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<channel>
<title>Frieze Art Fair Podcasts</title>
<link>http://www.friezeartfair.com/podcasts/</link>
<language>en-us</language>
<copyright>℗ &amp; © 2007 Frieze Art Fair</copyright>
<itunes:subtitle>The annual Frieze Art Fair</itunes:subtitle>
<itunes:author>Matthew Slotover</itunes:author>
<itunes:summary>Frieze Art Fair was established in 2003 and takes place every October in Regents Park, London. The fair provides an environment to introduce and showcase new and established artist to visitors from around the world.</itunes:summary>
<description>Frieze Art Fair was established in 2003 and takes place every October in Regent’s Park, London. The fair provides an environment to introduce and showcase new and established artist to visitors from around the world.</description>

<itunes:image href="http://www.friezeartfair.com/podcasts/faf_podcast_logo.jpg" />

 

<media:copyright>℗ &amp; © 2007 Frieze Art Fair</media:copyright><media:thumbnail url="http://www.friezeartfair.com/podcasts/faf_podcast_logo.jpg" /><media:keywords>frieze,art,fair,visual,art,london</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Visual Arts</media:category><itunes:owner><itunes:email>info@frieze.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:keywords>frieze,art,fair,visual,art,london</itunes:keywords><itunes:category text="Arts"><itunes:category text="Visual Arts" /></itunes:category><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/FriezeArtFairPodcasts" type="application/rss+xml" /><item>
<title>Cultural Cartography: Does Art Travel?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Can art really speak across borders?</itunes:subtitle>
<itunes:summary>A discussion chaired by Philippe Vergne (Chief Curator and Deputy Director, Walker Art Center) focusing on whether art can really speak across borders. What happens when the local becomes global?</itunes:summary>
<description>A discussion chaired by Philippe Vergne (Chief Curator and Deputy Director, Walker Art Center) focusing on whether art can really speak across borders. What happens when the local becomes global?</description>


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<pubDate>Fri, 19 Oct 11:42:00 GMT</pubDate>
<itunes:duration>01:15:26</itunes:duration>
<itunes:keywords>frieze, art, fair, across, borders, travel</itunes:keywords>
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<item>
<title>Custodians of Culture: Schoolyard Art: Playing Fair Without the Referee</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Dave Hickey on the subject of selling without selling out.</itunes:subtitle>
<itunes:summary>Dave Hickey (Cultural Critic and Professor of English, University of Nevada, Las Vegas) will present a keynote lecture on the subject of selling without selling out focusing on how sites of commerce have evolved from the white cube to the art fair.</itunes:summary>
<description>Dave Hickey (Cultural Critic and Professor of English, University of Nevada, Las Vegas) will present a keynote lecture on the subject of selling without selling out focusing on how sites of commerce have evolved from the white cube to the art fair.</description>


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<pubDate>Wed, 17 Oct 16:53:00 GMT</pubDate>
<itunes:duration>00:37:23</itunes:duration>
<itunes:keywords>dave, hickey, selling, out, frieze, art, fair</itunes:keywords>
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<item>
<title>Theory and Practice: Thierry de Duve</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Thierry de Duve presents a keynote lecture.</itunes:subtitle>
<itunes:summary>Thierry de Duve (Historian and Theorist of contemporary art and Professor at University of Lille III) will present a keynote lecture. Dedicated to a reinterpretation of Modernism and an examination of its legacies, de Duve is author of several books  including Kant after Duchamp (1996) and the forthcoming Held Together with Water: Art from the Verbund Collection.</itunes:summary>
<description>Thierry de Duve (Historian and Theorist of contemporary art and Professor at University of Lille III) will present a keynote lecture. Dedicated to a reinterpretation of Modernism and an examination of its legacies, de Duve is author of several books  including Kant after Duchamp (1996) and the forthcoming Held Together with Water: Art from the Verbund Collection.</description>


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<pubDate>Sat, 13 Oct 12:35:00 GMT</pubDate>
<itunes:duration>01:20:27</itunes:duration>
<itunes:keywords>frieze, art, fair, keynote</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174328466/war_and_art_in_the_global_village.mp3" fileSize="77248786" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/174328466/war_and_art_in_the_global_village.mp3</link><feedburner:origLink>http://www.friezeartfair.com/casts/2007/war_and_art_in_the_global_village.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174328466/war_and_art_in_the_global_village.mp3" length="77248786" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezeartfair.com/casts/2007/war_and_art_in_the_global_village.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Custodians of Culture: The Museum: Institutions of Market or Measure?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Examining the changing relationship between museums, artists, their sponsors and patrons.</itunes:subtitle>
<itunes:summary>A discussion chaired by Massimiliano Gioni (Artistic Director, Nicola Trussardi Foundation, Milan and Curator of Special Exhibitions, New Museum, New York) examining the changing relationship between museums, artists, their sponsors and patrons.</itunes:summary>
<description>A discussion chaired by Massimiliano Gioni (Artistic Director, Nicola Trussardi Foundation, Milan and Curator of Special Exhibitions, New Museum, New York) examining the changing relationship between museums, artists, their sponsors and patrons.</description>


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<pubDate>Sat, 13 Oct 12:13:00 GMT</pubDate>
<itunes:duration>01:32:20</itunes:duration>
<itunes:keywords>frieze, art, fair, museums, artists, sponsors, patrons</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174328467/the_museum_institions_of_market_or_measure.mp3" fileSize="88649459" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/174328467/the_museum_institions_of_market_or_measure.mp3</link><feedburner:origLink>http://www.friezeartfair.com/casts/2007/the_museum_institions_of_market_or_measure.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174328467/the_museum_institions_of_market_or_measure.mp3" length="88649459" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezeartfair.com/casts/2007/the_museum_institions_of_market_or_measure.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The Expanded Gallery: I Am Not a Flopper Or…</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Mario Garcia Torres reframes the body of work of film auteur Allen Smithee.</itunes:subtitle>
<itunes:summary>For Frieze Art Fair 2007 Mario Garcia Torres will reframe the body of work of film auteur Allen Smithee through a series of interventions around the fair. Smithee will deliver a keynote lecture elaborating the complex relationships between his public persona and the long filmography for which he has become known.</itunes:summary>
<description>For Frieze Art Fair 2007 Mario Garcia Torres will reframe the body of work of film auteur Allen Smithee through a series of interventions around the fair. Smithee will deliver a keynote lecture elaborating the complex relationships between his public persona and the long filmography for which he has become known.</description>


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<pubDate>Sat, 13 Oct 11:45:01 GMT</pubDate>
<itunes:duration>00:33:40</itunes:duration>
<itunes:keywords>torres, film, auteur, allen, smithee</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174284571/i_am_not_a_flopper.mp3" fileSize="32334056" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/174284571/i_am_not_a_flopper.mp3</link><feedburner:origLink>http://www.friezeartfair.com/casts/2007/i_am_not_a_flopper.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174284571/i_am_not_a_flopper.mp3" length="32334056" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezeartfair.com/casts/2007/i_am_not_a_flopper.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Theory and Practice: Art Education Today</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Have market forces created an emphasis on product over process?</itunes:subtitle>
<itunes:summary>A discussion chaired by Ralph Rugoff (Director, Hayward Gallery) questioning whether market forces have created an emphasis on product over process. Does the current art school curriculum reflect our times?</itunes:summary>
<description>A discussion chaired by Ralph Rugoff (Director, Hayward Gallery) questioning whether market forces have created an emphasis on product over process. Does the current art school curriculum reflect our times?</description>


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<pubDate>Sat, 13 Oct 11:28:01 GMT</pubDate>
<itunes:duration>01:18:49</itunes:duration>
<itunes:keywords>frieze, art, fair, product, process, market</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174284573/art_education_today.mp3" fileSize="75680185" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/174284573/art_education_today.mp3</link><feedburner:origLink>http://www.friezeartfair.com/casts/2007/art_education_today.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/174284573/art_education_today.mp3" length="75680185" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezeartfair.com/casts/2007/art_education_today.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Lethal Theory: Organized Violence and Informal Cities</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Eyal Weizman delivers a keynote lecture.</itunes:subtitle>
<itunes:summary>Eyal Weizman, Architect, Writer and Director of Goldsmiths College’s Centre of Research Architecture delivered a keynote lecture critiquing military action and the imagination of urban areas.</itunes:summary>
<description>Eyal Weizman, Architect, Writer and Director of Goldsmiths College’s Centre of Research Architecture delivered a keynote lecture critiquing military action and the imagination of urban areas.</description>


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<pubDate>Tue, 25 Sep 01:12:00 GMT</pubDate>
<itunes:duration>01:26:24</itunes:duration>
<itunes:keywords>organized, violence, cities, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048735/eyal.mp3" fileSize="31108859" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048735/eyal.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/eyal.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048735/eyal.mp3" length="31108859" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/eyal.mp3</feedburner:origEnclosureLink></item>

<item>
<title>What Are We Building Now? The Architectonics of Power: Space and the City in Global Realities</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring architecture, urban planning and cultural imagination.</itunes:subtitle>
<itunes:summary>A discussion exploring architecture, urban planning and cultural imagination. What are the new visions and sensations of space, place, boundary and limit?</itunes:summary>
<description>A discussion exploring architecture, urban planning and cultural imagination. What are the new visions and sensations of space, place, boundary and limit?</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2006/architec.mp3</guid>
<pubDate>Tue, 25 Sep 01:09:00 GMT</pubDate>
<itunes:duration>01:12:07</itunes:duration>
<itunes:keywords>global, realities, architecture, urban, planning, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048736/architec.mp3" fileSize="30292662" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048736/architec.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/architec.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048736/architec.mp3" length="30292662" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/architec.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Ruins of the Twentieth Century</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The traditional ruin is an aesthetic compromise between nature and artifice</itunes:subtitle>
<itunes:summary>The traditional ruin is an aesthetic compromise between nature and artifice — it embodies the moment when nature begins to reclaim what man has made. This discussion explored the artistic, architectural and cultural remains of the recent past, and imagine what it means to inhabit the ruins of the future.</itunes:summary>
<description>The traditional ruin is an aesthetic compromise between nature and artifice — it embodies the moment when nature begins to reclaim what man has made. This discussion explored the artistic, architectural and cultural remains of the recent past, and imagine what it means to inhabit the ruins of the future.</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2006/ruins.mp3</guid>
<pubDate>Tue, 25 Sep 01:07:00 GMT</pubDate>
<itunes:duration>01:11:47</itunes:duration>
<itunes:keywords>ruins, century, aesthetic, nature, artifice</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048737/ruins.mp3" fileSize="25842730" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048737/ruins.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/ruins.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048737/ruins.mp3" length="25842730" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/ruins.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Criticizing the Critics</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Artist Adrian Piper delivered a keynote lecture</itunes:subtitle>
<itunes:summary>Artist Adrian Piper delivered a keynote lecture dissecting the activity of criticism and considering several different models according to which this activity might be understood — and misunderstood — by proponents of different models, according to their interests and roles in the art world. The lecture was followed by a Q&amp;A with Jörg Heiser, Co-editor of frieze magazine.</itunes:summary>
<description>Artist Adrian Piper delivered a keynote lecture dissecting the activity of criticism and considering several different models according to which this activity might be understood — and misunderstood — by proponents of different models, according to their interests and roles in the art world. The lecture was followed by a Q&amp;A with Jörg Heiser, Co-editor of frieze magazine.</description>


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<pubDate>Tue, 25 Sep 01:05:00 GMT</pubDate>
<itunes:duration>01:40:21</itunes:duration>
<itunes:keywords>critics, criticism, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048739/piper.mp3" fileSize="36127347" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048739/piper.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/piper.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048739/piper.mp3" length="36127347" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/piper.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Conceptual Painting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring the relationship between the legacies of conceptualism and contemporary painting</itunes:subtitle>
<itunes:summary>A discussion exploring the relationship between the legacies of conceptualism and contemporary painting. How can we establish criteria for discussing the relationship between conceptual practice and painting today?</itunes:summary>
<description>A discussion exploring the relationship between the legacies of conceptualism and contemporary painting. How can we establish criteria for discussing the relationship between conceptual practice and painting today?</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2006/painting.mp3</guid>
<pubDate>Tue, 25 Sep 01:03:00 GMT</pubDate>
<itunes:duration>01:58:03</itunes:duration>
<itunes:keywords>painting, conceptual, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048741/painting.mp3" fileSize="42501120" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048741/painting.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/painting.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048741/painting.mp3" length="42501120" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/painting.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Seven Easy Pieces Or How To Perform</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Artist Marina Abramovic delivered a keynote lecture.</itunes:subtitle>
<itunes:summary>Artist Marina Abramovic delivered a keynote lecture on the situation of performance today and its development since the 1970s.</itunes:summary>
<description>Artist Marina Abramovic delivered a keynote lecture on the situation of performance today and its development since the 1970s.</description>


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<pubDate>Tue, 25 Sep 01:01:00 GMT</pubDate>
<itunes:duration>01:17:13</itunes:duration>
<itunes:keywords>perform, seven, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048742/perform.mp3" fileSize="27801130" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048742/perform.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2006/perform.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048742/perform.mp3" length="27801130" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2006/perform.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Art, Writing, Performativity</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A conversation between Eve Kosofsky Sedgwick and Gavin Butt.</itunes:subtitle>
<itunes:summary>A conversation between Eve Kosofsky Sedgwick, distinguished Professor of English, City University of New York Graduate Center and Gavin Butt, Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London.</itunes:summary>
<description>A conversation between Eve Kosofsky Sedgwick, distinguished Professor of English, City University of New York Graduate Center and Gavin Butt, Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London.</description>


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<pubDate>Tue, 25 Sep 00:59:00 GMT</pubDate>
<itunes:duration>01:17:37</itunes:duration>
<itunes:keywords>writing, performativity, frieze, art, fair</itunes:keywords>
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<item>
<title>Taste: Factories in the Snow</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Liam Gillick keynote lecture.</itunes:subtitle>
<itunes:summary>A keynote lecture on the commercialization of culture. Issues raised related to constructions of taste, the leisure industry and the hegemony of hyper-capitalist service industries.</itunes:summary>
<description>A keynote lecture on the commercialization of culture. Issues raised related to constructions of taste, the leisure industry and the hegemony of hyper-capitalist service industries.</description>


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<pubDate>Tue, 25 Sep 00:57:00 GMT</pubDate>
<itunes:duration>01:19:46</itunes:duration>
<itunes:keywords>liam, gillick, taste, snow, frieze, art, fiar</itunes:keywords>
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<item>
<title>Art, Politics and Popularity</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How has the relationship between aesthetics and democracy been reconfigured?</itunes:subtitle>
<itunes:summary>Jacques Rancière, renowned philosopher, and Emeritus Professor, University of Paris VIII, whose most recent publication, The Politics of Aesthetics, has won critical acclaim, discussed aesthetics and politics with Brian Dillon, Writer, Art Critic and frieze Columnist. If art is political, what is its constituency? How have modern and contemporary art addressed the idea of a people? How has the relationship between aesthetics and democracy been reconfigured?</itunes:summary>
<description>Jacques Rancière, renowned philosopher, and Emeritus Professor, University of Paris VIII, whose most recent publication, The Politics of Aesthetics, has won critical acclaim, discussed aesthetics and politics with Brian Dillon, Writer, Art Critic and frieze Columnist. If art is political, what is its constituency? How have modern and contemporary art addressed the idea of a people? How has the relationship between aesthetics and democracy been reconfigured?</description>


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<pubDate>Tue, 25 Sep 00:51:00 GMT</pubDate>
<itunes:duration>01:05:44</itunes:duration>
<itunes:keywords>politics, popularity, frieze, art, fair</itunes:keywords>
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<item>
<title>Picturing the Future</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The panel examined the relationship between contemporary culture and our imagining of the future</itunes:subtitle>
<itunes:summary>Combining cultural history and discussions of artistic practice, the panel examined the relationship between contemporary culture and our imagining of the future.</itunes:summary>
<description>Combining cultural history and discussions of artistic practice, the panel examined the relationship between contemporary culture and our imagining of the future.</description>


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<pubDate>Tue, 25 Sep 00:49:00 GMT</pubDate>
<itunes:duration>01:16:37</itunes:duration>
<itunes:keywords>picturing, future, frieze, art, fair</itunes:keywords>
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<item>
<title>Contemporary Art Versus Its Envelope: Competition and Co-Evolution</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Thomas Crow delivered a keynote lecture.</itunes:subtitle>
<itunes:summary>Thomas Crow, Director, Getty Research Institute and Professor of Art History, University of South California, Los Angeles, delivered a keynote lecture. Crow, the author of such seminal art history texts as Modern Art in the Common Culture (1996) and The Intelligence of Art (1999), proposes that the contemporary hyper-expansion of the spaces for art has decisively altered the character of the art designed to fill them. The talk considered the ways in which ‘institutional critique’ in art practice since the 1960s has laid the ground for a Baroque efflorescence of art’s apparatus of display.</itunes:summary>
<description>Thomas Crow, Director, Getty Research Institute and Professor of Art History, University of South California, Los Angeles, delivered a keynote lecture. Crow, the author of such seminal art history texts as Modern Art in the Common Culture (1996) and The Intelligence of Art (1999), proposes that the contemporary hyper-expansion of the spaces for art has decisively altered the character of the art designed to fill them. The talk considered the ways in which ‘institutional critique’ in art practice since the 1960s has laid the ground for a Baroque efflorescence of art’s apparatus of display.</description>


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<pubDate>Tue, 25 Sep 00:47:00 GMT</pubDate>
<itunes:duration>01:11:24</itunes:duration>
<itunes:keywords>contemporary, envelope, competition, evolution, frieze, art, fair</itunes:keywords>
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<item>
<title>The Future of the Exhibition</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work?</itunes:subtitle>
<itunes:summary>Roger M. Buergel, Exhibition Organiser and Author, Lecturer in Visual Art Theory at Lüneburg University, Germany and Artistic Director, ‘documenta XII’ (2007), discussed curatorial methods and aesthetic experience with Jörg Heiser, co-Editor of frieze. What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work? Can the renegotiation of these relationships really be made productive?</itunes:summary>
<description>Roger M. Buergel, Exhibition Organiser and Author, Lecturer in Visual Art Theory at Lüneburg University, Germany and Artistic Director, ‘documenta XII’ (2007), discussed curatorial methods and aesthetic experience with Jörg Heiser, co-Editor of frieze. What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work? Can the renegotiation of these relationships really be made productive?</description>


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<pubDate>Tue, 25 Sep 00:45:00 GMT</pubDate>
<itunes:duration>00:56:25</itunes:duration>
<itunes:keywords>future, exhibition, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048751/The_Future_of_Exhibitions.mp3" fileSize="10157363" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048751/The_Future_of_Exhibitions.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2005/The_Future_of_Exhibitions.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048751/The_Future_of_Exhibitions.mp3" length="10157363" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2005/The_Future_of_Exhibitions.mp3</feedburner:origEnclosureLink></item>

<item>
<title>How has Art Changed?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Art and the structures surrounding it have changed significantly over the past 40 years.</itunes:subtitle>
<itunes:summary>Art and the structures surrounding it have changed significantly over the past 40 years. The panel addressed major shifts in art education, artistic, feminist and curatorial practice, and the expanded geography of the art world.</itunes:summary>
<description>Art and the structures surrounding it have changed significantly over the past 40 years. The panel addressed major shifts in art education, artistic, feminist and curatorial practice, and the expanded geography of the art world.</description>


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<pubDate>Tue, 25 Sep 00:42:00 GMT</pubDate>
<itunes:duration>01:07:51</itunes:duration>
<itunes:keywords>changed, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048753/How_has_art_changed.mp3" fileSize="12215837" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048753/How_has_art_changed.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2005/How_has_art_changed.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048753/How_has_art_changed.mp3" length="12215837" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2005/How_has_art_changed.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Architecture and the Museum</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn.</itunes:subtitle>
<itunes:summary>Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn, Director, Design Museum, London. Recipient of the Pritzker prize, Hadid recently designed the Rosenthal Centre for Contemporary Art, Cincinatti and is renowned for her commitment to revolutionary forms and ideas. Here she talks to Alice Rawsthorn, about her practice and her particular involvement with key cultural projects.</itunes:summary>
<description>Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn, Director, Design Museum, London. Recipient of the Pritzker prize, Hadid recently designed the Rosenthal Centre for Contemporary Art, Cincinatti and is renowned for her commitment to revolutionary forms and ideas. Here she talks to Alice Rawsthorn, about her practice and her particular involvement with key cultural projects.</description>


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<pubDate>Tue, 25 Sep 00:39:00 GMT</pubDate>
<itunes:duration>00:59:37</itunes:duration>
<itunes:keywords>architecture, museum, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048754/Architecture_and_The_Museum.mp3" fileSize="10734515" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048754/Architecture_and_The_Museum.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2005/Architecture_and_The_Museum.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048754/Architecture_and_The_Museum.mp3" length="10734515" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2005/Architecture_and_The_Museum.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The Dilemma of Collecting: The Search for Meaning in a Time of Consensus and High Profit</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A frank conversation between three curators about the challenges facing private and public contemporary art collections.</itunes:subtitle>
<itunes:summary>A frank conversation between three curators about the challenges facing private and public contemporary art collections.</itunes:summary>
<description>A frank conversation between three curators about the challenges facing private and public contemporary art collections.</description>


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<pubDate>Tue, 25 Sep 00:36:00 GMT</pubDate>
<itunes:duration>00:39:20</itunes:duration>
<itunes:keywords>dilemma, collecting, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048755/Dilemma_of_Collecting_Pt1.mp3" fileSize="9444779" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048755/Dilemma_of_Collecting_Pt1.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2005/Dilemma_of_Collecting_Pt1.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048755/Dilemma_of_Collecting_Pt1.mp3" length="9444779" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2005/Dilemma_of_Collecting_Pt1.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Where is Adventure? What is Culture?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably.</itunes:subtitle>
<itunes:summary>A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably.</itunes:summary>
<description>A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably.</description>


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<pubDate>Tue, 25 Sep 00:19:00 GMT</pubDate>
<itunes:duration>01:11:14</itunes:duration>
<itunes:keywords>adventure, culture, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048757/Where_is_Adventure.mp3" fileSize="12826879" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048757/Where_is_Adventure.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2004/Where_is_Adventure.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048757/Where_is_Adventure.mp3" length="12826879" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2004/Where_is_Adventure.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The Psychology of Collecting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the psychology of collecting and the politics of taste.</itunes:subtitle>
<itunes:summary>Is collecting an irrational act guided by compulsion and desire? What are the use of objects? What are the motivations behind making, collecting, curating and criticizing art? A discussion of the psychology of collecting and the politics of taste.</itunes:summary>
<description>Is collecting an irrational act guided by compulsion and desire? What are the use of objects? What are the motivations behind making, collecting, curating and criticizing art? A discussion of the psychology of collecting and the politics of taste.</description>


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<pubDate>Tue, 25 Sep 00:17:00 GMT</pubDate>
<itunes:duration>01:13:22</itunes:duration>
<itunes:keywords>psychology, collecting, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048758/The_Psychology_of_Collecting.mp3" fileSize="13210709" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048758/The_Psychology_of_Collecting.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2004/The_Psychology_of_Collecting.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048758/The_Psychology_of_Collecting.mp3" length="13210709" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2004/The_Psychology_of_Collecting.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Art In Public</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the production of art with a specific focus on commissioning large-scale public art projects</itunes:subtitle>
<itunes:summary>A discussion of the production of art with a specific focus on commissioning large-scale public art projects. What is at stake for the artist? The producer? The wider community?</itunes:summary>
<description>A discussion of the production of art with a specific focus on commissioning large-scale public art projects. What is at stake for the artist? The producer? The wider community?</description>


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<pubDate>Tue, 25 Sep 00:15:00 GMT</pubDate>
<itunes:duration>01:24:51</itunes:duration>
<itunes:keywords>art, public, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048759/Art_in_Public.mp3" fileSize="15277829" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048759/Art_in_Public.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2004/Art_in_Public.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048759/Art_in_Public.mp3" length="15277829" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2004/Art_in_Public.mp3</feedburner:origEnclosureLink></item>

<item>
<title>New Internationalism</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How can discourse keep up with information? Leading art professionals discuss.</itunes:subtitle>
<itunes:summary>Does the rapid development of new art centres encourage greater cultural diversity, or has it resulted in a new international orthodoxy? How can discourse keep up with information? Leading art professionals discuss.</itunes:summary>
<description>Does the rapid development of new art centres encourage greater cultural diversity, or has it resulted in a new international orthodoxy? How can discourse keep up with information? Leading art professionals discuss.</description>


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<pubDate>Tue, 25 Sep 00:13:00 GMT</pubDate>
<itunes:duration>01:26:03</itunes:duration>
<itunes:keywords>new, internationalism</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048760/New_Internationalism.mp3" fileSize="15493397" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048760/New_Internationalism.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2004/New_Internationalism.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048760/New_Internationalism.mp3" length="15493397" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2004/New_Internationalism.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The Future Museum</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How does the construction of the buildings that house art effect the way museums function?</itunes:subtitle>
<itunes:summary>How does the construction of the buildings that house art effect the way museums function? What is the role of the museum within local and international fields? Can museum programming embrace both experimentation and conservation? What is the vision for the museum of the future?</itunes:summary>
<description>How does the construction of the buildings that house art effect the way museums function? What is the role of the museum within local and international fields? Can museum programming embrace both experimentation and conservation? What is the vision for the museum of the future?</description>


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<pubDate>Tue, 25 Sep 00:11:00 GMT</pubDate>
<itunes:duration>01:34:49</itunes:duration>
<itunes:keywords>future, museum, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048761/The_Future_Museum.mp3" fileSize="17071709" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048761/The_Future_Museum.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2004/The_Future_Museum.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048761/The_Future_Museum.mp3" length="17071709" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2004/The_Future_Museum.mp3</feedburner:origEnclosureLink></item>

<item>
<title>Contemporary Collecting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>What are the motivations and responsibilities behind building a contemporary art collection?</itunes:subtitle>
<itunes:summary>What are the motivations and responsibilities behind building a contemporary art collection? From public foundations to private individuals, the panelists discuss their collections followed by questions from the chair.</itunes:summary>
<description>What are the motivations and responsibilities behind building a contemporary art collection? From public foundations to private individuals, the panelists discuss their collections followed by questions from the chair.</description>


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<pubDate>Tue, 25 Sep 00:08:00 GMT</pubDate>
<itunes:duration>01:12:10</itunes:duration>
<itunes:keywords>contemporary, collecting, frieze, art, fair</itunes:keywords>
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<item>
<title>Radical Chic: The marketing of culture, the culture of marketing</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Leading art and media professionals discuss the culture of marketing and the marketing of culture.</itunes:subtitle>
<itunes:summary>If convergence culture now dominates and everyone is a 'Creative', how do artists position themselves? Leading art and media professionals discuss the culture of marketing and the marketing of culture.</itunes:summary>
<description>If convergence culture now dominates and everyone is a 'Creative', how do artists position themselves? Leading art and media professionals discuss the culture of marketing and the marketing of culture.</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2003/Marketing_Culture.mp3</guid>
<pubDate>Tue, 25 Sep 00:05:00 GMT</pubDate>
<itunes:duration>01:18:40</itunes:duration>
<itunes:keywords>marketing, culture, frieze, art, fair</itunes:keywords>
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<item>
<title>Empathy and Criticality</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How should one respond to being affected by art?</itunes:subtitle>
<itunes:summary>How should one respond to being affected by art? What is at stake for the critic? Leading critics discuss writing with the emotional engagement of the enthusiastic fan or with the rational distance of the dispassionate observer.</itunes:summary>
<description>How should one respond to being affected by art? What is at stake for the critic? Leading critics discuss writing with the emotional engagement of the enthusiastic fan or with the rational distance of the dispassionate observer.</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2003/Criticism.mp3</guid>
<pubDate>Tue, 25 Sep 00:02:00 GMT</pubDate>
<itunes:duration>01:10:05</itunes:duration>
<itunes:keywords>criticism, empathy, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048766/Criticism.mp3" fileSize="17589963" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048766/Criticism.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2003/Criticism.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048766/Criticism.mp3" length="17589963" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2003/Criticism.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The International Curator</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The International Curator</itunes:subtitle>
<itunes:summary>Aesthetic managers? Creative ambassadors? Cultural entrepreneurs? Leading international curators discuss their role within the production and dissemination of contemporary art.</itunes:summary>
<description>Aesthetic managers? Creative ambassadors? Cultural entrepreneurs? Leading international curators discuss their role within the production and dissemination of contemporary art.</description>


<guid isPermaLink="false">http://www.friezefoundation.org/mp3/2003/The_International_Curator.mp3</guid>
<pubDate>Tue, 25 Sep 00:00:00 GMT</pubDate>
<itunes:duration>01:15:06</itunes:duration>
<itunes:keywords>international, curator, frieze, art, fair</itunes:keywords>
<author>info@frieze.com</author><media:content url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048767/The_International_Curator.mp3" fileSize="10015586" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><link>http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~3/161048767/The_International_Curator.mp3</link><feedburner:origLink>http://www.friezefoundation.org/mp3/2003/The_International_Curator.mp3</feedburner:origLink><enclosure url="http://feeds.feedburner.com/~r/FriezeArtFairPodcasts/~5/161048767/The_International_Curator.mp3" length="10015586" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.friezefoundation.org/mp3/2003/The_International_Curator.mp3</feedburner:origEnclosureLink></item>

<item>
<title>The Museum as Sculpture</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The Museum as Sculpture</itunes:subtitle>
<itunes:summary>Do spectacular new museum buildings overshadow the art or do they determine the shape of art to come? Leading professionals discuss the interrelationship of art and architecture.</itunes:summary>
<description>Do spectacular new museum buildings overshadow the art or do they determine the shape of art to come? Leading professionals discuss the interrelationship of art and architecture.</description>


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<pubDate>Mon, 24 Sep 23:57:00 GMT</pubDate>
<itunes:duration>00:59:24</itunes:duration>
<itunes:keywords>museum, sculpture, frieze, art, fair</itunes:keywords>
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<item>
<title>Good Taste? Bad Taste?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring the role of taste in the visual arts today.</itunes:subtitle>
<itunes:summary>A discussion exploring the role of taste in the visual arts today. How is individual taste formed? What does taste mean today?</itunes:summary>
<description>A discussion exploring the role of taste in the visual arts today. How is individual taste formed? What does taste mean today?</description>


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<pubDate>Sat, 18 Aug 09:50:00 GMT</pubDate>
<itunes:duration>00:59:02</itunes:duration>
<itunes:keywords>frieze, talks, 2006</itunes:keywords>
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<media:credit role="author">Matthew Slotover</media:credit><media:rating>nonadult</media:rating><media:description type="plain">The annual Frieze Art Fair</media:description></channel>
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