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<channel>
<title>Frieze Art Fair Podcasts</title>
<link>http://www.friezeartfair.com/podcasts/</link>
<language>en-us</language>
<copyright>℗ &amp; © 2007 Frieze Art Fair</copyright>
<itunes:subtitle>The annual Frieze Art Fair</itunes:subtitle>
<itunes:author>Matthew Slotover</itunes:author>
<itunes:summary>Frieze Art Fair was established in 2003 and takes place every October in Regent’s Park, London. The fair provides an environment to introduce and showcase new and established artist to visitors from around the world.</itunes:summary>
<description>Frieze Art Fair was established in 2003 and takes place every October in Regent’s Park, London. The fair provides an environment to introduce and showcase new and established artist to visitors from around the world.</description>
<itunes:owner>
<itunes:name>Matthew Slotover</itunes:name>
<itunes:email>info@frieze.com</itunes:email>
</itunes:owner>
<itunes:image href="http://www.friezeartfair.com/casts/faf_podcast_logo.jpg" />
<itunes:category text="Visual Arts">
</itunes:category>
 

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<title>John Bock in Conversation with Franz Erhard Walther</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2011</itunes:subtitle>
<itunes:summary>Since the early 1960s, Franz Erhard Walther has explored the possibilities of objects and images that prompt viewers to do something other than just look. Walther was an inspirational teacher at Hamburg’s Hochschule für Bildende Künste, and John Bock was one of his students. Bock’s work - in the spirit of Walther’s - transforms action, speech and everyday materials into complex installations. The two artists discuss the potential of doing things with - and amongst - art.</itunes:summary>
<description><![CDATA[Since the early 1960s, Franz Erhard Walther has explored the possibilities of objects and images that prompt viewers to do something other than just look. Walther was an inspirational teacher at Hamburg’s Hochschule für Bildende Künste, and John Bock was one of his students. Bock’s work - in the spirit of Walther’s - transforms action, speech and everyday materials into complex installations. The two artists discuss the potential of doing things with - and amongst - art. ]]></description>
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<pubDate>Sun, 16 Oct 09:19:29 GMT</pubDate>
<itunes:duration>01:17:25</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Daniel Buren</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2011</itunes:subtitle>
<itunes:summary>In a career spanning 40 years, Daniel Buren has created art in public spaces, written critical texts and collaborated with artists from different generations. His work is always site specific and characterised by its use of contrasting coloured vertical stripes, most notably Two Planes (1986) for the courtyard of the Palais Royal, Paris. In 2011 he created work for Turner Contemporary Margate and was honoured with a retrospective at the Centre Pompidou-Metz. For Frieze Talks, Buren speaks about his approach to his work’s complex relationship to the space in which it is presented.</itunes:summary>
<description><![CDATA[In a career spanning 40 years, Daniel Buren has created art in public spaces, written critical texts and collaborated with artists from different generations. His work is always site specific and characterised by its use of contrasting coloured vertical stripes, most notably Two Planes (1986) for the courtyard of the Palais Royal, Paris. In 2011 he created work for Turner Contemporary Margate and was honoured with a retrospective at the Centre Pompidou-Metz. For Frieze Talks, Buren speaks about his approach to his work’s complex relationship to the space in which it is presented. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2011/04_Daniel_Buren.mp3</guid>
<pubDate>Sat, 15 Oct 10:09:32 GMT</pubDate>
<itunes:duration>01:25:35</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>The Luxury of Incommensurability</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2011</itunes:subtitle>
<itunes:summary>Unlike politics and writing, art can hold in suspension different, even conflicting ideas, feelings and histories, without forcing us to choose between them. This capacity for incommensurability allows for experiences not socially recognised - as yet not named. Siegel presents a paper arguing that the most exciting form this takes today is painting, in which abstraction and representation intersect and interfere with each other, continuing the secret and long history of modern painting, obscured by decades of ideologically rigid art criticism.</itunes:summary>
<description><![CDATA[Unlike politics and writing, art can hold in suspension different, even conflicting ideas, feelings and histories, without forcing us to choose between them. This capacity for incommensurability allows for experiences not socially recognised - as yet not named. Siegel presents a paper arguing that the most exciting form this takes today is painting, in which abstraction and representation intersect and interfere with each other, continuing the secret and long history of modern painting, obscured by decades of ideologically rigid art criticism. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2011/02_Katy_Seigal.mp3</guid>
<pubDate>Sat, 15 Oct 10:06:17 GMT</pubDate>
<itunes:duration>01:05:43</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Bridget Riley</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>Novelist, essayist and cultural commentator Bracewell spoke to artist Riley about the evolution of her ground-breaking work from the 1960s to the present.</itunes:summary>
<description><![CDATA[Novelist, essayist and cultural commentator Bracewell spoke to artist Riley about the evolution of her ground-breaking work from the 1960s to the present.]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Riley.mp3</guid>
<pubDate>Mon, 18 Apr 08:11:30 GMT</pubDate>
<itunes:duration>00:49:38</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Ramin Bahrani</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>Hailed &amp;prime;director of the decade&amp;prime; (Roger Ebert ), Bahrani has eloquently told the story of US immigrants in films such as Chop Shop (2007) and Goodbye Solo (2008). Born to Iranian parents, he is at the forefront of &amp;prime;Neo-Neo Realism&amp;prime;. In conversation with Rebhandl, Bahrani discussed the &amp;prime;neo&amp;prime; in realism, and how its limits can be pushed.</itunes:summary>
<description><![CDATA[Hailed &prime;director of the decade&prime; (Roger Ebert ), Bahrani has eloquently told the story of US immigrants in films such as Chop Shop (2007) and Goodbye Solo (2008). Born to Iranian parents, he is at the forefront of &prime;Neo-Neo Realism&prime;. In conversation with Rebhandl, Bahrani discussed the &prime;neo&prime; in realism, and how its limits can be pushed. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Ramin_Bahrani.mp3</guid>
<pubDate>Mon, 25 Oct 07:18:29 GMT</pubDate>
<itunes:duration>01:11:59</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Exhibition Making as Activism</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>myriad of approaches are taken by artists, writers and curators whose work responds to complex social issues and political situations. To what extent do the political and personal intersect? Can art be effective activism and vice versa?</itunes:summary>
<description><![CDATA[myriad of approaches are taken by artists, writers and curators whose work responds to complex social issues and political situations. To what extent do the political and personal intersect? Can art be effective activism and vice versa? ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Exhibition_Activism.mp3</guid>
<pubDate>Mon, 25 Oct 07:15:13 GMT</pubDate>
<itunes:duration>01:24:59</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Susan Hiller</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>In anticipation of Hiller&amp;prime;’s upcoming retrospective at Tate Britain, the American, London-based artist discusses with a California-based, British art historian, the transatlantic conundrums of conceptualism, and the role of humour and the unconscious in the creative act.</itunes:summary>
<description><![CDATA[In anticipation of Hiller&prime;’s upcoming retrospective at Tate Britain, the American, London-based artist discusses with a California-based, British art historian, the transatlantic conundrums of conceptualism, and the role of humour and the unconscious in the creative act. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Susan_Hiller.mp3</guid>
<pubDate>Sun, 17 Oct 14:35:52 GMT</pubDate>
<itunes:duration>01:10:23</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Reference vs Reverence</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>Many of the late-born children of modernism are creating an art caught in a web of historic references. Could reverence, summoning the ghosts and uncharted potentials of unavowed histories, be a critical counter-model?</itunes:summary>
<description><![CDATA[Many of the late-born children of modernism are creating an art caught in a web of historic references. Could reverence, summoning the ghosts and uncharted potentials of unavowed histories, be a critical counter-model? ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/reference_reverence.mp3</guid>
<pubDate>Sun, 17 Oct 14:31:54 GMT</pubDate>
<itunes:duration>01:24:47</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Jeffrey Valance</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>For his commission for Frieze Projects, artist Vallance will present a panel discussion featuring five mediums each channeling the spirits of famous artists such as Marcel Duchamp, Vincent van Gogh, Frida Kahlo, Jackson Pollock and Leonardo da Vinci.The artists will be asked questions on the role of art in the afterworld, and their opinions on the art market in the living world. The panel will open to audience questions at the end of the discussion.</itunes:summary>
<description><![CDATA[For his commission for Frieze Projects, artist Vallance will present a panel discussion featuring five mediums each channeling the spirits of famous artists such as Marcel Duchamp, Vincent van Gogh, Frida Kahlo, Jackson Pollock and Leonardo da Vinci.The artists will be asked questions on the role of art in the afterworld, and their opinions on the art market in the living world. The panel will open to audience questions at the end of the discussion. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Jeffrey_Valance.mp3</guid>
<pubDate>Sat, 16 Oct 09:35:30 GMT</pubDate>
<itunes:duration>01:10:11</itunes:duration>
<itunes:keywords>Frieze Projects 2010</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Julie Ault</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Art Fair 2010</itunes:subtitle>
<itunes:summary>Van der Heide will discuss the aesthetic and political legacy of the legendary New York-based art collaborative Group Material, with co-founder Julie Ault.</itunes:summary>
<description><![CDATA[Van der Heide will discuss the aesthetic and political legacy of the legendary New York-based art collaborative Group Material, with co-founder Julie Ault. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Julie_Ault.mp3</guid>
<pubDate>Sat, 16 Oct 09:34:16 GMT</pubDate>
<itunes:duration>01:05:11</itunes:duration>
<itunes:keywords>Frieze Projects 2010</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Amar Kanwar</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>Kanwar&amp;prime;’s films and installations are multi-layered contemporary experiences connecting intimate personal histories with the wider politics of power, violence, sexuality and justice. Characterised by a distinctly lyrical approach to the social and political, Kanwar&amp;prime;’s work has been presented in film festivals and museums. He has participated in documenta 11 and documenta 12, Kassel, Germany and is also the recipient of the first Edvard Munch Award for Contemporary Art, Norway.</itunes:summary>
<description><![CDATA[Kanwar&prime;’s films and installations are multi-layered contemporary experiences connecting intimate personal histories with the wider politics of power, violence, sexuality and justice. Characterised by a distinctly lyrical approach to the social and political, Kanwar&prime;’s work has been presented in film festivals and museums. He has participated in documenta 11 and documenta 12, Kassel, Germany and is also the recipient of the first Edvard Munch Award for Contemporary Art, Norway. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Amar_Kanwar.mp3</guid>
<pubDate>Sat, 16 Oct 09:31:00 GMT</pubDate>
<itunes:duration>00:46:46</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Wolfgang Tillmans</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A keynote lecture by the London-based artist</itunes:subtitle>
<itunes:summary>For 20 years Tillmans&amp;prime;’ photography has been a sustained meditation on observation and perception, politics and abstraction. Winner of the Turner Prize in 2000, recent exhibitions include the Hamburger Bahnhof, Berlin in 2008 and London&amp;prime;’s Serpentine Gallery this year. In 2009 his work was included in &amp;prime;‘Making Worlds&amp;prime;’ at the 53rd Venice Biennale.</itunes:summary>
<description><![CDATA[For 20 years Tillmans&prime;’ photography has been a sustained meditation on observation and perception, politics and abstraction. Winner of the Turner Prize in 2000, recent exhibitions include the Hamburger Bahnhof, Berlin in 2008 and London&prime;’s Serpentine Gallery this year. In 2009 his work was included in &prime;‘Making Worlds&prime;’ at the 53rd Venice Biennale. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Wolfgang_Tillmans.mp3</guid>
<pubDate>Sat, 16 Oct 09:28:18 GMT</pubDate>
<itunes:duration>01:28:53</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Whats So Funny</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>Artists who use humour respond to the questions: Are art and comedy a great double act or the odd couple? What are the uses of humour in artistic practice?</itunes:summary>
<description><![CDATA[Artists who use humour respond to the questions: Are art and comedy a great double act or the odd couple? What are the uses of humour in artistic practice?]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Whats_So_Funny.mp3</guid>
<pubDate>Sat, 16 Oct 09:26:35 GMT</pubDate>
<itunes:duration>01:09:54</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Who Owns Images</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2010</itunes:subtitle>
<itunes:summary>In today’s digital world, even the most basic laptop or phone comes with tools allowing us to process pictures, video or sound. How do changes in technology affect the ownership of images?</itunes:summary>
<description><![CDATA[In today’s digital world, even the most basic laptop or phone comes with tools allowing us to process pictures, video or sound. How do changes in technology affect the ownership of images? ]]></description>
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<guid>http://www.friezeartfair.com/casts/2010/Who_Owns_Images.mp3</guid>
<pubDate>Sat, 16 Oct 09:24:27 GMT</pubDate>
<itunes:duration>01:24:14</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Frieze Projects: Mike Bouchet</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Frieze Projects 2009.</itunes:subtitle>
<itunes:summary>For his commission, Sell and Destroy: Redrawing the Bottom Line, Mike Bouchet presented a motivational speaker for the exhibitors and public of Frieze Art Fair.</itunes:summary>
<description><![CDATA[For his commission, Sell and Destroy: Redrawing the Bottom Line, Mike Bouchet presented a motivational speaker for the exhibitors and public of Frieze Art Fair.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2009/Mike_Bouchet_Presents_Alex_MacPhail.mp3" type="audio/mpeg" length="40137354" />

<guid>http://www.friezeartfair.com/casts/2009/Mike_Bouchet_Presents_Alex_MacPhail.mp3</guid>
<pubDate>Wed, 21 Oct 17:27:00 GMT</pubDate>
<itunes:duration>01:00:00</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>Hella Jongerius in conversation with Eugenia Bell</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Hella Jongerius in conversation with Eugenia Bell</itunes:subtitle>
<itunes:summary>Hella Jongerius in conversation with Eugenia Bell.</itunes:summary>
<description><![CDATA[Hella Jongerius in conversation with Eugenia Bell.]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/Hella_Jongerius.mp3</guid>
<pubDate>Wed, 21 Oct 17:25:00 GMT</pubDate>
<itunes:duration>01:00:00</itunes:duration>
<itunes:keywords>art, design,</itunes:keywords>
</item>

<item>
<title>CAC Vilnius presents: Memories, Monoliths, Monsters?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Monuments, sculptures, collective memory and histories.</itunes:subtitle>
<itunes:summary>This panel explored the legacies and potential of monuments and public sculptures. The speakers addressed the types of histories and collective memory with which these objects interact.</itunes:summary>
<description><![CDATA[This panel explored the legacies and potential of monuments and public sculptures. The speakers addressed the types of histories and collective memory with which these objects interact.]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/CAC_Vilnius_Monuments.mp3</guid>
<pubDate>Wed, 21 Oct 17:23:00 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>A Talk: Agnès Varda</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A Talk: Agnes Varda.</itunes:subtitle>
<itunes:summary>A Talk: Agnes Varda.</itunes:summary>
<description><![CDATA[A Talk: Agnes Varda.]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/A_Talk_Agnes_Varda.mp3</guid>
<pubDate>Wed, 21 Oct 17:22:00 GMT</pubDate>
<itunes:duration>01:00:00</itunes:duration>
<itunes:keywords>art,</itunes:keywords>
</item>

<item>
<title>The Art of Absence: Brian Dillon in Conversation with Marie Darrieussecq</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>In conversation with French novelist Marie Darrieussecq.</itunes:subtitle>
<itunes:summary>Acclaimed French novelist Marie Darrieussecq talked about the names that have influenced her radical approaches to writing and storytelling.</itunes:summary>
<description><![CDATA[Acclaimed French novelist Marie Darrieussecq talked about the names that have influenced her radical approaches to writing and storytelling. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/Absence_Brian_and_Marie.mp3</guid>
<pubDate>Wed, 21 Oct 17:20:00 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>art, literature,</itunes:keywords>
</item>

<item>
<title>Nostalgia: What’s the Role of the Past in Fashioning the Future?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Nostalgia and cultural production today.</itunes:subtitle>
<itunes:summary>Cultural production today is dominated by images and sounds of the past.</itunes:summary>
<description><![CDATA[Cultural production today is dominated by images and sounds of the past. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/Nostalgia.mp3</guid>
<pubDate>Wed, 21 Oct 17:17:00 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>art</itunes:keywords>
</item>

<item>
<title>Art and the State: Back to New Deal Funding?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The pros and cons of state funded art.</itunes:subtitle>
<itunes:summary>The pros and cons of state funded art and cultural production at a moment of severe economic crisis.</itunes:summary>
<description><![CDATA[The pros and cons of state funded art and cultural production at a moment of severe economic crisis. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/Art_and_the_State.mp3</guid>
<pubDate>Sun, 18 Oct 10:26:00 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>frieze, arts, funding,</itunes:keywords>
</item>

<item>
<title>Scenes from a Marriage: Have Art and Theory Drifted Apart?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The relationship between art and theory.</itunes:subtitle>
<itunes:summary>The relationship between art and theory.</itunes:summary>
<description><![CDATA[The relationship between art and theory. ]]></description>
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<guid>http://www.friezeartfair.com/casts/2009/Scenes_from_a_Marriage_Art_and_Theory.mp3</guid>
<pubDate>Sun, 18 Oct 10:23:01 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>art, theory, frieze,</itunes:keywords>
</item>

<item>
<title>In Theory: Sylvère Lotringer</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Sylvere Lotringer on the relationship between art and theory.</itunes:subtitle>
<itunes:summary>Since the 1970s, Sylvere Lotringer has been at the forefront of French Theory in the US. He reflected on the current relationship between art and theory.</itunes:summary>
<description><![CDATA[Since the 1970s, Sylvere Lotringer has been at the forefront of French Theory in the US. He reflected on the current relationship between art and theory. ]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2009/In_Theory_Sylvere.mp3" type="audio/mpeg" length="90771856" />

<guid>http://www.friezeartfair.com/casts/2009/In_Theory_Sylvere.mp3</guid>
<pubDate>Sun, 18 Oct 10:18:00 GMT</pubDate>
<itunes:duration>01:30:00</itunes:duration>
<itunes:keywords>art, frieze, lotringer, philosophy, theory</itunes:keywords>
</item>

<item>
<title>John Baldessari in conversation with Matthew Higgs</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>John Baldessari in conversation.</itunes:subtitle>
<itunes:summary>Artist John Baldessari in conversation.</itunes:summary>
<description><![CDATA[Artist John Baldessari in conversation.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2009/John_Baldessari.mp3" type="audio/mpeg" length="46378739" />

<guid>http://www.friezeartfair.com/casts/2009/John_Baldessari.mp3</guid>
<pubDate>Fri, 16 Oct 17:07:29 GMT</pubDate>
<itunes:duration>00:55:00</itunes:duration>
<itunes:keywords>art, john baldessari, matthew higgs, contemporary art, arts, frieze, frieze art fair, frieze foundation,</itunes:keywords>
</item>

<item>
<title>Platitudes about Contemporary Art – Popular and Provocative, but True?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Arguing against platitudes about contemporary art.</itunes:subtitle>
<itunes:summary>Arguing against a range of platitudes about contemporary art.</itunes:summary>
<description><![CDATA[Arguing against a range of platitudes about contemporary art. ]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2009/Platitudes_In_Contemporary_Art.mp3" type="audio/mpeg" length="67327271" />

<guid>http://www.friezeartfair.com/casts/2009/Platitudes_In_Contemporary_Art.mp3</guid>
<pubDate>Fri, 16 Oct 17:04:00 GMT</pubDate>
<itunes:duration>01:10:00</itunes:duration>
<itunes:keywords>art, contemporary art, frieze art fair</itunes:keywords>
</item>

<item>
<title>Is the Underground Over?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A panel on the underground chaired by Simon Reynolds</itunes:subtitle>
<itunes:summary>Music critic Simon Reynolds chairs a panel that examines the notion of a subculture.</itunes:summary>
<description><![CDATA[Music critic Simon Reynolds chairs a panel that examines the notion of a subculture.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/10_is_there_an_underground.mp3" type="audio/mpeg" length="44302318" />

<guid>http://www.friezeartfair.com/casts/2008/10_is_there_an_underground.mp3</guid>
<pubDate>Fri, 24 Oct 10:59:01 GMT</pubDate>
<itunes:duration>01:41:28</itunes:duration>
<itunes:keywords>simon, reynolds, contemporary, art, rock, music, dance, underground</itunes:keywords>
</item>

<item>
<title>Something for Everyone</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A keynote lecture by architect and artist Fritz Haeg</itunes:subtitle>
<itunes:summary>Artist, writer, architect, educator, ecologist and radical gardener Fritz Haeg gave a keynote talk exploring populist projects, insular bohemia, activist art, passive entertainment, networked communication, broadcast media, social strategies of isolation, and potential roles for today&amp;prime;s artist in a fractured society.</itunes:summary>
<description><![CDATA[Artist, writer, architect, educator, ecologist and radical gardener Fritz Haeg gave a keynote talk exploring populist projects, insular bohemia, activist art, passive entertainment, networked communication, broadcast media, social strategies of isolation, and potential roles for today&prime;s artist in a fractured society.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/09%20Something%20for%20everyone.mp3" type="audio/mpeg" length="37653214" />

<guid>http://www.friezeartfair.com/casts/2008/09%20Something%20for%20everyone.mp3</guid>
<pubDate>Fri, 24 Oct 10:54:00 GMT</pubDate>
<itunes:duration>01:26:11</itunes:duration>
<itunes:keywords>Fritz, Haeg, frieze, art, fair, talks, magazine, contemporary, architecture,</itunes:keywords>
</item>

<item>
<title>Transhumance</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A performance by Raqs Media Collective</itunes:subtitle>
<itunes:summary>Raqs Media Collective performed a selection of reports and conversations gathered from their nomadic practices as artists, curators and theorists.</itunes:summary>
<description><![CDATA[Raqs Media Collective performed a selection of reports and conversations gathered from their nomadic practices as artists, curators and theorists.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/08%20Transhumance.mp3" type="audio/mpeg" length="47638886" />

<guid>http://www.friezeartfair.com/casts/2008/08%20Transhumance.mp3</guid>
<pubDate>Fri, 24 Oct 10:51:00 GMT</pubDate>
<itunes:duration>00:54:32</itunes:duration>
<itunes:keywords>raqs, media, collective, frieze, art, fair, magazine, talks, contemporary, indian</itunes:keywords>
</item>

<item>
<title>The Culture of Denial</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A keynote lecture by influential writer and broadcaster Judith Williamson</itunes:subtitle>
<itunes:summary>Influential writer, broadcaster and lecturer Judith Williamson gave a keynote lecture on the skewed relationship between what we known and what we do, examining how the gulf between knowledge and behaviour shapes contemporary culture.</itunes:summary>
<description><![CDATA[Influential writer, broadcaster and lecturer Judith Williamson gave a keynote lecture on the skewed relationship between what we known and what we do, examining how the gulf between knowledge and behaviour shapes contemporary culture.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/11%20The%20culture%20of%20denial.mp3" type="audio/mpeg" length="36367781" />

<guid>http://www.friezeartfair.com/casts/2008/11%20The%20culture%20of%20denial.mp3</guid>
<pubDate>Fri, 24 Oct 10:48:00 GMT</pubDate>
<itunes:duration>01:23:11</itunes:duration>
<itunes:keywords>judith williamson, frieze, art, fair, talks, magazine, contemporary</itunes:keywords>
</item>

<item>
<title>In Memory of the Image</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A panel discussion on the increasing mobility of images chaired by Tate curator Stuart Comer</itunes:subtitle>
<itunes:summary>This panel chaired by curator Stuart Comer looked at the proliferation, immediacy and increasing mobility of images.</itunes:summary>
<description><![CDATA[This panel chaired by curator Stuart Comer looked at the proliferation, immediacy and increasing mobility of images.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/07%20In%20Memory%20of%20the%20Image.mp3" type="audio/mpeg" length="41362393" />

<guid>http://www.friezeartfair.com/casts/2008/07%20In%20Memory%20of%20the%20Image.mp3</guid>
<pubDate>Fri, 24 Oct 10:10:01 GMT</pubDate>
<itunes:duration>01:34:44</itunes:duration>
<itunes:keywords>contemporary, art, frieze, fair, talks,</itunes:keywords>
</item>

<item>
<title>The First Pictures I Enjoyed</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Writer and artist Alasdair Gray in conversation with novelist Tom McCarthy.</itunes:subtitle>
<itunes:summary>Writer and artist Alasdair Gray in conversation with novelist and artist Tom McCarthy.</itunes:summary>
<description><![CDATA[Writer and artist Alasdair Gray in conversation with novelist and artist Tom McCarthy.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/05%20The%20first%20pictures%20I%20enjoyed.mp3" type="audio/mpeg" length="15876287" />

<guid>http://www.friezeartfair.com/casts/2008/05%20The%20first%20pictures%20I%20enjoyed.mp3</guid>
<pubDate>Fri, 17 Oct 17:11:01 GMT</pubDate>
<itunes:duration>01:12:40</itunes:duration>
<itunes:keywords>tom mccarthy, alisdair gray, frieze talks, frieze art fair, contemporary art,</itunes:keywords>
</item>

<item>
<title>It’s About Time</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A panel discussion on temporality in art exhibitions</itunes:subtitle>
<itunes:summary>Chaired by Jennifer Allen (Writer and Critic), this discussion explored the recent emphasis on temporality in art exhibitions. While considering historical and philosophical precedents, the panel looked at how and why time has become a tool for curators, and questioned the political implications of such an approach.</itunes:summary>
<description><![CDATA[Chaired by Jennifer Allen (Writer and Critic), this discussion explored the recent emphasis on temporality in art exhibitions. While considering historical and philosophical precedents, the panel looked at how and why time has become a tool for curators, and questioned the political implications of such an approach.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/04%20its%20about%20time.mp3" type="audio/mpeg" length="22071278" />

<guid>http://www.friezeartfair.com/casts/2008/04%20its%20about%20time.mp3</guid>
<pubDate>Fri, 17 Oct 16:56:00 GMT</pubDate>
<itunes:duration>01:40:53</itunes:duration>
<itunes:keywords>contemporary art, frieze art fair, frieze talks,</itunes:keywords>
</item>

<item>
<title>A Personal Grammar of Means</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Artist Marc Camille Chaimowicz in conversation with writer and art historian Roger Cook.</itunes:subtitle>
<itunes:summary>Artist Marc Camille Chaimowicz in conversation with writer and art historian Roger Cook.</itunes:summary>
<description><![CDATA[Artist Marc Camille Chaimowicz in conversation with writer and art historian Roger Cook.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2008/02%20Marc%20Camille%20Chaimowicz.mp3" type="audio/mpeg" length="20722941" />

<guid>http://www.friezeartfair.com/casts/2008/02%20Marc%20Camille%20Chaimowicz.mp3</guid>
<pubDate>Fri, 17 Oct 16:47:01 GMT</pubDate>
<itunes:duration>01:34:53</itunes:duration>
<itunes:keywords>marc camille Chaimowicz, frieze art fair, contemporary art, frieze talks</itunes:keywords>
</item>

<item>
<title>Cultural Cartography: Does Art Travel?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Can art really speak across borders?</itunes:subtitle>
<itunes:summary>A discussion chaired by Philippe Vergne (Chief Curator and Deputy Director, Walker Art Center) focusing on whether art can really speak across borders. What happens when the local becomes global?</itunes:summary>
<description><![CDATA[A discussion chaired by Philippe Vergne (Chief Curator and Deputy Director, Walker Art Center) focusing on whether art can really speak across borders. What happens when the local becomes global? ]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/does_art_travel.mp3" type="audio/mpeg" length="72418850" />

<guid>http://www.friezeartfair.com/casts/2007/does_art_travel.mp3</guid>
<pubDate>Fri, 19 Oct 19:42:00 GMT</pubDate>
<itunes:duration>01:15:26</itunes:duration>
<itunes:keywords>frieze, art, fair, across, borders, travel</itunes:keywords>
</item>

<item>
<title>Custodians of Culture: Schoolyard Art: Playing Fair Without the Referee</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Dave Hickey on the subject of selling without selling out.</itunes:subtitle>
<itunes:summary>Dave Hickey (Cultural Critic and Professor of English, University of Nevada, Las Vegas) will present a keynote lecture on the subject of selling without selling out focusing on how sites of commerce have evolved from the white cube to the art fair.</itunes:summary>
<description><![CDATA[Dave Hickey (Cultural Critic and Professor of English, University of Nevada, Las Vegas) will present a keynote lecture on the subject of selling without selling out focusing on how sites of commerce have evolved from the white cube to the art fair. ]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/schoolyard_art_playing_fair_without_the_referee.mp3" type="audio/mpeg" length="35902592" />

<guid>http://www.friezeartfair.com/casts/2007/schoolyard_art_playing_fair_without_the_referee.mp3</guid>
<pubDate>Thu, 18 Oct 00:53:00 GMT</pubDate>
<itunes:duration>00:37:23</itunes:duration>
<itunes:keywords>dave, hickey, selling, out, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Theory and Practice: Thierry de Duve</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Thierry de Duve presents a keynote lecture.</itunes:subtitle>
<itunes:summary>Thierry de Duve (Historian and Theorist of contemporary art and Professor at University of Lille III) will present a keynote lecture. Dedicated to a reinterpretation of Modernism and an examination of its legacies, de Duve is author of several books  including Kant after Duchamp (1996) and the forthcoming Held Together with Water: Art from the Verbund Collection.</itunes:summary>
<description><![CDATA[Thierry de Duve (Historian and Theorist of contemporary art and Professor at University of Lille III) will present a keynote lecture. Dedicated to a reinterpretation of Modernism and an examination of its legacies, de Duve is author of several books  including <em>Kant after Duchamp</em> (1996) and the forthcoming <em>Held Together with Water: Art from the Verbund Collection</em>.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/war_and_art_in_the_global_village.mp3" type="audio/mpeg" length="77248786" />

<guid>http://www.friezeartfair.com/casts/2007/war_and_art_in_the_global_village.mp3</guid>
<pubDate>Sat, 13 Oct 20:35:00 GMT</pubDate>
<itunes:duration>01:20:27</itunes:duration>
<itunes:keywords>frieze, art, fair, keynote</itunes:keywords>
</item>

<item>
<title>Custodians of Culture: The Museum: Institutions of Market or Measure?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Examining the changing relationship between museums, artists, their sponsors and patrons.</itunes:subtitle>
<itunes:summary>A discussion chaired by Massimiliano Gioni (Artistic Director, Nicola Trussardi Foundation, Milan and Curator of Special Exhibitions, New Museum, New York) examining the changing relationship between museums, artists, their sponsors and patrons.</itunes:summary>
<description><![CDATA[A discussion chaired by Massimiliano Gioni (Artistic Director, Nicola Trussardi Foundation, Milan and Curator of Special Exhibitions, New Museum, New York) examining the changing relationship between museums, artists, their sponsors and patrons. ]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/the_museum_institions_of_market_or_measure.mp3" type="audio/mpeg" length="88649459" />

<guid>http://www.friezeartfair.com/casts/2007/the_museum_institions_of_market_or_measure.mp3</guid>
<pubDate>Sat, 13 Oct 20:13:00 GMT</pubDate>
<itunes:duration>01:32:20</itunes:duration>
<itunes:keywords>frieze, art, fair, museums, artists, sponsors, patrons</itunes:keywords>
</item>

<item>
<title>The Expanded Gallery: I Am Not a Flopper Or…</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Mario Garcia Torres reframes the body of work of film auteur Allen Smithee.</itunes:subtitle>
<itunes:summary>For Frieze Art Fair 2007 Mario Garcia Torres will reframe the body of work of film auteur Allen Smithee through a series of interventions around the fair. Smithee will deliver a keynote lecture elaborating the complex relationships between his public persona and the long filmography for which he has become known.</itunes:summary>
<description><![CDATA[For Frieze Art Fair 2007 Mario Garcia Torres will reframe the body of work of film auteur <a href="http://foundation.erskinedesign.com/biography/profile/allen_smithee/">Allen Smithee</a> through a series of interventions around the fair. Smithee will deliver a keynote lecture elaborating the complex relationships between his public persona and the long filmography for which he has become known.]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/i_am_not_a_flopper.mp3" type="audio/mpeg" length="32334056" />

<guid>http://www.friezeartfair.com/casts/2007/i_am_not_a_flopper.mp3</guid>
<pubDate>Sat, 13 Oct 19:45:01 GMT</pubDate>
<itunes:duration>00:33:40</itunes:duration>
<itunes:keywords>torres, film, auteur, allen, smithee</itunes:keywords>
</item>

<item>
<title>Theory and Practice: Art Education Today</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Have market forces created an emphasis on product over process?</itunes:subtitle>
<itunes:summary>A discussion chaired by Ralph Rugoff (Director, Hayward Gallery) questioning whether market forces have created an emphasis on product over process. Does the current art school curriculum reflect our times?</itunes:summary>
<description><![CDATA[A discussion chaired by Ralph Rugoff (Director, Hayward Gallery) questioning whether market forces have created an emphasis on product over process. Does the current art school curriculum reflect our times?]]></description>
<enclosure url="http://www.friezeartfair.com/casts/2007/art_education_today.mp3" type="audio/mpeg" length="75680185" />

<guid>http://www.friezeartfair.com/casts/2007/art_education_today.mp3</guid>
<pubDate>Sat, 13 Oct 19:28:01 GMT</pubDate>
<itunes:duration>01:18:49</itunes:duration>
<itunes:keywords>frieze, art, fair, product, process, market</itunes:keywords>
</item>

<item>
<title>Lethal Theory: Organized Violence and Informal Cities</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Eyal Weizman delivers a keynote lecture.</itunes:subtitle>
<itunes:summary>Eyal Weizman, Architect, Writer and Director of Goldsmiths College’s Centre of Research Architecture delivered a keynote lecture critiquing military action and the imagination of urban areas.</itunes:summary>
<description><![CDATA[Eyal Weizman, Architect, Writer and Director of Goldsmiths College’s Centre of Research Architecture delivered a keynote lecture critiquing military action and the imagination of urban areas.

]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/eyal.mp3" type="audio/mpeg" length="31108859" />

<guid>http://www.friezefoundation.org/mp3/2006/eyal.mp3</guid>
<pubDate>Tue, 25 Sep 09:12:00 GMT</pubDate>
<itunes:duration>01:26:24</itunes:duration>
<itunes:keywords>organized, violence, cities, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>What Are We Building Now? The Architectonics of Power: Space and the City in Global Realities</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring architecture, urban planning and cultural imagination.</itunes:subtitle>
<itunes:summary>A discussion exploring architecture, urban planning and cultural imagination. What are the new visions and sensations of space, place, boundary and limit?</itunes:summary>
<description><![CDATA[A discussion exploring architecture, urban planning and cultural imagination. What are the new visions and sensations of space, place, boundary and limit?]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/architec.mp3" type="audio/mpeg" length="30292662" />

<guid>http://www.friezefoundation.org/mp3/2006/architec.mp3</guid>
<pubDate>Tue, 25 Sep 09:09:00 GMT</pubDate>
<itunes:duration>01:12:07</itunes:duration>
<itunes:keywords>global, realities, architecture, urban, planning, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Ruins of the Twentieth Century</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The traditional ruin is an aesthetic compromise between nature and artifice</itunes:subtitle>
<itunes:summary>The traditional ruin is an aesthetic compromise between nature and artifice — it embodies the moment when nature begins to reclaim what man has made. This discussion explored the artistic, architectural and cultural remains of the recent past, and imagine what it means to inhabit the ruins of the future.</itunes:summary>
<description><![CDATA[The traditional ruin is an aesthetic compromise between nature and artifice — it embodies the moment when nature begins to reclaim what man has made. This discussion explored the artistic, architectural and cultural remains of the recent past, and imagine what it means to inhabit the ruins of the future.]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/ruins.mp3" type="audio/mpeg" length="25842730" />

<guid>http://www.friezefoundation.org/mp3/2006/ruins.mp3</guid>
<pubDate>Tue, 25 Sep 09:07:00 GMT</pubDate>
<itunes:duration>01:11:47</itunes:duration>
<itunes:keywords>ruins, century, aesthetic, nature, artifice</itunes:keywords>
</item>

<item>
<title>Criticizing the Critics</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Artist Adrian Piper delivered a keynote lecture</itunes:subtitle>
<itunes:summary>Artist Adrian Piper delivered a keynote lecture dissecting the activity of criticism and considering several different models according to which this activity might be understood — and misunderstood — by proponents of different models, according to their interests and roles in the art world. The lecture was followed by a Q&amp;A with Jörg Heiser, Co-editor of frieze magazine.</itunes:summary>
<description><![CDATA[Artist Adrian Piper delivered a keynote lecture dissecting the activity of criticism and considering several different models according to which this activity might be understood — and misunderstood — by proponents of different models, according to their interests and roles in the art world. The lecture was followed by a Q&A with Jörg Heiser, Co-editor of frieze magazine.]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/piper.mp3" type="audio/mpeg" length="36127347" />

<guid>http://www.friezefoundation.org/mp3/2006/piper.mp3</guid>
<pubDate>Tue, 25 Sep 09:05:00 GMT</pubDate>
<itunes:duration>01:40:21</itunes:duration>
<itunes:keywords>critics, criticism, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Conceptual Painting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring the relationship between the legacies of conceptualism and contemporary painting</itunes:subtitle>
<itunes:summary>A discussion exploring the relationship between the legacies of conceptualism and contemporary painting. How can we establish criteria for discussing the relationship between conceptual practice and painting today?</itunes:summary>
<description><![CDATA[A discussion exploring the relationship between the legacies of conceptualism and contemporary painting. How can we establish criteria for discussing the relationship between conceptual practice and painting today?]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/painting.mp3" type="audio/mpeg" length="42501120" />

<guid>http://www.friezefoundation.org/mp3/2006/painting.mp3</guid>
<pubDate>Tue, 25 Sep 09:03:00 GMT</pubDate>
<itunes:duration>01:58:03</itunes:duration>
<itunes:keywords>painting, conceptual, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Seven Easy Pieces Or How To Perform</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Artist Marina Abramovic delivered a keynote lecture.</itunes:subtitle>
<itunes:summary>Artist Marina Abramovic delivered a keynote lecture on the situation of performance today and its development since the 1970s.</itunes:summary>
<description><![CDATA[Artist Marina Abramovic delivered a keynote lecture on the situation of performance today and its development since the 1970s.]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/perform.mp3" type="audio/mpeg" length="27801130" />

<guid>http://www.friezefoundation.org/mp3/2006/perform.mp3</guid>
<pubDate>Tue, 25 Sep 09:01:00 GMT</pubDate>
<itunes:duration>01:17:13</itunes:duration>
<itunes:keywords>perform, seven, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Art, Writing, Performativity</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A conversation between Eve Kosofsky Sedgwick and Gavin Butt.</itunes:subtitle>
<itunes:summary>A conversation between Eve Kosofsky Sedgwick, distinguished Professor of English, City University of New York Graduate Center and Gavin Butt, Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London.</itunes:summary>
<description><![CDATA[A conversation between Eve Kosofsky Sedgwick, distinguished Professor of English, City University of New York Graduate Center and Gavin Butt, Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London.]]></description>
<enclosure url="http://www.friezefoundation.org/mp3/2006/artwrip.mp3" type="audio/mpeg" length="27946266" />

<guid>http://www.friezefoundation.org/mp3/2006/artwrip.mp3</guid>
<pubDate>Tue, 25 Sep 08:59:00 GMT</pubDate>
<itunes:duration>01:17:37</itunes:duration>
<itunes:keywords>writing, performativity, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Taste: Factories in the Snow</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Liam Gillick keynote lecture.</itunes:subtitle>
<itunes:summary>A keynote lecture on the commercialization of culture. Issues raised related to constructions of taste, the leisure industry and the hegemony of hyper-capitalist service industries.</itunes:summary>
<description><![CDATA[A keynote lecture on the commercialization of culture. Issues raised related to constructions of taste, the leisure industry and the hegemony of hyper-capitalist service industries.]]></description>
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<pubDate>Tue, 25 Sep 08:57:00 GMT</pubDate>
<itunes:duration>01:19:46</itunes:duration>
<itunes:keywords>liam, gillick, taste, snow, frieze, art, fiar</itunes:keywords>
</item>

<item>
<title>Art, Politics and Popularity</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How has the relationship between aesthetics and democracy been reconfigured?</itunes:subtitle>
<itunes:summary>Jacques Rancière, renowned philosopher, and Emeritus Professor, University of Paris VIII, whose most recent publication, The Politics of Aesthetics, has won critical acclaim, discussed aesthetics and politics with Brian Dillon, Writer, Art Critic and frieze Columnist. If art is political, what is its constituency? How have modern and contemporary art addressed the idea of a people? How has the relationship between aesthetics and democracy been reconfigured?</itunes:summary>
<description><![CDATA[Jacques Rancière, renowned philosopher, and Emeritus Professor, University of Paris VIII, whose most recent publication, The Politics of Aesthetics, has won critical acclaim, discussed aesthetics and politics with Brian Dillon, Writer, Art Critic and frieze Columnist. If art is political, what is its constituency? How have modern and contemporary art addressed the idea of a people? How has the relationship between aesthetics and democracy been reconfigured?]]></description>
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<pubDate>Tue, 25 Sep 08:51:00 GMT</pubDate>
<itunes:duration>01:05:44</itunes:duration>
<itunes:keywords>politics, popularity, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Picturing the Future</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The panel examined the relationship between contemporary culture and our imagining of the future</itunes:subtitle>
<itunes:summary>Combining cultural history and discussions of artistic practice, the panel examined the relationship between contemporary culture and our imagining of the future.</itunes:summary>
<description><![CDATA[Combining cultural history and discussions of artistic practice, the panel examined the relationship between contemporary culture and our imagining of the future.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2005/Picturing_The_Future.mp3</guid>
<pubDate>Tue, 25 Sep 08:49:00 GMT</pubDate>
<itunes:duration>01:16:37</itunes:duration>
<itunes:keywords>picturing, future, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Contemporary Art Versus Its Envelope: Competition and Co-Evolution</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Thomas Crow delivered a keynote lecture.</itunes:subtitle>
<itunes:summary>Thomas Crow, Director, Getty Research Institute and Professor of Art History, University of South California, Los Angeles, delivered a keynote lecture. Crow, the author of such seminal art history texts as Modern Art in the Common Culture (1996) and The Intelligence of Art (1999), proposes that the contemporary hyper-expansion of the spaces for art has decisively altered the character of the art designed to fill them. The talk considered the ways in which ‘institutional critique’ in art practice since the 1960s has laid the ground for a Baroque efflorescence of art’s apparatus of display.</itunes:summary>
<description><![CDATA[Thomas Crow, Director, Getty Research Institute and Professor of Art History, University of South California, Los Angeles, delivered a keynote lecture. Crow, the author of such seminal art history texts as Modern Art in the Common Culture (1996) and The Intelligence of Art (1999), proposes that the contemporary hyper-expansion of the spaces for art has decisively altered the character of the art designed to fill them. The talk considered the ways in which ‘institutional critique’ in art practice since the 1960s has laid the ground for a Baroque efflorescence of art’s apparatus of display.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2005/Art_vs_its_Envelope.mp3</guid>
<pubDate>Tue, 25 Sep 08:47:00 GMT</pubDate>
<itunes:duration>01:11:24</itunes:duration>
<itunes:keywords>contemporary, envelope, competition, evolution, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>The Future of the Exhibition</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work?</itunes:subtitle>
<itunes:summary>Roger M. Buergel, Exhibition Organiser and Author, Lecturer in Visual Art Theory at Lüneburg University, Germany and Artistic Director, ‘documenta XII’ (2007), discussed curatorial methods and aesthetic experience with Jörg Heiser, co-Editor of frieze. What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work? Can the renegotiation of these relationships really be made productive?</itunes:summary>
<description><![CDATA[Roger M. Buergel, Exhibition Organiser and Author, Lecturer in Visual Art Theory at Lüneburg University, Germany and Artistic Director, ‘documenta XII’ (2007), discussed curatorial methods and aesthetic experience with Jörg Heiser, co-Editor of frieze. What are the tensions between curator and artist, aesthetics and politics and between thematic display and the single work? Can the renegotiation of these relationships really be made productive? ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2005/The_Future_of_Exhibitions.mp3</guid>
<pubDate>Tue, 25 Sep 08:45:00 GMT</pubDate>
<itunes:duration>00:56:25</itunes:duration>
<itunes:keywords>future, exhibition, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>How has Art Changed?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Art and the structures surrounding it have changed significantly over the past 40 years.</itunes:subtitle>
<itunes:summary>Art and the structures surrounding it have changed significantly over the past 40 years. The panel addressed major shifts in art education, artistic, feminist and curatorial practice, and the expanded geography of the art world.</itunes:summary>
<description><![CDATA[Art and the structures surrounding it have changed significantly over the past 40 years. The panel addressed major shifts in art education, artistic, feminist and curatorial practice, and the expanded geography of the art world.]]></description>
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<pubDate>Tue, 25 Sep 08:42:00 GMT</pubDate>
<itunes:duration>01:07:51</itunes:duration>
<itunes:keywords>changed, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Architecture and the Museum</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn.</itunes:subtitle>
<itunes:summary>Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn, Director, Design Museum, London. Recipient of the Pritzker prize, Hadid recently designed the Rosenthal Centre for Contemporary Art, Cincinatti and is renowned for her commitment to revolutionary forms and ideas. Here she talks to Alice Rawsthorn, about her practice and her particular involvement with key cultural projects.</itunes:summary>
<description><![CDATA[Zaha Hadid, one of the world’s leading architects in conversation with Alice Rawsthorn, Director, Design Museum, London. Recipient of the Pritzker prize, Hadid recently designed the Rosenthal Centre for Contemporary Art, Cincinatti and is renowned for her commitment to revolutionary forms and ideas. Here she talks to Alice Rawsthorn, about her practice and her particular involvement with key cultural projects. ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2005/Architecture_and_The_Museum.mp3</guid>
<pubDate>Tue, 25 Sep 08:39:00 GMT</pubDate>
<itunes:duration>00:59:37</itunes:duration>
<itunes:keywords>architecture, museum, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>The Dilemma of Collecting: The Search for Meaning in a Time of Consensus and High Profit</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A frank conversation between three curators about the challenges facing private and public contemporary art collections.</itunes:subtitle>
<itunes:summary>A frank conversation between three curators about the challenges facing private and public contemporary art collections.</itunes:summary>
<description><![CDATA[A frank conversation between three curators about the challenges facing private and public contemporary art collections.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2005/Dilemma_of_Collecting_Pt1.mp3</guid>
<pubDate>Tue, 25 Sep 08:36:00 GMT</pubDate>
<itunes:duration>00:39:20</itunes:duration>
<itunes:keywords>dilemma, collecting, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Where is Adventure? What is Culture?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably.</itunes:subtitle>
<itunes:summary>A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably.</itunes:summary>
<description><![CDATA[A discussion of the relationship of art to entertainment, touching on the comedic, being popular and failing miserably. ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2004/Where_is_Adventure.mp3</guid>
<pubDate>Tue, 25 Sep 08:19:00 GMT</pubDate>
<itunes:duration>01:11:14</itunes:duration>
<itunes:keywords>adventure, culture, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>The Psychology of Collecting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the psychology of collecting and the politics of taste.</itunes:subtitle>
<itunes:summary>Is collecting an irrational act guided by compulsion and desire? What are the use of objects? What are the motivations behind making, collecting, curating and criticizing art? A discussion of the psychology of collecting and the politics of taste.</itunes:summary>
<description><![CDATA[Is collecting an irrational act guided by compulsion and desire? What are the use of objects? What are the motivations behind making, collecting, curating and criticizing art? A discussion of the psychology of collecting and the politics of taste. ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2004/The_Psychology_of_Collecting.mp3</guid>
<pubDate>Tue, 25 Sep 08:17:00 GMT</pubDate>
<itunes:duration>01:13:22</itunes:duration>
<itunes:keywords>psychology, collecting, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Art In Public</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion of the production of art with a specific focus on commissioning large-scale public art projects</itunes:subtitle>
<itunes:summary>A discussion of the production of art with a specific focus on commissioning large-scale public art projects. What is at stake for the artist? The producer? The wider community?</itunes:summary>
<description><![CDATA[A discussion of the production of art with a specific focus on commissioning large-scale public art projects. What is at stake for the artist? The producer? The wider community? ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2004/Art_in_Public.mp3</guid>
<pubDate>Tue, 25 Sep 08:15:00 GMT</pubDate>
<itunes:duration>01:24:51</itunes:duration>
<itunes:keywords>art, public, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>New Internationalism</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How can discourse keep up with information? Leading art professionals discuss.</itunes:subtitle>
<itunes:summary>Does the rapid development of new art centres encourage greater cultural diversity, or has it resulted in a new international orthodoxy? How can discourse keep up with information? Leading art professionals discuss.</itunes:summary>
<description><![CDATA[Does the rapid development of new art centres encourage greater cultural diversity, or has it resulted in a new international orthodoxy? How can discourse keep up with information? Leading art professionals discuss. ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2004/New_Internationalism.mp3</guid>
<pubDate>Tue, 25 Sep 08:13:00 GMT</pubDate>
<itunes:duration>01:26:03</itunes:duration>
<itunes:keywords>new, internationalism</itunes:keywords>
</item>

<item>
<title>The Future Museum</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How does the construction of the buildings that house art effect the way museums function?</itunes:subtitle>
<itunes:summary>How does the construction of the buildings that house art effect the way museums function? What is the role of the museum within local and international fields? Can museum programming embrace both experimentation and conservation? What is the vision for the museum of the future?</itunes:summary>
<description><![CDATA[How does the construction of the buildings that house art effect the way museums function? What is the role of the museum within local and international fields? Can museum programming embrace both experimentation and conservation? What is the vision for the museum of the future? ]]></description>
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<guid>http://www.friezefoundation.org/mp3/2004/The_Future_Museum.mp3</guid>
<pubDate>Tue, 25 Sep 08:11:00 GMT</pubDate>
<itunes:duration>01:34:49</itunes:duration>
<itunes:keywords>future, museum, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Contemporary Collecting</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>What are the motivations and responsibilities behind building a contemporary art collection?</itunes:subtitle>
<itunes:summary>What are the motivations and responsibilities behind building a contemporary art collection? From public foundations to private individuals, the panelists discuss their collections followed by questions from the chair.</itunes:summary>
<description><![CDATA[What are the motivations and responsibilities behind building a contemporary art collection? From public foundations to private individuals, the panelists discuss their collections followed by questions from the chair.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2003/Contemporary_Collecting.mp3</guid>
<pubDate>Tue, 25 Sep 08:08:00 GMT</pubDate>
<itunes:duration>01:12:10</itunes:duration>
<itunes:keywords>contemporary, collecting, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Radical Chic: The marketing of culture, the culture of marketing</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>Leading art and media professionals discuss the culture of marketing and the marketing of culture.</itunes:subtitle>
<itunes:summary>If convergence culture now dominates and everyone is a 'Creative', how do artists position themselves? Leading art and media professionals discuss the culture of marketing and the marketing of culture.</itunes:summary>
<description><![CDATA[If convergence culture now dominates and everyone is a 'Creative', how do artists position themselves? Leading art and media professionals discuss the culture of marketing and the marketing of culture.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2003/Marketing_Culture.mp3</guid>
<pubDate>Tue, 25 Sep 08:05:00 GMT</pubDate>
<itunes:duration>01:18:40</itunes:duration>
<itunes:keywords>marketing, culture, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Empathy and Criticality</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>How should one respond to being affected by art?</itunes:subtitle>
<itunes:summary>How should one respond to being affected by art? What is at stake for the critic? Leading critics discuss writing with the emotional engagement of the enthusiastic fan or with the rational distance of the dispassionate observer.</itunes:summary>
<description><![CDATA[How should one respond to being affected by art? What is at stake for the critic? Leading critics discuss writing with the emotional engagement of the enthusiastic fan or with the rational distance of the dispassionate observer.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2003/Criticism.mp3</guid>
<pubDate>Tue, 25 Sep 08:02:00 GMT</pubDate>
<itunes:duration>01:10:05</itunes:duration>
<itunes:keywords>criticism, empathy, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>The International Curator</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The International Curator</itunes:subtitle>
<itunes:summary>Aesthetic managers? Creative ambassadors? Cultural entrepreneurs? Leading international curators discuss their role within the production and dissemination of contemporary art.</itunes:summary>
<description><![CDATA[Aesthetic managers? Creative ambassadors? Cultural entrepreneurs? Leading international curators discuss their role within the production and dissemination of contemporary art.]]></description>
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<guid>http://www.friezefoundation.org/mp3/2003/The_International_Curator.mp3</guid>
<pubDate>Tue, 25 Sep 08:00:00 GMT</pubDate>
<itunes:duration>01:15:06</itunes:duration>
<itunes:keywords>international, curator, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>The Museum as Sculpture</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>The Museum as Sculpture</itunes:subtitle>
<itunes:summary>Do spectacular new museum buildings overshadow the art or do they determine the shape of art to come? Leading professionals discuss the interrelationship of art and architecture.</itunes:summary>
<description><![CDATA[Do spectacular new museum buildings overshadow the art or do they determine the shape of art to come? Leading professionals discuss the interrelationship of art and architecture.
]]></description>
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<guid>http://www.friezefoundation.org/mp3/2003/The_Museum_as_Sculpture.mp3</guid>
<pubDate>Tue, 25 Sep 07:57:00 GMT</pubDate>
<itunes:duration>00:59:24</itunes:duration>
<itunes:keywords>museum, sculpture, frieze, art, fair</itunes:keywords>
</item>

<item>
<title>Good Taste? Bad Taste?</title>
<itunes:author>Frieze Art Fair</itunes:author>
<itunes:subtitle>A discussion exploring the role of taste in the visual arts today.</itunes:subtitle>
<itunes:summary>A discussion exploring the role of taste in the visual arts today. How is individual taste formed? What does taste mean today?</itunes:summary>
<description><![CDATA[A discussion exploring the role of taste in the visual arts today. How is individual taste formed? What does taste mean today?]]></description>

<guid>http://faf.erskinedesign.com/casts/taste.mp3</guid>
<pubDate>Sat, 18 Aug 17:50:00 GMT</pubDate>
<itunes:duration>00:59:02</itunes:duration>
<itunes:keywords>frieze, talks, 2006</itunes:keywords>
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