible for enshrinement in the Rock and Roll Hall of Fame (whose rules state that an act is eligible 25 years after its first release) since 1999/2000, they have not been nominated. While this snub displeases some fans, Stanley and Simmons maintain that it is meaningless to them. Nevertheless, a group of about 200 Kiss fans held a protest rally in front of the Hall of Fame in Cleveland, Ohio on August 5, 2006. It was the first known organized demonstration seeking the induction of a band into the Hall.

In 2007, a new comic book series featuring the band was released by the Kiss Comics Group in association with Platinum Studios. Entitled “Kiss 4K: Legends Never Die,” the first issue came out in a regular size and a giant 1.5′ x 2.5′ size, dubbed the Destroyer edition. The third installment of the series is due to come out the first week of August. Also, KISS was scheduled to play in Whistler in mid September. The concert plans were cancelled late August due to a passport problem. Kiss have been confirmed to headline the opening night of 2008’s Download Festival at Donington, England.

On January 30, 2008, guitarist and vocalist Paul Stanley confirmed that Kiss will begin the KISS Alive/35 World Tour, playing arena and stadium shows in Europe, Australia and New Zealand.

On March 16, 2008, Kiss closed the Formula 1 ING Australian Grand Prix at Melbourne Grand Prix Circuit – Melbourne, Australia as well as performing in Sydney and Brisbane part of this tour.

Kiss played at the Rock2Wgtn two day festival held in Wellington, New Zealand on the 22nd and 23rd March 2008; which also featured Ozzy Osbourne, Whitesnake, Poison, Alice Cooper, Lordi, Sonic Altar and Symphony of Screams with special effects by WETA Workshop of Lord of the Rings and King Kong fame.

On June 13th, 2008, Kiss headlined the Download Festival in Donington, England, to a brilliant reception. 3 Days later on June 16th, 2008, Kiss headlined the Arrow Rock Festival in Nijmegen, Netherlands.

On June 28th, 2008, Kiss headlined the Graspop Metal Meeting in Dessel, Belgium. It was the last show in the European leg of the ‘Alive 35′ tour.

On July 10th 2008, Gene appeared on the Opie and Anthony show.

Monday, Aug. 4th, KISS played at Rockin’ The Rally at the Sturgis Motorcycle Rally as part of the KISS/Alive 35 tour.

South Dakota Governor Mike Rounds proclaimed August 4th, 2008, to be “Kiss Rock and Roll Day” in South Dakota.

In September 2008 both Gene Simmons and Paul Stanley confirmed that the KISS Alive/35 Tour would continue with a big tour of North America next summer.

In November 2008 Paul Stanley stated to legendary rock photographer Ross Halfin that a new Kiss album is in the works, in which he would produce. Stanley also stated that the album would have a “real 70’s Kiss sound” to it.[90] He also confirmed that Kiss would tour North American and Europe in 2009.

There are several KISS references in the 2008 film Role Models

Band members

Current members

• Paul Stanley – rhythm guitar, lead vocals (1972–present)
• Gene Simmons – bass guitar, lead vocals (1972–present)
• Tommy Thayer – lead guitar, vocals (2002–present)
• Eric Singer – drums, percussion, vocals (1991–1996, 2001–2002, 2004–present)

Former members

• Ace Frehley – lead guitar, vocals (1972–1982, 1996–2002)
• Peter Criss – drums, percussion, vocals (1972–1980, 1996–2001, 2002–2004)
• Bruce Kulick – lead guitar, vocals (1984–1996)
• Eric Carr – drums, percussion, vocals (1980–1991)
• Vinnie Vincent – lead guitar, backing vocals (1982–1984)
• Mark St. John – lead guitar, backing vocals (1984)

In addition to being recognized for success, the band is known for the drama surrounding the exits of former members. The (multiple) exits of singers David Lee Roth and Sammy Hagar were surrounded in controversy and mass press coverage with various contrasting press statements between them and the band. More recently, founding bassist Michael Anthony was kicked out of the band for controversial reasons. Following their 2004 concert tour the band was on a hiatus from the public until September 2006, when new bassist Wolfgang Van Halen’s place was confirmed and Roth-reunion rumours began to re-surface coinciding with the band’s Rock and Roll Hall of Fame induction on March 12, 2007. After years of speculation, Van Halen began a tour with Roth in late 2007 across North America, which has been extended into 2008. An album is proposed to follow. Along with this, a live tour DVD was announced at their May 13, 2008 concert at the Izod Center that would contain recordings from several performances on their current tour.

History

David Lee Roth era (1972–1985)

The Van Halen brothers first started playing music together when Eddie took up the drums and Alex took up the guitar. But secretly, while Eddie would deliver newspapers on his paper route, Alex would sneek over and play on Eddies drumset. Eventually Eddie switched to the guitar and formed Van Halen years later, excluding Alex Van Valen because of a fight they had. In 1972 the Van Halen brothers formed a band called “Mammoth” which featured Eddie as lead vocalist/guitarist, Alex Van Halen on drums and Mark Stone on bass. They initially rented a sound system from David Lee Roth but decided to save money by letting him join as lead vocalist even though he had previously auditioned unsuccessfully for this. By 1974 the band decided to replace Stone. Michael Anthony, bassist and lead vocalist from local band “Snake” was auditioned. Following an all night jam session he was hired for bass and backing vocals.

Mammoth discovered in 1974 that their name was already being used and changed to “Van Halen”. According to Roth, this was his idea. They played backyard parties and on a flatbed truck at Hamilton Park. Van Halen played clubs in Pasadena and Hollywood to growing audiences, increasing their popularity through self promotion: before each gig they would pass out fliers at local high schools. This soon built them a major following.

In 1974, the band got their break out of Pasadena, with their first job at Gazzarri’s on the Sunset Strip, a formerly famous but down on the heels night club. They had earlier auditioned for Bill Gazzarri, the owner, but he claimed they were “too loud”, and would not hire them. However, their new managers, Mark Algorri and Mario Miranda, who had coincidently taken over Gazzarri’s hiring, did the deal. Shortly afterwards, with their managers, they recorded their first demo tape at the now defunct Cherokee Ranch Studios, in Northridge, where Steely Dan had just completed an album. They then became a staple on Hollywood’s Sunset Strip during the mid-1970s, consistently playing at well known clubs like the Whisky a Go Go. In 1977 Gene Simmons, from Kiss, saw Van Halen at Gazzarri’s and financed their second demo tape, flying the band to the Electric Lady Studios, New York City to record “House of Pain” and “Runnin’ With the Devil”. Eddie disliked the demo, because he was not using his own equipment and had to overdub guitar parts. Simmons wanted to change the band’s name to “Daddy Longlegs” and had designed cover art (a daddy longlegs wearing a top hat), but the band stuck with Van Halen. Simmons then opted out of further involvement.

In 1977, Mo Ostin and Ted Templeman of Warner Bros. Records saw Van Halen perform at the Starwood in Hollywood. Although the audience was small, the two were so impressed with Van Halen that within a week they offered them a recording contract. Van Halen recorded their eponymous first album at Sunset Sound Recorders studio in mid September to early October 1977 with the recording of the guitar parts taking one week followed by the recording of the vocals which took an additional two weeks. All of the tracks were laid down with little over-dubbing or double tracking. Minor mistakes were purposely left on the record and a simple musical set-up was used to give the record a live feel. Despite its simple components, Van Halen proved innovative in musical technique, production, and arrangement.

During this time, they continued to play various venues in Southern California, including some notable concerts at the Pasadena Convention Center that were produced by their then promoter and impresario, Steve Tortomasi, himself a fixture in the local rock and roll scene.

On release, Van Halen reached #19 on the Billboard pop music charts, one of rock’s most commercially successful debuts. It is a highly regarded hard rock album. The album included songs now regarded as Van Halen classics, like “Ain’t Talkin’ ‘Bout Love” and the guitar solo “Eruption”, which showcased Eddie’s use of a playing technique known as ‘finger-tapping’. The band toured for nearly a year, opening for Black Sabbath and establishing a reputation for their performances. The band’s chemistry came out of a contrast between Eddie Van Halen’s technical guitar wizardry and David Lee Roth’s flamboyant antics, which later turned them into rivals. They returned to the studio in 1979 for Van Halen II, similar in style to their debut. This album yielded the band’s first hit single, “Dance The Night Away.”

Over the next few years, the band alternated album releases and touring to increasing commercial and critical acclaim and became one of the world’s most successful and influential bands. Their party-loving spirit and hard rocking anthem-like sound made them popular with teenagers. Women and Children First was released in 1980 and further cemented Van Halen’s status. But in 1981, during the recording of the Fair Warning album, tensions rose. Eddie’s desire for more serious and complex songs was at odds with Roth’s poppy style. Although Roth (and producer Templeman) acquiesced to Eddie’s wishes, Fair Warning was a sales disappointment, with no hits. In later interviews Eddie would reveal that he was struggling with alcoholism during the production of Fair Warning and this resulted in the album’s darker tone.

Diver Down performed better. The band then earned a spot in the Guinness Book of World Records for the highest-paid single appearance of a band: $1 million for a 90 minute set at the 1983 US Festival. Despite this return to form, Roth and Eddie’s differences continued, and this caused friction with other band members. According to bassist Billy Sheehan, after his band Talas completed a tour with Van Halen, he was approached by Eddie Van Halen to replace Michael Anthony. The reasons for this were never clear to Sheehan, because nothing came out of it

Van Halen’s next album, 1984 (released on January 9, 1984) was their commercial pinnacle. Recorded at Eddie Van Halen’s newly-built 5150 Studios, the album featured keyboards which had only been used sporadically on previous albums. The lead single, “Jump”, featured a synthesizer hook and anthemic lyrics, and became the band’s first and only #1 pop hit, garnering them a Grammy nomination.. Other hit singles included “Panama”, “I’ll Wait”, and “Hot for Teacher”. Many of the songs had popular music videos on MTV. 1984 was praised by critics and fans alike, peaking at #2 on the Billboard charts behind Michael Jackson’s Thriller.

However, the album was also a breaking point. In the midst of the tour, the artistic and personal tensions among the musicians reached a fever pitch. Reasons for the breakup vary based on the band member interviewed, but were rooted in control of the band’s sound and image. Roth was upset about Eddie playing music outside of Van Halen without checking with the band and Eddie was sick of Roth’s flamboyant behavior and stage persona. On April 1, 1985, Roth left Van Halen.

Sammy Hagar era (1985–1996)

Eddie invited Patty Smyth of Scandal to replace Roth but she refused. Eddie was then introduced by way of a mutual auto mechanic to Sammy Hagar, formerly of 1970s band Montrose, and at that time a solo artist coming off a very successful year (his 1984 album VOA had yielded hit single “I Can’t Drive 55′”). Hagar agreed to join, also serving as a rhythm guitar onstage to add to the Van Halen sound. The 1986 Van Halen album 5150 was a hit, becoming the band’s first #1 album on the Billboard charts, driven by the keyboard-dominated singles “Why Can’t This Be Love?”, “Dreams” and “Love Walks In”. The album included diverse songs ranging from the thrashiness of “Get Up” and party rock of “Summer Nights” to the more riff-driven “Good Enough” and a guitar heavy title track. To further introduce the new era for the band, a new Van Halen logo was put on the cover. The new logo retained elements of the original, but now the lines extending from either side of ‘VH’ wrapped around and formed a sphere. 5150 is generally considered the strongest album of the “Hagar era”.

Following the release of the 5150 album, a tour was launched to support it across North America. Named the 1986 Tour, the title was a homage to the previous 1984 Tour in support of the 1984 album. The band proved touring with Hagar was as successful as with Roth, and footage was released on VHS/DVD as Live Without a Net. In the tour Hagar wanted to minimize the use of pre-Hagar Van Halen songs in the set, other than the band’s best known classics. This was a trend that continued, with the expanding repertoire of Hagar-era songs slowly whittling away at the number of Roth-era songs on the set list.

During Hagar’s tenure, the band established a musical formula that proved commercially successful in the United States. Hagar’s style enabled Van Halen to become accessible to a wider audience, with lyrics that were more conventional and refined. Eddie’s keyboard work brought a wider variety of sonic textures within each song, and the production was altered toward the pop side, and the songs became longer: During the Roth era, Van Halen songs rarely stretched beyond three and a half minutes, and some albums struggled to cross the thirty minute mark. With Hagar, some songs exceeded five minutes in length. The result was markedly different from the hard charging, rollicking riffs of the group’s earlier work. The mix of pop and hard rock styles created a new sound for Van Halen.

All four studio albums produced during this period reached #1 on the Billboard pop music charts and 17 singles breached the top 12 of the mainstream rock tracks chart. In addition, Van Halen was nominated for two Grammy Awards, winning the 1991 Best Hard Rock Performance with Vocal award for the album For Unlawful Carnal Knowledge. Van Halen continued to enjoy tremendous success throughout the mid-90’s. In 1995 Van Halen surprised many fans by supporting Bon Jovi on their European Summer stadium tour.

The band’s commercial success and new “Van Hagar” sound did little to woo many fans who still held a strong resentment over Roth’s departure and refused to move on. However Eddie repeatedly said he was happier with Hagar singing and that “Roth was not coming back”.

During the recording of songs for the film Twister, escalating tension between Hagar and the Van Halen brothers boiled and Hagar departed on Father’s Day, 1996. The band had recorded a song, “Humans Being”, for which Eddie claimed he had to write all the lyrics since Hagar’s were “too cheesy”. This upset Hagar, and when they were to record a second song for the soundtrack, Hagar was in Hawaii. He wasn’t keen on doing soundtrack work since it would make the music hard to obtain for fans, ‘abusing’ them, so the second track the band were due to record became an Eddie/Alex instrumental, Respect the Wind.

The band was also working on a compilation album, which Hagar was not keen on since he felt it was not what fans wanted, nor was it something the band needed to release, since they presumably had a long career ahead of them. This led to conflicts with Hagar and the group’s new manager, Ray Danniels (Ed Leffler’s replacement and Alex Van Halen’s brother in law) who suggested the idea. Reluctant to work on compilation album songs before a new album came out, the band fell out, leaving the management siding with Eddie and Alex. Hagar was also rumoured to have concerns over comparisons on an album which featured both his work and Roth’s.

Hagar claimed that he was fired; Van Halen claimed that he quit. The media storm surrounding the dramatic exit of Hagar helped him immediately restart his solo career. However, the publicity did not help Van Halen, serving to highlight the vacant lead singer spot. The band’s past successes set high expectations, and fans everywhere were waiting for the band’s next move. Throughout this time, Michael Anthony managed to remain on good terms with Hagar.

With Mitch Malloy and a temporary reunion with Roth (1996)

When Sammy Hagar left Van Halen, they very quickly recruited Mitch Malloy as a replacement. They jammed and recorded demos with him. He was a friend of Eddie and knew the band, who decided it was appropriate to invite him into the band.

David Lee Roth called Eddie to discuss what tracks would be included on a planned Van Halen compilation (work on which actually began before Hagar’s departure). They got along well, and Eddie invited him up to his house/studio. Shortly afterwards, David Lee Roth re-entered the studio with the band and producer Glen Ballard. Two songs from those sessions were added to the band’s Greatest Hits album and released as singles to promote it.

In September, Van Halen were asked to present an award at the 1996 MTV Video Music Awards. They agreed, and on September 4, 1996, the four original members of Van Halen made their first public appearance together in over eleven years. This helped to bring the compilation to #1 on the US album charts. However, unknown to Roth, Eddie and Alex were still auditioning other singers. Following the band’s MTV appearance, Malloy decided the band could not be successful with a new vocalist since people would now want Roth. He called Anthony, and quit. Millions of people viewed the show, and Roth claimed to be back in the band.

The band’s appearance on the 1996 MTV Video Music Awards fueled reunion speculation. Several weeks after the awards show, it was discovered Roth was out of Van Halen again. Roth released a statement in which he apologized to the media and the fans, stating that he was an unwitting participant in a Van Halen publicity stunt by them and manager Ray Danniels. The next day, Eddie and Alex released their own statement, claiming they were completely honest with Roth and never suggested he was guaranteed to be the next lead singer. However, they could not resist getting in a dig at Roth by saying in a press release, “Thank you for reminding us why we broke up with you eleven years ago.”

Reportedly, Eddie was upset that Roth had “upstaged him” during the broadcast by interrupting him while Van Halen was speaking and taking over the microphone; video footage does show Eddie seemingly tense as he steps away and turns his back to Roth, but then the two hug one another to the cheers of the audience.

Gary Cherone era (1996–1999)

The band recruited Gary Cherone, frontman of the then defunct Boston-based band Extreme. The result was Van Halen III. Many songs were longer and more ethereal. It was less about rocking out, and more thought-provoking (”How Many Say I”, with Eddie on vocals). These changes alienated many fans while failing to attract new fans. Sales were poor by the band’s standards, only reaching Gold certification, despite the album peaking at #4 on the US charts. Van Halen III did produce a hit however, “Without You”, and additionally the song “Fire in the Hole” appeared on the Lethal Weapon 4 soundtrack. Later it was also revealed that Anthony was only permitted by Eddie to play bass on three tracks on the album and that Eddie played the rest. Anthony received a full credit, masking this apparent behind-the-scenes difficulty.

The album was followed by a poorly attended but widespread tour. The III Tour saw Van Halen playing in new countries, including first ever visits to Australia and New Zealand.

Shortly afterwards, Van Halen returned to the studio. In early 1999, they started work on a new album, rumored to be called Love Again. Working titles of songs included “Left for Dead,” “River Wide,” “Say Uncle,” “You Wear it Well,” “More Than Yesterday,” “I Don’t Miss You…Much,” “Love Divine,” and “From Here, Where Do We Go?”.

Van Halen’s new album was left unfinished when Cherone left amicably in November 1999. Citing musical differences, it is likely III’s sales and critical reception had a big impact. Touring with Cherone, regardless of his charisma, had proven disappointing in terms of attendance. Unlike the previous two singers, there was no bad blood and Cherone remained in contact with Van Halen. As when Hagar left, speculation resumed on a Roth reunion.

Hiatus from public (1999–2003)

Eddie recovered from his hip surgery in late 1999, but from 2000 to early 2004, no official statements were made by Van Halen and no music released. However, information about members past and present trickled in. The Van Halen brothers continued writing at 5150 studios, Gary Cherone recorded an album and toured with new band Tribe of Judah. One of the songs that Cherone had written for the scrapped 2nd album with Van Halen entitled “Left For Dead”, would see its lyrics set to a completely new musical arrangement with Tribe of Judah. Meanwhile, Hagar and Roth continued their solo careers.

In 2000, the band worked with David Lee Roth at 5150, writing new music before falling out again. Eddie kept quiet, but made a rare appearance at the LAPD charity golf tournament during May 2001. Any band progress would have been interrupted on October 15, 2001, when Eddie and his wife of 21 years, actress Valerie Bertinelli, separated (though the couple only filed for divorce on December 8, 2005). In November 2001, Anthony claimed Roth had been working with the band again for a few months, but lawyers had shut it down. Strangely, Anthony later denied this. The band’s record label (Warner, who had first signed them in 1978) dropped them this year also. More positively, Eddie underwent treatment for cancer and announced his recovery on Van Halen’s website in May 2002.

Eddie’s only live performances during this period were joining Mountain to play “Never in My Life” in August 2002 and a private audience jam at NAMM January 2003. This took place at the Peavey booth (Peavey produced Eddie’s signature “Wolfgang” model guitar). Word quickly spread through the NAMM show that Eddie was to play at the Peavey booth, and it filled up. Eddie showed up late, drunk. When he finally appeared, he was incoherent. Shortly after this, Peavey lost its license to produce the “official” Van Halen guitar, and Fender, which had purchased Charvel-Jackson, was awarded the license, but the guitar produced was a copy of Eddie’s earlier Strat-style guitars.

In the summer of 2002, David Lee Roth and Sammy Hagar teamed up in the Song For Song, the Heavyweight Champs of Rock and Roll tour (also known as the ‘Sans-Halen’ or ‘Sam & Dave’ Tour). The joint tour headlining both former lead singers attracted media and audience fascination because it seemed more improbable than even a Van Halen with Roth or Hagar could be. The tour drew large crowds and featured no opening acts, Roth and Hagar would alternate opening as the first act during the tour. In an interview, Roth contrasted his personality with Hagar’s, saying, “He’s the kind of guy you go out with to split a bottle with a friend. I’m the kind of guy you go out with if you want to split your friend with a bottle.” Michael Anthony guested with Hagar’s band, The Waboritas, numerous times and sometimes even sang lead vocals. During performances, Hagar would tease Anthony by asking, “Do the brothers know you’re here?”. Anthony never played with Roth. Gary Cherone appeared on occasion. Hagar released a live album (Hallelujah), featuring vocals by Mike and Gary, and a documentary DVD, Long Road to Cabo, about touring with Roth. Next, Hagar joined with Joe Satriani and Journey guitarist Neal Schon to form a side project, Planet Us, along with Michael Anthony and Deen Castronovo (also of Journey) on drums. The band recorded just two songs and played live a few times before dissolving when Hagar and Anthony rejoined Van Halen.

While the two lead singers promoted the tour and publicly claimed mutual respect, rumours of bitter acrimony and mutual loathing between the two singers swirled. The allegations were later revealed in back stage video showing Roth and Hagar camps maintaining strict separation.

On July 4, 2004, Roth performed with the Boston Pops at Boston’s annual Pops Goes the Fourth celebration. Hagar remained active, releasing five albums and creating his own merchandising brand Cabo Wabo, which lends its name to his line of tequila, as well as his franchise of cantinas. He reunited with Montrose in 2003 and 2005 for a few performances and maintained contact with Michael Anthony, often playing with him. With Van Halen inactive, Anthony worked on merchandising projects such as his signature Yamaha bass and set up a website. He became involved with the annual music industry NAMM Show.

Also in this period, rumours cropped up that Anthony had been fired – despite his name being included in messages ‘from the band’ on their website. His official website denied the rumours, though it was later revealed that on the Van Halen III album Anthony only recorded three tracks, and subsequently his position became tenuous (it relied entirely on Hagar’s demands that he remain in 2004). His departure was confirmed in 2006.

Reunion with Hagar (2003–2005)

During January 2003, the VHND (Van Halen News Desk) website reported that Sammy Hagar was working with the Van Halens. No official confirmation came for an extended period of time. In late March 2004, Van Halen and Sammy Hagar announced that Hagar would reunite with the band for a Best Of album release and a Summer concert tour of the USA.

In July 2004, Van Halen released their second Greatest Hits compilation (a double album, unlike the first), featuring three new songs with Hagar: “It’s About Time”, “Up For Breakfast”, and “Learning to See”. These songs were newly written by the Van Halen brothers and Sammy Hagar. The songs were credited to Hagar/Van Halen/Van Halen, which was unusual since normally the entire lineup (which also included Michael Anthony) would be credited. However, the performance was credited to the entire band; Michael Anthony would later reveal in interviews that Eddie Van Halen had in fact not wanted him to be a part of the reunion and for this reason Anthony had not been allowed to perform in the sessions (explaining his lack of a songwriting credit), with Eddie playing the bass parts himself instead. Though it was the only new album since the band’s first Greatest Hits, no songs with Gary Cherone from Van Halen III were included. It was certified platinum in the USA in August 2004.

The tour grossed almost US$55 million, and Pollstar listed Van Halen in the top 10 grossing tours of 2004. Most of the concerts received positive feedback from professional reviewers. On some shows, Eddie’s son Wolfgang came onstage and played guitar with his father during 316 a song dedicated to his son, taking its name from his birthday. However, serious problems surfaced. Promoters lost money, tickets were often deemed overpriced, and few shows sold out.

Reports from the first half of the tour were largely positive. Later, however, stories of Eddie being drunk and playing poorly also circulated. At the end of the band’s final show of the tour, in Tucson, Eddie smashed one of his guitars during the show and quickly walked off stage.

After the tour, things broke down. At first Hagar stated he had yet to decide what he would be doing with the band but he was in Van Halen. However, Hagar and Anthony soon admitted that Eddie had problems with alcohol during the tour that affected everyone involved. Hagar stated that he was “done with Van Halen” and wished that everyone would have “taken it more seriously”. Despite this, Eddie later described himself as ’satisfied’ with the tour.

After the tour ended, Hagar returned to his solo band The Waboritas, and Anthony appeared with him on tour occasionally. The band quickly faded from view after Hagar left again. In December 2005 Michael Anthony revealed in an interview with Mark & Brian that he had not talked with the Van Halens and was unsure of their plans.

Reunion with Roth (2006 – present)

Rumors of a David Lee Roth reunion re-emerged and on January 3, 2006, Roth explained during an interview that he spoke to Alex Van Halen the previous week and a reunion was “inevitable”. However, he also said that Eddie Van Halen was “off in his own little world” recently. When asked if any problems occurred with Sammy Hagar during the 2004 tour Eddie Van Halen answered, “Sammy is Sammy, and for the most part that’s just fine”. Roth persisted with suggestions of a reunion, saying. “People want the reunion,” and “No one will pay respect to what any of us do [musically] until we get the reunion out of the way.” In May 2006, he told Billboard.com, “There’s contact between the two camps.”

On June 3rd, Michael Anthony began a successful tour with Hagar billed as “The Other Half” (a reference to them being half of Van Halen with the other half being Eddie/Alex), with Anthony singing lead vocals sometimes. Meanwhile, On June 19 the Van Halen brothers jumped onstage with Kenny Chesney at The Home Depot Center performing “Jump” and “You Really Got Me”. This unusual performance was their first onstage since the 2004 tour. This was followed by another Eddie Van Halen performance in July 19, 2006, at the House of Petals in Los Angeles, playing new material. He followed this with an announcement on July 27, 2006, that some of his new music would be released on the soundtrack for the pornography film Sacred Sin.

In March 2006, Michael Anthony spoke to Japanese rock magazine Burrn!, claiming the brothers did not want him on the 2004 reunion – Hagar did (and would not play without Anthony), but he had to agree to reduced royalties and end absolutely all association with the band after the tour in terms of rights to using the name to promote himself.[23] It was in this same interview he admitted he was not involved in the new songs on Best of Both Worlds and only recorded three tracks for III.

On September 8, 2006, Howard Stern’s Eddie Van Halen live interview broke the band’s long silence. Eddie said he was willing to reunite with Roth and revealed a solo album in the works. Michael Anthony’s departure was confirmed with Eddie’s son, Wolfgang, taking his role. Wolfgang had played guitar alongside his father on some 2004 concerts. When queried about The Other Half tour, Eddie said Anthony could “do what he wants” now. This shocked and offended many fans.. In November, Eddie’s spokesperson, Janie Liszewski, claimed the Van Halen family was writing/rehearsing for a Summer 2007 tour, which Billboard magazine’s website shortly confirmed. However, the Van Halen website remained in the state it had been in since the Hagar reunion.

On December 11, 2006, Eddie Van Halen stated to Guitar World magazine that David Lee Roth had been directly invited to rejoin the band. However, on December 28, Roth announced that he had not talked to Eddie in two years, and a reunion with Van Halen could result in a “Jerry Springer style fight”.

News from the Rock and Roll Hall of Fame slipped out on January 8, 2007, confirming that Van Halen would be inducted. They had jointly led the ballot and been long rumoured for inclusion before this time. The Van Halen brothers, Anthony, Hagar, and Roth were to be inducted. Billboard announced on January 24, 2007, that Van Halen would reunite with David Lee Roth for a US tour. This was confirmed shortly after on the official Van Halen website.

The Van Halen News Desk announced on February 15, 2007, that a Van Halen “Best Of (1978-1984)”, a single-disc compilation of Van Halen’s David Lee Roth era, would be released by April 3. Shortly after, information arrived in a flood. Various sources claimed the tour was shut down as was the new “Best Of” CD. On March 8, 2007 Eddie announced on Van Halen’s website that he was in rehab. Along with the announcement, a change was made to the website. The logo at the top of the page changed to the Roth-era logo.

As the band’s Hall of Fame induction drew near, media focus shifted to that. Velvet Revolver would induct the band and speak on their behalf. On March 12, 2007, the band was inducted at a ceremony held at the Waldorf-Astoria Hotel in New York City. Anthony and Hagar were the only inductees in attendance (ironically, both ex-members). Velvet Revolver played “Ain’t Talkin’ ‘Bout Love”, and Anthony and Hagar performed “Why Can’t This Be Love” with Paul Shaffer. At a post-induction press conference, Hagar said he would love to work with Van Halen again but that the Van Halens should tour with Roth first.

On April 21, 2007, Eddie Van Halen served as an Honorary Race Official for the Subway Fresh Fit 500 NASCAR NEXTEL Cup Series race at Phoenix International Raceway. He looked fit and well, better than he had on the last tour, and on May 24 posted a note to the Van Halen website confirming that he had exited rehab successfully. After nearly 10 months of speculation and numerous rumours, on Monday, August 13th, 2007, Van Halen (and David Lee Roth separately via his own website) announced that the band will be going on a tour of North America beginning on September 27. Roth claimed in the press release that, “the idea is that this will continue on and on and on” and also that a world tour and new album were in the works.

Press reaction to the reunion was largely warm, but the re-designed website sparked controversy when Michael Anthony was removed from images of old album artwork. The album covers were reverted to normal a day later without a word after bitter reactions. The tour was originally 25 dates, but the reunion now stands to be much longer, extending into 2008 with a second leg.

Van Halen started their new tour on September 27, 2007 in Charlotte, North Carolina. Playing to sellout crowds, the tour has generated positive reviews. Amid rumors of Eddie being back in rehab, multiple dates of the current tour have been postponed. The official reason is the need for medical procedures to be run on Eddie Van Halen.

On March 5, 2008 World Entertainment Weekly to CBS News reported the reason behind the stoppage in the tour was due to Eddie Van Halen needing to reenter rehab. The report also indicated that it was a “furious backstage bust-up in Florida with his 17-year-old son and bandmate Wolfgang” which motivated Eddie to seek help once again.

In response to rumors about Eddie Van Halen being back in rehab Valerie Bertinelli stated that “he is not in rehab”. She did not however state if he had recently been in rehab, stating only that he wasn’t currently.

Wolfgang Van Halen also stated that his father was not in rehab during the 2008 Kids Choice Awards, but did not say if he had recently been in rehab: only that he wasn’t in rehab now. Eventually, the tour started back up on April 17 at the Reno Events Center in Reno.

The tour ended on June 2nd, 2008 at the Van Andel Arena in Grand Rapids, MI. During the show Roth made it a point to state multiple times that this would not be their final show and that they would “see everyone next time”. This show also was a special occasion being that the sign in front on the arena had been re done so it read “VAN HALEN ARENA” instead of the “VAN ANDEL ARENA” which is its actual name.

According to the Van Halen News Desk, the reunion tour with Roth was the highest grossing in the band’s history, raking in almost 93 million dollars.

Van Halen’s song “Hot for Teacher” is included in the video game Guitar Hero World Tour.

The opening act of the Festival d’été de Québec in Quebec City was performed by Van Halen on July 3rd, 2008.

In a recent interview with Guitar World about the making of his upcoming new EVH Wolfgang guitar from Fender, Eddie Van Halen had this to say regarding the subject of new Van Halen music: “I’ll be making music ’til the day I die. I’ve done all kinds of stuff, and more is coming. I can’t tell you exactly when right now. Wolfgang is in the 12th grade and he needs to graduate first. Then I’m getting married in June. We’ll pick it up after that.”

Band members

Current members

• David Lee Roth – lead vocals (1974–1985, 1996, 2006–present)
• Eddie Van Halen – guitar, keyboards, backing vocals (1972–present)
• Wolfgang Van Halen – bass guitar, backing vocals (2006–present)
• Alex Van Halen – drums, percussion, studio backing vocals (1972–present)

Former members

• Michael Anthony – bass guitar, backing vocals (1974–2002, 2004–2005)
• Sammy Hagar – lead vocals (1985–1996, 2003–2005)
• Gary Cherone – lead vocals (1996–1999)
• Mark Stone – bass guitar, backing vocals (1972–1974)
• Mitch Malloy – lead vocals (1996)

Discography

• Van Halen (1978)
• Van Halen II (1979)
• Women and Children First (1980)
• Fair Warning (1981)
• Diver Down (1982)
• 1984 (1984)
• 5150 (1986)
• OU812 (1988)
• For Unlawful Carnal Knowledge (1991)
• Balance (1995)
• Van Halen III (1998)

Cosmic Universal Fashion marks the first official release for Loud & Proud, a Roadrunner Records imprint focusing on established artists.

In a Clog/Classic Rock exclusive, you can hear a full-on stream of Hagar’s new album here.

And in further Sammy-style news…

The new album’s title track and first single, Cosmic Universal Fashion, was written as an online collaboration between Hagar and a young Iraqi rock’n'roller by the name of Steven Lost.

Released via Sammy’s website RedRocker.com and already a YouTube sensation (it says here), the very topical video was produced in the same spirit as the classic Van Halen video for Right Now, and strikes a timely chord with the recent US Presidential elections.

(Via Classic Rock.)